ࡱ> 2egikmoA'` ;ubjbj{P{P ::*  ʙʙʙ8<>d Yjf"-E Q$h+r9 g- ooo ooo J 4 bʙarx<)0Y,4 4DY@Ro YYYYYYY $ $   Constantin Film presents a Christian Becker Production by Rat Pack Filmproduktion in Co-Production with B.A. Produktion and Studio Babelsberg and with Beta Film  starring Christian Tramitz, Christian Ulmen, Monica Cruz, Christiane Paul, Heino Ferch, Jrgen Tarrach, Joram Voelklein, Herbert Knaup, Janek Rieke, Manou Lubowski, Tim Sikyea, Lara-Isabelle Rentinck, Anna Julia Kapfelsperger, Gnther Kaufmann, Moritz Bleibtreu and many others. Screenplay by Cyrill Boss & Philipp Stennert based on the characters and the JERRY COTTON novel series published by Bastei Lbbe GmbH & Co. KG Producer Christian Becker Directed by Cyrill Boss & Philipp Stennert 0 00German Release: March 11th, 2010000 Distributed by   EMBED AcroExch.Document.7  Contents Cast & Crew 3 Synopsis 4 Story 4 The Jerry Cotton File 6 Production Notes 6 Interview with Screenwriter-Directors 15 Interview with Producer Christian Becker 19 Interview with Christian Tramitz (Jerry Cotton) 22 Interview with Christian Ulmen (Phil Decker) 25 Actors Bios and Role Descriptions Christian Tramitz (Jerry Cotton) 27 Christian Ulmen (Phil Decker) 27 Monica Cruz (Malena) 28 Christiane Paul (Daryl D. Zanuck) 29 Heino Ferch (Klaus Schmidt) 29 Jrgen Tarrach (Ruby) 30 Joram Voelklein (Johnny Rocco) 31 Herbert Knaup (John High) 31 Moritz Bleibtreu (Sammy Serrano) 32 Janek Rieke (Ted Conroy) 33 Manou Lubowski (Steve Dillaggio) 33 Crew Bios Cyrill Boss and Philipp Stennert (Screenwriter-Directors) 34 Christian Becker (Producer) 34 Torsten Breuer (DoP) 35 Helmut Zerlett (Music) 35 Christoph Zirngibl (Music) 36 Interview with Jerry Cotton Experts and 37 Authors Christos Tses and Dirk Brderle Jerry Cotton at Bastei Lbbe 39 About Beta Cinema 43 For further information and pictures: Beta Cinema Press, Dorothee Stoewahse Tel: + 49 89 67 34 69 15  HYPERLINK "http://www.betacinema.com" www.betacinema.com,  HYPERLINK "mailto:press@betafilm.com" press@betafilm.com  HYPERLINK "http://www.jerry-cotton.com" www.jerry-cotton.com Cast (Excerpt) Jerry Cotton Christian Tramitz Phil Decker Christian Ulmen Malena Monica Cruz Daryl D. Zanuck Christiane Paul Klaus Schmidt Heino Ferch Ruby Jrgen Tarrach Johnny Rocco Joram Voelklein Mr. High Herbert Knaup Sammy Serrano Moritz Bleibtreu Ted Conroy Janek Rieke Steve Dillaggio Manou Lubowski Zerookah Tim Sikyea June Clark Lara-Isabelle Rentinck Peggy Martin Anna Julia Kapfelsperger Joe Brandenburg Gnther Kaufmann plus a few surprises Crew (Excerpt) Written & Directed by Cyrill Boss & Philipp Stennert Produced by Christian Becker Co-Produced by Franz Kraus Antonio Exacoustos Christoph Fisser Dr. Carl Woebcken Henning Molfenter Director of Photography Torsten Breuer Line Producers Oliver Nommsen / Bernhard Thr Production Manager Uli Fauth Head of Accounting Kristina Strohm Casting Emrah Ertem Sound Manfred Banach Production Design Matthias Msse Make-Up Georg Korps Costumes Janne Birck Editor Stefan Essl Composers Helmut Zerlett Christoph Zirngibl Funded by mBB medienboard Berlin-Brandenburg, FFF FilmFernsehFonds Bayern, BBF, FFHSH Filmfrderung Hamburg Schleswig- Holstein GmbH, FFA Filmfrderungsanstalt, DFFF   Synopsis The reputation of New York Citys star FBI agent JERRY COTTON (Christian Tramitz) is on the line: Internal affairs director DARYL D. ZANUCK (Christiane Paul) has him wanted for two counts of murder in the 1st. Did Jerry really ice crime lord SAMMY SERRANO (Moritz Bleibtreu) , his only unsolved case, because he couldnt nail him for the States Union Bank gold heist? Did he really go on to shoot his partner, FBI agent TED CONROY (Janek Rieke), to silence the only witness who was on to him? A race against time begins for Jerry: He has to keep one step ahead of his FBI colleagues, track down gangster boss KLAUS SCHMIDT (Heino Ferch) and his gang (Monica Cruz, Jrgen Tarrach, Joram Voelklein) and figure out who the real killer was, pronto. Jerrys only allies are his red Jaguar E-Type, his trusty Smith & Wesson Model 10 .38 Special, and, of all people, his goofy greenhorn partner PHIL DECKER (Christian Ulmen). From the dime novel series, which has been running weekly since the 1950s, for a total current volume of 1 billion (!) copies sold to date, to the 1960s hit movie series: No other hero embodies American-style charm and coolness in the German imagination more than Jerry Cotton. When the well-dressed G-man is watching out for law and order beneath the Manhattan skyline, no nefarious bad guys nor sultry, seductive ladies can stop him. Finally, after 40 years absence from the big screen, Jerry Cotton is back in action with a hard-hitting comic action-adventure, directed by hit directing team Cyrill Boss & Philipp Stennert (The Vexxer) brought to you by the leading German production house, Christian Beckers Rat Pack Film Production (Vicky the Viking, The Wave) Story With a breakneck stunt, New York City FBI agent Jerry Cotton (Christian Tramitz) rescues a kidnapped girl, risking not only his own neck but that of his partner, Ted Conroy (Janek Rieke), as well. Conroy isnt as lucky as Jerry, winds up in the hospital and off duty. Jerry is already racing to the next crime scene in his Jaguar: gangland boss Sammy Serrano (Moritz Bleibtreu) was found dead on his perforated water bed. Shot in cold blood. Its been five years since he robbed $200 million in gold bullion from the vault of the States Union Bank, but Jerry was never able to pin it on him. The ace investigators only unsolved case! Jerry took it as a personal insult. If he had it his way, hed hunt down Serranos killer on his own, accompanied by his Smith & Wesson .38 Special. But his bureau boss, high-on-himself John High (Herbert Knaup), sticks him with the son of a powerful Senator as his partner: wet-behind-the ears rookie Phil Decker (Christian Ulmen), who cant seem to stop talking and coming up with new ridiculous disguises he picked up at the FBI Academy. Serranos last phone call before he was shot went to strip club Cristallo. Jerry investigates the place undercover and meets beautiful Spanish dancer Malena (Monica Cruz), hefty heavyweight Ruby (Jrgen Tarrach) and grim-looking goon Johnny Rocco (Joram Voelklein), who all work for The German, a one-armed bandit named Klaus Schmidt (Heino Ferch). Jerry passes himself off as an ex-con looking for work and manages to win the hoodlums trust. They assign him an errand as a messenger, which turns out to be a trap: The address is none other than the high-rise flat of his ex-partner, Ted Conroy, who has just been tossed out of the window, plunging to his death on to an FBI van several floors down. Jerrys been framed! All the evidence makes it look like he killed his partner, right down to the envelope he was supposed to deliver, containing a forged FBI file incriminating him for the revenge murder of Sammy Serrano. Jerry has to go into hiding. The FBI is now hunting their best agent. The investigation is headed by internal affairs inspector Daryl D. Zanuck (Christiane Paul). Years ago, the cold-as-ice agent was once Jerrys partner. Together, they tried in vain to bust Sammy Serrano for the gold heist. Jerry trails beautiful dancer Malena to the Alabama Hotel, where Klaus Schmidt is holed up with his gang. Jerry tries to find out which suite theyre staying in, but the gun-toting hotel receptionist (Frank Giering) recognizes his face from the FBI bulletin and draws a pump-action shotgun on him. Jerry only barely makes it out of the lobby alive. Like it or not, Jerry needs help: He calls up his greenhorn partner, Phil Decker, and offers him a second chance. Phil, whos been suspended by Mr. High, cant believe his luck and rushes to his heros aid not without blabbing out the secret to pretty FBI agent June Clark, however. Phil and Jerry meet in an XXX movie theater and hatch a plan to sneak into the hotel with Phils disguises, which is swarming with FBI by now. While Phil Decker and a rigged fire alarm distract the bad guys, Jerry manages to install a bug in the ceiling lamp and uncover their secret plan: Their heist goes by the code name of Operation Baby Jane and is set to get started inexactly 12 hours. When the gang vacates the hotel, Jerry and Phil have to shake off Daryl D. Zanuck and the FBI, before they can follow the crooks. They trail them to the Dead End, an underworld dive bar full of cons, many of whom Jerry put behind bars at some point. Gangster boss Klaus Schmidt recognizes them and wants to shoot them on the spot, but Jerry again manages to escape and uncover a crucial fact in the process: Klaus Schmidt isnt the boss at all, hes just working for a mysterious mastermind called the Puppeteer, whos pulling the strings in the background, and presumably killed Serrano and Conroy as well. Jerry and Phil hook up with Malena, whom Schmidt wanted to do away with as a suspected traitor after the FBI showed up at their doorstep. But they needed her skills as safe cracker and alarm systems expert on their heist, so now the gang needs a replacement for her. The only one in New York who can fill her shoes is a Ukrainian, Vasily Doronjovsky, Malena says, so Jerry, Phil and Malena pay him a little visit first. Now its Phil Deckers big moment: He fashions a latex Vasily mask and dresses up as the Slavic safe cracker. Hes in radio contact with Jerry and Malena, whos supposed to help him do his job. They follow the gang to the New York customs harbor, where an open manhole leads down into the sewers. Jerry bravely follows and soon realizes that the gang is here to retrieve the States Union gold, which Serrano hid here, so he could one day ship it out to South America, right under the nose of the customs officers. Suddenly, shots ring out underground. The gang is shot down by their own boss. The mysterious mastermind double-crossed them all. And the agents cant believe their eyes when they unmask their nemesis... Jerry Cotton faces off with his most dangerous opponent ever, before the scarlet dawn of the New York skyline... The Jerry Cotton File In 1950s Germany, Delfried Kaufmann was a salesman for detergent maker Henkel and didnt think much of the dime-novel crime stories published at the time. So he came up with his own over-the-top parody, with a tough-as-nails FBI agent who cruises the streets of New York in a bright red Jaguar and keeps the bad apples on the Big Apple in check with his trusty Smith & Wesson. Since his hero was American, Delfried Kaufmann gave him a name that sounded quintessentially American: Jerry Cotton. Bastei Verlag pulp publishers took a shine to the hard-boiled fed and his first-person adventures, and his first case appeared as Vol. 68 in the Bastei crime series in September 1954, under the title I Hunted the Gang Boss. The readers loved Jerry Cotton and his 50 Pfennig adventures, and demanded more and more they got. After 20 more installments, the hard-hitting adventures of Jerry Cotton were spun off as their own pulp series in March 1956. Today, Bastei Lbbe GmbH & Co. KG is one of the largest publishers in Germany, and still publishes the most successful German crime series ever, which has sold a billion copies across Europe in half a century. Over 100 authors have contributed to over 2700 novellas and 400 paperbacks. In the 60s, Jerry Cotton conquered the silver screen as well, with American actor George Nader (Shannon) playing the starring role, and German actor Heinz Weiss (A Far As My Feet Will Carry") as his faithful partner Phil Decker. From 1965 to 1968, directing greats including Fritz Umgelter and Harald Reinl churned out eight of the blockbuster Jerry Cotton mysteries, making Nader one of Germanys leading stars of the time. The films were usually shot in Hamburg, Munich, and Berlin, with New York City backdrops inserted by means of special effects, rear-projection, matte shots or editing. Approx. 13 million moviegoers were willing to buy in to the illusion and buy tickets for a gross of 34 million Marks, on a total production cost of 9.4 million Marks for the eight films. Production Notes The Perfect Cast It all started with a photo. During the filming of hit Hammer-style thriller spoof THE VEXXER outside Prague, production stills were shot of all the stars and supporting actors, including German comedy star Christian Tramitz, who played the part of mediocre private eye and world-class dancer Much Longer, the brother of Scotland Yard inspector Even Longer, embodied by comic Oliver Kalkofe. Christian Tramitz had already won a combined audience of 20 million fans over, first as the Apaches white blood brother Ranger in Michael Bully Herbigs wild Western send-up MANITOUS SHOE, and then as a flamingly flamboyant Captain Kirk in DREAM SHIP SURPRISE PERIOD 1, to date the most successful German movies ever. But in the Prague shoot, in tailored suit and Philip Marlowe trench coat, he revealed an entirely new side of himself. In a suit, Christian Tramitz is incredibly suave and cool, says producer Christian Becker, whose Rat Pack production house was making THE VEXXER. He couldnt get those photos out of his head. The look, the style and coolness of Christian Tramitz reminded Christian Becker of a certain detective he remembered from his youth, from novels and movie posters: Jerry Cotton. A New York FBI agent, invented for a pulp series in Germany 1954, who has been immortalized in over one billion published copies to this day, and inspired no less than eight hit movies in the 1960s with Hollywood leading man George Nader. The character of the G-man was so popular it even necessitated the real FBI to issue one of its few statements in German, officially stating that Jerry Cotton is a fictional character and not an employee of the Federal Bureau of Investigation. Producer Christian Becker contacted the publishers, Bastei Lbbe Verlag, via the agency Rights and a literary agent he knew, Marc Schneider, securing the movie rights to Jerry Cotton. Even while he was still trying to acquire the rights, Becker contacted Christian Tramitz as well as directors Cyrill Boss and Philipp Stennert, fresh off THE VEXXER, and shared his vision with them. Cyrill and Philipp are among the few directors in Germany who can tell a story and make it funny without reducing it to a gag parade, is how Christian Becker lauds the writing-directing team, with whom he worked on spoof series ProSieben Fairy Tale Hour and sitcom If It Dont Fit, Use a Bigger Hammer. Getting a Script Cyrill Boss and Philipp Stennert were only familiar with Jerry Cotton as a brand, not with the crime novels themselves. But the appeal of his coolness, his red Jaguar E-Type, his Smith & Wesson and his cases amid the New York underworld were enough to capture their imagination. Were big fans of 1950s and 60s detective stories, says Cyrill Boss. We wanted to bring Jerry Cotton to the big screen in that spirit and tradition. There was one other thing the directors knew for sure: Unlike THE VEXXER, which lovingly parodied the style and clichs of the old 1950s Hammer-style German Edgar Wallace mysteries, JERRY COTTON was not going to be a spoof. The old movies just arent well-known enough any more, explains Philipp Stennert. Most people have only heard the name, and never read the books or seen the movies. And theres no point in spoofing a name. The directors and producer Christian Becker quickly settled on the tried and true genre of the cop buddy action-comedy. In the earliest stages of screenwriting, Cyrill Boss and Philipp Stennert realized the novels and movies were more suited as inspiration than any thing else, quickly setting off on their own with a modern, up-to-date story centered around the classic hero. Its almost like a love story between Jerry Cotton, who happens to be wanted for two counts of murder, and his new partner, Phil Decker, explains Cyrill Boss. The biggest change came in the character of Phil Decker, whos a smooth Jerry Cotton clone in the novels, and a loyal sidekick in the movies. To promote the odd couple dynamic, Phil became a rookie fresh from the FBI Academy whos pratfall-prone, but turns out to be a deft master of disguise. The directors and production team found the perfect cast for this part in German comedy star Christian Ulmen. Im incredibly glad we had Christian for this part, Christian Tramitz agrees. With his rapid-fire delivery, hes the real comedian of us two in this film, concedes the star of the two biggest German comedies ever at the box-office. My role as Jerry Cotton is more down to earth, more of the straight man. Christian Ulmen agrees: My job was to help Christian appear supremely cool by being just totally uncool. He should be damn glad to have a moron like me as a partner. Given the same first names of the two lead actors, a mild disaster on set was inevitable. On set, someone was always calling for Christian and it was always the wrong one who responded, recalls Christian Tramitz and goes on: Whats more, the producers name is Christian Becker and one of the female leads is Christiane Paul. Wars have broken out over less... Director Cyrill Boss explains how they solved the problem: For a while we were calling Christian Ulmen Ulmi, but he didnt like that, either. Modestly, he preferred to be addressed as Christ. But that was weird, too. So at some point we started calling them by their last names, Ulmen and Tramitz or, even better, by their role names Decker and Jerry. Deadly Dames The role of sub-zero cold FBI agent Daryl D. Zanuck, named in homage to the legendary Hollywood producer, was filled by Christiane Paul, who had already acted for Christian Becker productions THE VEXXER and THE WAVE. We were initially unsure whether to take Christiane Paul for this part, says Christian Becker. We were afraid there would be too many parallels between JERRY COTTON and the world we created for the VEXXER. But in the end, Christiane Paul won out through the sheer brilliance of her acting. The coldness of Daryl D. Zanuck makes the part a huge challenge, Christiane Paul says. She holds all the strings, is constantly manipulating other people. Trying to portray that kind of power and control before the camera, its hard to avoid drifting off into clich. But I think we found the right means of portraying Daryl believably in the movie. The second female lead went to fiery Spanish Seorita Monica Cruz. Caster Emrah Ertem had seen her in a campaign for the Mango fashion label, alongside her sister, Penelope Cruz, of Pedro Almodovar and Hollywood fame. Monica is a trained dancer and had acted the lead in Spanish TV series Un Paso Adelante but had yet to make waves internationally. She signed up immediately with the German crew. So Cyrill Boss and Philipp Stennert, rewrote the role of Malena, an homage to Giuseppe Tornatores romantic comedy MALENA, starring Monica Bellucci: The role was now for a Spanish, not an Italian beauty. Malena knows just what she wants, is how Monica Cruz describes her role. She employs her beauty to get other people to help her achieve her aims. Jerry Cotton suspects he cant trust her, but is willing to give her the benefit of the doubt because hes a ladies man. A Spanish translation of the script was done for Monica Cruz, who speaks Spanish and English, but no German. So she studied her lines in her native language and was dubbed into German later. In any case, her chemistry with Christian Tramitz hardly suffered at all from the language gap. I knew what she was saying from the script, the lead actor explains. The only problem was, I never knew what she was saying when. She had a machine-gun delivery. But I could pick out certain key words and use those as my cue. After a while I was so used to it, it would have be a shock if shed suddenly spoken German. Monica Cruz is full of praise for her German colleagues, as well: They were all very helpful. Even though I dont speak the language at all, I had a wonderful shoot, and we had a lot of fun together. The New York Underworld Two of the greatest current German actors agreed to take on the parts of Jerry Cottons powerful opponents: Moritz Bleibtreu as mob boss Sammy Serrano, and Heino Ferch as gang leader Klaus Schmidt, The German. Its wonderful with how much care and love of detail even the smaller figures in the script were described, Moritz Bleibtreu praises the director-screenwriters work. Heino Ferch adds, when I read the script, I had to smile, and immediately felt like playing the part. Its over the top and very characteristic. Klaus Schmidt is the perfect character for an actor who loves dressing up and slipping into a new role. Strangely, theres one thing all the actors in JERRY COTTON have in common: None of them were great fans of the FBI agent when they were young, or avid readers of the novellas. Christian Ulmen admits, to begin with, I had Jerry Cotton confused with (dime-novel astronaut) Perry Rhodan. So imagine my surprise when I showed up on set and Christian Tramitz didnt have a space suit on. Leave it to pop culture expert and Jerry Cotton fan Oliver Kalkofe to come through for the G-man. Along with many other comedians, actors and surprise guests, the star of spoofs THE TRIXXER and THE VEXXER has a cameo in JERRY COTTON. I would have been deeply insulted if Cyrill and Philipp didnt at least ask me, Oliver Kalkofe makes clear. As a boy, he picked up the mysteries because he wanted to read what the grown-ups were reading. My German lit teacher even had a map of New York up on his wall to be able to check whether the car chases in the books were accurate. They always were. Masculine Edge, Female Curves Making the characters look just right was the job of costume designer Janne Birck and make-up artist Georg Korps, fresh off the success of VICKY THE VIKING and THE VEXXER films. Top priority was Jerry Cotton, of course. I wanted to make a real man out of him, Georg Korps says. Christian Tramitz has a great face, but the natural shape of his hair doesnt fit our image of the tough, hard-nosed federal agent. So the actor got a new do. It gave him a 60s-style look, Georg Korps explains. We wanted to subconsciously evoke that era, the age of the original Jerry Cotton films. Jerry Cottons black tailored suits suffered in the course of the movie, just as the hero himself does. I kept giving Christian Tramitz more and more artificial scrapes and cuts, the make-up artist says. They call those Hero Cuts, because they underscore his humanity and vulnerability. Christian Tramitz compares it to another well-know cop colleague: Just think of Bruce Willis. Those scars and scratches just look great. Its always better for an actor to sweat up a storm and get dirty all over, than run around looking clean-cut and spotless all the time. As far as Jerry Cottons partner Phil Decker goes, the script already called for lots of character acting. As a master of disguise, he turns into well-fed Japanese crooner Dick Diamond, or heavyset Ukrainian safecracker Vasily for his undercover assignments. In both cases, Georg Korps used lots and lots of silicone, held together by latex skin. The women in the movie have a very different style. Its a real guy movie, says Georg Korps. All women wear false eyelashes, tight-fitting pants and push-up bras. Where the FBI agents were concerned, of course, we had to display a sense of realism. There are clear rules for government agents, so big, bouffant hairdos were out. So now they all wear their hair pinned up. A big topic of discussion was Christiane Pauls hairdo. The directors wanted her to be blonde or black-haired, the make-up artist insisted on red. I just stayed stubborn on that one, Georg Korps explains. Daryl D. Zanuck is a key figure in the film, and has to stand out, style-wise, as well. Rather than tearing their hair out over it, the twin directors greenlit the red do. Georg talked us into it, and it turns out he was dead right, admits Philipp Stennert. Especially in conjunction with her pale complexion and dark suit, Daryl D. Zanuck's striking red hair is very startling. The bad guys had to spend many hours in make-up when they were shooting to put on their wigs, contacts, false teeth or fake scars. Moritz Bleibtreu personally designed the external appearance of his crime lord Sammy Serrano, whose name is an homage to a lead character in French political thriller MORT DUN POURRI starring Alain Delon, from the beginning. I wanted his wardrobe to look the way Mickey Rourke dresses, says Moritz Bleibtreu. His stringy hair, heavy bling and false teeth are supposed to evoke various underworld roles played by Academy Award winner Benicio del Toro. Moritz Bleibtreu has the courage to be ugly, director Cyrill Boss lauds. Top German star Heino Ferch also had fun with his daily dress-up game: For the part of Klaus Schmidt, I got all kinds of scars and technical gimmicks. A good costume and good make-up are always helpful. Then you just need to develop the right feeling for your new look, and take the character from there. New York City in Germany It was not only the actors who got a complete make-over entire cities did. Berlin and Hamburg had to play the role of New York City. As early as December 2008, production designer Matthias Msse began hunting for the best backdrops with the help of a team of location scouts. Shooting New York City in Germany had several reasons. First and foremost were financial considerations. Its just much more expensive to shoot in the United States than it is in Germany, producer Christian Becker knows. Also, we had a lot of film funding money, and that money needs to be spent in Germany. Its a question of creating jobs at home. There were also film-historical reasons. The old Jerry Cotton movies were almost entirely shot in Berlin and Hamburg, using a great deal of rear projection, Christian Becker explains. That means the actors were shot in front of a screen, which would show a New York telephone switchboard in the background, for example. It was a stylistic choice to emulate the old movies by passing Germany off as New York City. Matthias Msse had a good look at all German cities for their parallels to the Big Apple. That meant that Munich was out from the beginning, for instance, the production designer recalls. You only find those American style brick buildings in North Germany, where the Anglo-Saxon influence is evident. If youre looking for old-style New York, say, like Brooklyn, you can find a lot of locations in Hamburg, for instance. Matthias Msse also considered Frankfurt for a while: That wouldve been more modern-style New York. Not so much for the skyscrapers, more for the many classic 50s-style faades. After studying lots of American films and photo books, Matthias Msse went to work with a team of up to one hundred prop masters, set dressers, carpenters, painters and sculptors. As so often, the devil was in the details, getting all the little things right: American license plates and even police line tape had to be bought online from the U.S. or made from scratch at home. Working closely with director of photography Torsten Breuer, special effects wizard Dirk Lange, and chief electrician Fred Dombrowka, extra tidbits were added to provide the finishing touches that give that big city feeling. Steam coming from every manhole and smokestack, with effects lights, neon advertising and fans to simulate passing traffic. We were able to invent our own version of New York City in Germany, director Cyrill Boss enthuses. His partner Philipp Stennert describes their artificial metropolis as a fantasy world, a larger-than-life, cartoon New York, inspired by the gangster films and comic books we grew up with. One of the main sets was the Alabama Hotel in central Berlin, near the former American embassy. The modern architecture of the generously laid-out faade reminded set designer Matthias Msse very much of American models. The crew spent a total of two days and two nights shooting the scenes in which fugitive Jerry Cotton and Phil Decker stake out Klaus Schmidts gang, while the hotel itself is being staked out by Daryl D. Zanuck and her team of FBI agents. The decrepit, decaying charm of the deserted Delphi cinema in Berlin-Weissensee, empty factories, breweries and basement vaults in Berlin and Hamburg, and a total of eight heating plants belonging to Vattenfall utility co. provided the suitable architectural backdrop for the films New York underworld. The FBI Goes Underground In contrast, the New York FBI HQ was supposed to look spotlessly spic & span. A location scout gave Matthias Msse the idea to construct the FBIs open-floor office in the underground garage of Berlins Olympic stadium. Where car usually park, an office for a total of 30 desks was erected in a matter of days, complete with desks, computers, cubicles and thousands of extra details. The wealth of private photos and accessories are typical for an American workplace, in order to add a little color and personal character to the grey, anonymous cubicles, production designer Matthias Msse explains. The corner office belonging to Jerry Cottons boss John High, acted by the inimitable Herbert Knaup, has particularly prominent photos on display. A gallery of his predecessors includes photos of Hollywood export George Nader (19212002), who played the part of Jerry Cotton in the 1960s, but also Constantin Film CEO Martin Moszkowicz and JERRY-COTTON line producer Bernhard Thr. Another crucial prop in the FBI HQ are the original FBI coffee cups. We ordered over 40 of them, and they became more and more crucial for the actors in the course of filming, says Matthias Msse. I just love how the cast are always holding those goofy mugs. Whenever possible, the extras and walk-ons in the FBI offices and street scenes were cast with real Americans or other non-German foreigners. They just add a multiethnic, international New York city flair to a scene, making the set look more American all round, Matthias Msse confides. The Red Jaguar E-Type The most prominent prop of all is Jerry Cottons red Jaguar E-Type (marketed in the US as the XK-E), which he drove in the 1960s movies and all the novels up to #2217 (The Jaguars Last Ride). As our contempo JERRY COTTON action-comedy opens, our FBI agent is driving a modern, grey Jaguar XKR, just like in the current novels. Its got, like, 550 horsepower under the hood, Christian Tramitz praises the new models performance. Its just a kick to put the pedal down. And theres not a lot you can do wrong, because its an automatic. When Jerry Cotton becomes a murder suspect, he not only loses his badge and reputation temporarily, but also his cool car. So, as a fugitive, the FBI man requisitions an elderly gents red Jaguar E-Type. That car is like a childhood dream come true for me, Christian Tramitz gushes. It was the star of my car collectors cards! The car used in the movie has a blue book value of 39 000 and belonged to a collector in Berlin, who agreed to loan it out for the shoot.  I was initially terrified of making a scratch in that beautiful car, recalls Christian Tramitz.  