ࡱ>  bjbj66 TT m 4RRRhRJ: (< < < !Tk!!RTTTTTT$Apx9!!!!!x#J< < #J#J#J!< < R#J!R#J#J.Hҝiˑ)6Zb@>ǰ00g= gҝ#Jҝ@, !!!xx#J!!!!!!!g!!!!!!!!! * :   Mingwei Song Department of East Asian Languages and Cultures Wellesley College Green Hall 336A, 106 Central Street Wellesley, MA 02482 Email:  HYPERLINK "mailto:msong2@wellesley.edu" msong2@wellesley.edu Tel: 781.283.3588 Fax: 781.283.3608 EDUCATION Columbia University, Department of East Asian Languages and Cultures, New York, NY Ph.D. in Modern Chinese Literature and Culture, May 2005 Fudan University, Department of Chinese, Shanghai, China M.A. in Comparative Literature, January 1998 Shandong University, Department of Chinese, Jinan, China B.A. in Chinese Literature and Linguistics, July 1995 ACADEMIC POSITIONS Associate Professor of Chinese Wellesley College, Department of East Asian Languages and Cultures, 2014-present Assistant Professor of Chinese Wellesley College, Department of East Asian Languages and Cultures, 2007-14 Assistant Professor of Chinese University of Hawaii at Manoa, Department of East Asian Languages and Literatures, 2005-7 FELLOWSHIPS AND GRANTS 2016 2015-16 2010-11 2010 2005-6 2019 2018 2017 2015 2013 2012Scholar in Residence, the International Center for Studies of Chinese Civilization, Fudan University, Shanghai (Summer 2016) Elizabeth and J. Richardson Dilworth Fellowship, Institute for Advanced Study, Princeton, NJ Junior Scholar Grant, TheChiang Ching-kuo Foundationfor International Scholarly Exchange, Republic of China (Taiwan) Career Enhancement Fellowship for Junior Faculty (Honorable Mention), The Woodrow Wilson National Fellowship Foundation An Wang Postdoctoral Fellowship, Fairbank Center, Harvard University Faculty Award for Research, Wellesley College Faculty Award for Research, Wellesley College Faculty Award for Research, Wellesley College Faculty Award for Research, Wellesley College Faculty Award for Research, Wellesley College Faculty Award for Research, Wellesley College2010Faculty Award for Research, Wellesley College2009Faculty Award for Research, Wellesley College2007The Start-up Research Grant, Wellesley College2007The Chung-Fong and Grace Ning Fund for Chinese Studies, University of Hawaii2004Wu Foundation Fellowship, Columbia University2000-05Faculty Fellowship, Columbia University1999Guanghwa Fellowship, Fudan University1997Sasakawa RyMichi Fellowship, Fudan University1995Excellent Graduate Award, Shandong University1993The President Prize, Shandong University PRIZES 2019 2003Nebula Award for Literary CriticismSilver Nebula, awarded by the Chinese Science Fiction Association The Shanghai Literature Prize for Literary Criticism 2002The Excellent College Textbook Prize, the Ministry of Education of the Peoples Republic of China, for A History of Contemporary Chinese, which I co-authored  PUBLICATIONS (in English) Book The Fear of Seeing: The Poetics and Politics of Chinese Science Fiction. Columbia University Press (manuscript: 126,000 words). Young China: National Rejuvenation and the Bildungsroman, 1900-1959. Harvard University Asia Center, 2015. 379 pages. Edited volume The Reincarnated Giant: An Anthology of Twenty-First-Century Chinese Science Fiction (co-edited with Theodore Huters). Columbia University Press, 2018. 488 pages. Edited special issues (peer-reviewed) Utopian/Dystopian Fiction in Contemporary China (co-edited with Chaohua Wang). China Perspectives. 101 (March 2015). Chinese Science Fiction: Late Qing and the Contemporary. Renditions. 77/78 (December 2012). The Obscure Decade: The Literary Imagination and Political Culture in Hong Kong, Taiwan, and the PRC, 1949-1959 (co-edited with Shengqing Wu). Journal of Modern Literature in Chinese. 9.2 (December 2009). Peer-reviewed journal articles and book chapters The Worlding of Chinese Science Fiction: A Global Genre and Its Negotiations as World Literature. The Making of Chinese/Sinophone Literatures as World Literature (eds. Yingjin Zhang and Kuei-fen Chiu). Hong Kong University Press (under contract; forthcoming: 2021). Liu Cixins Three-Body Trilogy: Between the Sublime Cosmos and the Micro Era. Lingua Cosmica: Science Fiction from around the World (ed. Dale Knickerbocker). Urbana, IL: University of Illinois Press, 2018. 107-128. Representations of the Invisible: Chinese Science Fiction in the Twenty-first Century. The Oxford Handbook of Modern Chinese Literatures (eds. Carlos Rojas and Andrea Bachner). New York: Oxford University Press, 2016. 546-565. (Translated into German) After 1989: The New Wave of Chinese Science Fiction. China Perspectives. 101 (2015): 7-13. (Translated into French) Variations on Utopia in Contemporary Chinese Science Fiction. Science Fiction Studies. 40. 1 (March 2013): 86-102. How the Steel Was Tempered: The Rebirth of Pawel Korchagin in Contemporary Chinese Media. Frontiers of Literary Studies in China. 6.1 (February 2012): 95-111. The Taming of the Youth: Discourse, Politics, and Fictional Representation in the Early PRC. Journal of Modern Literature in Chinese. 9.2 (December 2009): 108-38. Essays A New Continent for Chinese Scholars: Chinese Science Fiction Studies. Broken Stars (ed. Ken Liu). New York: Tor, 2019. 465-472. (Translated into Chinese, Japanese, German, Spanish, and Russian) Cixin Liu. ArtReview. 69.7 (October 2017): 86-91. Introducing the Field of Chinese Science Fiction Studies. Chinese Science Fiction: WorldCon 75 Special Issue. Shanghai: Shimmer Zine, 2017. 35-38. September 1, 1916, Li Dazhao interprets the Green Spring: Inventing youth in modern China. A New Literary History of Modern China (ed. David Wang). Cambridge, MA: Harvard University Press, 2017. 248-253. August 23, 1927, Sacco and Vanzetti are executed in Boston: Ba Jin begins to write anarchist novels. A New Literary History of Modern China. Cambridge, MA: Harvard University Press, 2017. 331-336. 2066, Mars over America: Chinese science fiction presents the posthuman future. A New Literary History of Modern China. Cambridge, MA: Harvard University Press, 2017. 951-957. Popular Genre Fiction: Science Fiction and Fantasy. The Columbia Companion to Modern Chinese Literature (ed. Kirk Denton). New York: Columbia University Press, 2016. 394-99. Book reviews Liu Cixin, The Three-Body Problem, The Dark Forest, Deaths End. Modern Chinese Literature and Culture book reviews (online). MCLC Resource Publication Center (December 30, 2015) Kam Louie ed., Eileen Chang: Romancing Languages, Cultures and Genres. Chinese Literature: Essays, Articles, Reviews. 35 (2013): 253-256. Han Dong, Banished! Modern Chinese Literature and Culture book reviews (online). MCLC Resource Publication Center (August 2009). Paul Clark, Reinventing China: A Generation and Its Films; Michael Berry, Speaking in Images: Interviews with Contemporary Chinese Filmmakers. China Review International. 13.1 (Spring 2006): 99-103. (in French) Peer-reviewed journal article Les romans de science-fiction de Liu Cixin. Trans. Gwennael Gaffric. Monde chinois. 51-52 (2017): 89-98. Aprs 1989: la nouvelle vague de science-fiction chinoise. Trans. Cline Letempl. Perspectives chinoises. 101 (2015): 7-14. (in German) Research article Die Poesie des Unsichtbaren: Verborgene Dimensionen im chinesischen Science-Fiction-Kino. Trans. Anne Vonderstein. Future Worlds: Science, Fiction, Film (eds, Jasper, Warnecke, Waz, Zill). Berlin: Deutschen Kinemathek und dem Einstein Forum, 2017. 