Quotation about music
[PDF File] The Problem of Reference in Musical Quotation:
http://jeanettebicknell.org/wp-content/uploads/2016/02/Quotation.pdf
A musical quotation, then, is an inten-tional re-use: one intended to be heard as a reference to other music, and that succeeds, minimally, in being so heard, at least by its in-tended audience. Quotational links between pieces of music can have many aims: hom-age, irony, comment, joke, technical chal-lenge, and so on.
[PDF File] Embedding Quotations - San José State University
https://www.sjsu.edu/writingcenter/docs/handouts/Embedding%20Quotations.pdf
Signal phrases introduce the article a quotation is from, the person who said the quotation, or both. They are key for embedding quotations. The signal phrases used in the examples of this ... “The Grammy Awards were created to fight the new wave of rock music.” 2. “The Mars rover landed in August 2012 and is there to discover whether ...
Musical Quotations and Signifiers: Exploring the Beatles' Use …
https://www.jstor.org/stable/41210295
Quotation can be used to acknowledge influence, pay respect or signify upon past musical ideas. As the aforementioned Ysaye example illuminates, a listener's awareness of a quote operates on numerous levels offering multiple points of entry into the deeper meaning of a piece of music. And while Jerrold
The Problem of Reference in Musical Quotation: - JSTOR
https://www.jstor.org/stable/432223
A quoted phrase is. composer's intention that the quotation be "heard" in performance. In the absence of aural quotation marks, the composer has to Bicknell The Problem of Reference in Musical Quotation 191. rely on recognition, which in turn requires, if not direct familiarity, then some degree of musical literacy.
Charles Ives and the Meaning of Quotation in Music - JSTOR
https://www.jstor.org/stable/pdf/741701.pdf?ab_segments=&initiator=
Ives and Quotation 171 may be the same process, but manifested in two dissimilar forms. If this is so, and if it is true that parody of some kind is fundamental to music itself, then we have another, and vitally important, basis for arguing for the healing power, the implications for growth, of music - or at any rate "art music." Dreams, we ...
[PDF File] Quotation and Context: Sampling and John Oswald's …
https://www.jstor.org/stable/pdf/1513241.pdf
32. According to Oswald, "Electroquotation is the both popular and art music, and there- References and Notes amalgam of the electronic media quotation and its. fore a new emphasis on work in the area creditation, which can be imbedded within the media. of timbre will be necessary.
Musical Quotation and the ‘Use-Mention’ Distinction
https://hcommons.org/deposits/objects/hc:28480/datastreams/CONTENT/content?download=true
Signs of Signs – Replication, Reference, and Embedding – Music Mentioned – Metasigns, Semantics, and Grammaticalization – References Signs of Signs ‘Quotation’ is one of several terms (such as ‘sentence’, ‘period’, and ‘syntax’) that have been applied to music by analogy with their earlier linguistic usage.1 The depth of ...
[PDF File] Quotation and Cultural Meaning in Twentieth-Century Music
https://assets.cambridge.org/97805210/36580/frontmatter/9780521036580_frontmatter.pdf
The focus of this study is broad, discussing pieces in a spectrum of musical styles (classical, experimental, jazz, and popular) as well as works in the other arts. Part of the young and quickly growing field of study examining musical borrowing, this book takes an important step in discussing the wider cultural ramifications of quotation.
[PDF File] MUSICAL QUOTATION AND INFLUENCE - Open Scholarship
https://scholarworks.iu.edu/dspace/bitstream/handle/2022/15538/YeunHae%20Michelle%20Lie%20Thesis.pdf
Musical Quotation and Influence: A Study of Works by Eugène Ysaÿe and Max Reger Drawing on the Music of J.S. Bach and Violinists of the Early Twentieth Century This paper explores the concept of musical borrowing and the compositional technique of “imitation and transformation” as evident in selected solo violin works of
(ii) Shilei as Quotation and Allusion(iii) Plagiarism Liu Xie …
https://www.jstor.org/stable/40727601
for reform of Music Bureau Poetry in the name of antiquity, responding to moral decline and an alleged growing tendency of later generations to undermine the "classical standards" ofthat genre.7 Theory of Quotation and Allusion No understanding of Liu Xie's parallel prose would be possible without grasping
[PDF File] Symmetry, Thematic Transformation, Quotation in George …
https://digital.lib.washington.edu/researchworks/bitstream/handle/1773/40279/Tran_washington_0250E_17583.pdf
Symmetry, Thematic Transformation, and Quotation in George Crumb’s Eine Kleine Mitternachtmusik Brooks Tran Chair of the supervisory committee: Craig Sheppard School of Music This dissertation examines George Crumb’s use of symmetry and asymmetry, thematic transformation, and quotation in his 2001 solo piano work, Eine Kleine …
'Quotation' and Paraphrase in Ives's Second Symphony
https://www.jstor.org/stable/746629
In addition to the complete paraphrase of only a variant of mm. 3-4 of the theme. The drum roll-off, Camptown Races, the opening theme initiates however, is a quotation, one which Ives uses frequently in. aa second line of melodic relationships. Beats his 2- music; see for instance the drums in "Country Band".
[PDF File] Concert & Recital Program Style Guide - Southern Utah …
https://www.suu.edu/pva/music/pdf/styleguide.pdf
35. Catalog and opus numbers are separated from the rest of the title by a comma. Where “op.” and “no.” are used together, the two elements are similarly separated by a comma. Ordinal numbers (as in Symphony no. 3) are not separated by a comma. Partita in A Minor, BWV 1013 Sonata no. 2 in E-flat Major, op. 120, no. 2.
