Country music lyrics by phrase

    • [DOC File]Baha’i Songbook

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      (Music and lyrics by Dan Seals and John Ford Coley, Lift up your Voice, Vol. 2, CD) G. Come on all you Glory Boys, and hoist your banners high, D Em. The pillars of the light are shining from the Persian sky, C D G C. And the people all are waiting to hear the author’s name; G D G. Come help us all proclaim the Greatest Name!

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    • [DOC File]“Shake, Rattle and Roll”

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      The influence of both jump blues and country music is evident in Bill Haley’s cover version of Big Joe Turner’s Atlantic hit “Shake, Rattle and Roll.” Haley “cleaned up” the suggestive lyrics of Turner’s original (although, curiously, he left in a couple of the most blatant sexual metaphors).

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    • [DOC File]MUSC 309: Blues to Rock - University of Kansas

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      a. Adds fourth line to traditional aab lyrics. b. Extends length of each phrase, like country blues player. c. Doesn’t follow traditional 12-bar progression. i. Static harmonic rhythm for first part of song. ii. More variety, faster harmonic rhythm in second. 2. Uneven, shuffle beat throughout, 4 to the bar. 3. Hendrix on vocals. a.

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    • [DOC File]Song Lyrics Analysis: Research Project

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      P&A 1: Select a school appropriate song of any style with lyrics that are a minimum of 20 lines. You may choose rock, country, pop, rap, alternative or another genre. TV show and movie theme songs work great! P&A2: Find two or more sources of biographical information on the song’s lyricist (song writer), vocalist or band.

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    • [DOCX File]Montgomery County-Norristown Public Library – 1001 Powell ...

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      The first publication of blues sheet music was in 1908. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into a wide variety of styles and sub-genres. Blues sub-genres include country blues, such as Delta and Piedmont, as well as urban blues styles such as Chicago and West Coast blues.

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    • [DOCX File]Country Music Hall of Fame and Museum

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      Country Music Hall of Fame® and Museum Words & Music – Grades 7 to 12. 51. LESSON 8 ... The title is often the hook, the catchy phrase that makes the song easy to remember. The hook and the title usually communicate the theme. Theme and message: The theme is the song’s main subject. ... Lyrics paint mental pictures to communicate their ...

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    • [DOCX File]countrymusichalloffame.org

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      : In most songs, the title appears at least once in the chorus. The title is often the hook, the catchy phrase that makes the song easy to remember. The hook and the title usually communicate the theme. Theme and m. essage: The theme is the song’s main subject. The message is what the song communicates about that theme.

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    • [DOCX File]Country Music Hall of Fame and Museum

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      Country Music Hall of Fame® and Museum Words & Music – Grades 3 to 6. 13. ... is a rough sketch of what the lyrics will communicate. Outlining a song is a useful way to help writers organize their thoughts. ... This is just practice. The title can be one word, or it can be a phrase that has to do with the subject you picked. The chorus ...

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    • [DOCX File]Country Music Hall of Fame and Museum

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      Country Music Hall of Fame® and Museum Words & Music – Grades 3 to 6. 22. LESSON 3. Subject and ... Allow students to share the lyrics of their selected songs with a partner, explaining why they labeled each song section and offering textual evidence. ... Is the title a phrase that the songwriters likely made up, or is it a phrase that they ...

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