Epic orchestral drum samples
[DOC File]b1974 - 1981: H
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Song 5: Introduced by a few piano doodles (looking for the right chip) and featuring a weird drum solo by RK. ((Song 16: Henk mentions the movie Don’t Look Now.)). Songs 29, 30: Downloads on Nits-files site.
[DOC File]45 - Katabasia
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January 1979. Dave Balfe and I recorded a single with The Bunnymen in a proper studio called August, with eight tracks and everything. It was round the back of the Renshaw Street dole office. The Bunnymen didn't have a drummer; they used a drum machine with four settings: bossa nova, foxtrot, rock beat 1 …
[DOC File]JENS LEKMAN – DISCOGRAPHY:
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JENS LEKMAN – DISCOGRAPHY: ALBEN: 2000: THE BUDGIE ALBUM (CD-R - 1 copy only!!): Tram # 7 To Heaven (3:05)/ At The Dept. Of Forgotten Songs …
[DOC File]Significant Korean art songs: 1920--2001
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In the 15th and 18th centuries Okinawans pursued a sea-faring trade much like the early Phoenicians in the Middle East. The resulting wealth of Okinawan royal courts led to a high musical culture. (2) Musical instruments and vocal style. Okinawan instruments include indigenous variants of shamisen, koto, small drum (taiko), kokyu, and bamboo flute.
[DOC File]Musical Dramaturgy in Late Nineteenth and Early Twentieth ...
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Music and epic feeling. Music, especially lushly scored late Romantic music, can trigger a response of “epic feeling.” In tandem with the visual film narrative, it elevates the individuality of the represented characters to universal significance, makes them bigger than …
[DOC File]Homepage - Impact Soundworks
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Most orchestral percussion libraries strive for the ideal of “epic” through big halls and lots of reverb: a huge sound for a huge price. Rhapsody: Orchestral Percussion was instead recorded & designed to function in any musical context, from small, emotional pieces, to tense underscores, and even bombastic, loud, and – yes – epic tracks.
[DOCX File]openresearch.lsbu.ac.uk
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The Street Fighter Lady: Invisibility and Gender in Game Composition. Andy Lemon. London South Bank University. 103 Borough Road. London. lemona@lsbu.ac.uk
[DOCX File]research.gold.ac.uk
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The stories of modernist and modern popular music are intertwined. Pieces like Charles Ives’ ‘From Hanover Square North, at the End of a Tragic Day, the Voices of the People Again Arose’ (1919, taken from the Orchestral Set No. 2) and songs like Rodgers’s and …
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