[PDF File] Intertextuality and Hypertextuality in Recorded Popular Music
https://www.researchgate.net/profile/Serge-Lacasse/publication/290797032_Intertextuality_and_Hypertextuality_in_Recorded_Popular_Music/links/595d5ec0a6fdcc862329af6d/Intertextuality-and-Hypertextuality-in-Recorded-Popular-Music.pdf
some cases of quotation in recorded popular music. Quotation A quotation is characterised by the actual insertion of an excerpt from a given text within another. In literature, for example, it is ...
The Uses of Existing Music: Musical Borrowing as a Field
https://www.jstor.org/stable/898531
all of Ives's references to existing music as examples of what John Kirk-patrick called his "habit" of "musical quotation."2 The most frustrating moments came in looking at a number of places where scholars had identified a passage as a "quotation," when the melody involved differed significantly from the supposed source. But when I remembered ...
ON MUSICAL QUOTATION - JSTOR
https://www.jstor.org/stable/27902364
Interestingly, while the quotation of music within music presents problems, the direct quotation of music within language is a rela 8. Excepting of course what may be expressed which is less a matter of what the music denotes than what metaphorical labels denote the music. See Goodman, LA, pp. 85-95; and V. A. Howard, "On Musical …
'Quotation' and Emulation: Charles Ives's Uses of His Models …
https://www.jstor.org/stable/948169
"quotation" of existing music, although he does on several occasions allude to familiar music in passing, in the way that one might quote Shakespeare in giving a speech. Nor is it always a question of "parody technique,"5 in analogy to the parody Mass of the sixteenth century, although in some cases the techniques are similar.
[PDF File] CONCERT PROGRAM STYLE GUIDE Cali School of Music
https://www.montclair.edu/john-j-cali-school-of-music/wp-content/uploads/sites/30/2019/10/Cali.ConcertProgram.StyleGuide.10.19.REV_.pdf
School of Music GENERIC TITLES A generic title is a title that is essentially a musical form: symphony, concerto, trio, etc.; they often include identifying opus numbers, catalog numbers, and keys. Generic titles are in roman font (not in boldface, or italicized); they are not put in quotation marks.
[PDF File] Ives' Use of Quotation - JSTOR
https://www.jstor.org/stable/pdf/3394637.pdf
Ives' Use of Quotation. Borrowing from hymns and spirituals, mil- Foster's "Old Black Joe," assume a promi- itary and patriotic music, college and popu- nent thematic role in the first movement of lar songs, "classical" compositions, and his Three Places in New England.2 own earlier works, Charles Ives frequently Variations in rhythm may result ...
Ives' Use of Quotation - JSTOR
https://www.jstor.org/stable/3394637
Ives' Use of Quotation. Borrowing from hymns and spirituals, mil- Foster's "Old Black Joe," assume a promi- itary and patriotic music, college and popu- nent thematic role in the first movement of lar songs, "classical" compositions, and his Three Places in New England.2 own earlier works, Charles Ives frequently Variations in rhythm may result ...
[PDF File] Effective Integration of Music in the Elementary School …
https://files.eric.ed.gov/fulltext/EJ1171782.pdf
and music are intimately connected, and the brain processes music and language using the same structures. Feinstein goes on to say that “neuroscience shows that the same left brain region designated for split second discrimination between sounds like ‘pa,’ ‘ba’ or ‘da’ is activated during music listening” (cited in Dyer, 2011, p ...
Quotation and Context: Sampling and John Oswald's …
https://www.jstor.org/stable/1513241
32. According to Oswald, "Electroquotation is the both popular and art music, and there- References and Notes amalgam of the electronic media quotation and its. fore a new emphasis on work in the area creditation, which can be imbedded within the media. of timbre will be necessary.
[PDF File] Revolutionary Echoes: Radios and Loudspeakers in the Mao …
https://scholar.harvard.edu/files/jieli/files/2020_twentieth_century_china_revolutionary_echoes.pdf
China: Middle-Class Ambitions and the Struggle over Western Music (Oxford: Oxford University Press on Demand, 1989). 5 Two exceptional articles that have paid attention to technologies of listening in the Mao era are: Andrew F. Jones, “Quotation Songs: Portable Media and the Maoist Pop Song” in The Little Red Book:
[PDF File] Music Writing Style Guide - Teaching Music History
https://www.teachingmusichistory.com/wp-content/uploads/2017/01/Music-Writing-Style-Guide.pdf
quotation marks: “Jesu Joy of Man’s Desiring” “Sweet Surrender” c) Titles consisting of generic terms are capitalized but not italicized or put in quotation marks: Brahms’s Ballade op. 118 no. 3 Schubert’s Piano Sonata in B-flat Major Chopin’s Waltz in C-sharp Minor d) Movement titles are generally capitalized; individual
[PDF File] Quotes about Art and Music - University of Washington
https://sci.washington.edu/info/forums/reports/Quotes%20about%20Art%20and%20Music.pdf
Quotes about Art and Music: A man paints with his brains and not with his hands. ~Michelangelo. Art is the only way to run away without leaving home. ~Twyla Tharp. Music washes away from the soul the dust of everyday life. ~Berthold Auerbach. Life beats down and crushes the soul and art reminds you that you have one. ~Stella Adler.
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