122-137. Essay Ein neuer Kontinent fr Literaturwissenschaftler: Studien zur chinesischen Science-Fiction. Trans. Kristof Kurz. Zerbrochene Sterne: Die besten Erzhlungen der chinesischen Science-Fiction (ed. Ken Liu). Munich: Heyne, 2020. (in Italian) Introduction to an anthology Sinosfera antologia di racconti di fantascienza cinese in doppia lingua. Trans. Chiara Cigarini. Sinosfera (ed., Francesco Verso). Pisa, Italy: Future Fiction, 2018. (in Japanese) Essay -NVxvzk0h0c0f0n0e'Yx: -NV3&xvz. Trans. ^wN. gn0IQ: sN-NVSF000000 (ed.  HYPERLINK "http://www.isfdb.org/cgi-bin/ea.cgi?309490" 00 000). Tokyo:  HYPERLINK "http://www.isfdb.org/cgi-bin/publisher.cgi?1722" e]f?bHayakawa Publishing Corporation, 2020. (in Russian) Essay  >2K9 :>=B8=5=B 4;O :8B09A:8E CG5=KE: 8AA;54>20=85 :8B09A:>9 =0CG=>9 D0=B0AB8:8. !;><0==K5 72574K. Moscow: Fanzon/Eskmo, 2020. (in Spanish) Essay  Un nuevo continente para los acadmicos chinos: el estudio de la ciencia ficcin. Trans. Mara Pilar San Romn. Estrellas rotas: II antologa de ciencia ficcin china contempornea. Madrid: Alianza Editorial, 2020. (in Chinese) Books New Wave of Chinese Science Fiction: History, Poetics, Text -N Wy{^ejmnowkS ix[ e,g. Shanghai: Shanghai Literature & Arts Publishing House, 2020. 311 pages. Criticism and Imagination ybU`P. Shanghai: Fudan University Press, 2013. 248 pages. Last Winter, a Rose in Plymouth: a New England Notebook nf)RevQe5gervyir: }}F{,g. Shanghai: Shanghai Bookstore Publishing House, 2007. 178 pages. A History of Contemporary Chinese Literature -N WvuNex[SYe z. (co-authored with Chen Sihe, Liu Zhirong, Song Binghui, Li Ping, He Qing, and Wang Guangdong.) Shanghai: Fudan University Press, 1999. 436 pages. The Masterpieces of the Twentieth Century World Literature NASN}ex[݅Sfs. Haikou: Hainan Press, 1999. 174 pages. The Sorrows of a Floating World: a Biography of Eileen Chang nmNv`T: 5_asP. Taipei: Yeqiang Publishing House, 1996. 309 pages; Revised & enlarged edition, Shanghai: Shanghai Literature & Arts Publishing House, 1998. 329 pages; The 25th Anniversary Edition, Shanghai: Stellar Media Corp., 2021 (forthcoming). Edited volume (co-edited with David Der-wei Wang) May Fourth@100: Culture, Thought, History. NV@100: eS `` wkS. Taipei: Linking Publishing Company, 2019. 335 pages. PRC edition: Shanghai: Shanghai Literature & Arts Publishing House, 2019. Science Fiction for Children. f}i[P[vy{^EeN. Shanghai: Oriental Publication Center. July 2018: 324 pages. (co-edited with Yan Feng) Anthology of Chinese Literature of the New Century: Science Fiction eN}ex['Y|: y{^wS. Shanghai: Shanghai Literature & Arts Publishing House, 2014. 543 pages. Edited special issues Literary Interpretations in the Digital Age xeW[BfNvex[ˑ. Comparative Literature in China -N Wkex[. 119.2 (2020) Digital Humanities and Literary Studies xeMOBfNvNeex[.Modern Chinese Literature -N WsNex[ (Taiwan). 35 (2020). Sinophone Science Fiction y{^\\/. Hong Kong Literature /nex[. Vol. 413 (May 2019). Science Fiction and Our World; Science Fiction Studies and Modern Chinese Literature y{^bPvNLuy{^xvz-N WsNex[. Literature ex[. 5.1 (Spring/summer 2017). (co-edited with Huang Fayou) Studies in Media, Literature, and Communication ex[PZex[Pdxvz. Modern Chinese Literature -N WsNex[ (Taiwan). 30 (2016). Science Fiction in the Era of Globalization: Late Qing and Today hQtSBfNvy{^ex[ZfgvuN. Comparative Literature in China -N Wkex[. 100.3 (2015). Academic articles in journals and edited volumes  Between the Sublime Cosmos and the Micro Era: A Study in Liu Cixin. (W]ؚ[[_N^KNRHa#k֊. Trans. Jin Xueni. Contemporary Literary Studies vuNeX. 1 (2021):  Can We Read  A Madman s Diary as Science Fiction? On Lu Xun and Science Fiction With a Proposed Theory Concerning the Virtuality of Realism and the Literalism of Virtuality 0rNe 0/fy{^\U  ֊oŏy{^vmn |Q֊[[v[Y[dvw[. Comparative Literature in China -N Wkex[. 119.2 (2020): 18-35. Reprinted in Hsia, Lee, Liu: Three Directions of the Contemporary Humanities Y_n NgPkh RQ_vuNNev N PeT. Eds. David Der-wei Wang, Ji Jin, and Liu Jianmei. Hong Kong: Joint Publishing (Hong Kong), 2020. 257-278. Indexed and summarized in Xinhua wenzhai eeXd 702 (2020): 93-97.  An Elegant Structure of Freedom: Ethics and Aesthetics in Zhang Huiwen s Short Fiction. +Pt1u \݅S GWavP}i: 5_`\OT@b`0R. Literature ex[. 7.1 (Spring/summer 2019): 1-13.  A New Continent for Science Fiction Studies y{^xvzve'Yx. Trans. Fan Jiaqi. Theory and Criticism of Literature and Arte݅t֊ybU. Vol. 197 (May 2019): 82-85.  The May Fourth Era, Young China, and the Birth of the Modern Bildungsroman NVBfN \t^-N W sNbw\vu. Wenhui Scholars e/Sx[N. Vol. 389 (May 10, 2010): 2-3.  The Principle of Literalism and the Poetics of Science Fiction. y{^ex[vw['`SGRix[yr_. Chinese Social Sciences Today -N W>ygyx[1X. Vol. 1673 (April 15, 2019): 4.  Does Science Fiction Dream of a Chinese New Wave? -NVy{^\/f&TOh ejmno. Trans. Jin Xueni. Book Town fW. Vol. 155 (April 2019): 71-78.  Back to the Future: May Fourth and Science Fiction. V0R*gONVy{^. May Fourth@100: Culture, Thought, History. NV@100: eS `` wkS. Eds. David Wang and Song Mingwei. Taipei: Linking Publishing Company, 2019. 327-335. Reprinted in Journal of Modern Chinese Studies sN-Nex[ R. 59 (April 2019): 117-9.  From Science Fiction to Literature. _y{^0Rex[. Wenhui Daily e/S1X. 2018.11.29: A9. Reprinted in Writers Bulletin \O[ . 250 (January 2019): 72-75.  The Beginning of the Journey: A Prelude to National Rejuvenation and the Bildungsroman, 1900-1959. evY  0\t^-N W WeR%fbw\ 1900-1959 0^U^. Trans. Fan Jiaqi. Book Town fW. Vol. 143 (April 2018): 70-76.  Martian Dystopia: Cat Country and the Life Story of Lao She. kpf Nv`Xb 0W 0 vEeN. Book Town fW. Vol. 137 (October 2017): 44-50.  The Posthuman Problem and Science Fiction. _N^OULy{^\. Fleurs des lettres W[ (Hong Kong). Vol. 69 (Sep  Oct, 2017): 97-101.  Representations of the  Invisible : Problems of the Poetics in the New Wave of Chinese Science Fiction. Qs NS KNir-N Wy{^ejmnovix[OUL. Trans. Lu Cheng. Literature ex[. 5.1 (Spring/summer 2017): 127-149.  The New Wave in Science Fiction and Its Utopian Variations. y{^ejmnopXbOY. Trans. Wang Zhen. Southern Cultural ForumWSeeX. 3 (2017): 33-41.  Youth Discourse and the Bildungsroman: A Response to Two Book Reviews of Young China. R%fqbw\VaiQ{fU. Literatureex[. 4.2 (Fall/winter 2016): 327-330.  After 1989: Variations on Utopia in the New Wave of Chinese Science Fiction. 1989t^N_-N Wy{^ejmnovpXbOY. Trans. Wang Zhen. Modern Chinese Literature -N WsNex[ (Taiwan). 30 (2016): 61-78.  Representations of the  Invisible : Problems of the Poetics in the New Wave of Chinese Science Fiction. Qs NS KNir-N Wy{^ejmnovix[OUL. Trans. Lu Cheng. Twenty-First Century NASNN} (Hong Kong). 157 (2016): 41-56. Reprinted in Literature ex[5.1 (2017): 127-149.  Problems of the Posthuman. _N^OUL. Academics x[OU. 3 (2016): 124-27.  Between Genres and the Unknown: Science Fiction and Other Forms. (W^W*gwKNy{^\SvQNb__. Shanghai Literature Nwmex[. 12 (2015): 72-75.  Variations on Utopia in Contemporary Chinese Science Fiction. -N WvuNy{^\vpXbOY. Trans. Bi Gun. Comparative Literature in China -N Wkex[. 100.3 (2015): 101-14. Reprinted in The Sky Scripts: Research Essays of New Century Popular Novels in China SW(W NeN}'Y>w\xvz֊Ɩ. Eds. Zhong Yiwen and Chen Dawei. Taoyuan, Taiwan: Yuan Ze University Asian Pacific Humanities Publications, 2017. 