I had to get used to the long snout first. The Jaguar E-Type is the same age as producer Christian Becker, born 1972, but was in a lot worse shape. The vintage collectors car had spent the last three years in a garage without being driven, meaning the fuel line and all the plugs had to be replaced. Still, the engine would sputter and backfire, and the spark plugs kept getting full of soot, which was the cars way of protesting the short drives it was getting in front of the camera. Fortunately, it still had enough spark to put down a perfect kickdown or a 180 degree bootlegger with the emergency brake pulled, when it was needed. After the shoot, Bastei Lbbe publisher Stefan Lbbe bought the original car used in the movie for display in the new company headquarters in Cologne. In the driving shots filmed in New York City, a lookalike belonging to an American collector was used. Transporting the Jaguar E-Type used in Germany via air to the U.S. would have been prohibitively expensive. The driving shots in New York City were not without their perils, either: That Jaguar is doubtlessly one of the most beautiful cars ever, but it caused us no end of troubles in Germany as well as in New York, says director Philipp Stennert. It was always breaking down, and had to be fixed like every two hours. So if we were shooting on location in New York City, and didnt have all the scenes we needed yet and the sun was going down, and then the car breaks down again, that almost drove us crazy. The 60 other U.S. cars used in filming in Germany, provided by various collectors, were more reliable. The only worry was star director Roman Polanski. He was shooting THE GHOSTWRITER at the same time in Berlin and North Germany, and needed the same American squad cars and ambulances, says production designer Matthias Msse. Then the weather got bad and Roman Polanskis shoot went behind schedule, so the vehicles we had booked were stuck on the Baltic coast waiting for better weather. Fortunately, it all worked out in the end, just barely. The Smith & Wesson .38 Special At least as well-known and important a trademark as the red Jag is Jerry Cottons service revolver. The Smith & Wesson .38 Special is a weapon used by police and military, explains special effects supervisor Dirk Lange. The front and rear sights are not continuous, its slightly conical and has a gentle curve at the front end. Actor Christian Tramitz was supposed to wield a real gun during the shoot and not a fake. The weapon was supplied by a private collector, is about 25 years old, and very rare and valuable in Germany. I was supposed to practice with it, and promptly dropped it, Christian Tramitz confesses. So of course it got bent out of shape. After that the rule was, Dont give Tramitz the gun until he really needs it! They took it away from me right away after every scene. Even so, the Smith & Wesson hit the floor several more times and had to be fixed by an expert gunsmith a total of three times. By now, its a hunk of useless garbage, regrets Dirk Lange, who provided weapons and explosions for hit films like MANITOUS SHOE, THE DOWNFALL and LAST KING OF SCOTLAND. For JERRY COTTON, Dirk Lange and weapons expert Gerhard Voll had to come up with a whole arsenal of guns, including submachine guns and a gilded 20-shot shotgun, which fired blanks. Especially the male crew members had a field day with all the guns on set. Im not a gun lover at all, recalls Christian Tramitz, but theyre just cool toys. All the guys on set started playing with the guns and twirling them around as soon as they had their hands on them. Its a reflex that seems to be genetically hard-wired into guys. Its just cool to flip the drum out and back in and hear the click. Shooting it is the least interesting part. A Good, Clean Fight The actors were trained to use their weapons before the shoot, so it would really look like they had spent many years in law enforcement or in the underworld of New York City. But they were also drilled in hand-to-hand close combat beforehand. I love shooting fight scenes, Christian Tramitz reveals. And according to stunt coordinator Rainer Werner, hes pretty good at it, too: Christian has an excellent fighting style. Hats off he really knows how to move. For Jerry Cottons jump through a plate glass window of the Alabama Hotel, Christian Tramitz had a professional stunt man fill in for him, but he shot the fist fight under the roof of a factory warehouse himself. Even though hes afraid of heights. I dont do well with heights at all, the leading man confides. But the stunt team did an incredibly good job of prepping us actors for scenes like that step by step. DoP Torsten Breuer also had to spend a whole day of shooting dangling 100 feet in the air in a stairwell for a special shot they wanted. We build up a relationship of trust with the actors and the crew, step by step, so that they are able to do things they otherwise would prefer not to, Rainer Werner explains his recipe for success . Its not like we stunt people just show up at the set, jump off a building or flip a car, and then leave again. Its a process. The stunts werent the only challenge for Christian Tramitz. I hate shooting at night, I just hate it, says the devoted early sleeper. Whats more, everybody I know hates shooting at night. So I have no idea why we keep doing it. I need seven liters of coffee to survive on set. So on the 45th and last day of shooting in Germany, you could see the lead actor huddling around the thermos bottles of hot coffee in the craft services trailer. Night Shoot at Hamburg Harbor On a warm summer night on June 27th, 2009, the team shot outside Building 74 in the brightly-lit Hamburg Customs Harbor. Set designer Matthias Msse and his crew had turned it into the customs harbor of New York City. U.S. flags, high fences, floodlights and uniformed guards with German shepherds all over. The day before, the longshoremen had covered the freight containers red, white and blue and removed all containers that read Hamburg South. The shoot in the Hamburg Customs Harbor required special safety precautions: The whole team had to wear bright orange safety vests, visible at a distance of 120 meters. The harbors container dock is a 24/7 operation, Matthias Msse explains. Theres always lots of trucks going back and forth, and a single human being is easy to overlook among all the huge piles of containers and jungles of cranes. Whats more, the shoot could easily have been scuttled by the arrival of a ship. Theyre only announced six hours ahead of time, the set designer found out. Then all of a sudden, all hell breaks loose, because the cargo has to get offloaded. It was a big risk, but one we were glad to take for a great setting like Hamburg Harbor. Fortunately, no ships arrived until the final scene was shot on German soil, on June 27th at about 5:30 a.m. A final kickdown peel-out by the Jag in the light of dawn marked the end of the German shoot, and producer Christian Becker presented the principle cast with their own personal memento: their own personal folding chair, with the name of their character on it, wrapped in a big red bow. New York, New York Of the cast, only Christian Tramitz and Christian Ulmen went to New York to don their costumes and make-up one more time in early August. We had a bare-bones crew in the U.S., to shoot a few driving shots and establishing shots, Cyrill Boss explains. A lot of New Yorkers were pretty surprised, Philipp Stennert laughed. They couldnt believe the sight of Germans shooting a film in New York. Together with DoP Torsten Breuer, the directors also took to the air to get some aerial shots of Jerry Cottons home town for the helicopter. I was really amazed at how much youre allowed to do in New York with a helicopter, Philipp Stennert wonders. We were allowed to fly really close to buildings and bridges. I never thought wed get permission for shots like that, after 9/11. Always tagging along was special effects supervisor Alexander Lemke. On the early August visit, he took lots of shots and stills of the New York skyline, to be able to insert digitally into scenes shot in Germany later on. Post-production work on the computer lasted almost five months, until all the skyscrapers were inserted, the streets stretched into the distance, and a few building faades expanded. The Jerry Cotton Theme Meanwhile, Helmut Zerlett and Christoph Zirngibl went to work on the score Helmut Zerlett had managed to secure the rights to the Jerry Cotton March, the signature theme from the 1960 movies with George Nader, with its memorable whistling solo. Back then, the score was by Peter Thomas, one of the leading film composers in Europe, who composed music for 18 Edgar Wallace mysteries and the cult German sci-fi series Space Patrol Orion. Zerlett and Zirngibl had already written the score to Cyrill Boss and Philipp Stennerts comedy THE VEXXER, and interwove elements of Peter Thomas old score with the modern soundtrack. The Babelsberg Film Orchestra recorded the soundtrack for JERRY COTTON in Berlin in January of 2010. On March 11th, 2010, over 40 years after Jerry Cottons last big-screen romp, the FBI agent will once again race his bright red Jaguar through the streets of Manhattan in a major motion picture. The target audience is definitely teens and young adults, who want to see an exciting and entertaining film with lots of humor and action, producer Christian Becker says. But were also aiming at the over-40s demographic, who grew up with the Jerry Cotton books and movies. Along with his writing-directing team Cyrill Boss and Philipp Stennert, producer Christian Becker hopes the daredevil crimebuster will live a long and healthy life: If the audience likes our movie, wed really love to make a new JERRY COTTON every two or three years. For instance, it would be a dream come true to me to do a story where the American Jerry Cotton is sent abroad on a case one time, to Germany. We could have lots of fun with the culture clash, with the hard-boiled American arriving in Germany expecting to see the war still on and people in Lederhosen and Tyrolean hats all over, telling time by coo-coo clocks. Imagine having all the German clichs collide with the American clich Jerry Cotton. That would be great. Interview with Screenwriter-Directors Cyrill Boss and Philipp Stennert What was your first experience with Jerry Cotton? Cyrill Boss: Well, Id heard of him as a boy because the dime novels were all over the place. You could even get them where my family went skiing. But I never read the novels or had any conscious experience of them. I was just too young. Philipp Stennert: I remember the red Jaguar well. Id also seen photos of George Nader. I thought he was a secret agent like James Bond. I wasnt aware of the fact Jerry Cotton was an FBI agent. Cyrill Boss: I had those same James Bond associations. Cool hair, cool suit, cool gun, cool car. Thats why we jumped right away, when Christian asked us to do the movie. Were huge fans of 1960s and 70s thrillers, like BULLIT, CHARADE or THE THOMAS CROWN AFFAIR. We knew immediately we wanted to see Jerry Cotton in that tradition up on the big screen, even though we didnt really know a lot about Jerry Cotton. Did you base your screenplay on the novels? Philipp Stennert: We read a couple of the novels and watched the old movies. And we got the series bible from Bastei Lbbe publishers Verlag, which all the writers have used as their starting point for years. We stayed true to certain basic elements, such as the original weapons, cars, etc. The character of Jerry Cotton is true to the original, of course, too. A cool hard-nose with a sense of style! But we gave the characters more faults and weaknesses. That goes for the character of Phil Decker, especially. Cyrill Boss: In the novels, Jerry and Phil are serial characters without a lot of depth and contour. Phil Decker is basically a Jerry Cotton clone. Theres not a lot of ambiguity. In a movie, the characters have to stand out, however, or theres no story and no conflict. So it became kind of a love story between these two men: even though Jerry Cotton hates Phil Decker, hes forced to work with him, and thats how they grow closer in the course of the film. How did you decide to make Phil Decker a master of disguise? Philipp Stennert: In the very beginning, Phil Decker was a cool undercover investigator. We wanted someone who can take on many different disguises and do a wide range of dialects. It didnt develop until later that hes a bit of a loser. We realized the story got better the more Phil Decker and Jerry Cotton contrast with each other. Cyrill Boss: Jerry Cotton changed a great deal compared to the first draft, too. He was a lot dumber in the first drafts, a real idiot whos always messing up. But that just didnt work. We realized the audience has to admire Jerry Cotton. Only then do you have the setup for him to take a fall and reveal that he has emotional weaknesses, as well. Hes a total pro at what he does, but hes no good with people and has trouble expressing his feelings. Philipp Stennert: During script development, the character of Jerry Cotton got ever more serious and became the straight man. We shifted a lot of the comic energy to Phil Decker. Now, the comedy results from the contrast between the two leads: the cool, straight man and the nervous, high-strung fall guy. THE TRIXXER and THE VEXXER were successful spoofs of the German 60s Edgar Wallace mysteries. Why didnt you make JERRY COTTON a spoof of 60s detective movies? Philipp Stennert: The old movies just arent well-known enough any more. Most people have only heard the name, and never read the books or seen the movies. And theres no point in spoofing a name. Cyrill Boss: The Jerry Cotton movies were classic detective stories. A cop solves a crime. End of story. In James Bond or Robin Hood, theres a whole range of clichs we associate, which everybody can refer to. But Jerry Cottons just not well-known enough. I wouldnt even know what to quote or what to spoof. Christian Tramitz was cast as Jerry Cotton from the start. Is it easier to write the script if you know who your lead is? Philipp Stennert: It definitely helps to be able to picture a face. But Christian Tramitz can cover such a broad range as an actor, theres no limits to your imagination while writing. Cyrill Boss: When we had the first drafts of the script, we sat down in our office with Christian Tramitz for read-throughs. Thats a huge help. You can tell right away whether something works or needs to be rewritten. How do you write a screenplay together? Cyrill Boss: First we sit down and each write down our ideas. Philipp Stennert: Especially in the first brainstorming phase, it helps to hole up somewhere secluded. Cyrill Boss: Were in luck, because Philipps family has a vacation home on Lake Attasee in Austria and my family has a vacation home on Lago di Garda in Italy. So we sometimes use that opportunity to retreat and spend some time by ourselves. Philipp Stennert: Its important to create that kind of space for yourself. Only then, can you create a world of your own. Then we start making a list: What do we want to happen in the various acts? What are the main characters trying to achieve in each sequence? Cyrill Boss: Then Philipp and I write the scenes separately. Philipp Stennert: It would be distracting to be looking over each others shoulders at that phase of the screenwriting process. Instead, we each start writing scenes, and then show them to each other. Cyrill Boss: Then we sit down together again and go through the scenes by reading them aloud, with different roles for each of us. Philipp Stennert: When theres tow of you, you never run into a dead end. One of us has an idea, the other one picks up on something and carries the idea on. Cyrill Boss: That can be a pretty painful process, too. There are times we really fight with each other over things. But that has the advantage that all those differences get worked out and then when were on set months later, we dont have to argue about things any more. Then we both know exactly what we want. Even though JERRY COTTON is set in New York City, you always knew youd only be shooting for a few days on location in New York. Did that affect your work on the script? Cyrill Boss: Well, of course we know ahead of time that we will have a lot of technical headaches as directors if we write to many big set pieces in the screenplay. But you just have to forget about that for a while and let your ideas flow. We knew wed be shooting in Berlin and Hamburg, but be able to accomplish what we envisioned with the aid of sets and visual effects. Philipp Stennert: There are a lot of ways to create illusions technically. Its a joint effort by all departments. The prop departments task is to make it look American. The visual effects guys have to stick the skyline for New York in the background. The sound designer has to make it sound American. And so on. Plus, we had a few days of shooting in New York City planned, as well. How well did you know New York before this movie? Philipp Stennert: I have to admit, the last time I was in New York was when I was 13. Cyrill Boss: I was 17. Philipp Stennert: Im no expert on New York City. And if wed been shooting a documentary about New York cops, that surely wouldve been a problem. But JERRY COTTON is a fairy-tale world. Its an exaggerated, cartoon New York, inspired by the gangster movies and comic books we grew up with. Cyrill Boss: We were just as influenced by cartoonists and our favorite comics. They dont render each city scene in photographic detail, either. We wanted to have dark silhouettes of skyscrapers looming in the background, creating a stark dark-light contrast. Its a make-believe New York, an ultracool Jerry Cotton world. How long were you shooting in New York? Cyrill Boss: We spent a week in New York with our DoP, Torsten Breuer, our production manager, Uli Fauth, and assistant director, Christopher Doll. The two lead actors were only there for two days. Sometimes we held our breath when they had to drive through rush hour traffic, and we were ahead of or beside them with the camera car. That was pretty hair-raising. Philipp Stennert: It was a ridiculous scene, to have Christian Tramitz peeking out of the trunk of the car, anyway. The New Yorkers couldnt believe it. People came up to us and couldnt believe a German film team would shoot a movie in New York. Cyrill Boss: Christian Ulmen told us, on arrival, the immigrations officer laughed his head off when he heard Christian is a big movie star in Germany. He thought that was pretty funny. So did you take the Jaguar E-Type with you from Germany to New York? Cyrill Boss: No, we found the same model in the U.S. There are tiny differences, but only a real car buff would be able to tell. Philipp Stennert: That Jaguar is doubtlessly one of the most beautiful cars ever, but it caused us no end of troubles in Germany as well as in New York. It was always breaking down, and had to be fixed like every two hours. So if we were shooting on location in new York City, and didnt have all the scenes we needed yet and the sun was going down, and then the car breaks down again, that almost drove us crazy. Cyrill Boss: In spite of all the technical difficulties, we had to have that red Jag in the movie. We wanted to be true to the books and the movies. Philipp Stennert: Jerry Cottons Jaguar is a crucial part of the film in the public perception, as well. It was truly amazing to see the film crew mostly the guys throng around that car, when it showed up outside the production offices the first time. Like little kids with the greatest toy in the world. Were you in the helicopter for the aerial shots of New York? Philipp Stennert: Yes, that was quite an experience. I was really amazed at how much youre allowed to do in New York with a helicopter. We were allowed to fly really close to buildings and bridges. I never thought wed get permission for shots like that, after 9/11. Cyrill Boss: Two days after our flight, a helicopter belonging to the same company we flew with collided with a small plane over the Hudson River and nine people dies. We were just arriving back in Germany when we saw the pictures. That was pretty shocking. Would it have been better for the entire shoot of JERRY COTTON to take place in New York? Philipp Stennert: Definitely not. Even if wed had the budget, there wouldve been all kinds of organizational and linguistic problems in New York. No, it was great working in Berlin and Hamburg, with the whole German team Cyrill Boss: That way we were able to invent our own New York City, which was even cooler than actually shooting in New York. We had to improvise a lot to create the world of Jerry Cotton from sets, cars and costumes. Make-believe is the real fun and attraction of making movies. Whats the advantage of sharing directing duties? Cyrill Boss: You have four shoulders to bear the responsibilities. In this case, we were also helped by the fact we wrote the screenplay together. That way, we had the same vision from the start and were able to pursue it single-mindedly together. Every director gets tired or burned out at some point. Working together as a team, you can share that burden and keep your concentration better. You dont overlook any details. Philipp Stennert: Plus, there are usually several actors on set. That way, we can split up: One of us works with Monica Cruz, the other with Christian Tramitz. Did it make a difference that Monica Cruz only speaks Spanish? Philipp Stennert: Well, everything had to be said twice because the interpreter was always in between. But we got accustomed to that quickly. Monica is fast and extremely professional, so the language barrier was no problem at all. What role do the women play in JERRY COTTON? Cyrill Boss: Well, its certainly a masculine subject matter, thanks to all the cars and cool guys, but we have two very strong female characters, Daryl D. Zanuck and Malena. They come out on top in the end. Philipp Stennert: The male characters are really the weaker figures. The women are the truly cool characters, who toy with the men, pulling one over on them, and always remaining a step ahead. Interview with Producer Christian Becker How did FBI agent Jerry Cotton get reborn on the big screen? The idea came up in 2006, while we were shooting THE VEXXER. We had a photo shoot with Christian Tramitz, who was playing Much Longer, the brother of inspector Even Longer, played by Oliver Kalkofe. I was really impressed when I saw the pictures. In a suit, Christian Tramitz is incredibly suave and cool. The idea stuck with me, so I bought the rights to Jerry Cotton from Bastei Lbbe publishers via the agency Rights. With Christian Tramitz in mind, in whom I believe in 100% as a star and identification figure. Did Christian Tramitz know? No. I didnt tell him until I had the rights virtually sealed. He hesitated briefly, because he knew how much work it meant: a lot. But then he agreed to do it. At the same time, I was talking to directors Cyrill Boss and Philipp Stennert, with whom we had done THE VEXXER. They sat down to write the script soon after, and we were able to announce: Jerry Cotton is back! What did you base the character of Jerry Cotton on, the movies, or the novels? Both, but very loosely As far as the look and the poses go, we based him on George Nader as Jerry Cotton in the 60s movies, a supercool, slightly snooty and incorrigible G-man. We also got the series bible form Bastei Lbbe, which the books have been based on for years and years. The directors read a few of the books, but quickly realized those cases are hard to transpose onto the big screen. So we decided to come up with an entirely new story, centered around Christian Tramitz and Christian Ulmen, an acting dream team, as Jerry Cotton and Phil Decker. How did you see Phil Decker? We needed a counterweight to the cool, suave FBI agent, who goes through life full of callous ignorance. Phil Decker is a bit of a tragic figure, really. Hes a master of disguise, but keeps falling on his face. Hes a stooge and a fall guy, whos strugging to maintain his dignity. In the books, Phil Decker is a totally different character, for example. Did you discard the novels entirely? No. Fans of the books as well as the movies will recognize a lot of references, like the names of the villains and the FBI agents. Or the legendary cars: at the outset, Jerry drives a grey Jaguar X-Type, which is what he drives in the current novels. He loses that car at some point, and commandeers a red Jaguar E-Type. So thats our reference to the car in the old films. Why didnt you make JERRY COTTON a parody? The specifics of the books and movies are just not well-known enough. Most people are only familiar with the name, if at all, with the image, the figure. So we knew early on we wanted to make an exciting action-comedy and not a parody. Whats your personal take on Jerry Cotton? Id seen the movies, but I guess I was too lazy to actually read the books, in contrast to my parents and grandparents generation. I can still remember the splashy red covers at the kiosks and bookstores, even at the tourist resorts in Italy and Greece. Wherever German press was available, there were always Jerry Cotton magazines, too. They were fun to look at because they always had exciting cover artwork. Only later did I realize they often were pictures from American, French or Italian movies. What audience is the movie made for? Well, the main target audience is definitely teens and young adults who want to watch a funny and exciting movie with lots of action. At the same time, were also aiming at the over 40ish audience who grew up with Jerry Cotton books and movies. Its particularly interesting that men and women react equally positively to the film. Weve got action, suspense and beautiful women for the guys, and a love story, with two great-looking male leads. Christian Tramitz looks pretty darn good in a suit. And every woman will want to take Christian Ulmen home and mother him. Why didnt you shoot in New York? Several reasons. Financial, first of all. Its just much more expensive to shoot in the United States than it is in Germany. Also, we had a lot of film funding money, and that money needs to be spent in Germany. Its a question of creating jobs at home. And theres another reason: The old Jerry Cotton movies were almost entirely shot in Berlin and Hamburg, using a great deal of rear projection. That means the actors were shot in front of a screen, which would show a New York telephone switchboard in the background, for example. It was a stylistic and film-historical choice to emulate the old movies by passing Germany off as New York City. Does that come across as a jarring stylistic device on screen? No. I was personally favorably surprised at how real and convincing it all looks. The audience would swear the actors were filmed in New York City, but it was almost all done in Berlin backlots and workshops, the Hamburg Harbor or the underground garage of the Olympic Stadium in Berlin. The trick is to put up some American-style fire hydrants or U.S. cars, change the street signs, and pipe a bunch of steam from the drains. Presto, New York City. How much actual New York is in the movie? Theres a lot of establishing shots and aerial shots done from a helicopter, plus the driving scenes with the new and old Jaguars. Christian Tramitz and Christian Ulmen were really driving, we flew them over to New York for two days of shooting. Our special effects supervisor Alexander Lemke went along and shot a bunch of cityscape on film and photo stills, which were later inserted digitally. When exactly is the film supposed to take place? Its the modern day, but we dont want to specify an exact year, because we cultivate a certain retro chic in dress, hairstyles and the cars, along with modern high-tech implements like cell phones and computers. Theres really only one definite date in the whole movie, and thats hidden on Jerry Cottons license plate: NY JC 1954. Thats a reference to the year Jerry Cotton first appeared in print. Is Jerry Cotton well-known enough abroad to travel? Our world sales agents at Beta Film will handle foreign territories, and Im convinced a fun and exciting movie with a tongue-in-cheek tone can work in France of Italy, too, for instance. Its a German movie, but I wouldnt say its specifically German humor, more international than that. The characters have a tongue-in-cheek quality that reminds you of the Zucker/Abrahams/Zucker comedies. And Spain is naturally interested in our film because of Monica Cruz. How was she cast as Malena? Monica Cruz was suggested by our caster, Emrah Ertem, with whom weve worked on lots of movies. He knows I like to see not only my childhood heroes in movies, but also international stars. We had a great time working with Bud Spencer and Franco Nero on KILLING IS MY BUSINESS, HONEY. Emrah had seen Monica in an ad campaign for the Mango fashion label. We watched a couple of her movies and asked if she wants to be our Malena. On the first day on set, Im sure she was wondering, What the heck am I doing here? (Laughs) Did you try and get cameos from the 60s Jerry Cotton cast? Wed thought about casting Heinz Weiss as Jo Brandenburg, who used to play Phil Decker in the old films. But it didnt happen. A few of the old actors were still active, but we wanted to avoid too much similarity with the world of the VEXXER films, which were spoofs and worked much more with star cameos by Edgar Wallace actors. Will there be a sequel to JERRY COTTON? I sure hope so. If the audience likes our movie, wed really love to make a new JERRY COTTON every two or three years. For instance it would be a dream come true to me to do a story where the American Jerry Cotton is sent abroad on a case one time, to Germany. We could have lots of fun with the culture clash, with the hard-boiled American arriving in Germany expecting to see the war still on and people in Lederhosen and Tyrolean hats all over, telling time by coo-coo clocks. Imagine having all the German clichs collide with the American clich Jerry Cotton. That would be great. Interview with Christian Tramitz (Jerry Cotton) This movie was only made because producer Christian Becker saw you as the perfect FBI agent. How does that make you feel? It was a really terrible feeling, to begin with. (Laughs) It felt like there were about 70 people on set on the first day of shooting, and I just thought, Oh my God. Theyre all here because of me! Just think how much money this all costs! You immediately start feeling guilty and praying for everything to work out. Playing such a high-profile lead in a major motion picture is a new experience for me. Were you familiar with Jerry Cotton beforehand? I didnt read the dime novels, no. I knew the covers with pictures of people with guns an strange hairdos. At school, the teachers called them pulp trash and told us to read Bambi instead. I preferred Asterix when I was ten or twelve. How much of the old Jerry Cotton is in the modern version you play? Its more like a very liberal adaptation, for me. Cyrill Boss and Philipp Stennert kept the central figure, his name and