ࡱ> }~ bjbjWW r==(82 \%(&&&&z7J$U\V&&VV&&)n[[[V&&&[V[[2z8v&pYop%Y.ڎTZ\vvP 'NP[R|T'N'N'NC['N'N'NVVVV'N'N'N'N'N'N'N'N'N :  PERMISSION GUIDELINES FOR AUTHORS WHEN AND HOW TO CLEAR PERMISSIONS FOR THE USE OF THIRD PARTY MATERIAL IN YOUR JOURNAL ARTICLE Last updated October 2011 Note: The law governing copyright, especially as it refers to non-print media, is far from clear but the following guidance is offered in good faith; of necessity, these guidelines are not comprehensive, but rather a simplification of the law governing copyright. Furthermore, these guidelines are based on English Law only. You should always seek advice when in doubt (contact details will be provided below). CONTENTS  TOC \o "1-2" \h \z \u   HYPERLINK \l "_Toc275974794" 1 What Rights Do You Need to Obtain?  PAGEREF _Toc275974794 \h 2  HYPERLINK \l "_Toc275974795" 2 Why Are These Rights Needed?  PAGEREF _Toc275974795 \h 2  HYPERLINK \l "_Toc275974797" 3 When Should You Clear Permissions?  PAGEREF _Toc275974797 \h 2  HYPERLINK \l "_Toc275974799" 4 What is covered by copyright?/Is it still in copyright?  PAGEREF _Toc275974799 \h 3  HYPERLINK \l "_Toc275974800" 5 Do I Get Permission?  PAGEREF _Toc275974800 \h 3  HYPERLINK \l "_Toc275974801" 5.1 Fair dealing (UK) and fair use (US)  PAGEREF _Toc275974801 \h 3  HYPERLINK \l "_Toc275974802" 5.2 Figures  PAGEREF _Toc275974802 \h 4  HYPERLINK \l "_Toc275974803" 5.3 Poetry, lyrics and other material  PAGEREF _Toc275974803 \h 6  HYPERLINK \l "_Toc275974804" 5.4 Film stills  PAGEREF _Toc275974804 \h 6  HYPERLINK \l "_Toc275974805" 5.5 Charts and tables  PAGEREF _Toc275974805 \h 6  HYPERLINK \l "_Toc275974806" 5.6 Screenshots from a website  PAGEREF _Toc275974806 \h 6  HYPERLINK \l "_Toc275974807" 5.7 Music  PAGEREF _Toc275974807 \h 7  HYPERLINK \l "_Toc275974808" 6 I need permission, so what do I do?  PAGEREF _Toc275974808 \h 9  HYPERLINK \l "_Toc275974809" 6.1 Material from books/journals  PAGEREF _Toc275974809 \h 9  HYPERLINK \l "_Toc275974810" 6.2 Photographs  PAGEREF _Toc275974810 \h 9  HYPERLINK \l "_Toc275974811" 6.3 Images/Illustrations from Museums, Art Galleries  PAGEREF _Toc275974811 \h 9  HYPERLINK \l "_Toc275974812" 6.4 Your own photographs  PAGEREF _Toc275974812 \h 10  HYPERLINK \l "_Toc275974813" 6.5 Permission for use in the online journal without a time limit  PAGEREF _Toc275974813 \h 10  HYPERLINK \l "_Toc275974814" 6.6 Music  PAGEREF _Toc275974814 \h 13  HYPERLINK \l "_Toc275974815" 6.7 Film and Television Images including Film Clips and Posters  PAGEREF _Toc275974815 \h 15  HYPERLINK \l "_Toc275974816" 7 Requesting Permission  PAGEREF _Toc275974816 \h 16  HYPERLINK \l "_Toc275974817" 7.1 If you identify the rights holder but they are slow to respond  PAGEREF _Toc275974817 \h 17  HYPERLINK \l "_Toc275974818" 7.2 Best efforts  PAGEREF _Toc275974818 \h 17  HYPERLINK \l "_Toc275974820" 7.3 If you have difficulty tracing the rights holder  PAGEREF _Toc275974820 \h 18  HYPERLINK \l "_Toc275974821" 7.4 If you still cannot get them to respond  PAGEREF _Toc275974821 \h 18  HYPERLINK \l "_Toc275974822" 7.5 Circumstances in which no permission is needed  PAGEREF _Toc275974822 \h 18  HYPERLINK \l "_Toc275974823" 8 What to do if when there are restrictions or unacceptable terms  PAGEREF _Toc275974823 \h 19  HYPERLINK \l "_Toc275974824" 9 Other sources of information  PAGEREF _Toc275974824 \h 19  HYPERLINK \l "_Toc275974825" 10 Any other queries  PAGEREF _Toc275974825 \h 21  HYPERLINK \l "_Toc275974826" APPENDIX A - Template Permission Request Letter  PAGEREF _Toc275974826 \h 22  What Rights Do You Need to Obtain? Seeking permission can sometimes be a protracted process. While we hope this will not be the case for you, we strongly recommend that you begin as early as possible. Even before you submit your article to the journal, please ensure you that you explore the copyright situation for the material you wish to use in your article, identify any relevant copyright holders, and establish whether you are likely to be able to obtain permissions from them. When seeking permission to reproduce any kind of third party material in an Oxford Journals publication, please request the following: non-exclusive rights to reproduce the material in the specified article and journal published by Oxford Journals, a division of Oxford University Press print and electronic rights, ideally for use in any form or medium. If not possible to secure such broad-ranging rights, we do need the right to make the content available online (see below) the right to use the material for the life of the work (no time-restrictions such as one year etc on the licence granted) world-wide English-language rights. If rights for all languages can be secured, this is preferable. the right to use images with a resolution of 300 dpi in the PDF version of the journal, or 72 dpi in the HTML version Why Are These Rights Needed? Oxford Journals are published in both in print and online formats, making them available through a variety of methods of access. By online, we mean the simultaneous publication of the tables of contents, abstracts (where applicable) as well as the full text of the journal in PDF and HTML formats on the Web. The journals are used by individuals and institutions in the format of their choice: print and online; print only or online only. We also sell individual articles to end users either in print or online format, and need to keep an article intact for this purpose. In order for Oxford Journals to maintain consistency in the high quality and content of its journals (regardless of the users preferred format and method of delivery), we need to ensure that we secure ALL of the rights specified above. When Should You Clear Permissions? You are obliged to clear all necessary permissions prior to publication. We advise that you should begin doing so as early as possible. Copies of each permission should be provided to the editorial office of the journal. What is covered by copyright?/Is it still in copyright? Terms of copyright in literary, dramatic, artistic and musical works (whether published or not) depend both on (a) when and where the work was first published; (b) if and when the author has died, and (c) the residence and nationality of the author. The rules are complicated, but the general rule is: copyright expires 70 years after the end of the calendar year in which the author died; if a work was unpublished (and this term has a broad meaning including public performance and broadcasting) at the date of the authors death, then the period of copyright protection will be the longer of: 70 years after the end of the calendar year in which the author died; or 50 years after the end of the calendar year in which the work was first published (in the case of works first published before 1 August 1989) and 50 years from 1 January 1990 (in the case of works first published after 1 August 1989) In the case of an unpublished document you will need to seek permission from the owner of the document as well as the owner of any copyright in the document. Do I Get Permission? Make sure you do not apply for permission when you do not actually need it! There is one important circumstance under which permission is not required, and you should consider carefully whether it applies in your case. Please also check section 7.5 below. Fair Dealing (UK) and Fair Use (US) Fair use is part of the legal framework in the US, allowing the use of short extracts without the need for permission. In the UK, however, we have fair dealing which is very different: it is not part of copyright law, and is a much weaker provision. Under fair dealing there are specific instances in which copyright material may be used without seeking formal permission from the copyright holder/publisher. UK law permits fair dealing with certain types of copyright material for the purposes of research (non-commercial) and private study, criticism or review, or the reporting of current events. Such use will not infringe any copyright in the material provided that it is accompanied by a sufficient acknowledgement. The use must be fair. What constitutes fair dealing or fair use requires a case-by-case analysis, and needs to be determined in a fair-minded and honest manner. To help assess whether material falls within the fair dealing guidelines the following considerations should be made: The extent to which the use competes with exploitation of the copyright work by the owner. For example, would it be seen as an acceptable substitute to the buying public? Is the work unpublished? You cannot rely on fair dealing for the purpose of criticism or review if the material is unpublished How much of the original work are you using and the significance or importance of those extracts. There are no word-number rules that can be safely applied. As with the assessment of substantial use, whether or not such use is fair will depend on the situation (including, but not limited to, the length of the