Romantic era piano music

    • [DOC File]Romanticism - HIGHSCHOOLMUSICALSTUFF

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      The main instrumental musical traits of the Romantic era were virtuosity, individualism, and nationalism . The orchestra and . the piano. emerged as the new popular trends of the musical world, while chamber music was less popular than in the past.

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    • [DOC File]California State University, Sacramento

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      The aesthetic goals of romanticism were especially valued in Germany and central Europe. The instrumental works of Franz Schubert, an Austrian, and the piano music and operas of Carl Maria von Weber, a German, were an early manifestation of this development in music. The romantic composers were often inspired by literary, pictorial, and other ...

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    • [DOC File]1 - JustAnswer

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      Feb 26, 2009 · 15. The music of the Romantic era is typically very B. emotional. Rachmaninoff’s Rhapsody on a Theme of Paganini is a representative piece of the _____ period. D. Late Romantic . Piano music of the Romantic period frequently relies on the use of the D. pedals. How many movements are there in a tone poem? A. One C. Three B. Two D. Four

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    • [DOC File]A Comparison of Classical, Romantic, and Twentieth Century ...

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      Renaissance (1450-1600) Baroque (1600-1750) Classical (1750-1825) Romantic (1820-1900) Composer Du Fay, Ockeghem, Josquin, Palestrina, Monteverdi (early works), Hildegard of Bingen (woman) Monteverdi (late works), Purcell Vivaldi, Handel, Bach, Jacquet de la Guerre Haydn, Mozart, Beethoven, Schubert Beethoven, Schubert, Fanny Mendelssohn, Felix ...

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    • [DOCX File]Oxford University Press

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      Much program music was written for either full symphony orchestra or solo piano in the Romantic era. Composers developed four forms of program music in the Romantic era; the symphonic poem, the program symphony, incidental music, and the concert overture. Of these the two most important are the symphonic poem and the program symphony.

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    • [DOC File]The Romantic Era

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      The Romantic Era. 1820-1900. The Times. General Characteristics. Age of extremes, Age of Unending Lyricism “Romantic” – From the word “roman” There is a certain amount of overlap between the Classical and Romantic periods. Beethoven is often seen as both the last important Classical composer and the first Romantic

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    • [DOC File]Course: Perfa 111, Music and Romanticism

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      Students begin the semester with a review of the style of Romantic-era music. This is vital because so many of the trends of the 20th century were reactions against Romanticism. Students become familiar with the most significant music of Debussy, Stravinsky, Schoenberg, Webern, Berg, Bartok, Ravel, Prokofiev, Shostakovich, Gershwin, Copland ...

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    • [DOC File]Symphonic Music syllabus - Saint Mary's College of California

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      be familiar with music by most of the great composers of the 18-19th centuries, with particular focus on the nineteenth. The music will primarily be orchestral but, to draw a more complete picture, will also include opera, brief piano pieces and short songs. follow by ear classical music’s most common structure, sonata form

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    • [DOC File]Below is an example of the Music History Module:

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      Included in the unit is a performance task that guide student understanding of music’s relationship to history and culture. The tasks focus on the overall culture, music, composers, and descriptions of each era. Through analysis of each musical period, students will discover how cultural changes influence artistic endeavors.

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    • [DOCX File]learninglink.oup.com

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      He is best-known today for his solo concertos for wind and string instruments, his dinner music, a chamber form to be discussed later called the trio sonata, and his more than 125 orchestral suites. In the very late Baroque era and the early Classical era, composers began to change the orchestral suite into a new orchestral form—the symphony.

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