his trademarks, but devised a whole new story around him. The way the script is written, Jerry is a loner and a misanthrope. During the course of the story, he winds up a fugitive, and needs Phil Deckers help to save his neck. But hes only really cool in the beginning, after that he becomes more and more human. What was the idea behind that? It gets boring if a character is just cool all the time. No one wants to see that kind of thing anymore, unless youre Sean Connery. Take Daniel Craig as the new James Bond whom I dont want to compare myself to, by any means but hes more human and vulnerable. That makes the character more interesting, if its got its cracks and faults. Whats the role of your rookie partner, Phil Decker? Hes the exact opposite of Jerry. Hes fresh out of the FBI Academy and is a real intellectual, academic type. Jerry shoots first and asks questions later. Phil Decker worships Jerry Cotton, but Jerry cant stand Phil. So that makes it all the more touching, when the two of them become friends after all in the course of the movie. Its classic buddy movie. Ultimately, Phil Decker is the real hero. What was it like working with Christian Ulmen? Im incredibly glad we had Christian for this part. With his rapid-fire delivery, hes the real comedian of us two in this film. My role as Jerry Cotton is more down to earth, more of the straight man. I think it works really well. How important are the women in the film? Very. We have a beautiful and very feminine antagonist in Christiane Paul as Daryl D. Zanuck, and the equally beautiful Monica Cruz as Malena. Its quite an experience to watch her dance. Jerry just has to look into her huge, dark eyes once to completely lose his cool. The women use their femininity strategically and are much stronger than the men in this film. Monica Cruz delivered her lines in Spanish, you answered her in German. Did that work? Yes, it did. After a while I was so used to it, it would have be a shock if shed suddenly spoken German. Shooting a movie has a lot to do with acting technique, anyway. I knew what she was saying from the script. The only problem was, I never knew what she was saying when. She had a machine-gun delivery. But I could pick out certain key words and use those as my cue. Jerry Cottons true love is his Smith & Wesson. Did wielding the gun make you feel macho? Im not a gun lover at all, but theyre just cool toys. All the guys on set started playing with the guns and twirling them around as soon as they had their hands on them. Its a reflex that seems to be genetically hard-wired into guys. Its just cool to flip the drum out and back in, and hear the click. Shooting it is the least interesting part. Was it a real Smith & Wesson or a fake? It was a real Smith & Wesson. Theyre very valuable. I was supposed to practice with it, and promptly dropped it. So of course it got bent out of shape. After that the rule was, Dont give Tramitz the gun until he really needs it! They took it away from me right away after every scene. Jerry Cotton first drives a modern Jaguar in the movie, then the classic red Jaguar E-Type. Thats right. At some point during the movie, Jerry needs a getaway vehicle. Even though hes on the run and in a hurry, he takes the extra time to commandeer a Jaguar E-Type from an elderly gentleman. Thats when he finally turns into the Jerry Cotton we know and love. That red Jag is like a childhood dream come true for me. It was the star of my car collectors cards: 240 kilometers per hour, 150 mph! That was incredible. Cars just didnt go as fast back then. Which Jaguar did you like to drive better? The old one or the new one? The new one is easier to handle, but the old one is definitely more fun to drive. The new model has, like, 550 horsepower under the hood. Its just a kick to put the pedal down. And theres not a lot you can do wrong, because its an automatic. The old one, you have to know how to handle. It was a pain sometimes because its got twelve cylinders and is a trick to tune. But once it was purring along, it was an amazing experience. Were you afraid of damaging the car? I was initially terrified of making a scratch in that beautiful car. I had to get used to the long snout first. But fortunately I didnt have to do any big stunts with it. I had to do one big turn and then aim for a marker, that was it. Speaking of scratches: Jerry Cotton gets quite a few of them in the course of the movie. Does that make him more macho? Oh sure, those scars and scratches just look great. Just think of Bruce Willis. Its always better for an actor to sweat up a storm and get dirty all over, than run around looking clean-cut and spotless all the time. Towards the end, all my suits were torn up, too. We had to piece them together from various parts. Those poor suits looked so great in the beginning, by the end they were a total wreck. So was I. Was it fun shooting the action and fight sequences? Lots of fun! It really was. I love shooting fight scenes. But some things just look better done by real professional stunt men. Sometimes its best to let them do their thing. What was the worst stunt you had to do? In the opening sequence, Jerry has a fight scene way up high, beneath the ceiling of a factory hall. I dont do well with heights at all. Thats when I did say, Id rather not do it if I dont have to. But Rainer Werners stunt team did an incredibly good job of prepping us actors for scenes like that, step by step. Were there other physical challenges? I hate shooting at night, I just hate it. At home, I usually go to bed at ten p.m. Im just not a nighttime person. I need seven liters of coffee to survive on set. Even so, I can barely make it through the night. Whats more, everybody I know hates shooting at night. So I have no idea why we keep doing it. Did you study American cop or FBI movies beforehand? Subconsciously, maybe. American actors have certain gestures that are just different than German actors. They crook their heads or stare at the receiver at the end of a phone call. Theres no point in trying to imitate American acting styles. Jerry Cotton is a German invention, after all. Hes a post-war invention, at a time when people were understandably wary of German supermen. So they made him American. The 60s movies were cast with George Nader, an American Hollywood export. Sure, but the movies were shot in Germany, and all the rest of the cast was German. Its a little bit like the German Edgar Wallace movies, only imitating America and not England. Was there ever any thought of using your natural Bavarian dialect for Jerry Cotton? No, that wouldnt have worked at all. Thats how we did MANITOUS SHOE, the settings and the costumes were Wild West but the characters spoke Bavarian. That was part of the joke. But weve been there, done that. Everythings been spoofed by now: Westerns, Science Fiction, U-Boat movies. Unlike THE VEXXER, JERRY COTTON isnt supposed to be a send-up. We see it more as an homage, with realistic characters and a faster pace. Sure, Jerry Cotton and Phil Decker are exaggerated and larger than life, but theyre no clowns. Ideally, we want the audience to like them both. Interview with Christian Ulmen (Phil Decker) How much do you and Agent Phil Decker have in common? One hundred percent. Phil Decker wrote the book on action heroes. He can nail any target at five hundred feet, leap from tall buildings without getting hurt and be incredibly sexy while he does it. So its pretty much an exact copy of myself, which made it an easy part to play. I just had to be myself. (Laughs) Is he a ladies man? Sure, but in his own special way: Phil Decker is a tragicomic figure, who triggers motherly instincts in women. Hes always tripping and falling down. But most of all, he doesnt realize that no one else takes him seriously as a federal agent. He only got the job because his father is a powerful politician who told Mr. High, Give my boy a shot! Whats his relationship to his partner Jerry Cotton? Hes Jerrys biggest fan. At the FBI Academy, Jerry Cotton has held up as the ideal to aspire to. So now suddenly, he meets him in the flesh and gets to work with him for the first time. Thats when his emotions get the best of him, even though he just wants to do his best. How do you evoke Phil Deckers puppy dog looks? The directors kept telling me, dont make him look too retarded! Alongside Christian Tramitz, whos really the perfect Jerry Cotton, its really easy to come across as slightly dim, holding your gun the wrong way, or whatever. Nonetheless, Phil Decker manages to bear his inadequacies with his own sense of dignity. He thinks hes doing just fine. His partner makes Jerry Cotton look even cooler. Thats right. My job was to help Christian appear supremely cool by being just totally uncool. He should be damn glad to have a moron like me as a partner. (Laughs) Phil Decker is a master of disguise. Did you have fun with all the different disguises? I liked the scene where I play Vasily the most. Not Phil Decker disguised as Vasily, but the real live Vasily. Hes such a great, crotchety old guy. I had this music video by UNKLE in mind where this guy who looks a little bit like Vasily walks through a tunnel and keeps getting run over by cars. But he keeps getting up. Playing an old guy like that, who has trouble getting up from his chair, was very easy for me. Im extremely non-athletic by nature. So the action scenes were quite a challenge for me. But you still manage to shine as the dancing Japanese entertainer, Dick Diamond. That was a challenge, too. I needed a dance instructor, who usually works with Sarah Connor and on Hollywood movies. He was initially supposed to choreograph the dance in the bar with Monica Cruz. Then, Cyrill and Philipp had the unfortunate idea to have me dance, as well. Who was more embarrassed? Embarrassed doesnt even begin to capture it. At the very first session, this dancing god says, Show me your moves! All I could say was, I cant dance. He was totally stunned and said, Everybody can dance! Then he turned up the music, so I pranced around a while. Ive never been so embarrassed in all my life. The choreographer mustve thought, Lord, what kind of rejects do they cast in these movies? Thank God he was getting paid, so he had to teach me to dance. Does the make-up help you get into a role? A bit, but thats certainly not enough. You have to figure out how to do the role and how the character thinks. At some point you become one with your make-up anyway. Its not until you forget about it and walk out on the street and startle people that you remember, Oh yeah, I look different. Once I went to a sports bar in my Vasily disguise, because I wanted to see the soccer game. When I asked what the score was, no one answered. I totally forgot that I looked like Vasily. Pretty ugly, in other words. Did you read the Jerry Cotton novels or watch the movies to prepare? None of the above. I asked Philipp and Cyril if I should, but they advised against it. The Phil Decker I play is totally different from the one in the books and movies. So I just used the script and went from there. Did you know about Jerry Cotton beforehand? Not at all. To be honest, to begin with, I had Jerry Cotton confused with (dime-novel astronaut) Perry Rhodan. So imagine my surprise when I showed up on set and Christian Tramitz didnt have a space suit on. (Laughs) How do you explain the success of Jerry Cotton in the 50s? When the novels first appeared in Germany, the men all looked like (comic actor) Heinz Erhardt and were busy mowing the lawn outside their little townhouses. So obviously, America seemed a lot more exotic and exciting, and people preferred reading about gangsters in New York than shoplifters in Brunswick. Whats in store for Phil Decker if theres a sequel? I think Phil Decker will continue to be a nuisance. There cant be any fundamental changes in the constellation of characters. The hero may get married at some point, but then his wife has to buy the farm pretty soon afterwards. So even in a sequel, Phil Decker will be a successful agent more by dumb luck than anything else. The Cast Christian Tramitz (Jerry Cotton) Jerry Cotton is the FBIs top agent: A loner, a tough guy and a complete pro. Hes no desk jockey, but a street operative. Hes a Special Agent by rank and happy he doesnt have to do the job of his boss, Mr. High. Hes not the political type: He doesnt want to negotiate with people he wants to shoot em. Cyrill Boss and Philipp Stennert Christian Tramitz was born in Munich in 1955. He trained at the Munich Music Conservatory as a violinist, before going on to study art history, philosophy and theater studies. Then he studied acting with Ruth von Zerboni. He had his first acting engagement at the Ingolstadt city theater, followed by several stage tours and then became a member of the Dsseldorf Kammerspiele ensemble. Tramitz met fellow comedians Michael Bully Herbig and Rick Kavanian, through their work on a cop sketch series for a Munich radio and TV station. Together they launched the BULLYPARADE comedy series on ProSieben in 1997. Together the trio wrote and performed six seasons of the hit comedy series, which eventually spun off no less that three extremely successful feature film parodies, MANITOUS SHOE (2001) and DREAM SHIP SURPRISE PERIOD 1 (2004), the most successful German films ever, and CGI romp LISSI AND THE WILD EMPEROR (2007). Other feature films featuring Christian Tramitz in varying roles were Otto Waalkes comedy 7 DWARVES (2004) and sequel 7 DWARVES THE WOODS ARE NOT ENOUGH (2006), FRENCH FOR BEGINNERS (2006), THE VEXXER (2007), RABBITS WITHOUT EARS (2007), FALCO (2008), KILL DADDY GOOD NIGHT (2008) and KILLING IS MY BUSINESS, HONEY (2009). Currently, Christian Tramitz is starring in comedy 3-FALTIG! with Alfred Dorfer, Roland Dringer and Matthias Schweighfer. Christian Tramitz also acted in TV movies and series including Finanzamt Mitte (2002), Crazy Race (2003), ProSieben Fairy Tale Hour and Treasure Island (2007). He also starred, hosted and co-wrote his own comedy series Tramitz & Friends on ProSieben from 2004 on. Christian Ulmen (Phil Decker) Phil Decker is a greenhorn straight from the FBI Academy who worships Jerry Cotton. Unfortunately, hes the complete opposite of his hero. Decker is overly motivated and extremely emotional. But his terrific talent as a master of disguise will turn out to be a life-saver for Jerry Cotton. Cyrill Boss and Philipp Stennert Christian Ulmen was born in 1975 in Neuwied on the Rhine and grew up in Hamburg. He began writing and producing for TV and radio as a teenager. In 1996 and 1999, he hosted TV shows MTV Hot and MTV Alarm and various special reports for the music video station in London and Hamburg. In 1999 and 2000, he produced and hosted for Berlins innovative alternative station, Radio Fritz. From 2000 until 2003, he had his own TV show, MTV Unter Ulmen, which he produced himself in the MTV studio in Berlins Ackerstrasse. Christian Ulmen had his first lead in a major motion picture in 2003 in HERR LEHMANN, directed by former East German directing legend Leander Haussmann, which won him the Bavarian Film Prize. He went on to play the lead in Doris Drrie's FISHERMAN AND HIS WIFE (2005), Oskar Roehlers ELEMENTARY PARTICLES (2006) and Ute Wielands FC VENUS (2006). He was nominated for the German TV Prize in 2005 for his ProSieben series My New Friend. In 2007 and 2008, Christian Ulmen played the title character of hit TV series Dr. Psycho. In 2009, he starred in German-Italian rom-com MARIA, HE DOESNT LIKE IT! and in Simon Verhoevens comedy MEN IN THE CITY. Christian Ulmen runs his own production company Ulmen Film GmbH and produces web TV format ulmen.tv. Monica Cruz (Malena) Malena is a classic femme fatale. Shes in it for No. 1, and anyone that serves her purpose is her temporary ally. Anyone who gets in her way will be sorry. Shes an elegant lady, but doesnt balk at trudging through the sewers or turning mens heads in a strip club as long as she gets what she wants. Cyrill Boss and Philipp Stennert Monica Cruz was born in 1977 in Madrid, Spain, growing up with an older sister and a younger brother: Her older sister Penelope Cruz is an internationally famed actress, her younger brother Eduardo is a well-known singer in Spain. Monica Cruz trained as a dancer at the Royal Spanish Dance Conservatory. At 17, she joined the company of world-renowned Spanish dancer Joaquin Corts, traveling the world for the next seven years and performing at Radio City Music Hall in New York City and the Royal Albert Hall in London. In 1998, did the dance choreography for THE GIRL OF YOUR DREAMS, starring her sister Penelope. In 2002, she had her TV debut when she was offered the role of Silvia Juregui in Spanish TV series Un Paso Adelante (One Step Forward). The Fame-like series about young dancers in training was exported world-wide to Spanish-speaking territories, France, Italy and Germany. She went on to act in various TV series in Spain, in LAST HOUR with U.S. rap star DMX, and THE FINAL INQUIRY, along with Ornella Muti, in 2006. Her role as Malena in JERRY COTTON is Monica Cruz first appearance in a German feature film. Christiane Paul (Daryl D. Zanuck) Daryl D. Zanuck is the head of the internal affairs investigation against Jerry Cotton. His former partner has now become his nemesis, determined to hunt him down. Daryl could be the merciless trainer of a Russian Olympic ice skating team. She only lets her emotions show in order to bend men to her will and do away with them soon after. Cyrill Boss and Philipp Stennert Christiane Paul was born in East Berlin. After graduating from high school, she studied medicine at Humboldt University in Berlin and received her doctorate in 2002. Along with her medical studies, she worked as an actress and studied at the Lee Strasberg Institute in New York City. After achieving success as a fashion model, Christiane Paul had her feature film debut in 1991 in Niklaus Schillings DEUTSCHFIEBER and then co-starred in ME AND CHRISTINE (1992) along with German vet Gtz George. Numerous feature film roles followed, including in Wolfgang Beckers LIFE IS ALL YOU GET (1997), HEADS YOU WIN, TAILS YOU LOSE (1998) and Fatih Akins IN JULY (1999). For her performance in Mark Schlichter's EX, Christiane Paul received the Max Ophls Prize 1994. In 1995, she won a Bavarian Film Prize for WORKAHOLIC. In 1998, she received a Golden Camera as Best Newcomer Actress, and Berliner Zeitung awarded her its culture award in 1999 for her artistic achievement. In 2004, she quit practicing medicine to devote herself completely to her acting career. That year, she played the Angel of Despair in Heiner Mllers The Mission at the Haus der Berliner Festspiele, directed by Ulrich Mhe. Her recent film projects include Ralf Httners REINE FORMSACHE (2005), Eoin Moores social comedy IM SCHWITZKASTEN (2005), mystery spoof THE VEXXER (2006), social realist VORNE IST VERDAMMT WEIT WEG and Dennis Gansels Sundance entry THE WAVE (2007). In 2009, Christiane Paul starred in LIPPELS DREAM (directed by Lars Bchel), DER GROSSE KATER (directed by Wolfgang Panzer) and THE DUST OF TIME (directed by Theo Angelopolous) alongside Willem Dafoe. Along with her stellar acting career, Christiane Paul serves as ambassador for the World AIDS Day campaign (2005, 2008 and 2009) in Germany, the UN Climate Conference 2009, and supports the anti-poverty initiative Deine Stimme gegen Armut (Your Vote Against Poverty) Heino Ferch (Klaus Schmidt) Klaus Schmidt is The German and would probably be a grumpy pensioner in the Black Forest, if he hadnt had a terrible accident in his auto body shop years ago. Instead, he wound up in New Yorks underworld, where he launched a new career, which also serves as a huge ego boost: He now plays the textbook evil German crime boss. Cyrill Boss and Philipp Stennert After training at Salzburgs Mozarteum, Heino Ferchs stellar acting career began as an ensemble member of the Freie Volksbhne and the Schillertheater in Berlin, as well as at Viennas Burgtheater. He had his feature film debut in 1988 with a brief appearance in Peter Schamonis SCHLOSS KNIGSWALD. His breakthrough as a screen actor came in 1997 as one of the leads in Joseph Vilsmaiers COMEDIAN HARMONISTS. Since then, he has worked with numerous renowned directors such as Tom Tykwer (WINTER SLEEPERS, 1997, RUN, LOLA, RUN, 1998), Volker Schlndorff (THE OGRE, 1996), Helmut Dietl (VOM SUCHEN AND FINDEN DER LIEBE, 2005) and Vanessa Jopp (MESSY CHRISTMAS, 2007). In 2004, Heino Ferch played Hitlers architect Albert Speer in Oscar-nominated drama THE DOWNFALL, directed by Oliver Hirschbiegel, and 2008 in Oscar- and Golden Globe-nominee BAADER MEINHOF COMPLEX by Uli Edel, the story of the Red Army Faction in Germany. The charismatic character actor also featured in numerous TV movies such as The Tunnel (2001), A Light in Dark Places (2003), Die Luftbrcke (2005), Der geheimnisvolle Schatz von Troja (2007), Die Mauer Berlin 61 (2006) and Krupp Eine deutsche Familie (2009) and has become a household name in Germany. Jrgen Tarrach (Ruby) Ruby is an expert computer hacker whos allergic to conflict and violence. Hes just too naive to understand that his gang is doing something wrong and illegal. Hes not even in it for the money, he just wants to find friends and belong. He reminds you of the kids who brought sweets to school to be popular. Cyrill Boss and Philipp Stennert Jrgen Tarrach was born in 1960 in Geilenkirchen near Aachen, growing up in Wassenberg auf. In 1980, he acted the lead in Max Frischs Arsonists in a school play. From 1982 to 1985, he studied acting at the Max-Reinhardt-Seminar of the University for Music and Performing Arts HMDK in Vienna. After graduating, he acted on stage in Mnster, Bonn and Nuremberg, as well as in Karlsruhe, where he appeared in one-man play Herr Karl. His big-screen breakthrough came in cop buddy comedy DIE MUSTERKNABEN (1997), in which he played a Cologne narc along with partner Oliver Korittke, earning him a nomination for the German Film Prize as Best Lead Actor in 1998. From then on, Jrgen Tarrach was in high demand: In 1998, he acted the leads in theatrical features THREE CHINAMEN WITH A DOUBLE BASS and SNOW ON NEW YEARS EVE, for which he was again nominated for the German Film Prize as Best Lead Actor in 2000. He also won the German TV Prize in 2000 for Scene of the Crime episode Norbert, and the Adolf Grimme Prize in 2002 his intense portrayal of murdered acting legend Walter Sedlmayr in Jo Baiers Wambo. Other major TV productions starring Jrgen Tarrach include Die Patriarchin (2005) with Iris Berben, Mogadishu (2008) with Thomas Kretschmann and Nadja Uhl, and Ein Mann, Ein Fjord! (2008) with Hape Kerkeling and Anneke Kim Sarnau. One of Germanys most talented and recognizable actors, Jrgen Tarrach came to the attention of an international audience in 2006 in James Bond movie CASINO ROYALE alongside Daniel Craig, and in THE READER by Stephen Daldry in 2008, which received four Oscar noms and a win for Kate Winslet as Best Actress. Joram Voelklein (Johnny Rocco) Johnny Rocco is the tough guy and gun nut of Klaus Schmidts gang. He comes across as an ultraviolent psychopath, but has a softer side after all, as it turns out. Cyrill Boss and Philipp Stennert Joram Voelklein, born 1973, studied drama in Munich at the Schauspiel Mnchen performing arts academy, graduating in 1988, and at Playhouse West in Los Angeles. Since then, he has acted lead roles in TV productions including Scene of the Crime and Police: Call 110, as well as in ProSieben comedy Problemzone Schwiegereltern (Trouble Spot: In-Laws) 2004, in which he played Katrin Sasss just-married offspring, son-in-law to Michael Gwisdek. In Die Tochter des Kommissars (The Inspectors Daughter) he fell for the daughter of his fellow cop Herbert Knaup 2001. In rom-com Es geht nicht immer nur um Sex (Its Not Always About Sex) 2000, he played shy book dealer Gregor, who gets the girl (Sophie Schtt) after all. The Munich native also acts on the stage regularly in various roles, including as Richard III. Herbert Knaup (John High) Mr. High runs the New York FBI headquarters and reports only to Washington, D.C. Jerry Cottons boss is the supreme politician, a complete opportunist. He does everything for his career, but nothing for his employees. Thereby, he almost becomes a threat to Jerry Cotton and Phil Decker. Cyrill Boss and Philipp Stennert Herbert Knaup was born in 1956 in Sonthofen, growing up in a musical family at the foot of the Alps in the Allgu. His father was a backup musician for Lili Marlene chansoneer Lale Andersen, his sister Renate Knaup has been the singer of 60s psychedelic band Amon Dl, the Krautrock equivalent of the Grateful Dead, since 1968. After attending the renowned Otto Falckenberg acting school in Munich, Herbert Knaup interned at the Munich Kammerspiele for a year and was cast in various stage productions across the country beginning in 1978, including at the Schauspielhaus in Cologne (Mein Kampf, Whos Afraid of Virginia Woolf, Soldiers, As You Like It, The Seagull) and at the Hamburg Kammerspiele (Blue Room, Purgatory). He also acted in Heidelberg, Bremen, Basel and Vienna. In 1978, Herbert Knaup had his big-screen debut in CODA, while his breakout feature film came with his title role in WALLERS LAST TRIP (1988), which earned wide acclaim. A further breakthrough followed 1994 with the lead role in Dominik Grafs SWAT action drama THE INVINCIBLES, which earned Herbert Knaup the Bavarian Film Prize and opened the way to lead roles in major movies by big-name directors. The list includes four films by Joseph Vilsmaier BROTHER OF SLEEP (1995), MARLENE (2000), BERGKRISTALL (2004) and DIE GESCHICHTE VOM BRANDNER KASPAR (2008) Sherry Hormanns rom-com FATHERS DAY (1996), Tom Tykwers international breakout hit RUN, LOLA, RUN (1998) and three films by Oskar Roehler ANGST (2003), AGNES AND HIS BROTHERS (2004), and ELEMENTARY PARTICLES (2005). In Egon Gnthers costume drama DIE BRAUT, Herbert Knaup played Germanys greatest poet Goethe, alongside Veronica Ferres. He was awarded a Golden Camera as Best German Actor in February 2005, and went on to co-star in Florian Henckel von Donnersmarcks Academy Award-winning THE LIVES OF OTHERS in the same year. In 2008, he was seen in major TV movie Mogadishu by Roland Suso Richter, about the 1977 Lufthansa kidnapping, as well as in Rainer Kaufmanns adaptation of bestselling cult series Kluftinger. Docudrama Referent Eichmann by Raymond Ley, in which Knaup acts the title role, has just wrapped. Knaup is also frequently cast in international productions, such as German-Spanish co-prod BON APPETIT with Nora Tschirner. Next to his numerous film and TV roles, Herbert Knaup always finds time to return to the stage, most recently in Yasmina Rezas God of Carnage at St. Pauli Theater in Hamburg. In 2007, Herbert Knaup and his nephews Maurus and Magnus Fleischmann founded the band Neffen and Knaup as well as their own record label, Knaup Records, on which they released their first album. Moritz Bleibtreu (Sammy Serrano) Sammy Serrano is a glittering bon vivant and crafty crime lord. When he is found shot, suspicion falls on Jerry Cotton, who has a clear motive: Sammy Serranos $200 million States Union Bank gold heist is the only blemish on Jerry Cottons perfect crime-solving record. Cyrill Boss and Philipp Stennert At the latest since his starring role in Oliver Hirschbiegels EXPERIMENT (2001), which won him a German Film Prize, Moritz Bleibtreu has been acknowledged as one of Germanys most popular and talented actors. Born in 1971 to the acting family of Hans Brenner and Monica Bleibtreu in Munich, he studied drama in Paris, Rome and New York. After first stage appearances at Hamburgs Thalia Theater and Schauspielhaus, several TV projects and first feature film roles, Moritz Bleibtreu had his big-screen breakthrough with Rainer Kaufmanns sleep hit STADTGESPRCH (1995), and a year later in KNOCKIN ON HEAVENS DOOR with Til Schweiger, which won him the Ernst Lubitsch Prize and the Filmband in Gold. Tom Tykwers international hit RUN, LOLA, RUN (1998) finally elevated Moritz Bleibtreu to the level of stardom, where he could cherry-pick his roles. Moritz Bleibtreu has enjoyed many years of collaboration with Turkish-German director Fatih Akin: In 1999, they shot road movie IN JULY together, followed by rust belt drama SOLINO two years later. Most recently, their comedy SOUL KITCHEN (2009) won plaudits at the Venice film festival. Another of Moritz Bleibtreus staple directors is Oskar Roehler, for whom he played assistant librarian Hans-Jrg in AGNES AND HIS BROTHERS 2004, sexually frustrated teacher Bruno in Michel Houellebecq adaptation ELEMENTARY PARTICLES 2006, which won him the Silver bear for Best Actor in Berlin. In 2009, he once again worked with Oskar Roehler as Nazi propaganda minister Joseph Goebbels in drama JEW SUSS. In 2008, Moritz Bleibtreu starred in a tour de force as Red Army Faction founder Andreas Baader in Bernd Eichingers BAADER MEINHOF COMPLEX. Most recently, he demonstrated his versatility in Ozgr Yildirims lauded debut CHIKO, in childrens classic LIPPELS DREAM as well as in Bernd Eichingers biopic ZEITEN NDERN DICH as friend and confidante of rap star Bushido. Moritz Bleibtreu has also made waves internationally, being cast by Steven Spielberg in spy thriller MUNICH (2005) and by Paul Schrader in THE WALKER (2007), the remake of Richard Gere hit AMERICAN GIGOLO, and in German-Israeli drama ADAM RESURRECTED (2008) with Jeff Goldblum and Willem Dafoe. Janek Rieke (Ted Conroy) Ted Conroy is the polar opposite of his partner, Jerry Cotton. Hes a pencil-pusher, whos not as quick with a gun as Jerry and not as good of a shot. When Ted is injured on duty, Jerry is assigned Phil Decker as his new partner against his will. Cyrill Boss and Philipp Stennert Janek Rieke was born in 1971 in Hamburg. After graduating from high school he studied philosophy for three years before enrolling to study film directing at the Hamburg Institute for Theater, Musical Theater and Film. His graduating film 1996 was short Jenseits von Schweden (East of Sweden). His feature debut HRTETEST followed in 1997, which he wrote, directed and acted the lead in. The comedy was nominated for the German Film Prize as Best Film and for Best Actress (Lisa Martinek) and won the audience award at the Max Ophls Festival in Saarbrcken. Janek Rieke has acted in numerous theatrical and TV films, including Rats (2001), Rats 2 (2004), DISTANT LIGHTS (2003), BERLIN BLUES (2003), WHITE MASSAI (2005), DIE DUNKLE SEITE (2008) and KILLING IS MY BUSINESS, HONEY (2009). Manou Lubowski (Steve Dillaggio) Steve Dillaggio is of Italian descent and a total macho. Unfortunately, he picks Daryl D. Zanuck of all people as the object of his desire and come-ons. It doesnt take long for Steve to show his true face as a total wuss. Cyrill Boss and Philipp Stennert Manou Lubowski was born in 1969 in Munich and discovered his passion for acting in film and TV early. He had his feature film debut in 1997 kidpic THE FIREBIRD. He followed it up with roles