material) from which the material is taken as well as the significance or importance of the material concerned. Short works such as poems and song lyrics are treated as individual works. Is the material truly being used in the way claimed? For example, is it really being critiqued or reviewed or simply reproduced? What is the purpose of the use? Was the use really necessary to make the point in question or could less have been used? Be aware of the difference between using content inside the book and on the cover. For example, if a quote is being used on the cover it wont be covered under fair dealing as it is not being used for criticism or review, and will therefore always require permission. In the UK fair dealing terms can vary widely: some publishers display the criteria they apply for fair dealing on their websites, and this can be a useful starting point. Please bear in mind that it may take several weeks to clear permission, if it is needed. Rights holders may also demand to read and/or approve the text before publication. All extracts should be acknowledged. If you have any queries about the fair dealing/fair use provisions, please seek further advice. Figures Fair dealing and fair use provisions do not apply to illustrations or figures in books, since each illustration or figure is treated as a separate copyright item. You will need to obtain permission to reproduce them from the publishers, or where they are credited to third parties, from those third parties. Images from websites Websites such as Google Images and Wikimedia Commons offer a large number of images which appear to be freely available for republication. These include, for example, photographs of original works of art which themselves are no longer protected by copyright because their period of copyright has expired. However, the situation is complicated by the fact that a separate copyright exists in the (modern) digital image, even if the object of the photograph is itself out of copyright. It is currently unclear whether such photographs can be freely reproduced in new publications, under the terms offered by such websites or by other licences they mention. Currently, the copyright position for such images has not yet been tested in a UK court of law. Web pages frequently include nothing more than a disclaimer, placing the onus entirely on the publisher to establish whether anyone controls rights in that particular digital image, and to uncover their identity. For the moment, therefore, we do not wish to republish in Oxford Journals, images which are obtained from sites such as these if you, as author, are unable to identify the original source of the digital images. We suggest you follow up directly with the rights holder or website owner. We will be happy, of course, to review this position if a UK legal precedent is set in future. Instead, if the original work is housed in a museum or gallery, most museums now actively license digital images of their own objects, and many even insist that these are the images which are favoured in publications. In these circumstances you would need to apply to them for permission to use a digital image which they provide. Alternatively, if the images are engravings or prints reproduced from books which are themselves clearly out of copyright, you will need permission from the owner of the physical copy of the book. We understand that itcan seemcounterintuitivefor journal authors/editors to clear permissions when the original work may already be in the public domain. The permission you are seeking, however, relates to the digital image, rather than the original work itself. We appreciate that this can be a confusing area, particularly for authors outside the UK where copyright regulations may differ, and further advice is available for specific instances. Web links Please avoid using links to any images or other material on a website. Although we appreciate the benefits of providing links, we would not be able to monitor whether those links remain live over a period of time, or even whether they might be directing people to a site that was breaching copyright. Links can be restricted or break down, so they are not an ideal solution over time for providing pointers to content or images. We therefore recommend that instead you locate images which can be made available for publication within the body of your article. Details from an image If you wish to use a detail from an image, bear in mind that you will need to make this clear in your request. Most rights holders will want to see a mock-up of the actual detail you plan to use, before they grant you permission to go ahead. This will also apply if you wish to apply text to an image, such as on a journal cover. Redrawing a figure If you choose to redraw a figure, the closer your drawing resembles the original, the more careful you will need to be about copyright issues. If you redraw an image without making substantial changes, then the copyright status is unaffected: in other words, if the original figure is protectedby copyright, then you will still need permission to publish a redrawn version of the same figure. Poetry, lyrics and other material Poetry publishers and individual poets (or their estates) are understandably very careful about the permissions they authorize from important works. Our advice therefore is always to check with the publisher or rights holder whether permission will be necessary or not. These are classed as literary works, and they are likely to have at least one level of copyright protection. In the case of lyrics and/or any other material that may be of a particularly high profile, even if you think fair dealing may apply, it is best to seek permission as there is often a qualitative value attached to it. In certain cases they may insist on seeing every intended use of poetry, however brief, so that they can assess for themselves whether fair dealing applies. Film stills See Section 6.7 below for guidance on the use of images from films and television including stills, film clips, posters etc. Charts and tables If a table is taken directly from another publication it will of course need permission. The same is true of a copy or redrawing which incorporates only minor modifications: if permission would have been needed for the originalfigure, then it will also be needed for a copied or modified version. However, if you make substantive changes to a chart or table, you may effectively be creating a new copyright and you would not need to clear permission, although we would still recommend alerting the original authors as a courtesy. Unfortunately, there is no legal definition of what constitutes substantive changes, so if you are in any doubt about whether or not you have created a new work, we strongly recommend that you should seek permission anyway. In all cases, original sources should be fully credited. Screenshots from a website Under certain circumstances, screenshots from a website can be used under fair use without seeking permission. As yet there are no fixed rules about this, but the majority of websites will contain some form of copyright or proprietary rights notice. The following may help you determine whether or not permission is required: in the text, refer to each image directly for criticism or review dont use more images than you really need avoid screenshots containing trademarks, pictures or text which may be themselves protected by copyright check any legal notices on the website relating to the use of screenshots avoid replicating a large proportion of a single website avoid placing screenshots from different sources alongside each other so as to criticize one of them If you are not sure, check with the editorial office of the journal. Music Some of our journals appear with written music, and with downloadable sound examples for the online versions. You should always seek advice when in doubt, but in essence it is necessary to ensure that clearance is gained for the following: reproduction and distribution in printed form of copyright textual or graphic material or music; reproduction in electronic form and dissemination online of copyright textual or graphic material or musical or dramatic works; reproduction in electronic form and dissemination online of copyright sound material (e.g. a sound recording); and reproduction in electronic form and dissemination online of performances of music and/or words (e.g. a song embodied in a sound recording). While the owner of the rights in a sound recording may also own or control the rights (e.g. of the performer) in the performance recorded, it would be wise to get confirmation of this from that owner when seeking a clearance, and to make it clear that a licence of both categories of rights is being requested. Finally you must respect the author's moral rights. This means being careful to ensure that the author and source of any material used are identified sufficiently, and