Medieval music songs

    • List of Medieval Songs

      Unlike earlier forms of Medieval part music, the late Medieval motet strived for greater equality between the voices. Guillaume Dufay (1400-1474), was a Burgundian composer, who wrote motets, masses and chansons (songs). In the Middle Ages, cathedrals were the center of learning, and as is still the case today, many churches and cathedrals had ...

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    • [DOCX File]Microsoft

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      Renaissance music sounds fuller than medieval music because . composers considered the harmonic effect of chords rather than . superimposing one melody above another. the bass register is used for the first time. the typical choral piece has four, five, or six voice parts of . …

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    • KCSD

      II. Secular music in Latin. Not just Liturgical music. Sacred, but non-Liturgical. 1. Hymns. 2. Conductus - songs for processionals. 3. Medieval Latin drama. a. Plays (well, skits) sung throughout. b. Usually on religious or moral subject matter. I. Mystery plays -- central events in Bible. ii. Miracle plays -- …

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    • [DOCX File]stmikes22003.org

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      There are many types and styles of vocal medieval music. These include: - Folk songs - Court songs - Plainchant - Motet. Plainchant and motet were used for religious songs. Medieval court music was mainly composed and performed by poet-musicians who were born into noble families.

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    • [DOC File]Medieval/Renaissance -- Tropes and Sequences, Latin ...

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      Music in Baroque Society. Music was written to meet the demands of churches and members of the aristocracy. Always, the demand was for “new” music. Music was a main source of diversion in the aristocracy. The size and number of the music groups in a court depended on the wealth of the lord.

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    • [DOC File]Medieval and Renaissance Test - Julianne Baird

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      Learning Objective: Examine developments and trends in medieval music Topic: fourteenth-century music Topic: medieval music Topic: motet Topic: musical techniques Topic: polyphony Topic: sacred music 41. The medieval genre that employed polytextual settings was A. the Mass. B. organum. C. the motet. D. plainsong.

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