161-186.  Future Has Infinite Possibilities. *gO g!qPvS. People s Literature Nlex[. 7 (2015): 135-38.  The Past and the Present of Science Fiction: French Connection. y{^\vMRNNu. Foreign Literature Y We݅. 3 (2015): 5-9.  The Flowering of Life: The Figure of Youth in Ba Jin s Anarchist Novels. u}Tv]ё!q?e^;N\-NvR%f. Trans. Fan Jiaqi. Literatureex[. 2.1 (Spring/summer 2014): 121-156.  The New Wave in Chinese Science Fiction. -N Wy{^vejmno. Literatureex[.1.1 (Spring/summer 2013): 3-16.  State and Individuality in Chen Kaige s The Big Parade. 'YuQ-Nv W[ PN.Shanghai Culture NwmeS. 2012.3 (May): 46-60.  Revolution, Republicanism, and Everyday Life. i}T0qQTe8^u;m. Book Town fW. Vol. 69 (February 2012): 5-15.  Seeing the Nothingness in All Eyes: Han Song s Science Fiction Novel Subway. eNRr: ex[, }xQ, sNaX. Eds. Ko Chia-chien and Cheng Yu-yu. Taipei: Rye Field Publications, 2014.  Revolutionary Discourse and Everyday World: Chen Jianhua s Cong geming dao gonghe. i}Tqe8^NLu: s^v0_i}T0RqQT 0. Twentieth First Century NASNN}(Hong Kong). 2011.6: 131-138.  Narratives of Discipline and Ecstasy: Wang Meng s Long Live Youth. rakvXeN. Trans. Kang Ling. Soochow Academicqg3Tx[S. 2011.3 (May): 135-143.  The Socialist Bildungsroman: A Case Study of Yang Mo s The Song of Youth. >yg;Nbw\.Trans. Kang Ling. Soochow Academicqg3Tx[S. 2011.2 (March): 125-136.  Tanxingzhe and mianbizhe: Liu Cixin s Science Fiction. H_fbX: RHa#kvy{^NLu. Shanghai Culture NwmeS. 2011.3 (May): 17-30. Reprinted in Liu Cixin. Santi II. Taipei: The Owl Press. 2011. 491-511. Reprinted in X Ways of Reading Santi 0 NԚ 0vX.zl. Eds. Li Guangyi and Chen Xin. Beijing: Sanlian shudian, 2017. 17-45.  Old Youth in Young China: Youth Discourse in Late Qing Literary Imagination. \t^-N WKN\t^: n+gex[-NvR%f`P. China Scholarship-N Wx[S . 8.1 (Summer 2010): 207-231.  Reflections on Eileen Chang. nmN`ak dk-N gN͑5_as. History and Scholarship of Modern Chinese Fiction: Essays in Honor of Professor C.T. Hsia -N WsNex[vSx[: TY_nHQule. Ed. David Der-wei Wang. Taipei: Linking Publishing Company, 2010. 383-397.  Uncle s Story and the Art of Fiction. 0SSvEeN 0\v݅S Critical Companion to Wang Anyis[axvznje. Eds. Zhang Xinying and Jin Li. Tianjin: Tianjin People s Publishing House, 2009. 521-543.  How the Steel Was Tempered: the Self-fashioning of the Sixth Generation Filmmakers. 5/f#jIqbv  ,{mQN\ovbQX N0w'YbN 0pO. Shanghai Culture NwmeS. 2007.3 (May): 39-48.  Youth Imagery in Modern China. sN-N WvR%f`P. Studies of Modern China sN-N W. Ed. Chen Pingyuan. Beijing: Beijing University Press. Vol. 8 (January 2007): 145-162.  Postcolonial Theory: Who Is the Other? _klt֊:/fNThe Journal of Comparative Literature in China -N Wkex[. 2002.4 (winter): 67-84. (with Chen Sihe)  Reconstruction of the May Fourth Literary Tradition: 1978-82. NV|^yv͑eQZ. Literary Criticism e݅-r. 2000.3 (March): 39-45.  Ending Anxieties and Growing Up: Notes on Writers Born in the 1970s. B}bk&qnaw'YbN: ܕeNASt^NQu\O[vF{. Shanghai Literature Nwmex[. 1999.9: 74-79. Reprinted in (1) Anthology of the Literary Criticism of the 1990s 90t^NybUex. Eds. Chen Sihe and Yang Yang. Shanghai: Chinese Encyclopedia Press, 2001. 306-319; (2) 60 Years of Chinese Literature -N WvuNex[mQASt^.Eds. Chen Sihe and Jin Li. Shanghai: Shanghai University Press, 2009. Vol. 4: 258-266.  Individualistic Position and Literary Writing. PNz4Xex[uR\O. Shandong Literature q\qgex[. 1999.4: 53-58.  Understanding Zhu Wen. t1ge. Shanghai Literature Nwmex[. 1997.9: 66-71. Reviews and essays (selected titles)  I Also Tried to Be Your Boswell. b_NfNZP`Ove˗>r. Wenhui Daily e/S1X. 2020.8.18.  To See a World in the Mirror: A Preface to Zhao Haihong s The World of Soul-Wave. (WP-N wNLu. The World of Soul-WaveHlNLu. Hangzhou: Zhejiang Young Adult Book Press, 2020: 1-5.  An Introduction to Fu Guanming s Translations of Shakespeare PoXkNxvz ;NcN. Journal of Suzhou College of Education ]Yex[bx[1X. Vol. 36. No. 3 (May 2019): 1-2.  Virtual Nostalgia: Notes on the Special Issue of Sinophone Science Fiction. [dv a y{^\\/ \. Hong Kong Literature /nex[. Vol. 413 (May 2019): 89-90.  Never Compromise with the Evil, Write the Word  Human Well: In Memory of Professor Jia Zhifang. NXNYTS0buu[}YNW[ VaȌ iHQu (uncensored version). Ming Pao Monthlyf1Xg R (Hong Kong). 2019.4: 102-104.  The Science Fiction Universe of Liu Cixin. RHa#kvy{^NLu. Xinmin Weekly el1 R. 2019.7 (February 25): 28-33.  From Science Fiction to Cinema: Time Begins Again. _\0Rq_BfSN!kYN. Xinmin Weekly el1 R. 2019.7 (February 25): 16-18.  From Science Fiction to Big Screen: The Genesis of Liu Cixin s The Wandering Earth. _y{^\0R'Yq_RHa#kvuRN}. Jinan Times oWSBf1X. 2019.2.15: B09.  The Utmost Joy: On Emperors II. uijKNj. Young Writers Rt^\O[. 2018.8: 158-60.  On Emperors. NJv^KN^. Young Writers Rt^\O[. 2018.8: 157-58.  In Memory of Professor Jia Zhifang. VaȌ iHQu. Young Writers Rt^\O[. 2018.8: 155-57.  On Emperors. NJv^KN^ (uncensored version). United Daily News oT1X. Taipei. 2018.5.30: D3.  In Memory of Professor Jia Zhifang. VaȌ iHQu. Xinmin Weekly el1 R. 2018.20 (May 27): 91.  To Young Science Fiction Readers. t^vy{^P. Science Fiction World. 2018.5: 84-85.  The Moment of Uncertainty Always Fascinates Us. P,n NnvBf;R8l`bPW. Wenhui Daily e/S1X. 2018.3.18: A 11. Reprinted in That Master Keyword 0ܕ[ 0. Eds. Wenhui Daily Literary Supplement Editorial Office. Shanghai: Wenhui Press. 249-54.  Back to the Future, Back to the Childhood. V0R*gO V0Rzt^. Wenhui Daily e/S1X. 2018.3.18: A 11. Reprinted in Duzhe . 2018.13 (July): 46-47.  Introduction: Lao She and Cat Country. \  0W 0. Lao She s Cat Country  0W 0. Hong Kong: Joint Publishing (H.K.) Co. Ltd, 2017. ii-vii.  From Helsinki to Shanghai: Atlas and Future of Science Fiction. _k>rW0R Nwmy{^v0WW*gO. Xinmin Weekly el1 R. 2017.34 (August 24): 42-45.  The Eagle in Cambridge. RKjv. Wenhui Daily e/S1X. 2017.8.12: 8.  The Dante Club. FONOj. Xinmin Weekly el1 R. 2013.23 (June 14): 82.  The Tiger in Ang Lee. Ng[_-NvN.Xinmin Weekly el1 R. 2012.50 (December 31): 85.  Mo Yan s Thirty Years of Literary Marathon. NASt^vex[wэ. Xinmin Weekly el1 R. 2012.43 (November 12): 86.  On Liberal Arts Education in America: A Letter to Professor Chen Sihe. s`T+^  NJ W'Yx[Ye. Studying Overseas Yux[BfN. Eds. Zhang Yaozong and Zhang Chuntian. Beijing: Sanlian shudian, 2012. 290-302.  A Reader in America. fN(W W. Xinmin Weekly el1 R. 2011 (December 21): 85.  An Interview with Professor Ellen Widmer. s^m-NvX[_[  \*OaEllen B. Widmer Yec. Revolution, Enlightenment, Lyricism i}T_Ub`  -N WяsNex[eSxvzx[`. Eds. Zheng Wenhui and Yan Jiafu. Taipei: Yongchen Publishing House. 2011, 111-120.  Utopian Experiments. pXb[W4X. Xinmin Weekly el1 R. 2011.11 (March 14): 62.  After the Singer Arrives: Liu Cixin s Three-Body Trilogy. LkOKN_. Shanghai Book Review NwmfU. 2011. March 6: 5.  Ideas Grow in Experience. ``(W}W-Nuw. Dushu f. 2010.11: 65-70.  Professor C.T. Hsia at 90. Y_nHQu]NAS. Ming Pao Monthlyf1Xg R. 2010.12: 33-34.  Professor C.T. Hsia s Humor and Compassion. Y_nHQuv}^؞`a. Ming Pao Monthlyf1Xg R. 2010.12: 35.  The Story of a Kingdom without Stories. !qEeNs WvEeN. Xinmin Weekly el1 R. 2010.52 (December 27): 62.  Atlas of the World Science Fiction. y{^vNLu0WW. Xinmin Weekly el1 R. 2010.48 (November 22): 62.  The Myth of Kung Fu. R+Y^yq. Xinmin Weekly el1 R. 2007.11 (March 16): 33-34.  The Hsia Brothers and Humanism. YlDQ_Ne;N. Xinmin Weekly el1 R. 2005.45 (November 11): 70-71.  