that no material used is subjected to any derogatory treatment. Music Copyright There is no restriction on the inclusion of non-copyright materials in either the printed or the electronic version of the journal, but be aware that there may be rights in performances of public domain works. New editions: A new copyright may exist in a new edition of an existing work. If the new edition contains material alterations which suffice to make the totality of the new edition an original work, then the new edition will be a new copyright work. This is so whether or not the existing edition is in the public domain. Copying the existing work will require no consent if it is in the public domain, but that copying must be done from the existing work and not from the new edition. If the existing work is still protected by copyright, then permission for use must be obtained from the rights owner. If the new edition is used and the old edition is still in copyright, permission must be obtained from the owner of the rights in the new edition and, if that owner does not also own the rights in the old edition, from the person who owns the rights in the old edition. Copyright on typography and music setting (engraving) lasts for 25 years from publication. Sound recordings In the case of sound recordings, copyright in the recording generally lasts for fifty years from release. Release has a wide meaning and includes broadcast and public performance. That means that you do not need permission to reproduce clips from original recordings that were released over 50 years ago; reissues (for instance CD compilations of historical recordings) may however be protected by a new copyright, as will sound recordings which have been remastered or digitally enhanced. Rights of performers performing on sound recordings generally last for the same period as the copyright in the sound recording. Multiple copyrights As you will gather from the above, a single publication will have multiple copyrights. For a musical score, these typically include the composer, the editor or arranger (if any), and the music setting; in the case of songs and operas the lyrics or libretto will be copyright, too. The publisher will normally handle all these rights. For a recording there will be a number of separate copyrights relating to the performance but they will usually all be handled by the record company, although it may sometimes be necessary to get separate permission from performers; you should check with the record company. Where the work itself is copyright, however, you will have to obtain permission for that separately from the publisher. Material can be considered out of copyright only if all the relevant copyrights have expired. Transcriptions and diplomatic copies Under certain circumstances, diplomatic copies or transcriptions of written music can be reproduced without permission. If you are reproducing an image (even if redrawn) of an original music manuscript, you would normally need permission from the owner, whether or not the item in question is protected by copyright. If you are reproducing a facsimile of the manuscript, permission would therefore be needed. If, however, in your transcription you have made sufficient changes so as effectively to create a new copyright, then the requirement to clear permission no longer applies. Unfortunately there is no clear legal definition of what might constitute sufficient changes, so this can be difficult to assess. If you believe that the figures you wish to reproduce might fall into this category, you will need to consider to what extent your copy or transcription reproduces the original manuscript. Such images should always be published with an acknowledgement for the original source. Clearly, any critical apparatus or other modern material would be protected by copyright in the usual way. This is a complex topic and further advice is available for specific instances. I need permission, so what do I do? You need to write to the copyright holder or owner of the rights in the material you want to reproduce: Material from books/journals The best contact, in the first instance, is the original publisher. Even if the author retained the rights to the material, it is likely that the publisher will handle permissions centrally. If not, they will be able to refer you to the appropriate place. Photographs The copyright in all photographs taken after 1 August 1989 will be owned by the photographer, unless there is an agreement to the contrary. For photographs taken between 1 June 1957 and 1 August 1989, the 1956 Copyright Act defined the author as the person who owned the material on which the photograph was taken. The date of the photograph being taken is therefore essential. The length of the period of copyright for photographs is that outlined in Section 4 above. Images/Illustrations from Museums, Art Galleries If the original work is in copyright Bear in mind that some images carry more than one level of copyright, and you will need permission from each of the relevant copyright owners. An example of this would be a photograph of a work of art: if the original work is still protected by copyright, you will of course need permission from the artist or their representative/estate. It is very likely that, in addition to this, you will also need to clear permission to reproduce the photograph, usually from the museum or gallery, since under UK law the digital image carries its own distinct copyright. If the original work is out of copyright Even if an object or workof art is clearly no longer protected by copyright, many museums and galleries actively license permissions to reproduce their own photographs of such objects in their collections, and they may insist that their own image is the only one which should be used for publication. A distinct copyright exists in photographs such as these, so the galleries are offering permission relating to the photograph, even though the original work itself may be out of copyright. Check with the institution to see if they are licensing images in this way: it will often be clear from their website. Your own photographs If you possess your own copy of an out of copyright book, and you have taken your own photographs of images from the book, you will be able to use those photographs in the journal, just including an acknowledgement of the original publication. If, however, you have taken photographs from an out of copyright book which belongs to a library or institution,then you will need to seek permission from the owner of the book to use such photographs specifically for publication. You may have taken photographs, with permission, whilst visiting a library or museum, but often that is permitted onthe understanding thatsuch photos are for study and research purposes only. Unfortunately that would not cover the republication of that image, so in a situation of this kind you will need to ask specifically for permission to use your own photographs for publication in the journal. Permission for use in the online journal without a time limit All authors need to secure permission for use in both the print and online versions of the journal without a time limit. Customers and readers understandably do not wish to see images blanked out in the online version, so Oxford Journals is actively working with some of the major rights holders to explain our need for online rights without a time limit. In recent months we have been encouraged to see that a number of major institutions have revised their permission policies for journals, and are now able to grant the rights we need. Below, you will find an extract from a much larger table of key rights holders, and the availability of online permission for images in their collections. Note that this sets out the situation only to the best of our knowledge and experience at the date of writing (see the date at the top of this document). This area is evolving rapidly, so please check for up to date information. We would also encourage you to let us know if your experience differs from that described below. A full and updated version of the table below is available on request. Copyright Holders allowing / not allowing online use of their material in the online journal archive without a time limit This is an extract from a longer list which is updated frequently: the latest version is available on request. THIS EXTRACT LAST UPDATED AUGUST 2011.Copyright holderOnline PermissionsTermsUpdatedAshmolean Museum, Oxfordallowed without a time limitAuthors should use the code OUP-OJ5/10 in their application: the museum will understand by this that you are applying for permission to reproduce images in both the print and online forms of the journal without a time limit. They will apply a 25% discount from their normal rates.May-10Berlin Museumslimited or prohibitedPrint onlyBodleian Library, Oxfordallowed without a time limitAuthors should mention OUP when