Aristotle and tragedy

    • [DOC File]Roman Tragedy - University of Oxford

      https://info.5y1.org/aristotle-and-tragedy_1_bec652.html

      8 Roman Tragedy. Elaine Fantham. 1. Introduction : From Greek to Roman Tragedy. It is a misfortune and irony of the history of tragic drama at Rome that complete texts have only survived from its …

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    • [DOC File]Aristotle’s Poetics

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      : Aristotle describes catharsis as the purging of the emotions of pity and fear that are aroused in the viewer of a tragedy, which is part of the positive social function of tragedy. Aristotle’s Six Components of Tragedy. 1. Plot: The most important of the six components of tragedy, plot is the representation of …

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    • [DOC File]Outline of Aristotle's Theory of Tragedy

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      Aristotle was a great admirer of Sophocles’ Oedipus the King, considering it the perfect tragedy, and not surprisingly, his analysis fits that play most perfectly. I shall therefore use this play to illustrate the following major parts of Aristotle's analysis of tragedy as a literary genre.

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    • [DOCX File]From Poetics:

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      Aristotle, from Poetics:. Tragedy is mimesis [representation] of an action that is serious, complete, and possessing profound implications, in embellished lexis [speech or diction], each kind of which is used separately in the different parts, in the mode of action and not narrated, and bringing about through pity and fear the catharsis

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    • [DOC File]From Poetics:

      https://info.5y1.org/aristotle-and-tragedy_1_ad00f7.html

      Aristotle, from Poetics: Tragedy is an imitation of an action that is serious, complete, and possessing magnitude; in embellished language, each kind of which is used separately in the different parts; in the mode of action and not narrated; and bringing about through pity and fear the catharsis of such emotions.

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    • [DOC File]Aristotle’s Poetics: Comedies and Tragedies

      https://info.5y1.org/aristotle-and-tragedy_1_fb719b.html

      Aristotle goes on to say that tragedy effects "the catharsis of these emotions"—in effect arrousing pity and fear only to purge them, as when we exit a scary movie feeling relieved or exhilarated. * The tragic hero must be essentially admirable and good. As Aristotle points out, the fall of a scoundrel or villain evokes applause rather than pity.

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    • [DOC File]Aristotle 'On Tragedy'

      https://info.5y1.org/aristotle-and-tragedy_1_431327.html

      Aristotle "On Tragedy" [This is a selection from Aristotle’s book called The Poetics.] Tragedy defined: “imitation of an action”: he is similar to Plato in that he says it is imitation, but makes it imitation of action not of character…

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    • [DOC File]Elements of Classical Tragedy, per Aristotle

      https://info.5y1.org/aristotle-and-tragedy_1_4791a6.html

      3. Audience - The audience may feel empathy for the tragic man because his story is believable and common. Unlike classical tragedy, where the tragic hero is collectively and publicly mourned, the modern tragic hero may pass into death without recognition and ceremony. Aristotle's Characteristics of the Tragic Man. 1. A belief in his own freedom

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    • [DOC File]Tragedy - Mrs. Tully's Website for Students

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      Aristotle defined tragedy as “the imitation of an action that is serious and also, as having magnitude, complete in itself,” in the medium of poetic language, and in the manner of dramatic rather than narrative presentation, incorporating “incidents arousing pity and fear, wherewith to accomplish the catharsis of …

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    • [DOC File]ARISTOTLE & THE ELEMENTS OF TRAGEDY

      https://info.5y1.org/aristotle-and-tragedy_1_2b96b4.html

      The basic difference Aristotle draws between tragedy and other genres, such as comedy and the epic, is the "tragic pleasure of pity and fear" the audience feel watching a tragedy. In order for the tragic hero to arouse these feelings in the audience, he cannot be either all good or all evil but must be someone the audience can identify with ...

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