Delmore s Gift. _>rvyir. Panorama Monthly ,a. 2005.9: 78-106.  Reflections on Exile: In Memory of Edward Said. AmNvl``__YecShanghai Literature Nwmex[. 2003.12: 82-84.  Literary Experience and Cultural Crisis. ex[}WeSqS_j. Shanghai Literature Nwmex[. 2003.10: 103-109.  Lionel Trilling at Columbia University. yrሗg(WT+PkN'Yx[. Panorama Monthly,a. 2003.9: 1-19. Reprinted in Contemporary vuN (Taiwan). 2004.12: 22-53.  Out of Babel: David Damrosch s Meetings of the Mind. pQ]%RTX. Shanghai Literature Nwmex[. 2003.7: 72-77. Reprinted in ContemporaryvuN (Taiwan). 2005.2: 62-73.  9/11, New York City, Diaries. 9/11}}e. Frontiers )Ym. 2001.6: 56-60; Reprinted in Best Chinese Essays of 2001 2001t^gsO-Neceex. Ed. Zhang Xinying. Shenyang: Chunfeng wenyi chubanshe, 2002.  The Sorrows of a Floating World. nmNv`T. Book ReviewsfK\. 1998.1: 63-65.  The Abundant Minimalism: Raymond Carver and Ann Beattie. P[v!|}. Book ReviewsfK\. 1997.3: 70-72. CREATIVE WRITING Poems  Five Poems of Song Mingwei: Piet, Four Elegies and One Short Ballad :  February,  Apocalypse,  Memory,  Story, and  China. TodayN)Y (Oslo and Hong Kong). 2020.1 (Spring/summer): 59-70.  Dream Song (Twenty-Seventh) . Yangtze Poetry Bi-monthly cP[_li R. 2019.6 (November): 102. Six Verses:  To Stockholm,  Dream Song (Nineteenth),  Apocalypse, a Long Poem,  Utopia (in three parts),  I Remember,  China. Lotus Bi-monthly Ʉ. Vol. 236 (May 2019): 221-224. Two Poems:  White Horse,  Snow in a Winter Evening. People s Literature Nlex[. 2018:12 (December): 176. Two Poems:  December 24, 2017,  Untitled (I Heard Someone Talk about Future). Fleurs des lettresW[ (Hong Kong). Vol. 76 (November-December 2018): 82-83. Three Poems:  February,  Butterflies,  Youth. Shanghai Literature Nwmex[. 2018.10 (October): 105. Four Educational Verses:  Wuthering Heights,  Les Faux-monnaveurs,  L Education sentimentale,  La route des Flanders. Yangtze Poetry Bi-monthly cP[_li R. 2018.4 (July): 82-83. Seven Chapters of Dialogues:  Dialogue,  Untitled ,  Adieu,  The Blue Bird,  A Song,  A Song of Love and Darkness For a Friend in MeToo,  Dream Song, No. 7. Lotus Bi-monthly Ʉ. Vol. 229 (April 2018): 188-190. Poems translated into Italian  Utopia,  Il nostro mondo,  Farfalle,  Senza titolo (ascoltando qualcuno parlare di futuro),  Cina, Cavallo bianco. Translated by Luca Stirpe.Caratteri 2019: 116-124. Art Exhibition Poems and Design Apocalypse and Utopia, part of the installation art Nine Cities, Nine Futures at 2019 Shenzhen/Hong Kong Bi-city Biennale of Urbanism/Architecture, Shenzhen and Hong Kong, December 21, 2019-April 19, 2020. Translations (from English to Chinese) (as the organizer and principal translator) Around the World in 80 Books by David Damrosch. Shanghai Review of Books. May 25-September 16, 2020. Book version: Shanghai Translation Publishing House, 2021. (with Tu Hang, et al.) The Lyrical in Epic Time by David Der-wei Wang. Taipei: Rey Field Publications, 2017. (with Zha Mingjian, et al.) What Is World Literature? by David Damrosch. Beijing: Beijing University Press, 2015. (with Hu Siao-chen, et al.) Fictional Realism in 20th Century China by David Der-wei Wang. Taipei: Rey Field Publications, 2009. Shanghai: Fudan University Press, 2011. ORGANIZED CONFERENCES May Fourth@100: China and the World conference. Co-organized with David Der-wei Wang. Harvard University & Wellesley College. April 12-13, 2019. Science Fiction and Its Variations in the Sinophone Literary World conference. Organized for the Hong Kong University of Science and Technology. May 30-31, 2018. Human/Inhuman/Posthuman Conditions (Co-organized with Kenny Ng), Three-Day Panel and Conference Highlight: Conversations with Science Fiction Writers. The Association of Chinese and Comparative Literature Biennial Conference. The Chinese University of Hong Kong. June 21-23, 2017. Science Fiction Workshop. International Center for Studies of Chinese Civilization. Fudan University. June 17-18, 2016. Global Science Fiction Conference. The Newhouse Center for the Humanities and the Cinema and Media Studies Program. Wellesley College. March 8-9, 2013. Reconfiguring Forms, Genres, and Social Space in Modern China (Co-organized with Shengqing Wu). The Fairbank Center for East Asian Research. Harvard University. April 29-30, 2006. INVITED LECTURES The Power of Darkness in Chinese Science Fiction. Invited Zoom Talk. Council for East Asian Studies. Yale University. February 19, 2021. The New-Baroque and Twenty-First-Century Literature. Invited Zoom Talk. Sichuan University. December 12, 2020. The Age of Revolution, the Age of Discovery: Origins of Science Fiction. Invited Zoom Talk. Sichuan University. December 5, 2020. Science Fiction as a Global Genre. Invited Zoom Talk. Tongji University. November 14, 2020. What Remains Invisible After Chinese Science Fiction Has Come to the Center Stage? Invited Zoom Talk. Chinese Comparative Literature Association. August 29, 2020. The Posthuman: Theory and Practice in Science Fiction Studies. Invited Zoom Talk. Zhejiang University. Hangzhou, China. August 27, 2020. Utopia, Dystopia, Heterotopia: Three Concepts in Science Fiction Studies. Invited Zoom Talk. Zhejiang University. Hangzhou, China. August 25, 2020. A Science Fictional Theory of Realism and Virtualism. Invited Zoom Talk. The University of Yangzhou. Yangzhou, China. June 28, 2020. What Is New with the New Wave Science Fiction? Invited Zoom Talk. Born in Stars Bookstore. Guangzhou, China. June 14, 2020. Heterotopia and the Posthuman: How to Understand Science Fiction. Invited Zoom Talk. Sichuan University. Chengdu, China. April 9, 2020. The Digital, the Posthuman, the Virtual in Contemporary Cinema. Invited Talk. Shandong Normal University. Jinan, China. January 12, 2020. Kapsel and Chinese SF. A Conversation with Chi Hui and Liang Shuang moderated by Vera Tollmann. ACUD Kunsthaus, Berlin, Germany. October 19, 2019. Between Nature and Technology: Visions of the Future from China. A Conversation with Chi Hui moderated by Vera Tollmann. Frankfurter Buchmesse 2019. Frankfurt, Germany. October 17, 2019. What Is Real in Chinese Science Fiction: Toward a Poetics of Invisibility. Invited Talk. Goethe University Frankfurt am Main. Frankfurt, Germany. October 16, 2019. Can We Read A Madman's Diary as Science Fiction? Science, Science Fiction, Real, Realism and the Origin of Modern Chinese Literature. Talk at the Symposium on the Centennial of the May Fourth Movement 1919 and the Legacy of the New Culture Movement. Uppsala University, Uppsala, Sweden. October 11, 2019. The New Wave of Chinese Science Fiction: Poetics and Politics. Invited talk. The College of Holy Cross. October 2, 2019. Chinese Science Fiction: Eight Lectures. Invited talks. Shandong University. Jinan, Shandong. July 22-26, 2019. Future Has Infinite Possibilities: Science Fiction. Invited talk. Hunan Industrial University. Zhuzhou, Hunan. July 2, 2019. The New Wave of Chinese Science Fiction. Invited talk. Chinese Renmin University. Beijing. July 1, 2019 Chinese Science Fiction Enters the Age of Broadcasting. Invited talk. Tongji University. May 23, 2019. May Fourth Literature and Science Fiction. Invited talk. Shandong Normal University. May 17, 2019. Science Fiction World and Chinese Science Fiction. A Roundtable at Science Fiction World editorial office. Chengdu, China. May 15, 2019. A