applying, otherwise they will be charged the standard ratesSep-10Bridgeman Art Libraryallowed without a time limitJan-11British Libraryallowed without a time limitSpecifically mention OUP in your requestSep-10British Museumallowed without a time limitJournal authors can benefit from the lower fees negotiated as part of the OUP Academic agreement, signed with the British Museum in 2011. To do so, mention the OUP Academic deal in your application, and make sure you mention online use at the same time, to avoid a possible extra fee. You will still pay fees to the BM directly in the usual way. FEES for journal images: world all languages; inside the publication; any size; print run up to 4,000 copies: fee 45 per image. For print runs up to 10,000 copies, 50; up to 40,000 cps, 60.Aug-11DACSlimited or prohibited10 years onlyJul-11Faber, for a number of major poetsallowed without a time limitApply early: permission may take some timeJun-11Getty Imagesallowed without a time limitAllowed by the London office as long as the article is not being actively reprinted/reproduced with the image more than 7 years laterJul-10Google Imageslimited or prohibitedGoogle generally dont hold rights to the material they display Aug-11Louvre, Parisallowed without a time limitSee RMN/Reunion des musees nationauxJun-11Metropolitan Museum, NYcurrently unclearDirect applications can be allowed including archived versions of the journal for 'duration of the databaseJul-10National Gallery, Londonlimited or prohibited3 years onlyDec-10National Portrait Gallery, Londonallowed without a time limitDec-09National Portrait Gallery, Washington DCallowed without a time limitSee prices at www.npg.si.eduJun-10RMN/Reunion des musees nationauxallowed without a time limitAllowed one instance as an exception, June 2011 - see also LouvreJun-11Royal Collectionlimited or prohibitedprint only, no online useScala Archiveslimited or prohibitedmax 10 years onlineJul-11STM Publishers (scientific , technical, medical)allowed without a time limitUnder the STM Permission Guidelines, signatories can either chose to require people to obtain express permission (as OUP do) or alternatively publishers can opt out of this requirement (e.g. Elsevier). This effectively means that providing we keep to the STM guidelines, we are free to reuse Elsevier material without contacting them directly (with an acknowledgement). For details of the STM publishers that have opted out of STM and the STM guidelines see http://www.stm-assoc.org/copyright_and_legal_permissions_guidelines.phpJul-10Vatican Museumslimited or prohibitedIn 2011 the Vatican have refused to grant online use without a time limit, and it has been slow even to get the paperwork for print permissionJun-11Victoria & Albert Museumallowed without a time limitUse for the 'life of the online archive' is allowed without a time limit: the fee for this will be 150% of the equivalent print fee. This is applicable to any journal with a print run up to 4000 copies.Jul-11Walker Gallery, Liverpoolallowed without a time limit'archive' without a time limit, for 150% of the equivalent print fee. This is applicable to any journal with a print run up to 4000 copies.Dec-09Wikimedia Commonslimited or prohibitedWikimedia Commons generally dont hold rights to the material they displayAug-11 Music In most cases the best place to start applying for permission is with the music publisher. Publishers of most music published in the UK can be found by searching on the web site of the Music Publishers Association  HYPERLINK "http://www.mpaonline.org.uk" http://www.mpaonline.org.uk. You need to write to the copyright holder or owner of the rights in the performance, explaining what you want to reproduce and the nature of the publication; you may have to pay a fee. In the case of textual and graphic material there will normally be little problem; publishers and libraries are used to handling such enquiries. You may wish to include or adapt the following when writing: "[name of journal], which is published by Oxford Journals, a division of Oxford University Press, is a scholarly journal with a limited print run. It is also published in an electronic (web-based) version, accessible only to authorized users. I am therefore seeking clearance for both the printed and the electronic versions of the journal for the life of the work. As a scholarly publication, the journal does not offer any remuneration to authors and I would therefore ask you to consider reducing or waiving any fees in respect of this permission." Sound recordings The situation is more complicated in the case of sound recordings, largely because record companies are not yet used to handling such requests. As you will only be reproducing a short extract from a recording, an enlightened company will see this not as undercutting sales but as offering free publicity. For this reason it may be advisable, when writing to large companies, to address your letter to the marketing rather than the rights division. You may wish to include or adapt the following when writing: "[name of journal], which is published by Oxford Journals, a division of Oxford University Press, is a scholarly journal with a limited print run. It is also published in an electronic (web-based) version, accessible only to authorized users. The electronic version includes a facility for sound examples, and I am writing to request permission to include and use an extract from one of your recordings as a sound example in the way just described, for the life of the work. Full details of the recording will be given. As a scholarly publication, the journal does not offer any remuneration to authors and I would therefore ask you to consider reducing or waiving any fees in respect of this permission." A problem you may run into is being offered permission for the electronic version on the basis of a fixed-term or renewable license only, which we would unfortunately be unable to accept. In this case, contact the editorial office. You may have difficulty in determining exactly who holds the rights for older recordings.  HYPERLINK "http://www.bl.uk/collections/sound-archive/nsa.html" The National Sound Archive (a division of the British Library) has information on this and will be glad to advise you. The National Sound Archive may also be able to supply CD copies of recorded extracts for journal submissions, with the copying charges paid by the Archive from an educational trust fund (but please note that responsibility for copyright and other rights clearance remains with the contributor). Mechanical rights and performance rights (1) In the UK: MCPS/PRS Alliance. The MCPS (mechanical rights for sound recordings, UK) and PRS (performing rights, UK) have formed an alliance which means that it is possible to apply to both of them for permission in tandem. This is good news and should make research and clearance more straightforward:  HYPERLINK "http://www.mcps-prs-alliance.co.uk" http://www.mcps-prs-alliance.co.uk. (2) In the US: Mechanical rights: The Harry Fox Agency in New York is roughly equivalent to MCPS for the US:  HYPERLINK "http://www.harryfox.com" http://www.harryfox.com. Musical extracts from films Unlike the reproduction of film stills (where film companies sometimes have little interest in granting permission for academic publications), film companies are very keen to license permissions for the use of musical extracts, and will usually charge. Academic publications might be an exception, and we can expect them to be a little more flexible for a journal article, but it means it is very important to emphasize academic journal publication whenever submitting a permission request to a film company. Music in facsimile Permission for music in facsimile works in much the same way as any other illustrative material, so permission should usually be sought for use of the photograph, even if the original object (such as a book) is out of copyright. Usually the best place to start is with the publisher, or in the case of an out of copyright book, the library or collection where the book is held. Where the music itself is still in copyright, then of course the rights have to be cleared as well. Film and Television Images including Film Clips and Posters Using images from a film Like other creative works, film and television stills, studio photographs, posters and other film-related images are protected by copyright and it is important that authors seek permission wherever that is necessary. We acknowledge that it can be an involved process in obtaining permissions, especially from large film companies. Do check to see whether permission is necessary before initiating negotiations with the rights holder: see below. Do I need permission for film and TV material? Under certain circumstances, in particular where the purpose of reproducing the image is in order to criticize or review the work in question, it is not necessary to seek permission for the use