An estampie is a medieval quizlet

    • [PDF File]Medieval Terms - Western Michigan University

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      Estampie: A "stomping" Medieval instrumental dance that is usually monophonic. Lai: A lyrical narrative sung poem from the 1200s/1300s that usually deals with tales of adventure and romance. Madrigal: In the late Middle Ages, this term refers to a briefly-popular type of composition for two voices in the Trecento Italian style of the 1300s.


    • [PDF File]Unit 3 Medieval Listening Examples - Unatego

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      Title: Estampie Composer: anon Genre: estampie Characteristics Texture: homophonic Text: none Voicing/Instrumentation: pipe & rebec What I heard: Number: 3.4 Track 1/68 pg 84 Title: Alleluia: Nativitas Composer: Perotin Genre: organum Characteristics Texture: polyphonic Text: Latin Voicing/Instrumentation: male chorus What I heard:


    • [PDF File]Study Guide for the Music History Placement Exam

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      in graduate course work. The exam covers the entirety of Western music history (medieval period through the present). It consists of: I. an association chart for the basic periods, concepts, and figures of Western music history; II. twenty-four multiple-choice questions responding to six different listening excerpts from famous musical works; III.


    • [PDF File]Estampie Chivalry Courtly love Troubadours Trouvères

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      Chapter 11: Secular Medieval Music I. Music flourished outside cathedrals and monasteries a. Secular music written for: i. Court occasions ii. Secular love songs iii. Dances and other types of popular entertainment 1. Estampie b. Secular music not as well preserved as sacred c. Musical Instruments i. Plucked string instruments ii.


    • [PDF File]Medieval Music - Unatego

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      Medieval Church Church was the primary music institution Music was heard (chant) ... Listening #3-Estampie (CD 1:67 read paragraph on pg. 82) Homework Medieval Instrument


    • [PDF File]PowerPoint Presentation - Music: An Appreciation by Roger Kamien

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      Estampie Medieval (Middle Ages) dance music –Notated as chant: only a single melody line Triple meter with strong beat (for dancing) Listening example—Brief Set, CD 1:51 - Performers probably improvised accompaniment –This performance played on period instruments - Melody played on rebec (bowed string instrument and pipe


    • Medieval Instrumental Dance Music - JSTOR

      and dance music made by medieval music theorists, poets, and chroni-clers, with the repertory of textless dances-Estampie, Ductia, Nota, Saltarello, dance pairs, and so forth-and with the author's own hy-potheses concerning the physical execution and choreography of these dances. It concludes with a valuable chapter on the various aspects of


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