Conversation with David Wang and Mingwei Song about Chinese Science Fiction. Sichuan University. Chengdu, China. May 11, 2019. Can We Read A Madmans Diary as Science Fiction? Invited talk. Southern University of Science and Technology. Shenzhen, China. May 10, 2019. Back to Future: May Fourth, Literature and Science. Invited talk. Shandong University. May 5, 2019. What Is Real in Chinese Science Fiction? Toward a Poetics of the Invisibility. Invited Talk. University of California, Los Angeles. April 25, 2019. Chinese Science Fiction vs. Popular Culture. Invited lecture in class. University of California, Los Angeles. April 25, 2019. From Tong Enzheng to Han Song: Archaeology and Futurology in Science Fiction. The Tong Enzheng Memorial Lecture. Wesleyan University. April 18, 2019. The Wandering Earth and Its Deep Impact on Chinese Film Industry, Social Media, and Politics. Eye on Asia Lecture. Wellesley College. April 4, 2019. The Fear of Seeing: The Poetics of Chinese Science Fiction. Kemp Fund Lecture. Yale University. March 4, 2019. The Aesthetics of Han Songs Science Fiction: A Conversation with Han Song, Yan Feng, and Song Mingwei. Sinan Bookstore Reading Club No. 269. Shanghai, China. November 3, 2018. Chinese Science Fiction: After the New Wave. Invited Lecture. Jinan University. June 21, 2018. New Wave in Chinese Science Fiction and the New Possibilities in Aesthetics. Invited Lecture. East China Normal University. Shanghai, China. June 11, 2018. Chinese New Wave: Seeing the Invisible. Invited Lecture. National Taiwan University. Taipei, Taiwan. June 8, 2018. Chinese Science Fiction: New Wave, Heterotopia, and the Posthuman. Invited Lecture. National Dong Hwa University. Hualien, Taiwan. June 5, 2018. Keynote Speech: A Madmans Diary as a Science Fiction Story. Chinese Science Fiction and Literary History conference. Hangzhou Normal University. June 2, 2018. Insight and Blindness: The Poetics of Chinese Science Fiction. Invited Lecture. Zhejiang University. Hangzhou, China. June 1, 2018. Insight and Blindness: The Poetics of Chinese Science Fiction. Invited Lecture. Nankai University. Tianjin, China. May 28, 2018. New Wave of Chinese Science Fiction: The Poetics of the Invisibility. Invited Lecture. Shandong University. Jinan, China. May 24, 2018. Seeing the Invisibility: The New Wave and the Three-Body Phenomenon. Invited Lecture. Shandong Normal University. Jinan, China. May 23, 2018. Did Chinese Science Fiction Shine Over America? Invited Lecture. Southern University of Science and Technology. Shenzhen, China. May 20, 2018. How Do We Become Human in a Posthuman World? A Conversation with Chen Qiufan. Wellesley College. April 5, 2018. Posthuman China: The Poetics and Politics of Science Fiction. Invited Lecture. University of Stockholm. Sweden. March 28, 2018. Chinese Science Fiction: New Wave, Heterotopia, and the Posthuman. Invited Keynote Speech at the Workshop on Transcultural Perspectives on Contemporary Literary Utopia and Dystopia. Uppsala University. Uppsala, Sweden. March 26, 2018. The New Wave of Chinese Science Fiction: Invisibility, Heterotopia, Realism. Invited Lecture. University of Tennessee. September 21, 2017. Posthuman China: Science Fiction, Heterotopia, and the Poetics of Invisibility. Invited Lecture. Rhodes College. Memphis, Tennessee. September 19, 2017. The Journey to Interiority: Wartime Writings of Lu Ling and Lu Qiao. Invited Lecture. University of Cambridge. Cambridge, UK. July 11, 2017. Representations of the Invisible: The Poetics of the New Wave in Chinese Science Fiction. Invited Lecture, The Universit degli Studi diNapoli, Italy. April 5, 2017. The Poetics of Invisibility: Science Fiction and Other Genres in Contemporary China. Invited Lecture, University of Bologna, Italy. April 3, 2017. Youth Discourse, National Rejuvenation, and the Bildungsroman in China, 1900-1916: From Liang Qichao to Li Dazhao. Invited Lecture, University of Bologna, Italy. March 30, 2017. Theory and Practice in Science Fiction Studies. Graduate Seminar, Department of Asian Studies, University of British Columbia, Vancouver, Canada. January 13, 2017. Mars Over America: The New Wave of Chinese Science Fiction. Invited Lecture, St. Johns College, University of British Columbia, Vancouver, Canada. January 11, 2017. The Problems of the Poetics in Contemporary Chinese Science Fiction. Invited lecture at Lu Xun Academy of Literature, Advanced Institute for Creative Writing. Beijing. June 8, 2015. The Poetics of Science Fiction in Twenty-First-Century China. Invited lecture at Huaian Normal College, Huaian, China. June 1, 2016. Eileen Chang: American Years. Invited lecture at Huaian Normal College, Huaian, China. June 1, 2016. The New Wave of Chinese Science Fiction: Forms and Aesthetics. Invited lecture at Suzhou University of Science and Technology. May 26, 2016. Youth Discourse and the Bildungsroman. Invited lecture at Soochow University, Suzhou, China. May 25, 2016. Young China and Utopian Fiction. Invited lecture at Soochow University, Suzhou, China. May 24, 2016. Afternoon Tea with Ken Liu and Mingwei Song on The Three-Body Problem. Harvard China Forum and the Fairbank Center for Chinese Studies. Harvard University. April 21, 2016. Posthuman Maos: The Invisible Real and the Hidden Dimensions of Chinese Science Fiction. Institute for Advanced Study. Princeton, NJ. February 22, 2016. Representations of the Invisible: The Unseen Bodies inThe Three-Body Problem, or the Hidden Dimensions of Chinese Science Fiction. Einstein Forum and Deutsche Kinemathek. Berlin, Germany. January 23, 2016. The Future of China Through Chinese Science Fiction: A Conversation with Liu Cixin. Sydney Ideas series. University of Sydney, Australia. November 3, 2015. The New York Intelligentsia. Invited lecture at Lu Xun Academy of Literature, Advanced Institute for Creative Writing. Beijing. July 8, 2015. Sinology: An Introduction. Invited lecture at Jinan University. June 30, 2015. Posthuman Conditions and the Poetics of Science Fiction. Invited lecture at Shanghai International Studies University. June 17, 2015. Variations on Utopia and Dystopia in Twenty-First-Century Chinese Science Fiction. Invited lecture at Tongji University, Shanghai. June 15, 2015. Representations of the Invisible in Chinese Science Fiction. Invited lecture at MIT. April 28, 2015. Chinese Science Fiction: The New Wave. Invited lecture at Middlebury College. October 28, 2014. Red Star over America? Chinese Science Fiction in the United States. Invited lecture at The New Star Press, Beijing. January 12, 2014. Varieties of the Utopian in Contemporary Chinese Science Fiction. Invited lecture at the University of California, Berkeley. February 22, 2013. Revolutionary Discourse and Everyday Life. Invited Talk at the Book Review Seminar of the City University of Hong Kong. November 25, 2011. The Shadow of the Utopias: Contemporary Chinese Science Fiction. Lecture at the Hong Kong University of Science and Technology. November 24, 2011. The Image of Youth in Modern Chinese Literature. A lecture given at the Department of Chinese, Chinese University of Hong Kong. April 21, 2005. Inventing Youth in China. New Wisdom Society. Columbia University. December 6, 2004. The Sixth Generation Filmmakers. A lecture at Columbia University Summer Session. New York, NY. July 25, 2003. CONFERENCE PRESENTATIONS The