Primitive quartet songs

    • [DOC File]Twelve-note composition

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      About 1911 I wrote the Bagatelles for string quartet (op.9), all very short pieces, lasting a couple of minutes – perhaps the shortest music so far. Here I had the feeling, ‘When all 12 notes have gone by, the piece is over’. Much later I discovered that all this was a part of the necessary development.


    • [DOCX File]Module 1: Universals p.org

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      labor. Work songs come from all ways of life. Some examples are sea shanties, field hollers, street cries, lumberjack tunes, prison songs, railroad songs, mining songs, and cowboy tunes. Another kind of work music is traditional military music from times when music was used to organize and motivate troops on a march or on a battlefield.


    • [DOC File]A FIELD GUIDE TO INTERPRETING

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      All songs, all songs, and I wondered what the use was to get up from my rocking chair and return to that world just beyond the heat of my campfire so fixated on words and, worse than words, numbers. Long I sat, feeling songs surging around me calling forth other songs from far away and from other times and dimensions.


    • [DOC File]Abash - University of Calgary in Alberta

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      Quartet (Birmingham) 1985 Leo. Quartet (Coventry) 1985 Leo. Six Monk's 1987 Black Saint. Eugene 1989 Black Saint. London (Solo) 1988 Impetus. Willisau hat Art. 4 Ensemble Black Saint. Creative Orch (Koln) 1978 hat Art. Duo (London) 1993 Leo. Trio (London) 1993 Leo. Quartet (Santa Cruz) 1993 hat Art. 11 Compositions (Duo) 1995 Leo. Four ...


    • [DOC File]The String Instrument Family

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      The cello can also be a part of a string quartet. A string quartet is formed by 2 violins, 1 viola and 1 cello. ... These primitive instruments were mostly ceremonial, and were also used as a form of communication between neighboring tribes. ... more trumpeters were hired to play fanfares and songs.


    • [DOC File]Founded in 1967, by the late Rev

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      New songs were created using the African traditions of harmony, call and response, behind a strong rhythmic meter mixed with European traditions of harmony and musical instruments. Gospel songs created by blacks used Christian subjects with African vocal and rhythmic influences. The church became a sanctuary for black slave expression.


    • [DOCX File]Moth to the Flame: Microtonal Aesthetics

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      Hába, Preface to Quartet op. 7 [omitted in the 1993 edition by Filmkunst-Musikverlag München, quoted from VyslouĹžil, ‘Hába, Alois’]. Consequently, Hába’s quarter-tones open up an ultrachromatic space in the Quartet, without falling into a simplistic parallel diatonicism (where C major is replaced by C+ major etc.).


    • [DOC File]A FAMILY IN REUNION

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      A quartet composed of Henry Kennamer, Vonley Kennamer, Kenneth Logan and Otis Logan sang some wonderful songs and Henry announced that he was singing the first one mostly for Ralph, since it was his grandfather’s favorite song - they then sang “In the Sweet Bye and Bye,” and “In the Morning of Joy.”


    • [DOC File]Contents-Source Bk 2

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      Says Guru Nanak: “He who sings songs about God without understanding them; who converts his house into a mosque in order to satisfy his hunger who being unemployed has his ears pierced (so that he can beg); who becomes a faqir and abandons his caste; who is called a guru or pir but goes around begging—never fall at the feet of such a person.


    • [DOC File]Aaltonen, Juhani

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      Quartet (Birmingham) 1985 Leo. Quartet (Coventry) 1985 Leo. Six Monk's 1987 Black Saint. Eugene 1989 Black Saint. London (Solo) 1988 Impetus. Willisau hat Art. 4 Ensemble Black Saint. Creative Orch (Koln) 1978 hat Art. Duo (London) 1993 Leo. Trio (London) 1993 Leo. Quartet (Santa Cruz) 1993 hat Art. 11 Compositions (Duo) 1995 Leo. Four ...


    • [DOC File]A GENTLE INTRODUCTION TO

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      His songs are more complex and few can sing some of his complicated pieces. His lyrics are generally praises of the God (or Goddess) in point and are much more subdued and formal compared to the raw energy of a Thyagaraja song. His songs are often slow (influence of Hindustani) and often went into several different aspects of the Ragam.


    • [DOC File]The Sam Eskin Collection - Library of Congress

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      Transcribed sea songs from Lydia Parrish’s Slave Songs of the Georgia Sea Islands (handwritten, 5 songs) Folder 53 - Songs Grouped by Personal Names Folder 76 Typewritten and handwritten song lists, lyrics, notations, transcriptions, and scores collected and performed by Eskin’s informants and colleagues


    • [DOCX File]High School Quizbowl Packet Archive

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      String quartet [prompt on partial answer] 4. Arnold van . Gennep. criticized this man’s views of primitive societies as “entirely erroneous.” This man described c. ommunities com. ing. together and shar. ing thoughts and actions as “collective effervescence.” This man referred to a state in which rules have lost authority as (*) anomie



    • [DOCX File]Goldsmiths, University of London

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      See Kodwo Eshun’s More Brilliant than the Sun (London: Quartet, 1988), and especially Chapter 9 ‘Synthesizing the Omniverse’ (154-63). Mike Kelley, in an essay on Olaf Fahlstrom, links the term more particularly to the fictioning aspect of contemporary art practice, especially in its expanded form ...


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