in Scene of the Crime, internationally cast theatrical feature VENUS AND MARS (2001) and in Der Pfundskerl. In 2002, he co-starred in ProSieben TV adventure Hunt for the Ancient Relic. Since 2003, he has played Coast Guard officer Thure Sander in ZDF series Kstenwache. After ProSieben Fairy Tale Hour, Tramitz & Friends and Der Psycho-Pate, JERRY COTTON is his 4th collaboration with Christian Tramitz. Manou has worked as a dubbing actor for many years, including roles in ALF, Battlestar Galactica and Beverly Hills, 90210. The Crew Cyrill Boss and Philipp Stennert (Screenwriter-directors) Cyrill Boss was born in Munich in 1974. In 2003, he graduated in directing from the Filmakademie Baden-Wrttemberg in Ludwigsburg. Philipp Stennert was born in 1975 in Gttingen. He also studied directing at the Filmakademie Baden-Wrttemberg and graduated 2004. Cyrill Boss and Philipp Stennert have been working together as a screenwriting-directing team since the year 2000. They have known Producer Christian Becker since film school and wrote two seasons of ProSieben series If It Dont Fit, Use a Bigger Hammer as of 2003, before directing several episodes of ProSieben Fairy Tale Hour in Prague 2006. Their feature film debut was THE VEXXER (2006) starring Oliver Kalkofe, Bastian Pastewka and Oliver Welke, who had co-written the script. It was during the shoot of THE VEXXER that the idea to bring FBI agent Jerry Cotton back to the big screen as a modern action hero came up. The hyphenate duo Boss & Stennert are currently working on TRIPLE VEXX, the third installment of the TRIXXER/VEXXER trilogy. Other projects in the pipeline include a cloak-and-dagger film, a romantic comedy and a remake of DOKTOR MABUSE. Christian Becker (Producer) Christian Becker, born in 1972 in Krefeld, worked in the film industry for several years before enrolling at Munich Film School in 1994, where he produced over 15 short films, commercials and numerous documentaries, including Dennis Gansels Wrong Trip (1996) and Living Dead (1998), Peter Thorwarths If it Dont Fit, Use a Bigger Hammer (1997) and Mafia, Pizza, Razzia (1997). He also produced Florian Gallenberger's Student Oscar winner QUIERO SER. In 1997, Becker founded Indigo Filmproduktion and Becker & Hberle Filmproduktion together with partner Thomas Hberle, with which he produced TV movie Das Phantom (2000), theatrical features BANG BOOM BANG (1999) and IF IT DON'T FIT, USE A BIGGER HAMMER (2002), KANAK ATTACK (2000) and 7 DAYS TO LIVE (2000). By 2000, Becker was one of the most successful producers in the German industry at the age of 28. Becker went on to produce successful TV projects like Hunt for the Ancient Relic (2002), two seasons of If It Dont Fit, Use a Bigger Hammer The Series, Rats 2 (2004), or ProSieben Fairy Tale Hour and the ProSieben Funny Movies. Theatrical ventures include Helge Schneider's concert film JAZZCLUB THE EARLY BIRD CATCHES THE WORM (2004) and B.O. smash THE TRIXXER (2003), which sold 1.9 million tickets. Becker also produced Peter Thorwarth's GOLDENE ZEITEN (2004), theatrical hit HUI BUH THE GOOFY GHOST (2005) by Sebastian Niemann or THE VEXXER (2007) by Cyrill Boss & Philipp Stennert. In 2008, Dennis Gansel's THE WAVE was invited to Sundance and won a German Film Prize. That same year, he and his team produced Sebastian Niemann's screwball comedy KILLING IS MY BUSINESS, Honey (2008) starring Nora Tschirner and Rick Kavanian, as well as award-winning kid's classic adaptation THE CROCODILES, directed by Christian Ditter, which was followed up by sequel CROCODILES 2 this spring (2010). In the summer of 2009, Christian Becker's production of VICKY THE VIKING, directed by Germany's most successful director Michael Bully Herbig, sold almost 5 million tickets. Along with JERRY COTTON, this years pipeline includes rap biopic ZEITEN NDERN DICH (release Feb. 4th, 2010) directed by Uli Edel, which he is co-producing with top German producer Bernd Eichinger, and Dennis Gansels next movie WE ARE THE NIGHT (release Fall 2010) Torsten Breuer (Director of Photography) Torsten Breuer has served as DoP on many successful feature films, including Katja von Garniers comedies MAKING UP! (1992) and BANDITS (1997), and Caroline Links PNKTCHEN AND ANTON (1998). In 2004, Torsten Breuer filmed Dennis Gansels award-winning BEFORE THE FALL, a collaboration the two continued on THE WAVE 2007. Torsten Breuer shot several episodes of ZDF mystery series Kommissarin Lucas starring Ulrike Kriener, as well as TV movies Liebe Amelie (2005), Operation Rubikon (2002), Ein unmglicher Mann (2000) and Rendezvous with dem Teufel (1999). Torsten Breuer is also a successful film composer. His scores include Snke Wortmanns hit comedies LITTLE SHARKS (1992) and MAYBE, MAYBE NOT (1994). Helmut Zerlett (Music) Helmut Zerlett was born in Cologne in 1957. The composer and musician plays the Hammond organ, Fender Rhodes and synthesizer. In the 1980s he was part of the Phantom Band, and played backup for Joachim Witt during the German New Wave. Hes been a member of top German star Marius Mller-Westernhagens studio band since 1987, and tours with him as well. Since 1995, TV audiences have met Helmut as late-night band leader of Germanys Letterman Harald Schmidt on Sat.1 and with interruptions then on ARD. In 2006, he was also a band member of the ensemble in RTL impro comedy show FREI SCHNAUZE. Helmut Zerlett is also in high demand as a composer of film music. His theatrical credits include NACHTMUSIK (2002), ACTING (2005), MARIA AN CALLAS (2006), THE VEXXER (2006) and KEIN BUND FRS LEBEN (2007) as well as TV series Der Clown (19962001), Switch Reloaded (since 2006) and Maddin in Love (2008). He scored JERRY COTTON together with Christoph Zirngibl, taking their inspiration from the original 60s music Peter Thomas composed for the first eight Jerry Cotton films. The new JERRY COTTON score was recorded in January 2010 by the Babelsberg Film Orchestra in Berlin. Christoph Zirngibl (Music) Christoph Zirngibl was born in 1980 in Regensburg. After graduating from high school in 2000, he served as Army corps drummer in Regensburg for two years. It was followed by two semesters of music school at University of Regensburg, before following his love for film music and enrolling to study film scoring 2003 to 2007 with Professor Enjott Schneider at the Academy for Music and Theater in Munich. He has scored over 30 films to date, including THE VEXXER, KEIN BUND FRS LEBEN and U.S. doc Iowas World War II Stories. Christoph Zirngibl also orchestrates for renowned composers like Andreas Weidinger, Enjott Schneider and Helmut Zerlett. Christoph Zirngibl received the German Newcomer Film Music Award presented by the Franz Grothe Trust, and the Jerry Goldsmith Award at the International Film Music Congress in Ubeda, Spain, 2007, for his score to short film Lethe. Interview with Jerry Cotton Experts Christos Tses and Dirk Brderle Jerry Cotton, Karl May, Edgar Wallace: The German genre film classics of the 1960s are the specialty of writers and poster collectors Christos Tses and Dirk Brderle. In their book, Jerry Cotton George Nader and his Films (GrandLex PIV publishers), they pay homage to Hollywood actor George Nader (19212002). The US emigr achieved stardom in Germany as big-screen embodiment of dime novel hero Jerry Cotton. Between 1965 and 1968, he played the FBI agent in the red Jaguar in eight hit feature films. At home, however, A-list success eluded Nader due to his homosexuality. From a modern perspective, he is viewed as a pioneer of gay liberation due to his early coming out, which effectively ended his career as a leading man in Hayes Code Hollywood. George Nader had a relationship with Rock Hudson, who is said to have left him a large share of his fortune on his tragic death from AIDS in 1985. German Mystery Film Archive director Christos Tses and co-author Dirk Brderle, spoke about the fascinating story of the man who was Jerry Cotton in the 1960s, about their love for the old 60s films, and their expectations for the new action comedy JERRY COTTON starring Christian Tramitz. What is it you like about the old Jerry Cotton films? Christos Tses: They have great nostalgic value and form a sacred trinity of German genre films of the 1960s: Karl May westerns, Edgar Wallace thrillers and Jerry Cotton mysteries. Were the Jerry Cotton films faithful to the novels? Dirk Brderle: Usually, they only kept the title. Or the film came out first, and then a based-on novel was released with movie stills. How did the pulp hero make the leap to the silver screen? Christos Tses: Studio Hamburg founder and boss Gyula Trebitsch, met with Constantin Film head Waldfried Barthel in 1964 to discuss possible theatrical co-productions. Trebitsch came empty-handed, however, with no clear proposals for Constantin. Barthel still had company, so Trebitsch waited outside. He started leafing through the magazines on the table to pass the time. He had just picked up a Jerry Cotton novel, when suddenly the door opened and Barthel asked him in. Dirk Brderle: He took the novel in with him, without thinking about it. Barthel asked whether Trebitsch had a specific project in mind. So he showed him the novel. Barthel said hed think about it and said good-bye to Trebitsch. He looked into it and found out that Jerry Cotton had over 2 million readers every week in Germany, Austria and Switzerland. That convinced Barthel, because every one of those readers was a potential moviegoer. Why was an American cast as the lead in German movies? Dirk Brderle: Well, FBI agents are American, after all. The producers didnt think people would buy anything else. They picked George Nader, because his series Shannon was on German TV at the time, and he was available. He signed a deal for four movies with Constantin, with an option to do four more. He told us in an interview, the pay was just to good to turn down. Plus, he always wanted to live in Europe, in Rome. So he cancelled a movie he was supposed to shoot in the Philippines, and became Jerry Cotton. How did Heinz Weiss become Phil Decker, who later became a TV fixture as captain of the Traumschiff cruise ship series? Christos Tses: That goes back to Fritz Umgelter, who directed the first Jerry Cotton film. He cast his favorite actor in the role of Jerrys sidekick, namely Heinz Weiss, with whom he had shot classic TV mini-series As Far As My Feet Will Carry Me. But the Stuttgart native wasnt anything like the Phil Decker in the books. Heinz Weiss was a real German from the Black Forest region, not a gum-chewing gumshoe with a streetwise attitude and a fast mouth. Fans of the books even wrote to Constantin Film and warned against what the saw as a huge casting mistake. But when the first film came out, people changed their minds quickly. What was the advantage of building New York sets in Germany back then? Christos Tses: It was a budget consideration. It was cheaper to shoot in Germany, which allowed them to hire a fairly expensive for those days Hollywood star. Of course, the producers also had the advantage that back then the German audience maybe didnt know that U.S. Highways have more than two lanes and dont look like outside Delmenhorst. How successful were the Jerry Cotton films? Dirk Brderle: Each film sold an average of two million tickets in Germany, plus they were shown abroad, in Italy, Spain, France, Holland and of course in Austria and Switzerland. Why did the series end? Christos Tses: The audience declined because adult films and the German New Wave were taking over the theaters in 1969. The producers thought they had to follow the trend and give the audience what it wanted. But Jerry Cottons enduring popularity was illustrated by a survey done by the Wickert Institute in Tbingen in 1976, in which 98 percent of all Germans were familiar with the name Jerry Cotton. What did George Nader think of Jerry Cotton in retrospect? Christos Tses: He was very proud of him. Every actor knows a part like that means a chunk of immortality. George Naders Jerry Cotton is as immortal as Charlton Hestons Ben Hur, Sean Connerys James Bond, Peter Falks Columbo or Telly Savalass Kojak. His success tickled him because he knew he had created a convincing character out of the ink on the page.. Dirk Brderle: We struck up a good relationship with Nader, who was a really nice guy, and visited him in the U.S. several times. In April 2000, towards the end of his life, he came to a Jerry Cotton retrospective in Titisee-Neustadt in the Black Forest, perhaps as a way of saying farewell to his colleagues and his German audience. He really enjoyed the attention he got in Germany and the rest of Europe. What do you think of Jerry Cotton returning to the movie theaters in the year 2010? Dirk Brderle: Im definitely going to go see it, and am very optimistic it will be a loving homage made with lots of care. Its not a parody, but even in the case of spoofs like Bully Herbigs MANITOUS SHOE and THE TRIXXER and THE VEXXER, you could see there was a lot of love and respect for those classic German films of the 60s. Christos Tses: I hope a modern version of JERRY COTTON will have the added benefit of getting younger audiences interested in those old movies and maybe watching them on DVD.  Jerry Cottons his name, crime-fighting is his game. Together with his partner, Phil Decker, he courageously fights terror and violence and risks his life for the citizens of New York City. Jerry Cotton has been catching villains of all kinds since 1954 in the novella series published by BASTEI. Hes solved over 3000 cases by now and hes not even close to thinking about retiring. By now, Jerry Cotton is without a doubt the worlds most successful crime serial in the world, with over 850 million copies published to date. This mega-bestseller has been translated into 14 different languages and sold in over 60 countries. The adventures of the famous New York G-man are even published in China the first Western mystery series to do so. In the 1960s, Jerry Cotton was turned into a string of successful films starting George Nader and Heinz Weiss. In 2001, audio books were added to the novellas and pocket books. Bastei Lbbe publishers have come up with quite a program to accompany the release of the new Jerry Cotton movie: Entertaining non-fiction portrait Jerry Cotton by Martin Compart contains previously unpublished material for the archives of the publisher and fans, a fitting tribute to the pop culture icon. Add to that the original audiobook based on the movie, and 12 more exciting audiobook mysteries featuring the suave G-man. It was a stroke of luck for me as a young man in the publishing business (...) when the manuscript of another highly talented young man landed on my desk. (...) I wrote to the author on the spur of the moment: Congratulations! Youre quite a talent. Write another one. Gustav H. Lbbe  For more information and photos: Bastei Lbbe GmbH & Co. KG, Schanzenstrasse 6-20, 51063 Cologne Barbara Fischer, Head of Press & PR Ph.: +49-221/8200-2850, Fax: +49-221/8200-1850,  HYPERLINK "mailto:barbara.fischer@luebbe.de" barbara.fischer@luebbe.de  HYPERLINK "http://www.luebbe.de" www.luebbe.de  HYPERLINK "http://www.bastei.de" www.bastei.de - P R E S S B L U R B S - Jerry Cotton is forever (Neue Zricher Zeitung) Jerry Cotton a legend even respected literary greats bow to (ARD Tagesthemen) Jerry Cotton was my first literary experience. Thats all I read for at least three years (Bodo Kirchhoff, writer) For me, reading Ulysses was a frivolous walk in the park and pure entertainment (( of a lightness that can only be compared to Jerry Cotton novellas which played a crucial role in my literary development, by the way (Pter Esterhzy, Hungarian writer and winner of the Peace Prize of the German Book Trade) Good times for Jerry Cotton (Welt am Sonntag) Jerry Cotton is like Coca-Cola a successful brand in ever-new packaging (Die Welt) At school, the kids were divided into Jerry Cotton readers and Perry Rhodan fans. The Cotton kids all went on to bigger things, the Rhodan guys wound up studying electronics and engineering (talk host Harald Schmidt) G-man JERRY COTTON Chronicle of Success: 1954 1st JERRY COTTON mystery novella published Ich suchte den Gangster-Chef (I Hunted the Gang Boss) 3/10/1956 JERRY COTTON gets his own series: Ich jagte den Diamanten-Hai (I Chased the Diamond Shark) Since 1962 1st reissue of JERRY COTTON series Fall 1963 1st JERRY COTTON pocket book published 1965 1st film released: Schsse aus dem Geigenkasten (Shots from the Violin Case) 1965 2nd film: Mordnacht in Manhattan (Manhattan Murder Night) 1966 3rd film: Um Null Uhr schnappt die Falle zu (The Trap Closes at Midnight) 4th film: Die Rechnung eiskalt serviert (The Bill Served Cold) April 1967 500th novella published: Sterben will ich in New York (To Die in New York) 1967 5th film Der Mrderclub von Brooklyn (Brooklyn Killer Club) Since 1968 3rd reissue of JERRY COTTON series 1968 6th film: Dynamit in grner Seide (Dynamite in Green Silk) 7th film Der Tod im roten Jaguar (Death in the Red Jaguar) 1969 8th film: Todesschsse am Broadway (Deadly Shots on Broadway) July 1970 1000th JERRY COTTON novella: - Ich kmpfe fr New York (Fighting for New York) 1977 1st JERRY COTTON Award presented Since 1978 4th reissue of JERRY COTTON series 1980 2nd JERRY COTTON Award presented April 2001 Four new JERRY COTTON audiobooks published: Route 66 - Strasse zur Hlle" (Route 66 Road to Hell) Mir blieben nur noch Stunden" (Only Hours to Live) In Aspen ist die Hlle los" (All Hells Loose in Aspen) Blutnacht auf dem Airport" (Blood Night at the Airport) 2003 Non-fiction fan book Jerry Cotton nichts als Wahrheit and Legenden by Friedrich Jakuba published 2003 Anniversary audiobook G-man Jerry Cotton Mein erster Fall beim FBI (My First FBI Case) published, read by Harald Schmidt 2004 50th anniversary 2005 2500th JERRY COTTON novella published: - Grossangriff aufs FBI! (Assault on the FBI) 3rd reissue replaced by Jerry Cotton Classics (Die Flle der frhen Jahre The Early Years) Bibliography:  INCLUDEPICTURE "http://www.luebbe.de/luebbemedien/c75/9783785724002.jpg" \* MERGEFORMATINET    INCLUDEPICTURE "http://www.luebbe.de/luebbemedien/c75/9783785741900.jpg" \* MERGEFORMATINET   INCLUDEPICTURE "http://www.bastei.de/imgs/74732217_36bed6c7a6.jpg" \* MERGEFORMATINET      BETA CINEMA (World Sales) Beta Cinema is the theatrical division of Beta Film. Launched in 2001, Beta Cinema has established itself as a "boutique operation" for independent feature films with strong potential for theatrical distribution. Beta Cinema's philosophy is to limit its selective acquisition policy of 10 to 15 titles per year in order to fully develop the theatrical potential of each title according to its individual character. Beta Cinemas portfolio includes outstanding productions like JOHN RABE, which won four German Film Awards 2009, Cannes 2008 Jury Prize-winning IL DIVO, Academy Award 2008-winning THE COUNTERFEITERS, Academy Award 2008 nominated MONGOL, Academy Award 2007-winning THE LIVES OF OTHERS and the Academy Award 2005-nominated DOWNFALL. Beta Cinema will continue to pick the most promising German films as well as to offer its service and expertise to other European producers looking for individual handling of their productions. Beta Cinema's strength lies in its focus on a carefully selected line-up and development of individual sales strategies with the perfect mix of marketing and festival platforms. Beta Cinema is the best address for established and up-and-coming independent producers and directors looking for individual international handling of their projects.     PAGE  PAGE 43  Martin Compart Jerry Cotton 1st Edition 208 pages, approx. 300 illustrations f jYFY3%hx&=hy0B*OJQJmH phsH $hx&=hy05B*OJQJ^Jph hx&=hy05B*OJQJph0homMhy0>*B*CJOJQJaJmH phsH 0homMhhF>*B*CJOJQJaJmH phsH *hhF>*B*CJOJQJaJmH phsH jhhFUmHnHu*hy0>*B*CJOJQJaJmH phsH (hx&=hy0>*B*OJQJmH phsH (hx&=hy05B*OJQJmH phsH Rh= $a$$@&a$}:u ^ _ h z ҽҽҽjI-I7hx&=hy05OJQJ\^Jeh@mH r@sH @hx&=hy05B*OJQJ\^Jeh@mH phr@sH HhomMhy05B*CJ$OJQJ\^JaJ$eh@mH phr@sH 0homMhy0CJOJQJ^JaJmH nH sH tH )hx&=hy0B*OJQJ^JmH phsH (hx&=hy05B*OJQJmH phsH (hx&=hy0>*B*OJQJmH phsH 0homMhy05B*CJOJQJaJmH phsH  ^ _ h y z   % & : ; M N n o 1$7$8$H$$a$$@&a$ °t_PE=E+#juN homMhy0UVmH sH hy0mH sH homMhy0mH sH jhomMhy0UmH sH (hlhhFCJOJQJ^JaJmH sH hy0OJQJ^JmH sH )jhx&=hx&=OJQJU^JmH sH 0homMhx&=CJOJQJ^JaJmH nH sH tH "hy0CJOJQJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH  homMhy0OJQJ^JmH sH .hx&=hy05OJQJ\^JmH nH sH tH       [ ~  _ #-{γ}dId4dId)hhFhy0B*CJOJQJ^JaJph4h;^hy0>*B*CJOJQJ^JaJmH phsH 1homMhy0B*CJOJQJ^JaJmH phsH 4homMhy05B*CJOJQJ^JaJmH phsH 4homMhy05B*CJOJQJ^JaJmH phsH 4homMhy05B*CJOJQJ^JaJ mH phsH %homMhy0B*^JaJmH phsH jhomMhy0UmH sH jfhomMhy0UmH sH  o % & Z [ ~  ? _ "#-m$a$1$7$8$H$Sz{~.Pm ^`gdx&=@&1$7$8$H$ $7$8$H$a${ͻmT;T&)h;^hx&=B*CJOJQJ^JaJph1h;^h;^B*CJOJQJ^JaJmH phsH 1h;^hx&=B*CJOJQJ^JaJmH phsH 4h;^hx&=5B*CJOJQJ^JaJmH phsH 4h;^h;^5B*CJOJQJ^JaJmH phsH .h;^5B*CJOJQJ^JaJmH phsH #hx&=B*OJQJaJmH phsH 1h;^hx&=B*CJOJQJ^JaJmH phsH 1h;^h;^B*CJOJQJ^JaJmH phsH  )*+=>@Ahij|}ͬxZA1h;^hx&=B*CJOJQJ^JaJmH phsH :jh;^hx&=B*CJOJQJU^JaJmH phsH @j`h;^hx&=B*CJOJQJU^JaJmH phsH $h;^hx&=0JCJOJQJ^JaJ@j_h;^hx&=B*CJOJQJU^JaJmH phsH )h;^hx&=B*CJOJQJ^JaJph:jh;^hx&=B*CJOJQJU^JaJmH phsH x]F-1homMhy0B*CJOJQJ^JaJmH phsH -homMhy0B*OJQJ^JaJmH phsH 4homMhy05B*CJOJQJ^JaJmH phsH )hx&=hy0B*OJQJaJmH phsH 1h;^hx&=B*CJOJQJ^JaJmH phsH 5h;^hx&=0JB*CJOJQJ^JaJmH phsH :jh;^hx&=B*CJOJQJU^JaJmH phsH @jah;^hx&=B*CJOJQJU^JaJmH phsH  ".@Pamv '2=Wd˶˶o4h4hy06B*CJOJQJ^JaJmH phsH (hhFhy05B*CJOJQJaJph,hhFhy05B*CJOJQJ^JaJph)hhFhy0B*CJOJQJ^JaJph4homMhy05B*CJOJQJ^JaJmH phsH 1homMhy0B*CJOJQJ^JaJmH phsH !2W%CVgy*A@&  ^ `  ^ `  ^ `  ^ ` ^`%37fg̱fJ/JfJff/4homMhy0B*CJOJQJ\^JaJmH phsH 7homMhy05B*CJOJQJ\^JaJmH phsH 4homMhy05B*CJOJQJ^JaJmH phsH 1homMhy0B*CJOJQJ^JaJmH phsH -homMhy0B*OJQJ^JaJmH phsH 4homMhy05B*CJOJQJ^JaJmH phsH 1homMhy0B*CJOJQJ^JaJmH phsH 4h4hy06B*CJOJQJ^JaJmH phsH )*5@KYZo}β~Η~Η~~Η~ΗgOgO/hhFhy05B*CJOJQJ\^JaJph,hhFhy0B*CJOJQJ\^JaJph1homMhy0B*CJOJQJ^JaJmH phsH 4homMhy0B*CJOJQJ\^JaJmH phsH 7homMhy05B*CJOJQJ\^JaJmH phsH 4homMhy05B*CJOJQJ^JaJmH phsH +homMhy05CJOJQJ^JaJmH sH AZ~(JqNO $^a$$a$  ^ `  ^ `  ^ `  ^ `JX^_+龯fQ;&Q(homMhy0CJOJQJ^JaJmH sH +homMhy05CJOJQJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH 1homMhy0B*CJOJQJ^JaJmH phsH 4homMhy05B*CJOJQJ^JaJmH phsH )homMhy0B*OJQJaJmH phsH hhFhy0B*^JaJph$jhomMhy0UmHnHsH u/hhFhy05B*CJOJQJ\^JaJph,hhFhy05B*CJOJQJ^JaJphOVWX^_lm !!6$7$]%^%&&f)g)++m-n-$a$ $^a$++00000l38888ѾqX?*)homMhy0B*CJOJQJmH phsH 0homMhy05B*CJOJQJaJmH phsH 1homMhy0B*CJOJQJ^JaJmH phsH +homMhy0CJOJQJ]^JaJmH sH 'homMhy0CJOJQJ]^JmH sH .homMhy05CJOJQJ]^JaJmH sH homMhy0mH sH $homMhy0CJOJQJ^JmH sH (homMhy0CJOJQJ^JaJmH sH 1homMhy0B*CJOJQJ^JaJmH phsH  n-q/r/>0?000002244558888888<<u?v?+B,B-B$7]7a$$a$888-B>BN"N;UNU#X;X^^(lAlvvyy}}vx-OQԻrrrWW4h?F%hy0B*CJH*OJQJ^JaJmH phsH 1hChy0B*CJOJQJ^JaJmH phsH (homMhy0CJOJQJ^JaJmH sH 4homMhy05B*CJOJQJ^JaJmH phsH 1homMhy0B*CJOJQJ^JaJmH phsH )homMhy0B*CJOJQJmH phsH ,homMhy05B*CJOJQJmH phsH "-B>B?BCCEEHH5K6KLNNN"N#NQQTTUWVW!X"X#X;X*CJOJQJ^JaJmH sH +homMhy05CJOJQJ^JaJmH sH homMhy0CJOJQJ^J(homMhy0CJOJQJ^JaJmH sH 4homMhy05B*CJOJQJ^JaJmH phsH 4h?F%hy0B*CJH*OJQJ^JaJmH phsH 1homMhy0B*CJOJQJ^JaJmH phsH خٮ!"TUCDղֲٴڴ892$a$1$7$8$H$$a$$]a$TUղֲ3ԻջսOP!fgX-.{֧֧֒|֧+homMhy05CJOJQJ^JaJmH sH (hhy0CJOJQJ^JaJmH sH 1homMhy0B*CJOJQJ^JaJmH phsH +homMhy05CJOJQJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH 023ԻջԽսOP OPDE$a$EBCRSjkmnef !f$a$fg WX-.z{$a$fgihi $%1$7$8$H$$a$fii몐w\C*\C*\C*1homMhy0B*CJOJQJ^JaJmH phsH 1homMhy0B*CJOJQJ^JaJmH phsH 4homMhy05B*CJOJQJ^JaJmH phsH 1homMhy0B*CJOJQJ^JaJmH phsH 3homMhy05>*B*CJOJQJaJmH phsH +homMhy05CJOJQJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH +homMhy05CJOJQJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH  r#$% 78&QRKpqW[GH̳m̳U̳̳̳̳̳̳̳.homMhy05CJOJQJ\^JaJmH sH 4homMhy05B*CJOJQJ^JaJmH phsH (homMhy0CJOJQJ^JaJmH sH +homMhy0CJOJQJ\^JaJmH sH 1homMhy0B*CJOJQJ^JaJmH phsH 1homMhy0B*CJOJQJ^JaJmH phsH 4homMhy05B*CJOJQJ^JaJmH phsH ! 78%&QRJKpqVWZ[G$]a$$a$GH EF ;<LM1$7$8$H$$]a$$a$^ EF ;̳̳̳oV<3homMhy05>*B*CJOJQJaJmH phsH 0homMhy05B*CJOJQJaJmH phsH 0homMhy05B*CJOJQJaJmH phsH (homMhy0CJOJQJ^JaJmH sH +homMhy0CJOJQJ\^JaJmH sH 1homMhy0B*CJOJQJ^JaJmH phsH 1homMhy0B*CJOJQJ^JaJmH phsH 4homMhy05B*CJOJQJ^JaJmH phsH ;<M|}~[\mwdgзЈs^I^^^зs^s^з(h4hy0CJOJQJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH +homMhy05CJOJQJ^JaJmH sH 1homMhy0B*CJOJQJ^JaJmH phsH 1homMhy0B*CJOJQJ^JaJmH phsH 4homMhy05B*CJOJQJ^JaJmH phsH (homMhy0CJOJQJ^JaJmH sH M}~lmfgZ [   & '  $a$Z [    % '       ? +-`[lp;ofvѻѻѻѻrѻ滦rѻ4homMhy05B*CJOJQJ^JaJmH phsH 1homMhy0B*CJOJQJ^JaJmH phsH (homMhy0CJOJQJ^JaJmH sH +homMhy05CJOJQJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH 1homMhy0B*CJOJQJ^JaJmH phsH ,      ,-_`Z[opno$a$56lm  UV  `a= > S T !1$7$8$H$$a$356lm UV `aw^H+homMhy05CJOJQJ^JaJmH sH 1homMhy0B*CJOJQJ^JaJmH phsH 4homMhy05B*CJOJQJ^JaJmH phsH (homMhy0CJOJQJ^JaJmH sH 1homMhy0B*CJOJQJ^JaJmH phsH (homMhy0CJOJQJ^JaJmH sH +homMhy05CJOJQJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH > S T !!!"*#+#$$$$V%a%%%' ( ()8)9)+@+A+?---_....\/h///011W2X2ӽzz1homMhy0B*CJOJQJ^JaJmH phsH (homMhy0CJOJQJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH +homMhy05CJOJQJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH .homMhy05>*CJOJQJ^JaJmH sH .!!!!""*#+#$$$$`%a%%%'' ( ())8)9)++@+A+>-?-$a$?---^._...g/h///0011W2a2b2c222333a5b5$F]Fa$$F]Fa$$1]1a$1$7$8$H$$a$X2a2c2u2222333b5U:V:иr\rG6G homMhy0CJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH +homMhy06CJOJQJ^JaJmH sH .homMhy056CJOJQJ^JaJmH sH +homMhy0CJOJQJ\^JaJmH sH .homMhy06CJOJQJ\^JaJmH sH .homMhy05CJOJQJ\^JaJmH sH .homMhy05CJOJQJ\^JaJmH sH .homMhy05CJOJQJ\^JaJmH sH  b577B9C9U:V:W:u:v:;;;K<L<==#?$???X@Y@ $ (#F]Fa$ $ (#F]Fa$ (#F]Fgdy0 $ 9!1]1a$F]FV:W:g:t:u:v:;;@@@@@ B*BFFFFH;HOOOOO1QRQpQzQQQSSSSTCU7V8V:VIVPVQVRVWW/^@^N^տ맿տՒտէտՒ}}}}}}տՒտ(homMhy0CJOJQJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH .homMhy056CJOJQJ^JaJmH sH +homMhy06CJOJQJ^JaJmH sH +homMhy05CJOJQJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH 1Y@@@@@@ B*B+BC7D8DEEFFFFFH;H*CJOJQJ^JaJmH sH %̩ͩ*+XY'(deST $1$7$8$H$a$ $^a$$a$TUVZ[\]^_`abc"#ɹٹڹ۹ܹ$a$dh$a$ $d^a$XYc #/]iܹݹ޹ĺƳo[F8hy0OJQJ^JmH sH )jhomMhy0OJQJU^JmH sH &homMhy05>*OJQJ^JmH sH 0jhomMhy0OJQJU^JmHnHsH u(homMhy0CJOJQJ^JaJmH sH +homMhy06CJOJQJ^JaJmH sH $homMhy0CJOJQJaJmH sH +homMhy05CJOJQJ^JaJmH sH  homMhy0OJQJ^JmH sH $jhomMhy0UmHnHsH uܹ޹AeLMNOPQRTpqrVo$dha$dh$a$ $]^a$$a$ĺźƺߺ#;<=JKLMNҿҮҮҿҮҮpҿҮ[C.homMhy05>*CJOJQJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH /jWdhomMhy0OJQJU^JmH sH /jchomMhy0OJQJU^JmH sH hy0OJQJ^JmH sH  homMhy0OJQJ^JmH sH $homMhy00JOJQJ^JmH sH )jhomMhy0OJQJU^JmH sH /jbhomMhy0OJQJU^JmH sH NQRToqrsVoԼyayLyayLyayLy6+homMhy06CJOJQJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH .homMhy056CJOJQJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH .homMhy05>*CJOJQJ^JaJmH sH +homMhy05CJOJQJ^JaJmH sH .homMhy05>*CJOJQJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH +homMhy05CJOJQJ^JaJmH sH opOʽܽݽ+678ABsۿHI$a$$ dha$gdy0$dha$¼üļOȽʽ߽ܽ+6_kAI}eO+homMhy05CJOJQJ^JaJmH sH .homMhy05>*CJOJQJ^JaJmH sH  homMhy0OJQJ^JmH sH (homMhy0CJOJQJ^JaJmH sH .homMhy056CJOJQJ^JaJmH sH . j]homMhy0CJOJQJ^JaJmH sH . j[homMhy0CJOJQJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH IKu&(HIUW{|"$mnp  RS`b KL[òԝԝԝËԝËòËԝԝԝԝËԝԝ#hhFhy0CJH*OJQJ^JaJ(homMhy0CJOJQJ^JaJmH sH  hhFhy0CJOJQJ^JaJ hhFhy0CJOJQJ^JaJ(homMhy0CJOJQJ^JaJmH sH +h4hy0CJH*OJQJ^JaJmH sH 6I{|m  RSKL $^`a$ $ a$gdy0$a$[]  +, 89BC23;=JKUW  ԽԨԨԨԨԗԂԨԨԨԨj.homMhy05>*CJOJQJ^JaJmH sH (h4hy0CJOJQJ^JaJmH sH  hhFhy0CJOJQJ^JaJ(homMhy0CJOJQJ^JaJmH sH ,homMhy0CJNHOJQJ^JaJmH sH (homMhy0CJOJQJ^JaJmH sH +h4hy0CJH*OJQJ^JaJmH sH %+,c BC23JK  $^`$$^a$ $v^`va$ $^`a$$^a$$a$ +yz{|ŮmbbO<%j(homMhy0OJQJUmH sH $jhomMhy0UmHnHsH uhomMhy0mH sH %jdhomMhy0OJQJUmH sH hy0OJQJmH sH homMhy0OJQJmH sH %jhomMhy0OJQJUmH sH ,jhomMhy0OJQJUmHnHsH uhomMhy0^JaJmH sH (homMhy0CJOJQJ^JaJmH sH +homMhy05CJOJQJ^JaJmH sH }~GHIJKLMNVWXYZuv`gd;^$a$$a$CDEFMNOPQRҿҨҰҊq\C\1jhomMhy0CJOJQJU^JaJmH sH (homMhy0CJOJQJ^JaJmH sH 1j5homMhy0CJOJQJU^JaJmH sH homMhy0CJOJQJ^Jj=homMhy0UmH sH hy0mH sH jhomMhy0UmH sH $jhomMhy0UmHnHsH uhomMhy0mH sH homMhy0OJQJmH sH %jhomMhy0OJQJUmH sH RSTUVWXYZ[uz|}~϶{iS>i>626262h5 jh5 U(h;^h;^CJOJQJ^JaJmH sH +h;^h;^5CJOJQJ^JaJmH sH "h;^CJOJQJ^JaJmH sH h;^h;^mH sH h;^mH sH hy0mH sH homMhy0mH sH (homMhy0CJOJQJ^JaJmH sH 1j homMhy0CJOJQJU^JaJmH sH +homMhy05CJOJQJ^JaJmH sH 4j? homMhy05CJOJQJU^JaJmH sH `"{|}h]h&`#$$a$gd;^t0t1t>tfttt߿߅om[oMhy0CJOJQJ^JaJ"hy0CJOJQJ^JaJmH sH U+hhFhy05CJOJQJ^JaJmH sH (hhFhy0CJOJQJ^JaJmH sH j hy0U!h;^0JOJQJ^JmHnHuhy00JOJQJ^Jjhy00JOJQJU^J hy00Jjhy00JUhy0hy0B*OJQJmH phsH h5 jh5 Utt0t1t>tWttttttttu u8u9u:u;ugd;^$a$ISBN 978-3-7857-2400-2 Published February 2010 Jerry Cotton Original Film Soundtrack 2 CDs, approx. 150 minutes, adapted from movie ISBN 978-3-7857-4190-0 Published March 2010 Cover TBA The Jerry Cotton Novellas (New Issues, 3rd Reissue and Classic Edition) New issue at kiosks and news stands every week tttttt8u:u;uí(h;^h;^CJOJQJ^JaJmH sH +hhFhy05CJOJQJ^JaJmH sH .hhFhy056CJOJQJ^JaJmH sH (hhFhy0CJOJQJ^JaJmH sH hy0hy06OJQJ^J/ 0&P . A!"#$n% nRixQ>ɖPNG  IHDRE]UsRGBgAMA a cHRMz&u0`:pQ< pHYsnu> IDATx^E/A& ETDA4 "bPi*.$t.  FRDc%Xhv4~ޝޛ@N9s̜9sbL’ۗxofѣ*1rDnݬJ l|$믿>[d7b+H,_7mT 4 ݻw*yD̔@p *BU߂G۷o[ XւGN SO=U[ uw1%~B`K!Ç .@  D}oT^]-[VkN|駅(q ؂-)6$`f$&[( X!Eۆ,،d ! 8h0l8$`mF`3-,␢mHmۊ.]ˊ޹sg_-q`8k׮I{PQXwx'pC"ExԩSnA)SS[n_}UJ~mqm r{ڨ_~RnY;DֺeO2lu]IKRsӦMyIuP /|ba/G֭K_~٣{S~LI)SLoƱnX-Z(i5j0ܹs= ={Q]wLoaL”kq9$%d݄0`6, _=-!{sNdiѢEx~!T{V&Q>3fL`L>)Ů[P >}ڣMtĉHݡC6].]@&M<<1- 0iǂG7TNAӧ{ƃOEqmٲelxwɓ'-klk׮4~\/6G[l ;[kB((ϣ ׁ{X[N ={B~n BTS!]QnQt:x(]p.m^VZeF~eMuy睡r^/ŋy QZjAך-^uc,l­XsرK(`+ZhҘ2l& R1T vQRlŐfǎɍ{Iڌ3؍UZO?$8֒Jd# WABX49tfeUgX9曳T|y1gΜ[;*8iXBds։9묳D߾}k0.8L(믿^T2L*U9ECa5#Ȁ7,ۅ^W_uzK˒:uNZ\BMv+0%K7xѬY3/bS[X 9r#oG&P5fΜa>s`#/v|q}`TKŒ gx'/l(?6_$Թ L'|(ڜlFB Q(g׮]F"-_qj{=x.hZD}Ȗԫ}NJ.9@zQ-15kXքR! enӦM f4isLF'N]OC (gڴi)yP6nܸ!SfϯS|<魸wK. T;ei}`[q`8Dq]G… cxǡ>k:1q ɓ~5>Li 妘)O\Ɓ-l# |iL<$c#ݷй#,x㍤DrYcԨQIsKaϿ[3.yB% "Jfr2QUVX!rt_σ_{"֍ߙq" 7%GJ*VrAT<4&N $ܼr[nu~ ^Eww}wv}s)Uyr~s\*۶mv6Xlty:ux Z{'+tʳ%WveÛ7o#0 ~_tTP%n_%vESE 7 ;iԡ*t;ǛnYCRVm˖-=[p&NA6K'REE=}x^O55&(ׁ}#Mlkv6n W^R!|1`*TW lc$.]M>Go o\KS14F%K[>6@ 5h )ኡo|pX? /na6vٍ[nvQ:/ &&LJ]~"͛'T=Bb%ec)ܶn"LZP?Rgv$sQהL ᨦ5uUb 㞞^^> nk2y&=z5-KUX~+BϱnO?ûL1o*,yt $aMW ohnDF ;Su"_vBM9gYT㑇[ѬATks[㴁y\ Z]`v_QA* Q_Z 's!cx2euTi(xqF-e=^FUY媃_f Ⱥ>?,. WM͚5x磤 %6-Rh>]t=\~qiB[:~ cnjX(oR.JFIFddDucky<Adobed       :) !1AQ"u67aq2#tUтSs5BRbr34VCTd ?7OJP(*ޯnv{4z#DY鍣ܢtmt>zb׏nh' #3@ȱ{OpĆ4|мHp}þ|ӠG1i#Q0^uznK$K!*eh @P( @P(  Ct[4iq\^V%Y!آNtWvp1FF%a}C/Z;kPx" 6ۜڏsh#{2ݼ౓c?NKr/X̎aNFNN+UԱLp;/.6뮽Ef25 >aGƵHp S5줈:=$ ROdVm6sv For2;nF.U5ץh.o]ŷCm=C78&)^J n.\c1lӜȫ.CJ >ʃw7!v^Sx]4]5ӹAO,MZ`> < %%6k{- 0hꦨhjhڋ8("/@O̔E}J+ՎvʣJ>q&DUH-;ܩQAjlo2ÝN N $(-[dZMIB!am tsMU}}Kg.c~N!m &\*'٠,;xGI02G&,)Fy4S#Q¢9u>BW;l->}}LSDp9US;QgXbFė^|כ5S}h3xi/\Fe*]#!V I{:iZ c?J"!|TV~Hw.AHGYG^1>UUO ӣAnOm;v`+j%%Jjc՛-6qյ9jLmnOp-ȳ5e(PD (2m4qIO_z݃r[n?uAm&昞st8e F3=\htE~o-x-?*?1iItwIu^<5Z+}7'sT~ꂠ`?o80<6 Z/PIdH>k{Q];^I[,GIpi:h1=^u B($duho*wA=dN[#6"ּ{j Pz34V2FBh/cyB0 i|ZtPkӭu &)Vj$"D4A}j4̎ ۿ(82n.L:YwAն`.SX4hE5c-EU:8Pu;3|ZKt\.rNwKR^ֈW̡"󦚧^෪kj* ?Tzik]hnmiUV#+=+%$?_ǑCt[4,a|9hʁA0vQYɟrOh(!A-x$l/bx:!@P($Zs1+{mxyZ,u8m H)w_|DD 1]TD_%Qq(N]w;8ۮm7t81w0#նhY҈[i5e W*+-H ZeJO+om#Rwuu!KvCJd }ZП(96z>V?Ji0nUdf3hd-rR8˟ %E{76s2ܼ(40-/4L~4} i_rK&j*h]{B^jQohNkƊ1tQg4VkgWqnRbQ6#|"by6 a6JrPtE$ 9^d[ ,nW J)MAE*c@882H?Gu}[dnւ>۟XXǝ * el7ˁ䗍 QDUEEӺV[ s[aQ0.eHF@{H]*HZe\jV'O5UhwfK'ο&2ɴ5s8Pw!Aosk |w%}ј J)(&