Worlding of Chinese Science Fiction: Global Genre and World Literature. ACLA, April 2021. What Remains Invisible After Chinese Science Fiction Has Come to the Center Stage? MLA. January 7, 2021. The World Is a Hospital: Virus, Heterotopia, and Science Fiction. A Virtual Workshop on Science Fiction and Ecocriticism. Duke University. November 30, 2020. Global Perspectives on Chinese Science Fiction. Academic Track. Moderating the roundtable. The 77th World Science Fiction Conference. Dublin, Ireland. August 18, 2019. Can We Read A Madmans Diary as Science Fiction? Presentation at the conference Looking Backward 100 Years: Literature and Culture. Chinese Remin University. Beijing. June 29, 2019. Hsia Brothers Correspondence and Literary History After May Fourth: Three Directions in the Contemporary Humanities. Hong Kong University of Science and Technology. May 9, 2019. Can We Read A Madmans Diary as Science Fiction? The Literalness in Science Fiction and the Cognitive Alternate to Literary Realism. May Fourth@100: China and the World. An International Conference. Harvard University. April 13, 2019. Urban Imagination in Chinese Science Fiction. Shanghai Global Cities Cultural Forum 2018. Shanghai, China. October 26, 2018. A Madmans Diary in the Context of World Science. Lu Xun and the New Culture: An International Symposium. Shandong Normal University. Jinan, China. June 16, 2018. Neo-Baroque: Understanding the Twenty-first Century Lietrature. Science Fiction and Its Variations in the Sinophone Literary World conference. Hong Kong University of Science and Technology. May 31, 2018. The Darkness and Chaos in the Three-Body Problem. Brandeis Novel Symposium. April 20, 2018. Keynote Speech: The Waste Tide. A Conversation with Chen Qiufan. Chinese Ecologies: An International Symposium on the Environment and Indigeneity. Harvard University. April 6, 2018. Posthuman Taiwan: Heterotopian Homeland and Fabricated Personae in Egoyan ZhengsDream Devourer. H. Katherine Hayless Seminar: Extinctive Narratives. Duke University in Kunshan, Shanghai. September 29, 2017. Bringing Science Fiction to University Classroom. The 75th World Science Fiction Conference. Helsinki, Finland. August 10, 2017. How Scientific Romance and Its Implied Epistemology Became Chinese? Science, Science Fiction, and Realism in China, 1890s-1920s. Academic Track. The 75th World Science Fiction Conference. Helsinki, Finland. August 10, 2017. Science Fiction, Mimesis, Heterotopia, the World: China and Taiwan. American Comparative Literature Association Annual Conference, Utrecht, the Netherlands. July 8, 2017. Heterotopia in Taiwans Variations of Science Fiction. The Association of Asian Studies in Asia (AAS-in-Asia) Annual Conference. Korea University, Seoul, Republic of Korea. June 26, 2017. The Atlas of Heterotopia: Moveable Metaphors and Posthuman Personae. The Association of Chinese and Comparative Literature Biennial Conference. The Chinese University of Hong Kong. June 23, 2017. Science Fiction and the Posthuman. Literature and Philosophy International Symposium. The Hong Kong University of Science and Technology. June 20, 2017. Numbers in the Novel: A Roundtable. The Mahindra Humanities Center, Harvard University. May 2, 2017. Introduction to the Field of Chinese Science Fiction Studies. Modern Language Association Convention, Philadelphia. January 7, 2017. The Journey to Interiority: Literary Representations of Youth in the Wartime, Chongqing and Kunming, 1937-1945. Conference on New Literary Tradition (in honor of Professor Jia Zhifang), Hexi College, Gansu Province. July 2, 2016. The Literariness and Aesthetics of Science Fiction. Science Fiction Workshop, Fudan University. June 18, 2016. Problems of Wang Anyis Poetics. Workshop on Wang Anyi and the Art of Fiction. Duke University. April 17, 2016. Becoming a Man? The End of the Sixth Generation Cinema. The AALAC Workshop on Chinese Cinema, Reed College. October 10, 2015. Sheng Congwen and World Literature. Roundtable discussion at the Shen Congwen and Modern China symposium, Harvard University. September 26, 2015. Posthuman Maos: Numbers, Multiplication, and the Singularity in Science Fiction. Traveling Text/Image/Media: The Association of Chinese and Comparative Literature Biennial Conference, Shanghai. June 18, 2015. Scientific Discourse and the Emergence of New Fiction. A Workshop on Western Missionaries and Early Modern Chinese Literature, Fudan University, Shanghai. June 17, 2015. Young China: Discourse and Imagery. An International Conference on New Chinese Literature: Discourse and Language, East China Normal University, Shanghai. June 14, 2015. Posthuman Conditions: Do People Need Science Fiction? A Workshop on Science Fiction and Posthumanity, Duke University, Kunshan. June 12, 2015. Posthuman Maos: Numbers, Multiplication, and the Singularity in Science Fiction. American Comparative Literature Association Annual Conference, Seattle, WA. March 27, 2015. The Magic of Rejuvenation: Youth Discourse in Late Qing. China in Translation: Theory, History, Practice. A workshop sponsored by the Fairbank Center for Chinese Studies, Harvard University. November 21-22, 2014. The Magic of Rejuvenation: Youth Discourse and Science Fiction in Late Qing. Science as Knowledge, Ideal and Practice in 20th Century China: an International Workshop. Charles University and Czech Union of Science and Technology Societies, Prague, Czech Republic. November 14-15, 2014. Lu Xun and Science Fiction. An International Conference on Lu Xun in the Context of World Literature. Shandong Normal University. June 15, 2014. Lu Lings Children of the Rich as a Bildungsroman. A Workshop on the Poetics of the Left-wing Literature. Fudan University. June 6, 2014. The Waste Tide: The Post-humanity in Chinese Science Fiction. Association for Asian Studies Annual Conference, Philadelphia. March 28, 2014. Representations of the Posthumanity in the New Wave of Chinese Science Fiction. American Comparative Literature Association Annual Conference, New York, NY. March 22, 2014. Chinese Science Fiction: the New Wave. 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May 18, 2013. Varieties of the Utopian in Contemporary Chinese Science Fiction. Association for Asian Studies Annual Conference, San Diego, CA. March 23, 2013. 2066, Red Star over America: Utopia and the Uncanny in Chinese Science Fiction. The Global Science Fiction Conference. Wellesley College. March 9, 2013. 