Blues singers from the 1920s
[DOC File]Notes for Black Music in the Harlem Renaissance Presentation
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Jan 10, 2006 · When blacks began migrating north in the 1920s, singers such as Bessie Smith, Ma Rainey, and Sara Martin brought the blues with them. These singers cultivated their fan base through live performances in traveling vaudeville shows. By the 1940s–and with significant urban influences–the blues developed into rhythmand- blues, which singers such as Muddy Waters helped to popularize.
[DOC File]Article Jazzfurschung
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The Rise of Jazz: Ragtime and Blues. ... Name some famous blues singers. Which two blues musicians developed instrumental styles for the art form? Many blues are built on a standard harmonic plan that fills out 12 measures divided into 3 phrases. Which phrases are the same? ... In the 1920s/30, small Dixieland jazz combos expanded. ...
MUSC 450 The Music of Black Americans
Lovie Austin and Her Blues Serenaders. It was issued on Paramount 12278 with the title Charleston, South Carolina with a vocal by Priscilla Stewart, perhaps the only 1920s recording to feature a vocal. Conclusion. The Charleston was introduced in New York in late 1923, and, within a little over a year, became a world-wide craze.
[DOC File]Ma Rainey's Black Bottom | Ma Rainey’s Black Bottom ...
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This notorious crossroads myth has been attached to blues music ever since musicians from the 1920s and 1930s began mentioning the dark Lord in their recordings. Even prior to that, blues had the stigma of being known as ‘the Devil’s music’, particularly by church-going African-Americans.
Essential Early Blues Artists
Titon, op. cit., 148. According to Titon, it was David Evans who first noted that the alternation between duple and triple rhythms typified the blues songs of singers living in Jackson, Mississippi, in the 1920s. Ibid., 146. Discography “Movin Along”: Portrait Of Wes, RLP-9492 “Something Like Bags”: So Much Guitar! Wes Montgomery, RLP-9382
[DOCX File]Oxford University Press
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The 1920s were a complex and interesting time in American cultural history. ... The music of jazz musicians like Duke Ellington and Fletcher Henderson or that of classic blues singers like Bessie Smith were seen as “folk forms” that needed to be transformed along the same lines as European composers like Mussorgsky and Bartók had ...
[DOC File]United States of America in Oxford Music Online
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Bessie Smith (July, 1892 or April, 1894 – September 26, 1937) was the most popular and successful female American blues singer of the 1920s and 1930s,[1] and a strong influence on subsequent generations, including Billie Holiday, Mahalia Jackson, Nina Simone and Janis Joplin.
[DOC File]James Price Johnson ( February 1, 1894 – November 17, 1955)
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Crazy Blues" prompted other record companies to also try to find other female blues singers that could match the sales of "Crazy Blues". It was a very important record, because it opened the doors of the recording industry to African-Americans, whether they were Blues, Jazz or popular singers or musicians.
[DOC File]: The Power of Imagination and Creativity in Blues Music
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Recordings of blues were made by black singers as early as 1920, and the unexpectedly strong reception they received from record buyers—mostly black, since the records were issued on ‘race’ labels that circulated chiefly where blacks lived—helped to create a new branch of the popular music industry.
[DOC File]The Harlem Renaissance (also known as the Black Literary ...
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Women Gospel Artists. Mahalia Jackson: Queen of Gospel Brass Bands and Dance Orchestras in New Orleans. Readings: Southern, Music of Black Americans, pages, 332-364. (Article) Eastman, Ralph. Country Blues Performance and the Oral Tradition. (Article) Taylor, Jeffrey J. Earl Hines's Piano Style in the 1920s: A Historical and Analytical
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