    'z18-Z4qtf RUh;n|^7*azm8¡4"ptN$Ixw#Nq4y,jȺ!4""맂V8nTWߖaFy!axUmo7 yׂkv;tؔ$0h*8W4Dڧm%e`)i"zwuQUAUӞW55?^ ~UDrIB߭@ #!^nx q^W^P'I9mch`m.4W{vsȕ}a"5RVlS9#m6UtM(*-@8pɸ>+<PDMzx t'=یv{:DYq` PQ8T[ s[aQ0.eHGqK_dJaR32DDU0My=.V?=p}`ADJUj"26pW.4j$(. Ebҭ-\~n⠸@P( @P( @P(i.[GV>?$eFEm^t i *qН$^񸨟A(@P( @P( @P( @P( A:~] ض{gqZE@P( @nu@'Ne 갨 PNG  IHDR`%ssRGBgAMA a cHRMz&u0`:pQ< pHYs.#.#x?vtIME#&tEXtSoftwareAdobe Photoshop CS2 Macintosh04IDATx^>Yy8|ff10<@fg6 &w.\fB Bm*Ho$BȢA!ybÓ06"|hlqy2̕Tw:9U^|^:?OUO?_~?ov*گ_d1??_/&Oaw @ @^'o/_~?oCQ(^2 @ @.: ݟG0R F~p|eEa'B~/Eߋl':%@ @m)qU$ 7K*oFr3m4 @ @J@*SPT D.w‹e,Wh"G$ߑ٬- @ @n Hek.cļ>LX:ڦ @ @Ox,g< 6c5G @+ 9WK_f,y"  @ @vR,7~x_.Ǽ8Oo )> @ W@*Gȳw_.y#'=>~QB @ @`y?c1)3 0`,F[ @ @HeS 2e0#A6rNٮ⭚8 @ @`\qUd0wl( @آTkx|7<r=$ui(؎ @ }ćK>ރyK"@ @\ He'(b^Q1A>B 5 _|^J @ @[R{%7C/~6#wX^jTesr, @ @G2DŘI6 @ @w2F.P2I}C @ @2Sqoŧ?%E噩n @ @fL;,Ϭ\I @ʬ7cx*k55m> @ @+A~}iL~yv3 @ @@*3̬sbseN> @ @*49Y_=@e'o7 @ @2?eb]sQ @ @@*sn SG @`6ٞ @2%4 @ʼKXH\ŷQgم @8T$~{Ï '@ @s2/"'@=  @ @ He~#RlWgd @ @`Tq}"pY  @ @ HegߑQ"@`]|KG]/ @ P. V@Y7^C@=-  @ @4 j}P㐋%@ @NeFG~FKc)fv6#@ @8n*3%>#kF`XhŮ @x*pT< ,#p.  @8S>V.YF`CȮ @x pTYH/F1^MݟIE"f0QMK6"@ @#6)9fkJ\W#:7czT#"@ @g*Ss ה`,{EvE5q!TfslH @a*Ss4SdbI/"-X^^%#߹ @ @{Kec:/7)ƂMi͵o:lf]ڋ @lK`WLyIu{<(b9jv(Gi  @ @@~RÅS'=]$"kGhOEchK[3@bZJdW @ @$KD 8ổ;C4i8dJT(' @ 0W`Ly̮I"̹r]cu:lfÈu( @ 0S ɑc"׍4PDF4;xnBŅ @ @'m2cdPdPї|#e,4D_& @,)Tf|*Zm*aj%Ϲ&H[6hY"@ @;j*3Y*{wܛi/7 o.  @'TfECv*wp:> @*T:MDׇ}6u MbnAu  @ @@R`xܜő|gi c+G:}h{UN @ @B`VyF_86({i?x^"@ @ ʌtd7\e{m$_v'@ @4io1 ڢ@vEdŚUf @ pLS,^xL˷m-|ܓxif]\ً @"0b*3Ǽ'`1*d'q_$J֜ , e6x @hW>~Si7&W9ژϛG ];/醠 @ @`+S`A*J+g,3 3!(? @lBq*8/g7Q yS ~G^ 4L]  @X@e*8K2"stx<}f![)~?Wq.AVjXEx؅ @h<ȫ~O"8bqgKƲq{Gfzy8!$ @ Wf̃/d,6,2>n~YS`N @OeP+6e'g Wv&@ @Swp?ykSsM|fV"!cO[N  @ @?1~ j_-̎5Ǝ;X@; @8@e*3#C$jRxc]"^!Wnw^zyI^_  @ @*S*ɽnsk?ɜl|}Jw#W. @ @Ԥ2aK2L=_w03G @ @njRս.ɌKMB,l0_k]& @-PܰGA{\{Kfe7fw6 @ %0;ק-*.K DJ9N|?*a^W|{Ƽk88 @G`v*sK27zl(ϼz xagW. @ @KerEs&*s^,ꡥ @ y̽>]iuyK>ׅ~j. @ʌ7uZ$Glu=^~\Zk?~Pf @ @Mjz^K26<])bwmk<n @ @`3R{/|6],;1#q}Gxݰ>?VQwxeG[%G#@ @x'o-j}Fh||y8EtO)ʎqx @lHy*ŷ;Om\k2o XCpt^9Nt)  @lKy*/~Ƿ$j[1z^xIe.yu DZ"z2lj.%!@ @m qTSv /~yq@ @ oG̸^޾]{#\^bhp: @,(>5]{#ׄp b_Ropt:C  @ @`wS;Oe7]O ? He.^3~N/.y;c:+ @Sn*sgrFd PYo,;Y❤e%S?E @ @>2wz$2cL<;}g0S* @Vn*sgrց /, y,  @ @2y%W'u=W\IOO2.s !_Ya @&p75/<eyG>?+;{]?y @ @NeƮk\HIe}2#3; @ @n2#5#1d/;Y|)l^j9ؗ @Jv*sO/at<|$2W?xu>b>x) @ %p;w /wz %0y?}寗I,#g # @ @- Neӟ[\ȑb(W1\{8xek+ @Gv*slc@8֪$_I,kqG G&@ @ Heݟ/|'tY\_w^zkm\!  @ @7R{zx3+@XrڱGjSMu:䒝Isu"rX @ 3L /O_0R =L @ @`̮ULt1|yl{)k9K']\8 @خe*zǾ}|qYXmFGp8eRĕ @ @=}GVe[]x<IV5qtVQ; @D`ϩ;(+F?va%QQ%Wyw=]uL @{Le]ؗe^܇#}kq7 @%TZλ׾\ޑw^[12eH*aT8 @X2;/jsi;rRuӱ|kq6 O @ 6ib14ȉU;^_x]u1Bj; @ @HeSg^wn=&2^O @f \2wq̂>O C̋lf9|{bGv8UJ"ʗ8.O_-gR>'@ @>ʌO.j}YApesO|qt7/'h]) @T HeVqo%47\+UEM*7_R @ @2T.\ 6d3#3VnR֒0z]2 @ʜ+f] 7w<3^]ULHeSِ @l^@*sU?qs2ow @ ! Uv`|0gCϛb~QGz7^F @& (89Ќ$a(ݤ2}|A @ @`4jDy69/_o4L k9˟IeS B @ He[7J@[Ie8 @اT>UؽT @ @ L!A&b%nVeFZvu @ @`YeF~IFC @! zRJ.߻Ie @x* (y*t @ @J@*N'?Zփtf @ 1̍U +w|ﵯP @ @P@*f !B @ @-Hen!=2}\h @ @rr+[ =2M @lD@*s#^K/U @ @\@*ʖ,e| @ 5̭՘8^[8pet @ 0[@*s6XK 1E֒t^ @ E-֚28@|!gOy̸?#Vk&@ @Rr#@`YXøTf|hY?g#@ @|׿To$n]& @4lPte{JeOXqh @ةTN+eؗq-u5 @ TA@R׾Tf|(ibw @ p4̣ո%Iw^zyO̸MVB @ @U2Wwr ty|¨mB @|D@*S@ 0.3: @ @2ǫ%"@;{|~u @ @@_̾N@R 0,'MN @) yzw!YӋ2yJI @C HeY- Eij;Ke'- @ P' Yf/ ݟ, @ @`R;XE`/2׌+ @ @He<gʌO/ @ @MLAŧ?52 @ @Heng|ﵯ]. @h) Rӱh"DfßA @ @12Yﮚ-|c] @ @RW8?xJ) @lY@*s˵%%.W @XM@*s5z'&@\`K2=].  @ @@&B@V`K2=]  @ @! )X_`K2=]~x) @E@*s/5:lY`K2=]Tv @K@*sPxoS{K&@ @NR`"O5HF @ @@TfM&%90 @8TG|1b8JB @v Jt *_q*׾ՊQn @ 0TբP Oq3.-֜]" @XN@*s9kg"@\ԎSqu @h+ (xwnjKSa# @ @X@*ʆ4/8;Ne56r @ @?2K k?׿ @ @He]"vHegoD, @ @`'R;HA`;/Gg7Q I @6' *S`xﵯ;?NE'@ @2"$#3k}e8 @x& LN@>cIfYP؊ @lX+9sd6]8 @+ ؃>Y>1}| @ @`kR[1%0>YnI`8 @ p UK%\ywH @<|Jd _:+2z?[b @X^@*sysg$c1-I  @ؠT+M p|jpV @ @ྀT ptx#q#{p @ @`H!E,%}<n_y @ @yRlM`O-/p s6 @ #UK!Q1~w?!@ @" RN3,|Č {3LmJ @- v 8?>S^qx @ @Tfwb' ?y띗^.I|\,& @4lPV'+3kWǩ>%!@ @f He1QⵘYY<X,b  @) 9$_\x?{{s~ @ @^@*Ξm}gpu: @ \@*9h/I|KD}׊# @ @ He.lf 񥚃'"Y6'@ @FV@x'f29N @ @>2QbWwy&'w0\  @^@*!`x!o}#>}caB[A @ @@6B #җcfҾ @ @`L1E!0-,y?~b @ @Z Heк9E%C7_S͘GI\? @XD@*3r9$I}7__r @ @IeJe P#Љ @ @ʬItZ6!K/뤜 @ 0 HeJe P*O @XK@*4r I'ꦝ @22 x"(D1 @X]@*SZ{S @ @Li,nk1u$ @ @`Li,>"0}R @ @@HeJc _c` @ @ʔ"@"w>lW` @ @Li,G4 @ @XG^Y|SWZ @ @RR#0?[5 @ @.2Ʋ,e @ @sLL[aWuj @ @#Hen5u.|v @ @TT&+ #@ @S@*s3i,+0e0}}&@ @NRRFn @ p! 9b]x|ܗ|t @ @RRV#x) @ @{R+C<_o{"@ @(ʔ$ŷO*i!@ @8\(uصxo%/u @ @TT&i?xo@ @ 0 HeLc|/?W^7cݥ @ @RRJiH\.ĥE]&'@ @\He<-R~ORI @A@*S*SvO{ R @ @ |$ @ @c HeY/JE @ @G2 @ @@%)" @ @Rb @ @ Hen @ @L1@ @ @27PIH @ @T @ @ @`R$E$@ @ @@*S  @ @  T" @ @ ) @ @؀T*I  @ @ @ @l@@*s @ @He @ @6 JRD @ @2 @ @@%)" @ @Rb @ @ Hen @ @L1@ @ @27PIH @ @T @ @ @`R$E$@ @ @@*S  @ @  T" @ @ ) @ @؀T*I  @ @ @ @l@@*s @ @He @ @6 JRD @ @2 @ @@%)" @ @Rb @ @ Hen @ @L1@ @ @27PIH @ @T @ @ @`R$E$@ @ @@*S  @ @  T" @ @ ) @ @؀T*I  @ @ @ @l@@*s @ @He @ @6 JRD @ @2 @ @@%)" @ @Rb @ @ Hen @ @L1@ @ @27PIH @ @T @ @ @`R$E$@ @ @@*S  @ @  T" @ @ ) @ @؀T*I  @ @ @ @l@@*s @ @He @ @6 JRD @ @2 @ @@%)" @ @Rb @ @ Hen @ @L1@ @ @27PIH @ @T @ @ @`R$E$@ @ @@*S  @ @  T" @ @ ) @ @؀T*I  @ @ @ @l@@*s @ @He @ @6 JRD @ @2 @ @@%)" @ @Rb @ @ Hen @ @L1@ @ @27PIH @ @T @ @ @`R$E$@ @ @@*S  P*??J @ @ ! +] Dkџ_̫͟el/RG @V\) +.7&. 7fd6#+:%+ @ k*?yb/Ilc G4c({1[Te%@h!@nQA % 봳Tf'X)x6<37UЭfRjq @L 27TъWҚ/_v][vRUlv-[f~sEuv@8M @ d&R 29 ?y;!Eb[ kChJ 2HL!D`u2c 4˼7WWT̼#L1='H@&>a*p %HOcP01e׫~6T݊P p&ۡ2? u9kXhOp3}#d@&D2׭;g'@@DZ*G8&2HwV"M@*jo-# ?\enTfjq`& 9kd"ՉWL.6\ꜜ HeJej dbf>Cuy2jB΋b44>UU d\*NZ@*s(9t4+\7YD*[=80Jbͻ2+cn}^xDdtѲN XYXŞu:2(y|:B&Υ2ת5%@@?Y#)PPtf5̑Rَ) zhӾgGRff{Gh 4%4#XEsP*Z>he~{n(c @@[Dڻ2օV 3l{4,Y@*#4YŖ)uXOZ>"['J\͏@Gk+PRl[F2ijP, @^c̏;t|TLfcC sG}GkI1+* ^҄T*mX;ZuxWfJqd(H>&9W&("T*/Ģ˛=]{dGfc]Q^+OVe"یL27TъJ #@ۗ@Ʃ`HdU8N|?$nzVGY Lڤ7}с>މyʪ?~oci/̽F"@T#ǵJ 3t}Pqc 4Ne-lR͙Il CBf`\~Z{^WL79K&Ut*p %HKeU C@f鎻_82BBE7tVx'H"|3l"e?%D2Cb.q1lȲbsqޗ!CE=@f1㪇:0u]L[OeYH;/GRr+8  ֘SefRY} @`M~s z_g23Q̌}  0@f"-9f* ; He[b LǺD |ݤ2'W 7HbX,?~h.Je!O 3_<"72Hw܂RWdf`:kt2,SmU 3j+7 d&R"A2Hw 9T戵XG$ S !JeQ ATfӪp0 d&ǭW%;TUXG$ S !JeQ ATfӪp0 d&ǭW%;TUXG$ S !JeQ ATfӪp0 d&ǭW%;TUXGtTf|'K> ]TwgfHev9KVL-=(DZ*3#cE7t d&w3^3_U2G c?]|LVo:;%}`ʌZ>kϽx"fqnonCZQhAWfc/_DGKeF5EAKg^= u~o} ZE-EM!l+x]2ij̎ri,i4LOk,Tי ;S0\t.p}ħ(:Nś*S\x˶\E*$ަ|ʌf3 Gtms4%_AD806nn"t^|1&f 5tqҒ^F\;#2csWӔM59ޣ'e`r?X`L6XwX{]2lr3`V.Sˏq~f1-d Փ'hi8wQ qo$tJR'0\tL/}3M4W面_#ΡI(us+3iF ͪ6p ?뤏7nRsw8QO oje<7/9bke+N&@ˌ+K W\PY!U)_ * p0 Ɋ|EgfC)3 uѨ3]}L!V ǗEJ2>ug(vh%afb5͊YgnݍK՝`@annV>,NgϯMLOdʚ2C=#D\PI8EV /i$64CBJYsW1ܛg'#y1 өF@>#A(N"XZ )ZZCO7.lz:rCzYܛէx#eB,9goVhQ&sZ#\`KYWI1L|NJ9z\Qlr0ݍ7(L K`|s-;/a نRm{aG0TU]J2c4Q^-ŏxr-B½8ʘSr2ҍ7<8EV]}2ObH-)ywDN΍H$<ˮEA(VHvtsv?إ_6亚.]RRm".9"KxM.sdem,s\Qlru;i@(\r-2ޙ{1pr3%TXb2+nܮU|A'o6{L8)RTf 'TXPD9dDq{D.5q]NUUcZI G(C397wy)c^Pֽz7rڲ$ .cN2{ŚRIUlؘRb;¦zY6Ni$W꒺b/*Rrd|P#*-ט5^2凃ΤɎkRe~GNvm>ޕ)ɘ-z(f.6iTZ&W ՚(ܱk6 0W_]2 ݮ[7S9KnM~I*$]lN}9ygnݍսtʋuJe&nom I~VK-ycR=Nꆕ&OAXy3eϒHeJe.\kN`<^~rpjq+$gǢ]ZOՕSv 3_ucuc_HE`.Rn֘ynyN 7lU *8.&[{}%OiLeolffǤz" +&w(Ef?EIߖ")@*s.gIֺVxK+׏̝7o|' )VcZ٤rwXuM21'N̺ Vh\WlB~1_Kϯ/\x2sJeu}iIט42>/ꩇN]MԼ_.8;5Ilj)RݰrmRw+~voj5.PI>r]fjٟ4dWoЭn()YW)& SEuW^{h0[*mFcr۶:M]`O՗)FrT >~^%ycR=Nꆕ V)>b`GrXw[8f Ӷ76#U*ssE*|ԉzD@zLygyI70a7U&V^rd:SqT SIfC,mJh0{ګh{ދUd'3Ԙ^-z>Unk 4-۪8(f&qNei|wװr̘B 5>|j4Ϙo+qɛ(8EyNsņcy]x NOƙTEc Ӷ76#!mxj™[+Wso<6ɋJ¦Xީ{ uɽκڲLZQh> W}6%6r`+vǫ23=-?.s:K#kӰ"mۚ;Ch}f"= j&i x }t4qnhG8yg_ܡ$o6N65Nꆕ^Nʛ@"QU2t+ՅiʰTZ༳zdWWlm38XGvcupD2̽}‹ z+O$JdVѳbՃmG|L-ڷ K2#(v>˪U0kpc,7nR+8/j@yp&T`wSs`ךerr*pR}qT7L̆ ߖtq77U2/+.L،PR%ŜfE|,/rV]ì_!_2W?=ӻoW~ z0 VlcfHty7M"XjՄ%fq|$4?:-suێR-}<4I{oKR{I&(\WL`-[L]϶CA%3o$o&Uj?|_ $\V4H<.ي 8EVb6.'ZzhM2sL̻ӒJ{+&>~XRս_!)?\W^o8?.[pJ~ 0%4gU[U\]&>]V2Ybn2F煛WSs+T|_Ԥs۩|a]23n}`igχz|{op7>7?{|Ss&@ޟ_DK=6R-\-L=yAӵQuq{mQd<'"2VBBڦ'_gV|c- Lg&sOz|yXZcNݤH l]l h4'gtɻȆUs"H# +Og u U22WNeH\2oItrp!9TOWx77k2YVi蚫lr8^35d߹W]jE1̺$`ʬntŮ1*R2 %RRU䉭L=-%'' p-7k2˘gErf9a_:gnCJ"5Yxq~@9Ol~T,\/ٟ`X/Y}I")f*p؛W >95^_TA:<%S5IEy cfm2.ƵTwWM'W"Y;T~QZx:ƒܬmyULnBfB;_engH ?Xk>ui~B07Y_|V?p-f[(OЕDTTj̹]5H=95^_T%^jmfi@ޠdA6[0뤏HHsuy27oB:cO9ޱT7n+}A"e»B~'89{7 RWq{nIxoh&sy&&fz18S/%ײ|VY.ʌ^1?LE蒭)?)R4%TT:̊|rb֏'d﹮(a ,0>y:huݠd8UK]DWTYP-cO扤TKetM+~ @umu50x${}mq&s:H]wrn1o9S=Aꊔ5Le5,ƩL>yp]rZT)R]}OR&~^i$KeJe.ʌ9SPuTM,'j\Hd,`ϮqQ_ ?ӕEM;:cam&G+gIp&AdI9V5I}]c?fX8d=8͇{:nIgm Zūb&'Ośw.i>\_WЕ'g ,SY q"ʏqUwIS7mEܬnbpzco}[s,)h*f*e򡪛 ;YMi}rj8.-ߋE.Dٚdֶ$G?tU*qSN&̺{j$dyC,Y>4$/b#nȟH+[&ްկ+Nq{nG޽Id>HE=yli3] }EjXejXNNkKUTkt~,:ޙ{ۋB&S7O#J*S*sTf2i*t>n^^|dd:{^&j*a?3l2SiVOX@q=#$sh$/.ȄV؝nc*R{|O[޷\o^g(Orl޶6d {Y{1OkR57my]~S&gUn*ٗ6Le5,ƹR>5kwɪL;p"uVb^4uQt`g-|fӮF*S*sTf>i<9Bvs7H_'_cb<~ڋ%:>f {3K+2kBvŵ$>3ɬ*I7WTRiA2)vHm']T]NzR/1װH͇&隮wO>m|i+ʔl4lHPw`e#%Ɣ<&?2U93޷'s)dJz>q Hn{)2K6q ȈV E+p}rx}:#U 3lLG}d6̆a8lƼml7l4_VPsk-HEߎSJw;ơ #)16ib_k>K '2Yv4nLL+Wb4TƺYW򕔙w7s{Ъ`uMiV{?8S Vɓ\^>cJZRiRR72|!d 3\Ie6PNb+Gђ=sf%͛/|xj'̳q{̰d*s"5Le5,Fɔha2NJKL5B6\"|iD5Neƈ)LF(C. "FɕNgqh|L#bﺐJlQ*13zLiw`n3\Ie>+6Xq_U[E}K2N:;ilbnu 4f53aLc٩Z`ubɻȺIa"5v|b *qx4NeV_q2aڪS R L0ӵox/(&%կ{X/3muc|0M%\ 9a,273KUW)vK*⒭@J]UY2NzL.dCL$6f>7;=a$hQ7VĒYqdF,E ط+?uJ*Ȅip2HeıMz̕=~TfRUkZJiXŖ|q1;X7J&3o]7I, 2.žzR}i|& /Faݓqczm 02+}t ]:ɜ:|IEMs"凕dN\%2b$A*S*nUtOwIv"O_hEJd̂խsiҒ޶m%RQ-13ɋ}{n֕9f+y] ͘;Up[HɑlpY2N2;v])Y1{Y,6 wuHae'&|Q ?%擩|U$@Nъ23طp ^]I/yڠoBLJf+,d=3|$K/)vK*wZwM~tnOrCI+8֡sY%?mTkyO^~-fV{a9̩v]w^i)RrX)IUT]U2S&J%ʔʼj}hx~d'r"%{ yWQhIq/KUbb֕g뾙dznc2Id̽`ɿ~ߺ$w2$CnL_Үϒ4B?y_0T9Ta2䀕%yQeYw<^$ܬM2:fbҤW/HeJeJed:=~lf~XDd+2sVd~Pd,-VƊ)N%Sfa-N՛)vAH pz$ceѶUsb4lK2N2ogzӾ{LF*S*sV[NNq+&O7NA $l5W)\*))+ZܻNe.irp{Sye~0V̺,w7s)X.tbURMۚj{&)8ckV ݺ1*3A2RcM77kXAqȷ늎%9ŭT?-8EJ+OFM#ziCUP㼅HeJeJed'`}OdzL.ZBޤa8=h 3'w7s{)2TBbg:s"6̿DBzq'2}wr6/at (s*jJK{ܛSҦ/>JLAqJ*RRRŽ­ Gג=~lr1>B0-7)_sTweaMc]De @0o6&#D p#2 ͓22z7bDpVdMn]` ϏJ ~K޷y)^He>nV֩N]"ɻӹqH)J,Ü*to\E*S*S*3Qdsdp:z j:'PF|& 2ܠyLw7s)XE-T4dzP47H*bLڷ|CqczO#?*5_f$G{\*sV1sq}" Ru딒w=s)3UGmt2J*S*S*3Qdsdp:.iN"2SӅK iBn.YpZwNس&[3TFIeF1>HY6y-cz֏"?iaY]q󞼺$7A)FZ rq]di8E +zL)wև222 {ۛesdp:YO>f= m'4Q |*3Ė1IujU;RU¯LMLw_[9W''=gtR`[r-BfImӼ0S(҆SQ#SqV:5*s2226k=T%?[7De)s(ORos0ce dkI=emSLoݏmOc qcz֏kT2y)yZ39\l\7{PCF*qǻ3e}6xN4w"eLA2wPʔʔ, nlz̕=~Tfw qn\29n9d,UI3&Y . SxURQM<I%|g1=kr]72T*s̓PPh*3? 8HaӌpX-gz}7׊TTTfa?p{LcF4_{`9L@FSlOԽLbͭV)vPEm-LHS^;ժe~d3'݌{L !4͟,yCd"eN\%: /|3LL̊_dA=~Tf$ػֺ LzL*SiߺiV1sug3`gm1YŻq=2yFFKeFyF~a81=keӯ+'~2SH|TPEwpӵ$g&2dr.eNM|ز5Mv}TTTfu?;f?'t2nnmkoeP 2{`a1ϬMYoQD0Mef:&sSPŏqigӈ.0O=ֽ=\|<7H*s65Ⱦ1='/$=7ާbJ6;رy.ݭXYm$6yW>Z& ߔRԴwǔTTTfjzz̕Mer~}>Jķp<*B*Cy'Cbce1 ,-\mTO?h,p">fvюc|&Q|ngwrAV/R]3={d0T8w y/vT񡭧iR\lм']U*Ķu19{s^{J/yHeJeJe \ܷv9H<S#1j6?cVnf|'Z.6]SR#9SYI#[5SK՜[7i^3Ն0ͪ3Lөi76uKeJeJeV71ӯ+'M 3਋5/_*!?=/6^e[6a[z& 33%lR ux'2Mm>Wm[wͼgu~cz֯ ɑܯ x~j[)f3U~-RRSM?d>cNS觧ˬ$4Y6afNMffRɱ`n巗ʔʔLLc鿢< taAh~i:si oo+ƭ 335Ҫ#e\}ϕGMef4|)"K!S֬ygdJ޼<X?=qzJ#=G79/j8Te}33ln"))fsdfXo;+W;6 Y5'cby w/,m%g.b(If_\ynTfjv]6OhA]ZwdY=o ;LRK23U_o2PkKd咋03J}][x|TTTfjzz̕7 OF C~V0zˆc2쎥!ceɾɅ24vcFy2ʣ p"B]٢LV$Qe6czV{OwggM?psѾT?GIe5d%]ZtuffXi>=`VxD;w"))thLcB64c *;m6 |-V|m-̍V|ǔ|Z}k3aB+ V $L޵of&52gP{/#⾝JNJ!:]cƶ 33tjׁ)d;- -HeJeJe.#u[;'{nl%oƐͳjm8f 7Y}y¤i:m^ sC:\{{ǔ|Zwk&q-s><6hW<2hGKV}y,k*k)yLȬF:w|}={XBMZJ#qHgFf};gũŝT%?Nx"))9h0nS~*sf^Qut:`f.tli3 SjhO|;̫܁G _g$'=:ϵF4VףˏӳrTf24blw? }KTf-:fP{qU03J}]Bf:ʽq̖VaVe`VYqFt"%{VVi^r 秳O2~ñi9lV6ջ1%STщ~yONofVq. 'h܊E{L ^4c,fm懀Sh,4T x򆅡[Q=FL17a#-; 334ݫģU22vh.Y41HAň̺̊3Ӡcs]O{-knњ {$9E99xxsqh܊Xm614clri]m~ /a>Nskd3ScT{M/#ؾ ;$ׇwJmӵsSq|(S]]2=gyo>2QҨS>q|5ej><[㾋o9+—A؃%ol.eNfmf:sURRRzc2'XD.CXBEu e$ϕ|f)n,343t}1*nq2NzLϚ\̓ \ vڤ 4&E22]Ic]M?my~fXԴoV2 s̖Va:HSI΍ttVd?B*sDp+0J^ZZGe !}mvQ~ي~MiƏ*#jr*h\l"-M&sL)i7IIc<19]4iVPc}9tk8IshE%?F7MDV:5{lEJeJeޝ %F=flNt"%{N`YwP8Yq9aEv4Ѽ-#W˿FBEN4h>-g 8W3ʣ p{VӀ(SmhmaZ`d 4NY}ԬRi>P\Tɣ9Fڼ, ט#E,97$sg %pxɋ#G2'ol03J~nq_s~IeFK k36jZ'G(CFmVStj)يHyT4(U 7w/L2AߺcxM#[9oӈiMU4zːl5 9ʘ{/H"0FޥIiZfdv1vt=.`i,p>p!=p)ʃʩHM/&XFJLnm:[wۆKav9W9>,DVc31v_= Z' 9cDnx7Z1ń; »SO7э\_OUPTr*[T2w e{uC DZa/ӑl`A8{tuv/PV @Ц_'|o#<\ObyQZ7ÿ޹:xV*srv*b1JcsOAl{A5iӤ^} ٽRfSHȵ(087k_ȑ6W(poC|w?EfqnwaqU\< @`/M XR!/_rsjoL!N @`ξj[`gsTqt @ ̽7m7Ղ//ʔ orzqTf}Xؓ @s z;iJe0]2U ~,T^u @njU|}.>sY)>V!07Ie3j"FX9' @*PbfJe.VMND \ez̘9D_y.^i"X}9 @*̫K^p\ܹ @Psޏ_D:2?W* @`Pu/u X @3wg/ ; @.!(s{p@-P񞙍U2JO [텗9BEm @@?3|mx=Rɑ  @ Ͻ6wڽ[2'8rN/(ca @0sUF$:MlK+9L) @xYϊ`,\R9]Z,XNGx|OWy|$%*r @`৿|EzC%K\ @@C9+: KP15+RT @lO r|K2c/⋥׵8NGv,PXFd4FzNsJe.YwE %??Y]^[e%@b,R\%v?sL- @m">zi`We-#, @yie^1s/Ke!]# @l|W\,}x^QpY6!@JtJ7ssӥ]U2gփ  @!KozK'ʖyw9FJ @r!Vsx腬T  @ $o" ~?c=JH *= *7" @HLX0] ,ƜoH @h5Wi%s4\/ɌJe/!@ؕ@ۃO7'Xb1%k% 0hsI̘;oKeD @?ØǷf=rȁ7[X^y̭ @,(Ao1 "@K/އ,e:]\E*sr @ fCɽFH  @⍖p"yhw @z| [؂O O/,|TxD @# /6MB ?jsZz9Tf-  @*wW,pZg.I`ĉJ|eqVEIe1 @A6wϚz֖҃&@\%S1W<^hb @*X_.N @b*RPE'@XX  fx3f[s: @`xosx3ff"@9 @pC$1+UŸ @?v'Ė"wQ/ר:$@J,YG=**sC$@ @ ṷנ @ @8T!E @ @غTkP  @ @B@*"  @ @l]@*s5 @ @! yjv @ @. T~ @ @3#07#7sqJJ>v\_0gX<(2 @`+R[iU=q̥c,"o*\yl-R:'!@mLAZ +ӽ=F, @`+R[))t9UizsrGWǼ4*(lo2_+;)Uc ݩ^v-|wky  @PM*3`rHF"5f/r=Hv<3,71v$}C)9PJenG+Th5< d& T !yq :4iKeefHRu"U ӨOЎ銿Ke N. a7*|QW`o ԧ2cd5q/2VtmwTf]4ڋ@W&EqOVen)T8u$#̺[1}T<IeFrxMFizfC @*sn,ٞOǑ v ^}+/9PJeXw{:TjӵJ*0;={,ODBӰTL;SKeG- lBpNoJ!T*JeN]QFѳ/"0/7]2<ΒL2K66$e);6T 59PJe.\_{=T^ku 4YscL÷(MeC|Lq}#艒wh;Hen4=L> m5wKR,C1+dL pTfMqU&v,!Ot ] mayj+X̗E3N a'@ݙ@,XIr~3 @`ScJ8y㙱TfI؆bAe'Z*j+@iUf8q2 }?^G8/1=p(HM kTچɁR*a]PRk~T2U}(tK^g!@@^v*Y*/d9BM*ӻ2R\|1wV(2+r- VTTHe.VeŨ NerIGfVM*S*sV٘8%_cSek$T';64V&eޕ/JU gXwd:*y"cL_^I̽.Ɍ%{m3c!c -+_~mj,ƌ3h NVe&RM+"Y.FIdW'%@@RF*3~1^} TIힼCʴ*hMO IEgiX'r抒Tf߾'̵6bKUzL*NJ%.SW%; a1r'Tfesc޼Xz_~WB y㙱T] ?@)X劤2WaJe% @#HV;:_Y'u\'C[1ꮷ|/r+[ @`ɁR*sDZIe.}~&/_ʜv#Tf&Gs>ǒՁb1fHRԾO$VJe% @K*)wX;4LA+p x (2EW&ʬ@ h"%鹉&uAwhRR @@r]A9TZ- @L1p[ y&)i @`ɁR*sIe.F}q"̵䝗HeuR&Ф2ʌ̞BqzƩŗ"/>to/=ś1ڷC88eGUFe.s$JUj筦duA*?xe>Uͺ৳KeZ) 18@To<#2Q. |l!yh^kmЭfgB2H#8#Jclm(n涵SžSP6N#KQMv\ɁR*s؈^}#brtp?zOh*sTS'=^L '[nM\Ӗ2B6W/L.@K*3l 1يIҔd1Kޡ%B)n˕>b#M΃Z!?!g"b8(y{Mi 4G,uE@t΍oc@r\ZcjeV*dxMN;ޭ2##3CL!|AO#te;C@o2TsSJ%3 ('MsPmV'"Q(2LpTfP ~&E*l5͢όЭ|[}%.$F%SYP=T_6N&bVP1-N/p88/ tɰ]A ']q(D*3|zbJZJ9iofZ1-NCLmz4\=jUה#*n2pBv+Tfý;nb7gOg?1ŝd^) o̖Df!3=Zr&z7#pf\jDNjJܡe ͛^|V${~Ȓ]Z5ɰZ;_fp“]e2kE±z=*b99m67ֻ[yNmmEE" @GRqp"~͏vD|Bsѷa\)]/3=Zf&zҝoe$.,oqA;s])iGhwO?wjYKxU#KuuL;.Q r-Ib7󮓐kaS/~dI/һ\r*@,Y}Ŏp)}+y!@Ie/fٺxnV47r;7f]FLzDk0 I]N6a2 |׬vlqޛz38spPDb8h;Kvkd:~2l\EY8葒}ZEԼKWSɪ4jLoI*L2so߮*CL\Q7H {ŧ%Ljmr2l2UVg9Tf) nPk#ɋj5%Lj{nZ ;GLe&oe|ER1v)Y v|]%5LGXr hf?[itAQMv %(oY W4dW.\FHd-aS14GN*~R}Z zn|WxjFۙLhfU%9F\ӹiy^^+NN)zmĚt$]M:'4VS{qayM6*sC?-Kd)nWOe& 0'In_h,sSFHV_pcr5N6VtCwSYל`G3Χۆ;;_Q٩ۺK".DM.odyMx͒apvDnж|ɰ=3sJiMd&1igEj.*.O:z'#F @BQ*36]֯ -q&/}idžwPQr&zolH@"3{]q=]r>gZu&!x%PTɠ,EG$]o<vMi[eq.0ԬcuTfQB{{ 1EWlEE5$Y}a:ƈTq2Wfƴ&&+G/6WNlM. l5=D/bU2"t`GEtMQ*yBdc;d$U$uSZxz'{&N>>!qo/FIbANT1>oMJ1D9O@doa&b#zH:`2ּU':z:sӄ.O=lgce>q TZ̘Ą9ϷNn9kLs{PVUH͵ML{M9;<Ͱ~ yWYg0+Vq%3YКuj$SL]gr/sӾj4uSL?]P2lvot7ݢ!Dt@Ф _z62&[QTJLgL1y6ؠW؛#QAcs(Q72s>a1bJ:GL!*6k&L&Tɮ{TfZ{*.z/t7/ Lgȩ$hgdQeƈ/LTONJq ʜB?8=YGH}}m/V FYo3&3=ʧ23 MVL3{uL,>(>:42O {~;VgK'Ci< YQa%j&H.{2l6M*M<ZI䖜ffGQ#.n%?R]MU50$?RfNTf\i/~Qg,&0;$Q=&v%b!| F"%W>ƕfrSd&ԙxHΤK2G]Ͻm>W^:-yo\CֳTEgdϜ:ۓ\(Q}w 3% mmaSݳmt&cP&;sr ^ d ,nXQGt]N\] 2'iHtq]ˊV]q:VӴ cz9 *v(awj2;34y)7?EY1 el̍chΏ7K[}T/ӟϝu-Lt̊|r)4m@(e/9ΝTV~\2R kH3 Ne&gn2adˤ+[ x%̴o{K-2JJɞms'c8A5+L!G!WXo7ټ4}`-<.jL d{#y( 2# LeN1槛^A˷C95od6ʌPu;z3fjdt99"a)j;IGwՙd*>>ޭzHC&̾>KZ˻|bfhԙ>R٘dʰLcyƘi O7d*3T9]T)ܠ$ /fX@}*3 15GysEZaZ/9EѷI!ʜ,RrfzT*3T4Y#%q8mfilE=2׋kdwܬ3&b|].Bȡ Ӥ5u=H2l 1Sq.l2#Tud7e^qt>UYrꖘi ˜|<{ .Le&cw4ʜwC:̭u҆\}mCf^~""gG鷁Lsh5d3n]EE 63ijn&v.Uz"ٽTcKMMc⾙MWH^]b*3uCX~o%Gn`R?Lo9'c~6>SdJ6XFc*s`eɫg lfC2^rP7!J<-UHMe&'!.vLFƯ > 2?̺?'*>풼*G.)d2Zu%EadTp6c&}ecQ⛍.iܫZu̴Ǘy. yeYZ sOwoU7_L @ /=9qh&7~V%_bm~"Vef&vU#'b_N4@h\ߴ7_Ps\ d[-!Iv/Uꎫ$ VF#,󗩲ӾɰIjonM |TdfSQ+FOf~x{/ 58Oox2Wjǹc}%>u. ?F4O'Tx6#@ 2JhV/ gN;^c*P!YdIޡ.#fM哷j0ԃ_S oC>t8uH2ml IWgaY|,Se SZ&u?K>c5?|O<p/~JsXqˏs||Vsqu[xqUiFir4y\Arj"^ rb殫Ga 9/lx@;(۪HQ]eeuN3 we#,ҬN{ %+W^K)m٢.WWL5k2[ L,7?/7LtD7[E)y|;1zEžز-+(M&Mz|pU;ZKNa,#t*s蚓cLY)l~ @]jZ/9KrpmULVDEG˛R-Nb˺[MI&D0|*vS>~OqJfGɯs;L5LHˢ&sMnn?7/xeDjAx6#s}ھ-<Kqn&;&]Tf+F!@׊.@"LWs%WVEL*B1y{r9~T>(pܡ=Ǖp6ç*t@Eyk+8k=~A7VCuEӺ~]6) 9*E[ L%MnԊ>*s20*FތU2)+J&A,;m]_Ue^W~z87JFE0%Y#s"6XF`Uk[sdG#_ ^)3=EY%y{J:vgo^*L~ *֨V?ͲUsVKgE`ɬK=#Q@g3^+Se}a#YX s+buY2+ 4P#*:~fS7\_xY]?O tuqn&S bU*YS؆ʜ.rhΝ&mݟ P7۪Hؘ sӺTf}k^2&-bk@><ìΠqMx{n]\GEݫTHv]綔dM'f[Sd,[? CT8|jZ͎BdOێ O؝br.vIU_Ar{%J!@2C2K:9< ?;&_eYC݀o"eb"YW7_\lZ_g늕qXWp=X7!Sp>]9v=]lߤG%2E3܎+Yeɰ,{}~ra9[EŬM QTuSƼ'WwB;΍hR 7wIs"6XF`TtqOUH8:5^!0JL;KrpmULlT23=L?3eZ=ss_xJV)={ߟd슫SĹqtOᒍ:YeV& |ي2FNv&d4 [yŴb?7V63yN3s49Qܫ.)vH% .wbM\ ̳I3e,ɡnѷU2!y*S }i'2+dZjR=Ã/ʾ߫P)9mZrT:7zS#ӻm*#$ƪZ[۷ K6-kYo>3k>m_]f3s[qr4뽒ܫ.)vH% 19]yt߭nN#t(9۪Hؐlʌ"u5ey|o٫/Źe{؛?]IUT.ɻsɒ7}KL:7UZ[RZ͎.j3~SX?%w}@InnӪϼ0.;΍hR5=,9Ͻ[% 7x$&@GVEĆTfTQ]ccۛ~{/x|]EjfziyO^>&7Oto}qh|GL'v}8Q%!Ӷ`yR챻t} ΤbY Ifm5zTaLNUM*s.(M&{%N!@2C2'I$2]~P7۪Hؐʜ*iN̓z7C}"n+R7hՖdW޵ ^ 3 zsK>H2_T*s+bI&; djza CF/vTf:z|QM^`U;YS؆l  Q)dM1ZRX%GVE̸azbr݄f,O+MaynḦ́FInTױzq9r+?у-/\><&6Ve>6Tt&ZX͒?W@cTacqnudvJWg.FU%G/q P"Tf|Vr@Iޡ:iASwLm3;^r`]Eb"?9y;=*^Z4qE]4ܥm>ӻν&U mMLJq}/!&]xdWUcv*zdwnK?m?502+EY*sr6Ej%8 l#יyO'@|<Ͽ.?B|ѷU2ӣbtϩG[MK4,oqRo "p%V_Q55l&_i=%I%F*Q1fAJeNbVHjԮ.OyBVNUcD;I @ /TfJ#z!gV+Uܢ$/&AA"UƠWPNbb܈ ǞW-T.Z0إL:TYr,|^xfziyQ7<>J=ɒ=^In}E-gk[N*9VI&.39F 颒Ej%8 l&fOU$ɡnѷU2qXVD0[P!ZlH[s\>wi{'Du*"ӻ~ڲI쟥2 kaC}EV,vNfGyYcf 3g|Ru cr4iuEɾGL @ /Tf估R뎐pmUhTfMQ]lhiHHɎ=VrU޻K.9*^X{RhLxg|Ku߇Ϻ&U ZX%?XX*V_m\%9e8cӽbhX0 ߘ9Y \OzߺcD,RZsp8\*0D(NtU'GVEL ֒(~qv yBN7Nyչ_1e:-p7L-㕟||N6R山ʖ(z{zW8kv ELTY!]]=wsonU#O7upM}]p&>k1&5%xɰ*S~?#zjb#M,\ </-2:%Xy3;M3N91bV2CTi|yQ]<Z_HbuOjB TfT\bEJ?q܋j{҃*IMwk޻ђ=^WO̭i4|*GNTfy}:xJ~%u݂2O}zꮵS0 usV\&LjVw. dy۩0 hl!9L͢X`AM3g 䧈)"t{毝^;g؊>9sqP{i{^A]}}_ a#Y^5fAp-޽bu -2ԿawwP]iǮly]LN#zdZ8Sɉih/=49vf&GVELRɅ+nPCsVdn =7{Ŏum< =^권V71~nl JX~ꭦ7OFAηLW]у"ۛO <.ywze\E4m}3sx]ѣm&4"lO~7ROLI9Ĭ%vf&GVEʄb]:z)[=Kկ'&{*uy)c2i*"2_|6dWqƹ$K8;2.j`zZ|Y~:4!wS9_ TѹU$W7nUଞ$L[`raJnKe>d؝ n2 _IdBoS&GUrdvY}֗>Y22$p"C7ͪL2gM6&@`-Tf݃ 1Ŏ=F&?tzM4Ngo56? m&3Gt{6H2ӣTf!27bO7xEɭd8TWs GfI_'X3@6G۸#DNӿ_xF j2R̽m Nce'd,*3E\Vɹ/:u.ʐ&cb]{q M|(1% |xqӕN>MdRR%6.Tf>s_#5AH]{̛f4r7I$К̌/ EL&9e"pofqqm⚛=rJuu?2k)ƛDRX^o/`5Zv}2l2F2gwjJ·9'r, J2S)`˧׃ XYu䑲Q󪜛y\]*S*I H*3?)?}1(ӡ cxVf: "Zx^`5*Aer[qlu4J_0}a0~7WTf||QL6yZgmPWŒey+;'eqM&CatqiR8a)99LVM>osc]ժÒ!6nIs̚N=N0.*.USIpoLmF>tGSѶ顶~9FitJQW:h[fC݀o"ead7}Z{a ˖y{mfakZ3+HZMS=ҸOu#iE*1"62+F JeJdVO\sjlz7YC݀o"eGA8UP"۾|is LjC|ih[Fj)Pj뾢wa:e/.$SѭVpĕ}_*+Sʙ ̺ˌ^ htV'darZ0Uӳa>!ͧkO޶D#ʜ⢢r'1OgO4KuMGj%8 W*U$9=s|.)HIDATo^T.fO;钋twh)H`H29Q?Ǎ_LaU׬E7=ZoNs__Q8L&³<ج:2}#$F*.~ھ5\|^> ӯ_OT?h~cez)xWb[>NNOtSkl8(Tfe5#ef.9M||]1?x=Dyּ-6 Z$ EL3Œ^ySqc ȊT4*n\cjuj_WoQ+L'rdR~[V[KI'&EZ??o^cdNZb$Y5~"UxY[ňYuIZ-/k5rV4\y*|ܙUDHTwL*~Dff۪kM{,R+!@@^?S m޼w{EO3W}[)Xy 3ϣ%fQt&/˰W;޹3§D_$TO[5ۧuEe276R!mJ1"{?Md؊?&8\p^C[ݎsSh?9Ex?O@2wƵIfΜKe>Nێh.n<^rɅu.ys'=痜C둀HQfZvL {皛)k\mјrnVNka kbJQچ7O=? s9}ɰTAk1F_G;tKRd&lMFI;O/QؠY/|jfM-LP*g}Lq=YbLZeYdq[מC|<HQTfLuW g=oa?&?<[ם;Tg{7|^,pZc2l217 <=ri~EBu7R, lPsݽ@]; ^o_]idU6Lq$y(>գM%o}K}[MVOeFdV?$&>eu+OIaq=^nrx^_rdHe棢/:z{ڛbګgG[\ `h9;\=NL-qV+!@@^O8)8X j˺09՝۪Hh8t-}vn6ϘW/jz}hݸN{Xjxp" [Űj1wLTfZ3]̊ : ɦT}: hɩ67'K%Nm33={iU֯ ވMu*Qw+6Re+y0\%~1hDجJ Rf޶UהoZ8ٟHub(t޷"UL7dG\>m[Nq/e+m9K&{xOiP&a:JTf:V)J*tJߠσ6D{`6h\ݪL2ME@?{+q33U*8$$4*ԒD* (J}UG{9ko<>A3%ʼʞyF$]@7_7E[;Z&)R{=ʌϹ\&pͪk3\qݛUǩ1˶c0nV,P4zu4W,6̎u1yk{&Y5OnJMŨxg;P}(S|7"#މ2Pm|p٬[F)zwITe.lT].Yb^~\95s^zͅlqsMø wL__UPYxڈ2+/;aQ~Wi|ygv >r.3񤙽Z꽛tK_>^߽V.Pl#&L^U॓=)\:,q?dJuCBvkP7N^㵵Y߽G7jbz5L\jA+KpPp9G+⯿Ǧ٫1+y*}u2\y[c^2VlַKV~Rͩb. }IT]Z'%9w.eJڋeŽ/o/+k2R}u[ȅ?>nYmk֚W6u(i[|+26zY-\si h{Z+VJiGעxmQ^2C(sG~ t ۼtRIK3(mw9# [^Etd4晞!}厗g%wt5w.5eȗ^30{}XLW_^8Wne]eGMϬͰ(s)rI mo|'%!wIuJ_ݬL2n"@`(S sJ1S;SWnx]G=e.b?~OeȔ vgSH\1Eg|Zv@ kR6#o/\0*Qf^8nx)^}m>.iIzVv\Ū٣v91Ogy9\*뱪hYk_s}'^tzi6bkXe]FץIO.QczȔbl3ݠ(tkd/Baݣ:(rdNG7ü܋Z+ >V&֝.:,|-`zb&g^#2IyS[_K'[brkV  0@( *˒+Yq^OIĐfN,UٳW|ZtŮްd,(L{!`[OœYe;֔WB-( 0PXD95Ď{rLյ+pi {7 DA=4K뜿1Be /S,Qq-3p2Y-?Ka)R$@v2O @@!/8 @]D8,092gg[ @/2 @`"M_]/cUgE[B @ס# @Gؔc&.Ml(QMA @` Qՠ @`k9&%7* ., @z 2{Ihؚc&"̬mY3ifv}Lܲ+ @ @5Q,l ~̑·ȷpY~ёE @7+y?1ɩ(J @ë@ @>)_`e|ŷ[ iVS @>}\mhxp{Gw?" @X@ySt8@+23o|?ڦdfH @#D#*O4D`Ķr.vpi @e>p:4WmghC޺[JF @ D'4E&@ |mCD8ՓS @ 2' E!@'C 9fVes̔w?yH|aO>F @$̓Tb @Ͽ +_oB|_ԀC$@ @`jQգp yO!fb>  @L+ ʜjZw?5C30N( @R@9e(@93;r$Lͧ'@ @9E @;Kɛ}=OH y<'N @DW @[|'̧x22|=eLp]f d  @ p.PIENDB`Ff_b1>nF%JFIF,,ExifMM*nv(1~2i,,Adobe Photoshop CS Macintosh2008:03:31 17:19:12 Y*2(:HHJFIFHH Adobe_CMAdobed            @" ?   3!1AQa"q2B#$Rb34rC%Scs5&DTdE£t6UeuF'Vfv7GWgw5!1AQaq"2B#R3$brCScs4%&5DTdEU6teuFVfv'7GWgw ?*iM,mUT` kZѵck4IJI$RI$I%)$IJI$RI$u=/^1,mYeX]u=!]sa= yڬ_[h.o{~DZpZ>uײFkevTY WIkٳ?KgOCetnsr\ћui{[ ; =0Ɨ| ȫL1ߠ|dJW5[a t箆}Z˘a{Eo%: ,߫BޡҪK&F{^-$T70`dۋhb]cA2YA;Kucʟ$JRI$I$$I)I$JR:7L؛FNK ^)^ޏVYmoקc?J sYtY@̚ C YVg)ԲzVvEC-}o6oW^ZzW~ty]{=hgkWE-KmP?ZzQ+,s+#II֬rdRvYu^>+c\~z:㺎5%X69Z\vAb/S?uv{`ߘ:f7貑-l}:}=[S{M~>c}<J>?6ْ{y6,k龤˿Zn]Ctf- >ٰov뾠ܼ:SvubʚKt{)훶{]+=1~FE/kw?},IO7#7ece&þ=?m.}&T_m~,L<'_aįc1ˏ_J$Nz1u>wc?ӷWUc3'U>bȲ]wM)5#Qu{YEXeucSee{cg#ul샃{-izL}{g=Om"辯_o}:_{mk5E&} QF5Xܬ2lK_nf3]#תzOrٹ,6'^?Z%WG־?itх5' C7gW&Ddb?3srqk-f=&g YS3z8y=/lZUk-e[[?̯^SG]YY3RoQ7XgA Uegacc.S܊v;nif R"1ֽsmv?nƷ͕]Ocu.ӳYuv;Ĕs;5[+iSǨՏP]HuWԳVP;^Yٿ?- eu|~kqAjhe`zZ}5j9';#"o̱ŧn={ղ= mvM/?Yw;LI$ú0OQSU;;M. k-oZ):5=x0fs,ưpݷ}v2=Jl1cDr<[+#w~kC}LfP {ld;oVY 8ԒOxs0 rmNNOWnֳ/CY?K,:1ws IxTnˎ51ԭj$$I)zW>~}Xv>5ug;cz];z}3#^{:PefKkkc`,c-b~}[=CdޔIvc SwOa;[hh4VKW6׿7k f>j;76}֡]7Kۜ*7}m\{/9xYSOُuwIϥg*X:oPn0q~WL/Yg7K-ñD}b~^*!~S.~EK#O;+<\qsA-~}aWGu9X23mymvd2ϱjkq몟Ow$nugtm^_U/OY鹸x8<]vɾpVwmUS԰om"AW{c/.{vk"ϴ]:^];SP7^h}-eOkewl߹A EZo[/cx,yFfYZSAϷfV;:<;'oVGٿt~ǧ`u;z[2rhcmb?ޖjtOwV2ΔXbznhͮ׌|2koI}vtg?{yafߏvTlk.{N0>}oV+=i4p-ٱ{ww~OdzTc[vN3͖+k~}[mq&֟,eYulq6k} si}t]^+F;~߿g bt cC22яFUmu{hu=/rr23QV-F^Su~~V'*sm6` ~{^a>O/ŷ_eI.WL[H,[!Ԓƽ}wSW?o$W+Ib TbKے[ WsL}Y=?=XԺV/KCYэ0(kf[XƳײTs?adUmvNOPɥ CUd6,ͶRSt/lΑCECNK69+UG O~}O5*OAO=kM/c lfN\Jrz{?lgvxd96Z?\>^}}6` ,usz׎~ h̳>f&;xE>Xf쿭}_cGN̯;'fRv(m~_Y>>pamͶU}=d com.apple.print.PageFormat.BackupPrintRecord com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PageFormat.BackupPrintRecord AAMAAABIAEgAAAAAAw0CGv/i/+MDLAI2A2cFewPgAAIA AABIAEgAAAAAAw0CGgABAAAAZAAAAAEAAwMDAP8AAScP AAEAAQAAAAAAAAAAAAAAAGAIABkBkAAAAAAAAAAAAAAA AAAAAAEAAAAAAAAAAAAAAAAAAAAAZ3JvdwABAABAAAAA AAAAA29ybnQAAAABQAAAAAAAAARwcG5mAAAAAUAAAAAA AAAWcHNudAAAAAFAAAAAAAAACgAAAGoAAAABAP8AAAAI B0E0U21hbGwAAABUAAdBNFNtYWxsAAAAAAAAAAAAAAAA AAAAAAAAAAAAAAAAAAAADBmnzA5xKhAiAARIAIuYaAwf u5gOcSogAH21IAAAAAAAAAAZAAAAGQw9nloAAAAA com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2001-04-25T11:49:22Z com.apple.print.ticket.stateFlag 0 com.apple.print.PageFormat.FormattingPrinter com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PageFormat.FormattingPrinter hp_LaserJet_1320_series__97FACC_ com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2006-10-02T13:23:36Z com.apple.print.ticket.stateFlag 0 com.apple.print.PageFormat.PMHorizontalRes com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PageFormat.PMHorizontalRes 72 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2006-10-02T13:23:36Z com.apple.print.ticket.stateFlag 0 com.apple.print.PageFormat.PMOrientation com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PageFormat.PMOrientation 1 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2006-10-02T13:23:36Z com.apple.print.ticket.stateFlag 0 com.apple.print.PageFormat.PMScaling com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PageFormat.PMScaling 1 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2006-10-02T13:23:36Z com.apple.print.ticket.stateFlag 0 com.apple.print.PageFormat.PMVerticalRes com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PageFormat.PMVerticalRes 72 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2006-10-02T13:23:36Z com.apple.print.ticket.stateFlag 0 com.apple.print.PageFormat.PMVerticalScaling com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PageFormat.PMVerticalScaling 1 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2006-10-02T13:23:36Z com.apple.print.ticket.stateFlag 0 com.apple.print.subTicket.paper_info_ticket com.apple.print.PageFormat.PMAdjustedPageRect com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PageFormat.PMAdjustedPageRect 0.0 0.0 817.44000244140625 570.96002197265625 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2008-03-31T15:19:03Z com.apple.print.ticket.stateFlag 0 com.apple.print.PageFormat.PMAdjustedPaperRect com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PageFormat.PMAdjustedPaperRect -12.55999755859375 -12 829.44000244140625 583 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2008-03-31T15:19:03Z com.apple.print.ticket.stateFlag 0 com.apple.print.PaperInfo.PMCustomPaper com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PaperInfo.PMCustomPaper com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2006-10-02T13:23:36Z com.apple.print.ticket.stateFlag 1 com.apple.print.PaperInfo.PMPaperName com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PaperInfo.PMPaperName iso-a4 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2006-10-02T13:23:36Z com.apple.print.ticket.stateFlag 1 com.apple.print.PaperInfo.PMUnadjustedPageRect com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PaperInfo.PMUnadjustedPageRect 0.0 0.0 817.44000244140625 570.96002197265625 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2006-10-02T13:23:36Z com.apple.print.ticket.stateFlag 1 com.apple.print.PaperInfo.PMUnadjustedPaperRect com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PaperInfo.PMUnadjustedPaperRect -12.55999755859375 -12 829.44000244140625 583 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2006-10-02T13:23:36Z com.apple.print.ticket.stateFlag 1 com.apple.print.PaperInfo.ppd.PMPaperName com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PaperInfo.ppd.PMPaperName A4 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2006-10-02T13:23:36Z com.apple.print.ticket.stateFlag 1 com.apple.print.ticket.APIVersion 00.20 com.apple.print.ticket.privateLock com.apple.print.ticket.type com.apple.print.PaperInfoTicket com.apple.print.ticket.APIVersion 00.20 com.apple.print.ticket.privateLock com.apple.print.ticket.type com.apple.print.PageFormatTicket 8BIMxHH2;>Gg{HH(dh 8BIM,,8BIM&?8BIM 8BIM8BIM 8BIM 8BIM' 8BIM5-8BIM8BIM8BIM8BIM@@8BIM8BIMQY DFFF-logo-grau YnullboundsObjcRct1Top longLeftlongBtomlongYRghtlong slicesVlLsObjcslicesliceIDlonggroupIDlongoriginenum ESliceOrigin autoGeneratedTypeenum ESliceTypeImg boundsObjcRct1Top longLeftlongBtomlongYRghtlong urlTEXTnullTEXTMsgeTEXTaltTagTEXTcellTextIsHTMLboolcellTextTEXT horzAlignenumESliceHorzAligndefault vertAlignenumESliceVertAligndefault bgColorTypeenumESliceBGColorTypeNone topOutsetlong leftOutsetlong bottomOutsetlong rightOutsetlong8BIM( ?8BIM8BIM @xJFIFHH Adobe_CMAdobed            @" ?   3!1AQa"q2B#$Rb34rC%Scs5&DTdE£t6UeuF'Vfv7GWgw5!1AQaq"2B#R3$brCScs4%&5DTdEU6teuFVfv'7GWgw ?*iM,mUT` kZѵck4IJI$RI$I%)$IJI$RI$u=/^1,mYeX]u=!]sa= yڬ_[h.o{~DZpZ>uײFkevTY WIkٳ?KgOCetnsr\ћui{[ ; =0Ɨ| ȫL1ߠ|dJW5[a t箆}Z˘a{Eo%: ,߫BޡҪK&F{^-$T70`dۋhb]cA2YA;Kucʟ$JRI$I$$I)I$JR:7L؛FNK ^)^ޏVYmoקc?J sYtY@̚ C YVg)ԲzVvEC-}o6oW^ZzW~ty]{=hgkWE-KmP?ZzQ+,s+#II֬rdRvYu^>+c\~z:㺎5%X69Z\vAb/S?uv{`ߘ:f7貑-l}:}=[S{M~>c}<J>?6ْ{y6,k龤˿Zn]Ctf- >ٰov뾠ܼ:SvubʚKt{)훶{]+=1~FE/kw?},IO7#7ece&þ=?m.}&T_m~,L<'_aįc1ˏ_J$Nz1u>wc?ӷWUc3'U>bȲ]wM)5#Qu{YEXeucSee{cg#ul샃{-izL}{g=Om"辯_o}:_{mk5E&} QF5Xܬ2lK_nf3]#תzOrٹ,6'^?Z%WG־?itх5' C7gW&Ddb?3srqk-f=&g YS3z8y=/lZUk-e[[?̯^SG]YY3RoQ7XgA Uegacc.S܊v;nif R"1ֽsmv?nƷ͕]Ocu.ӳYuv;Ĕs;5[+iSǨՏP]HuWԳVP;^Yٿ?- eu|~kqAjhe`zZ}5j9';#"o̱ŧn={ղ= mvM/?Yw;LI$ú0OQSU;;M. k-oZ):5=x0fs,ưpݷ}v2=Jl1cDr<[+#w~kC}LfP {ld;oVY 8ԒOxs0 rmNNOWnֳ/CY?K,:1ws IxTnˎ51ԭj$$I)zW>~}Xv>5ug;cz];z}3#^{:PefKkkc`,c-b~}[=CdޔIvc SwOa;[hh4VKW6׿7k f>j;76}֡]7Kۜ*7}m\{/9xYSOُuwIϥg*X:oPn0q~WL/Yg7K-ñD}b~^*!~S.~EK#O;+<\qsA-~}aWGu9X23mymvd2ϱjkq몟Ow$nugtm^_U/OY鹸x8<]vɾpVwmUS԰om"AW{c/.{vk"ϴ]:^];SP7^h}-eOkewl߹A EZo[/cx,yFfYZSAϷfV;:<;'oVGٿt~ǧ`u;z[2rhcmb?ޖjtOwV2ΔXbznhͮ׌|2koI}vtg?{yafߏvTlk.{N0>}oV+=i4p-ٱ{ww~OdzTc[vN3͖+k~}[mq&֟,eYulq6k} si}t]^+F;~߿g bt cC22яFUmu{hu=/rr23QV-F^Su~~V'*sm6` ~{^a>O/ŷ_eI.WL[H,[!Ԓƽ}wSW?o$W+Ib TbKے[ WsL}Y=?=XԺV/KCYэ0(kf[XƳײTs?adUmvNOPɥ CUd6,ͶRSt/lΑCECNK69+UG O~}O5*OAO=kM/c lfN\Jrz{?lgvxd96Z?\>^}}6` ,usz׎~ h̳>f&;xE>Xf쿭}_cGN̯;'fRv(m~_Y>>pamͶU}=d8BIM!SAdobe PhotoshopAdobe Photoshop CS8BIMvhttp://ns.adobe.com/xap/1.0/ 4294967295 2792 1113 1 300/1 300/1 2 2008-03-31T17:19:12+02:00 2008-03-31T17:19:12+02:00 2008-03-31T17:19:12+02:00 Adobe Photoshop CS Macintosh adobe:docid:photoshop:c550f68c-00d8-11dd-ae27-f9ede4f270ab image/jpeg ICC_PROFILEADBEprtrGRAYXYZ acspAPPLnone-ADBEcprt2descgwtpt\bkptpkTRC textCopyright 1999 Adobe Systems Incorporateddesc Dot Gain 15%XYZ -XYZ curv*NyZ1(<kB$    3 S{F!g ^ dx-U L! !"#Z$"$%&'N(()*+e,;--./0|1Z293345678x9a:L;8<%=>>?@ABCDEFGHIJKLMNOPQRSTUVXYZ"[3\F]Z^n_`abcefgP~Y}87f.FC[b;B|I[9hmyE#lNlrkϽ& ~ܳ" r%=n@ *9nTMa<2 WWY'Kv\ꉪ{ `F4@LW K/{ q&dswiJPVmµ%e@9:ٽkup@jV2h\#)``up dK@Wpe@ǡb0~Pʇ34l "d{,HƟs1(@]A4}6wDO RxGsz#*6i C9n[pYWD o9Ø};@_Ϙs`s kX]|՛ rK v6hpDF2Q>Fd՘ݰ=b1`k/ %f;&`dt#7ӌ ܽpDŇ4m-N0ᚤ` j?(؍6n 2w+v`Cؓɚ+8 ʹHC/"; f0遜XVN2=Fq p l+ (0PE9 050 `Bd?۵f ˬW|AN7 r"ـֳNpP@^,P^Ms4 ;Yf[?@ ` PFh'ubN$XvKW( ְW~ᨐA fT />:ZVwh @ v8GQ"N0x;fczӺ%BC _0.ۛC2e`@1%!p0`D%\v凷0ǫ'gV@Ʋ^w tlbpC@ x@Heր YGm4 )*MO'w?;^@`V^㋱U\ dCP}z8XLˇ:TBԧv&  `׶qv;b9 t_lHjZL&3;vx}vlx)KIIMRnxYjCe<aP+H]{ ! \B' D*}-cpU ^"Z8s:t, v67ڠikcIMJh[,f`|`V7*Meg,qXv& 1zt8*qΓ~@5DTr{1ވ`0T3+zLtE>xvŢrWzLL0 j~=6]"䙈2XJ@v*Meg-q{`Z8"^I}X'5p#JֲB^8hU/^+9`,KYIoPx[lx H 7<q[pgIm~϶gc=q?/BtX*7` D*}BY ՘IM\$t@ LjI s~QU$@ U+״SW !P0,!^݀+c-E beg,?܃ $ٕ( H ?p%Igƨ |:z(㒀)V{ P*̨ Ř H㺱>BY pn{&n@%67)t7)>7*Mee]@P{+)~|_ $B ph*ۄ^+9`3dXvPǁO:b{4kcIM0VSW ϰP&;ӵ$y vKdy*X4k7_ng1?xn o__ Ek+["JlnR,o% R|$%W`IL:[ss &9x;7%F~PB,`A<;KQ BYKւOճIg Ljx H=&2E}{Ll^ S7VSW oڐP& 6MkیT/I3{P@ I[?q+["JlnR,o% R| l8TYTӝj^.0ӽ8@{OK 0Y| xπzLL< |O:R8v5@[>µ$%.R'CILv=G8s  ! &:GM00q{<ϭ ݧ(Tk߲>4s73nnn] f^ΐ΋Frc@W ڡw쏏@ 'Mjqb6{Kol>crPe_X1_`0 @,+ j p((f=sպSW  UM%u#(߶`_%V6ioPF_ddH"2:z,m;b80^O ;b~/_}#~GlZ x{2 pz΃^$ U#@1 |o3mԽ؟Ɯj쾬_ 6ܽ30.]9;'d7˚K E`9evX4ln}6p+i;6EOqj#- Ph3k1 :`\ ,H@UF l8 Lj{wE0^Xu [i:^ ]x!RW9y!`dyq?HH8xִ2hnP! M82@)%=stq$in;b6P3mFȍ`[=8ClxtP~P h:F}(<?N`}8( ]x!RW96:8!`dsx=)oh; CT pedʦa>iY`%n64ʀ{j0Dklt=C4_f6o!>suI,,׶@׈e UsD, }z8ʳXKxִ I@! M82@do|GdVn;b6P3mFȍ`Kh|Clxڠ=!s"Aw 3iz4o!4r 'P,k}KvV2 r|ZD, zI&{N3,CG"6Rh:CT ped番YS6G~qfH] jA\Q׶ F2k@EmZScp嚧,'!!_A,O-9~0BI,-e0Kt^ UB<'_D, pg Q4n(ZaP4a6ʳaz, +_Ȣ b&995p- Ph3k1 :`\w=?p-+["JlnP a ڷ  ^O5 L։D֖ M82Ar7CYVGuv覮;b6P3mFȍaa eOTClx )HppͲ! {P4B_ K]e!`dKU=5Jln#ƵQ,9uD5A VH.UUϊѸx<7g)ش@5AͮT (Qr#X[ʶ r(a5abd΍X4a6ʳ` s06ʰA7=]5p4ʀ{j0Dk zqtHIt6<-+[#ۢ ,"?ۖfb<{}wߐ ANah?KKj#P\!e oXlkp_ZFqifGkDXqI85a6ʳ`66q/po˴54ʀ{j0Dk zmi|w4P徲Clx)DJ#xۼ!>췥rPV0 'PGlZm)u J \!/S}Q]b7%}!`dm io YFDxִJ%#:M82ArX״%|Wkza#- Ph3k1 :`\ݐIPyt[gVhKUl&Y Vl5bC>?ʼ7gK\db*+HDCT @@Bߠ7,ۊFiyܷ*ˢ=$XI R-@-, kO-A5Na׶KwgGL^ r|>秀"FѸxiڡnKCGL}~@YxִJ%QM82Aܟ{ӺNJ0vZҰ8HDCT @@BQZW"57a]?B<-+["JlnʽQrY˯Oކ Qeu 1 )uD\!/SGiCl26%Z#ƵQ,8 ped$^|57Pu)ش@5AͮT (ur#X[vTۓuClx)0BJOނ`%ju ՗ɶ@R*B^*ae26j= hKumBl&Y 3);X3{I5p4ʀDk znXJ ¨<-+["Jln8iK@ v[c#KXo #M׈ _uUsO0D['!`dmb" 5xi`hKs pedRe*=ÜhcJ!CV8ǹ5G֗Q\&G:wR&d>p=%.0 O~HqHu܈ }v!| ]1dC E`8;[7 7xWv {g>C:Gxp0sZ{{u>! bߪ,>j 9AaZY,EAi_D/cJ_Ze$6ݻ~*w6 :FhԄC栈u/(O:k%M )0/` #2T2bFxZ-VC`^.MtLC97xcF "?E-FiZrATEPtw0rAjO |RhPUgADoI=˕޹[W^H}'8E-MFZk+ wNJ{-w rAe$ԌDY34PRj{#}&~oף&e@} d&+@_ |tNh?ü0zЋ?B0{Gi}8'[٤='-?)O/eUPeᔖ :3K'¥S`70Si?+Tu%UMt dB{svzgi(S[Y/?BÁ2O J(=R'/^SŢV)Q("Ω>¯tcA ݸ@7i!i RWi*DiT&>43يnÕY^֔zVO A! u^`;]J'VMri5jw RO7z)IkࠑRbF@?ct[[R78f\Mo޿Qkx7܏-ԉ'ܼ/vLijimw]p$eO7*Y uQEI 0gBC#)d9z{o J\4u2Q([1j4Bռ ?tD}PbӇqmʤ,^N(,oNov"Vuz $8 0;^.A$}+?+jgҳm]0VI :{sf]7[2698Ԩ< o!jY&%2RVV*V"F6bXeaA왘!̖ vx/RL~2i3^-" \|m3c0`B~FWWӺg j>~T&/@P{ {cH .n CE[2'+_k>\0:%?#R:)ʈfu 21,@+K:EF #6OۍUTTȯp,46ڱT7D28 GWnntZXܭkW]__{n߻T̑kBũ^3Ⱥa ]tZpn }]mg!%)3)Foܔs&= K}mNJ1!ܹnͷAȺ3]Ӈ*j!1_LUzxyoK#^Py /ANʿ;(mNuuHZ+uk9g==]uܯbOC?IVkNx ߳|\5ej/@gQ1VӼ&t]Áw ygybIpIL8]C0;&@y#n)mS}{3sF?u]WHb6ixW:;=B16-Lk vA6A a(.t@?AeKt ha# ܜJEgө5*Z^0MKʉJnv7ljk\U9KR=ӏ;ەYԜS G&H%~$YrBH|6S٨V*->t25 ꀗ+ m%#DPo 2_{|Fiܠ,f!J GbTgz8G>OʓeT]VbV8.S%&ϲM m!:X# JӅy8wEJĪnx Ot{vDTa-{URZ(R F ,nVSMf(j틺}f-wi ޓyKA^J6^5 *iSĨ4XU@'gvVߊi?99`ǽo^'BDp`fPHXQ&oDbF5Vw%D10E#}>cr1܌cF1#Y;:tpP *5X"DxNZ _u.TI׮院G;cЂb?'7xAbV7/mٱ`5'y I`"2!R}89$Vնo3P0,| 6%5/6V7ɧ61PXBᠿ)Mr{w-޷:G71F;hm@>FlYsncvѹ70_Sѹ71F;hmsncvѹ71F;hms"̢Ʉ"dvѹ71F;hmsnc/Nq"P'xC|iAur}gQ}F Z(GTMJ:¶\}Zq'rUӑ^c~RNL/ʾsFW]w+K9KeH0\WN-F´Ru w*7+=.O򬘫ɺ&^.*񗋊3ɺe'g"YN+4!W&w3P.Qj=׬}D2&2~CiY!e}ݲU~hmV'NFyA9K};0G#6%Ggf3=\Uoe8XunĊ4F3WR*Ɋexɳ;\߸G%dNN JSٳtE2bE7 +Uשb74aOԾmu?/erUӑ^c~RNL/T*QE!0T%Seǂ*k/ 7[l?ʲb&zt^.*l&cˉq"܋4x#qbCJdz⚭jڭ|K?.P.