2066, Red Star over America: Science Fiction Fantasy. Writing a New Literary History of China workshop. Harvard University. April 23, 2011. Anger and Terror: Anarchism and the Cult of Youth in Ba Jins Early Novels. Association for Asian Studies Annual Conference. Honolulu, HI. April 2, 2011. Chinese Science Fiction: a Post-Human History after 2001. An international conference on twenty-first century Chinese literature. Fudan University. July, 2010. Frogs: Symptoms of a Cultural Disease. A Symposium on Mo Yan. Fudan University. July, 2010. Not At All Experienced: Conventions and Abnormalities in Spy Films, with a Comparative Study of Notorious and Lust, Caution. An international conference on Spy Films in the (Post) Cold War Era. Beijing University. June, 2010. State and Individuality in Chen Kaiges The Big Parade. An international conference on Chinese Film and Nation-State Narrations in the Age of Globalization. Beijing University. June 19, 2009. Old Youth in Young China: Youth Discourse and Its Irony in Late Qing Literary Imagination. Association for Asian Studies Annual Conference, Chicago, IL. March 27, 2009. Teaching Modern Chinese Literature as a Literature Class. Modern Chinese Literature and Pedagogy: an International Conference, co-organized by Fudan University, Harvard University, University of Washington in St. Louis, and Shanghai University. Shanghai, China. June 21, 2008. How the Steel Was Tempered: the Rebirth of Pawel Korchagin in Contemporary Chinese Media. Association for Asian Studies Annual Conference, Atlanta, GA. April 3, 2008. The Plot of Enlightenment: Early Modern Chinese Bildungsroman. An International Symposium on Enlightenment and Chinese Literature. Harvard University. October 26, 2007. How the Steel Was Tempered: the Self-fashioning of the Sixth Generation Filmmakers. The Fifth Annual International Junior Scholars Conference on Sinology: Performing and Visual Arts. Fujen University. Taipei, Taiwan. November 18, 2006. The Youth Discourse and Its Irony in Late Qing Literature. Workshop Reconfiguring Forms, Genres, and Social Space in Modern China, co-sponsored by Fairbank Center for East Asian Research and the CCK Foundation Inter-University Center for Sinology. Harvard University. April 29-30, 2006. The Taming of Youth: The Socialist Bildungsroman and Its Problematics in Early PRC Literature. Directors Seminar, Fairbank Center for East Asian Research. Harvard University. March 2006. The Sorrows of Old Youth: the Youth Discourse in the Late Qing Literature. Twentieth Annual Symposium on Chinese Culture. Harvard University. December 2005. Beyond the Gate of Darkness: T.A. Hsias Study of the Psychology of Chinese Leftist Writers. The Hsia Brothers and Chinese Literature: An International Symposium. Columbia University. October 2005. Long Live Youth: Chinese Bildungsroman from the 1920s. The Third Annual International Junior Scholars Conference on Sinology: Traveling Chinese Literature and World Imagination. Suzhou University, China. June 18, 2005. Old Youth and New Youth: Narrating Youth in Modern China. Southwest Conference on Asian Studies Annual Meeting. Houston, TX. October 10, 2003. From Sublime Youth to Passive Bildung. Chinas Long 20th Century Symposium. University of Chicago. April 13, 2002. Eileen Chang and the New Culture Tradition. Columbia University Graduate Student Conference. New York, NY. February 10, 2001. PANEL DISCUSSIONS AND ORGANIZING Discussant for the Panel Storytelling of the Personal and the Historical: Modern Sinophone Cultural Production. The 2021 Association of Asian Studies Annual Conference. March 2021. Organizer for the Panel Metamorphosisof Chinese Science Fiction: Tropes, Concepts, and Theories. The 2021 Modern Language Association Annual Conference. January 7, 2021. Discussant for the Panel Tomorrows Problem? Futurism in East Asia. The 23rd Annual Harvard East Asia Society Conference: Life on the Edge: Borders and Boundaries in East Asia. February 8, 2020. Discussant for the Panel From Mr. Science to Science Fiction: A Reprise and Reappraisal on the 100th Anniversary ofMayFourth. The Association of Asian Studies Annual Conference. Denver, Colorado. March 24, 2019. Organizer of the Panel Realism and Fantasy in Twentieth-Century China: Visual and Literary Representations. The Association of Asian Studies in Asia (AAS-in-Asia) Annual Conference. Korea University, Seoul, Republic of Korea. June 26, 2017. Chair and Discussant for the Panel Fantastic Literatures in Japan, Korea, and China. Association for Asian Studies annual meeting, Toronto, Canada. March 18, 2017. Discussant for the Panel The Unfamiliar Ties of the Familiar Masters. The New England AAS Annual Conference. Boston College. January 28, 2017. Round table discussion on Pathlight with Professor David Wang and the delegation from Peoples Literature. Harvard University. October 15, 2015. Moderator in the second panel of Chinese Intellectuals and Contemporary Literature Forum. Harvard University. September 29, 2015. Commentator in Everyday Totalitarianism symposium. Newhouse Center for the Humanities. Wellesley College. April 14, 2012. Discussant for the Panel Constructing National Forms in 20th-century China: Visuality, Aesthetics and Literature. The New England AAS Annual Conference. Wellesley College. October 23, 2011. Commentator in Panel 5 21st Century Literature in Comparative Perspective. New Century, New Literature: the Second Chinese-American Writers Forum. Harvard University. September 25, 2010. Discussant for the Panel Post-Mao Chinese Literature. The 11th Annual Harvard East Asian Society Conference. February, 2008. CULTURAL EVENTS FOR WELLESLEY COLLEGE Moderator for the Test Screening Miles to Go Before She Sleeps (A Documentary Film written and produced by Faye Jiefei Yuan 09). Zoom. October 26, 2020. Participating and speaking in Generation Z Global Forum. Organized by Wellesley College and China-US Womens Foundation. Zoom. October 15, 2020. Q&A with David Lindauer after a Screening of American Factory. Wellesley College. March 1, 2020. Introducing Wang Bings Three Sisters and moderating a conversation with Wang Bing. Wellesley College. November 15, 2018. Moderating A Conversation with Mai Jia: Chinese Espionage Novel. East Asian Language and Culture Department. April 18, 2018. Moderating A Conversation with Chen Qiufan: How Do We Become Human in a Posthuman World? Wellesley College. April 5, 2018. Moderating A Conversation with Ken Liu: Science Fiction for China and USA. Newhouse Center for the Humanities. Wellesley College. May 3, 2017. Moderating Wang Huis Talk Chinas Long Twentieth Century. Wellesley College. April 13, 2017. Moderating A Conversation with Five Chinese Writers. Wellesley College. Chinese writers: Yu Hua, Ouyang Jianghe, Liang Hong, Li Juan, Yan Ge. May 4, 2016. Hosting the visit of Peoples Literature/Pathlight delegation. Wellesley College. October 16, 2015. Presenting the film A Touch of Sin. Cinephile Sundays: Filthy Lucre series. Wellesley College. March 3, 2015. Introducing Ha Jin and moderating a conversation with Ha Jin. The Distinguished Writers series, Newhouse Center for the Humanities. Wellesley College. March 30, 2015. Co-organizing the faculty panel What Is Happening in Hong Kong. Wellesley College. October 9, 2014. Organizing the Perspectives on Chinese Cinema Lecture Series, co-sponsored by East Asian Languages and Cultures Department, Cinema and Media Studies Program, and the Newhouse Center for the Humanities, Wellesley College. Yomi Braester, Digital Effects and Cinephiliac Ethics: Chinese Film under the Sign of Globalization. Newhouse Center. February 12, 2014. Rey Chow, The Grain of Jade: Woman, Repression, and Fei Mus Classic Spring in a Small Town. Collins Cinema. March 13, 2014. Jie Li, Madame Mao and Cinema: Actress, Critic, Censor, and Producer. Newhouse Center. April 24, 2014. Organizing the Ang Lee event series, co-sponsored by East Asian Languages and Cultures Department, Cinema and Media Studies Program, and the Newhouse Center for the Humanities, Wellesley College: Ang Lee Film Marathon. Collins Cinema. October 5, 2013. Ang Lee Film Screenings. Collins Cinema. October 18-19, 2013. A Conversation with Ang Lee and James Schamus. Alumnae Hall. October 26, 2013. Chris Berry, Eat