Free orchestral percussion samples

    • [DOC File]Resources for Accompanying Hymns

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      An Index listing the Tunes with the corresponding page numbers in each volume comes free with the purchase of the entire set. Each volume includes photocopy permission with the purchase. Hymnal Companion for Winds, Brass, and Percussion, prepared by Richard Rose. Concordia Publishing House - Companion to hymnal Lutheran Worship (1982)

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    • [DOC File]Hampshire Music Service: Secondary Music Conference

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      Alongside orchestral percussion and drum kit, he has studied a wide range of styles, including West and North African drumming, Samba, Gamelan, Latin percussion and North Indian classical music. Adam’s teaching includes regular world music groups and he delivers the occasional world music workshop as part of the World Music team.

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    • [DOC File]Woodstockhausen 2002 - Tim Thompson

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      Gates Still Open: Eternal Dream Steven Travis Pope ~15’00” (Santa Barbara/Berlin/Havana, 2000-02; 13:50 minutes) Silly noisy pandemonium for voices and drums. Computer-processed voices, percussion samples, "circuit-bent" Speak'n'Spell, and synthetic sounds.

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    • [DOC File]Michael J

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      Additional information and samples of Michael’s work may be found at www.michaeljglasgow.com and on Twitter and YouTube: @MichaelJGlasgow. SUPER-SHORT (formal): An award-winning composer with an “abundant melodic gift” (New York Concert Review), Michael strives to creatively advance the art of handbell, choral and orchestral music through ...

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    • [DOC File]Course and Program Descriptions - Complete Document

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      APPLIED MUSIC (L) PERCUSSION S.E.E. 4200 VCSC U01302. This course is an extension of the Applied Music Percussion class and is designed to meet the needs of students with disabilities. Although course content remains the same, differentiation of instructional methodology and the use of accommodations are an integral part of this course.

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    • [DOC File]Homepage - Impact Soundworks

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      Most orchestral percussion libraries strive for the ideal of “epic” through big halls and lots of reverb: a huge sound for a huge price. Rhapsody: Orchestral Percussion was instead recorded & designed to function in any musical context, from small, emotional pieces, to tense underscores, and even bombastic, loud, and – yes – epic tracks.

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    • [DOC File]music manual for web - Augustana University

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      The Humanities Center is a smoke-free building, and no designated smoking area is available. No food or drink is allowed in the practice rooms. Do not leave piles of music, open instrument cases, etc., in the practice rooms or in the hallways. ... Three percussion practice rooms have been set aside in the practice room area. These are to be ...

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    • [DOC File]Korg USA

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      This expansion kit for the Jazz Ambience Drums is included in the Korg Kronos presets, and contains approximately 1GB of PCM samples, 48 programs and 12 drumkits. The unique collection focuses on unique drum and percussion sounds created using a variety of …

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    • [DOC File]section is in turn divided into the following textural ...

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      At m. 14 the percussion section enters following three bars of orchestral silence. The opening texture returns at m.31: three pillars of P0 in the orchestra while the solo instrument is resting. At m. 44, the row is layered following five measures of nothing but E in the orchestra.

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    • [DOC File]Jesse Hiestand

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      The genre of Drum & Bass is percussion-driven. Most songs focus on intricate sequences of traditional and synthetic percussion instruments. The sound is characterized by the repetitive variation of a high tempo breakbeat. The 'break' in breakbeat refers to the second kick of the kick-snare-kick-snare sequence, which happens off beat in what ...

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