\e:ܭԙi-µ֧r:GZSjw#Nu܎;ӱnBUŸ-9Lu=-E6 gZSjw#Nu܎;jZ,DKtp܎;֧r:GZS :|*rSX2ȏ.[f];]f+4"VE;I؟!&s-lΝuޑ턤 LIͿfUy7Dӥ^2H3OZSjw#Nu܎;֧r:C /MjN+GZQֱWt[W3&Իo۵z(;}ӊ :)h? nG V)Rr[W9|&w&:rvaeC)X̤ e'4bev'RjW 1uI9P"A˭*#>0./* mj*\vYbTM)drE?6O򬘫ɺ&^.**񖻵ɲajȶ` vԸmGT Wl]S)5YQ,Z(0B0P:ciZEtZ*_qn=XQMt4Zr4z[N_#IW[+f`ѽWTRTk셰,D/R雘f@&KOvա-'VLU/NxSx]0dSXR'kuI*^V Q"p1H#Q‡6x*uVJHpR~St_#Ie#IǠq4:Y0Ԭ i x8jrti*`U'Ibo'VLU/NxSx]0d}m/ &sKjB5*ʈJ&OAH;YmDDo}.Qe 0KUX +axic1?\G)oi9|&[n]3j+[jc*ńM ? 'VLU/NxSx]0d|W q{dAȃHDSsUxΖ:!8NN#JX TD:?T ^%[t @|K? kW*p39|#z*[K=scNlv͎9ڧ6;TjG=He#IǠq4:Jr>H!SQ]voYb3p?{XtM=!)pg6?m9i͏Nl~scӛ6+vˊe{m/jSscNlv͎9ڧ7E0~ mi BˀǒzW }* Qo9%efŧ` KNB 78měEvꐼڲfIhgyJobŀּ„E{,T $mvͦ6j~T*֙mFӎt2ӑ^c~RNrL?7Q&sɕ {7;! ̍J8O򯉊e;\H\B7H|zbQ%f{ lB>E4J@QE|#s‚ N ڳ}m\}rQՓ9|qΆZr4z[N_#ID&ׅ.so8ih(XFRFn]/'W^2MբV47ľcleL%\52Fʘ?j~B[&R!Pbhbn'i _qG`D#jSq3&g/N9NFyA9K};Ii0unJafݫ#4G2$;,QʺE*IO򯉊e;\Fc)AU;͖~)+Rq%Ň lIRP#تURK *('T̠MRjpe9|#&͖az#ir:#iO[Oe#IǠq4:0đ-z|ere|+ul^O~ U 9CNGPӑ4u 9CNGPӑ4u 9%:,ZP%:#ir:#ikd!JIrj.J y;MB LG_!|eH# y@FIIo_- HK?y%B_~\PBtT_#IepdǛZxtZhen6FG8F0lM% &1jbG%ĸ,Y1WtL:\U-LU-wkdQY%'4k"lp`zPRʠ!6>)Sƚć @[/D45rVUU\*(3<fK>jd9:BCC S aU6^ON4]XUTc͓Kڭ R馛ak48pLkI)Srd^M2qW1WݮMF2ZޱdM*uh?=-|6"@y#h7"齐fcvNXE4XNҠjun$6q2h|lk*L9|&w7ĸZY!+\7/QsvgT#\K KB*Rj9Z4ݲ?I+O򬘫ɺ&^.**񖻵ɲa€LHM$R"C*r# 2-%*tqDWe5O%pncvѹ71Fe2e3a W>3, t\F;ZQ C rNATIqds7Mi0tt N `XGMmm&O9e%;keʆaFT#F$(J,X@G,MMH:~ߺG 9}Nd~#+:u7h/7$B+7,BOmMڤ /GWw/߭A&+ ˋ7dP =Ծ㐄Nk܏Ю~w#+] GWr?B܏Ю~w#+ގRܱI0!RwrB o`AF_qɎ*0 Ğ F|yJN'(8@3 !6#RLu?a")/0-986l!|H7WJ3RLu?vA].Gp - 'vap t!XWE'p tҋ]~֛5a;].Gp Е>Prptw;].Gp tw;].@|.#HVKPeKzY[n?"%sG)s\z*(@0G)bwhvDw;].Gp tw-Ne|'rRնo{tw;].Gp o/w&[!AvJ4xP#.tw;].Gp tw;].CkuD˜U;].Gp twe Ue^a}pUjtw;].Gp tw;].2)rT)1^ XvEʿesB~D; -OeS~g4/-7 ~Gp t5+m;Aڠ.Gp <yU)tw;].Gp 賗,`"S('U&Tx uGA][*~qt.KSU vOnɖr/^csӤM{|/.jW&ˍO7o˃+KZ?ʺtQuO-5 4NMZ".rpC=TcBVֿ/uS%wGݝ#/QU;w.Zˤh7.ie5^#hEWRNYZZi0J#'VBHƎOTgF)Ä ̹|0=:L<%xR奷He+ۧp-7 JWqVQɱ~S-I7˭ԾyN59r0\.=?q4U /hd*E5c 1޺kn\ ֦˪'r\(@D6@hYQAY~*r]Pt:lr-7axW%M6e q,SG􋮚;5La+zLJ P]DZxݰ-1ѢW(yN59r0\.N2eG%ߓ&ixC'WTerݫo}a{!?7LN[O>a )ݬC9|sn4ESz0r.k2oo^{sY9't'==6Sx,S%("D?Sポzrl0|?|%fE"*\ j}RǦt:YK91ט^/=# ˚Uɳbj])aiz4e"p-ƎԷ:GRh[Kqn4rYݮ qA!n.50U*lLT@P%F̕TOkBblÕ4O(1Et]hܘ؀|frT0+ ]^8ӹe_ %(ճQ(Jf29X-ƎԷ:GRh[Kqn43Zr UTǧȽ'+g}yX5JC/=!Qus>Է:GRh[Kqn4u-Ǝ٦pXޥCeqT53bvܠʫhǸhz'Ƈr͓U:5VfR&esӤW ux㮯`]b8E;UEVꝈx/7WMeʥ=e(iE,czxQAlbPlO{㊭/H**.9ڧ6;TjSscNlv͎9ڧ6ƢOR3fHy9^\ʮMi l|[|v2d^Mx\ Uޕ,=Y6XD)pR\cBVXMr#9D%L$sM9xrCRBc `A4&ؾVTo1ɉ|sr䘇92Qt\C4^{rD?u_fUSir\yKT%OQ {eFKUgIʚ䇩f4PJˬ\1\wd -۷j C1R%F %Z:B^"/N90=:D׸qUrlDSIrq^2Uy7W$*WҤҧ C!m2[D̢ڥ.ar42Klӑg.g/e^P@>, (@M)ɉ|sr䘇9 @4/#d+l{ܑ]GoR!Xcr[b'$T8FˌmӋr6zwb\͜4a+r1|NX-QJhIx$ʮMNB5SҕNPR]㙳ӤM{|/.jW&ګ!V֮ۿj\[\A- Y1WujiD_k@%n[v~VKʏ*e9[NF+E[32O]\ko:)ɉ|sr䘇9T> zebYXf)N@ b`™;&OVhݫJ|sӤWM{rsr S+e5EG̙l]U`'Tj­/N90=:D׸qUrn7-?)o,0XA- Y1Wu2\zCR_zW)[#ӎ +i$-^*-0ۙ39|s.:惼v<܍֔dľ9~rLC . oH- z/O7R$mݟDPBijQNwc&OTd1obk0|9S^Uyq0k92%p21vA7y(UE5S]3}Ǯqف&>^{F5rt1i&OEɾ+KZ?ʲ%U$Ib8SxOv)Jnh8,1xF rfAA C[E<7pVJi_q:hF?Z71ѹ֍~ncsh`0=:D׸qUrl.j˴'[~v|[#KZ?ʺRe}ڙj[f4]Lt g/e^reN~C/Q-߮\oQ׊࡬ ?q^jbo+uBMyq(F8dI| ,TfHDӏyWؿdMN'^#5%؍/W$HnsNlt/z|כȥ~`ztqϗ㑅\̱LSZ}GbrdixC'WS8L_kbMLY^*0͚d6w/e^ˏzʇT^[ӿ\8G/=~\G.mSmqWd*g /Ӽ}fIʚD)̬Fݵt="UHkܧ~`ztqϗ㑅\mݸy$1+oʗJXZTX\Y^2U*,iȕ14XJ+_&aꓑ(G5[QE'r\u0[)’He:;˚fӱ :YyLC\E1ҟQ0#&OT k~k!)|پZ \0|9S^yGdHۆㅠ3ۀ.P!WvJ'aK91ט^/=# ˚Uɲ6sbz r>81|=\#KZ?ʲ2RW gV:GU[(eUluUJ(E&_¢{T)SgOIr 81=#/e5tNBH ̸Ú.S"ls^#ʣtU[(eUluUQV,ڦř߮\ U)Y! S.3vZoO/="pɺmu-1Զ:Rۘ[s 4lFUۛebtLQRTK~L1/Bw dު$`Ya+rtjp#dݭ%߮a{+fo֐~`ztqϗ㑅\N90:٬.!VLt}K$dSr/hd*Ɋ[ZބMZ[Awz#.ar4d}ºMޝg ̸Úr*\x#֔dľ9~rLC8B,=V:-nHEio%neix*\^"ܩ'LKoRkuHq,a+r ABT+ _llmE5jK91ט^/=# ˚Uɲ6s^\ܹv(!>/W*O򬘫ɺ * [(YqZY ҺTKm*e9[NF1F$7 kMTN2N0`R;uUK)jJe2b_\&!24-<zer^儸PSi>.]%UUWTA1$NɓU&%42G'^#5*rq `fSKo=SBc lqG)}&:"ksaysW*6Fӎ` BF54y18 ]<&=\#KZ?ʲb&"TQ"քK- {mؙDo9[NFe#}sq+̸Óor 92F&BRҙz:.I~q+ NJcK/="޺'u}6>>h.W$M lp(4EJ%Ĺ?Rb_#HpP^~TL^OG*kۓ+V)AC ň{Bؕq¶ifC.$|ˇ~`ztqϗ㑅\N9ezSbq&?dixC'VLUWieF |Pxpڽ)'̣+Coo.:f#|0+tP3I՘ t_ˎ9!)uRIi\9*dظr^&%λ˒b8~H_tے!뫐H|o;/P+`G4 +$+9AFڴv.OTҽ͍+r7'WM{rE,␔%TM88(9>=ذܤ4픕ĂTyN59r$Tъ.8G;hGmhq4vƆ$*ŬUɲ6s^-#/!apsJX")+zVF2d^MvEuۭn ^ʻWr.d]O;mߝjʀe26bCvGQoqvGQoq w_\jNx4KN"/G/="޺YZ0K#OfG%\"@46h< kLp4W]w+:m6OTd[+rȷX^ʻWr/{zWa9˗3dSb6@F%W_``XXX97(Q>z̚nd~`ztqϗeyVLN9 )1Y EW*O򬘫ɺEV$BLG@8T4M9c`K>ar7L/U)S SNg(Iz33> VϨ\K92U+˒b9~bqZh$CYiJsdɷ1+ml1/5+vZG7*ɰ|?a ^Q"l.k=f]q\Brc19&>^{UY2dm8"v^}$x!aY^2Uy7^(C?PAo[=kSMfar4T`$g/ud)B//R @u^*1r>- qܑ]w)M ^n(pvVmNI|;ZrR^ z\<%x\}oQo%7ib}SE4ZWT_;PIձ1DOtX~PV%e᷎ m(eȥ#TQ )ݪkbPҡoVޒo~԰/:9,5]'C4D\Tu>^χ,܉ǜ7\-$Fd2"Ӟ.6dۀ(LHrUT\ /rR%AcrGF q+&v1VQã~M_"U"%UUUUWZԩN¨x_%ptj] @6lU\\."v/XaTW9UEmiHI0 MLⳡ5r['$ƺ,oKӱ[\d5W5iO.ܳGVFy,!["v[LwKQQ~d>b,6o<ᭀM rb'YNuZلhrPp$+ֹGqUS~[SytnCD6WWC,&uWдlnC܅QFpKgQݸ/~PecoIt\%bLga\K =tR̒d5Wq3Euӳr"Z=䰅lG<#Io1O}-EE+ۛ95jzթ*O/6 ;}M]+w6t-nF뤦N8eo*Bf&+ [¹1 z WA ?c☍u8ԚoiUd5Wq3Euӳr"Z=䰅lG<#Io1O}-EE WCzA0t4wLlt &;KOqY]%tm\"7vY tiimӸԨ,NX£["HSDUZZH%jLG݌E6& *}W$]nOR%2ñt4] FRI$hC>i$٧ mR^2 W ,hl%f3#:i(pYQckE;HhqNvSz/yܣݒ.*qlЛFt ~+(ҌROEǩQ#'w"τSGx:]hHPt] zOr.m(_LK HVo+[ ۱TkOƳ(ae\#Tŵ:ztUH 0,.33wOtyczM`\O#iQN~&MHayYuCm֜TTҋ o0.@f}=kع:FbY"{u[uj(bpO~X'php:dktS&cRM;Vh %9ӕ]< KR\MD$%2Qvx S{UFD*)J-/rqz"uJ[=!l/.𥶑o&z)P~˻wRHwT^Rκ.8_:Ֆ2c$i+4:_tQ]:I- tArTTTT[BTb3_B$Hm2#z+}S7>,R]NFҰkeXPԹC$b% tiA^G}-Y&PA ĸꋫhP R*"j,H-2^]+r uM̄ףOWE`mS7@t-LӒ첊'_% ^Uֿ F.LYv5I! jdh5JdW2 ;_k Eǔo?Ml WAss̙+n.+ԇ@ábH|8k2j쉯]W\Ar|۶*Ѡ,|%%]d3e~1p#+J'q.ѓf=$U4lN+-m4wj hGD)jC(b #` B*hGFiwzK❊/"[S.ǓCi 8+ QS"ǰLz4+l6xGvEBrt+l4MHq[lz/2!iRuv{m}/U$8ܒ`W5ZJ1X4מ[$B_}:5> _)ly7SPZD,Sci^/{V&B I xWH ^_s6>8>qاLں_uȣ. Қa)Q] bI-MJD}ZCF$YOuMchsۗ&WeI :㦅}Oɂ"ۗH*o P&}U]e7o ITyM*/g7i4Ie#?ۻW)oTM-' {vmHfձ[aW^\M{H#*;GZ?}>( |ȋ$ƍ7SXiEҋnOp6ұLQ\+jt%$y4;cv;66M<Ӏn6v**o)R&U$Z|(mN&LԱ䐩 (P PS{Ai0Fb$H͋QhA[iQ:HZdDVSzR֛]~ =vՎr oߛk:NDaU[66f1ӽ&!bK M%;cipx(Jq jXXj^aDB}eMwRHMw="N-! dNW ?%J6|M !ȌbŸb 8gNdGByirٍoIeHo섪J`͔[ͨ*ÓodNV_}!]94 ҠCkHἪ,N+fDE8ɾݻRqq>NC*/Ժwq"%AU"%[E&d)b ֽ-7|CӠzbXojYfy[A9L7i"HDUUU2@lPE7:ǖ7%,SFqwӦ+[4UI V$y%%x-~c>;rcMK`II7V܎M |m$ĚtR;X\ 4fӠn  Jn; |G廾,ŜF ~k>!ZK_d`j,p[dPSz Dꂯ ;thWJM;zW}qڔ$%ꢄNHnOr܈U7&j~""34S%g]Ty zH`*/&]EŶ IqG$eoJ"͗ oy?.Hs9EQcF}5X̏R MCP$h.OG<ˉ: SEշ̄xT~zyX"h@҅t;%J;8`;ҹREq 9+2:v&^A5sƘĒ<~&ħCe-v\,Čt~BLd)-ڊR'VcpőZ=db_?rjv6ʛQyļ JLTYE2,m Oo* m)MjF⼊wwb'LbLi&ٓS8(!ٽa #p=욛M ̸R}!$^hv8Jg8I81֩+1)4{rR$J(N_U?PSkm7&y*+˗bZJ&ոS2#1mlQ87CqM ;y\xB0R^-WWGjF2f\9 K%z<ζw4JBQ~ߵ}N- ᎞q[!K>8pT_fMXkC9Ԫ4WY7GUWHmf;C`4u")F:yӨ[_[\It=^6Ca:']d]5ۡj^!UE_"ViM{hjtN&uMS(ۣI>K0Ce2IpYb; ^y")UrKSp)ǛT 1WA37ո)`J]bzTj|D_i@jV\ExI:D)H&+خmL $>Z5J3;F'ݎ) 8O›S4Md\HssˏQMLn'|MK>%TҖY==d4]K8^jtoԥ=eP-ޙDŜ 2vL[bm@{Gm%ǣWL'K-b sc&[<:IZMHNASPe\5ދ&ݛ j;oɳVI`5Ϡ/}"h)o\zϸO IWq\Om䡴C6œ>ע^0%BQ!![PS*M^Kf jR"0ҷ!tYi&*Y5%aC~ ?BB)fO}vdiQ'+TQfoWe4|]乯 ѥ p:;e̦WHzӺ% 2t~c3iVօOzڟB ql{I.om QF܉%33U#3%uAYSa)"+GYGqlL-""]HԜuȮHbDY88Ι8뮙8KiUU݂HdG+J4XNiU._$2B^zꖢ^x X8QQ7:튪0 ~+,tKJۼU6jbFH xȴ""k\p[Qؽqu۩NN¸in]ɒV.R<zDʘ̘ql}rrH'aET=+}M=M>3krDr%Ff%_D]VM):5mųkg5j*.^"3+țOl|{p,tWvuL\PV8oiY} ڧCaZ*U0DȦtam4 m^32]HW"q; չec[_\mIIl[*%MB۫ҺnU, TcžRpa>R|=h8 SP6[ Oڪ'EM=$(ю`;ꌴVWd4_*`u.[А>ңOfaM[P5^Kq\? ׺%i mݮ!zlQlm7\$q]BLU^S+ǖJ'Ż7QPQ7|.%\!Aq^#yE8ƟLTĥV'*."gQMVN8Dn)-DKW}zEr!\trR-=6ãqôa-e.۪$XgF++xDzv1Daz0Zx_qcE?EQit۩e`kϋDfHDJ""S*E|uT$]:^ՆId6n "ڊ7 ^jjS\q0XdhTOѠ;"?"*ޏHcA]+Ċo:shܺ^ 7yuCG g.NT[a ި_:# UޢӶx"o.|(%&48y2=/Ε"[vKwnYo$Rѹ%1^T |D'\]=!E^ⷛ>(?D߻ľ8\hM1;:{BٯNÆOk]>Ϛ/Kkqol _֦٢=#{.kn'q_C3DlT$6'Ohj49M+UjAWEnUHatYhdzBT#%}I ȗ!Od+;oNϦ;[YoL>6*~6 4^`$OLѧő@LJiYt~U:DU*2%,dgό+А[;L?qHo24̩͋.KU,_Nmz(-󔚾>sh,nu c|}ʫYv*ן]**Wcz˫RP,UB*谖/KRi1dVkl*'&Y*mmT82rj4X슛}iZҤDD8-rzGI ~hS[Qǵ}z.Q]hצ ֧1DEUU4DLT/b:Tv)ElM㳥EmxM7,=H.}΂ʻZFnu "Oː"K}yWpUUWqfZ̜;G2mRO0qf_NQO/%D%k+D2->xJ YKZ%7xt$nz+(fT,6coh7uB6iaeiYhn6MMZjjm]opz@LPDEDʕI$D tK1^u7 Fs@U^mjr+ZUя|栳jikjd+#z^"{>.64] ׊iJ"$GY̒^P7䞳`޼6mQ&]Z{vn6o y."uU%$nr GuW1l-#2ANd'Q@Ӫl*p~3l){镋V{]6uOÒޭ: l,e+iJuA464ѯLGMyBT߂9N6ұ%>'We _bj6Y*S\DR!|}teQz}GZ4K, Nܨ4 ߒ*KH3Q4>-N06rada[SXiEҊ_ݤySpVBtRMnJőq&GV5B3!qX`6.pZh:#"d-Q!? zQoUUnҰX>hmer?H17}ZN:刉«A,4|y=>Ig:of9Bz5:9 ?\o hmju)-oTe[= %HUPSRCkdj% =$ M)AT)ߋ⫢^ m"|jbg.TMwJ.ʳHu(0|!EᷡbӠO˚q: {J fDNwLδ-( sι>uzq6wr/ݖhQ>u-hp}IVaɪPؚ_}ttN?HZ|ti2ȢTó'K" P-} +9jj.;J%kqmR35i M¦BNXH16tOy7EUTDDUt""kU\@0 %*3Xoۣ%zRz@^A]$b qRW께ϣO~L܆KELfX+jBlԈ".Zw3zc *S. j{GU9 x`:d.OQ3fT$|m @M]B*j_ϐN[j0q#G6'V D21%MTFSvXc7-Yb;Iw=ѧ'`Rh*<>q47k^xyRb  Ī%[9C"Rͥoktw#>\K/ B˧)Y⺻'eE>4yM[SZt8K~ 행k`{/{:>VTW.iG\QlR~p v_-B[G\ l$}:#@)T*ڃxbCmU"AeVݔv}ut 8>ݡtHSɎt88n &EuNӜ>]EB%^i֌uA`bZQQt*t z#hآ (=WN\=Nޱ8 4Mm6@B"&DΟZbVC6زč~1Yj%s9%:n:Wo"jM*!q\NjZ<#3p5pjZD~lN~/Z6Oժms#j1:-Ō?}WJڪMɛNbNJ60!Ҋ&&:;![K :$y8鼋hm @*h!-WAErqq2i]m֜mEEШQb/ : *3Y"R]r5vdϸo<魦㮕 zE2 kQ79<L6EQԷ> J/*5?v,)Cr"֫mmy %uւklۄݞ,yޚH2ӑڒYP'q2c R-M7?)^R^]\JD8.miҗw84A~T-Fe7+/yܩhIdz|` e&_4NR2_U=|8M(QS}2i+'YҢWDDEP~ @l t]VWE%](}?;4 ރԝNPٷpL[xX}^𡧿ыiOYY[^56VP7m- qwI8c_F>`w_u_>f { "kz#{HWQVCVÓ2 Z^4a:-uu$Un'eUd|:) vۃ¶XLJ+gI~[=!ueoKw=NrsiPtɕw4M;& 2QH1~CǬ"jDMI78Xi&]!#ˢ!b|JNE~Ij[D2cƋy$ifd\b)J'˥>Pe֧X:5Um_9uSaޛĖ|D5M) X")>WU/!~/!~VݦSlB`-h䭽.h9G-R&.SpyƨTYj?Òî+{m2ReRշC?y[Pz=nyYpy:?8QT %&-@b@`J$+a TσݑR=F`K'+a(S%* VGmHqd’#Ɗ^U1Kny>4&9]?CTlO z9A"~Am68H^33-UW#Q!]*`w'E~H_Vj6Rnp4UP6Jj`m]>&bȥLaAnw{Juj&rakՂU K@e]%?ňS(3Llv>TWArvk#OꪨjDD֪=p]Fs+gҎ"i.):1Qj1j6.AiiCO=|8Dٗ[.GCbtn8ӭM <ӯa TvA!:j5t:8{k^ê"V ڑۧ4.*)^-RIhcr) kDȸۛ_Ye\m/.6Yysu ,^EB/"nn}eq7Pȸۛ_Ye\m/.6Yysu ,T3K'՝uυIj QQm++}}[lAP>3-_{.6 J-hlw^H Psk HEK{[ 4Z,Ӳ%ár8&R:~*xo b}%NpJHu 84iaz)UlW)bV[^Hv{6;SY0TJ⭈EG ,QmEҊQQwvU2MTfLjgZE9[;h̓H|nYǷp.6Yysu ,^EB/"nn}eq7Pȸۛ_Ye\m/.6Yysu ,^EB/"nn}eq7PȰ**V%1f(q%Wq,YßV8ٔii\ql̘7(ښ//^EB/"nn}eq7Pȸۛ_Ye\m/.6Yysu ,^EB+i4$YmwA]iԤ&s`s!K 0%129o^?EtΒQkO+)FXvNqm4pTTC n𕖯C*"%Z# RjRhZ_/jN'W!J0ꓚQ$o٨mQl@K#R}SiXͧTc;dWRyF(IJiuEa(ϞҞ5HvZu,l*[}۔IvPE^ J").#1ثӯ/f"FE&ږn+MqyB|&f*wx/^Fw*~v@źRǵ.A5[nIF+1/O6e_續#cEבᓎ8Dn8dfd̋J܃0!}natSgJhÓQq~-R"m\ `PE sg6:U7}=S+{HH(4Z7EDlKy'bᆙtҴQ֮ͭ: oy.5nش?\mRtʔ~RT/Kzmm$YeY3Yõ(8h2]l`6KtiJ:iX]dޯݰM.rANͻ% 8 ` x̴""iU\f8/6W&HHjkwJ;ݔvGKҟ-ҿy-UD%=8ʈ˒/-:_ hDO_WÏ"[¢^ "v`[W)*BH**iEEL!#C. Tl_ h^u1N~?zuDH(ӽ;Ri4(^^zKFb&i-B7t"Hp؈d25js\H .MBPDM AHͭ2W*3d;F[=*Sƍ~D,0C}ǞuDSJ,2SwhN"KWj*Aɒ!KI8Ϊ类Q e; yG;["|To *&t2QfWSWp\$^z~U,fG%2H5XX NK*tG/Fj9L b_qQPHihufM{9#!3gt3QuYhqJ`)UЙA%ՓwT(ENPH6#`B:tD 4m7ȗ&NRi <:ƶH)*5Ǧ Ѩ7}e'u¸ UЙm% 9]E䰒8AO`:өϴ=|8 QR] yr4V1fR_ENWDb[%^W;gOM>tj4UU\`a\bN`ؚwjY?7qƝ w^/AylCS;iBsf=;oUUJ)P!2r%ːh 0^725`}-?[qgTG]RX]]Qq٘њ7HueSu=M6HQ2G!mj+jO^d\M`o-ZsK5erR?EW"3|..~;eJ".3NiP%L]᪯P6}RDo>2r^Uw V.MiЫ*,4`4.=6u Ю+4f uOHuzM&kOulDUfQ5Xt-j$t5)G -Cx8'njyS~WUL% /24/I_y3Dƫʭ%<[A[:w ^6Хv+ٜ"e%޶j0.^Aϔr .|Kas#\ )\H/ Gy>R? b ",ze6L%jlrpTei7 /4NԳpZn;@(30ZХƪ1^:2o[pe\H/ Gy>R?0.^Aϔr .|KFPj}&|lքn\H %a.mA-KLGć DBʢ!m՗as#\ )\H/ Gy>R?0.Xk֙:li-dj@Qz@"<ʨRa%vPA߅K"k=ZѪG[tt@% p5ymHѥ ex5}R;TM’ jOSuN3z-GmSBبx&{l+GS6ْrp$`ps a?+Hd.-ziyI5et2sOkɨ^FYA9ķU%gMm_RRi>?dPEF퀵bܺ 5LC7!VW]-֕WF"ZRrdVWR?0.^Aϔr .|KILT)Q֪P%(~C6;(E Mڊm]EFO*;P}j\RarfVm/Yp߫x^V|&VbB|8r9U?#Rmԩ=DRVS{~EESJ*hTTL}KMjn@%<7'IS,n:~ Q,t8P An4^5Cj6u-j4,x#X-]Z$z%MVM+¨_TcFnщ [v1%.*hLGH| 4?Nt S_WÏ*.HELpnInv [`mO<,*h=W@}zvh?wiP/:yE mW_]A7)Z4j&nU- N3lmQ(.ڐj$OM3\:|Hb27 GhSP()&a?(7EBRr[gPiW'd`ĺ*,l%D@q崇+ʚ;h> kG0ʔAgM>B.uT55 \8b5رh/.-oTuRڦIM"o/ii$3iCUbN]2bo6(NtV̙eU,"ihI-lkZcBMāq1SLD!$T!TBL9V;Tjtn+r''viə* -Weo-[N9oqraP_U-KzαМ>JÔ#6fJzν;7lϗJ7q,\]yJ _EW";eʃf" "(XH.;‘B%) ^#SHz&@2oP`iWI5NdODRye)ұ,جv.6[<ٴ.NਛnWlu*.NbKiM ;L8ȶ;*AoSJLijl(;dh؝' 3l.6^le&ip , 0- Caj]J"HX0381"[ghHѤD⦍v=&Cx88AZ o""ZV#{ RUc%-Ii]]!9fR]Q#mOt*DIe'VzQ[jEiSiQj[pDpqm^m]q[4mTT֋[]V0HMh+iF6Iyyn^ʃv*K%k|..?wڊE_zQW]Akt (b6aIa[mzi(S7DҠma [MW?iFEChmW6w>]{j4SLV8J&u3 SlŸNg2kxCY&P(XM`XaY4p7 t*AK%k|..?wڊE_zQW]ATPDQTVDM*[A/ e+b㲱n:)Yrv)*TE/Cri펶&HuM3:r;IeJ=tJd2[Ҩ:\y,':L|vc[ z|׶/^ u f-}li2kB-A%k|..?wڊE_zQW]AjzwVY3Z?,'mzƕ[8*z2# =V:M&Ԫ,7"A7!OfRr6P+NR效8+,twgfY;:۴ꃚԝ'}KVEۨͤwp~*粢ӞfiOk--R"7])Q\N9ySu,X5'AmkD^!RbŏOg棦f<9; "VČA*NUY>mꩊ񘊫QZ8l7,fŖdPiKSmu_>m(o5SX ^Y*u]зTb?m:mQ:(®We}%*Llnϔ[u__!_e__!_e__!_e_XZ5I9DFAP5-d UPoKWFE&ږn+MqyB|&^7wrբgl2}\yL״ n%T0ea9ڟATft3_OM< h<lɷ!6Q01[`CR G{QLyB]nJ2 g īZKIWh)`cNbio%\c0 mA5=\(l(40^]}/̔nYP'R'+'eS9aB6麪)jpe(y׼Qx /^G;^w,{/Yz9_se(yȀ' 1Q!ZBK /g?EW"AE8'9B l>;o6lm,K2 /Rk//Ʋ /Rk//Ʋ /Rk//Ʋ /Rkq~U,qyP{KVS[mEMDb&5M504$vit7[,ȫ5DE&)/$*dE;(uAD͡+]9X@@?ƊNb >3M7ccVB.R* #%cH℠rͲ [ݱ:eB5^wpu&"n 4- an$!S{# T-*WEӨ[mO./Dh22?4J*)ׯ$@@$+!\ݝ.>vvG({֢Q#)ϋ./ z?<]1ֿq4Qi. M6=6"'E:P2[a>v)j_W'!a hZ` L4lXA; HzT$8oYdq%+U3Omo 4!^wrpkFLb+f+hT<+mxHH R "AB5>>C*'XIp"ND0cD?ދu})y*FCwFQPHE8:UUlDM*&+ؾ>QP~+Hb"hDDԈk{q%/ 2w4ͤBjU\Gʟs!05-7~7^u_A1}zvh?wiP/:yE mW_]ARJxKcQ ΧIg)+[eKQ&B8\UOH|ݺmPk}5[3}Y4}B(8r85SR-Z)cuB遭z:\ye/E~I%i[c~]5kN?W:fN6ٍM*$&ԏQ+g5X5 &BBBBIjo}/*}тoSdFm$E^[E*$Tڌm̪M>SSҝ7OIН tgL{6#*nkDJ4/އ!ҕu#6o&u_>WnlRa?:Ih^FEf*&U|A=mXJ^RFCb*/5r^'&J]_#~ j)^u_A1}zvh?wiP/:yE mW_]Ay<5µ Quxʠ$_bΚk$ĴF)sQ5,YUU4:M2zegFSg{AO_㾖Rt n-ʋ",!]"biEEҙ-M {ԎƬwGfz-A[lF[}oX+oBK%BEW"n;e; U_vY(rl,ipӃ&+[h(MeԴ̒"ҥ1n֗ktoY9T`h^ RnQ[V+TTuJ+Ð1!;GR̊2K&Ƿ7X~I*PP}Uzٯ~ iՓQqꟙ!'*&F%5)YHHKpm51(:VoN /cR%$Ih˚ :ւZK9MEAU|+m'䚷Sb+Jm~hڌSq;RB`RUSzy;-kL69#݋n$v-7yL!7NF7#)L*ԥ?Ne#5Lڬ/[0ro/[0r^9 Q)CO.>6CЊH&E&ږn+MqyB|&^7waϋlG[~,]`"'NL2 TJKD|M-F)1 х~5ṾȵlA8[ͼpLSK_6Ł^QBݺZ&G=VхGIUJ{Jjjj# 9 F5:_(ij\ói&eGEm\Fe}o9z[F^Q`}o9z[F^Q`}o9I}1uhyaAU\$]E:QiO4g[G/;e}o9z[F^Q`}o9z[F^Qj*YCu-vRQuEճ*1[A'2JO}S% YgH!L:LjNQ0 :dhQ٘v[bd E>. _'qyTYa}>**"Z*d;+ {s )2_E5WFU6lG~u8/pd U^6"X.{/B%.'~2Y\:$4vrYޝ)eU:^OTZt[*x" [3&iCGM}2tGBame^K=lW%R.|rΒ8:cmI-Q>fۉB֌i1 4k.Mt\dο纯A22qI1)8J Z4.Oʔ$y$>dϾyIΪc(UIFX߾u?zuuߴ+hOu`mNUz?3pq؊u[{ eiSqdkb,ZkzxW#4h钢g6i`4%7E-]m:n:*wNŖ2>40FnB詓L8zTwYo 6R_ד|CLK1$,/Gtm[[덒.tyq\&dy1 8Ӏ1$EL"n}1I5MIul6h hBїg:!Yy}\|5:F-UXaoNrF%_ O)]swW$^~U,qyP{f6E۷,涋2YJSkc>6DA U%o*Fm@Mf #wQ.LɎ<Ćy$6eѾۍkEE |L9sqNM)2)l_r'ȷ׋#ԮԗIH/E}J ~FJ.B5:ى-?lȦZ|,FڶGW)3T GEuzJЕ^Mi%cپ48MKUo G4Z(Sշ̔`DTxG_u"MO:A/+$C90i] )'UȌȌTTu+TL7L{eq])d3SĻU,6Y~˚t.Z}*[TG4"kj!m V*cmW_]AX3t*4,Cgy ļ+bd f6ʛmFRjN[K si)}TSYH4}ԬaZ3Q-?@˥%OQjdW4ٴiz, -UMba ymENS rVqP _(ij_^qw)+.sU|._ڊn:*w )\1Q4RGgM>lj&9R~S 5U[KuG'Rh!a&euKШ%lߏ+T1EM2~Jۨ@b@`J&$$+a TSV H q7I$F$491_Òm 2E>w!(WVȬ8>;}vd 7NҌz82]t{gY>Qy<hmm?.ׄDKyN?A%vKm.K.AlP1W(-EcSÿnq?&ou _u#2>󯸺 oTzz%4rF+6S=B4o\# ۾\i&Ai%SDO=|8b3!S35AKHR&N5 ZNAPONBHg\V̟?TcƳ%]eF3K4(4-V\ SXt{e2厁*/R) hU4qثӯ ]jbz޵":ݹ%ZiTȭu-]AM׳UpGx L0[Zm8P w@klsp<;H%KtRO]=CejnlUqyP{FT ËNmJuT`4-ב$a^@"z=0b.Iw M]RgQ\mU;!ugZٵ DjSƘʰ%*"D(GPbj&pԡޗKq!\Pj|a^)ժf(R$=w h PO:>]ia *2QfWSWp\$]j* 1ߵ ,uT+U(V*އ lK.uea[ĈUQ>yIqBq\ w6钅t%>2ԃZiL[>\߸pxmEOnKJ]n-J;ivBGKϏGĻ'CPlRy7ԶogȆtvh}^iAp.@MD8TmVM"cVm ]d7v!j\ vQ`MfI;r"M=?zuuߴ+^i2Vu["gCTGkr#8ɪT! _HQ2Yր~0FG:z\hl挊r%vY\G^KElm4">O5itimE>`=cmW_]A23!S35AKHR&Sj 8KDKa0k~je![^&fA"G#a/B(3 kSC j_?u7m w& b=˩ez*][l]ǒ*-QSJ*.fJnM^S 'e>+5zp[k١^CnkoؕJ^pѽ6LuKx3~l)=!m:JvS$-ؓ{5l7P8ѓl "'D]=%CHWNLA7tSsU2BEޒ6bnn!%0!Шs:TxqX7ynp<2jcGcŢ4hCj+hVW3x Qʓ5/Bqx.4|e K>_(ij_^qw)+.sU|._ڊn:*wa~i'(#t=Ny۴w^VWMΕmxi\.MRb飻i>+">7]%y Yk>,9DmulIhqu!k$лj64Zkґ U6P/-:wmȹ7/>ibR/~υtz`6vZB,-4m8u_>jRm6e|w[4W hJ%juPpPl :\e7r~/M)a )Vi_'StbNʃniܭbƝa"PSuz\q##EfiLq֟" ﷐q;$ZK82 <\],Uelq\m{Oȸ.˺l9YrCVM.DyM;a:*[xr72q ̖iUUֹVl@eʄҩnT)މ.3ymZyN dzQWea䊻X=[x9Kb!nwԠ.[5f-B蕋vOJH4WSvV82;:Lm}݆^bI>Ai1v$}<*mzZJh;<_-#U+xl\{&zRUt8 -È܏ij$T[QtT]ΗJ7q,\]yJ __2juYu.TM%l5lۿyYNJ,~cro?1z7\Ex^4J(:%YH."ZI~ RB[*ش%IuvoHKIOrRX/Ŧ6Z>.dXqًx,=4݈ۺ} dRpԒY`u^iԠGӢǃ#BXZ#dmsbN{wwRcBx1 B:Aiq. mfn"6 Kݮ n~vJo>&ae[i@mDM?zuuT+rS>Ӣ6d:#Ei^}ҳ([ʾ {eNEo"pjN/5oUӆ˗BN0.nqYwŖ+M3bj!ԩ] ZrAӪ + QOO I/m+[eDVV㲛5%ꍳ\~dwzܧQUH=x cj*Y뼨=VcҜnq;dxz|'H Lµqc2™X›8.'|~]2o~IXE12B&z]~*.G# TUލY+Od_K%0-0Kd/[ؒtxƅDG˒?H{ vP"U=0p&8kY/*|MDFNDH""(b"&DD{_WÏѼ9GywI-"/eXնHW(ZMI͔svBzЊ(^ws̃5bˊ#Ȏuw2~JX6Cı(BK֟}u[vnDaE&ʧUt `Ңni4i Fv%bʩN1AzlNDDM(ubNʃnQ4ZMA,F%i^f,HD.ƅ'ei69c"2A.4h︺N1hD5/*Ԯ\:@=:QN#!? IWpviƐЛOe.Ei8*eUn;v~+KDU3Re-Xe]aM RVgCV4۲voX*KԁK%k|..?wڊE| #;QW]A)~4]!E x6nற!UELC7uyEQU%Ab`Y`J&*$*BH PIpVLK7j^)jw$,sUu?jID!] tĦJ+WaIEdnvSSi4iJ4"q($4JGÕ:Bbwder=S}#mAK\y5tٰԚt:s;ڿg\鎓^U__WÏ%&:(Fđ6Bhf0~ aebթ ʔ::ퟻR#D|),px2j,HŌ#lG0-RL"Dݱثӯz]YjDw6a^iNv E[_u/)둜%[Wykb`>e.lz$F|;ٺ]bISJnhDM*ɓLX2p[ .r|󏍽dnLQ09m>>muRÑ)pKț?zuuT+rTTBEE\:Z˶, WGYVWJK\EJnJ\uM=7bukqA;5QRM QSyw04b]^&*2"8fziȘ˫KJrH+4nń]"Я )ҘfLi Oǐ<8MZr!TШ<) Ӽ&m\mR^qom\Dג*-QSJ*.}TTEEKJ*.TȊ]OQ ̖t\qXQxP,bj(3[l?b ԨuX@:~ cG_x6>Vv9`W!_eZ"񘴝JYob޷vT\=Ux,I&*gfI,驈qڌohmDu90h66[BB rd -tثO8~X'kV5߫r չykwܼyƻn^Z<]/-`q[O8~X'kVR& ⭜ v] u7MrE{&r.L,_dRj"#M Eju2gÚrylH0Tx1YY,iACZEnLH 4D$TR^Z<]/-`q[O8~X'kV5߫r չykwܼyƻn^Z<]/-`q[O8~X'kV5߫r չSpagÑRuiz"))O$׹,MDVe>L5d $֮iI"Ki:-jPq޼ӋÑ(PY0JYH_,jJȾ¸vJe4-DTE"Q!$T!$[I1MO"# Jz툌 &@Ui;04V_~dAN"K*:6,Uɩ4BL6wW!QBN:#L/ vzv'ëV j3! #jNL`$ P PMMRJykwܼyƻn^Z<]/-`q[$~:,+FJ<77v4{-%۶x ,ԣ@ۼK>gI$ǰ*JpkB[zzߤalQ7kÑ4huFu-#ﯼչ/xG%EVĵT_V/M 1Q!^m ۠ةؖ9 Spn$Lb.4ː"{]i8iOLWLԪ)T/44놐ªuɨ#33@ =Km2 'IvvB$iĘRc<:ȢINH7 L;J;P׳C·E0Koϥc.mYS"&:lqbuYF>"أ6jol05l;-mеudG`M$V4ZGҷRO|K5K#"않o)q=\U%JԥbvI?۔L3O XCR R!:75u83tZtReQ[HEY5߫r չykwܼyƻnNb GJtin.p B\F퍭{x7)LoGyR%2 չykwܼyƻn^Z<]/-`q[~&*afQSҟ-ekkoX'kV5߫r չykwܼyƻn^Z<]/-`q[O8~X'kV5߫r չykwܼyƻn^Z<]/-`q[5 :K ÌoEa2`%SEEĸ [ 5YQܹՀ }\|bbj9ykwܼyƻn^Z<]/-`q[$~:,+FJ<77v4{-%۶" "(XHUazLq\ZڳS"F{rGo *`UUE]*O8~X'kV5߫r չykwܩ_*:He*D-H(9AMaG[Ԩ^gZ4J&m飤7xQrUbNjqps%XujU:P{6d} I&ZO[z| Q:#Zᅲ)Ohi{pJ;./bJZtSPg/Wڅ9ZTVөʭ)Ux{SŐߏMb{Zksl"Q%u[tZ|Fgn5×ky8}?΋5"N=S~eFW/'#tf5:#OB?AAKE,DN"a~vouWo^@Te '5A_6ScBbMETv~vmeE?^j XeEVWU鷣߻mݵ>#meNj EvYyt6޼!6`=HфTHJ IE;Rj/̰ &vi.'2[ʌ*f,GtA= ̠ŴTGbXfGiu82 2[L{el&*]jk{q%}I+G~[).yЉ4Y~ஂRvD/9"D̝y=<""URUֹR+E "!RzKxU)2ӥn?I$bA1(Z5QŖȚ2h.,0kЍ‹|c !v-:Vuj,J'Es12#ԽKH*+{q%}a rӦf̚=g ^f*LxĦ$P<4N( DH_quϸk*9ВڻmbE:2i-0WU͋CB:Vnߒllю[#m-%s]x^vz7Ge\i1s]x^vz7Ge\i1s]x^vz7Ge\i1r';I*뱝W#;TXi ,]s \T U94x[|6~멛qj/vDΨ$ 7װ1kN?J[z{Zw#Ċѿ&SFiyǟ|ѦZlwԉQ,9PR1(H y?7˦c52ę p&E*"um*+U7GPȲ⥗0˴8۩ Ҥt;bKGE?Eɩ\>4[AI8ӟCI;[\rTnVMtklڊbn12M2sJGõE|xڪ}aR_1i7y[n"]DɌiFM-w_>SX6|؍ y?7N 2+"9Fti""_!bcFŷL9%ͮMaFeh,mЈșI!yEfPfѭ-ع$1}mٱ[ H[=],XnLz˫,@WBfpm?u_<AVTGߢ=Yë8!l96jۗm85e,~cro?1z7\ExP & Ι8IY/#7y2[eٸR`?߬Vj-FQ7M-]z7\Ex^HԑJEl@zw/Qf+yYNJ,~cro?1L^Y 35[%& ݆]+-x 4Gߢ=Yë8!l96jۗm85e,~cro?1z7\ExXОU~7ni9? g/SΨn@79do[,~cro?1z7\Ex^R-oQ`(F1j@u7 JױNW;s$ESG)̏5{v1[k{qނ^sh{xpnC̓;7DHݘ^rIwiS&w-T:3f?]ҭ:;&BQTV  ׅu!M #qJ7q-~1Q]W1Rrz&TeV VK[qrreBd[J!R].U"sCu|)cxZt*5%Eɚ~*\_9\WqA?И7rz"o%>e=ɨ9(NZMJӅi82G0r$;Mp-U]H˩E.?ewuݢyG?w/DG֌qC%(BC&b,[EED8Wjl yx ,;2u'$jMp-qRaZf<;w|S}/#=qŒI>h7ϼ"?젴QGq%߱wZNȋb ӘR4KjŴ6tط;5.._bT7ݍ%NT!^\]L~QZ!n bDe{TӖ_F7ԢM#n/tnY%Qj\WSR8\TKNR[{9oZp*Lqfs▐UD{"?dC[ -Bi%EoG B3cMF|؅UHj.RSJ/HrC V`C( uctwD~)^*}*SU4!UЯ9bo%`Xrj434N73Iu׾q[_c:SILtgct&∱1\$ @Vmԓv'bo|b, SkJ K2ilq ѧx2frt{ڑ*qϏMpU[X(~?'z I4J]CZ *Cޥqӱ}xSjN;I˧SZKn6Ww]'+=s~D}מP ]}%FXN)[vV"ڋ4<;w|S}/#5SRJE,d4*:QTB\QІA6[U]*4X  Xt<%eYktȬ7Jõl!_ꇊ9ۂ&ۀH@`IxLt**j\~{wb?i`NTcQeZH.\ ߵ7#^&)cz^zǡEʤ.V׊Zn%UXjLgӧ2"KWyԨt[35r'Kwb3JM[,]T-LXۧ[!g:/]$>LedT*#uqnoHB&ʏ`"+tآ/b̜m4D hDʿ纯n+M, ߵ6W<;óp_~Dُe^+>%v&#efSP{jN6?Go @w)Y6V.ګ/CT3N rzL :ϼ)ΕpZzG/̔nYif r#lc8 ekgyƻn^Z<]/-`q[O8~X'kV5߫r չykwܢŭ]$rn!i ?sX-.9Յ*kcZ,tW=p)FҞB[2pSQ'@XOخ1Cm% b>WMj6Egjce0,7*:Q27v_E$9O-d`m2Zv"NҢ xElW#=: Qϧ*$b}=4EY~NF4D\BPD":'+ R/LwfmGnG{.Q~F_~nS^_<y#7u:6"@y*-rc#>].lz$M"WOX$Щ;`眴Iq=%HiK^?tժlOB$Z}n$%jq@u8WH`DQt|6MvP"D=IqCF#rvnO8~X'kV5߫r չykwܼyƻn^Z<]/-`q[RR`NZ̪=+i([T P :||i߰6O{13k_қ}Qr'GyOV?]A0q_uО;1q,#znȖi;Lx؋oJ*hT] ˝wAIʫxArFpQK!N&ER|:sM1'f5߫r չykwܼyƻn^Z<]/-`q[O8~X'kV5߫rfGcjC b;9C9 k4 2v#q61OF/%׻bZEA[R N͠hֶ;șNôՉ8-䗺H<9NWIah3mi^uyuGT~Q#ihiﺹ]/i>ُa]Pu W!ƞ|v%d􏤩L: ʡ M*o 1 I4[wZOɎ|=ѻnKI?Ӥ!*J-M\YPdY:҉3RF vmRgyƍ N.vpϯwgG m#e 9Gt梥2?Aw/S[r] V* IJ~ 6=SFtddb@b(kEZ|x4S;ͮ"M!a *Z$$saٿjhhSRe|joۇfնrО"]q^<b= oXԂ]<)ꦦ»DC/sj\`6zë.::=^QF/’"2ol:D7jU&y8o~u_<~' RS9_'IѾy{FWYחa~jY|~5a~jY|~5a~jY|~5a~jY|~5a~jY|~5FegQ*сPe$)K}UTƷRџ{"{Uf\1Aj^2TLkm0k&SWtuLX;ϼvFg9I4j{Um޸wnK n!&'YÍ̂m*fn-#kq'TgG?b2PJ[:mA-keM{mok?Uѹ"N.]A$K~PQ-qsm>4^óe~pQ>hShjyT۪'-2 hʫvWT4Z3V~=!EnCF:"\+{C-&">6!K&Av%8eW6h8G`RR.d+Riu14x]}8kㄤJ%[#3rQvΦ .KUH\Ք" =,eVC}8V-](DxʈRc>]u :͒j!$EEʝ\aU(u ]}D֋/tn[ċ\G V㦈:Ij |Vȗ;{E~i׻vdxfXjv,<"jT=+ԟ8;P[h/Y%'&_GjSДԹ,+.G= W}Ncw\^< 5]eA? Ds.\t*͸tm~t|}bRjK&I q_XT mp Zd}P ilPGBD8qgEwCGjLwl+N;Zyi"F^G)O^b(,N`qm$//*iі*&T1Nh}NpCK6m%uCq\Xz&0޲i}-7 [4}=¾c?{E͠ya2N߳}#vczW+[Ip4%Ҵَ TZ}_Ȕx':6 ÅS*r{Iig-UMKlM^%k|..;ש8A"Qk2>28)΃hqb+NI/(Ri-qʵ]fU%iq-FEJD[}\iHĔhąymrͺd6`|q/\ΤԤQk$Qπ ^dx.w37{m}:t 6U2tlD1;#D*m,]@Rn)iJoA?h?3s߇6;IlK@w4y-ELbˎRzGKνC QH'"hf T3cMǕeF}dGqeצ$ 5p\C\kōRKt؎\XػWw\׶ASzw/DGdٳiLM푥 6Td!ʑMJqVSLfƋRiN3pxnfZ]V @8[.U,WZlGI5Ξ|<{߈20@Z-m[ˉu pvSh2-J$B%DGUH$r?'ۅe̖WK"^iYj&o~Kia-b5inir=cΗ7v-UDQDlTTҊsBj hWlVD8EQ"(^wO<~.u̔ j:5R),v4VX.imBh.*8Fs`MiJuQ[DD?͹b $QL.&y\MmYPQ MJδPp]GT"GiM#8QsX^rF$[Gն%D?6pnOoW!Yn0򊸏Y|8USU Nk.mt ywfҼ.VAhɢKF`UT)vH96&:!7Z*iEΤ`8nځ nGq[F;7y E.=x 2F%_ FE*\ƀ;$:OI"C>-uOh[ꪶpT*1BRjjtE(Ҹwn-jFӠ4n6ࡶfL BEV&mQWX$/TRM ҤZ¯W: Hzw"M3wٙl+3P0.#BdO  c,48ye?v4 \m q 0$@bZ5I* Z%|[fRHx-Bfm%Kcu,GN+[Um>4^ósWKn Lx.Dwq[Fuض{P=,O,ll1MtU+2ݷdtgYz7VfU"ܜ̩'KQHrDDE5"nEWGBmd¸=NN2i%tǴR͡.tJ7Ipd2+yEzbHFKip(۲)L#0UL~{wbܩ؆-# rZ1_/rziwFPjU>Ry 4.])s0/~׻\'}{h~k:JW:WmJ9ƗΤ=]bBiD$ҙT0't(NuAvjkrf|+T}w g=kXSWi1!pzWU Nk.mt ywfҼ.V2KIHVm($V%͕:c$(K!ű#Gm^}"wH?IM2kNe9=:2٢d@ISYZ^%k|..٪9+::€Rw:ґ@ks4 .!ٽ ,AMүMiV-^-$p]~2.v_ٷ&egܸy߻I-çS;.\ViF/ ] *'y>nFh" :sp{Wm%T\UKPNz`^SVN*?7qсIVE[j] #\**R^lGR {Ww\׶ASzw/DGdٵmJuFPnK{9SPmTjpzqV![D4V-jDV8Cs7{Q@[(޾*Ai![6P5]UWy2ͫ9-VJէ6&GGNtQr64qR ,޼)ԁg5´fLU;5fIx-`?~{wbPi+zG2 8i*X2mVf:mEEK4*.EM/fEΕԢ)ST30/~׻\'}{h~k:JW83VܤSa pOԂvuY5)9(I5VX")S".v&:K K<5Rr!UvPl݌k4ah!BGb[Nw[!9@Fw$X5L  QDR!T+{q' ߵ6W<;óp_~Dُe^+qėvtLAxm-.JۣR]@faݩbJ;UPڢCQvVIZbꀜfH"K4^JfOe;2Qfg T>Wa,Ig͞17[Tt4 x^e x^e x^e xQxU3TK qmtB.*:Vt6rr\kݒqERDiZtF8uTEF`:iRe {M梢ة4**oTJ)HmK,^[ $ڗtuٿ &KG}Xe&:v **؉_?~Ozᅿ'\EDUnqNd^L?>9%9{j%UǦ'&X@I{;wi4qG,?3m{ j:9^;fX\a*N ԄJ V3af m" Tʜ kB(d9Ww\ש8Z]>D*/G.6Xn3mj14m.YUz%-Yz%-Yz%-Yz%7\[;;V"Zf-cNʽRKm<0iʌЁI)$(fe~Oz߅.Jilz4޶J4XxŵKJ[NorKɿNqMh" MpU[6R]ds<9DBa1F<Fe! ͈͌se&+lEEN^e x^e x^e x^ebұRȈѴ;'3Ma]ī*JUTօ䁳-NxG$ = q; ۬EyXs_ׯX2'N4$݀"pȇ-[ƒãy ̸+HUQS'Qȷ(Oڀ}]; i]Lj\Vu`OT&`yU`Ilt}u_<+N@TsAbl7XncmIBb&6D]i'Jп h_e Ҵ/2Zz @?V^`+B/P0OA'Jп h_e8ĉEb.@AOl.|_[G(,ƈQKL0M(=fc/ ^[_;UVjڈJPo FT\o QW U6Sk1ӽ:AKsOT1X͗7v,ױ5Nr+,$mR1ƒބ4B2km+ $EʣIyc[S^UXsɠӭ4 9pϯwgP:M&yzG/̔n[O={EÔѭ~=:0z2tfx7\ U;yVPd2S kUW/2f{3bqW晻]=-#;{/@KYWw]yE cN1"2R]mly+4AjΪe덶u"؟(!> QGH<;w\_H>;~)Kw_M"J*.TXs^qse݋6MGӴ߰^|J)G9.='BdHB***hTT\Vd[>Î\i4"xnըVpϯwgPM. 5F1rx5KWZ.ӔkT|qW*Y} vڮN0N2&MˠMӀM=(w){aQ oUjT"yTt" 7U7Qj|C]JYыۉ]zTU~u_<AVXk.mt ywfҼ.VnEKQpNEEҊBcBXʕ,X*C|/z8iOe7sC2EPlAK#Rn؜U'n ElW/?.D[7Au)uQt E,BWw]yE cNh~Y(Qi궳KHW 0bmEʫ]OCKbRx7Su57+JIݘm>J}cTirٙuJ!\+ԘKQt.TIY!JMD W o{"?dCY2R7,q 4WAӥS 𵛁X:b*ʊ]!E]ݪB5, FX&Ըo]uQ:y;%!"]4:oԠ#KyqfAN!EEEkMw :r(Ģ !Y4(CwBPjL{qނ^sh{xpnC̓;7DHݘ^rp8WLd'pz誸ZsNjٿj".tj[G2RJfv'bԂ=ײbG5[+;mZohWZ.Ӱǝ2qLqU#q[fKUteONgU= Lz 8RݿxQ]i4_cyzG/̔nYk8 uAq}Î8lqmK2|Qα̖}Pv{,Xf6b_%p^mqTNXRSQJyk&8/ΡR,]NX<F.؝nfk3`RiRlZtF̚FH}Q2UӢ}In6d@f*&+tĴLu+SBL|*TfbU$'8q{Mҵ/E!P4v8*5D4Į2n5/tnYbj> IU"SKeM/R`e֒"ʊ%Lt*4Iy$M-f>3 LE(*W_ͭ{"?dCY2R7jbORŽR PlLT%3H 7亯<^* kpߝRul@DΣcnIz`!fθZoNuY~ꈃi&OLDnrCFRi:Ԟ3Roh7!zl+͒ɶĩc+_W=|8pZoA`^w=Ҽ87 !Io$n{/JY؜+&2c!"$DĵHmY}Bs ȾO\K9M93D7Ve!E,Xif|ޠ7:FLzʕ)Eu;u9eIr6[ eD4̤a`25BDQ:[BtT5T(c;hwȺ]U_I؁dJDJUU\#FnUvJ - GylffmX Qi9!͘jzj-& m\BQ!TQ$[4QduGKlrCmޠҒ{u_G:v4j{gW6tZ(]u&MmEaGL<$䏂c?M+mkj;#2A4J;z}VeU('T.U5QE@ۣ.)vs[N֔\N.ͤhWϑ?vla+:k [K{(zk"J#b<:bKhk.]P=,늨wnOTYl'W 2mML VEEԹQ1 ,c$JcgiMQNh'`C=O֕:4{kNT65H\UMt&I`=cƷUFśZ&naGBQOBlA>;u8K"P04Q ![HWRn B7*FUN7+;Ƴi/`i:Q2]4@-*ϯwgP+Bk҈h[NtTԍ>zY3pdVHToJuYʧ{wn^%k|.._ï]XM&Z}U#H[r™I)jLGލ!}[/pS4lɷ!6Q01[`CRò]Z_#{ &攚KL7M\uAd()fukݬP)-IU0]$13wٙl+>_:Z4'x ȫkN*~L7c'\)Dı$qY}$dThUku;MBN39mܾ)d&BBBjn8؜U'n"t ć$J!i47uB &UȥGWԔv1*)ESU7uZP馩bh_:puΟֽ߲ ӿaz">n/$15)!5m4EuV%&XU]+sSyo08ZUTaob9lSy^^7L!=zY֗o؎1`vQɄ{JWØYqNʺvsK@"hplos{<)k`(IaTnʫ*v1QGj3%#%R"%U"%[TW6>jÊNɔ0cQ2a+Tj\p%ݪŎ8Lׅse݋6MGӴX_q`j]M^OoDx?y])^CW$l)vvzCb$VκV%%Og;dxW$8,1Zk:-MϽ_~q3SXո14ͫRb ILWX UVELD2vfl[?'z Ai&XNڻ&dEZI-jE4DU=v0.+K6VX0+Z]`R)̬9qdu"KCnһP5Bj%S){lvom^#r+mkj;#2A.9 |gˎz4.Tʱm \K9m&Gl*Ыwfk*c3bٴd\qXZ&;⪋*N%ԣ!#,;\N6ԻP=,VZen"s mb^e]hSUυtVP"괓.[0=K$*"m7 @-p 9&%KF- GY>RbOlc@Y%#]$ˈ3zZIbDGkRZm$Zޫ:_سk^};M͟ETWbK`]t5&[4?ͼ 5RR%䲒λBbINϯwgPKIlv4o&3iES\#zA_hM#7i-6g^n&o lu[y<&VĶ.U΍J6C1bFdTݑ"C,)2PfunKzrEZ/tnYbj>8Qve lIc!m\@]Wq6hɷZpTm[ۀZQQt*.ϯwgPth+'? *u{S!]ŽV)\5`"~[m96'P(?66}%)u NF ډn̶9 =NV!2iؚ;3j89\GL%[2\Gl"+Kٸg.iV1>nZ"pەu_<AVXk.mt ywf15-Ϥڞ;ƍx4\߬. Yyuw,y^E<]/"nepO7W~ȸ'Ye0FكWI.ƒWnP6@EkG\ Dz =¾c0̛(F=Qj,tl6RLhؗ K%0XlȌF1$T\ +S#@krLC%LbT1iǬp?x޶q{fOe;2QfWU%@Ep 76,f <lɷ!6Q01[`CRJkHVUϤAjlUᐎZh/bRȊB_e> ԺVEjn F*Z.i=܍r~#|DCEӉo~B&ɞfݏM{Y\vl4۰H,өiK ZJ7I/IB{{ ԝh)a_N MڦTEq:dOPo|بK WKkR* W7pA? ЪcR*$ÕrsjKk^ e\H%QYU7BtmX!ҙKCSnUUSYdRgJ2K\o!μKljnWjbq:C"ЯN: Dӣ5D Mp"g]se`ЩF߫IeqlCVPYb#zDzv^Q?^OקezDzv^Q?^OקeP1,D~e#i#QzWVv4^þˌ/N 8ۃtuLtA1J 㷷R!yu$H̼(:ӭlJZSAdJuy6uHGƻWr{9CڊݪjBP!:/$h a/.\~O> U,&EqlӣQLw @iCɦ-VEԬK/!j$ɶq;f~|IܥI,m}̇k_Lpj'a4Ife|rMV3KvFbQi;?KV~rLWF˓3*Zk8 8ᓎ8Dn8dfd̋Jgcy0'G kno}sjFśZ&n:$o$ejwGPI]_[U#^΍=rc2+DL66Dի5\H//B:GY]J~1B^T-z9 9O؄4ٍPvblS@:릷 L̗Y2Ƚ 3Q`ꢴ_*Zg]:M=T/S.vʤHko5%RͦD O|}ǣA].cIh5U/&sfs+&4¶mkS0tu4ʲ ;ˋQ8vؤ6@SfLWRZ+rZ$b]՞-+lOu_<AVXk.mt ywnmwczW_A1(n,l~kp[`VNȶ,saXT49ZntmN&{wn^%k|..mn %Ш2pS7$O^s8k|@?RZ,%J 5)q즤x׊ i7 PE4GQ*YZS%q(37{m}:eW[ADr+ݓjfd5q^*7IG* ~25ݏ;w/DGdَU\hJ*j-Z+x]UaF*bV"l\+Kquٹa=!En藂$6еUE>za^0s(OSP]VGy?qM`1UBM(t\a"xiGTD+hȐ+!OAADAK4""&|=ѻfֽv:TęΥ < $ҋ4:*?K!'%ۨWz'}{h~k,Lً6WnDl}45`f$8,XLGaM6Q4"&tr#Ee2qn S0 9jDRT'-'N{wAyJaVd6#80V'c6[m#WUi{"JKg8I߉*9Oƒѱ!GA6.optA[.kQ'Բݥ *JvH.iQK-00 bk%3pffmX̓æTEN#vPqn.Zm5s3^$ZݒtSh:A? D>llj dx׭iQHL~aDMaldzm2W6,5:<FbÈ1ӬiD3Ww]yӿaz">n/$͛+whuՊ"Q:堉WnPi0OV2v2T.o/VP=,@$z| )u<.hVt$"\l=r\P[2zk&剥,-l%ݘ ;pY3F5e"%DL?3 uXVqX9\1 w0-fQEQ,DDЈ=ѻfֽv8Plq#i6 ~qMt׬Q[^!}@u+eU,T\'}{h~ka\AަLFPS*SAOeԴ u JTenU=|8pZoA`^w=Ҽ87 !I`=O5e^+7{}lHU"},Eh?k)ԃfF,vXn?\$1Bv:"V;yzG/̔nY/U[*#i#UZ,q^:۫'R]I /R!6iN'}썗q%Zt 1@`zQxsf:wuÌZp&*_Qtn~n]hDl^Ėէ.iI4LjzM`7Rd퐦ښ516$GuyPu=NcUQrVҌ'v5hc@M"٩ \N*@az\fuMSvldܜo_f,"5~AV(F-/,|7SK:_p)rf"IJ RnyFQy1&0̨$6!u4$*a=!Et uRj `I1GxqQQzi/Vު㐕u܁R8Ov׺: hC?Px'7oADDwgï/^s 5Pר\e.aƲ\m ԃ:$m(o !r,pOc1FJToS+f20Yz _z/^Bk/^s 5Pר\e.aƲ0Yz _z/^Bk/^s 5 N 4Q(GA]׮淈ѩJ1d]E5YPר\e.aƲ0YaCH2 Jo\vճ5LTq3v4ⶼp r չykwܩXlUf4.)9uyV@CM) .EήV|H!YS!|BHڵLz/^Bk/^s 5PʁNH:-*4 jXJ4WmUY@P#e,@QS Wr0Yz _z/^Bk'15\.Z9dӻ]<歞7SeM -v5 ,J58̜w b:j,3X+;<&n/"ZrЫVK>H۪p#t/JRȺ^W+l EAhhѯ/&F٥]5n5J"9!RbT65u\C = kI/olmrXLoY5J*J){ɷeGBDF!.HcBf,FZeAt|/mS%vݹm/^s 5Pר\e.aƲQ%IaHl[]bٝIŪ5CSrL0`6ח^Bk/^s 5Pר\e.aƲ+IDFgƖ[+6>vv:DׂC@)(uj8 WF9T9 &Rږ.aƲ0Yz _z/^Bk/^s 5Pר\e.aƲE+t8]\K@][HP!-^9 ɋ[ٽR:$b'F4oQ+dMrt7ݤ?;wzOݡo)ר\e.aƲ0Yz _z/^Bk/^s 5Pר\e.aƲ0Yz _z/^Bk*rX:4R`_Q5+ʑ]תVKX-<*:C 6د ۖ9z _z/^Bk/^s 5f{U` [f%eYm}HruYX4j4Üä'#Ku.+.e.aƲ0Yz _z/^Bk(f[f4Jl;ـFٚµ,AQ`@D.|n9-EFro~;/[蟨'3twթsPSI6 Z-T݉>,iErc=$d KRФpӥ22øQoX5V*i /"[cvv,4ﶙ/.* bkTweuS%m]EK-!IKtCUY'$õWzL6m#\DݿJMkT}@oBMr EU]D؊Y1,Zs-R"CmrDXrLqmD.R}Nst{ 3Rnn΅3$CRP؉uר\e.aƲ0Yz _Wđ.& njo9m7pOzuG|6n٧RM)2]M !Մ3!JYcMv$⩠؄*&^?QOge}zDFvX *Cl/m e,YRkIG)@# :z/^Bk/^s 5Pר\e.aƲ0Yz _z/@x glm1f5O]dHbE+Ul V5vpYibKSTmV 8jJ1*lVdRн-ߑW]63Qİ-fj ^1_B]J5@)Q+Im#R&JH^kv6 w[v{r,TET I-&< V HU5_MUevs -!xCCM.샓຤t+85H@E*n4Z:V["ѨT XؐvG&Nw[$@A)?⩍פv'e ")a?!b5` 1PpW3ޑȗ1d; e2 |n2ۮ7u5.h+?oEc@lI`8JvD$1ܲdrhsFf-/wIC DQ&6G[ XBgeF {0 8hŮV#KWYK?.kLη&Jr$?B@B% 4@G£50 k6e$]~Xta+LRj ljiئwOW :cО@pV0nPz{4#:Ypk~~ B ~"*{mn˪Ut\2̍b*nyL\ț6\Po}Bր8GFv#K jRH7::9i7L_V)ڇ,tj1ZT/ˌ@).Acr6v$)+'_Άη2hԄ* T4kTqBANr1|".6]}*FwB1{?$}HrJ x ` OǎG70%]OdZ".a69'ʯ_.۱amnLX3gݸ|~9OLj 6P+e wvvD?||ʕ$da|cFްhQ?B^ʹc"\b2NQ쳖 ?GV}`?gq "zy&p рÍI^Ajй.~\?k4|Zr8Vܭ a]sx@?9+`;T4ӉC$}$>ᕯ݃Hh_ fv/YA3,\EB}(U=Tz|(7E)&mANa[k9$]˩snNEJGh(]M֨F"`߷NCH`v45mF!wn͟Dq2Է.`)n`@+υ}c%ȘZpzC~UN%\ J$Q7_7oKy/?C?㗪WG/Z$ 8t_FmJE ׹|ҿ| Ɣn]eK<>O鱯X‚??cHn Cޘb37]DNKH-$Nކ2 i[3ZU&CmDeM= >qpU%KқL3N*MLh/QY-e.prs O?IiF@Q%~5 +8L/ԓ#>?tYտïyq 0B_@u1L}?_MBR ]8fF0`ٙsf['88e5K͐ 9ƅOt!QFXg@u%9qk2IifwgDa{t) [kv?,0ell;{( W )T#_:p˸V*bpRXKX2dq}jDXou AFl`MLLyiH@?gMğfp懙(kxGh;@.vq9ln[<04|.:˱1X-\!i1G} %Rѷ2(`D2r^ fL&D[B܆8n퇿v?>-@|0 00xۭSVbnXYH V*2)ݨP5|T >2w8vc~x,H2qt0 ((UeW`4,9B+m 2DrqI>29'GdLxG=Q40gh8-Y!k+8v|cǐx*%mdQh~܉g fFjA Ţc\p̥򝴄~.pEGus98=+&81v#5F ݅ǍP*^UVppSͱr_?^ sw>t񵘧!FITxVߓ\E/+/cK㲺Jwè'`9=հxe]ƅ*!Y`1mb~@&p e0\x` h6~4UxgN?@`B$f)ÚqPGu#'vIp@~PDA#ՠ;=>cYX)-#<?O@|%XS"M(͓$y;("G #.3qⅮ/c+z`PՀ(9%#S!jsV6?/cGeW7[ *.1j}*WѰhxZ)-p ?gELe[A_>;G3D@P561n/[6`=[晔f^Y]brabWŽY q+j9O[2Cm絟K`L<?5i~d 'm3ܴ@@z69VM&|6(G'?<(#q:߿0p%@)VpKK3 < س|U<k,gp8Oex3c@yQC0u?pC%P`0vWq>1760(Ȫ,%T]G3N'qvDT jʢs dlMweaˏ&rCWz<>ɢ_e)a `wN8R4rWb}ړ2c_&99A54τ)V͙Q HCXn8 ݦNS,̞:g mb!@2Rynjgp"` Nk Af+Rw;~߿~!6Yu",8Z~q|q15NW]-|p}(R9[j<ˎ7Rعvfo`g6Y&@(Ҧ0h8?|+)شlq@д$ ,N(aq(/vx}:߿~-lS}:KbCr};x`Id _A˸XPU D!Slt i̦eVEJÊ]!<ʩEttH02 ~Q4zQ1ꢜ)APpa۫]*R8qoi!:&r rUx=uc2rG`l(V\1R[VӬCj\Y))kp!KB*(U&L2dɓ&L ;bY?G)2QS&Lt8Ðv{vNL2d01z\ldɓ&L2dɓ&L2dvp+8~b't:ֺfƈSR):۲aF?ˬ)H!xɚSAL`~驥04 TP>M3h?.+B7% 28֋'(?Zh)LYl׼ ڀVL9ކ7Nˀ/8o"GCtC}/NL28 lp^ȴIՓ&Lu6y:[F/&L2dɓ&L28 lp^~>7&㵓&L2dɐ2}-gE_L? 7OܖBv.ؙ+'U3T6 :e."w27ܰ7TPYW N Ҍ+αH jS@DP=A:oN}TvE6Lk'߅X.t?$]&5BFDL\$!׷CyHθFL؛~s.j YK}(~GP}t,e+Pze?^VE?iB"ax1ʉȯBxN_!Bܪ2M^xq哈 7Jh .e{ۢZjKƇVnLvW^zc 卽= &,ܙ߭zׯ_0dpvH/(]zX3Zׯ_S-PWmm 0R0 96ztG&5̕qd\4;f/L1I ?$ aG#,fTܘo4@J )J1= jX  6 M p6~t 0Df7`:󼛉dm^zׯ]6l;?,[ձK͚W=854&)d:Q3Cdѯ{yG31 &+J(:⻄MUUWʖr|),mbg{9$,ݚ}yN.f=n^ƪ2{U 7v غ>4]>:q#KVzԦjkj@(. "(%,l-shVU!Y4^ LAgUJ1zT a@t L#MB ){~,-U+.]ߴ sУf`^I2b䶪2{UU A3SE X2 <+د[GZ&z-|_]:reJ=Ryb&px',9caH7W]c0 pJipGon{nҀ K. t0xPU 8pY<+OA".oRNsl>f:;cnqTQ#{2݇N:tMŧ%=1E0گRGV4IR@:&G";я!.D gm-8T~2PQDh(4ʯ(Ri~߿~|RL ˟tӧN~PF.#}GUf&KCshT"=DpPYp]w3!_$}j3uȸ`hv'sTKrvY>n}X#g$M_E4|eG$62n ԁ%,U ͝Q0;oV\DdD}\@˛_5L0~Bcua?=DBy3hծOwj(᠀ ;ܪe;k,/pƣam)X:IKWF DrqoX_CM!@VK9bA8.ѱH3 'qYW؟wA$"wJ i!& ZI7>})}x`FV3_3PjUXAt_@L 1/bsk{DyZ֪+-R2jsU0Dܶ20vc:>= {;@n8~TtIRH !m =01.00ʮW /hVmYZQ>Xt  L|abDlEi҈6%„+:sqP~D2`Thu49 sO0ծOwjD"9MU30Uޙ*c7^blmMAil`CM*q=~Sq#~68%ڜi3hrr!pi=,@ -.KB<)q6O7yezhER =!pRF7;=qMUw_ 1k a!#(2B _T8H{M0ǔaG2 ȻgO?dO?dbF \}w'PV\5yQ+ٰ O9߾=儀moFUnr`.hy idO?dO?d0(aٓtd2! ~u'_~u'5O wBRN)v.k st{c!8~!w]ٗk"t{\$S1SgPaj,~J;bg|w(L1"_8G1'}O;!Kɪfe=z '2uIEkr-QV16MT&MT[x߳!y9iy&Ŭ3ԪdfGMTMI ,<0&8" RfxB-%;@3&̗_z+~SVpfUp:CmN(y O-Y!l0cJ/8Gka0`0i،UO5w oh2 +P$dIbBsU RWEq}5s-8wT:? H"dNBp?cϷ~K4P+d)E^h  S@N8pR2N1Ѿ-uD0ogM"Sf)&['Фn"M+_Jv̧4/I!w=+ALfIt6sI> 0 0dTi` qSg[P9 L2d0=h(l&tVTyIm*݀Κ0uӯ0DAZeu{R@`-&CXiQbDҢ6O1Y `e'%5Q$(*5WE7*zLn?'Z&E)zsj;ǵ(PB (` _I,ZIZ#uAEsyߪav"YE4`)\H*Ƀ0KȠy]nNel\lw4aJ&Xw6?byTd!jZ:S<&} a(_)F[QvmHc-H\iZPtY_54RTFH*2D  ws:PFWbSFP@!.졗deA`xNi*)_Vd\qίHT#qprrl8uLW4ZQ }u,/b҅ (PB#ˏ${p2VG"&; ̐诧G"`Cd*ug˝P?EET]٦4:Wg×|R x&#! z@ kEaR0k ?B53ds8vU(Aj2IiH.6D&PB@!QtAgAcBMW4W.UQPYUu")gW7R7\RESo~QwTV. `0ȔKf]߶4y4kp&sF`sJy{um*g W^(#gci21<;c0 `0&fW /{}qUH`ALnf ߫JIXAaGHGɁiZT]FL8{(w8l\0wG~vU~Px~ ;6b$r&“jD;7YCa(x3&u=ȹ_%Ԭ\[|k,R(gG!"]~L2dɓ&L%+Oe w~٤Oʇ?G\?>܋?|j<l? Ъ^L2dɓ&L2d7FT{pqwG$Fi0:?v>g$8іbflI: ΏQ060L[tcS/)**&L&x\lE}ګ'P&.XxYLk4)JbweAvV^9B9~-5Uz.Etӂ gv1>5V67u2w'!M{mhTv -#2üYZ2ne˽_X,޽W2NL2 dst,ˤρAes&L2drp,&L2dɓ&L2dŹoǝɅ:ܷtɓ"DK6b$0Txy\_ӓ&L3y:@D@K~F{~04se,4:14 m?i}">e'T d3rUS",m37>zO?e{5GÚց7bgnUUZW,̮8~!1!iUUV(Q6G\dQBDl5~LaAh na ĔGTӧN:tӧN:tLȰlFiͧ4Aqm 񈄎<\#Nh5|IBTu7Ū*QDhD$*eL;,gcB~:@v̯hm(S#Yٟz cdsQY:n@sHQWsT-%ap@O֥]L1a߿~߿~5s 6nz 08Y++N,tM]X' _ ~`ba:@Mk߃ 7U_W:3lc'q6ʨfw=J(PkFjfD`c'3 {^ ( cIеVLv(PB A~Hd>Ei/lIAl+)5.@hIς/P\^5  {zd`OlP$Ԥ0=ǐf\rBD~iDv`{!Şf~9A }яM>OdwbRb\o#|ˎi'|lsI5ssx:1p( Jy^#J 4Pjhc1C?&yΏ)`L72`z9eW9J!BbdG*BtPb [~Y aF{`QAY:SmUzf}L‚0 \ѠL$D>WوȚ*!AÖG<|9&Dҁ2HfN`I $5\,A/qJ̇jcɦU, #]70F݉s@})u~l A?E~h &dJ$u@ʞŃ5Ԇ['E p2 n !r~|֦ ç| A1J(e ȄgZ!W'ٓKzP3ڧ잾.HUy &#.=( * < iGMm1H&@ ~W$XiՁ* \[kBH;%jZ7 {MH"!ذv?D+})t@Ț:] 7F#FAL(@˦ Q+8\|qP8ER`܄5Hlj&L3Z>Ĝ¹Z>f%#h͠@D7잾&$tvYxЌ6eG0 ? tIRH͔E(~jg27tkl#ISm$SNVкޘF;0KZ *wl91J~'2@mr {#ɉ"f9txV0lp^L2dɓ#%d aX[;m7 Sg&8@PwPo& hs K% dPwtʺА7EiE;yRgis&7CkcMe /&&x5x4g$=D)Sc ƈeZIQ)Núzy.IZ"4!w>drf @{,2dɓ&FȪ3o7k7}J\ZE%:D@PDCBӳ'Jya52dɓ&Lw>o=i*+I,[z6U fK¿Y](gfщFoTCb}>:r.Ubiq4;smoSS>B_)2LI?W)\4qS _>Tj'fu0OF%BRGȊ;r{ al`>%s)P#FEHS Dlɺ1-`$ClXF/!̏iӧN:tӬOfK+잾VNH*bUaHKԀƝǐ_G:}(FH( U^?z Ct`^H@+|:9N@z P:%-ec51pbbi\Rh?.x?5HBKZhoƉð_Pf-7( r : )ٌ=|35w|"xՑWK3搉-QmVEliD~i"ꢌ04v4Y^`*CJ5}3_61f?]_2 ve<L1(uVۮRN=ë0.9eG[P!OaMΖPTv6f4U$`56)t%wri \Q~ڜ}`'_@\\=CwNrUpz8 #s s"uaDEadt焔[ 0` O!Awh#_dN" b5J=Y9:jvP0sv7)P'Ƈd`\WqKgO_ M2&$| DȚB*k6m\"C;h5.0[`DDA&j_OrE !d0u 9eƩ st`C v称Go4QܡCڨ'чL#|d,{N5*@jx0+@XUvXo7Dw*h}^ )"a!$Ur-:>TSژx:-^|#rҧ;x}Κ)*I!P`mF7=M{ WM H,Hק'uMK `[\ޣ^L!YF""}80scmTSXSv'O7jףQf= u}D~L/Qr3BA)OpN+6Λ ӝ k| Y̦%HbhR&z 3ZjV=5}2c< HSU՘ܽhLo9F^12e. rf-q7`D&De6)ouW [?Ruaԡr7}mm0~&5 \-zT<Éu#f)=p[wW"ޱzQ3Cd'~׮֦Y *@ n rcČ-l4cBskP;֔#r8ahD(߄h1Pz}F=bJ,N;<[\?d fܹؑ~(#1 ?d!Ic ^0=:5&9U^-9weuBY2qv2f91> $WyW9lH WP7{~F(""2b0qŽ&]{B֚*L b1QorDJ&DvGO5h/ڵjիVZ "z V-70pDDѧ lUpF@ '2\ z.ס7jף@QKnB 'bN@ߨ9>P@a\wlI* fp#VEDxǐfL5U(T 7wB AaN%1 vdа;=<6HʙxlXڊ3eԂi2 @aiJ= dm:qs@(AN &‰=QxH.#c@CV4E9 _k.NjA,aa3~'Ő@ŕHek {&tH@3F!\>Kfd29ϣ7#K3kӿ~11{heVr=Ёo׻'k~!H @a~tNd v7@]_8Gm!TZ 5}?k?+@.M\d$E]NBy#qR޼A΁o<)otOAtYZע&"_ .v 4&A)*eJqϱ)N +KAEھQ$/JNem"& UY8Mggt| ,P n,7~fQh !=;o` cf3?߻[Wm-C !Pi잽=9=u3by 7qקQ ;??=\  N-rLJm>QD <ڍ_M) /.yߥNn!̗J8?`l'd%VICcE64Sb)tXѪ{*(,c+ۻD9((+dVI|XN8LOӧN:k FoKVAImVn,_eb@XUvXKN pzj7Z`ArJQ 0WMQ#MD.-Z%U, 9$=҈p{^9h,30LWӧN:uI+ 㻿8Gdy 1'h'D(`FsO^jɪ"";2dɓ&K]KNӃ~虩W>S ITqXûyAJ`*93 &! R$N -1QQ2#$|_N 6ҁ*`U4̋<}M{,؟})@C@B3 D#*g>zP[d է6N/6{ٓ}"'De&=Q`REPx2\V>d*9@\^f?۫`.@#+d]Zc*+H@X2eLuQo&br>)tDU5<%{W ߢH5 zgC'% FȉVLګE6Uf&+ f(Nl1 nF'zI~;׉j@$-s6hGjpf:P*g%*pxm}pP,ϼ/O 9i 6HYe~>'1W.w[:㢦;7oO_ Vwqq$sr&Vŀ=:[A{]r+HAx ӔU(Xf#IPD zC; pZ5INrv] >IUV=pmL:P [+5yL?5;H;)_S%V2oN?PPn^oG8ۛJ~'HôYnQdɓ&L22euw]5Lc.)il-{:y;(!/% 4U3:i4uOŇ[`@nA (]h4'Ea <@6]e걓mGf@%jE5^tbXJX;^r؞<ئ6`%XRtaIѫr#_,e@  \CL\M*W*I-,ߢE?