Henri bergson theory of comedy
[PDF File]web-app.usc.edu
https://info.5y1.org/henri-bergson-theory-of-comedy_1_110877.html
Assigned Reading: Henri Bergson – Laughter, An Essay on the Meaning of the Comic. Week 5 – 9/25/12- The How of Comedy . 1. Discuss Bergson. 2. Presentation – The Physics of Comedy – Comedy and Its Relation to the Physical World Cues to the Laugh Reflex. Screenings: Weekend at Bernie’s, TBD. Assigned Reading: TBD. Assigned Writing : TBD
PHL 461: Art and Morality - Oregon State University
April 25 Ethics in and of comedy. Comedy’s bad reputation and responses. Thomas Hobbes, from Human Nature; Francis Hutcheson, “Reflections Upon Laughter”. Optional: Henri Bergson, from Laughter: An Essay on the Meaning of the Comedy. Student reports. April 27 Martha Nussbaum, from Poetic Justice: The Literary Imagination and Public Life.
[DOC File]University of Southern California
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“The Practical Foundations of Comedy” is designed as a gateway course to a specific academic pathway through the program of the School of Cinematic Arts known as USC Comedy. ... (bloodlines), theory and applications of comedy is, in fact, directly applicable to the making of comedy, which is the practical goal. ... Henri Bergson ...
[DOCX File]Bainbridge Island School District / Homepage
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An extension of Bergson's theory is his idea that comedy is inherently human. Something is funny only insofar as it is or reminds the audience of humanity. The audience may laugh at the antics of an animal, such as chimpanzees or horses or bears, but only in direct proportion to the animal's capability of reminding the audience of something human.
[DOC File]WISDOM, HUMOR, AND FAITH: A HISTORICAL VIEW
https://info.5y1.org/henri-bergson-theory-of-comedy_1_375b6b.html
He believed that “comedy is joyous because all assumption of a part, of a personal mask, whether of the individualized face of comedy or of the grotesque face of farce, is a …
University of Aberdeen
Henri Bergson’s 1900 text, Laughter, a necessary if necessarily contestable starting point for the slapstick scholar, insisted on comedy’s interweaving of the human and the machine.
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