Deleuze and art
[DOC File]Edward Willatt
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‘Art as Non-Knowledge: Gilles Deleuze on Consciousness and Apprenticeship’ in Daniel Meyer-Dinkgräfe (ed.) Consciousness, Theatre, Literature and the Arts 2007 (Newcastle: Cambridge Scholars Publishing, 2008) Reviews. Joe Hughes’ Deleuze and the Genesis of Representation (Philosophy in Review, forthcoming Autumn 2009)
[DOCX File]Murdoch University
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The role of art school, then, is to change art and render art into the everyday. Art is in an existential crisis. Following the writings of Allan Kaprow, Gerald Raunig, and Gilles Deleuze and Felix Guattari, I am proposing a call for change in thought and methodologies on the role of art …
[DOCX File]societyforeuropeanphilosophy.files.wordpress.com
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Deleuze, Cage, and the Contemporary Status of 'Experimentation' in Philosophy and Music. Iain Campbell. Queer . Posthumanism. ... Naïveté, Truth Content of Art and Verification of Solipsism: Adorno on Artistic Expression and Aesthetic Experience. Ilias. Giannopulos. Aesthetics of the Real in Jacques .
[DOC File]The Play of Masks: An Interpretation of Nietzsche’s ...
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See Deleuze, Gilles. Nietzsche and Philosophy, 169. Deleuze, Gilles. Kant’s Critical Philosophy. 3. Heidegger contradicts this claim and seeks to show that Nietzsche, through his readings of Schopenhauer, misunderstood Kant and that the two philosophies of art were likely very close. See “Kant’s Doctrine of the Beautiful.
[DOCX File]Goldsmiths, University of London
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Art Encounters Deleuze and Guattari (O’Sullivan, 2009: 69-97). This book also contains the beginnings of my thoughts about art as myth-science (144-53), and, more generally, tracks through the implications of Deleuze (and Deleuze and Guattari’s) thought for contemporary art practice.
[DOCX File]WordPress.com
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(Selections from The Hermetic Deleuze: Philosophy and Spiritual Ordeal by Joshua Ramey). Immanence, Theological and Modern. When Deleuze and Guattari argue that Pascal and Kierkegaard model an act of founding paradigmatic for all of modern philosophy, they contend that, after the collapse of scholasticism, all modern philosophy becomes involved in a peculiar ordeal, an ordeal otherwise …
[DOC File]Sensation and Sensibility: Deleuze’s Aesthetic Metaphysics
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In short, Deleuze’s response to Kant and Hegel is not a return to classical empiricism or the primacy of the actual in sense-experience, but to argue that experience itself is the result of a genesis that is both creative and open, and which contains its own necessity. Gilles Deleuze, Difference and Repetition, pg. 222. Hereafter DR.
[DOCX File]Murdoch University
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This paper will discuss the possibility for Deleuze’s interlinked accounts of novelty, creativity, and art — as can be located in his texts Anti-Oedipus, A Thousand Plateaus, and his works on painting and cinema — to be used as means of evaluating and critiquing our contemporary approach to both the teaching and thinking of creativity.
[DOCX File]Note taking and
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Chaos, Territory, Art: Deleuze and the Framing of the Earth. New York: Columbia University Press. pp. 1-24. Simon O’Sullivan. (2006) “The Ethicoaesthetics of Affect and the Bloc of Sensations: Reaffirming the Specificity of Art (Against Representation)”, ...
[DOC File]DELEUZE AND THE OVERCOMING OF MEMORY
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Deleuze holds the essences of art to be superior to those found in the sensuous signs, such as the signs of involuntary memory. See Deleuze, PS 61-5. In essence, Deleuze's argument is that sensuous signs, unlike the signs of art, cannot separate themselves from external and contingent determinations.
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