=|l 1h5fE>tIRHJ5J0S>Z94 8;40<ְ}Vք5Kϣ -apD nrc5$t L1uZ!'كK}O~5ț ϫ)$(HVH#;q>Lۭ7R4х0nnu? H`@TX@pUtgȡRG -䱏:]t.T[vP``S E?=|hGSri=AvOܛf ۬7W^˽>YE%I D"h*5Ei`e?;)@al6 P:6Jc-M,JL,NeU { $G";e&@t.Z!߄ԠK͸>['~@, J6}@DdGQu~vqX+BD6b$0Zibd4SIh:[7] *?O}`UL* e?TS̀魣bbGSfLv:͈_Q0.F ׏QFgia;%űxPE+ -rahZzlVOP4aG5ز""_ 9ńA5IYDRP/аoq'L;E@ZDE~PtMrnw0FdG$zj_ c̚4FJ&BV:r{n?BjD.c*&֛!D{Ւ5'43wf<'\L0|;O1Wi@[W݀qNMsb`Q eBpH/0Psq:<\ ٵ„!mbr!yma? H"a;(hZEtwX<v剔CNhr6 \gY o> oEIRa~K"ER)a7`$9΄\k|)rnCg[Dk)]p=2ݻQ:;wH* 9Jx0!\y(_.h8şm޳6 Rp#r1 "7߀Dx@܎XɄxEF0x{,!C76X@)AF0`@!(,xE&ɥfUt[G/>E?y*M@Y[X\cGeЭ>;*Drnǫ-tHR'[C9N[Poe`0v_' MvDtL4az\vP*` yIZ&s jTBbI.߆oM(v?W0TPuĶ4X0N=c<!MoИN2Pp w3J3ݷ%0#|Nj/cz6θ[0LFeP|^sJ|Р+WO PLdA,%+/@A:@Υgq[upK=*p \RrSь49t#K QU̧׽xagľ|9Yl4 O5< `*Zrh:V4(! iV țӻyT?H=D j ;p9|(;[,E<|T WNl9Baw!q3$@'i}^u U+U=`1ez A y Nqȇ!e:'*QBEGeH~w3\h 0!L#5BY<7i tCfP>=ax٬plvzR* ڌ+!}f`WD9ǛfB4{vɠ^x@*e(e$ M`h9] 0UWYC%?qsԡ0VAiS!S@;8~<l]( PmqBbX6UPv_1U? M-#ezn4'ECʨ1FRx\\WL-B.Q@NCp"iJt*$a\\hkгXlW>A~`96 £z.:tEIi.o~]>XTVB,M4MfD56у$6(T@lz f`XRHP.ȷl5쟐$c0 $׋L8P02S(!vbzhL U0mIf@DC ;3'gx7%bALTa]_D,D,`ZF7s~rҎ N&jgHVVkzIg Yv12 DN G |ݳ IزhieB%{&8InQpE #^4LFv dEDן?9DbuW"868h b\K]|EUkfu?IFPw4ش$4ZUH%@ "W@#_%d99S58 y'jƵ Z/~.9d.π­ܱM+BTue԰fA)M} "76mVq2X <=XPm}9Rq-2Mr|Tpj첚q`6GF&ɗDH'(YGDF'Ε:mD|&P7J/sC{vX5㭔3u*TR8t[hD6)UZ <5*TRJ*TRJ*@P̦A J P*&[&I {%T̩(q^bRQUՈ@nL9i\58)C~Th|m0 R@e9`fpF`Jz" k/9WUs,cuhkad4@} ڴ Qa.]N(CC J̵[F.0SVZ(E;n =4RuU[\:I"YPU*TRO8*-)RJ*TRJ'ܤd&SUN;TRJ*TYö̷C   "ivh d{Mf~NZe-K\u0Bda'8U^Qf-ſ#y6\6#i?!Bȱ;%O@egҸ!$)6GB@Vol|42ՐHYMI+ d  l9I g}b;)N~Z ֈyi8/eBP )$-> X<ƐzJ̢ҟZVO$B̜KjuH "S:$\ NjI挶U_cjqKvЏƓ!hZtfe "ImU2maYU"g\'<:R'D5oF5E7bS@RS/~.j*a+e24ӔwHJA+ &N߾ݍl8#0 "DBf몥CMEnhn ;<8[, TNzI4V N9L}\o0X>4RC MC h/G3 dRp!Dm>J9qFUȩ'#|V!IUNaD3E(lq.yۏJ#,bwg FdLDuK*K‰X! 0*"v8pzTQ I2UC^Ç^"b^FP8pÇ ER}F uU:Ch`p!hGGvС1k,s$l1.J''"R8Nu; C9N\`$ `%XBjBg#CAK F_NpÇ;iӨEDnT/@]qĤ-9tZP Zuq3PLmUAS ϱA.tvsH#eƞam]7i8A;Iw oktZ3y.uLN%GI2#4䨏B D\[O #1b :?*.T[G>!@mLx,,dk$t-4G-i[ ۱5B&CްtR<=B s KBsp2sɓ7T BAc" ^vShb( ";ܪaFW@3O'uTژxl>OñHXK;PPx>QJ}XJd[M-RJ?%GI2#^uV:j+jwE^}{Vp9xJ1Q'0&N2O8Ay3Uf<8vEYN5$;"Qlkl,vZIBUG0xI^<"LNu",*< x j)_ yy|we.R6(p`n@rbņɓ&L5NCCzI Ű)wmm,pppDAqRF5P|4fy+GALpA-0L.̉/Զa"`uׯ^zB Fxy"XXx Uɓ&L2uF %I鼄X2#hµGW]L(Ҩwqph'6j"&Qawo)cc%hzy&Gll ֝܀"… R%0i()a.TR<,65!e#4c<#;8Vx`<F( $ Sk0 c-յ&4I=N ~M eF6ߑ+Z\{ B! _P\ѻ`,@v &lea5qIUNj!Qb0.SHdV0 #JHdSCS#+r1*Z&s]""(UeI`M$֠ 40KH,AFR ʖ*ϬUVW2HwĵO-lZ\Bu} CDVϖX6$j41xew8JH$$sT.vbt[WN{+%&! ^lB{p xl1\|pa 6:8 f,h$"YR8jɥSVc$Bd1+DŽkdDE e6ÕbX.0m0͚re}J 9 !G &-X:e hUn`g aܫ^a+ ;, y|ڍV7@uh{)֧w!nӟl2u AB,LاҗzR(0t%$3$Yƈb!Ep\O1(D,W .t ل3{~"M (x\T*|' C+F^L#a"e%I*4z,p1`p &mF "`e˗.\lJI N ˇCsEfIFP%ri<#~`N^iPNB4=n%̕?z;$a{Yr˗.\ic|<鞢2.\r˗46đq:҄C'Sydg4(ER?~r "D"!Z kF@iXb!EKDVTN.3I,Vh xlf t@{gB}#Ihp;`)R2§YsUi{ VLV C#2Z͖/T'u^9^p$a *3裎0>&V6R8 nGKj(Ews H״` ZQhhdT3:KepR01Y/X +)RME&Ә&2(OYNy2uGW5LXƳFI[C u(D"рZd;wQg3V]2w˺ L1*B*AwY2 zK e.<ಲRQF9AT@K0f_om|o#PU7!U,:&.lZ90 sSQaPVEjʁMTKUnAaFwb  рYg b:J꒐A;63(V`3Z'u{WYݓ2 Sy!a\4:}rR*/x$ $2̢͎kJ*T8LPʀMcvq"B@ʞcKF8`5t-09Ջ׭)&vae P:'R`ygq\ VԄOT ,$ B9W)c0qYe*m֐i2<B?"1:D[;GRuZ6HP-ԴB`'?];JET!28QtK*'.UZv ,2sɓ==tLC:p, _D#R4U( ++e0W _Rg/ "z Vhlc(*i'ۆڅy$ 51X`;)^$_&e4hѣF1@R(J+X딭vMUX "@ l֒8I nV 3H> KZ &.HO@ ('_&尮0(Gjbx*`LDjSUdSeDjhg (tL ˜#P$)! R, Lpp!UUAʮy1f2Cэ wAMC)BC U9)7!0LtpZpE8%g&M'xUfc@-3\r-Ґ֓`(08#0C KY1 NOe4hѣFb`y5"nTj)Y"Ғ0O {d$"$X3}DWu_Q@ ^MΙһ0~P NuFLɟ@+?6 UXJNXghpx7wѫReP(41Ͳ m;@7#w)2@عVO{w2;#I0d ̱Xh>z5A'9^FHnݡ[JFsX0`!M3r" 08a(GJ*TRJ*T9矢 qF~M*Tbp)FE~D0|J^iRJy=˹u r1f495dq,Oe 0* iAG 6TDZ2śW:f627 ,hؖh5M "dZJmvoMMNkF1`7\7n,4܀ _]$P ]Qavgr*t܀ McٟdP`ȚYM8b ݅Dr$5^c㳋r1cQ]`V!Lah4hѣFi0 [ TKФd?"1;Ia3$2(ѣF4h!0l206&>h"u`nPj)e{ѣF4hѣFF+XTMtvQF4hø sSraàC!c{[,0&9ѣF4hѣF9@zD0AL5h$p :4 MmX=,rbwH' (Q.1cLBO,g 1Ud(c)m%j: KQF41n2m S'x2EwyPF:I5x@%v:FS%X~&7(%AM;(ѣF4h, 2&uȍƗm!\,Di,Ӣi\M eTet R}ED@$Ym $U&4`p0a4(PL`⩡@B@)z!  Ô5h eo,O SF)l`=JFl )`"CXs824A,sjdlYR{#?* ҨtcpKDNMAAK (_`J}M1,"ia)9,jp@GAEy4K ԬK;$3ϔ&3PZ0GL15օe{ըIZZt-B+O, Lܯ6I^6:ҏZ<|70p#u堬x)Ate kJdX0,=\4Mb42J 8bGZ9 - Tͼ-C S]j6Kdw՘=,}!L'VӃH .]q$*V/mN>T=gQ$i$MlW[E9An!"Hd &{kyNȌl = )AXMCg^Rpy(6my؇L(D#9a1SEsqPO{)r{gSHDG'AH݄mi|㈼-u+J}yh-U+@Amnìda/0aՇ0@Q!0 kdH>˨xACM:4rLa@()4tqD DfH"}zjcJ2va1̦3O7)cO|)ԡ3!4aw@N$G KK}p%+=MwSQapVX 2r)dI*^YeZ2YbkďTѵ[ NSyU#tF|UzO8*JRJ*T> ej,gV(?cn # '$Jv v ]0(xA#T:0 lAޚL(%0bFfZ4QT!j6+mIg4|'@p yB5QA*O" \$%YÁTdhX$pu"go}J*TRv̜%xc32D ^*DsԔ#5"Qr ="7>5a.*TRJ${(nJյr} ^0=*/X:LlŌv0FVaDN,.y54'WL'Uk릘jw\˄7, (/忛:~u旍XZۛmJ )AF.s5Y= !jIDQH õb 8nEVl8b+Q!J 81X'A/o,硔u,ak9=fx]&L2dɓ&CSk}5\H{7\&L aN\ }ua%Xu;Tj.U<^cbBm?L]Fw1;ktEB2r,Ϋp$7Ef"t&1)@;i# < IX0k D|?h &-uu n?D?teQ,19_:Hr*St(^X6qF$2֝RJɻ2Pl 6N2Xep 2ilXH$; I LvZ|A:E9=U$z9OT3]pX^|ӛƁQSoPV,L+gL`(K|X)dWĈmBD-A#kC"3&aZS,^y#:RhS>ՆIM !ƒ4QdD@;E24&r Dr&e :3O#Gۖ@ Hcu)^uVpj:EWǞ B$kDHQԖ1ё1YX wo%Ns\7MA/+jQI2([j]I·V{jTJgVX^ɶ{"9:|<=Tp*Γj*0v W[cO*pGc]>{|<"$ <`m34@42!#۷ \IDHX뒂9KZ"~'`Paќ* e0I%[ے-iՌ1/R˒#`va3NH#O?@z~|&@GڂT 8>o`6T背?#]cgұK(U6|75p"#?$5RocRYdz0A4SΑΝXE`}XpC&i~ 9ȾWH@ލ^ZPBGFge#rcv8?3P [ArcS*<@:0УepI QR~ *4f^[h9`bcM ii%&HB wK`$bDk@ XLHh%#l@ FΙz@L{$Qv펮M4OַW.-9Dmlq+*"H$*/l’12遢M'..Ud-n0$yJa#AUsK0)|(!"@0ЁrD"W>V\ HJADA:h.DVp(٣LVPn 0h2ˣE:ZB=9WL$q:-SvH[2ZD{,R= (DCU1v.{?te!k6h- [Br9ىa-@6r}2́2 &X..6aO\ا'Z h ̕6u}ѣG aHH=>Cru(:!PTHU>C&=a*'[RL 3OpؙB0 vs39s*•.H'KJ (*[DFEA&3a~&4'z Z=mţv 2dɓ"ܪG -4{-2½*A8N鉼ACPSqV J*T/en]b@p jQ %ϱqN4oHr!'v‘ݸ16ט5Y%Zb2}: "dO/s#%cD +FNr&!q!C(8=3vL ,.0@&r 2'ךRL *8kbRT%$яĶ @?M*ޅ`چ*7k&."$ MQ:cn9"k ֪WT sӇO c7awpgbIANR)lu {A/$rf2]UQ?qyateٜ?LJ,Atb@4@a,cqUv@nX]RGlt8DTK"T/0DDhj&l}~jHD鳮1 P<~[\Q@ЫD v >B_k5#{(y_j6KdS ,I;.4~?7xzRd! /P]HppDA  wk,g,`*yf=Tj`$gxe A~UsZ\ZD \,`0fa [CsȑYatedNjia4ca3e+=A/:b9)+ tw9U[-z`g.w)xvT%Ȧ7S+vUtϖ@;7/uwQ *j1%:NZ@ #橣k@W- 6s\3;HDWM*p0mIO&2F05ԁ^{Vw\驎X>g eWi &KAǧQe%J!2xcq+t#O pࣂ:* sjgs[*|!в L,GEoZ"+aqo"vdysVF7OFHOq,КXV# ]^a8VmaJNi HxBYcCv\fPY$IZ}GNhUmx6^<얣 #姷'Jp&V?"j6Kd ֦"4&2\U0B)*Wy0'R<6H j,5h=!^}6-*Pӫ[jU+JEVƣf&$?W T]Q^Ga:rJ!9 2]l(j́Ԏä7yZW`5o:ErTCxpcg%y,A$XCTJg\jk^}v-(Dk|t?X?Y Xv 0Hl!4 ]zVQa(دČV'_$ UCTYfp^+v/ A/ַ1c=]4nEqpu  xl)!WѤb>, K>;LbE-4a(E zkO]>-|Σ<\d4mrRIv~(PcfDJ?Lm 3.01GՆD;'B") Vdu@t/u4 =ᤘД(DKltY$ oAv5_ +hZvX2'<11&+ፉ(tJ#@ѼQ S0\(Q`ѭLV U㰤kGpXG@f @-Ç!a\CMCh ;9 ľWtɀIIQFj@TSERM L/h@Q]IE:QFN!I+% ΄hѣI "M;"1y4hѣF4hѵOv^AF:F6wTnW@w"V'\JԠ-'c+騞m*3gJ4hѷ!QJj##F04 hUE:e r뒲pt8f1|#ɠg〉NhDPi lV5&\joRv2΢":4` (+!X ,lRHC;*n4hѲن,>$D-zѣF3ՃTllguH2vQF4hјE7BՐsT@LT5ނP$"'˼ Ie}4hѣF4hѣkɮ"wRH=PD0ӡ4hD&# kngit4hњSU?߳m)=9r˰aq`\_ RBS4K8| J}JKfO5XibDcb4krQAP^\Տa!uGL(w:e ڭƩ*vج`<ѣFWcd&>Ȓn)xM$ :lr^uC)HRmWe4hѣFj7h\H2p72qb`` 5!3 `݆@"$P+.Qݳ ޛ0K6ѕʢ!0R79 iua99Ŧ Qf AL)L 65PK%6oq!n s @|yӹAPNG  IHDR:vgAMA|Q pHYsttfxtEXtSoftwareMicrosoft Office5qIDATh}TǩxtlkxVՖ QR.xEDR TKBHB %% 0U^0 7!O<#~{iv&kl5瀁DmfZΫ ]+ wJ1wX/˖]dkzcb:V.^TѸLTKiOY&_zV&+[/6鯡.4)TR/2h ~t)qis6NhN ګ:<c֥%h@'YC^ ]wqNT4bJۢ]\7r6BDǯfu:sݍk9dYxFr>L2_+(\!s jZmBL{(l46w&<"" .'b6`tXT#ȆBfT֎ajĒbvYME֩P,#sإ\QkK 4WO*c:iH%v5_|t:1) wBcdZAJvе _x%g |N>'[g<|Bc ^=4 =%pգJ YlJv'Oǥ(L^:gʛnΣv9 DҞ/R)QGH+wͨ v9x^KAoBࠟMFGLZP\9v]!_,V[&fQF9~lޮ̼W\ ~@Y|j6_|t\ Fc:eq+0495ExAKW0m"b.fx5jb+wH5VYc:=_/c2|W$4{"hlbq\ȉ1!̊z]*ND"pi9 aX*E2801>a~, ȸ 5VMt\^tߠ揌;2nr W9+{,aE) ƕB' #;8} nr,5k]|q䉂>3 ?+a }@FyA\#`'aF5!ǵJڐ:OP*jq]B0M* FhlD?Q%!\(SUDk[nYeZ<ěЇփ8*Usp "-S1 C EuYϚuy^5 m̕(1u+1?rٴv \ՋxZ?ͯ^ni.uYYy a{9ψKu{#B`e?Ə?^1Ʀf${pM~{jc?(N H0,oZm}پWiOD]ܥpNx5| dVG*Ǒk3SR8 pqu$3;&f_A3ީ!؋d}6))șqk_nbOgQi.)b)|7&)pR14׏~3ҜW(Y`Sٹ20g͹&&@/K- /ϙS~Ԙh2!! MϷmܽ`QM .K=pda%d<\MPM+w⣜\S{dԇ!]fÞ23-n $g?tL_ޕ}g+(\ӄ˴[c᪃7gDBL~ݳ  ~\{MGp = Ss5 QWBjKWֿ\HEVޗǥB@;ESO4ژ7K2}b8K"ӾI(._|/Λ^9LbLw:5mbbQ^S%͞p7-QL뮚R)=2 &KIBgH\ 'QP\ii*Pf?:(3Z'ˡX5IENDB`F !'z=cpJFIFHH,Photoshop 3.08BIMHHAdobedqT     u!"1A2# QBa$3Rqb%C&4r 5'S6DTsEF7Gc(UVWdte)8fu*9:HIJXYZghijvwxyzm!1"AQ2aqB#Rb3 $Cr4%ScD&5T6Ed' sFtUeuV7)(GWf8vgwHXhx9IYiy*:JZjz ?ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽un? ͷǼoO WTG|Y)v]/kĴx^̿.hezػZ?&0-+]^uzb{uv|XyK[v"[EBhtMq=y`gڛx#=W𝳈d~ABi=5vVWW6ƈ>t|r{rۧyE'bMGjqS:G(zwmЛ+iu?sv]]6swdWR-M5iR (#Y}[U[u,Dg:T5W Fiɩ뱞u6ퟱ,_/w0%6&mJl8/%NJU$d׭}O\Z׺u{{^׺u{$?wau龠 }ݫ??GQU콳LzɐM&kPb>/7{^ٽxV0ȫ~ @Q xIO_Csc/o|~}w6VsK{wwdOo)HQDE$_<={ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^֒076?!>ۨ1_;wMPmOx:ڇfȥIw<-ֵ{[g2P/뭖=b j"`\uyֹ{u׵ڹoma /yn-On+pKb1 _<={ߺ^7_">tmN;ۦzpYU.=}SUx7ns.N jYH,.Wo..ڳP\KeW[-i\ӡ&{U_"]>ͷެ,,De±P$J'<||]]ms3s(qiMlݺeJ|t7eu Պ3G `w]wG0Q BH5/+rcwSع}טAz3ɴQٻsgfjjP*fS(#}twZJG xU J׀Xcjyd:/4|I;(@A&;=maóWVmgZ:|P`kCUm^d]>6ղ[^EooZ 䟐?m';k}㐨+IZof]ɺ;o]nj[{۫1tbmݫːeM:fPC[\K>bЫ x14LxPu8sܓW+s3{)&ζYͽ y{ U KRX .#7H FzUUMEMQ[[Q%$UK=5-5HqF1ڛ/ | ot5E[ ULuX6)IW@ÃgܩY-LV>`Qٳn}}u),39bUJ9z#w{sZ,'?Kue&R1}#bŻ1g(fbCXH[Z6wMc"w[[uX*zja ϖ\U ڸ6&m5-3.hJxdՋ[':r1fr e$>^=/WpI{o۵#m~;0.C{i%ŨfĭAZjR(-7}}:i+3[wqoobbVy*29M>%U'T({[$dy%`f v]w9_cwۗ$,qDI<=Wv[,|.-,jva.VlʡU'F(mic. Am[a2VFO>2*6e=l{gKGŻn0}NӸCqhZVC9۞~v&{.WZV۳)*|ЭǠ_DawIasB۴;7.6hYm7g)LN58 )96+cIA w"zMy+Ovro 'NBRt l_5"ccQF}mq5"sLflݣSr]u֚1̐ce!J^@_Rt7r @&_Mkuu(=€՝5Բ>gqtWeia0Թ<^J )g2$})I^&VR 0GX}c{^\h'FHM 0 @#'hwWM+.ڻʊi3y\M%n@RS/'i\(S_5)wg^֧vF"x{K~* :pmWC6׮z|⪅&撽76w)0+\&I БGRF SOXmWHe[rv(JʐWG kW`=ݴ۵}y I'ӏQ&':{C˼ʛ -o-ĺ@%JQ@$ $GM4G.T.7ڤ?Ӿb6ua ~ ]N@EG i|?qNs>|3sgyk:H*ȥX=},_#}{ߺ^֛??loxsghs?k7?Ow/NXϔ/{bzꞨ7;le;옡!=qQ㮞hf=Â>ameۂ-i!ij"EhK6Ej!Dۅܣ4m գ+ƔL_}9C?|gN<Ed]g'0:3I$dyQљ7qU9 ɟ01%>e͛޾[6l4np~媩**W%q$)NJie\H-a!APb f מ߽wXeV,fwVNH`I8! PB]);㫷[UV7&8zXrKQbqyLv;Zw3JJ{<6뽾YF|`TeBVxשw!~rs-,XGgmi~V11NK1\JT#|?"_Nݝ=7/GXm l.kiA[WV/; T#H$c0 {{&sk#;։xz{SS6--6-ߘn\DZrJIoQ_.O]g*{f`0 xn@N_mmYEY-9i0i#-{wrn#l')g+$wmOA#̶Gh렿Q_nLow8m s̗RrFKyk5zETc_t={ymng5[6](0x+Y▭#JYxcM^A'-^a}X:"Eti,\PH=>nFgvrAm6_,lƘ1ɤ5WUnYV^h&7uX<n9(-vkbno S751:_$"zSȉXeڷk9n Ynml)IaT*Ԡ#4Iź7<q\]OI C*Y<.#"ښ6%Ij[}Mc`e~(>]'|'[dz#ߙeVت9!&F tHPorr\!`b!#o_4{|eNmBI9f +xlՅ+WMOZn-|ɲ2E{3lkΊ#KAL NAQ,Fm=1{^J"bdp 2h <}9\y}7=;@|V4w>@jYÏS-:ȪRv=6Kg|O %^fvvz}>ڬECBgO[iO`6ӗQZ(M>Z>oq~,~!)|ӈi#/O ˭_6OUE2O]9woWp˸[{i6qq(qK8ƦNwzL!ݖĦ^MZji]5M=O]^t}wqm6k{s>- /3\>.O ӯBjth7piʃ)ҙ/TmO N?G+&'USux?馏k%Vga%xkt)O|OM:i???_cW[Vx!Nmk4~ |8ݫބc:өa(E7DU>vJvaVKmc2U~;KjwV!sԆUZֱ#zc\n;1]TIe 15)M@zGofi9o7[-]&d@,LeY5i7ҿP|n[{ {)w=!3ho7/pi#zZQ<&?~Or'0lWadYᘇvAk)CſGO{Աoݭnpܠk6ĖIu$3dxZF>KfߙgNNW/h6=NNYv+%ir[+2T3eǽD}dڷ KEI$% 0]b'߹sou_L#9 nm!ƛ2G#;_HD(QIJW 1uxܞ7:pzJ*w5xFWGPA=wb7+"hA !A롿Ckm}N,mnfbT::=:*H 48|4I}|ݏ:z}y.ܛk? 9LfsY[TcAhJ}a)9=]m|,f]^r3Xx(UuXڜ ]%u"S1#A%7"C,V尸R;bEd+XXE8҂9$ڧNdk{mv&K9YM,*,rE!qTMҿȭյ9Mp͓sMfw3{3qVԬ4|ᩫ@EMLmmow<ɻ6x44Rf5POϿoڭٟ0$<.a, XbE%3D" B9y>6?դ=}u:vGu|~vex>Gfl>Sya**boG){hfP4f?0ʻ7; :3ERNVG z1Q緻_ޭ{s݇MnG+g k2+Wh1Y$ ogcfle6jNҤh4)R)䒢 ᫆DU-$Qż֩kzv*GL?a^Csh$/uk#Fo W|Aӽ%3`oCIJ`v9FpGLt)X aoܧ$ 92Uz{)oO#a;I,KyOU h|C gC0dS3B4,A~v_j~y7+|Y#(|ZJG"ދr~Fپ\~ﴽأH.q̱^^, u(_ߓʷtwĬ~));Ag8mI!VoeLQ Z:!yj ~{ߖ晚b裄ObiR2OEm{sٵ6y{u"Y4Q$B1ґeOJ?`s{*=g?Ti5#^w>%.شwn .K%JRUn\2FХ6 iaykgqlnr=tF٪EjQ*'|߼/ovk[h Ѝ-C3L|V('#D|]^WAhn˲v_Xm bjhYhKJ sVV8wɑ{eGI2$cM*g׉_zO+&jd{52,0*k Hfe Q]żU:6FH5fmܭ]?YDrYIcH)ACc5*3Y!/u IYQLV .FMv\y}7=;@|V4w>@jYÏS-:ȪRv=6Kg|O %^fvvz}>ڬECBgO[iO`6ӗQZ(M>Z>oq~,~!)|ӈi#/O ˭_6OUE2O]9woWp˸[{i6qq(qK8ƦNwzL!ݖĦ^MZji]5M=O]^t}wqm6k{s>- /3\>.O ӯBjth>~.{{^MT̟c7`ܳ4fG{?U_~a՛ޮ۩,pr{oLs5=Gض/Er%=5ΡQ_srė3?>n?}m__SǏX)a]??S:G__q [kTrՋ~-yX7e/[,U 32=CX4lKLisϜ|_Q.N[E,bhICspeu|utq*4i,_?7,RBdtue]H b=cxs{}/FdphA.]z;5Rn=1}A;;;~稰4\%&cuuW!Mej$XRj\(iff[zU$F !Co{,u-ϳmVP̉L[_ƍ+$hUI.g]v!zq^_K8i(j`_Z\FJ|U.WgR8P<~% V;/;u8Vy|:HA4XԁJwiy?`h9WwzR[;ۻ$KKc41f!cmEOTa _}bUֽK)h`_sԂ y6 ,? d% f~ݘWx:u㯛_g{ y?*=+X_Z\-_IOyo_6o9u෵ro}ix!NBL|uAun'!"(2iWRdsK%mHV, U/a?j\]w×!7yq=SG];Htv >U:Cg|NhlCrɶz՚ҊT^& Wݢy,x@bMUTҜ?_x?l|R.c H-oE]^FTtOо&u;txwiw]2jc~ߟ,Dr>4/⩂9RΊ[ywwԳ=55ˣPVB Ӗɛݗ2m>ksE'<i*kK H̦l++ߑxww=Y1;xu9MY9X{Cl-4REcimAl.* 4;§~T:}qءJL-loZLժEy(ڃܰǴ" E5,m[À TH+iZ㮛~tn~wVy=Fs f0$h$Db-ZO(g؝ݛ޿6Ǫܛ)W[;`9/!6~J -v@`{w9#[=tے`J*Ӈg>~{}ݢKhܿ,- 8Hf7ipHo/ty*.~{+J?GYݫy?OJ?`swda:G__g %+ KQ/]M$4;RA ddRHS#mF꽃3A_o~ G?y>E#0Zo8B:NwnM~ZWJYChꢧ6SGA$s[C-]410m$WR0Rid{e&C!Ʈq脟Ajݷg~vK\ܣ3"qoZ-\KE;C=k) _}bUֽK)h`_sԂ y6 , d% f~ݘWx:u㯛_g{ y?*=+X_Z\-_IOyo^׽u*OfO1sw0}Y3ǣ뽟*?WY?GvWw|7&nԣ[_U ˞yPV9{bKugov7Rsʃiu?ށ/)W,ww׿X{tv-5~*~K9?ſAĖQlV𢿃a|nyS7mc5J=mӣ6XeeX%GQ0XHRޏ4@Ͷ*,ʠ B-QĊOSy=O;lS\M[B4rŖi%ֵ,!d` #“6_t뿕I{|l6?mRv7WK?M:Qcr;3dbw"PCUMSU tSW -˘廅Db{}PWdSsAè߿9 =獪Ö\I#;ymcWDhԄ-&dv^;t- :-^`IS۵]]8(7l`!3$k2xcQ,s7;)^l[MO&9*͂LF?.ڝAQ\?vNmP qwVQxb+炨(`Mh޶yav}1]4a5k4?\Ýf{KrR`e%Ed mw{unG7'rm}Bf8ܤ+MaCAO'"O[Ƕ&"ݚ)lFS+4_SrG~o{m1lP;F֗p%qOi )ifzk; w?n+'r&j產h-%@)mr7-xfnN4h҄*.A|2 Ú/yڟm[ǚe=ʣ)1I-Vir/J(εחguz/j>FϷO{ӣ;2CEݑ1n\$rN;+Y) &fI@PB[8mA"n3[7*AjԃB]K^g{ۭ%lQ| ,ªu#zp{ώ@z&Oyď>7էK=}uc~k,7ힵ,DR3rւIW9],r:@R{_*ZGrͺdYTp fg9#vd' 9" m0\9QERc\47` ׹[6?k}}ajs4Ǘ1UO4~3Ӱ= nl,]Wh>#{K.AFSJdS=}̹kܯ\6cmMtoXf1|"7jug$Vy cu/;;o֛Xs|J Q7o9ou=__s'_w3=}A|jlTMCvS` HƦzzMϑ휭E p>") ؘa6S_@唑>ιasn. {Y5r88x@?"{؝}]6J}mdY.Unmݙ *^TT3OO90@Dtwט=V|8 RJ9wn&CuWwr1lvR9 ֎Z]ntǢ35J}wſeSmZah#Y%nO}fqn d j)UE zח{o#Z$?S#f' :=oyy n{.cM0xZ,rOZ I-b`vIrgz\8zg%3V3pcH*ld:i0㘶=nlx!DZVD ӵ4-~?ϼA5~潢& qitхHсeֳ#`m 6,[_pZɩmYI y,'?Oie2HlZarcrCO*>}st/tek`n˛W[G |uB|Z,ۓź38C( b#ZN'Ln.o姩 1J(y-ݞotKH8oڴM:_u{-vݻh|h╬tzܞ)D둗[t@bT><>$ɻo|LVM$='}i0W12_vmȢ*һ)(%SMS./e78rѺr彦6v :̿C^~~//9qoae+_{@*]}Qvv7fmnmqro]ڹʚ}c`X)޾)*!5Ɍ^s#ntE'#+P*C œ({{?ny4{}v1ss%vp\¡M KÍ}&3Ck[S6ˎdvNCa6FSj34}c+e $Ȋ81);J'9ơ},r<ݩ3jKr BhFF}?z;6O~~~mN˓ǹ\T ▐۹צdiKkIKy*.~~ҲOo?<՟ڷd _;WvOOs>tUN ź߿ڿ`Oܿg'X??܏-wJ~G||nVe'lu N9f&W(bܳmQ.VWR4?\ j}rl-&mxJʯ$D(%2嫯Ǿ#5M.܎oevO^e l>;-5qHV)†9dO\EѰeܷmMshEݻ4SVh}m~vvcF7v!.5C$J#%&5P.+ SfnBvn 8iIiVWO XM՛)E^ ZJR$'2o>[Ibr8ܜiWѥ T.\ e{e5^{?"ڷ5{FRb[7MZ_Qk._<:|ovdFwe7=њ#bܹHzvW=5lSU$L̓-l{>q|DgooU}L8թ Odbi[;Kkx-͆oͼ.@Y#UU FGe |~{ߺ@i|tU8z螛ͽe.d N!$ݸ<+H ,^컻DۮktCqr]jԭ3NܙEo lt6wd2ҋi KTM)Saͩ}c6\|ٛmaVfr_¶ߢ12 0y%{vvV{}vvAh*RXTbI$^hnsy9v;QnW\ƱGO;$T]LtHv_?黤?Soaw?5݅/"kW4v]w{m6^|?$ӪVӫH8WG~[q7݃|?uc:/饋WѪuj5TuZRM[dYUAzjfآYm n*zZY"VF,ı'ڋ+ m68T"jHU tM|O\$ۥWZiI" PCzoXtu/Yv9|N6^TMFrxve(H"v[b {յѤ;os [@ )P +N}bܧfHKi"gMJI$TJ~< ^鞭랣 F}c6窨1Y>b9z~* *^6ᦉ ݆ٶP׷mn\oFT ^4Ӧß9= v7[XْwaYnd%y3V$؜V{]c1>NZ<+-EM)&]3RPG5-]4l"2j9xZ&e`#Ѓ:mV}ܰ_DdtaԆVDGUG쌔y]a㪣jXwzMSD҉0_6~US񆀈AaPp%܃} ~Z[?شF'EX-cGڽ兂w8);kJKJhV5V޹VêTl0k0ƍ ۶ce)j(eLbT`KJE _Poy'n1-ZJii 5z _+MΩ{0=Ʊ46W&Y+o#@P4Lt}ha*zzx "bAPaR8E @UIWyer1,ƤI9$'.>@g^vV:|v35pq.TQGݸie@)]cUϲ=9BhWuPxqG_Ȏolٹ'l=vhefy]j}v61àgߍYfόywVip4ݘZBKUݙUSEU$bJzac!=>vBX6CTHMr+;#:{{mwܪōU]$,1[A"Aagy|kػٽ=)#''`.ػ{V>G+vfU\='>f/7uulwq֓_%4M,1h쥆Cè`onUOsym+v _sx̐:ijt55=φ:s7^|SٰߞJٝ_s*fjFr天&xeFhe'KHy_ln"n%$u4U4Z}ݞyޮm~B\qo2Xfx0 FKQ/E 3;]W?}g} cj|foʩ oQ`aZEgxWݥ;y+WLUyu9ix,}[x6%Y[֧Vt]ZX;Z/Ľ[< i7hwwŎsc\4DQ`ZW^.[ydI#^MvۏƺvmŻcin'NJГ~ۋ:{6Vmeݥy*,MAfb^gV$'l۶a kTZ@\\=vEB}^s5ԺF݂(:EvGOɸw]ڸlB;qTOq5xJemuM:Nm:Ӎxt,t=[g[xM,^/⾍UӭQ׮zlRl'f>zʪ W6NFJ̅E&nPcqTU1f%>YXXiYoj(RBTnhk}~bNg7`Q%.fuENHPXtvόQM]2tzgzuO*Lf6L4o4ROJ˛kq ƌb5 ס"1Moi%ާuzfvnȼ2m}; 4,_ót΋$3"ȡѕ!ݷgYEqjcU Qxμݿ2r74n?0Dm[y0*D]I с : 3&>yĝxusvM>mtS.ÃzDZv#Ɏm2YA@7"^(.?>=d[FY Zʎ $ս=!GN J4[wbmNYj1WTH奞]sJYO߶mMm1[ B R}x|&71s5; {ķPE:)?w'?_n]ٛ ÌݹejR HTTHc\n \ʺv"g2xcY'e{g[+-+XX5,TQ;Ч?>-|dt/CYUdR)vɕcn[Tj>vX?} vaFdQBF|@r=>H sniVt"P=c{?IWLv辣 EF߯ܝcԛagp5U%^cjVBSR%3м9RѡXrõL^gmpPo qRA*Yi zt[{&E:Einwʏ̱\",:PWeASJw.^# r7hl=X׊RQd %DyEյѤ;os [@ )P +7'{]n~nSOq^\K$Zo%3 *@?XRtjVQ|^pWga`ksTT^j1XN?K/LDƀnlvZkභf.c#RX |ϜoP-W{ Ȱ2HـDok tZߔ'ѪQώf% Yj(;M,5\KjE/Qm\2(Գ헾7$퇸,[LO+BϮVWF8tO7965Nvf7 S8Ijs=hIOQ,c'n\Kװ@j>IUg`sxcCor~yOw6ͣn[T1YZʫ+h$PT5,5?/{7z7d`{s|? ࿅n = 'Lή-;ݚk䦉7tr(pxulʼ}o0sNa[ o#|e'e|m9ص=vf(T4~|~L9|V6  N$ 0߳iލ=O ʷAJ>R|-Mp,ͱԸ/}s nTyYQf6oa cA S㣧+4k!Vuy3:4j*hΔD^l\˶Z[֒]6q! !hd e9Knju>;푔l#O+ۇz% nw,f>;*0Yk*]rRJ:I*K.e^lkxel Oc`ex5x ))AGJ?_̟\ao vW.'}>{gnv5~l6XeU{O"/K)t$.nB;V)TTɳpSo ^% VʄLX4ߛ@׹9~=a?quw;s{5Ga˃xYQNkji;!-[@fo:T鯈<+O>= dڬ~{ߗ{~=tGy>ogytQ`al[c)gY% jWo~sX7o#t(*QaAnow^O^y%ռs42,I$BP(2Ilm{71w4ܞfht7٬o `?IC+7Kbn5ˢny`nh嫘0@3A2|O)& =Xϳ.]kg/e8NC']wM?3eAw_g쬉.Pg)k0ciJ/.6e<_KeYȧ.Sm۾snM~7ӷ"]ŮͬrJ-TtY?c2W#"zu헝l~_4xV(z|uf4&6YnSIg6@-UX>tK6Q4͍VSH$]%t-jTp`N2Mh{+:w¯niv'N^77NnS٭**0 :9oWGҶ-o]RdžaPZ Fhsfna&K9#I"M.4J8~ުn}»oQKIF[{ %&cn2M`.E+^geB  +!Qߓb-m[9cA"7x9 1Y⣠ﺿOR޾}wؔW6ct[ҫ1౛F)T8=닞5 @*"7j-+!ZN2`I~;ZϳMnQ՛VbHrj*ot#/kl8 vy!󍖕ԫkD`yk~e}:iJּ)NCim~t7覭zJVk7Uϙίal?+鈰20 :kTw_ܘbͼv^bE5f'!X*), 6o}lma*`%j  NX[ڟr7n܈ۤa "YDn*:Z;;ܟ%~ ؚ}ጇwF'Ϯ=_?z}ɔjFC(0m){Y5q!kYqu\݂n[^4j$?F\zN_E;0~3nuڝw{w'̶F}cUn]~XVݬ\NX4D֢&"!I,jxIE;W/o[ŴO=+` eJ٭( 8|T。3lt[sx?OݸmNy8iVA>nTQvNO|M؝Mu1ݭ=CSa_&/oCTi a9vcw%7ҬbF$4L|&^o'؎WKHc'Ɓ|k !Z)O:_Mҽ-۲Wa<1&Cf78jǒIE4(\^[Z8]>,(MY J|\޷ѻ_]Ց<8bv]ZkX)]ʎ|5~o;"﬿\v7inlV΋u{9n<-7Ŕ| ?]b'؏CMkJqzyyy>2ѫuiZWg3?݁wһ?.vj덍ה Ζt=MVmjjVlPr MIx\3jJjՊ` ''ta?$sUOHu\=Pt#0AfLBF]_΃^opt/h|m܅^#7mɄY*7nڻS7vZX9ryJIxͦgE(#Mp7ͳn(\ lIE|X'XnSksrzhv6=#RE1Y n]]+S&" dzFuT2It f4&vqbh^coc6g-N/ߏsz!'X꫰rMٿ67m.SMZY( Sp^s63'\jE^,=KYܶ[{!wK WuAo#8vюv$'rػn;wٽ7s;۰w[1V޹ݷM-jLMKlˮʤVEI˨vݷ+mxA4,PɩTF8PZ/;{*Qt_-(h܎kLcd1ٴs4f|[7͢C0M/˚S1\G{hcO(,V5) SNz`=\|𗿣`ݍvEnDŽ<u'4MGU灸W 6{6w : BG)|K6nO{܎Nn RKZ Ut'Dn6)e9mܾn8vݹ~domʼnۏwo՞J}-5^ xvB)2)m7Q9ghldmdVhVIj r5WȚocsisAʰn3HqFG(4(ê`PTTTn_*;:nˆqٲ}lC[gE7vb&4^\cK'tP|^!Z֕Zt].l HѫuiZcn{k֋}~7n_Y~l>!-v ;s KM1e|^COgv^\cK'tP|^!Z֕Zuwgog'gOEF^kN*\GΣ{{^׺u{{^׺u{{^׺K]]?쏿3[x?$?( $?ޛ'OL'#OS:ɯcԟsxcr?GN/.nm:SO[;iG}ɍݜJ.mz[nc%FȃY<ښ暾y{{ln1lhkiV1&JҞ} ( rR(7zZ[obkJ]JLj*39v_˗ϯ7qv^흛L=>$76? 'p7zԽ=L+*2]gZY7{WI\B+aOn]E|GBd'l7p7cJDM/)FSQuSv~ݳ_O[2MDžknvBc3kܦzշ%̑LOס#REjjU<@Km~:Rŗ+)D,^Z6ow6߹ bq'm=RJSwXy3-@Ìј>+JaA'&ܾDc̢Ch{_`4Pr@/샿T_='#%~+7]cG(ONmn VEREWQT[~9IaT JUV4>=p-x0HӾ ^*{'e`?gɏ]lln3tȟҗ?/9)c¢A/άdq2O A |}D<[7bsc*GĥM3j9:r/d Ozu? oW_~bb5>u9{U?;m~ǣw+Й+0ڸ_O%weo6DVn8NƊP˛|SϹQRQPddMV5qDiί:+<~][Mjw׳0O56߂}9]+߿ ~> K8n%y?bvQ)wQd%U4)z*Yژ&okk P`Ijjb''IXmsnm-D"WXҠIݼ;(2+ny#;/=kt.fݹ-OzMVhk*2Uے;G5_9G# Ys?Y|fjTI)1XpWjO;i de *SQhf΀ z t;.6g[K8"ۢ #>gaÓѵO-vH7k&NoVӕb9Liv-b+!t|5^ܻ='ʲ~Z&Ϡ,oOnkg9}e+!T,A׊HV ';e;_0BemBڝ絾VqRapv~ݿdqK6/5I%jHrx1IX}E̚Qc$G9= ;fNSwQւkmGu(u/a'q,N޾n3vkm.=u-> ٙV. mQ -v&JFV +Ac P5AwzG۬ f 'VpɪX3(C=޹Dš)QШ1_!z ep4IL憕Hkͳ(4S` H'Ԁz\*E 4|%QTf0HuK]'':W)؝}ع0M|X{f,N=A6 N7ovD9l,y8V=U:B(.!טb7NbF䲸ҍ]4Ӫ&}J;ϸ{׳g{kOvݮ;ƺTXqC(UKEӽ7}" wq?%9M'Vl{-[O"¶9bSLK7;y]2+k4/9PNAqA>Iaxo]mfX 1ՈUy+8B(uvQ` Ӿ:wuvS-'o3hh)qFz $xO}-}~~Â&tfLLGΌv_bmi,>wdQaq˓Zzzq*Mr{[$5eRϨ3=4Ўgڶ;ߍ6$+a,w A6 Y``zt5mAϊ~Wx:fUG,4pʬM'r͜IC2=yxZ^u:zӮ|`O2荣7sŽv7xUSRf(:9;ngs(C,5lK2;eGCqcZ#QH: k>g+u˛ybc˪6FzՀeTDgS $몞j;VsO۲ny{xeۓgeEIZZq]O }^w]_WVxR.|6A#E7^$GTUkլ|Jm:iEGEKIzy6-5*R 38U E?BuXpi?ד912LYOϢmº9~ڟݝhk+o=6)d+2KVBc pRGxPXJ 4.0=Mێ%bܮ8B(r5#" 8{CX+?ʣޓ=18}m lnݝ=v:$%UWC37HCwXl1ܑHxLfw,|X.6Ǘr*;lZ'7:<I,wʅV@>s=E])YGcIe[r`~H%6'#g7>`/wF*-,-7h-pT VA3\e[n ÎJYDtʎ(3J=|&7WACW]?u#3}~zf;wmgdnᜧATHobY$V{} :"6Eȫ)Z'[9ع7^f~>g[tÊ:FzMԊ֞]c^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^׽u~{ߺ^&|U'b.?װX_k|d讲ʜ8M%mF/p,q$ O$OS O1 u|Gy"/ #>.ֻu.r:[эKE^7[Go d*d>;EbQcqt} J*(PA@8ubjԞ{Z׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺u{{^׺n;v{SdPNG  IHDRb^.M*sBITO`PLTEKKJ!-,, Ե􍉉yna``eX6&qll{ttېRDG2&GbKGDHIDATx]b*`ZjWۚ[~0{Lw a8#&!wOw/.........I۲ 廿6od)˿y_柺6ݴzx0'k$/r+s,Z?ϛBo?ćw~ ć5jNGZdOĀP<8W:YV . Y*S '_qBbז>Ū.2*\L!;3I3 {3qumpciZ'Mk*C[-VU;NNZ3!q-"hއʓ͹8+r#OO0_PUwb³뚮2xyyyJi"5? j 1I+sd+Qԯ9$@**bɂ-CC+e*Bjl 3 |.&U]@̇& 1ĿWV$KC3g Yj~>ĥ`+1>er$[|6i2WP%[ +mc)NQZDHk{Y/wZK6I~=犅=?? >O,I^[Y$jPL?ſAs"2rߌG؛ !Õzb>(kY'|Pqb"8K.O.S]^e~"zS2P0~j.v^FV֛ Y q)5K Use~,FCKENit@Wɼ|Ngpϑi ,ΰb,nfobؕD; KR5GZl!'ޔ:xS %eoag՜AT./.Ē*orb9%@WU}gpM6+ :fƤl  =X&܌6kD7y US.!p.#q>M7r\Q#XH2]"%nLGQY){#ɏ꣠O)tSTn('cռ!S-ǐW4^a 3gYJan&js*o8g2,`LCĥYq2=妥9 t쪫l ֙=0.њ{- d;پעqp:N(]Ԛ֪@/i U݂(۱V *.`Q !Q}|Fo݉|-鐲sбսuzQac+k!ք%@8CJ-^EX!V=^tbZS Zܲ&I[cfx΁iVR+ped)I=$V6AzSt xyu%Yf9OwFUBalĹ.m՜#.K +a;6;>}@Z5,L:)"6}khV [@-f Hj2%4<[Zd&Wpӛk1FP305,sېF{_HفҩZAI&+}d@"7b \DN@s1: QD+nz& ݱ݃b*@'!J1-CPFJsB.=f*(e8 #sno}7j; Gk1'Kݳn~ Cb:,͌4薟% ) tܻV9Ll)؇n=#xyy>Z!>vj b_IWb>PW"s2t4 -_|nz?↉- S=<Bl;uǣDJZi DuKi'2W%#DD+ǘ (_x9=tF+*otGÈ[>r@PHZ$Py+(p"G]NkT] 5-ey4sFbbt6s3' b+aQ"5hPe| M;lG\t@vŃW.vDD#T=,z" 庂"]',6!-*ٙ#>8Ѷ.bK֌]&drXz&!'@Wn0 VУu#~b*-?CغqnqDx&3?Zl@"``Dw4eo7@5"0j;8Z*x{QM[Y;Xbl"w  mt'f+3Q{v| [&b 7.(< d+wFRd[7_=c|iP'}ґ0CFsKwv=xZ?sd:g,Ĩ n߰Ji1^`>Y#%qǞR +(l/ЖϿ(npv `)W-bbk9/0#~K.( Jgaq!e*rq 1lnXƷ3G<[A\f0ege6VutLhgG@rl1ZgoR=y+sPaBa= \!b"b@zf“<z|Z!S1X> pxCen-k#E6hQuzK97 h=b[O-hXȫ 뙗ŅZM-(V25(m\|Ik@Cw/c;19+pzqEEL$ȁ+0@G=⋸8uRTR@0%Fg6CbsTZ%TRC*DyV>уp DqcIw]|h 7U ΅[:#4P7~ MR4aYh"Mv2mY׏ZoY;7T(5LٔZj^fAᩧ8=ߟ[(x\JO@\P{JbZ$jrmj4uOޅ-"g/`Ċ>.m@#Ί5twĴaOBI0~եZ<3/yxq6+΋U=EmLbǶTzX(Xd6o {HׄcVuT\/H&=Q\k(=\Q3ނ 9 LN"V!ad^:ۃ!=G\) 8+tc:[Bߢ@X-aS4 M&G:A(Gu]3 k6)YEsY&NVfy?E-C'fT'R]'Z(CR| 2[N׿2unAM+%_L?/ =%(.5_\ť6>US`l(bݥׅGV6{E D'*2*F:#Pf~6+kZ8ɉ )^ah?}doCp˩M{MCCn;k?Nxݰ='/FPmxk>%h۪{nk+uz_rb9X;CQr/m~`Ƥ5ns=ޕ_he7ޙv>X=Ol"U9蹔4C,J".m;r+NՎ\SOp\?wt??U`f>vo-fa}r%*[,oޫ2}P}lYyشa]Uoh ]./eU _w9g׎SSk1X1ķۻH8ԻyX8#|/Gjv}1hK1fѺ~KJT=V`-Ӱelpmԯ\_+VCe{冷1kݷztkn=ok};?[fG Lkug?n@ч/v?נxn-NUA9^zwNk^TPpxQc5u_Zڨa7X-pK7z=^zfXP#f]ΠHs뵕T1FO4O_E>Lq-OA<6=g7gQ8=K7Sn=x668XRdc3խF\7[?G~eΏEE!Ec6S:6~޼~ ߳yr?WgtznkYuֵfm~v"Lbt9XKre!pק'y^nI$sTI%)qSL=vj}q[~0SCF.ch63kXl6}+?Hc#c h$-ھ.rl?IK?L?[ޯ?X`>K4vcWMX5^K>jFߠct[s\Yss躶iv. -l^^މك,F#18:zT/ɦvlc OuceT,5_Y!;k9]5[}P,pcvkha !ҋwٙ'Q? [vcAiswlgC?FQGm?l|$_x^O:_kS!?WIz4aJɩߢTQ:_1J_F1X I${MT;(gc)r?r{/>Ek3UϽ^&I2y+An̎(` qK?/xW _Ysj ח?&o\ dя~]5eYɍ +Ӆa}7"}@2=5-ke.#gJt0S8O —xn1` jPzV_[TڜO/U`e?9d6eM/i-15jYa*_jgv}ְUU̷R?kv_nwn rC7  -rǽZZAw}vեz_2*ta:.c}VfYomelϳ=1ZI!{S2s=c8.)JzszvX{%77t艟ex̺+0n=kO9גdGnW*~Pܪjk5cɱҿ}U/aO+\S<^'Lcё_^Cj6?ʿJsr(j 9As#*&엍s]d~5EdN\yreq@8x|n6K)m?͵@l;[ݷfc?-WuVMu[A,p-{zק X0T+>M;ښr2ի hwA2}'62kɟ&jqU[Kv9ZNӺL4mu1K}FiKZ24j^_l >n z&S'v-v X6 s䵢u{us#S#]gʹ4j̟ yyg1?OI{{?~G['ٌT]J5SfUWY$4akV_cOMt#Y׎\~-!hVoi}!kϧun{ٽKe񊬾c}Rv1x}@;ߨ>+}fK+cv3iooPΦ^[#ܮ7?C҇*7D[e֞ұ0ƒsdȀ=ϱd`bde㉻,:Xq}{-5H3FV{ZGɇ71/c󑉡>x8 {u{~kW7[a 2=u{[[q鿱o{{?^oe rNJŻ=Fuu7k[$cw[1:]$k\ sa{V_Y5ַ?޺o[*e6 .B~(<"|0kn2 3ۿN.6f}5nI׉$ w w58W>voōamU&a oX5h`՗FYKCwL?U?C}WGE#/%Ϳ84kn8[*W_?V[~1 "/t~MxJC_?=fyZ:ߺ*2״ !^pqpxk꾹?_{*ۺ;ۘ,[_R~uNuفuixJI{o}~m|XT۹cɮYcmNhr鰊'B {.1^`98/[χ}_|q_y_[igw?ܺ< Ns!»iw/I~7oe^v8^~/U_}fUUөa[Ă97RߪS!~CW]=oOx<~2\o}_Qwy@]n=t.p3wK?.?:TwT6?q_SkÒJ<*<|<5@ZPhotoshop 3.08BIM8BIM%\/{gdպ8BIM" com.apple.print.PageFormat.FormattingPrinter com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PageFormat.FormattingPrinter com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2009-11-26T09:26:13Z com.apple.print.ticket.stateFlag 0 com.apple.print.PageFormat.PMHorizontalRes com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PageFormat.PMHorizontalRes 72 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2009-11-26T09:26:13Z com.apple.print.ticket.stateFlag 0 com.apple.print.PageFormat.PMOrientation com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PageFormat.PMOrientation 1 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2009-11-26T09:26:13Z com.apple.print.ticket.stateFlag 0 com.apple.print.PageFormat.PMScaling com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PageFormat.PMScaling 1 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2009-11-26T09:26:13Z com.apple.print.ticket.stateFlag 0 com.apple.print.PageFormat.PMVerticalRes com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PageFormat.PMVerticalRes 72 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2009-11-26T09:26:13Z com.apple.print.ticket.stateFlag 0 com.apple.print.PageFormat.PMVerticalScaling com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PageFormat.PMVerticalScaling 1 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2009-11-26T09:26:13Z com.apple.print.ticket.stateFlag 0 com.apple.print.subTicket.paper_info_ticket com.apple.print.PageFormat.PMAdjustedPageRect com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PageFormat.PMAdjustedPageRect 0.0 0.0 783 559 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2010-02-17T12:44:17Z com.apple.print.ticket.stateFlag 0 com.apple.print.PageFormat.PMAdjustedPaperRect com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PageFormat.PMAdjustedPaperRect -18 -18 824 577 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2010-02-17T12:44:17Z com.apple.print.ticket.stateFlag 0 com.apple.print.PaperInfo.PMCustomPaper com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PaperInfo.PMCustomPaper com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2009-11-26T09:26:13Z com.apple.print.ticket.stateFlag 1 com.apple.print.PaperInfo.PMPaperName com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PaperInfo.PMPaperName iso-a4 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2009-11-26T09:26:13Z com.apple.print.ticket.stateFlag 1 com.apple.print.PaperInfo.PMUnadjustedPageRect com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PaperInfo.PMUnadjustedPageRect 0.0 0.0 783 559 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2009-11-26T09:26:13Z com.apple.print.ticket.stateFlag 1 com.apple.print.PaperInfo.PMUnadjustedPaperRect com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PaperInfo.PMUnadjustedPaperRect -18 -18 824 577 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2009-11-26T09:26:13Z com.apple.print.ticket.stateFlag 1 com.apple.print.PaperInfo.ppd.PMPaperName com.apple.print.ticket.creator com.apple.printingmanager com.apple.print.ticket.itemArray com.apple.print.PaperInfo.ppd.PMPaperName A4 com.apple.print.ticket.client com.apple.printingmanager com.apple.print.ticket.modDate 2009-11-26T09:26:13Z com.apple.print.ticket.stateFlag 1 com.apple.print.ticket.APIVersion 00.20 com.apple.print.ticket.privateLock com.apple.print.ticket.type com.apple.print.PaperInfoTicket com.apple.print.ticket.APIVersion 00.20 com.apple.print.ticket.privateLock com.apple.print.ticket.type com.apple.print.PageFormatTicket 8BIM118BIM&?8BIM x8BIM8BIM 8BIM 8BIM' 8BIMH/fflff/ff2Z5-8BIMp8BIM8BIM88BIM08BIM-8BIM@@8BIM8BIM_6 cJC_Titel_4c_mit Namen c6nullboundsObjcRct1Top longLeftlongBtomlong6Rghtlong cslicesVlLsObjcslicesliceIDlonggroupIDlongoriginenum ESliceOrigin autoGeneratedTypeenum ESliceTypeImg boundsObjcRct1Top longLeftlongBtomlong6Rghtlong curlTEXTnullTEXTMsgeTEXTaltTagTEXTcellTextIsHTMLboolcellTextTEXT horzAlignenumESliceHorzAligndefault vertAlignenumESliceVertAligndefault bgColorTypeenumESliceBGColorTypeNone topOutsetlong leftOutsetlong bottomOutsetlong rightOutsetlong8BIM( ?8BIM!8BIM H}JFIFHH Adobe_CMAdobed            H" ?   3!1AQa"q2B#$Rb34rC%Scs5&DTdE£t6UeuF'Vfv7GWgw5!1AQaq"2B#R3$brCScs4%&5DTdEU6teuFVfv'7GWgw ?TI%)a}p]Ot0,-m.ݞٻr\׾gJ{2.c.g 57&Nˋ'c\}gYmu6ݏMW8[PXnŽ7׌:Qcm)Gv0=ߞ˪e!+"ӻy{å5Ψ-krgwc+xle[]bg{t=b~AF?/͗,Koeh$:O_g>}doCp˩M{MCCn;k?Nxݰ='/FPmxk>%h۪{nk+uz_rb9X;CQr/m~`Ƥ5ns=ޕ_he7ޙv>X=Ol"U9蹔4C,J".m;r+NՎ\SOp\?wt??U`f>vo-fa}r%*[,oޫ2}P}lYyشa]Uoh ]./eU _w9g׎SSk1X1ķۻH8ԻyX8#|/Gjv}1hK1fѺ~KJT=V`-Ӱelpmԯ\_+VCe{冷1kݷztkn=ok};?[fG Lkug?n@ч/v?נxn-NUA9^zwNk^TPpxQc5u_Zڨa7X-pK7z=^zfXP#f]ΠHs뵕T1FO4O_E>Lq-OA<6=g7gQ8=K7Sn=x668XRdc3խF\7[?G~eΏEE!Ec6S:6~޼~ ߳yr?WgtznkYuֵfm~v"Lbt9XKre!pק'y^nI$sTI%)qSL=vj}q[~0SCF.ch63kXl6}+?Hc#c h$-ھ.rl?IK?L?[ޯ?X`>K4vcWMX5^K>jFߠct[s\Yss躶iv. -l^^މك,F#18:zT/ɦvlc OuceT,5_Y!;k9]5[}P,pcvkha !ҋwٙ'Q? [vcAiswlgC?FQGm?l|$_x^O:_kS!?WIz4aJɩߢTQ:_1J_F1X I${MT;(gc)r?r{/>Ek3UϽ^&I2y+An̎(` qK?/xW _Ysj ח?&o\ dя~]5eYɍ +Ӆa}7"}@2=5-ke.#gJt0S8O —xn1` jPzV_[TڜO/U`e?9d6eM/i-15jYa*_jgv}ְUU̷R?kv_nwn rC7  -rǽZZAw}vեz_2*ta:.c}VfYomelϳ=1ZI!{S2s=c8.)JzszvX{%77t艟ex̺+0n=kO9גdGnW*~Pܪjk5cɱҿ}U/aO+\S<^'Lcё_^Cj6?ʿJsr(j 9As#*&엍s]d~5EdN\yreq@8x|n6K)m?͵@l;[ݷfc?-WuVMu[A,p-{zק X0T+>M;ښr2ի hwA2}'62kɟ&jqU[Kv9ZNӺL4mu1K}FiKZ24j^_l >n z&S'v-v X6 s䵢u{us#S#]gʹ4j̟ yyg1?OI{{?~G['ٌT]J5SfUWY$4akV_cOMt#Y׎\~-!hVoi}!kϧun{ٽKe񊬾c}Rv1x}@;ߨ>+}fK+cv3iooPΦ^[#ܮ7?C҇*7D[e֞ұ0ƒsdȀ=ϱd`bde㉻,:Xq}{-5H3FV{ZGɇ71/c󑉡>x8 {u{~kW7[a 2=u{[[q鿱o{{?^oe rNJŻ=Fuu7k[$cw[1:]$k\ sa{V_Y5ַ?޺o[*e6 .B~(<"|0kn2 3ۿN.6f}5nI׉$ w w58W>voōamU&a oX5h`՗FYKCwL?U?C}WGE#/%Ϳ84kn8[*W_?V[~1 "/t~MxJC_?=fyZ:ߺ*2״ !^pqpxk꾹?_{*ۺ;ۘ,[_R~uNuفuixJI{o}~m|XT۹cɮYcmNhr鰊'B {.1^`98/[χ}_|q_y_[igw?ܺ< Ns!»iw/I~7oe^v8^~/U_}fUUөa[Ă97RߪS!~CW]=oOx<~2\o}_Qwy@]n=t.p3wK?.?:TwT6?q_SkÒJ<*<|<58BIM!UAdobe PhotoshopAdobe Photoshop CS38BIMmaniIRFR8BIMAnDsnullAFStlongFrInVlLsObjcnullFrIDlongUFStsVlLsObjcnullFsIDlongAFrmlongFsFrVlLslongULCntlong8BIMRoll8BIMmfri8BIMhttp://ns.adobe.com/xap/1.0/ ICC_PROFILE ADBEprtrCMYKLab acspAPPLADBE-ADBE desc|wtptxA2B0A2B2A2B1B2A0E8B2A1~P8B2A28gamtcprtL7desc"Coated FOGRA27 (ISO 12647-2:2004)XYZ ޫ9mft2 zN"uJ x L"|T.uP,~]=  !"#$%j&N'2(()*+,-.m/V0=1%22345678}9k:Z;I<9=&>??@ABCDEFGH|IrJgK[LPMEN;O2P*Q#RSTUV W XYYZ[\]^_`abcef ghijkl$m*n0o8p@qJrTs_tkuwvwxyz{|}~ ->QcwÎӏ.AVkН"4FXk~ͬ !5H\pùغ0G]tŒãĻ"5H[nςЖѪҿ0Hazܔݮ#2BRd,Ji.NmWzE t B e/`/qAX,\ 5! !"#$w%S&1''()*+t,U-4../0123h4O5667789:;<|=g>S?@@.AB BCDEFGHIJKLxMoNhObP]QYRVSTTMUGVBW>X;Y:Z:[<\?]C^H_O`Wa`bgcjdoeuf}ghijklmnoq r s-t\0` 8!!"#$x%T&0' '()*+b,A-!../012m3R47566789:;m-?@@ABCDEFG~HpIcJWKLLBM9N/O%PQRSTTUVWXYZ[\]^_abc defg'h1i;jGkRl\mgnsopqrstuvwyz%{:|M}`~sȃބ %>Wqُ ";Uoښ.Jgۤ1Nkí:Xuη 'D_y-F_xɑʪ %>Wpԉգֽ+>Qdx=a=d$HiO[` ! d & m/{B b*OzF y!G""#$%Q&!&'()d*5++,-.S/&/012y3O4%45678Z92: :;<=s>N?)@@ABC{DYE7FFGHIJyK[L>M!NNOPQR~SdTKU3VWWXYZ[\]n^Z_G`4a"bccdefghijkltmin^oTpJqAr8s0t)u#vwxyz { |}~ $,4=GR^jw˜ԙ "7Ne|ȥ8Urί1Tw 4\1^ÍļSɆʸUύ>|ջ?لZީ`KBJhAUkozɻ~㓨~w~[\*~<~x}'~lz~b~hȬ~W~&v~Z(<a}& },ğ}D^}u}uJ}iY~JP<~Z X|:ܠ|Jl|gR|U|t}BY"}<}狡j~\{|`{sS{Ϧ||Wr|WXh}<}N}3{=iZ{Im{f{i{줠q|CW|Z0iʖ@Q8UY7 8q ڹȡ<񘻂m ڡiZPݗu6b>l6 ` ڶחk%聑9h1 P%|~6Z ~ źíςP~Zg{ө=O96~k zĞՑƂjd~26fဨOL 6^"~ l|`|G|z|}`||e63}BL0.}0~ ~i oC%!'6{{d+5Kp1DݐFþ_<*wz.c=GKG%.1dDŽ͏zV_ԖՊ=y9ݑ b@~Jg 1uݎQ Y\wQaV ^J=Ȑ1ɹpȮڣ.gv`HIDžD1Tꂤ2ΣqgRòʉ"u燩_̆C?Iaښq1ăЋdeTBΌm̈ius8_' ?I&1\-UZJ؅͌_ ɉԼtaLw^ݬ5H_1ؚ׀ɜt{ͳju{{y {r|X\|Dʎ }_+KX~ 2jƸ>lO32qP[:BDt+ց:7šPel:w*o,|p'ZoӇD"z,+ x얡Ø딧[o!lYÍ(C,pf-sk`񥥬HRtb9ҐޙpnXnCy[,񇄿ט_ϕʫ݁m-XKOC Ȕ",Ð,̾n4ĔѮBl?7WB։P,Ƈ'1ӽpN;}odskW\lB,Ά.Aї^t~Uj|V'B2ġ,`b@{wڢ{\{k|:i{gK| S"|=)}P%~, ]:| ΃0zdfFRo=bꁫ&YG 2XoҠ֍<yƙyfg*Q蓃=4؆&ӎͅT `ˣϘCKxؐae38QZ0= E';>;&X›w;wdIP\< 'l牷|=ʬBv˞c}P`j0xge ﶸ Jܸq'a,Q@UA>0r`҈\|x|'i|Zky|1J|:am}5)j}K,DqxitGZ9&JF:ց)݁-W~Px^i%EZJ:q&*p4zޅ ד"lc{w h׶$YȯԍJ:Ф;j*͞ňjz¢[w%hwW"Y_Jh:ۣ1+XPs mI 0w/K+h]Y2RJ75:E+\y φ@v׺ȧgɴnXﭼ'J':ࡘF+E.׌l b:vKg\X­6AIt:ơ+͚ߔu| ӻ,vEjgD8XI㦁b:y+Ța( GUyI}~kʷ|^N|P1|Az}2ǯC}#9~rəƁ:zJд'l^0PHvB%3Q[ $u#{IzVlHǼ^M>JPrBV63;$Υ~TCz,lWƎ^c^Pō^B4;4%d͈ZtKz2@lRŌ^]0PB4c%ߢ[0,YzchlBĵ~^O&PחyB®Ĕb4ޑx&Fܚ YK0z|˼^l/^@n1P B\4 &ig %zg7'l{^0٥NPy}B_ 4q&aRʘt pw xtjyJjQyw7zz0#un*ɵvvlwbx'8ixQ^y7zy_uA$GuVAvpʘw!wixPyR7y̙cyNau0ލuc)vNwvwhtxw,P|y@7qyy wǏxDxĘ:y_ }z gvVzMV{J1{g{)Yrkі/hK~>fS(MS*R23q؁–c|GSe|:e.2L7\2Z]܂P|Y՗uc[|w{k d iL&jd2tt49o PrG. {~ɐ~ԙz,~ɖ/c#~ʒK~Ït2~=~GxZmi~¬~R`~eEx~TbB~KK~<2~1}a`ѱ~t~wN~8~w}a|}*J}ϙ|2}}|J~ʰ~~J™~}ճOw}@`}iJC}p2v}'-? >ĔEFƐZ|2@h{JSu>' ⇲N6/'4{nKgSI>{>'`F ۵H(W,z/ f'R^|>ˌ('flpLސ5 S1yLeQҔ=Ї)c(Og޲d6ﮐ-xdϊ,*QZlx=(t-Gܾ읎56w,d祥P̈$=MF#(lYʁ԰X✫gqvz$c%PcP</(t<DP`uqvnvsߗws`xaL͒y\8.z[!3{{UK}A ݜ+~B8~jrt~T_~gL1~8 ~!ڎ Ϩ.ĖY"lݘ13qpy<^ÒrK7v,"^ s[ndۚe"r pT]yK7p~"ӋG Y?ioe]GSJ7Ì#Hh @C S:׀AFni{\}ՖJ7HK7̐ #y ن գۑFMm" [̐sI֘`7e7$#Jʹa~|lߧ[8&IFa72ɘ#ֈG#Ptڛя}͕lKZ쨄H>F6v#̇RuvyvhfAwfVxVD\yX1Guzcԕ{sl~-w~{~6x}gv }V~C~S1[~U5ktnwTf|UYCsE1c^ẃudvΌe%TCG{,1cl ԊK Lu1d~~T5"B1plp ׉uYxd| tddCSRBߓۑ1i 3z􄊢.s*cjSS8՚MBVl1ْ5 X1ԡۯPsQcRĖzB#1f[a؏5 dI+8{rŝbRf4A⒤O1/d_v IņTu}!ov"m[v]~0wqM;x`\hxcibZHԛK P4;˜۔,p G ևx Zh?YZxJ̜;a, ޓH5 Q2wԲh|ڬYJv;Yd+uV9 ev~iavov[avS!qwDA^xx4y$wz{?}~,o}a7f}R}D0}4 ~% ~#<iM}$oޅ`۲ RsDo5 %]5BT\}nٌ=`Rd/CB5 >%zleA|n@J`4RC95/!$&1*}֖ǃ|/NmѵV=_}#Q˩ܔKCn5J(,&x5gp{̺ɥ"muɡ _n&Q;CȖ95Am&љ& ]!{Fm6E_6^QbCp15+ٖ'U K y{8l'^QA/YCw5QA'Γi ؈ڄp:vc vV&{w&Iw;x-Oy]z ʤ!|jp\F~]c0q}V9}I6\};аF}-Ϊ~0:~-Yjpnօc?VCCIPу8< .7ւ}kS=Fpnǝ2c:VGIhs<7?.L 3kp]Ɩfc(V8IiY}^Gz~}y-o?}O Zk|ld{J{={|Pt|3^&}%eF}-~ ,~zBz{zݏ:{PsT{ɋ7]#|@kFW|-} }ayHy1yztzDr{ F\2{{E{-|:|6,x Vy#OyĆzpz~w[`zEb{\-{{>.xWxԙy'#yozZzEzᖥ-{zw³xŽsx{~xߴyLoyçYz7Dz-zyڊwίZxUgxLynVyYsyD?zFd-zP'ydMpxqQrׂtms*umWv@Ԅw''xۆ*yȆ{E_{G{lE{l| V|h@fO|'| ̈́|u+lTRjԂUӂW!@'(k& zUߺYUێۑۂg}͂iiTn?,i( ӂTZ#.|fMhxT?Hc8(ǀdˢu}*_{ɚgppSom>(L~ˡ6haȧ5ybRfR->6) ~+}vhՀnK y $erR.V>a~ҙM)~/}}HDԀdY1xHe*{;Q>~)}ו8|c&o㝿rpmr1w scSJtN@v@9Ӊw"xɉzVz z%xz^u'zb{7N/{9#|5" |N}v3ٌU?taցMp΁/9?#{z mڎ}&n4rՈB`ׇL܆͆9ׅo#$L pӁQӃtq<_LL( *8Ą # | <ap{^8Kh8F#* ra%b.@ʉݨ\oO=]oK8[$&p,}MAHn\ɅȡcJ`8BR$Aȇ7O3ۉs5͈gn ˭\BJ(N7͂=$2|32:{U|Y}᝵kz9`i3*W8E]rz2I"AyQK&h9VEDތr2hy OlޕJ`x+yg5fV"dD2-N TUQw 瘬fBΕU`˒D؏2iH3$t +لT1vaer`cTUCR2OHhuM ؂K:nMuM5dƎ "T+vC82$˕Z b,kpUBtd8ϩSZu,GwGE*xhw|>Sxxo̜y!_yOz@=z,5{0|7s~=~žnw^)Np=N,A\c󍪠Ŋ}m]㗚MӔԅ=K5,GɄ ]~gtm|w%l̏]ҍMWI= F,_rr+u`n{5EkE\q L<60j)ɠ!{!PGePYϷ>MB:L64VA)ş̑-J1ޔ!H*q eüܨqYMiwB5wy6=)ܟ-MQ]˃U*q[lrnDusou&qyvqsEawtIxu-zvx |%tnxtpWxqyesQywtz~`v4zHmw{A-x{ zlyL@l΄YfnqpՌq‚BvBs\_jt2GvT.!wdx}S˜k?3l8`nYptr5^SsևpG=uS.@vexw/j kZm؉oshqLF]SrFt .Su<viY汲k*ldqnʛpr'p\srOF4sڐ?.[tquĆ!)hɳׯjVlh n:qp [qƚ1EsSY.bti{uÝhi鮐j53lmЬ[p*oSZq`mEare.]t,tRh3/_ivwwJxw*yxmzSySX1{ yA{z(|z i~zuNev2twUxl{xGWyAz({l~ "|}s؍B(t֋uщvՈk!w҇7V"xą@y)zK+ {IrȘ{sӕtݓ~u䐅iv*U@w@xȉ)-y]PzfHr As֐nt'|u3hv=2T~w;?x)Hx\yt,q| r s/{~tgu1Sv?[w)`x5xյ*qzbr-Ts8WztCguN'S%vL?w`)gwkLx%pKqŌrysfXuRu>v˝)Ow2w*ӂjlBsnyoeqPsY;t"uR whCu4u׋[vwwfd&xBOĀOy:y#15z)*z~~9n~`+vP~~b~~O~~:k=~#~Z b}孻||#} t}ba}N$}儕9~##~\q ~p{2{|5_sv|y4`|Œ.Mc}K9}9a$(}Lm 7}zԗ{t}Uu\x& t[t~퇝u~lvhZFwaGxX3}y8y5;{i~}}7}kzz}Yw}Fl}3}x}f~ .;_e{„ͅjI=XF=I3̂т؀Kh@ozRiS WϊSEׂS3~Ӈ"Z` 򀊂̄IABy3 h=V߂EZ3S]4 wn¦E<w삯g \VDڀp37Q5 ~љHcTݫ(vM)fLsU%DU2ϔ_ ~ꎘ }ƘR'yFv: AeoUԣD52q,~vo w}b7zi:kNt_)mcnRE2p@a r-ZtC'ur*yOs@|srۏjtb=uQPv?