Guillaume de machaut life

    • [DOC File]California State University, Sacramento

      https://info.5y1.org/guillaume-de-machaut-life_1_2f3b3c.html

      Before 1300, polyphonic settings had sometimes been written for separate sections of the mass. In the 14th century, for the first time, all five sections that make up the Ordinary of the mass were treated as an integrated whole. The first person to do this was the French cleric, poet, and composer Guillaume de Machaut.

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    • Study Guide for Music Appreciation:

      Guillaume de Machaut (1300-1377): Musician and poet. Wrote Missa Notre Dame: The first polyphonic treatment of the entire mass ordinary. Agnus Dei: CD 1, track 53. Written for four voices, all male. The Renaissance: (1450-1600) Sacred Music. Two types. Mass: musical treatment of the Mass Ordinary. Motet: sacred work containing no text from the ...

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    • [DOC File]WordPress.com

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      Vitry's use of rhythm occupies an intermediate place between the older style exemplified by Perotin in which voices show little rhythmic independence (instead operating as a kind of decorated monody in which chordal progression give a kaleidoscopic effect), and the more modern style of Guillaume de Machaut in which rhythmic devices are integral ...

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    • [DOCX File]www.slps.org

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      The early life of the composer (facts regarding birth place, dates, family background, early education) ... Guillaume Dufay. Guillaume de Machaut. Renaissance: Josquin des Prez. Tielman Susato. Giovanni Gabrieli. Giovanni da Palestrina. William Byrd. Thomas Morely. John Dowland.

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    • Guillaume de Machaut: Le Remede de Fortune

      Guillaume de Machaut (c1300-1377) is regarded as the last and greatest of the French 14th century poet-composers. A member of the ars nova movement in music, he further developed the motet, and various secular forms including the rondel and the ballade.

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    • [DOC File]The History of Music – An Illustrated History of Music for ...

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      Guillaume de Machaut was an important poet-composer of the French Ars nova (new art of the 14th century. He wrote chansons (French songs) set to fixed forms rondeau, ballade, virelai Instrumental music was improvised, performed by ensembles of soft (bas) or loud (haut) categorized by their use indoor or outdoor.

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    • [DOC File]Music Appreciation – Middles Ages continued

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      Guillaume de Machaut 1300 – 1377 page 87. French composer and poet – secretary to the King of Bohemia (now Chez Republic) Worked in court of Charles – Duke of Normandy. Who later became King of France. Worked at Cathedral of Rheims. Since Guillaume worked for royalty and also then church, he was familiar with sacred and secular music.

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    • [DOC File]Alleluia: a newë work - Baroque Voices

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      ♦ Comment qu’a moy monteinne – Guillaume de Machaut, c.1300-77. A virelei (French secular song) about lovers’ separation. Performed by: Dimitrios (hurdy-gurdy, voice), Brendan/Meredith (recorder), Pepe (voice, drum – refrain) Translation of French text:

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    • [DOC File]One of the most interesting and proficient musicians I ...

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      The fourteenth century ushers in what is known as the Ars nova (new art) school probably best exemplified by the French composer Guillaume de Machaut. All of the innovations of Léonin and Pérotin were further expanded and contained increased dissonance, irregular rhythm, and more complex melodies, no longer stricly chant-like in nature.

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    • Poetry In Translation

      Guillaume de Machaut. Virelais. Translated by A. S. Kline © 2020 All Rights Reserved. This work may be freely reproduced, stored, and transmitted, electronically or ...

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