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Who was Guillaume de Machaut?
Guillaume de Machaut (ca. 1300-77) is considered the greatest poet-composer of the Ars nova. He follows in the trouvère tradition. He wrote in a variety of genres. Machaut adds a fourth voice under the tenor: contratenor. The color is the Salve Regina antiphon (another way to underscore the homage to the Virgin Mary, about whom the text speaks).

Did Machaut have a musica ficta?
Analysis of Felix virgo/Inviolata/AD TE SUSPIRAMUS demonstrates musica ficta in the music of Machaut. Machaut enjoyed a widespread reputation as a skilled poet. He traveled widely. His fame grew throughout his long life. He was probably paid by patrons honored in his works. He oversaw a copy of his complete works.

Why does Machaut add a fourth voice under the tenor?
Machaut adds a fourth voice under the tenor: contratenor. The color is the Salve Regina antiphon (another way to underscore the homage to the Virgin Mary, about whom the text speaks). Using these various means of adulation, some of which are hidden, represents the intellectual aesthetic of the Ars nova. Vitry notes.

What chromaticism is found in Machaut's motet?
The chromaticism found in Machaut’s motet is called musica ficta. Ficta also accounts for certain tritones to be “corrected.” Ficta was usually added orally, not notated. Analysis of Felix virgo/Inviolata/AD TE SUSPIRAMUS demonstrates musica ficta in the music of Machaut. Machaut enjoyed a widespread reputation as a skilled poet.

Guillaume de Machaut and Dissonance in Fourteenth Century ...
Virelais of Guillaume de Machaut," Musica Disciplina 7 (1953), 129-46; "Notes on the Harmonic Technique of Guillaume de Machaut," Essays in Musicology: a Birthday Offering for Willi Apel, ed. Hans Tischler (Bloomington, 1968), 63-68. 2. The designations for individual voices are as follows: in motets: tenor, triplum,

[PDF File]Chapter 3: The Ars Nova: Musical Developments in the ...
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II. Machaut A. Machaut: Poet and Musician 1. Guillaume de Machaut (ca. 1300-77) is considered the greatest poet-composer of the Ars nova. a. He follows in the trouvère tradition. b. He wrote in a variety of genres. 2. Analysis of isorhythmic motet: Felix virgo/Inviolata/AD TE SUSPIRAMUS a. Machaut adds a fourth voice under the tenor ...

Polyphony and the Modern - OAPEN
Mixing Text and Music in Guillaume de Machaut1 Uri Smilansky Guillaume de Machaut was a master of both musical and literary polyphony.2 Indeed, an engagement with a multiplicity of voices can be seen as a major part of his art, attested to by his large- scale ventriloquising in the Voir dit, constant reuse, reimagining, and reinterpretation of both

[PDF File]SCATTERED RHYMES MESSE DE NOTRE DAME - UNT Digital Library
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Guillaume de Machaut The life of Guillaume de Machaut (c. 1300-1377) encompasses most of the fourteenth century and exists almost entirely in our imagination, as we have relatively little record of his personal affairs.14 Machaut’s musical style is one that is difficult to

Guillaume de Machaut: Lyric Poet - JSTOR
tion and musical style.5 It is to Machaut's credit that he developed polyphony in the secular song to a degree found previously only in the motet and the out-of-date conductus. Indeed, it seems reasonable 4 E. Hoepffner, 'CEuvres de Machaut', I (Paris, I908). 5 On the lais see my lecture 'The Lais of Guillaume de Machaut and their Background'

[PDF File]Post-Première Revision: Guillaume de Machaut and Written ...
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remaining in aristocratic service until c.1358 (‘Guillaume de Machaut and his Canonry of Reims, 1338–1377’,EarlyMusicHistory,23(2004),1–48).Myownview–thatMachauttookupresidency soon after the death of John of Luxembourg – will be argued in a forthcoming article. 17 Earp, Guillaume de Machaut,28–33.

Guillaume de machaut music style