ʋlw-x͊y|)|e|qs|a|Pl3|?:}-e}Pn}iކ~Sڏ$d7p*6``eO>؂F-S0b*g.o‹_c=O >tχp-j }Ҍv*m x^/NTO>-Jmwǁߍ\Z|ċl]eM=]-=2 k{ߋl4y\;M,F?=5g-`}gˌ Dы{ Kekҩ\9[LƆ<񅁛',كcD! QrV&iwțk1hZElXޖnHp8nr`&tuHz˜Lrvascg%t>WLuAHJ5vZ8_wv'xy>;|Z{u^{f{V{G|7|}''K|r} V=~js-e܂V(8G7`o'3؁ h,r–AdU`F_7'J'T6ÊN ]ɖqЕm~c3TގF 7"'@b r4p֛LbuT$:EU6ԋ܏'ćP~ͧJp8maՒS›&EC6yT0' xD~Co#aNS5gD!6Ft'Y %|yOijk \ۡlNnt@-pT0gr- s&Iu{?wܦ~riգ0r[sN t?u0w!x..{yL"}vȤzh䡨z[(szMje{?P{r0{!C|^|~u£gkZh2Lؚ>20xw!{mˏ6Ut͢g"oY3ALG>0_F7!^t?ށsf[YeK=>?3I0i>"m,DžAsKA4e˝4X\K]}>lL0kf"ki!/rΣe7pCXK3=͕ 04ǒ"bdTr'd6WJĖ}=Y0G"C%Sk2ig^zjQڪllEn47ãp)qs xv!u|jw0q~]ҬrFQPs3DtL7$u)ǝv.Nw y獲}iiƯyq]:MyPҧ!yDV,zD7ooz){_"{ x}~i@:\P[ŀWD 7H)oC Bbh}+\ڇO䤤C75* 3t 𑑂)ɈMgQm[OzC_(7*/`ٔQ sgn[->.O$CԐj6КߎT*,Z:2҅FgZᦘNJvB&z6)*JRN؆gGf#Z'NɝB❔26ڙ*T+]i@RN5jGl2;5m/o"qCsUkw!}%]M~pR*qFr;s/u"v]x\wzm}] x|QܵexFȰ2y;Gy/ͦz9#Xqz5{ {S}:&~\˹:QwF<;/#,ٜB N \QmFt\;pUa0#Ah =ԉ\MQ:NFP@;V3q0 \;$B"R #u?U\QfF3X7;GC=0dq$^W; "hp:[oEP=Fa;?~0 a$Zۍ! cv^mO[롐PȯiFC;90$s+Uc 9͂lSfmhoojȆqYmpso3ZKtq%Bv*r(wCszriWqӮkIr`m=t qo*uLoqvgYrwaB7tx$(ux> xw f}~h}k*}wzmK}moZ}WqP}As}n)+t:| wb{ ?d%g5i{рkŅlmVp A$q䂭)[s; ^v$~czeےXh8jjlۋVo@p)r'ubp2dۜ/gBa}i1ikU2n1@;p%)qgt>a%d'f|;hbhkGATpm-?o )pύs3a`cpe{-h_gjTSm7?~o)pXv7s`c,$eeMzLgfj^YS7l#?n)oOrԶtEe3BuHg|vPi{w]l,gxmndRyps;zrA#/{sB~t(qmpdrq.sryu>tevuSQwvz;xwr#yw|xo {Fp{q{wsk{d4t|=Pv,|t;wm|$x^|5 n{D{m7 n΅$p]v.qbsuOtb:v0$Gw y~kՑ~mnTo&ztpËar\NGsۈK:Iu+$}v xʁFjӜm+lOn8OsKo~`q}Ms+9tX$u# w܃cjdkˣ2Ym~"r"o,I_pϗLr[9s\$tr wigQk@5lq.n ^pIVLJqٙ9^s)$sUvnxi'ip}kq]~mI~o5QZqڀrOusyodzopN-{qn{r\=|4tTH|u4}vd~wVҀWy [wyExKyIy z(mWyz[zzHC{A{c4{{|{R~|#!uĄ'CvY}wzkxVYy)Gky4UzB{<}7~ßtrkuc{vM jw0XxFx䆽4y[z |Bsutqz~uekiMvOWw2F!xZ3xy {Ǜr<]snyEthEuTWvEwW3w x8= Bz8=ir'1s-x?t&gluVjusEvї\3Zwn= w yeTqɸ8rβ)wfsŬjftUuDvj3wq w! ByKd ifAw6yhe:jTIm/Aof.aqfr}vvϗinShoQubMpdg4rS(sA(7t.ozv/-avbyHnxomx\swxcyyBRy@qzn.4zY{||W~~_r7~݀a~hQ*$?:.<ag!~͑}Wˁ }}5-}<}v}Ă?{I~Z{ڛns|^|q||-|r)[|% |샀`{ }P{Om{b]{hN'{֘={ -{֑o{l |A~iz|szal{"(]V{J:M{l={-H{cz {C4Ac{:3ek_.h[u9jnK'el:$o(1q ,ErO0w;mByqniӊoZ-7qVJ.xr9tW(uvzfvwԉwhd;wX{x0IIx8s˅xs7Bdۄ/V1PG^;8(:qKu&ʁ"r~ycՕUm*FS7э(97BD݀qc,JT΂zQU}5xm~NjUA~\p}N1}@[}1}"3{}~~wi+[pMƌ?犓a1]B"X0_hP@vh0 ZMW?w1]'"ՆJ""-eu٘gOGUYދL6f?<1P1"ڊ7\[CQt2LqfY>&zL U> l0"уl s~騺eRNXK&">Sv0#"t߂lyoCcb eTXgGi9l7+RntPpq rzmKl`圷mNS;nFp@9gq+'so t vK{l˝etg_ݚuSduF5v8wj*xROy isz}k!}uk|^S|RA|E|8_|*ؐf}}G G}`p~j]Q|)EK89*ʍ+N w-i]*#!PϔDtHg7ՐB*΍Ԇ3υ5N׃ځiĔ\>SPOŐDd7C*ьފƄ_h].e[@O֓ECʐ7w`*#֋/̆j˂+gϗģ[{/ OpLC{.7?ԕ*Mm4G acVxeJW g4>\i{1ɞk$Kn ovs{a k7UP?lIn=⟦o1qJ$_LrFtTvwf|`3s(TTsIt=su1Pv$n5wŖBx PNz}_j?zS颻{HS{1={o1{$}f|54%| }h~^SJhHt<1$܀Yk @$*m^RXG凎0$ߐčԋD ]†xTNbJRd?Kf5C2i)֦k^amoיXt'|T4j\I\k?mN5n)ܤ#prZ̞sܖMx;}oSIJqIUr?]s4t)uvvx{2b~S[2y8I.y?*y4ԣzQ)"zK{^{t}~RZHܫ! >Ӧ4x* 'PRSH_>n42)2 ߙnkdRWHWx>tg4g#)mCUB 1ʂdi/R̔H$R>P/4YE=)6{Y> ɃńQ3G|>4 4N)|5 Ò  g_i"bbk1e|gmEhYgoRkRqGmw<so#bspy%pck9AemhInzSjpfGlr6Qo#s;q t#r u]wvu`zvĞcwiexxjhaxdjy]PmDy;{oUz>$,pgy 4vy3^%C`恨c:vfcei4qOk ;my$qo~x t|ˬ\:e_.χbJudb.gՇxNjw:l$m sϪbZؘ]ߕ`ޓRscՐaf}Mit":;kΉ$m rMYƣg\؟i_OrZb_eٕlM3h9k $lm% r8MX\ 0_$@qVb0_*e,?Lh9js~%k⎰Rq⥧Xs![,^#p~ao^dLg90i4$kttqBn^:p2a܄qdqs g^tjRJvl5wo xpG}1r+kNjmkւpnmp poz]frFq@Isr5uutLvt{`vH8hcu Cj^uĀ\l_v}n[nUwN[pfVjuErl3n Soy u%`Obgwe\g(gVRjEl2 3]n3 Anx 1tv^wwaGy5x]dgyy4x2}#znU}o}sqC}mc r}bR/t }t@uv}.v}uwu}j{}Jl܂-n0qoaqCQ8r@t(.u[?v2ozkElpn`pPGqH?s.OtHEt݅0Fyj2j;#koMm_o4+OypĐ? r8.,sisxʂis}k.nMl۝^n}?Np>qb-rs5R }x+h}jmylQ^m9NOo>%q-r7rf w~^%}%`m]c]fxLi?;~k)7Sn64ou={h{|Bil|k\}+mK}o:~Iqm(s clsAxmy,qyyrjIzmsZ{ tJ{u:|Zv(}w~ x;{*v{x(w{hxr{Yy1{Iy|#9z|b({`|| |e~}~u9\vvjgev냔XWwIxF9yO(y(0zqh}Nq+su tۍ f$uQWGvH2wj^8x/(xͅy"h|G rUssޕetȒVguGvV81wH1(twڊx{tYr"rs d4t Ut=Fu̔-7v>(HwQ"wHuz̓_qqrrczsUtcFu?7ov$(v!vAzL+b]qx`bcPSWfDL h4-k"mӈ-oxv~YgeoQi,a k R`lCJn3p"քTrOsXyK|tpmq_rQ)sB^u2v'"5w&Ww*{zylfz^Bz;PzAz2x.{Y"d{{4}y~5k~JK]~_O0~x.A~2M~z"~ՀZw|i}h\}.NQ}J@e}g1}"}{}~vy{h|m[|5(M|V?|v41|i"|z|}_}Áur{$g{QWZU{u8L{X?R{11{̏+"{{}tzQgz¢%Yz)Ly{v>{ 0{2"{{ /|nrҐ]e:`TWbJye;،h~,ь7kmh ΌUo0xqfchV]j_H l[; Kn],epKωq ms>z&o}obBpU#qGr:Q8t(,ue懟vy jw|mx(`xrTxGy?9ty+zbz {}l_".RYFC9KX+aAG Fkw.^هR)E\8ꃯ+ z>ajzjry]ЄڏbQlmE\8|+gҁQ6ǀqiߙ]PʃSD88+8Ài a5hׄS\lPEjD1+7сB.*倏G ~9~{ez]yYqt_M>b@ڔeV3[h%pjڒlpz%dNeX.gL*i?Vk3Km%o0qot|{acTnZW oK/p?6-q2ÎsZ%tu(u KIxN`|paȓavUvJKw>Tx2Mx%]yuz *{}`~}U~>Iyb~=~1^~%B"~!~% e~g5_[T"ӅdHÍ#=T10%QI"  GEB^t.SzxH9 <{v1O-%P> Âȁ[^/RڌGG:<1, %.? ф/]$RXYGS|:@T|P5ߔ,||*|.|͎i}2~Y'TUJ?ЕKd5vՁ*W{J8kiWSI~܉?f3H5'7*voFIHlA g҂S;I?K4̌L*]}-SD"x Mxf4gRȘHN>Вk4ݐ*{pvTA] pi`L\B^9aY/#d#$SfO"it ,ldrR|eKfcB e8`g.ʢj#$7:lO%nP ӚrpvA}?JkmAsl8(ng.|o$qɚs ctcKy_}J(~r@臘s7t.Ju$v6w x!{0~Iy@|z,7[Iz.z$ {^;;{\|Q~!I&Y@7ՀC-ƚr$U͑"5H1?àU6Ӝ-9#`..UрHmE ?~ez6-9#ݕ!!Zyv_H(G?E6x-rj(#ߔ7b<^)S{apY,c\&fG`8rwhc_Ak,fKJmsi6Jo\lM:omezCo]d_gbispqek]hLmJ5jp5lqmrvMw sgY_p0\q\}_rnbs\Y{l~o]{l`t{Zc|HMf|F5i#|Aj{Ts{1S9WW|[kU^YaGzeC4gbh؀ r~?RȔ'zYsMi]X`FcՈ-4Zfj ga uq€ŚPTiyfX%h[ד@W_oFb̍4eJ Qgs ;q̙OSYx3W#gZV^1Era3d kf pfN_mR)w6VdfZ.=V5]❝Da\3fdL Vf Rp hX̋j\Cr2i;0sktmC|pdc͈ff%xihfkLjU\m~m,CooK/qhq!rtr ztGancoufqDe(hrSjsBmFuf..hߎ`j^ sV|Ymr\?^(_Nc >^e-h?j6 spX}q[o{s _._$t_bNMue`t9bnee_'VgHj 8l#?(m߈a&pwƁ_o~sadd\V3f”Gpi8+kEq(mZoD}v^ ra#ccUfFhc7jt([lZUnv|xxXKsy[dy^UzbE{weS5||h\#}k: ltoxtb2qud}bvfTwiDDxk4ym#{o}[q-bw+~Hq7korom]a/snRtpXCv.q3wtsh#xt{u~y|Fn\umov%_q2vQurw_Btx!3ubx#vyshxy}9|_zgl"l@m~^Do:~ePIp~BAr?~32s~.#it~wc}|~`xj`Hjl]mO:o=A*p˄02rBg#ZsuCv{wNhyij`[l\iN_n@|o2&q~#UrIt?z2\vgߚhi[kXMm?n1p3s#/q\.t*yiugghןZbjM lEo?m>1moz:"psy;uހX.h [RZ@^LBa={d.R$g]j mvs} af!}[cX}f6J~"h<~k-dmZwoW qPxzqyjdfzVlLWzmI{ol;|-q-|r}t u"zpw+sbwtUxuDHyGv :z v,zw{x ;}y|nbt|a]u|T{v|GwV|:hx+|,qy|y} {}b~\~hls&`t SdtFũ9v~, wxV|52f|׀%} }E@ ~ZI`{T{I:{7>={^2{%{Ņ*{݄? j}8*z~k_3ySzHz,=LzU1z(%Uzz |T}~^oy*S'yDHy^/Ă$Un6|]UJ@S25߂+*[ۂ̀RMlqT9Տ7Ih?ڂ5\9+ ˆ> gQ$S nIi#?kC5Xk*W\~ .~~ŁlP&pcj(fR (iMo{N^E[af;>bc1 fn&ohkJ msnM|;MΖfDh:^j0Zl{%nbp% rXTw};LnC o9Eq/ώrO%PistP"vG=z8~KvBJv8܎LwE/@w%_xiyUzN}|~JݐX}TAm}K8E}P.Ƌ}g$ˉ}}~  ~?sJ#x@7ˋC,.j$PBSXEq‣Ws6o/&ϐ6ڄ' ڂGɄD->6Y.ؑ&݌ֈ=܆\ ].q'M[R鋪]Vzy`[ ic^WfcbD6hf0Zji9lj}>mU^SYaHx\Vd7g _gU~biC2el_/hnioxz"rQiOTktuXymIe;\)o%T_pBCbr/ejsgtd wxv, M0tQ5uXsU2v5cY6wR] wAg`x/NcZw.?]ӌbj@ o)B{GalL&L]PޜGNKUnx>GY-] b rg.tjvfl Nznvs~h"ffjhXkiKml k2l&=nX&p vہRf{I`+cTe"Ig͌T> i2LkM%mXomu v_{;9_?b+TdjHf=h1je%lMun^ uo&z_RvTVHY<]K/ق`"d&f#kx]}<[RRW}{^F}`;<~Zc.f!%i\kpy[y2cPyfEzSh&:{ jP.{lx!}n|~p*t!{RZBulgO:vmD=wGo/9x*p-Cy&r z=s{2{t0~x|XrtMsuHCtu8$uv,vw ywx^oyy}{z!}Wapu|Lqs|B+rx|7ns|,Mt| u}*w}HL{~H~V9n}KoAep76qɂ+r+ >tv.Pz~>}U@lJn@o46XpaI+xq0r7uyW}TY'4\(d&`Nzc fl|ltB0P|u<%}v3Y}w"~xMW {~XLmyzBzzM9lzCz/zz%T{{Z`{{||k~}KpwہBx+8xT/!x%y4Rmy)}{]U}~JJv^Acv8>v؆.w;$w?x7gz7|~rIu'@ub(7u{.v $v*wuyW{~hGQ'>T5|XX+ѐ[!(_|ѐb nf{mzFIY,=\4u_*܌b ^e g Ћ=k7qv|E#|`xvCCxgHyVY MyIQzV9Vz){Y){bdzv${ւ:xtO?͂3fEWJ_IHOi9cS退)IWcIaZ%t~i7nr=adBVHGMXN8R ) V`;tsfz4qF:ǔcc@UFTDȖmFJZh7OQ(T_1xqbZLu]Qbf`?UWcZ,Ge^U6hWb1$j,epgnTqWs/W[)dZ^U^!aFeaXe?61d@hJ$fMjmlyrbNbUpRDdbVg(TYiE]Rk5:`n4$bp[kq-|v4|IlnMn `QoRUq CYr4z]Os$d_u,juzytzEEQvlIw^N/wQRxZBVx3Zy$4]zuhzy|-x/AcjFv]_K)OOxATDP3TX?$$\ ~ga~[w~mvi>i8C\HNMxmA R"s2VK}#ZAfn)ve> vcgqv[WGi^nZ[`a#^M{cad>fd/i1gCk8jY slxtat&UarfYcYs\?fGK_qh=bk//eamvRgon yqhqw@qQk2dTlWX nMJ[o<_q.Gbs etS ouw}1zoLtbPuZVTvvI0X?v;[w-_5xvby{ny{|ymI:~a0MT}TQg}HUo}:YP}-J\}a>}l}Szb~ql!F55_J SNυ'GS S:8W,Z_@Kk܁*y]jC;^H9BRLkF[Q9ULJ,PY^߆khxFiA˙ ]Fg&QJnEO96Sڎ, Wp^%Ojw?miMa k QXT2lUFnY9p]*&ratdq{[hSsk^c_V^etZ/R.g]EFi`7l*d$)Hnng/pi 1xlvmi]`l\`DbPZbeUCeg6hjU(jlmn viqCxfXiZ[kmN^mBan5drps(+grjst tsuiOzeTrYWsMG[t|AQ^0ul4aPva'dwRhx ry?}|c>Q {WT}{LW{@B[S{4^|1'Ba|sf| wq}a|~taN_VQQJUJ?kXG3j\S&_dhe pX{`zKUAO[CJS>Vڈl2ZpB&j]3d oЂ{ _lI5TaMIiQbh>;U:S2Xw&2\r`ck +oM|GzubGq[M(VrSQLJsoUu>tY1v`]#xDaEzdJ}i)v`kGVnTlYHn`] =p`a0{qc"tfw,i!>|mx2]e_}RgbGHid~;kg /`mi"6pktmzqz[`hEPcAjEek:ygm.jDoa!l~q qUr|xu{Z3\pOO_MqDtar9udnt.fu!iYv.^owwy|XY?yNM[yCU^y8az;-@d6z!Bf{"dmJ{|u}~~wW7VALY/Bb\7_F,aـ d}ktB}VS̉KVۈKAY7+\,/_D c3qjӃz #s偿}0UQڑeKTW@Xn6[A+^FA WaEj^ 7sXU|WVy}ML2yQ AzmU76c{MYI*\|]6~U`cPj9wTsUJGtpY&?uu\w4v_)Bx)c|ye}4hn{yRn6^qHova >Epc3rbf3(Gthukz m_c~Fr{HPifFkh~K0/ez~B%g~Mj~`q~]x:+3K\u4BX^M9#a/cX%eFi[ṕwccJZA\ۋ8_4x/8a,%@c h0p pv͂^~KeLBP8vT.Q#X#. \` VdQkey^I|VT@C|}XM6|[,}_"4~b@)Me% (hozGw]>w_5zxLb}+yAe.!Xz{g| j mHU>s|PFr}d=/sKg 41t6i$*uZk) vm'fxn |eqHw?}xDn}l;on3po)qp %sQrc3us z6ue}zG~pCFkt#:l5t2*mwu).nvpYw=sFxQ lx\z|C|=B.g{9iN{1jj{(l;|28m|z3q_| v}N{~A:e9f:0hf(Rizk;o uzEY@mc8fe 0Yfy'h-jn҄ ty@)`K7IO/S&iaW[wG_@‰d}~m"z>qS6bW.Z%6]C{a<-dC3i p{<Հ[d4H^L,؀/a!$'cDf`i*Tmt}*;W|b3|e1+|g#S|i}jk~mvq6w~,9xj$2fx9k*xm"|yoHyp|r~Ju zx8tq>1`tri)uUs!ut vuyw|wy!~|7qx30rx)*ry^!IsLytgzw{X^z}}~s6o&/o(p; qdrq"lvxWy|66m-/Em(BnFb opu%x|4JE-N&RbKV䑏Z C^ɍ4e)-ob{3;Q,GU%0MY&P\._ *c*ir|1=Y6*\e$ _w]nbne- h~ymqu}01`R)b"eugj7 :m[Ƀr.exh~.g9(iZ" 2kfހmUсo kqv:Hz-`m'~o!L}q<}r_~0s v1Ry|,|dt&{u {.v{w {xq }Bzg~x|~3,:yz&QyB{t 2x{ox|ey| {}}\~G~s+w݁%wIv݁)vƁxy z|f~lmft2 zN"uJ x L"|T.uP,~]=  !"#$%j&N'2(()*+,-.m/V0=1%22345678}9k:Z;I<9=&>??@ABCDEFGH|IrJgK[LPMEN;O2P*Q#RSTUV W XYYZ[\]^_`abcef ghijkl$m*n0o8p@qJrTs_tkuwvwxyz{|}~ ->QcwÎӏ.AVkН"4FXk~ͬ !5H\pùغ0G]tŒãĻ"5H[nςЖѪҿ0Hazܔݮ#2BRd,Ji.NmWzE t B e/`/qAX,\ 5! !"#$w%S&1''()*+t,U-4../0123h4O5667789:;<|=g>S?@@.AB BCDEFGHIJKLxMoNhObP]QYRVSTTMUGVBW>X;Y:Z:[<\?]C^H_O`Wa`bgcjdoeuf}ghijklmnoq r s-t\0` 8!!"#$x%T&0' '()*+b,A-!../012m3R47566789:;m-?@@ABCDEFG~HpIcJWKLLBM9N/O%PQRSTTUVWXYZ[\]^_abc defg'h1i;jGkRl\mgnsopqrstuvwyz%{:|M}`~sȃބ %>Wqُ ";Uoښ.Jgۤ1Nkí:Xuη 'D_y-F_xɑʪ %>Wpԉգֽ+>Qdx=a=d$HiO[` ! d & m/{B b*OzF y!G""#$%Q&!&'()d*5++,-.S/&/012y3O4%45678Z92: :;<=s>N?)@@ABC{DYE7FFGHIJyK[L>M!NNOPQR~SdTKU3VWWXYZ[\]n^Z_G`4a"bccdefghijkltmin^oTpJqAr8s0t)u#vwxyz { |}~ $,4=GR^jw˜ԙ "7Ne|ȥ8Urί1Tw 4\1^ÍļSɆʸUύ>|ջ?لZީ`KBJhAUk}~얁~|]~b9%~Hy~-~3~sB$~jH7~si~~{~a@H-\/;4}2ߡ};0}VS}G}όy~!{`~}H6~텢0I{#|J@|^$é|Z|zn}x}u4`@}ތH0~X1*~^{E {ū {H|+Տ|w|_}aH}1~h{S{d${{Ȩ'|"v|O^|H}2y~{e{""6{@{{~M{بru|B^y|G}4X2}zyz{y{K={u|^|zG|H3N}xezzz5{.苿{th{]|UG|ӓ3}I%ω ~.Ԋ}M}}Յ=}s~[~bC~,5r: څ`9-iryZC-ifֆs3ϺF̄.)Sqf̉ZgMCЁ.k咅͌׃嘒g3Kp`%`Y܁Cف?/A҃z`ˇ1`ՂoiYS(CրD/=$ᖄɶر8H\Śn,mgԞ$(`=kylߒ܉ƒ}MhfSDžu?Ʉ-ҹΊZuK|^ƕg]S[j?փz..TۺmJƐ#&{UkfՅNRx?ۂ).flϓ4C_)zm%vf1R?ނ/$\\_7$yepRPۖ?ڂOo/zWe!IcKy˫e#EoR?Ȃ/a ݛ{{Ҡp{ޓ|*wQ|bݎ!})N͋};;~))ٚ&Ŋbv+sb1Nҁ;L*CB𙯏_ዘ>uň7agaNB5;ˇ+.)>DٚÕ˛#st'`΋SN2<Dž+@>¤S?-jƚ#|ps-y`M< ,%OԒHGbrH_Mn<3-ƿθA{ ܄h\qҞK^MM2,<=.'{ v{!{U{md|sZ }H菵}7{~~'މZ\z]呸&bliZr HʎR7L,(pO }Hcd~ k۔UY/H81F])ΆzЗߔ'|[k⌜Ypu4H8wgW*=(l< k|Kjn/YŽ@Hx:8+%˪Z6إ-'{ R^iƖXAHBc8׈+E0򡎳o4)zQ it[X(㕔H98󇊉, iLXq5y˦h|2WG9(,XUHUX?iyh lWmekG8,If{d{^{uK|dO\|S}:Ce~4 5&3HyrKvSstp̂cPS8gCrf54$'g'_)_hDSsciRmCvd54ǃ(!ʔNgܐLr֞)bR&FCq5Bӄ)M/UG4xTrxb RQsCrʼn5L)34nʝeqpanR)ǐh?~H1I%ČAk;`EJ\Cyyvju[_-LT>.1D'&1~hUhyxići[ *(L>˔؃2 'SٗH㰡xzit茷ZOL]r>W2wJ(?6d .wժhDZjL<㋥? 2ˍ (ЇKؖO5w;hrZL-0?Q3b)F7ֵ2 vͩ Hh4!YӝtL$?NG3_)󃃕RѲ1vR3gY+K7Y?;?3~JW){ݴukgm|YZK:?3*&|}L|fo4|Xac|SC}Fk}9~.d$bšU}Hn񴊂ua7SF/Z:SM8/ c2%狻:8|nnd]aS˅F:/&W|`na{`ӫSʉF:0 ']./~ٚ1|n x`Đ^ShF˝;0l'9E{"m `NSU:FٜJ;FC[04([qՉþɧ{LQmk=`kS'FΛ1;u1(уN{%m8_ S(^F<;1F8(T@A _zĶӬ$l򯟥9_ƨSFϚ;1T)5d~9g}q/F}/d*|XR#}(LI*}@&~>5۞ ~, $C[~q`ĿdXLA6huX,ȔPG%.B~˔qsdٻL-XKLɫPAXE}6ߛr-f|%8~vTqRd0XXòL$A+7@I-鑵&~Ʌq[Td7X̱$MGAѡ7݆.Wc'"G~ȼqd۸aXðPM!G"B+7ԗC.ׅ'8~~qqbdηXMB}e8 Dh.&'ꇓ~Ǚq^_d% X MB8#U/-.(0~5oqJdXMvB8!P /@5(e{JyL{y꿭|zI|xzĎN|{Nu}{\~,|bDN~|+}yՃz z{(܌{̂=tS||\F}9 Dg~T-8VQxxCyYzz͉'s&{g[|kDu}S.B~]GwЗwxiey0 bz r zލ[ {‰Du|/}Ă|vcew wßϟ0x8ygqzOZu{<-Dl|;/}GehulvawN/xPxpyYzӒ'D\{׌0i|ㅙuvHKvsLw«6x.oHyYtzDL{O0|-uz^vēv/w߄xbenyRY zCD:{K91;|U^ui٪6uvtCw_8x96ny&5XzD#{!1|&ߠxȪ~xsÃxႢyWz^m "{#Vu{? |*[[}eXwp˜Y=y*l UF@0+N}ڇҀPxO6kk .Uu/@ME,o29 ֖ac}ujwDT@`-Yuc4ȩ^~6~h~ݔ@i3~oT~t@h S.". ~˪֧~+m~y}I~phh~vgT~@i~.~Ҏ~ǻF~ͦz~Iӑ4~)%|M~g~"S~&n@i~=/~J0~~WL~I/};{w}_g}螀S`}l@b}X/\}{ ~~D:O}wU}δz}f}gS } @N}Ǐ/}ƇŌvԹiwX1.wxyydzP={;|(ㄅ}]k"0Ģ'JUxdOڄ<+*S2@ OEˈņ7wkc<؄O#bzѫNiӣaXޛHwՓ9Hʌ,]MDu՜Uve<&wxxf-yUWz@D{4|&a;~L(~ԗ~w`~sf~U?~Df4p'hd_0T_Db5(!q2Htf.c?SʋcDbوu5܅)ՂT<,7s}c:)"SU>*D8D$6>*,S̛ϔ<ߧJ6rb˗R֒Dʍ}6)u*qפٵgaÂr@rybRCp6?X*>?ځΔ`.qIaHwRCKDC1368s*턐ͩAu@ vx~w*mx^y,Nr%zg?H{1ew}E%X~읁~ ~M|~m~!]~~QN%~? ~1w&TEGNʆ{𞮄lP\փPMْ?2It'')Պآ{勬k\_!M?2;'؅<ϡh%zJ1j֙Cf[IMSZ?Kn2,(iZԜyUj7[M9j?34x*(d?&p~xE~i6[: L3e?3`M)>ԃPkSz1"xi$FZ☜Lے?3{{;)dGTwΩ:hdZYLj9?q`3|+)ƒ -+v:-vrwXd xAUy_Gz:Ӕ|.}$w1Q~c\~ qҧ}c}U~/Gᘏ~; ~/)i%j}ΆiEq&p=ckrU>qGȗp@;5T/,G&60I~ߪLpqb|T뛄2G{;TT=0&I~% oߐ_bōTQG;qx0[9*'l,(˝}}woLLa-TP,G;0zR'߅n>|naaDTG[d;Ϗ@0܆I(:ׂ܋|wnkW1`)SGN;1c(a$| i'n`TSOG-q;N1 ([`VvtwgʰwZxN\yBcz6.|Z,+}#/l~Ht}gwj}Zĩ@}NM!~&B5~7 ,ΐs$0…t$wg$.ZN;jBO7Rm-W%%k/Ձ)njsxfԭ/aZWN#׆dB` 7R-ɍx& _sWLfyXZWNBl7Ɠ`.) &ҀJ\r1f#YҥhM1lB_7g.|='Q0ء+rseܫgYϔTMgByL80.Njd'_zX4rceYwJMBhΎf8T]/ '7crTej)DYZԚM'BT8T/'ڄ؂u*ǷwTi.Ow]xR^xGS2z<{\2ߛR|*~:#"uI#~|i?~]R}R|}G~D<4~3c0*I#uCuZÅaiLYN]\RG;,=Jс3ҘP`+S$ uZ×iG*3]RV Gܦ=~40L+ҏ/%\܁=uKšWi7']TRUH=4,="%⁛u3ʘ`i!P]ڑRxH=󜧉 4ŕ.f,Ѓ&Lu!i ]$RHdV>4v,!&r&u"h]h^5爐-&Vt3hḦ]sJRH U?>5zR-'-~'{vsHwStPx/ugdyvzwn{xW|(y@}`z*~{tvuy~вv~?w~gx~my~W{!~@|u~R+W}};rˊosZu"יDv]wdl|x=Vuz?@{,]}Bڭq rɓحt nu^^v*kqxUyW@{ -7|TpoqIsCIt} vjzwy@Uex}@z-|)#8p$qhre@tY~ulivzTxb@z .}{Äepo:qgrM\s}uhvsTx$@yƌ@.{rlo7p%r sa\|tҥh5vVT%w%@y$/K{4?ѲogВp qڽs0_|/tLgv#4Sw@yX/{Қ~q~sU~tHu|7Pvfx)Qty|<~zz(I||}$_}&} }e}}})z~}be~m}Q~}<w~)ˀ:~!a{gQ{|ʎ|yU|d}sP}<~*ZzBiz{s{Lx|Fc|CP}A(<}+~tytuyCzY0zړv{mb| ZO|=}W,=~ xpy]yԟzZ-uz억b={8OJ|.=|,}NxUx,Iyr"jyOtza{*N{̐=|-6}1xNNx%y.Jry#tzD`zN{=|7{-|zx0ɬ>xٚ2yyslz.`zNZ{QG=|-| ’p[rSsWo_trv-^;wKy;8z'It|{e1{nN{{qM|Y^|K6}S8i}(dA~\V ˄rE=Ӄp3jt]VKA9Bv)QCσʂK(΁9o~\@J9b6*qGނyզQ|1F}8>n V[րJOP9 *łlDBmf[?J ʋ9+<:`IT* ~8\lGwZ2I^9f+~˄&e]D-[~}}\kZ(lIo9~Ŋ+~uŴZ>5ʺɎU|k Y4_IN~ؓ9~ ,7~2@␁pV,qCr{}tAi^EuWhwrEy,5%f{&h|Îz<6Uz_zzi{hH {V|MEm}5{7}'!~ƍn0bbxMgGbVEr5Ä4M(o͋(wT~fqUׅEl6 W(OH@X3_k(ؔBsġ{znkJ%[\]M@E=G3(ٮyݏ%jԝl[㊌MB@%܍E3)C.%Sy?j- [JMD,?󅖎35)}݃㔵p?q_uٜ2rfߘt)XuI@w;Ύy.狻{$}Sx؞&y3tŚyfz:W|:zIE{;ލ|/cX}%-~NsÙne8X%VH;猂/ʉ(%Ӆ̟Z􁘜wrؘdzeVg)H;닋0 (&֏8HqcǔaU^RHY;X0pP_' iq0Fc0UHw`<#0'R(ם>~'p~əby}U20H5ۍ<"p0 '܂Ă<~7ؤJotb-TՏ͕Gw'< k1 ($Ty }Eom7aɒםTG&V;舳1D(\QpqxCqjr]~tPPT&vCvw7oey,S {#D~2xwxj(jyY\zOzC`d{7|,ጏ}$0gv䥋iv(\mOCG-7Џ-XJ$ܨcvhӠ&[΄OXC-# 7񎯂8-6m%+u[h.X[vOCCA8ʄ.N&$WAZt FgQZPNǕC*8>.a&\ف|t.wg.ZNVDC䋺8}cN. &ƂA)!s!fKZe8Npג@Bn8s.Շu'1P^Gs<ڥSfdWZN=}Bΐ8\.އx'gyKplȱq`rTئ!tI:vF="x.3z3*|O" ~YxõxYlKx`F y*TyI#!z>{3 |*~##~n'IJ44+>*$=wkg_TH񜨃 >7%n4s+'$݆w=j*_-Sۡ'iH⛫>E+F4, \%a'vñjn^֥ޏS_H->]V4…,aAd%̅Z5 ,>&"viGB^\S@*H>K(5AD,&e%4uȯ&i蠰^"AxS+H3>om5E @,t&Ƃklwq#arVksWLtB v8Nx0z()|"~ljxPaudxVy'L«yBˤcz98{0}$(ՐC~N"PZlW7af~V1~Lɩ~B~9z30ui)g#lnwpr$ztKevQRxr=;z*|(~̞kǏ·mopЍqXy\sBHdu3Pw5=QyQ+q{k@j,]ln~Ō`ppxrrct{Pav=^xÅ,"{ i{jkݡm͝oșbvqѕ8c1sOv=dxR,zETilkUmFFoGuqXVb}syOu=iwA-$zTWiajSl箰nupas'BOJu]9=fw-~z3ÐhǕ;j#NlntmpcaZr7Nu&=Pw-yŒyk/zSmzo{qht{|CsJ`S}u(L}w 9~x'vK|whpyx]y*KOz惱9|2)}Ts-5tHufvGo^w\x)Jz<~9{*|rvGns6mt@uqnVw!\,xfJy9{+||ٸ(qФst<\umVmrvc[w^J^yG69z+|ɶq+rs1~ulvRZwmJx9zc+{τq`Brjs}tҪ lvZwcIxr9z,, { s kjl吘n}pk\rX끑tFv5y %͂j{Mu#v4w|F wj"xXDyFv{5ր|&7}0~!~K~v6z~i~Wk~Frh~6'~'ˀ7~ԯ|ˊ5-} %}HYym}g}V~3F~6N~(d?{ΔTg||kJx(|f}V}wE}ن?6t~H),~s{T{q/{Ɨv|f|{LU~|E}G}6})~,uaz,uzW{Iu{ eL|T|kEp|ьd6}J*}F"z;̗Szņzu-{Hd{eT||E7|y6|5*f}fzbz]օ2zt{d${hT!{ӗD|;6|j*}#qjl\n@s|pEbrdQԆ0tAkv2CyG$^{Υ^tiu,܇*vr]wax?Q(yvA)z2|%}zZ"~"$k}A}p˅ }`\}P~+AX~h2}~&~Ƈ␅#䄁oof_҃JP9A`3M'Q +ׄ͑`7~n _{OA&^3vՃ#'N9LU}Vml^A܎ODNA 38(dЌ`\|Nl]`NڀҎ@=3(8ϛ?a{r%lW]0Nlv @ی3X)~؃`#{dzk|N^\N&,@3)O~јj̑l=yni;p,ZƐ ֋9r-d -VJ]H <1 'c^ۢquQcwȘU؆BBH<~"1('&SpL>p݉ 1b|^UHpi!blmcnMW/piKRr?7u*4Cw*8:zm"*}|@JroIsbŝtVdv'Jw?y,4w]z*Ċ|#W~0{>znn,{b {=V {JUa|F?|4 }+:d~q#І (zJmaa_aÙJ:>돚t4ËC+I$qyflӝ`l0UׅIȒC>َ4+]$xRlE`&TI{{>ߍ׆50,B%bT.%5Yn,%wok_OpTגI.E>R5S,}%Jvjj^S̓uIߑ>F)5@,ŅY&0VpjelYߦ$noO]pDcr:u}0x(4/z!}_oޭrdks~YhatNvDBw:/y<1Jz(Ό|"n[~^oD$3mwbW!Ml3C:tч24K**$llȧٚạWTJCMJC:g@w2]*%@ltya:WЖM;Cm:ŋ 2c"+ r%sd/kZClPnGhp>CsR5uu-x&t{;! }crIZsRPtG^v>Zw5yd-{.'>|!:~cy7YyPtzGS1z>nN{5`|.Y~}'~w"DcYPR\GRH>Y6! x.7(#-cG_YfP.x.G?a>‚6P. j(#jcaYTeLPuG+>Ʌ6C/>6(؉$b౔Y.OGȊ]>96/,/xxF) $_T0bYTO,G8>Um6/U)Tz)$ցvbs'XiOѤn?G>όF6/i,)h $Ѓulfnifp]kr1mutpAaFvrM,xt9]zDv&|xir)lsYntp.utrQw`4txDLvyl9y3zq'{{N6g}ji}l%}4nw}rp}_9s4}Lgݠ(UjnmM\ p$*JsM:v!M+{y9Vb$adEg_8XjGmPlޜd[o–mJzrN: u׊$+x9aҾdhBg~illn[ox5J(rz: u,xȄteۥxuhEvjwm4ly"oZzhrG{t5}_w%6yqpѢs}|ɑt}e}BW}mJ}Ĉ$=~ 0~`'~U{ҝR|gs|`e.|hW/|I}3<}g1!}݅'p~7{LY{r{0d|(V|sQI?|Ǝ<}1;}wg'}ׂz񭿀{Br{c{ΜVK|H|p<|ƌu17}-s'}'udefg.p:ibOlAT!oF;q9t,Ӆx "{ABn}?oxoG=qa,9rSN8tEĆ>v9 Lx-@pz#|ΊډQw|7kwmx8` yRyEVz8 {-<}$T~&8zƆlȆ#?_1X Qꄌ E9 -97$Lцxy]k^r?QDȂ9/ .V_%F&x\؎j"]kP񂶈D9!P.&aיIwa+iz\ǏPmDTg9!.3&\oTvi;{\qGrPD9 A.\&)CeuۃPh\瘽O8CԀ$8ꊒ.ZF&~؂ QesyHgNfL=iYu1ldL׎&o7@ r.5$uH*oDx!͆{mr0o#e*GpXZrLv/phvdwWÌxkKyx?z5,F{+S}#{~J|Ɛ~ko~1c/4~W t~K-~;?~v56'~+l$M{jnۅPbKRV\cvJψ?5M6X+$'zAmɌ5^,\6%>tFJe h5Lgg\MiQ0LlF Iou;?Er1SJu(Kjx!(|$s%mIg-;n[UpvPmrXEte;"v1x(Ԉ{,"V}\rQu9f@wuZ핟vOwELy;zf1D{)G}#"Å ~hp|e^|Z96|Ozo}&D}:}1Ή~b)\~#`MpId܃sYNRD:ڊҁ(1)j^# o.hcՔX('NjDq_:2#;*N$KYnޒCcKXXAN4DD::2e*$ā-mMbÓ"X!MD(V:2b*Ń$OmpfbUWɐLMCC::2RR*уK%he#]wgqSqdiISl?Ao6-r.'v&zIyl |~gMdl\]nnR^p6I0br5?ftb6fv.bry '{m!uW}ftC\Bu2Rdv7Hטwm?x6z<.{'<}3"*~eأ{e[ {Q{H=|N?dd|6}y.݋~' ~"Me2<[́Q}6H@ ?R66ge/8(S #>dŻhQ(G ?(@6Ѝv/J(:7#8dZ9P͘Gщ6+/u). $4$NchYĕP^ӒYG? E6鋙/)A$fǁ\Te/SlgJڧ{j#BzBm:9 p2KsP+6v$y )|[loSn*J_pBW9r0:=t|2~v+yP%;{ 4}[seR¨tJ_uB7pICC_PROFILE w:Bdx2Zz,+o{& }K!~[-JzRvztJ&zB'{:H|T2Ԓ},B}&~"9MZتNR1IB:^2,&"ZƆ@Q=IƟ}PA皂}:S3, ,ʌ g'5#`ZKۋQIYAԙ:K_3;-G'{#cYZ QJIՋAʘቶ:J 36F-'gJ#܁Y觏CQs[ Iq>A˜K1:Oz3E-/'…#Ђ{O:g`ZCj ckblDf}~nimplyZsbo]Hur=5xu%P{w5dwkģfmio~l0qgl nsEYquGtv6|@|g&ۓi{jkNqnBapQsD~B)u~3x~'{~Ze{"g󈰀jq[pl`oPrKAu3x1'zПd: hfȑCi]2ofk_nP`qLAti3wsx(-zk CcAeߚQ~hn`k8P^nOp|As3wm(zbe2|gmj[^JmzOWpqAAPsz4 v(yޛb d|gllj1]m:NpA s04vjf))y`w_wbx}xemayh]YzkM| n>I}QrJ/~u#3vy"siu-k{vcmkwo\$xqLzTt(>{vr0!}~x$@?{%qHsrtyt/ujguv[+w5wL/xy/=zzl0|^{% ~=|vo-}Ӈp}x:rj}it}Z)u}Kw}=yw~%0{r~O%}h~omxoNIvq2grք:YStRJvy=}x0z&v|lU^n*ukpfqߊXs̈JuІ=\w䄽1z&|+Ւ@k`mDtPo*eqWsJu/=BwS1;y'W{jlscnIe1p WBrIt=v1Sy4'{cqj+zlrnydp7Vr&IetW_xRSyȁEezX9c|.V}55%d~[tyukv^wȈlQxEz =9R{A.|%}{ssx|t̓ju㐦]wQ x*ZDyd9Hz2.|&9}Clarwtj*u?]9vePwuD[x9+z0^.{&|vr}qvs]itƜl\uP9w-D"x8yڊ,.{I &|;$_ivPbJheN[{h}NekAoC5ar*5v!+zYQNhtjgPlZSfnM#q[A(s5v+yG"t{qsresYFu4Lρsv@hxP5hy+`z{#>}^~z>qzudzX[{4L) {@c"|w5?})+l}#思~}k~Tp\~oc~W~K~ր@C Z5C,$p|}(o3}Rbb}~V}vK4},@~,5~w,F~ҁ$'uz|3n9|lXa|V.|ወJ})O?}{5}ф,y~=%;~&z{}ymg{aP{pU|A)JV|?r|5}R,}Ʉ%~9y5zl{>`{~U@{ƔOJ|@?H|K5z|,}t%}#w_kRba^efS.hG1l*ƃK$fenac+)X^NNDm:c/2mև*i$kY_`b}U蓥eKVhAplL7o.s&w @{RjAg_hiTVl)J/nAqH7{t.ۈv'y!f|i}o^gdqT'SrJAOt6@Pv7XXw/ny'{!҄}gwU]vwSfxIyw@Czq7;{/)|'x}"j ~f0~\:~uRM~_I5m~g@~7*~/C~(=A"'f[ۍR1H]?L74ہ/q5(#Pm*ea^[HQ=Hkv.?73A/{(ׂ #ـdBZ^Q@GH1?n7ws/p(#e"d66ZLՔPMG3&?F)6N/y) $P$ w`)_VbMlZeDi;l3Rp^+_t:$pxŇ{_gOUFiLĘkD n;qT3RtA,w:%z5 f|^>[nU$pTL.qCs;Iu3Rw,=y%Q|!G}]nuTT]vKEwCKEx;Xy3Uv{(,r|k&a}!ڃ~\|S|K'|B}H; }3\@~,~&"S t\ÃS,xJBȁu:Ӌ3t;,ن{' A="M [|ĉ.RJgnBeۅ::3ll- 'O8#[Rc挛J%B;:d3[Dž-/Il' #D;Z]RKIMB.xo:ˈ3<-8τ'#tށ5T=_MbEle=iH6:l/sp)&t#x\| TUfLi9Ek=Tn6}qz/t)w$"Gz &@}SɥdmLoDq|=|Ys6nplACBso2w,s>$zv^ezagmdj{u]gmdJk.oSSnqBr+tv3 uv%1yy3[p^gqTasJsevtciv#R}lwBpx3ftz8&+y {i~X6{k[{f_{rcz|,agl|Qkz|BLo}3t}J&xj}Y VY]ڄ7pao`fQj]Bnʁ3sd'wTXDX_@\wJoW`g_dPviyAn3r܂(2w{o6SYKW(.}[]n?_ ^d' OhNJAm4 ro(w'R V=|ZymZ^G^:c"OXhAA\m4ru(v傊rQSwU{Y_l^b]cNgڒeAl͍4q);vHCiYk]~zma1nFpd^rmhNtl)>wyo/zQs#}Rw~edPhPg5|ajilmal]\poMgrq>ut\0Vxw$|:yęboHeFpzuhr#kks[n uLLq+v>.tqx0wz3%{R{ŗ_ybyxezPiizZla{XKo{=sM|0v} %z}p]`wd//hSgYk $KRn=ra.1v@&my\ Dd_gubӉg#fU7XiJm=q10u&yxIZĂ^5toaf*e^rXi!J]m 2=tq 1Vu0'XySyY]Lsm`e_dAWzh{Il=Dp1ltԅu'xƂ)RY \}r`IoddVgIl=pHN1dt'xђqJYՃr]]tzt`eudVwRhiHy|$|}e8{h mjH`AmDRpEr9ui.xx8%R{1cdz&fliIr_6l'R-nEq9u.xMK%{C%bMxeekrh5H^[kQnEqC9txE.wȃ&1zҁtawd}:jg`]jZXQmvDp9js.wb&~zyτj`vcӟ6if]iȖ7PlDrpH98s.w&z5exYxwy]Xjzi`]-{GdO|AhxB}_le6I~pv*ˀt!MxPuIcvzv_fiwh[xkmNznOB{jqN6%|th+1~w"G@zȂAr/ltsngptp+ZvzrMx sAyu6 {|x+}\zM#%|h_ov5sq/vfrwYtxfM.v]yeA3xDzx6z>{+|O|#~;}~mqoW~dq*~Xs ~~Lu~@w~5y?~,&{u~$V}{}kp(mjcoօDWq؄BKsX@xv(y5xm,]zÀ$|ހ{jolbnŋVpብKGs@&uh5wÄ ,z3`%(|bziėnk֔amVHpJrk?tֈ5wCE,yă%q|~yiYmJk+a\mOUo JqE?tb5v ,yu%{zeZm]~a=aUdI/h=^l2p(uB Qyxr}Dc-k}e_}heS~lk@H7~n@<qb2zFt)w!{:vzKljWzm^k{oR|=q|Gs}s<{}u2n~x)bzw"I|twthxuw]5yviQzgwmF{_x<+|my2s}{K)~|"}svu}gv|\)w}Q!x}-Fpy}t<{2}2|u~6*}~#v~rtCfmuU[6vq@PbwExށ;z5]2{*M}U#~Lpsett4ZlucOvEkx;yo2z*|n$=}ƀordsO@YtOEuތEwM;IxևB2z]*{$}]5o,qgcrY:ssNuEDv;%xZ2ry*{$} nZGc,]X)DaJMaeBĆ i 8~m,/1qs&uzlۅubae~Vꄄh?Lh k2BnO8.q/)ht'Xxb كY{kPk?`\TmÛnKqAsY7u/6x+'z!|iEsJ_!,tQTɀutJɀ"v@9x7`y/C{'׀|"1~h~`{ ^~h{AS~{{J~{@~|7$}"/az}(,~n"<gp|]|S }cI}V@V}7~]/~"(#fz{\A{+R{I|U{@ |ĄQ7o}F7/}т.(~q:#p~rez\[zڍQ{%H{?| 76|/}?(}E#~dy|[z-6Qz}Hgz.?{wj7|!/|хM(}#~8\c8)Z[YJo]OaqFH5eL=i]4 [m,q$vnuza׍b~X|e3NhEk!<~n`3Rq,A=u?%rLx J{`8j_Vl_MLjnqDՇp<s#3̅u,dxB%z E}%_`qUs*LtDDu;w3 yD,Oz&@|!3~'^Ky"U yL:z3C8z;s{3|,,}g&~E"P]S TDKCCq;9Gn3z,6&"t\HShK&B郡;V3ˀԂ -=m['A/"ĀI[[S}JŁBʁI;3&@-<҂'i#[^GRΏJkBb:B3-2[)'yBo#46XyZQP]Gߔa?葋e8 i0un)r#v{WdhbOdGcg?Vk7n|0hr)숾u$&yӅ|CVciN5OkFhm>Ռpi7nr0\u* x^${ ;}SUvqpMn/rEȍs>puX73!w%0VZy*Nz$D|!!~ sy7z0W |*z}%S<~"!7S}L$}Dlj}=)~6݆|~`0l~*%a\!xSDփKɃDiقg=o6m0^*؂À%b"4߀'Rɋ։JKAԇDy=><;60I`*# &&5"qgRY@JC1=.6U0nDŽ+*&." N Z3G!']@wXa9ߖe3LPj&,n']s"^1w~{dM@aFtm9+p02r-u'Tx#g{<  }|Kߚo2EIq?w8y 2݋zO-<{(d|$'~ !Jǖ{fDgA{>V|Y8q0|2{}s-\~ (~$r&!n8JZQD>r8IM2x2-_ (Ʉ܀$ ! JLCɑ =8//K2-PQ(܄6J$t! hIXCF=9A8v2-[Y(݃F$]"!E\T0_Xq~c \nfo`^aie%NSmiL>qm}/uq"yuМ@W_e>[ub~|s_7elch] g)kM}k`o >or00VtZuK$xxYvSj_Wl^zg[nZk`9pk[drLidt>Qn:v0s?x% x)zP tTuxYvi]wZbxLgy>lz0r\{%w|M8LQvV~h8[~Ya~Kef~=l~1 q~&v~DbJNOu9UfZcX_ՄJewo=k:@1Lq' vI/NcsS[eY+ W^ӉJ\d=jj1rp'zv=GʜxM$rRye X8 WR^ Id=Pj'*1pR'uۍFĥdL8qQȜdZWV]s3Ic=iӊ~1~pM(uǂcT@MfUXluEh\fUk`Wnne Hqid:uFm-Txr/!|v_^bbs6e9e)dhh`VUkkHon:sor@-wsu#{ex=Zi_^XkiqPamxc-eoU%iqGWmt&:Oqvu.vJx#z|{Wqst}[Otro_AuacbvT"gwFly:pzd.duV{$y|͉T}7{X}/m]}<`a{}aSJf}F/j}9o~.t~4%^y~URzV䅢l[__l_RpdǂEi)9nсV.sx%xPxUNkoY^~^ljQcŇERh"9n*F.ssg&Gx9O^wkTjwXߒi]]ԏqQ'bDhQ9m/s&wꁌNZ vqS&iX ] ]Pb`DgՌ9`mU/r҅S&w9k T`ylXyln\^eq/`Pse:Clv#i6xn#*{r!+~wwxfj^{whaj&ked\ngOpkZBsn6wrV+czcu"1}y-bRhvue2jhoh/l[kJnNnqWBEqs6uxvT+y!x# |{j_rsb>sfetQZGiuMlwApZx6it2z,x{#{}\W{:r_{^eqcp{Y%g#{Mk|dA9o |6Os&}l,RwJ}$X{~e}JZ3)p]Ud2aX#eLTiy@m6@rK,v$zs{XxoG\\c)`V>WRdsKh'@m'67q7,v%4zzW n8[#1bL_>sVcK:ga@&l6q,u?%yDyVmXZ7a^jV#bđJgO?l5pz,u_l%yc|riTosXcu\VvaJ^xder>ZzOi3#|_n(~si qx4zBm^2moaFaTqdyUBsgIWukH=xn3zr)9}vc!g{zx0jgklGi_nkTpn]Hssp=@v0s2xvL){y"5~`{vGfpj#iUq^dks?SntGqvN{Vpw_|e5b]ZaeOi3nElڈY;pR2t]`*x${7o^doas(YdOkhvEHl7;p2s!*w$z쁋q+yTezXZK{H]O3|'a^D:}1e9~cjj/o+&ց*t͂xo.u^cva"XwdaMy2gC\zk^9|0o/}r'Iv (zmVqfb/shiWftkwLvnBxbp8zIs/|=vi'~:y]!x|knoP`ppV)rwrIKtksAv|u8`xw/zy(}{"}fjlFw_fnHx'Up]xK2ryAtz~8BwI{/y|(_|!}"~1~hj;n^8ll!T,n~Jwq~A s~8 v,/x&({]L# }ngh]wfH5$Lj,o%rt?y|d[}]ZK}a P~5d_G~g=Wk4΀of,sU%wT { byf-XzhOh{TkF*|,m=#}p4~-s,Ev%dy Ӂ^|da?wn"WwoNYxqEfzsT<{=uV4D|wq,}y&Q7{!mW}_tuVuuvMivwDx6x \oSq'Kyr‡kCMt;Zvh3xi-7zVb'T|>a"}π\nS^p>K qꋼBs;)u3wօ-(y'b{ނ8#}y[rUyRvYJ]Ab9=Yf13k)pp#jufȅQzZ ]QV`HfdT@ g8k0o*$s$w{kXenP#hGj@m87p0΁s*Bv$Cy I|Wa0lO%nG0p?dbr7t0wG*^y$ { ܁u}V:|t N|u/FO}8ve>}w7~y0~z*}^|%6}i!U~U6zzMD{3{?E{{>O|!|=75||0}}*~\~*%.~!TT^y'\LyE%z&=zۀa7{50|*}%~}"GSwRLxtDy=y؄6z̃!0{܂M*|䁎%}"E~ӀiS vKwDex4=y;6z0v{C**|h& }"u~zQxUmJYBō]; bj4xg'-@l'q"RueYzsP;]H`Aߊd3:9g4 k-p 'Նt("؅Zx2-{O|dGg^AjB:XmM3p}-z s(bw#Jz*փ}|N kG }m@^po9䄕r?3wt-n_w#(1y#{ bd}MQrCFGOs?tuB9nv3MJxz-kz-(\{$}\ ׁ{~L>QxEvy^?=z.9 B{ 3{-~|(}$M~!6JK~E ~>Հ^~8ǀ~2-y>(u$!$KD؃e>S8 32~-k <(#$h!DJD@~懔>V~bG8~!3 ~$-~V)~$~1!PGUVAʖY<^6Db0tvg*ό@l%؊Cq!`v9zF\@`a;Thd-5Ď h#01l<*ωpm&=t!xх|Eגc@'f:i5Rm5/p*·s&V~w<"\>zesN} EjV?wl:(No_4fq/LJtv*҆Iw&y"{/}DJp>Trq9TtJ4v$/w*܄y&{#}P kA~Cv~>^w9Px4]z/{,*|Y&育}q#Y~u ǁ}BC {= |s9H|4(}s/d}*~{'~#Fg!B€=ـ8Å*4̀|/Q`*܁I'!+7#+!If$BSÅa=P鄑8G3/Hm*>'!>#ԀF!vr5VNd ZS1u]Xf=a\Wif!aHjfr:oOkP-Yt:p,!yu 0PYlT].rY;`d]dV)bhoGgl4:mNp -rs#x#wgKAd]PfpU%ibZsl>U_nGLeq:Vkt.+qw@$ wYyFn|L-pQoQqaWsS]u8Fcv:'jBx.xpzV$v{sC$xzHyWm\Ny`+U/zS[{&Fbf{9i0|.p}%v+}R@&xFX kL^SR!R)Z*Ea8c9hW.ol& u=wjD1ijJ]Q͇`QcXE'`N9g/n&yuhH;!v"B|]iIo]$P)PXD_>9g./.nf&u$B:0uA1hHW\zOcPJWLD\_r9QfՈ/)ne'tT]kNzR`pSwlcX>^g$]Q)jaCnf6sk+w{p!{uWY^w[B]j_(`]JcFdP"gh_C/l@lF6qpD+utP"-zxMRlcuVfMh[6h[_kNdnBtjq6o^t|+tw|#yz_NmsRo3fWpZs]rNbtAh;vs6mxh,4sz[#x|.~Jw$qOwe^U,xwY7ZyGM8`z#Aef{6{l|,vr|$sxX}|G\pM0dRXXLi_(pAe[6gkI,rT.$wzE(GnKbQ#W6XkJ,,qЁ%Zwr$yC8mIbZaOVV:K4]@3c65jƄ,qn%w"xZAlHBa0NUUPJ\D?cc6jh,q,%v側}drOpfSd&iXWls]SK4ob4>sg-3vlK(z|q [~v{^Y*na\b=e>`VhdcJlhS>Tpl\3htp)fxt!^|xxYc l]oe`aXhmTeukLI5inH=nRq[3qrt)ww"7{zvUlnjYn%^^oSbqHGgs=Vlv3Fqx5* vzh"z|ttRuwhVv@][xw!Rw`qx"Gey5\Ia@f'7l[0%q)vx#zeQf3\VXR[lIw`@pf.x7k[0q`)%v'#z7$hlrP^tTSuYOIw+^%?yc 6 {6hE-E}um%MsxMfemY\0o\RIq`Hsd>v+h5xl-?{wqY%~(u |zdiaZkddPmgGhpj> sn57vqf-6yt&"|xa N{bej6Ygl=OjnbF~n p=qhs4tu-BxMx&~{z!c~S|a1arXWdsNhMtEkv9=%o~w4sTy[-lw z&z|!}~_^zV~bzbMf0zDj{ln(~7q~0t+x)H%{2!}T{c7,LfW>Esii>Ql7Yp0t-+ w%z"8}%ASaL3e"l .7)oƄ0s*wo& zNq"i|πTUPLxUpD]Z3=]_&5ԁdJ.i(!;o"qty3y}R|XK}-\C}`|9cs}Z3au}-xl~K(z~$|>!d~Kko/Ecm?5oځN91rO3Mt-w(zX$|c7!~,K;jyDlfE>nɅ*8qa*3%t(>-vd(y${!}ҀKXPDU>AZ7a_1d+pj?&o!UuڅyIXCU\=7i`7",e+1-i+JUnG&?r!փw`#{KHZ_B46clv7z9wE{E4x| /z|*{}'}~]#w~l CsA>utE9duS4ewcj/y*z'|W#}!"C3rF> swo9&t˂4Vv_O/x-+zX'&{π#}o!O~\A Pe: h5l 1Ko&,ǂarS(Qu$Tx!n{Qo}=Ղl9hCn5p0ۀsv,u(xX% z"Y|݁~W=q8s4~u0~w_,ky$(|z%4|u"It} 7~?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~  !""#$$%&&'())*+,--./01223456789:;<=>?@BCDEFHIJLMOPRSUWXZ\^`bdfhjmoqtvy|~  !""#$$%&&'())*+,--./01223456789:;<=>?@BCDEFHIJLMOPRSUWXZ\^`bdfhjmoqtvy|~1?6LTWn]ccdiӼsι}ʷƶĵ󾵡1?6LTWn]ccdiӼsι}ʷƶĵ󾵡1?6LTWn]ccdiӼsι}ʷƶĵ󾵡1?6LTWn]ccdiӼsι}ʷƶĵ󾵡1?6LTWn]ccdiӼsι}ʷƶĵ󾵡1?6LTWn]ccdiӼsι}ʷƶĵ󾵡1?6LTWn]ccdiӼsι}ʷƶĵ󾵡1?6LTWn]ccdiӼsι}ʷƶĵ󾵡1?6LTWn]ccdiӼsι}ʷƶĵ󾵡1?6LTWn]ccdiӼsι}ʷƶĵ󾵡1?6LTWn]ccdiӼsι}ʷƶĵ󾵡1?6LTWn]ccdiӼsι}ʷƶĵ󾵡1?6LTWn]ccdiӼsι}ʷƶĵ󾵡1?6LTWn]ccdiӼsι}ʷƶĵ󾵡1?6LTWn]ccdiӼsι}ʷƶĵ󾵡1?6LTWn]ccdiӼsι}ʷƶĵ󾵡1?6LTWn]ccdiӼsι}ʷƶĵ󾵡1?6LTWm]a``clu|żº򻽊1?6LTVl]^^]\ckppu򴽙1?6LTVl]}\[YXZen޿yÈ𮿗1?5LTUj\|YWUW]kվwߺƅБ񡿙1?5LTUiYzVTZWbʿrֺʀ޷ǍōÎ1?5LTUhVwSXZYi˺yնʇݱȉƊċΓ““““““““““““““““1?5LTTeStOZ[_n˷Ա̅۫ɅߥȇƉŌĐĐĐĐĐĐĐĐĐĐĐĐĐĐĐĐĐ1?5LTTcOoWxZ]dtɲ~Ҭ́ئ˂ܠɄߛȆljƍƍƍƍƍƍƍƍƍƍƍƍƍƍƍƍƍ1?4LRQ_JhX{\aiuǫyϥ}Ԡ̀כ̂ږ˄ݑɇߍɋɋɋɋɋɋɋɋɋɋɋɋɋɋɋɋɋ1?4KOLXT_Y_flpģuʝxϘ{Ҕ~ԑ΁׍ͅى̈ډ̈ډ̈ډ̈ډ̈ډ̈ډ̈ډ̈ډ̈ډ̈ډ̈ډ̈ډ̈ډ̈ډ̈ډ̈ډ̈1@3KHGMTd[cihlpĕtȑwˍz͊~χсфЅ҄Ѕ҄Ѕ҄Ѕ҄Ѕ҄Ѕ҄Ѕ҄Ѕ҄Ѕ҄Ѕ҄Ѕ҄Ѕ҄Ѕ҄Ѕ҄Ѕ҄Ѕ҄Ѕ1@2E>NGVh_gdehmqt†wăzƁ}~Ձ~Ձ~Ձ~Ձ~Ձ~Ձ~Ձ~Ձ~Ձ~Ձ~Ձ~Ձ~Ձ~Ձ~Ձ~Ձ~Ձ0@0E,OMYkcaabejnqt}w{zy}y}y}y}y}y}y}y}y}y}y}y}y}y}y}y}y}09 H1QQ]k\\]`cg}k{nyqwtuvsysysysysysysysysysysysysysysysysy/@K7SRUhVxWZ^bzevhtkrnqposnununununununununununununununununu2DI9LPNbPoTzX}\x`tcqfoimklnjpiririririririririririririririririr,:-GIR`Yr_dhmݰsث|ԦТΞ̚ʖȑǏ缒缒缒缒缒缒缒缒缒缒缒缒缒缒缒,:-GIR`Yr_dhmݰsث|ԦТΞ̚ʖȑǏ缒缒缒缒缒缒缒缒缒缒缒缒缒缒缒,:-GIR`Yr_dhmݰsث|ԦТΞ̚ʖȑǏ缒缒缒缒缒缒缒缒缒缒缒缒缒缒缒,:-GIR`Yr_dhmݰsث|ԦТΞ̚ʖȑǏ缒缒缒缒缒缒缒缒缒缒缒缒缒缒缒,:-GIR`Yr_dhmݰsث|ԦТΞ̚ʖȑǏ缒缒缒缒缒缒缒缒缒缒缒缒缒缒缒,:-GIR`Yr_dhmݰsث|ԦТΞ̚ʖȑǏ缒缒缒缒缒缒缒缒缒缒缒缒缒缒缒,:-GIR`Yr_dhmݰsث|ԦТΞ̚ʖȑǏ缒缒缒缒缒缒缒缒缒缒缒缒缒缒缒,:-GIR`Yr_dhmݰsث|ԦТΞ̚ʖȑǏ缒缒缒缒缒缒缒缒缒缒缒缒缒缒缒,:-GIR`Yr_dhmݰsث|ԦТΞ̚ʖȑǏ缒缒缒缒缒缒缒缒缒缒缒缒缒缒缒,:-GIR`Yr_dhmݰsث|ԦТΞ̚ʖȑǏ缒缒缒缒缒缒缒缒缒缒缒缒缒缒缒,:-GIR`Yr_dhmݰsث|ԦТΞ̚ʖȑǏ缒缒缒缒缒缒缒缒缒缒缒缒缒缒缒,:-GIR`Yr_dhmݰsث|ԦТΞ̚ʖȑǏ缒缒缒缒缒缒缒缒缒缒缒缒缒缒缒,:-GIR`Yr_dhmݰsث|ԦТΞ̚ʖȑǏ缒缒缒缒缒缒缒缒缒缒缒缒缒缒缒,:-GIR`Xq^cgk޶pٱxԬѨΣ̞əǓ鶕궕궕궕궕궕궕궕궕궕궕궕궕궕궕,:-GIQ_Xp^cfi߻lڸtմ|ѯΫ̥ɝƕ鷖쯙쯙쯙쯙쯙쯙쯙쯙쯙쯙쯙쯙쯙쯙쯙,:-GIQ^Wo]bdfh۾n׻uӸ}еͭţ亜ꭜ,:-GIQ^Wn]`acdgnuоxƴܺ䭥뢤,:-GIP]Wm\}^^`adgmtӽ|ܱ䢯뗯,:-GIP\Vl\|\\]_mkmqӵxۨ㘼ꌿ,:-GIO[VkZzYY[ijovȹ|үڡȂĐé슻슻슻슻슻슻슻슻슻슻슻슻슻슻슻,:-GIOZUiXwWWefhowʳҩ̂ٝɅƎĠijijijijijijijijijijijijijijij,:,GINYUgUtT_cehpôz̫}ӣ́ٙʅޏǍƚũũũũũũũũũũũũũũũ,:,GINWUdRpUy`ceitĭx̥|ӝ̀ؕ˄܍ɋǖǡǡǡǡǡǡǡǡǡǡǡǡǡǡǡ,:,FHMURaOj]s`cgmrťv̞zј~Ց̃يˉ݄ɒ߁ɛɛɛɛɛɛɛɛɛɛɛɛɛɛɛ+:,EFMRN[Ta\w`ejlpĞtʘyϒ}ҍ΂Ո͈؂̏˕˕˕˕˕˕˕˕˕˕˕˕˕˕˕+:+ECMLHSW`\{bhijnsǑwˍ{ΈрЄЅӀϋ}Α}Α}Α}Α}Α}Α}Α}Α}Α}Α}Α}Α}Α}Α}Α+:+E?IDQFXe^egegmq‹uŇyȃ}ʀӂ|҇zҌzҌzҌzҌzҌzҌzҌzҌzҌzҌzҌzҌzҌzҌzҌ+:*D7C7RLYjaebcekptw~{{xքvևvևvևvևvևvևvևvևvևvևvևvևvևvևvև+;)@+J3SR\ma__adin~r|uyxw|u܀s܃s܃s܃s܃s܃s܃s܃s܃s܃s܃s܃s܃s܃s܃s܃*8AL9TV[mZ[]`c~g{kxovrturxp|ooooooooooooooo) 0E!O>RWTjUyW[_}bxftirmponrmukxjzjzjzjzjzjzjzjzjzjzjzjzjzjzjz$; H&I?KTMeQqT{X{]vardohmkkmjoirgtfvfvfvfvfvfvfvfvfvfvfvfvfvfvfv:@(@=DNH\LgQoyVut[zo_}lbjehhfjeldncpbrbrbrbrbrbrbrbrbrbrbrbrbrbrbr'6%B>NTUe[uafkqzݗڒ؎ՊԇӅ҂сƄÆÆÆÆÆÆÆÆÆÆÆÆÆ'6%B>NTUe[uafkqzݗڒ؎ՊԇӅ҂сƄÆÆÆÆÆÆÆÆÆÆÆÆÆ'6%B>NTUe[uafkqzݗڒ؎ՊԇӅ҂сƄÆÆÆÆÆÆÆÆÆÆÆÆÆ'6%B>NTUe[uafkqzݗڒ؎ՊԇӅ҂сƄÆÆÆÆÆÆÆÆÆÆÆÆÆ'6%B>NTUe[uafkqzݗڒ؎ՊԇӅ҂сƄÆÆÆÆÆÆÆÆÆÆÆÆÆ'6%B>NTUe[uafkqzݗڒ؎ՊԇӅ҂сƄÆÆÆÆÆÆÆÆÆÆÆÆÆ'6%B>NTUe[uafkqzݗڒ؎ՊԇӅ҂сƄÆÆÆÆÆÆÆÆÆÆÆÆÆ'6%B>NTUe[uafkqzݗڒ؎ՊԇӅ҂сƄÆÆÆÆÆÆÆÆÆÆÆÆÆ'6%B>NTUe[uafkqzݗڒ؎ՊԇӅ҂сƄÆÆÆÆÆÆÆÆÆÆÆÆÆ'6%B>NTUe[uafkqzݗڒ؎ՊԇӅ҂сƄÆÆÆÆÆÆÆÆÆÆÆÆÆ'6%B>NTTdZt`ejowݛڕ֑ԍӉ҆Є̃־־־־־־־־־־־־־'6%B>MSScYs_dhmrݠ|ښ֕ԐҌЈυćٹٷٷٷٷٷٷٷٷٷٷٷٷٷ'6%B>LRSbXr^bfjoާwڠ֚Ӕяϊ̇ڼ۳ܰܰܰܰܰܰܰܰܰܰܰܰܰ'6%B>LRRaXp]aehl߮qۧyנЙ˓ŏܴެުݪݪݪݪݪݪݪݪݪݪݪݪ&6%B>KQQ`Wo\~adgj߷mرvЧȟ™ջڴެওߥߥߥߥߥߥߥߥߥߥߥߥߥ&6%B>KPQ_Wn\|`begmҶsɬ|Ϲֲ۫ߤ᠗ࠗࠗࠗࠗࠗࠗࠗࠗࠗࠗࠗࠗࠗ&5%B>JPP^Vl\z^`beiͻqñyǺϲ֪ۢ⚛᚛᚛᚛᚛᚛᚛᚛᚛᚛᚛᚛᚛᚛&5$B>JOP]Vk[x\^aagnvǴ~ϫ֢ۙ┟╞ᕞᕞᕞᕞᕞᕞᕞᕞᕞᕞᕞᕞ&5$B>INP\ViZvZ\`^dlsƮ|Ϥ՛ے⎤⏣ᏣᏣᏣᏣᏣᏣᏣᏣᏣᏣᏣᏣ&5$B>IMPZVgXsX}[gabiqŨyΞՔڊ߃∫ቩቩቩቩቩቩቩቩቩቩቩቩቩ&5$B>ILPYVeUoVwf{kgbgnġv͗~Ӎق{ž&5$B>HJOVTaRj]og|jliejÚrˏ{ц͇}˘wʱ{|||||||||||||&5$A=HHOSP\RbalehjjintɌ|΄υ}͒x̤v̾vvvvvvvvvvvvv& 5$A;HFONLU[Y`qdgjginuLj|ˁф|Ўwϛuίvζvζvζvζvζvζvζvζvζvζvζvζvζ& 5#@9GAKHQI[^`vdheeiouĄ{ԂzҊvєsѢrѧrѧrѧrѧrѧrѧrѧrѧrѧrѧrѧrѧrѧ% 5#?5F;C=TI[d`zfdcdiotz|xֆtՎqԙpԜpԜpԜpԜpԜpԜpԜpԜpԜpԜpԜpԜpԜ% 5#>/D1M3UO[ib}a`adint|xx}uڃrىoؑnؔnؔnؔnؔnؔnؔnؔnؔnؔnؔnؔnؔnؔ% 5"<&@"N9VU]l^]^`ch~mzrwvu{roބm݋lݍlݍlݍlݍlݍlݍlݍlݍlݍlݍlݍlݍlݍ$ 47F#P?XXXmX}Y\_c|gxlupstpxn|l〮jⅯi⇰i⇰i⇰i⇰i⇰i⇰i⇰i⇰i⇰i⇰i⇰i⇰i⇰# -<I)QCQYRkTyWZ_{cvfrjpnnqlujxh|g耣f聤f聤f聤f聤f聤f聤f聤f聤f聤f聤f聤f聤f聤!$AH-HDJWMfQrT{Yy]tapemikljohrguexc{c|c|c|c|c|c|c|c|c|c|c|c|c| +=@/@BERI_Mh~RpwWvr\zm`}jchgfjeldnbqas_v_w_w_w_w_w_w_w_w_w_w_w_w_w+68-:=?JEU|J]uOdoUhkYlg]oeapcdrafs`ht^ju]lv\nv[qwZrxZrxZrxZrxZrxZrxZrxZrxZrxZrxZrxZrxZrx" 1>5JJQYWh^wdjqy厃≌ށ~{ywvy||||||||||||" 1>5JJQYWh^wdjqy厃≌ށ~{ywvy||||||||||||" 1>5JJQYWh^wdjqy厃≌ށ~{ywvy||||||||||||" 1>5JJQYWh^wdjqy厃≌ށ~{ywvy||||||||||||" 1>5JJQYWh^wdjqy厃≌ށ~{ywvy||||||||||||" 1>5JJQYWh^wdjqy厃≌ށ~{ywvy||||||||||||" 1>5JJQYWh^wdjqy厃≌ށ~{ywvy||||||||||||" 1>5JJQYWh^wdjqy厃≌ށ~{ywvy||||||||||||! 1>5IIPXVg\vbhov呀⌉߇݃|zxx|~~~~~~~~~~~~! 1>5HHOWUf[u`flr{ᐅދ܆ځ~{y|ɼʼʼʼʼʼʼʼʼʼʼʼ! 1=5GGNVTdZs_dinuᕀޏ܉ل||Ā̵̺͵͵͵͵͵͵͵͵͵͵͵! 1=5GGMUScXq]bfkq{۔֎ш̈́ʁǀλϳϯϯϯϯϯϯϯϯϯϯϯϯ! 1=5FFLTSbXo]|aeinۢxԚΓɍĉμдѬѩѩѩѩѩѩѩѩѩѩѩѩ! 1=5FELSR`Xn\z`dgݱmըvΟǘǼ̷гҬӧӤҤҤҤҤҤҤҤҤҤҤҤ! 1=5EDLRR_Wl\x`cfٷlЬtȤ|ȴͯѫӥաԟӟӟӟӟӟӟӟӟӟӟӟ! 1=5EDLQR]Wj\v_beԻi̱qèyȮͨѣԟ֜՛ԛԛԛԛԛԛԛԛԛԛԛ! 1=5ECKOR\Wh[s^}`aпhǵowȧΡҜ՘ח֖ՖՖՖՖՖՖՖՖՖՖՖ! 1=5EBKNQZWeZp[y^^fùmu|ȡΚҕՐב֑ՑՑՑՑՑՑՑՑՑՑՑ! 1=5EAKMQXVcXlYsY}\ckrzȚΓҍՈ׊׌ՌՌՌՌՌՌՌՌՌՌՌ 1=5D@KKQVU_UgYk[|ZahpwǓ͌хՀ׃ֆՆՆՆՆՆՆՆՆՆՆՆ 1=4D?JIPRRZR_bd`{[_fmt|ƌ̄}w| 1<3C=JFPNNS\Uedfzc]biqyĄă}Ïušouxxxxxxxxxxxx 0<1C:IBLGPI^Ucig{idafmv}рuэoҞkѷnqqqqqqqqqqqq 0;/B6HWD][coffbbemuzt׉oՖlԨjjjjjjjjjjjjj 0;,A1E4O1WJ]`btd``bfn}ux}sڅoُk؜i׮h׾h׾h׾h׾h׾h׾h׾h׾h׾h׾h׾h׾0:'?*@'P7XO^e`x^]_bg~nytu{q݂n܉kۓh۠fڪfڪfڪfڪfڪfڪfڪfڪfڪfڪfڪfڪ07!;H#RA3AEETI`Ni|SpvXup\yl`|id~ghekcnbq`t^w]{[~[~[~[~[~[~[~[~[~[~[~[~07 91;@@MFWzK^sQdnUiiZlf^odbqaer`hs^jt]mu[ovZrwYuxWxyWxyWxyWxyWxyWxyWxyWxyWxyWxyWxyWxy*/1,59KLRZXh_uelt~鄈{wtrpĶoѷrշwշxոxոxոxոxոxոxոxոxոxոxո-9,D=JKPYVf\tbipy鉄惎~yvsqɹrӺvӺyӻ{ӻ{ӻ{ӻ{ӻ{ӻ{ӻ{ӻ{ӻ{ӻ{ӻ{ӻ,9,CKGPOSVU[Sn[bipxČȇʄˆʈɈɈɈɈɈɈɈɈɈɈ,8*?3E;KDOJPOQVQlY`gnu}ąǀ|ʂɂɂɂɂɂɂɂɂɂɂ,8)>1D9J?MDMFVUSkV]dkrz}xsx{{{{{{{{{{{,7'>/C5H:H"A5BFDTI_NgzSntXsn\wja{gf}djbn`r^u\y[~XWWWWWWWWWWWտ!28#:4=B@NFWxL^rQdlVhh[ke_nbcp`gr^js\mtZpuYtvWwxU|ySzSzSzSzSzSzSzSzSzSzSz ,1!4/7;}=EvCMoISjNWeS[aX^_\`\`bZccXfdWheUkfTngRqhQuiOxjOxjOxjOxjOxjOxjOxjOxjOxjOxjOxj %)-(|12s8:l?AgEFbKJ^OM[TOXWQV[RT^SR`TQcUPeVNhWMjXKnYJqZJqZJqZJqZJqZJqZJqZJqZJqZJqZJqZ)6$C5IBQPX]`ihtp~z{vrnligfàe͡d٢fݢjmmmmmmmmmm)6$C5IBQPX]`ihtp~z{vrnligfàe͡d٢fݢjmmmmmmmmmm)6$C5IBQPX]`ihtp~z{vrnligfàe͡d٢fݢjmmmmmmmmmm)6$C5IBQPX]`ihtp~z{vrnligfàe͡d٢fݢjmmmmmmmmmm)6$C5IBQPX]`ihtp~z{vrnligfàe͡d٢fݢjmmmmmmmmmm)6$B4HBPOW\^iftn~w|xspmjhfĢeϣeڣhݤloooooooooo)6$@4GANNU[\gcsk}s~{vrnkigǥfզhۧlާpߧrިrިrިrިrިrިrިrިrިrި(6$?3F?MLTYZfaqh|pzzuqnljƨiԩlܪqݩsݫtܫtܫtܫtܫtܫtܫtܫtܫtܫtܫ(6$?2F>LKSWYd_pf{mw腁zvronëmҬpܬsۭuۮwۮwۮwۮwۮwۮwۮwۮwۮwۮwۮ(6$>1E=LIRUXb^ndykt~߄zvsqqίrگvڰxٰyٱyٱyٱyٱyٱyٱyٱyٱyٱyٱ(6$>0E;KGQSW_\kbvhqݐ{؉Ӄ~zwuuɲuزxسzس{س{س{س{س{س{س{س{س{س{س(6$=/D:JEPQU][h`sf~ݜoוyю͈ȃ|zxĴxֵ{ֵ}ֵ~ֵ~ֵ~ֵ~ֵ~ֵ~ֵ~ֵ~ֵ~ֵ~ֵ(6$=.C9IDOOTZYe^pީdzآmњv˒~ƍ~||ѷ~շշշշշշշշշշշշ(5#<-C7IBNLSWXa\k۰cvӧk̞sƗ{ιԹԹԸԸԸԸԸԸԸԸԸԸ(5#<,B6H?MIRSV]޺Zf״`uϫhǢpxʻӻӺԹԹԹԹԹԹԹԹԹԹ(5";+B4G=LFQOUXWbӷ^t˯fçnv~ǼҼӻӺӺӺӺӺӺӺӺӺӺ(4!;*A3F;KCOKSRTaϻ]tdzdlt{ŽѾҼӻӻӻӻӻӻӻӻӻӻ'4!;)@1F8J@NFRLR`̿[s÷bjqy¾ѾҽҼҼҼҼҼҼҼҼҼҼ'3 :'@/E5I;M@KIQ_Yrahov~ѿҽҼҼҼҼҼҼҼҼҼҼ'39&?,D1G6J8FGO]Wq_fmt{{yѾ|ҽҼҼҼҼҼҼҼҼҼҼ'29$>)B-E.F.FFM\Uo\cjqx}xsqѾuҽxӻxӻxӻxӻxӻxӻxӻxӻxӻxӻ'17!<$@&A%L,LDLZRmY}`gnu~|upliӻnӻqӺqӺqӺqӺqӺqӺqӺqӺqӺqӺ'06:<HR*TBSXQkW{]dkr|{t…n‘i dôaԸfոiշiշiշiշiշiշiշiշiշiշ'/467JS/YB[UXhVx[ah|ouxnЂhЏbџ^ҳZԲ`زbسbسbسbسbسbسbسbسbسbس&-0/?L"T5WHXZXiYw[_~fwnovic፦_✨[㮪Xʫ[۪]ܬ]ܬ]ܬ]ܬ]ܬ]ܬ]ܬ]ܬ]ܬ]ܬ% ) ( /CN(R;SNT^UlWwZ^wdpkjte}a눞]ꓡZ頢X豣VʤXڣXڣXڣXڣXڣXڣXڣXڣXڣXڣ!"4DK-M@OQP`RlUvY~x]qckjgrcz`]Z픚WU챜SSSSSSSSSS6 BG2ICKRM_OiSrxXxr]}lchidpav^}[YVSRRRRRRRRRRܿ"6>"B4DDFQI\~MdwRkqWpl]tgbxdhzam}^r[xY}WTRPPPPPPPPPPڱ%39$<4?ABL}FUvK\pQbjVff[jb`l_eo]jqZnrXstVwuT|vRxOyMzMzMzMzMzMzMzMzMzMzλ$.3#70:<{>EtCLmJRhOWcTZ`Y]]^_ZbaXecVidTmfRqgPuhNziLjJkJkJkJkJkJkJkJkJkJk(-1*z53q:;j@AeFF`LJ\QMYUOVYQT]SR`TPdUNgVMkXKnYIrZHw[F{\F{\F{\F{\F{\F{\F{\F{\F{\F{\ &x+"o0)g60a<5\B9XG