Instrumental songs of the 50s
[DOC File]Naweedna 2003 CD Notes - SUNY Geneseo
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The title track is done in the style of a lot of blues/R&B/rock instrumental records from the ate ’50s/early ’60s period. I [was] thinking of things like Bill Doggett, Bill Black’s Combo, and a lot of others - just basic shuffle rhythms on a 12-bar progression.
High Road Touring
The early '50s found him working as a sideman with John Brim's Gary Kings (that's Reed blowing harp on Brim's classic "Tough Times" and its instrumental flipside, "Gary Stomp") and playing on the street for tips with Willie Joe Duncan, a shadowy figure who played an amplified, homemade one-string instrument called a Unitar.
[DOC File]MHST 309 Lecture 5: Rhythm and Blues
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armstrong, louis 16 most requested songs cd. arnaz, desi babalu cd. ashton, susan angels of mercy cd. asleep at the wheel 10 cd. asleep at the wheel asleep at the wheel cd. asleep at the wheel keepin’ me up nights cd. asleep at the wheel the wheel keeps on rollin’ cd
[DOC File]bobpetrocelli.com
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2. Mostly urban phenomenon of ‘40s and ‘50s. Major characteristics . a. Harmonizing in thirds. b. Falsetto obbligato – requisite high part. c. Prominent bass singer. d. Songs are 12-bar blues, verse/chorus, or AABA form e. Emphasis on rhythmic accentuation. i. Often via scat singing. …
[DOC File]HANCOCK, HERBIE
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Bolder and Wiser Sing Together, adult over-50s singing group, Chichester Festival Theatre, Autumn 2011 – MD. Sing With Us! Rhythmically Speaking World War 2 concert with primary schools, Mar 2011 – Keyboard. The Withered Arm, Opera adaptation education workshop, Yr 9, Oct 2010 – Composer
[DOC File]Jenny Gould - Pianist and Composer
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Frankenstein, Candy Snatchers, Sweetwalkin’ Cheetahs, B-movie rats m- 6 fast punks, etc. 1999 horror songs. LEE ROSS ray 300—the mummy’s bracelet/never the… vg+ 23 GREAT midt to mf late 50s…
Top 100 Instrumentals of the '50s and '60s | Way Back Attack
The lush instrumental “Steel Guitar Blues” was discovered on one of those old reel-to-reel recordings, as well as “Pray for the Boys,” the album’s solemn closer that hits just as hard today as when Flatt and Scruggs performed it in the 50s. It’s a fitting sendoff, brimming with feeling.
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