Me: Food in Ang Lees Films from Wedding Banquet to Life of Pi (lecture). Newhouse Center. November 6, 2013. Presenting the film Chungking Express. Celluloid Cities. Wellesley College. March 8, 2012. Taiwan Literature Workshop. Wellesley College. October 30, 2009. Guest speakers: Chu Tien-wen, Liu Ke-hsiang, and Ko Yu-fen. Film screening Young & Restless in China. Wellesley College. May 12, 2009. Guest speaker: Katherine Diaz. Film screening Dust in the Wind. Wellesley College. September 17, 2008. Guest speaker: Wu Nien-jen. Co-organized with Eve Zimmernan. Film screening The Rising Tide: A Documentary about Contemporary Chinese Art. Wellesley College. April 17, 2008. Guest speaker: Robert Adanto. MEDIA COVERAGE Interviewed by Beijing Review of Books about my new book New Wave in Chinese Science Fiction, July 2020. Interviewed by Xinmin Weekly about American colleges handling of COVID-19, March 2020. Interviewed by New York Times about Ken Liu and Chinese science fiction, January 2020. Interviewed by US-China Today about science fiction, March 2019. Interviewed by BBC Chinese Channel about the film Wandering Earth, January 2019. Interviewed by Australia ABC about Chinese science fiction, January 2019. Interviewed by BBC about Chinese science fiction film industry, November 2018. Interviewed by The Verge about Chinese science fiction, September 2018. Interviewed by BBC about Chinese science fiction, July 2018. Interviewed by NBEAS about Young China: National Rejuvenation and the Bildungsroman, 1900-1959, broadcast on June 3, 2016. Interviewed by Foreign Policy about apocalypse in Chinese fiction, March 2016. Interviewed by Boston Globe about Ken Liu, February 2016. Interviewed by Deutschland Radio for the program Aus Kultur-Und Sozialwissenschaften, talking about Chinese science fiction, broadcast on January 28, 2016. Interviewed by China Central TV International (English) News Channel on live talk show World Insight, talking about Chinese science fiction, broadcast live on August 27, 2015. Interviewed by PRI (The World) on a program talking about the Hugo-winning Chinese science fiction novel The Three-Body Problem, broadcast on August 25, 2015. FEATURED IN WELLESLEY DAILY SHOTS Six Film Recommendations from Professor Mingwei Song to Check Out During Social Distancing. Wellesley Daily Shots, April 3, 2020. The Peoples Republic of China at 70: How Chinese Literature and Cinema Illuminate the Cultural Revolution and Its Aftermath. Wellesley Daily Shots, October 9, 2019. Wellesley Professor Marks 100th Anniversary of Chinas May Fourth Movement. Wellesley Daily Shots, May 9, 2019. BBC Features Wellesley Professors Perspective on Popularity of Chinese Science Fiction and Fantasy Writing. Wellesley Daily Shots, January 8, 2019. Acclaimed Director Wang Bing to Screen and Discuss Three Sisters at Wellesley. Wellesley Daily Shots, November 15, 2018. A Look at Oscar Contenders and Other Films with Wellesley Faculty. Wellesley Daily Shots, February 28, 2014. Director and Screenwriter of Crouching Tiger, Hidden Dragon, Brokeback Mountain and Other Acclaimed Films Speak on October 26. Wellesley Daily Shots, October 25, 2013. Ang Lee, James Schamus visit Wellesley College, October 26. Wellesley Daily Shots, October 16, 2013. Global Science Fiction Conference Explores Sci-Fi Across National, Cultural Traditions. Wellesley Daily Shots, May 6, 2013. Wellesley College Hosts Global Science Fiction Conference. Wellesley Daily Shots, March 1, 2013. COLLEGE SERVICE Career Education Committee, 2020- Co-chair of the Wellesley-Fudan Committee, Fall 2019- Chair of the Mayling Soong Committee, Fall 2019- EAS director, Fall 2018 and Fall 2019- Luce Internship Committee, 2017. Luce Internship Committee, 2016. ER&D Committee, 2016-18. Ruhlman Conference Committee, 2014-15. Sponsoring Professor Yuan Jins visit to Wellesley College, April 12-May 30, 2015. Knafel Fellowship Committee, 2015. China Market Research Internship Interviews, 2015. ABC News Internship Interviews, 2015. Meeting with Chinese Education Delegation. December 4, 2015. Family Weekend Meeting with China Parents. October 19, 2014. St. Andrew Scholarship Committee, 2014. Ruhlman Conference Committee, 2013-14. Organizer of the Panel Four Faces of Chinese Literary Modernity: Femininity, Love, Scar, and Farcical Realism. Ruhlman Conference. Wellesley College. Spring 2012. Advisory Committee of the Newhouse Center for the Humanities, 2013-15. Search committee, Department of East Asian Languages and Cultures, 2013. Committee on Extramural Graduate Fellowships and Scholarships, 2012-15. Committee on Exchange with Fudan University, 2010-present Advisory Group of the Newhouse Center for the Humanities, 2009-12. Committee on Curriculum and Instruction, 2008-11. Search committee, Department of East Asian Languages and Cultures, 2007-8. PROFESSIONAL SERVICE Reviewer for the 202122 fellowship program at the National Humanities Center. Reviewer of full professor promotion (one in 2020). Reviewer of tenure cases (two in 2015; one in 2016; one in 2018; one in 2019; one in 2020). Mentor of the visiting fellow program at Harvard Yenching Institute: Shanky Chandra, 2020-21. Ph.D. dissertation committee: Dihao Zhou, Yale University, 2020- Ph.D. dissertation committee: Jannis Chen, Harvard University, 2019- Ph.D. Co-advisor: Erik Mo Welin, Uppsala University, Sweden, 2018- Ph.D. dissertation committee: Yizhi Xiao, Brown University, 2014-2017. Ph.D. dissertation committee: Adrian Thielet, Stanford University, 2014-2016. External examiner for the M.A. and Ph.D. theses in Chinese studies at the National University of Singapore (2013, 2014, 2015). Member of the editorial board of Science Fiction Studies, July 2019- Member of the editorial board of Studies in Global Science Fiction book series, Palgrave Macmillan, 2016- Member of the editorial board of Literature ex[, 2013- Honorary professor, Chinese Ocean University, Tsingtao, China, 2020-2023. Guest professor, Shandong University Summer School, China, Summer 2019. Honorary professor, Tongji University, Shanghai, China, 2015-2020. Honorary professor, Jinan University, Shandong, China, 2015-2018. Committee member of the conference 4 May 1919: History in Motion in Belgium, 2018-2019. Judge on the committee for the Coordinates Awards for Chinese Science Fiction, 2015. Judge on the committee for the Chinese Nebula Awards (for science fiction), 2011-2012, 2017. Reviewer of the manuscripts for Columbia University Press, University of Toronto Press, AAS Short Books, Harvard University Asia Center Publication Program, University of Hong Kong Press, Cambria Press, Routledge, Palgrave MacMillan, and Wesleyan University Press. Reviewer of the submissions for the academic journals Prism, Modern China Studies, Late Imperial China, Chinese Literature: Essays, Articles, Reviews (CLEAR), Nan n: Men, Women, and Gender in China, China Information, Journal of Modern Chinese Literature, Journal of the Chinese Humanities, Modern Chinese Literature and Culture, Journal of Italian Cinema and Media Studies, Ming-Qing Studies, Frontiers of Literary Studies in China, China Perspectives, Sino-Humanities, Journal of National Taiwan University, Journal of Tsinghua University (Taiwan), Journal of the Humanities of Academia Sinica (Taiwan), and Science Fiction Studies. 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