ࡱ> jli 0bjbj 7b(88lL\G"|F~F~F~F~F~F~F,HK|FFF|F|FA0CP)'s HB$hFF0GlBDLLHCCCFFGL Z:   Bastian Heinsohn, Ph.D. bastian.heinsohn@bucknell.edu (570) 577-1837 (office), (530) 204-8877 (cell) CURRENT ACADEMIC POSITION Assistant Professor of German, Department of Languages, Cultures and Linguistics, German Studies Program, Bucknell University, 2009-present ACADEMIC EMPLOYMENT HISTORY Adjunct Faculty Member in Department of Humanities Berkeley City College, Spring 2007-Summer 2009 (Courses taught: Film Art, Film History, Introduction to Film) Ph.D. Student and Teaching Assistant in German Studies and Film Studies University of California at Davis, Fall 2004-Spring 2009 EDUCATION Ph.D., German Studies, University of California, Davis, September 2009 Thesis: The Language of the Urban Street in German Culture Dissertation advisor: Dr. Jaimey Fisher Major field of Study: Modern and contemporary German literature and film Designated Emphasis in Critical Theory M.A., American Studies, German Studies, Heinrich-Heine-Universitt, Dsseldorf, Germany, June 2004 Thesis: John Steinbeck and Adaptations: Translating Motifs, Style, and Content into the Medium Film TEACHING AND RESEARCH AREAS Areas of research specialization include 20th Century Literature and Film, contemporary German Culture, film history Teaching interests include survey classes of German Culture, all levels of German language, 19th and 20th century German literature, Weimar Culture, postwar culture, recent German Literature, German Cinema, World Cinema, Film Theory, Film History, Film Art COURSES TAUGHT at Bucknell University Film/Media Studies (English Department): Film History I (ENGL 232, Spring 2011) Film Theory (ENGL 337, Fall 2013, Fall 2014) Foundation Seminar (mandatory for first-year students with emphasis on teaching writing at university level) Cinema and the City (FOUN 098-54, Fall 2013) German Studies Program: Elementary German (GRMN 101: Fall 2012; GRMN 102: Spring 2010, Spring 2014, Spring 2015) Intermediate German (GRMN 103: Fall 2010, Fall 2012, Fall 2013, Fall 2014; GRMN 104: Spring 2011, Spring 2014, Spring 2015) Conversation and Composition (GRMN 204: Fall 2010) The Culture of East Germany (GRMN 273: Spring 2010) Achtung Kamera: Intro to German Film Studies (GRMN 295: Fall 2009, GRMN 251: Spring 2015, taught in German) Berlin Republic since 1990 (GRMN 273: Spring 2013) Contemporary German Cinema (GRMN 318: Spring 2013, taught in English) German Literature from the Weimar Republic to the Present Day (GRMN 329, Fall 2010) PUBLICATIONS Film as Pedagogy in Late Weimar and Early Nazi Cinema: The Role of the Street in Mobilizing the Spectator in Continuity and Crisis in German Cinema 1928-1936, eds. Barbara Hales, Valerie Weinstein and Mihaela Petrescu (Rochester: Camden House, forthcoming). 28 pages. Rejecting a Fortress Europe: How German-Polish Borderland Films of the Early 2000s Foreshadowed Trajectories at European Borders Today in Studies in European Cinema (New York: Routledge, forthcoming). 22 pages. Advance online publication. DOI: 10.1080/17411548.2015.1036622. Carl Laemmles Protgs: Everyday-Life in Exile after Escaping Nazi Germany with an Affidavit from Hollywoods Film Mogul in: Exile and Everyday Life (Yearbook of the Research Centre for German and Austrian Exile Studies.) Volume 16, eds. Anthony Grenville and Andrea Hammel (Leiden: Brill Rodopi, 2015). 85-106. Critical Voices from the Underground: Street Art and Urban Transformation in Berlin in: Envisioning Social Justice in Early Twenty-First Century German Culture, eds. Axel Hildebrandt and Jill Twark (Rochester: Camden House, 2015). 