Best tube mic preamp
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As for Input 2, the best "rule" to go by is to set Input 2 to Variax (or Mic or Aux - any unused input) by default. (I prefer Variax because it is a digital signal, so there's no input noise.) If you're using dual amps and aren't getting output from Channel B, you need a mono-summing effect in front the channel split.
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Apr 17, 2009 · [Pacifica preamp] in constant use by world-class engineer-producers such as Ted Perlman (Chicago, Bob Dylan), Ronan Chris Murphy (King Crimson, Terry Bozzio) [link to Harmony Central videos] and Tony Sheppard (Madonna, Kenny Loggins).
The 10 Best Microphone Preamps 2021 | Consordini
The MA-200 really shines on acoustic guitar. I used it along with a Daking mic preamp and a Tube-Tech CL1B compressor to record a Taylor 514-CE and ended up with one of the finest acoustic sounds I've ever attained. I placed the mic about ten inches away from the guitar, slightly up the The MA-200 really shines on acoustic guitar.
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Acoustic guitar We've been told by a couple of engineers that the Distressor is one of the best sounding units for acoustic they've ever heard. Use 6:1, [ 7, 2, 5, 7] settings (i.e. Input 7, Attack 2, Release 5, Output 7). High-pass (HP) is often useful in both detector and audio modes.
[DOC File]Mojave Audio MA-200 Tube Microphone
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Explain the Miller Effect, and the vast operating differentials between the Tube and Discrete microphone preamps, and be sure to have the students notate the sonic characteristics of each type of preamp as well. Class Day 2. Mono Recording Techniques. and applications. Mic Axis, proximity, placement. Vocals/Voice Over. Instruments. Direct ...
[DOCX File]Appendix A – Line 6 Effect Processing Diagrams
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“I’ll always place one big mic, like a U47 (Neumann) or a ribbon mic such as a Coles or Royer, five or six feet in front of the drums,” confides Grammy-winning engineer Jay Newland (Norah Jones). “I try to get the whole drum set to sound good through that one mic and then put it through an 1176. That’s the secret weapon track.
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