of film and television stills within your journal article although you should acknowledge the owner. Some companies may charge very high fees, which would be more appropriate to a commercial publication rather than an academic journal, and in certain cases there may also be additional fees (you might not be told how much) payable to the actors featured in the images. It is important to establish what sort of image you wish to use: a) printed matter such as a poster (see Section 6.7.3); or b) a posed studio photograph or a photograph which is not part of the running of the film, although it may have been taken in the same studio or location, at or around the same time as filming (see Section 6.7.3); or c) a still taken from the film itself (see Section 6.7.4); or d) a clip taken from the film or video, which you wish to feature on the journal web site (see Section 6.7.5). Photographs, Posters etc relating to films and TV For the reproduction of studio photographs, posters, other printed matter, and other single complete images, authors should attempt to obtain permission, following the same guidelines as for any other complete image. You should establish whether the photograph is still protected by copyright, as for any other visual image, and apply for permission from the owner of the copyright if necessary. Film and Television Stills Our view is that it is not necessary to obtain permission to reproduce film stills, as long as they fulfil both the following criteria: film stills should be used in the article directly for criticism and/or for review: it is not enough to use such images purely for illustration authors should not use an excessive number of images: really no more than is necessary to demonstrate the point you are making in the article Film and Television Clips and Videos In the same way as for stills, film clips and extracts of video should be used specifically within the context of the article for criticism and/or review. Each clip should be no longer than is necessary to illustrate the point made in the text, and certainly they should not be so extensive that they effectively become a shortcut for buying a copy of the complete film. File formats: we can accept delivery of film clips and videos in most commonly used file formats, including .avi, .mpg and .mov formats. If you are unsure about the format you wish to use, ask the editorial office for the relevant Oxford Journals Production contact, so you can check with them directly. Material not used for criticism or review in the article If you wish to incorporate additional, supporting material as a way of enhancing the article online, we can do so using this material as Supplementary Data. However, you will need to seek permission because this constitutes promotional use, rather than use for criticism and review as described above. Credits You should provide full credits for the source of every image or clip, whether or not you have sought permission. Requesting Permission When requesting permission to reproduce the material, it is essential that you include details of all the rights we need. You will need to state at the top of your request the name of the journal, title of your article, and details of the images or other material you wish to reproduce. Full credit will be given to the original source. Unless you supply us with specific wording, we will follow our usual form of acknowledgement, as follows: Figure/table/illustration details. Reproduced/ [insert name of publication and full reference including year of first publication] with permission from [insert name of rights-holder] Thank you for your help. I trust that you will be prepared to provide the necessary permissions without time limitation." Sometimes permission for all languages is charged as an additional fee, and for certain journals it may not be necessary: if in doubt please check with the journal office. To help you with the process, we have produced a Permission Request letter which you will find in Appendix A at the end of this document, and also on the Oxford Journals website. You do not have to use this template letter, but many authors have found it helpful in making the permissions process quicker and easier. Some rights holders insist on using their own standard form for permission requests, and this is acceptable as long as the permission covers the print and online rights we need. Together with these guidelines and in particular, the wording provided in the template letter, we hope that the process of clearing these permissions will be straightforward. If you identify the rights holder but they are slow to respond Sometimes copyright holders may be slow to respond to permission requests. In those circumstances we would ask you to persist, perhaps trying an alternative email address or phone number from the institutionswebsite, where available. Frequently, rights holders do grant permission once you get hold of therelevantperson, although we do appreciate it can be time-consuming and sometimesfrustrating getting to that point. Its important to note that if we know (or believe we know) whoholds the rights but they are slow to respond, this does not mean we can classify the material as an orphan work: that term is used for works which are still in copyright, but whose copyright owners cannot be found, even after diligent, good faith search. Best efforts It is not enough to write to the copyright owners and then assume that permission will be given in due course. By being the owner of the copyright, the rights holder is able to prevent others from copying the work so they are well within their rights to say no. Every effort should therefore be made to trace and then obtain the required rights from the copyright holder. By best efforts we would normally expect that no more than three or four attempts be made to contact a rights holder. If at this stage, there has been no success, please try and find an alternative piece of material to use. Should this not be possible, please inform the editorial office of the journal concerned about the problem you are experiencing and a case-by-case decision can be made about how to proceed. Please note that when deciding to proceed with the inclusion of a copyrighted works without permission, there is always the possibility and associated risk that you may be infringing someones copyright. Oxford Journals is committed to ensuring that as much as possible of an authors original choice of third party material (illustrations, images, figures etc) is included in their article. However, sometimes the only entirely safe course of action is not to use the material. If you have difficulty tracing the rights holder search on the internet, if not already done, as this can often provide a lot of useful information contact one of the following useful organizations to see if they can help: WATCH (Writers, Artists and their Copyright Holders):  HYPERLINK "http://tyler.hrc.utexas.edu/" http://tyler.hrc.utexas.edu/ This is a database containing primarily the names and addresses of copyright holders or contact persons for authors and artists whose archives are housed in libraries in North America or the UK. British Association of Picture Libraries and Agencies (BAPLA):  HYPERLINK http://www.bapla.org.uk www.bapla.org.uk Design and Artists Copyright Society (DACS):  HYPERLINK http://www.dacs.org.uk www.dacs.org.uk COPAC (University Research Library Catalogue:  HYPERLINK "http://copac.ac.uk/" http://copac.ac.uk/ ), while unable to give detailed rights information, will help to establish who was the first publisher of a title if the copyright owner cannot be traced then authors/publishers have to accept the risk that going ahead may well infringe someones copyright. As mentioned above, the decision to do this should be made following communication with the journal editorial office and/or Oxford Journals. If you still cannot get them to respond consider the possibility of using an alternative piece of material very occasionally an author reaches acomplete impasse, and in those circumstances you should contact the journal office so that we can consider each case individually, especially if an image is fundamental to an article Circumstances in which no permission is needed Anonymous or pseudonymous works If you are quoting from a work which was made after 1 August 1989, then copyright will not be infringed if: it is not possible by reasonable enquiry to identify the author; and it is reasonable to assume copyright has expired or that the author died at least 70 calendar years ago. Unfortunately the picture is not so clear for works made pre-1989. If in doubt, advice should be sought from the editorial office of the journal. Out of copyright The period of copyright, typographical right etc has expired. All that is required is a full acknowledgement to the original source. Public domain The advice from our Legal Department is that it is only really appropriate to