119-141. 21 June And 30 August 1957: Jonas and Berlin Ecke Schnhauser Link Urban Reconstruction to National Cinema in Both West and East in: A New History of German Cinema, eds. Michael Richardson and Jennifer Kapczynski. (Rochester: Camden House, 2012). 365-371. Beyond the Heimatfilm Genre: Criticizing the 1950s Urban Reconstruction in Germany in Ottomar Domnicks Jonas (1957) in: Cultural Perspectives on Film, Literature and Language. Selected Proceedings of the 19th Southeast Conference on Foreign Languages, Literature, and Film, ed. Will Lehman and Margit Grieb. (Boca Raton: BrownWalker Press, 2010). 145-162. Protesting the Globalized Metropolis: The Local as Counterspace in Recent Berlin Literature in: Spatial Turns: Space, Place, and Mobility in German Literary and Visual Culture, eds. Jaimey Fisher and Barbara Mennel (Amsterdam: Rodopi, 2010). 189-209. Gerhard Kleins Berlin Ecke Schnhauser (1957): The Role of the Urban Setting in East Germanys Quest for a New Identity in: From Weimar to Christiania: German and Scandinavian Studies in Context, eds. Florence Feiereisen and Kyle Frackman (Newcastle, UK: Cambridge Scholars Publishing, 2007). 76-88. In preparation: Graffiti Texts and Cinematic Space: The Linguistic Landscape in Thomas Arslans Berlin Trilogy Geschwister, Dealer and Der schne Tag PRESENTATIONS Redefining the Discipline: German Studies and the Meaning of Graffiti Texts (Seminar: New Directions in Pop-, Sub-, and Lowbrow Cultural Studies) German Studies Association, Kansas City, September 18-21, 2014 What the Study of Graffiti and Street Art Reveals about Current Issues of Migration and Globalization in Germany Case Study: Berlin The Binghamton University German Studies Colloquium, Binghamton, April 25/26, 2014 Looming Large over the Hinterland: Images of Berlin in Cinematic Explorations of the Surrounding Countryside German Studies Association, Denver, October 7, 2013 Text and Cinematic Space: The Linguistic Landscape in Thomas Arslans Berlin Trilogy Society for Film and Media Studies, Chicago, March 7, 2013 Critical Voices from the Underground: Decoding Forms of Street in Berlins Linguistic Landscape German Studies Association, Milwaukee, October 6, 2012 Keynote Address: Filmmaking Outside the Box: The Silent Films of Alfred Hitchcock, Study Outside The Box Conference, Heinrich Heine-Universitt Dsseldorf, June 29, 2012. Organizer: Anglistisches Institut. Critical Voices from the Underground: Street Art and Urban Transformation in Berlin, International Humanities Conference, Universidad de Granada, Granada, June 8-10, 2011 From Wastelands to Abstract Space: The Postwar German City in Ottomar Domnicks Jonas (1957) Spaces and Flows: An International Conference on Urban and ExtraUrban Studies, University of California Los Angeles, Los Angeles, December 4-5, 2010 Any Literary Detectives Left? The Crime Novel Genre in Germany before and after Handkes Der Hausierer (1968) German Studies Association, Oakland, October 10, 2010 This is not your Home: Solitude and Hotel Space in Birgit Mllers Valerie (2006) Pacific Ancient and Modern Language Association, San Francisco State University, November 7, 2009 Retreat as Protest: Relocating Kafkas Der Bau into the New Berlin in Norman Ohlers Mitte German Studies Association, St. Paul, October 3, 2008 Protesting against the New Berlin: The Dialectics of the Urban Street in Recent Berlin Films Project on European Cinemas, McGill