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    • [DOC File]COURSE DESCRIPTIONS - FALL 2001 DEPARTMENT OF ENGLISH

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      We will read, write, watch, create, act, and produce in this interactive playwriting class! ... and movie industries as a reflection of America. Exploring Walt Disney’s interpretation of the American Dream, the rise of the Superman in the 30s, the Marvel evolution of the everyman in the 60s, and the creator driven and emotional story of ...

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    • [DOC File]MPEG-7 Applications Document

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      4.6 Movie scene retrieval by memorable auditory events 11. 4.7 Registration and retrieval of mark databases 11. 5. “Push” Applications 13. 5.1 User agent driven media selection and filtering 14. 5.2 Personalised Television Services 15. 5.3 Intelligent multimedia presentation 16. 5.4 Personalizable Browsing, Filtering and Search for Consumers 17

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    • [DOC File]Event-Driven Programming: a Tutorial

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      Event-Driven Programming: Introduction, Tutorial, History. http://biaz.yolasite.com. KELVIN RANGI B. This work is licensed under a Creative Commons Attribution License

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    • [DOC File]John Webster, The Duchess of Malfi

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      On this level, the play stresses her femaleness: we see her pregnant onstage, devouring apricots, watch her go into labour and then hear, at the close of Act 2, Scene 2, that she has given birth to a son. The play, then, highlights not only her role as duchess, but also her roles as wife and mother, emphasising the fertility of the marriage.

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    • [DOC File]SWEET LAND

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      His first feature film, “A Gun for Jennifer”, screened at the New York Underground Film Festival, and was distributed in France and Germany. “30 Days” debuted at the Toronto International Film Festival, and was released fall of 2000. “Hit and Runway,” which screened at LAIFF and other film festivals, was released in the spring of 2001.

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