consider a work as being in the public domain once the period of copyright has expired. However, for older works it is important to ensure that there are no typographical rights that require clearance or acknowledgement. In the case of US works, when authored by an employee of the US Government it is standard practice for the copyright to reside with the Government and the works to be considered as being in the public domain. However, it is important not to assume that this is the case. Unless specifically informed otherwise, permission should still be sought to reuse the material. Fair dealing/ fair use When the fair dealing/fair use provisions as outlined in Section 5.1 above can be applied. What to do if when there are restrictions or unacceptable terms You are granted permission, but there are restrictions or terms and conditions attached, such as a time limit or fee, which you do not want to accept: go back and negotiate the terms/fee. Most rights holders are prepared to negotiate. if the rights holder is unwilling or unable to grant online rights, we can accept print permission alone, but the material would have to be blanked out in the online version of the journal. This is not ideal either for the article or the journal as a whole, but we can do this if necessary. In this case it is essential that you let the journal editorial office and the production office know which permissions have/have not been cleared, as early as possible. if you have been offered online rights for a limited period of time, go back and request permission for the life of the work. Emphasize that the material will be used in a scholarly journal, and that it will only be used within the context of the relevant journal article. Some reassurance about how the imageswillbe used might help them to acceptunlimited usewithin the journal article, even if that is an exception to their usual terms. If you still cannot agree with the rights holder, we can blank the material out online, as in (b) above permission granted using a rights holders own form, or by email or letter/fax is fine, and you are not obliged to use the template letter we have provided. However, the wording does need to cover the rights we need: in particular, permission to reproduce the material in both the print andelectronic forms of the journalwithout a time limit. Other sources of information The Publishers Association permission guidelines  HYPERLINK "http://www.publishers.org.uk/images/stories/AboutPA/PA_Permissions_Guidelines.pdf" http://www.publishers.org.uk/images/stories/AboutPA/PA_Permissions_Guidelines.pdf Joint permission guidelines from the PA and the British Academy  HYPERLINK "http://www.publishers.org.uk/images/stories/AboutPA/Joint_Guidelines_on_Copyright_and_Academic_Research.pdf" http://www.publishers.org.uk/images/stories/AboutPA/Joint_Guidelines_on_Copyright_and_Academic_Research.pdf ( 2008) STM Publishers Guidelines In addition to fair dealing above, it may not be necessary to clear permission for material covered under the STM Publishers Guidelines. A number of STM (scientific , technical and medical) publishers, of which OUP is one, have signed an agreement whereby material can be reproduced, up to a certain limit, free of charge. Some signatories have opted to receive express permissions for material that is to be reproduced, meaning that permission still needs to be requested, but that it should be a quick process to secure this and a fee will not usually be payable. Some signatories have opted out of receiving express permissions, and in these instances you may simply use the material you require without seeking permission, up to the limits outlined below. The limitations on material that may be used free of charge are as follows: Up to three figures (including tables) from a journal article or book chapter, but: not more than five figures from a whole book or journal issue/edition; and not more than six figures from an annual journal volume Single text extracts of less than 400 words from a journal article or book chapter, but: not more than a total of 800 words from a whole book or journal issue/edition We advise checking the STM Publishers website: http://www.stm-assoc.org/permissions-guidelines/ for the latest guidelines and list of signatories if you are planning to use any material that falls within these guidelines. Crown copyright material In Britain permission may be needed to quote from or use materials in which the Crown holds copyright. Crown and Parliamentary copyright material includes: Bills & Acts of Parliament, Statutory Instruments, Statutory Rules and Orders, Press releases of Crown bodies Hansard reports, Parliamentary reports All works created by an officer or servant of the Crown in the course of his or her duties However, much of this information can be used freely under the Open Government Licence as long as the appropriate attribution is used in order to acknowledge the source of the material. For details of what is covered under the Open Government Licence, the attributions to be used, and general information relating to Crown copyright and public sector information visit the National Archives website at  HYPERLINK "http://www.nationalarchives.gov.uk/" http://www.nationalarchives.gov.uk . By contrast with Britain, in the USA materials that the government owns are in the public domain and may be freely used without permission, though the source must still be cited in full and acknowledgement made. Any other queries In the first instance, talk to the editorial office of the journal concerned. The journal office will also be able to put you in touch with Oxford Journals permissions consultant, if necessary. Alternatively, contact your Publisher, or phone OUP and ask for Journals Production, stating the name of the journal. You could also contact the Business Development and Rights department at Oxford Journals by emailing  HYPERLINK "mailto:journals.permissions@oxfordjournals.org" journals.permissions@oxfordjournals.org with details of your query. APPENDIX A - Template Permission Request Letter You do not have to use this letter but may find it useful if the rights holder does not wish to provide their own.  ___________________________ ___________________________ ___________________________ ___________________________ ___________________________ Date:_________________ To: ______________________________ __________________________________ __________________________________ __________________________________ __________________________________ Dear Sir/Madam REQUEST FOR PERMISSION TO REPRODUCE MATERIAL IN AN OXFORD JOURNALS publication. OXFORD JOURNALS is a division of Oxford University Press. Oxford Journals is preparing to publish the following article: Article title:______________________________________________________ in Journal title (including volume and issue if known): More information about the Journal can be found at:  HYPERLINK "http://www.oxfordjournals.org" www.oxfordjournals.org Scheduled Publication date (if known):______________________________ Material Requested:_________________________________________________ ____________________________________________________________________ I/We are contacting you to request the non-exclusive rights to reproduce the above material in the specified Oxford Journals work, for the life of the work, in any form or medium (including electronic), whether now known or hereafter developed, in all languages, for distribution throughout the world. Full credit will be given to the original source, using this standard wording, (unless an alternative form of acknowledgement is requested by you in the Comments section below): Figure/table/illustration details. Reproduced/ [insert name of publication and full reference including year of first publication] with permission from [insert name of rights-holder] If permission is granted, please indicate by ticking the relevant section below and providing any additional details of the terms and conditions of use that we will need to take into consideration when reproducing the material. PLEASE TICK THE APPROPRIATE BOX, CONFIRMING THE RIGHTS BEING GRANTED: [ ] Print and online rights (Please note that we are unable to accept time limited licenses for online use. As with the print version of a journal, the material will be available to users of the online edition for the life of the work. For both practical and economic reasons, we are unable to commit to re-applying for permission after a certain period of time. For further clarification please contact:  HYPERLINK "mailto:"  HYPERLINK "mailto:journals.permissions@oxfordjournals.org" journals.permissions@oxfordjournals.org ) [ ] Print only rights (If print only rights are granted, we will not make the material available in the online version of the journal. For readers accessing the online version only of the journal concerned, this will unfortunately mean that they cannot view the article in its