University, Montreal, Canada, September 19, 2008 The Local as Counterspace in Recent Berlin Literature Michigan Academy of Science, Arts, & Letters, Kalamazoo, Michigan, March 7, 2008 Protesting against the New Berlin: Recent Berlin Films as Counterculture ACLA, Puebla, Mexico, April 22, 2007 The Forgotten War Monument: The Slow Vanishing of the Kaiser Wilhelm Memorial Church from the Urban Landscape of the New Berlin Art History Symposium, University of Arizona, Tucson, February 23, 2007 Urban Space and the Role of the Street in Wim Wenders Wings of Desire Film Conference, San Francisco State University, San Francisco, November 3, 2006 INVITED LECTURES Copy & Paste: The Meaning of Graffiti and Street Art in Berlin Today Goethe-Institut San Francisco, June 5, 2015 The Meaning of Graffiti in Thomas Arslans Berlin Trilogy Guest of Honor at German Studies Annual Talk, Dickinson College, February 18, 2015 The Language of the Street: On the Use of Graffiti in Post-Unification Berlin films Center for the Study of Race, Gender and Ethnicity, Bucknell University, November 21, 2013 Framing Counterspaces: Forms and Meanings of Graffiti in Berlin's Linguistic Landscape Faculty Colloquium, Bucknell University, Lewisburg, November 13, 2012 Postwall Berlin in Run Lola Run UC Davis Summer Abroad Program, Berlin, July 10, 2012. Berlin Culture before and after the Wall. Instructor: Gail Finney The Cinema of Fritz Lang UC Davis Summer Abroad Program, Berlin, August 3, 2010 The Roaring Twenties in Germany. Instructor: Gail Finney The Role of Soccer in German Culture Religious Studies, UC Davis, May 19, 2009. The History and Culture of Soccer. Instructor: Alon Raab Weimar Culture and Fritz Langs M UC Davis Summer Abroad Program, Berlin, August 25, 2008. Weimar Culture: Defeat, the Roaring Twenties, the Rise of Nazism. Instructor: Gail Finney ACADEMIC SERVICE Faculty co-chair of faculty-student run Committee for Campus and Student Life, 2014-2015, elected committee member: 2012-2015 German Club Advisor 2012-present Library and IT representative for the German Program, 2009-2011, 2012-present Organizer of International Film Festival including guest speaker visit by Yaron Shemer (talk on Israeli and Palestinian cinema), 2011 Organizer of campus visit by Dr. Kyle Frackman (talk on East German cinema), 2010 FILMS Writer and Director: Farewell Wilshire Grand. The End of a Landmark in Downtown Los Angeles, Documentary, 12 min., 2012 Interviewee: Expert on the role of graffiti in Berlin for television documentary on graffiti and street art worldwide, Television Sydney, Fall 2012 SERVICE TO THE PROFESSION Reviewer for journal Modern Language Studies (Northeast Modern Language Association) Reviewer for journal German Studies Review (GSR) PROFESSIONAL AFFILIATIONS Modern Language Association (MLA) German Studies Association (GSA) Society for Cinema and Media Studies (SCMS) GRANTS, AWARDS Center for the Study of Race, Ethnicity, and Gender Travel Grant (CSREG), Bucknell University, 2011, 2013, 2015 College Core Curriculum Course Development Grant, Bucknell University, 2010, 2013 LANGUAGE COMPETENCE German: native speaker English: fluent French: advanced level Spanish: intermediate level     PAGE  PAGE 2 Heinsohn, Bastian uv < c d e o   3 J K R f y ƼƼƼƴժ򔊃wp hJhShJh;6hx hS\]hJh;\]hJhz\]hShJh;\hJh;5\hh(y\hh(y6\ h(y\ hB\ h\ h5\ hJhVhJh;5 hhV} hJh; hJhX,6ev  ; p ) c e o  f ^gd;`gd;`gd(y`gdV$a$gd;gd; C Z [ w =d,-./Ggd;h^hgd & F gdh`hgd2gd^gd & F gd; ^`gdS`gdS   9 B C X Z [ w  ! 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