entirety.) COMMENTS Please specify here, or append, your Terms and Conditions for re-use otherwise the image(s) will be used according to Oxford Journals standard terms. For example do you have specific credit line that you would prefer to be used; would you like to receive a copy of the journal issue containing the material etc? PERMISSION NOT GRANTED: If you decide not to grant this permission, I would be grateful if you could specify your reasons for doing so below:____________________________________________________________________________________________________________________________________________________________________________________________________________ PERMISSION IS HEREBY GRANTED/NOT GRANTED AS SPECIFIED ABOVE (PLEASE DELETE AS APPROPRIATE) BY: SIGNED:_______________________ ______________________ POSITION:__________________________________________ Date:_______________ If you need any further information to help process this request, please do not hesitate to contact me. I look forward to hearing from you. Yours faithfully/sincerely     PAGE 5 PAGE 24 $%5n{: ; < D E F ] ^ _ ƼƼwlh`\`OhJCJaJmHnHuhOjhOUhnPlhj[hj[CJaJhchd>*OJQJaJhchC/5\ hc5\hch<5\ h5-5\ hia5\ h<5\ hC/5\hchjta5\hch5\hC/ h1(8h$9 h1(8hjta h1(8h hhhjh^Ih^IU%; < E _ ' c  - h  h  h $a$$gdc$$a$gdcgdC/$a$gd\F; & Fgd)G@_ ` a } ~     ! ߼߯ߤy_߯ߤ2j" hJh 4>*B*UmHnHphuhR$5mHnHu jh 4UmHnHujhJUmHnHuhJmHnHuhJCJaJmHnHu2j(hJh 4>*B*UmHnHphuhJmHnHuhhJ0JmHnHu$jhhJ0JUmHnHu! " # $ % & ' ( ) E F G H I J l m n µ§§yyhµ§N2j"hJh 4>*B*UmHnHphu j!h 4UmHnHuhJmHnHu2j!hJh 4>*B*UmHnHphuhJmHnHuhhJ0JmHnHuhJCJaJmHnHu$jhhJ0JUmHnHuhR$5mHnHujhJUmHnHu j h 4UmHnHu      ( ) * + , - A B C ] ^ _ ` a b c d e ٹʮʛxgʮʛ j#h 4UmHnHu2j#hJh 4>*B*UmHnHphuhJmHnHu$jhhJ0JUmHnHuhR$5mHnHu j"h 4UmHnHujhJUmHnHuhJmHnHuhJCJaJmHnHuhhJ0JmHnHu"      ŸŭӸy_ŸŭN j%h 4UmHnHu2j%hJh 4>*B*UmHnHphuhJmHnHuhR$5mHnHu j$h 4UmHnHujhJUmHnHuhJmHnHuhJCJaJmHnHuhhJ0JmHnHu$jhhJ0JUmHnHu2j $hJh 4>*B*UmHnHphu     9 : ; < ? @ a b c } ~  үҤy_Ҥ2j&hJh 4>*B*UmHnHphuhR$5mHnHu j{&h 4UmHnHujhJUmHnHuhJmHnHu2j%hJh 4>*B*UmHnHphuhJmHnHuhhJ0JmHnHuhJCJaJmHnHu$jhhJ0JUmHnHu   '()*+,-./KLMNµ§§yyhµ§N2j(hJh 4>*B*UmHnHphu jo(h 4UmHnHuhJmHnHu2j'hJh 4>*B*UmHnHphuhJmHnHuhhJ0JmHnHuhJCJaJmHnHu$jhhJ0JUmHnHuhR$5mHnHujhJUmHnHu ju'h 4UmHnHuNQRlmnٹʮʛxgʮʛ jc*h 4UmHnHu2j)hJh 4>*B*UmHnHphuhJmHnHu$jhhJ0JUmHnHuhR$5mHnHu ji)h 4UmHnHujhJUmHnHuhJmHnHuhJCJaJmHnHuhhJ0JmHnHu" !"<=>?@ABCD`abcfgŸŭӸy_ŸŭN jW,h 4UmHnHu2j+hJh 4>*B*UmHnHphuhJmHnHuhR$5mHnHu j]+h 4UmHnHujhJUmHnHuhJmHnHuhJCJaJmHnHuhhJ0JmHnHu$jhhJ0JUmHnHu2j*hJh 4>*B*UmHnHphuBnOzT;6cdfg0K$gd)gd&=QgdO h  h  h LMNhүҤy_Ҥ2j-hJh 4>*B*UmHnHphuhR$5mHnHu jQ-h 4UmHnHujhJUmHnHuhJmHnHu2j,hJh 4>*B*UmHnHphuhJmHnHuhhJ0JmHnHuhJCJaJmHnHu$jhhJ0JUmHnHu hijklmnopµ§§yyhµ§N2j/hJh 4>*B*UmHnHphu jE/h 4UmHnHuhJmHnHu2j.hJh 4>*B*UmHnHphuhJmHnHuhhJ0JmHnHuhJCJaJmHnHu$jhhJ0JUmHnHuhR$5mHnHujhJUmHnHu jK.h 4UmHnHu,-.HIJLMNOPQmnopstyz{ٹʮʛxgʮʛ j91h 4UmHnHu2j0hJh 4>*B*UmHnHphuhJmHnHu$jhhJ0JUmHnHuhR$5mHnHu j?0h 4UmHnHujhJUmHnHuhJmHnHuhJCJaJmHnHuhhJ0JmHnHu" !=>?@ABWXYstuwxŸŭӸy_ŸŭN j-3h 4UmHnHu2j2hJh 4>*B*UmHnHphuhJmHnHuhR$5mHnHu j32h 4UmHnHujhJUmHnHuhJmHnHuhJCJaJmHnHuhhJ0JmHnHu$jhhJ0JUmHnHu2j1hJh 4>*B*UmHnHphuxyz{| !$%123MүҤy_Ҥ2j4hJh 4>*B*UmHnHphuhR$5mHnHu j'4h 4UmHnHujhJUmHnHuhJmHnHu2j3hJh 4>*B*UmHnHphuhJmHnHuhhJ0JmHnHuhJCJaJmHnHu$jhhJ0JUmHnHu MNOQRSTUVrstuxyµ§§yyhµ§N2j6hJh 4>*B*UmHnHphu j6h 4UmHnHuhJmHnHu2j5hJh 4>*B*UmHnHphuhJmHnHuhhJ0JmHnHuhJCJaJmHnHu$jhhJ0JUmHnHuhR$5mHnHujhJUmHnHu j!5h 4UmHnHu45689:;<=YZ[\_`ٹʮʛxgʮʛ j8h 4UmHnHu2j7hJh 4>*B*UmHnHphuhJmHnHu$jhhJ0JUmHnHuhR$5mHnHu j7h 4UmHnHujhJUmHnHuhJmHnHuhJCJaJmHnHuhhJ0JmHnHu"/01345678TUVWXYuvwŸŭӸy_ŸŭN j:h 4UmHnHu2j9hJh 4>*B*UmHnHphuhJmHnHuhR$5mHnHu j 9h 4UmHnHujhJUmHnHuhJmHnHuhJCJaJmHnHuhhJ0JmHnHu$jhhJ0JUmHnHu2j8hJh 4>*B*UmHnHphu@AB\үҤy_Ҥ2jz;hJh 4>*B*UmHnHphuhR$5mHnHu j:h 4UmHnHujhJUmHnHuhJmHnHu2j:hJh 4>*B*UmHnHphuhJmHnHuhhJ0JmHnHuhJCJaJmHnHu$jhhJ0JUmHnHu\]^`abdefgK%ij)*H`aµ}tnet\tetR\h1bh5'16CJh1bh5'1CJh1bhC/CJ huOXCJh1bhjtaCJ h&=QhC/ h&=Qh3H h&=QhjtahDhhC/ h1(8hjtahJf%hdjhOUhJCJaJmHnHu$jhhJ0JUmHnHuhR$5mHnHujhJUmHnHu j;h 4UmHnHu j*  3!!Y""##+$,$A$B%C%j%k%gd%:WgdDi$gdG[@$a$$gd)gd)$a$gdOygde^a 69~$*  579;KQʻܫy h1bhwS h1bhE6I h1bhh0'@ h1bh3H h1bhjtahC/ h1(8hjtah1(8hOy5>*OJQJaJh1bhsrCJ hClCJh1bh_?CJh1bh=)CJh1bhC/CJh1bhYtCJh1bhZ.CJh1bhjtaCJ/tuvx  2!3!E!H!!!X"Y"\""""4#6####*$+$,$@$A$%A%B%ÿݶ݄hQBh1(8hjta5>*OJQJaJh1bhjta5>*OJQJaJhe^hC/CJhe^hCJhe^hjtaCJh9h h1bhehHshC/ h1(8hjta h1bhC/ h1bh= h1bheF h1bhjta h1bh2B%C%H%I%O%P%Z%\%`%a%c%d%h%i%j%k%i&7,,...A/B///0s0t0{0|0}0Ŵwld\TPh~hd,h5@6hd,h6h-lCJaJh2h2CJaJhT|CJaJh2CJaJ hT|hT|CJPJaJnH tH hO CJPJaJnH tH hT|CJPJaJnH tH  hO hO CJPJaJnH tH h%:Wh%:WCJaJh%:W h 6 h1b6h'D@h86 hO 6h'D@hjta6h'D@h1b<CJaJk%i&])^) **,---...//0t0|01112gdDi$a$gdC/$gd)gd) dd[$\$gd-lgd2gd%:WgdT|gdO dd[$\$gd%:W}000111111112233445555 66^66677R8S899!:":::::::μ꣔꣜we#hd,he^6CJOJQJ^JaJ!hd,h56>*OJQJaJhChx>Ph Fh|S0he^ h1bhC/ h1bh#hd,h5@6CJOJQJ^JaJ#hd,h6CJOJQJ^JaJ#hd,h{ 6CJOJQJ^JaJh1bh)5>*hC/ h1bhash~ h1bhjta'2357S8"::::<==0=z>{>>@@;@gd5@$gdG[@gdDi$a$gd1bF$Eƀ &gd)$gd)::;n;s;<<i<m<<<<===!=/=0=F>T>y>z>{>>>>b???@@@@@'@:@˹搆{{tme]e]hd,h86hd,hjta6 hG[@hjta hG[@hC/h- hG[@hh1bh)5>*hC/hO*#hd,h5@6CJOJQJ^JaJhj#56CJOJQJ^JaJ#hd,h6CJOJQJ^JaJh1bh5>*OJQJaJhT8 h1bhC/ h1bhhhd,h5@6OJQJ^J#:@;@@@@@HAAA+B2B=B>BBBBB/C1C2C=C>CBCLCMCNCXCCCCCCC'DPDnDDԺ}ung`g hG[@hB' hG[@hfP hG[@h(hd,h(6h1(8hr5>*OJQJaJ h1bhC/ h1bh)hLyhBhDihd,h)6 hG[@h)hT` hG[@hT`h+CJaJh'h'CJaJh'CJaJhC]CJaJh$&CJaJh'hT`CJaJhd,h5@6$;@@@BB2C>CCCCDFFFG`HHH6IIIIIgdH & FgdY! & FgdC/gd1bgd5@$a$$gd)gd1b$gdG[@ & Fgd'DDDEEEE!E6EqEEEEEEEFFFFFFFFFFGGGHHH*H^H_H`HvHHHHHHHHH5Itth1bhC/CJaJh1bh@1CJaJ he^h1b he^hB' he^h he^hY!hd,h5@6hd,hY!6h1bhY!CJaJ hG[@h1b hG[@h6 hG[@hB' hG[@h hG[@hk. hG[@h( hG[@he^ hG[@hfP hG[@hC/-5I6IIIIIIIIIJJJ J!JUJdJeJfJgJmJ]KLLLLMMMM?M@MAMrhrhrhrhr[ShxmH sH he^hG[@CJmH sH h)CJmH sH he^h6?5CJmH sH he^h6?5mH sH hd,h6?56heh6?5mH sH h1bhC/hH h1bhY!h1(8hY!CJaJhvCJaJh1bhH<CJaJhHh^<CJaJhHCJaJh^CJaJh1bhY!CJaJh1bhC/CJaJ I J!JfJgJmJ]KK@LWFEƀ)fgde^FEƀ)fgde^gd6?5$gdG[@$gd)gdY! & FgdC/@LL@MAMxN`OpOCP TTVVsnnninninigdDi$gdG[@FEƀ)fgdG[@FEƀ)fgde^ AMMMMMwNxN_O`OfOoOpOqOBPCPQPT TTTUUVVVVY־eXeMh;h6?5mH sH h)h6?50J"mH sH 2hd,hDi0J#56CJOJQJ^JaJmH sH 2hd,h6?50J#56CJOJQJ^JaJmH sH h)h6?50J#mH sH .hd,h6?56CJOJQJ\^JaJmH sH .hd,hDi6CJOJQJ\^JaJmH sH h)h;mH sH hG[@h)5mH sH hG[@mH sH h)h6?5mH sH YYYYY[\\\A^^^^^^^__;_<_=_L_M_l_u_<`=`>`ļļ|tlea]V| h1bh!UzhhG[@ h1bhAShd,h5@6hd,hjta6 h1bhC/ h1bhjtahC/ h1(8hjtahC/h6?5<CJaJh;h7BmH sH hdmH sH h}mH sH hImH sH h7BmH sH &hBh7B6CJOJQJ]mH sH h7RmH sH h;h6?5mH sH h;h6?50J"mH sH VYYpZ[\\~]A^^^^^_<_>`?`K`%b$a$gdngdngdY!$gdG[@gdBF$EƀFgd7R>`?`J`K`L`bb$b%b&bVbWbXb{b|b c cddddQe`ehejeeee軫yiYNFNFNFNhCJaJh7h#CJaJhBh76CJOJQJ]hBh]N6CJOJQJ]hBh;6CJOJQJ] h7h7h6 h1bh(DhBhsG6CJOJQJ]hBh#6CJOJQJ]hd,h5@6 h1bhG[@hC/heeu h1bhjta h1bhAShd,h<6hd,hjta6hh(D5>*OJQJaJ%b&bWb|b cddff:g;gPgEhFh.i/ijjkkzk{k|kglhlogd"}gdBgd#gd7$gdsGgdBgdn$gdG[@eeeeff8g;gOgPgqggohphthhhh-i/ijjjkkk&k+k2k7k;kLk[k\kxkkkflhlzlllllmm5mQmnɾ徶ɬ}hCCJaJhsjCJaJh _CJaJhLCJaJh"}h"}CJaJh"}hBh#6]h1CJaJh#h#CJaJhBh76]hBhk*6]h7CJaJhk*CJaJh7h#CJaJhCJaJ0noGoHoOoo`papdpeppppppqr:rWrrrs$sdssuuuvVvsvw%w|wwww~xxxxy7y}yyy z6zLzzz|Ȱțțțțțțțțțțțțțțțțțțțțț1hH\h5>*CJOJPJQJ\aJnH tH (hH\hCJOJPJQJaJnH tH .hH\h6CJOJPJQJ\aJnH tH .hH\h5CJOJPJQJ\aJnH tH hR$5CJaJhCJaJhCCJaJh"}CJaJ3ooHoIoJoKoLoMoNoOooo`papxskdt<$$Ifl;3&f& t0&644 lBap ytH\d$IfgdH\gd# apbpcpdpepvppppMkd=$$Ifl;Fy -"3&f FF t0&6    44 lBapytH\d$IfgdH\ppppqqC5555d$IfgdH\kd=$$Iflv\yy -"3&FFFF t0&644 lBap(ytH\qqqrr rC5555d$IfgdH\kd>$$Ifl\yy -"3&FFFF t0&644 lBap(ytaJ r!r:rWrrC55'd$Ifgdd$IfgdH\kdp?$$Ifl\yy -"3&FFFF t0&644 lBap(ytH\rrrrrrr5kdD@$$Ifl\yy -"3&FFFF t0&644 lBap(ytaJd$IfgdH\rrs$sMsTsC5555d$IfgdH\kdA$$Ifl;\yy -"3&FFFF t0&644 lBap(ytH\TsUsdssuuC5555d$IfgdH\kdA$$Ifl;\yy -"3&FFFF t0&644 lBap(ytH\uuuuuuC5555d$IfgdH\kdB$$IflJ\yy -"3&FFFF t0&644 lBap(ytH\uuuvAvHvC5555d$IfgdH\kdC$$Ifl\yy -"3&FFFF t0&644 lBap(ytHvIvVvsvvwC5555d$IfgdH\kdhD$$Ifl\yy -"3&FFFF t0&644 lBap(ytH\www%wfwmwC5555d$IfgdH\kd>>9gdSVdgd#kdP$$Ifl:\yy -"3&FFFF t0&644 lBap(ytH\PƄmӌ\ &#6QRk()Xϗgd7gdqgdD>igd ` $gdd,gdSVd$gdG[@d-DM [$gd6ńƄĆՆ׆ NJȊ $%|ҌӌԌ67|thYFYF%jh;h6CJUaJmH sH h;h6CJaJmH sH hd,CJaJmH sH hG[@mH sH h;h60JmH sH jh;h6UmH sH hZmH sH hG[@h6mH sH hG[@h60J"6mH sH h6mH sH h;h6mH sH 2hd,h 0J#56CJOJQJ^JaJmH sH 2hd,h60J#56CJOJQJ^JaJmH sH 7YZ\]Ɏʎ %&#56QRͭynynfZRGh2hD>iCJaJhd,hD>i6hW=CJaJmH sH h6mH sH h;h6mH sH 2hd,h 0J#56CJOJQJ^JaJmH sH 2hd,h60J#56CJOJQJ^JaJmH sH &hW=h60J#5CJ\aJmH sH hd,CJaJmH sH h;h6CJaJmH sH %jh;h6CJUaJmH sH h;h60JCJaJmH sH RjkCD!()=VXĕŕ'(̘ۘܘߘ }ǙUopۛеۣЛГГГГГwۣۣh2hD>i5CJaJh@CJaJhLyCJaJhQCJaJh0rCJaJ#hd,h:"6CJOJQJ^JaJh2hqCJaJhqCJaJh2CCJaJh2hD>iCJaJ#hd,hD>i6CJOJQJ^JaJ#hd,h 6CJOJQJ^JaJ+ϗЗ $ǙTUp<LTǡȡgd(DgdqgdR gdoN dd[$\$gdD>i & F gdD>igd7gdD>ih^hgdD>iۛߛ;<qKLů|lXD5&h2hqCJaJmH sH h2hD>iCJaJmH sH &hR hq6CJOJQJ]mH sH &hR hD>i6CJOJQJ]mH sH hkh N6CJ]mH sH hkhR hR CJaJhkhR CJaJhkhD>iCJaJhkhD>iCJaJmH sH +hd,h:"6CJOJQJ^JaJmH sH +hd,hD>i6CJOJQJ^JaJmH sH hq5CJaJmH sH h2hD>iCJaJh2hD>i6CJaJLSTšơǡȡݡޡ-WXTUVWjqϤѤҤӤĹzrjrzbrbzZMhP5>*OJQJaJhhjta<hh!Uz<hhC<hh< h<hA h1bh^o h1bhjta h1bh7b} h1(8hTn#hAh1(8hb%CJaJhqhqCJaJhqhD>iCJaJhqhD>iCJaJmH sH +hphq6CJOJQJ^JaJmH sH +hphD>i6CJOJQJ^JaJmH sH ȡޡVѤҤӤԤ !` KrF$Eƀ FgdPgdP$gdd, $^a$gdzz&$$d%d&d'dNOPQgd$gdPgdA ӤԤrsƥ̥35 +6EXYqΧ !`67JKWXY>?drC޹׏׋ׇ׃| h1bhhmIhPh h1bhf@ h1bhk#ohh5@6hhjta6h zhhP6 h1bhPh{hhhChn h1bhzz h1bhjtahC/ h1bh7 h1bhh1(8hP5>*OJQJaJ0KXV5zT-KLt}gd5@FEƀ)fgdL $ & F&gd"$ & F&gdL  & F&gd# & F&gd# & F&gdL gdx@m$gdgd z CRUV345:;iklzƻƻưѥpc[h-'hL 5h-'hL 0JCJaJ#jQh-'hL CJUaJjh-'hL CJUaJh-'hL 5CJaJh#CJaJh-'hxCJaJh-'hL CJaJh-'hx`CJaJh-'hP,CJaJh-'hdCJaJ hL hL hhL 6 h1bhC/ h1bhjta h1bhj ݲ޲߲ABCRST,-JKLTxmb[ShhP,6 h1bhhxhL CJaJh-'hL CJaJ h-'h2h6h0J^Jh2hB*^JphhB*^JphjhB*U^Jphh2h2B*^JphhL j4Sh-'hL Uh-'hL 5h-'hL 0JjkRh-'hL Ujh-'hL U h-'hL TstuĶ ',LNOPoºvvmv]VRVNh lh*A h lhjtah1(8hjta5>*OJQJaJhphZCJhphC/CJhphjtaCJ h{^CJ+hhC/6CJOJQJ^JaJmH sH +hhjta6CJOJQJ^JaJmH sH h#h,6 h,CJ hhYCJhh^ CJhhC/CJhhP,CJ hdCJhhP,6hhH6ts%M & FEƀf^gdhYFEƀ)fgdFEƀ)fgdĶP-.<jܻݻOP'{ & Fgdp$gdpgd5@$a$gd l$gd $0^`0a$gdp & Fgd{^gdR4gd,,-.;<=ijۻܻݻ*9N^q¾؝|i؝eaaZSL h1(8hW@ h1(8hO h1(8hjtah<h*%%h<6CJOJQJ^JaJmH sH $h lh l56<>*OJQJaJ h lhC/ h ` h*%+hh*%6CJOJQJ^JaJmH sH h l h lhjtahn+hhn6CJOJQJ^JaJmH sH +hhjta6CJOJQJ^JaJmH sH !h lh l5<>*OJQJaJʼ&'AGWXyz{~6<HIJbſǿȿοϿYZۮۊۊwqkbhphCJ h0rCJ h4CJh\h__E6CJhphCJhph__ECJhph,PCJhphjiVCJhphCJhpho !CJhphC/CJhphOCJhph(3CJhphFCJhphjtaCJ hphC/ hpho ! hphjta h1(8hIi&{Ila\gd"F$EƀgdpF$EƀI"̆gdpgd5@$gdp & Fgdp Z,-SZklSW #tvw ü}tpple h5>*hC/haJh6h0J haJhhjhUhaJh0P5>* hfh5>*haJh25>*haJh?5>* h1(8h? h1(8hW@ hE`hjtahph.@CJhphN1CJhphC/CJhphdCJhph__ECJhphj5CJ& ] =>ɿ~w~s~fU h"h"5B*CJaJphh?ChEPJnH tH h" h"h"h"h"PJnH tH  h"h"CJPJaJnH tH h"h"B*CJaJphhaJhE5>*haJh"5>*haJhW@5>* h"hi h"h2h"hp<hfhh,haJ0J haJhaJhaJjhaJU_7>scdOP$$ & F)da$gd" $xa$gd"$gdp$ & F(da$gd"$ & F(da$gd" $da$gd"gd">c()KLM$%&78[\Դ}obRKD91h qCJaJhihjtaCJaJ h1(8hjta h1(8hW@h1(8h"5>*OJQJaJh"5>*OJQJaJh">*B*CJaJph)jh"h">*B*CJUaJph h"h">*B*CJaJph h"h"CJPJaJnH tH )jh"h"CJPJUaJnH tH h"h"CJaJh"h"B*CJaJphh"h?CB*CJaJphh"5B*CJaJph$%&8Z[\]^_`abcdefghijklmno & Fgdf- & FgdC/gd5@$a$\ !"%opqɾ|qfWLhf-hv:CJaJjhf-hv:CJUaJhf-h__ECJaJhf-hYoCJaJhf-hACJaJhf-hjtaCJaJhf-h9bCJaJhf- hc>hf-h&hf-CJaJh&h9bCJaJh&hjtaCJaJhihC/CJaJhihCCJaJhihq,CJaJhihjXCJaJhihjtaCJaJ<=WXZ[^`vǺǯxtptlth`QBh|dh[CJOJQJaJh|dh[CJ4OJQJaJ4j Uh[Uh[h+hkfhPdhNC5>*OJQJhkf5>*OJQJh5>*OJQJhjta5>*OJQJhf-h9bCJaJhf-hjtaCJaJhf-hv:0JCJaJjhf-hv:CJUaJ#jShf-hv:CJUaJhf-hv:CJaJ *hf-hv:CJaJopqrstuvRu'Jmgd[$gdPd & Fgdkf$a$-6RS[d IJ]suvw޵޵ޢ޵ޢނs]+jh[th[CJOJQJUaJhDh[CJOJQJaJjh[CJOJQJUaJh[56>*CJOJQJaJ%h7'h[56>*CJOJQJaJh[CJOJQJaJh[5CJOJQJaJh7'h[5CJOJQJaJh7'h[CJOJQJaJh[CJaJh|dh[CJaJ"STbc&gd[ &&d P gd[&&d @&P gd[ &d P gd[@&gd[gd[w^`abcXhнДЇ}}}}mДД]NhKh[CJOJQJaJhz6h[6CJOJQJaJh7'h[5CJOJQJaJh[OJQJaJh7'h[OJQJaJh[CJOJQJaJh[>*CJOJQJaJh7'h[>*CJOJQJaJ%h7'h[56>*CJOJQJaJh7'h[CJOJQJaJjh[CJOJQJUaJ h[th[0JCJOJQJaJcDE*+CEFghiLMNO@&gd[gd[^gd[gd[h)*+Fߺ{eH{9j *h&h[CJOJQJUaJhnH tH * *h&h[CJOJQJaJhnH tH 3j *h&h[CJOJQJUaJhnH tH !h[CJOJQJaJhnH tH 'h7'h[CJOJQJaJhnH tH *h7'h[5CJOJQJaJhnH tH h[5:CJOJQJaJ"h7'h[5:CJOJQJaJh7'h[CJOJQJaJ?@EF[deirӷ|f|||V@*h7'h[6CJOJQJaJhnH tH h7'h[5CJOJQJaJ*h7'h[5CJOJQJaJhnH tH 'h7'h[CJOJQJaJhnH tH !h[CJOJQJaJhnH tH +hKh[0JCJOJQJaJhnH tH 6jhKh[CJOJQJUaJhnH tH 'hKh[CJOJQJaJhnH tH 0jhKh[CJOJQJUaJhnH tH LO/1mSCS4)h|dh[CJaJh7'h[CJOJQJaJh7'h[5CJOJQJaJ3h7'h[>*B*CJOJQJaJhnH phtH 'h]h[CJOJQJaJhnH tH *h]h[5CJOJQJaJhnH tH $h[>*CJOJQJaJhnH tH *h7'h[>*CJOJQJaJhnH tH -h7'h[6>*CJOJQJaJhnH tH *h7'h[6CJOJQJaJhnH tH $h[6CJOJQJaJhnH tH /01F$EƀFgdPd@&gd[gd[hb0JmHnHuh-f3h-f30JmHnHu h-f30Jjh-f30JUh vjh vU hUhU#F$EƀFgdPdgd&`#$p+p,p-p.p/R . A!"#$% 4567(Dd$ N  C *AOUP logob&;`PKbD*nZ&;`PKPNG  IHDRF9sRGBgAMA aIDATx^g5U&tTz PT"=!ЫҔ^IM)Jދ ATzo "u=τg3roG޼$7sf̙33gfv'Ks`80 ˜r1ew^Ɣ){d20nL#1@/pcY/p )zSvze`L9 ܘG \/cʁ^Ɣ=oí~;~;?{_oD?߅<@u7sUN:ikEfyjf lst0O-6炟 8h&<΍|~> C:$fK/oh/|g "6nVDK.R^o;~,>>h}&lRy1uY즸vWgyfS.̎>eWwaN]4h^~ѷ0.StAZ? =,"p|{k`߿>#<2Ŧaְvw5\XM=unj|0hE<_}UWՇ~x/+B ;.Y.]׿P"0 ]vgqF;E"(`_'!mB2_WvqǏ- U}j/¨", FjaVN83!ø?O~ӟjVT!d (zWs9fq0 8yGߢc9f:o_4NkB {ꩧ7< xp@+#ꭷ޺On3 TE9?ØÁ*X:Yɩ:gFe)$,o~Fkk. 8`"LihH;2+Ӳ%'=иVs=Gl ߠv)̫ Ņq^\cc @ŵh`+23& I^; =3*,XG0XU;M| j.R5i13>al,S#ׯnn-o<_~cV^yZ\yg9ZbS` #Db'_w_8 fAUW_=#1k4'ȤN(/.D-BBgIK6G`n{l-9Ίo1BM7tїMjm& 0On6|t.`#<c1l=8~2X44+' nFCesP|/Vfmb4 GUF 3 h@|HG96 7n IXc?6,,|~Gl&/? x+=oeҟ}Y7`G1/3G{#a" tT:rJA)yQ[?>d&fcbrB`__9|exƉбm49Z|ycqFn6tM=Co#R8ywRiƱhN[::TLbD̅8MO3V3ӎVS^Ъ"V"hUq+*floĔ+ZWc,10bM'ELV4phݸlܬN;clC>f<Ѹ[8Mq| XxqPK b+f7isd1hUW]/~[VU"q.Ek!P%lF!^#ho8,r9l 0&>.@ Bt54yP:L6[FTsM8nf^,LEZ0 5H[ɯRqVB>8a{ｃm'MnTZ-Cv}_>wA7~Р`)kf&&ꔳ] v饗V%YqJ+5xI, W mR >a113p<&܇yw:bވn0*viEgcҟ<;>%[S.jCB{]~c30C ͖7 ؝K,D0, ]w>Cчj T:BcahWsOh:[vԇB8`bSXxhۓ+cV[ O8VಠO "y!| RCXp_h:yhRae 﨣j|y_*ƴpS@ FÄ[n p= 0]w:Lf1׿uesDYwEyOWU¢5F%AMrY,C ;"?Y t(T84}I'5 E|摯`pJElXiG+9_H!`8_MD (:S`8¬FP`^d\ Dʼn$@JbAFQIPCf_~ֲ̈U(eL%n o3H;oЖ4ýv a^N+<|)S4sxbH-˕%$)Tʏ!A؜r4 \4c&ufrnR!&dbm˜ ܎S"FUUj0Lj h-e,MxyQr~XҙZ&eIvxl7$휥BbZYx•c+蔟̕\*)=jJof66|.nEdp^{亡Yq=(3䟩8~7cHixFS  iS`ň. J?1*QSF? 4.Nq;I7U1)ŦjEZI lRJ֯~ w76 L} sPp>ҍ%>yKd!4 ,P@/4bPB bM($5=t UC{ R0(cWm}zqHi&Wm Z@zs1О]qpIc.*(M_]FQs %DVB'M),PxG)Z79*jg)0CQxa!}ٶn`"Vk]wɭ55cW-)2j:+vկ $pIiW<9KbJ˭QIb fo}~#%QɚRn({wuWG ۄd0ʡpb!){$yȃo`̗iyx 'Nv گ"bao?qtxxOAaPx,C']psʽiGLlES /qCs08)t5i?ɛx!} qԐ0C)l6e (2"e!&/kȶ i\, ,G4y-LLзSKBzHZq\b KNgeM~wai.ȱ1cF!G6`i[KO;ߚyǫU|!eM}5dPOM|6 jd.m4G:If!Q՚1$b㚌pf~ 1g9όKf hϩA *& L{Ah7 %p ԯ(w dPF5pŸ(y7,B!3>/2}fk| ,ZPޕ˂ Lg ?$(OЉ 8yi^:7 p u`V*_V)pnvs" _x򎷏5i W\Lo BȌfMd0(<ҦOӥB/mP&bhoT٢"Em>h+t' MB 3>Djܗi"Z/B>֤fxc0DF(x~ݰ 4?_'`i6sS0M,jvwahˀ?ߵA W ~L:A淋A؂N˾4e(m}t/^-\5iU6֩wcc~3f?xE@q&#u".(QM ΦHGXd&L)Le~J7c͇Ma/!=lOҢnV̚PXbjxj +Ь1&BԌJ<pbS>Z}oyBAA`ݜ]}( Q SR"A(E7_JT<eY& k(&JZGsuvQLM-L.`]vBCy|.!@%i$)_"M8/OcJM#FGB#%M%8,(P{{^zX.)8,8]Z_byB34@3jKF0 g y^Bx≑F̆CT.%uy$` 4M4Cyke4Q^B6HIJSS>PBq~DڎF 'yIJHoA+ \gݸSUi)R h`` >臇Tޔ⃪ZohViy9V0 mg4b@d Iaq TUnmk.! '3Σ~4 YG0CR6#{ ajfS`B+xBhlE=G?t+&L=e3hh6>ICxL>xc9b~F1'|Icj <3 -E* P OgIW[lEoOR)p%{fPTbbfVH[X78&C 2˝j| ?+^~ЂcAJB3elRpXj<"x0OTJ%A?Oz]pu[; ~ 6+tGhRv,8 oJQdF)4J젝G Fc;'SCT֊51OԺn~y om[&y~$GS;ŌD娾 cY()L߹ʗR| ^7>cM6hZ+F}hԥR5+ט t įk.%\7!;&Ehb.6G{]>{ŵi2[|6m輤S%gHŘ$ߩ02;  lT-i Ѵ|oa0x|GU@ahFEZG9I/fI9:4ѫ@t&H 0hu4f  Ќ[=X359 xyM,RV4p ې ~2 o9-/Q44&|n<=Nho/֙Dr1XvSspy~ 6Tʇr a^f!,W򕀣yWy-g=hBpxva Di61:s0&&|R+$,c\ s>,vjSSS\GYo<^& ӎ{R@Z ?"6!g:_:9JD7`GXh5L&s6D&]O fiaN`G9'+~+h9&(3.X 5v:ȟ 9OX lQ򀢰LR[*}rӇYs`49 hrɁ^:YwM7aurNF&7{XE}@/pV'zdQa49 hrɁ^:YwM7aurNF[e/IENDB`}DyK _Toc275974794}DyK _Toc275974794}DyK _Toc275974795}DyK _Toc275974795}DyK _Toc275974797}DyK _Toc275974797}DyK _Toc275974799}DyK _Toc275974799}DyK _Toc275974800}DyK _Toc275974800}DyK _Toc275974801}DyK _Toc275974801}DyK _Toc275974802}DyK _Toc275974802}DyK _Toc275974803}DyK _Toc275974803}DyK _Toc275974804}DyK _Toc275974804}DyK _Toc275974805}DyK _Toc275974805}DyK _Toc275974806}DyK _Toc275974806}DyK _Toc275974807}DyK _Toc275974807}DyK _Toc275974808}DyK _Toc275974808}DyK _Toc275974809}DyK _Toc275974809}DyK _Toc275974810}DyK _Toc275974810}DyK _Toc275974811}DyK _Toc275974811}DyK _Toc275974812}DyK _Toc275974812}DyK _Toc275974813}DyK _Toc275974813}DyK _Toc275974814}DyK _Toc275974814}DyK _Toc275974815}DyK _Toc275974815}DyK _Toc275974816}DyK _Toc275974816}DyK _Toc275974817}DyK _Toc275974817}DyK _Toc275974818}DyK _Toc275974818}DyK _Toc275974820}DyK _Toc275974820}DyK _Toc275974821}DyK _Toc275974821}DyK _Toc275974822}DyK _Toc275974822}DyK _Toc275974823}DyK _Toc275974823}DyK _Toc275974824}DyK _Toc275974824}DyK _Toc275974825}DyK _Toc275974825}DyK _Toc275974826}DyK _Toc275974826$$If!vh#v&:V l; t0&65&9Bp ytH\$$If!vh#v #v#v:V l; t0&65 559BpytH\$$If!vh#v#v#v#v:V lv t0&65555Bp(ytH\$$If!vh#v#v#v#v:V l t0&65555Bp(ytaJ$$If!vh#v#v#v#v:V l t0&65555Bp(ytH\$$If!vh#v#v#v#v:V l t0&65555Bp(ytaJ$$If!vh#v#v#v#v:V l; t0&65555Bp(ytH\$$If!vh#v#v#v#v:V l; t0&65555Bp(ytH\$$If!vh#v#v#v#v:V lJ t0&65555Bp(ytH\$$If!vh#v#v#v#v:V l t0&65555Bp(yt$$If!vh#v#v#v#v:V l t0&65555Bp(ytH\$$If!vh#v#v#v#v:V l t0&65555Bp(ytH\$$If!vh#v#v#v#v:V l9 t0&65555Bp(ytH\$$If!vh#v#v#v#v:V l t0&65555Bp(ytH\$$If!vh#v#v#v#v:V lJ t0&65555Bp(ytH\$$If!vh#v#v#v#v:V l t0&65555Bp(ytH\$$If!vh#v#v#v#v:V l t0&65555Bp(ytH\$$If!vh#v#v#v#v:V l t0&65555Bp(ytH\$$If!vh#v#v#v#v:V l t0&65555Bp(ytH\$$If!vh#v#v#v#v:V l t0&65555Bp(ytH\$$If!vh#v#v#v#v:V l t0&65555Bp(ytH\$$If!vh#v#v#v#v:V l t0&65555Bp(ytH\$$If!vh#v#v#v#v:V l t0&65555Bp(ytH\$$If!vh#v#v#v#v:V l t0&65555Bp(ytH\$$If!vh#v#v#v#v:V l t0&65555Bp(ytH\$$If!vh#v#v#v#v:V l: t0&65555Bp(ytH\DyK yK Rhttp://tyler.hrc.utexas.edu/yX;H,]ą'cDyK www.bapla.org.ukyK 2http://www.bapla.org.uk/DyK www.dacs.org.ukyK 0http://www.dacs.org.uk/'DyK *journals.permissions@oxfordupjournals.orgyK ^mailto:journals.permissions@oxfordjournals.org,DdM CHp  c LA(oj_logo_small_blackb+,$>𴑝A⼢+dU*n+,$>𴑝A⼢PNG  IHDR^gAMA pHYs. .  IDATxPպ?7fl=HPA !)U2:P@Q:vx4LFoTv()-iasE,1t@HAQQ)6yް vOv,3~zykg=k%Hh~+W W xs] ^nn(S1m򆞹E7ݸ/? A**{m$)97rk ,`"mY7" Q:[ ""kjXtp @Ote 6g#{ػ7'Y`?; ᵰ>ՙ.o6jo]Lt% f0TH&h" T$HYv6SlOY0^#b 7TyN 6\wݕP 0IQ+-]+"֌ cDDElSQ`,s] GDjyN(TZE$ BjB7@a0 S>ifq`ZsGs7P7v:0/ؑr1;pZ>~ 0 g\ ~`h~BSw@ۚRτ/WQmM &cxΦ+g#kuw)]YAr4]j dp4>T*"e6]S5^U π /"f-zyAKV8 *0e]uE ӈHINAEDo-5Z)˯3Tu$HXCڲ@:ֶn6^َy5b]h۠$ux9%@tq'% $<mCr-""4 KrR+s3$'*40t䬛-%0U1"H%U  T",hlW&,̕-I*T#} 1,y"Y)(|E*2 DDV*Y{T%uYYVKdVQT"gQ$ВR0))Zc`/RcX[@08fnJOjDD1EVzH 0/fED2!-}+]_ ZbO=27@UZd WlXrE* ,lHiU`fޣU^IR+mu_ fCL#Xo,ME$ hDtt!< 2DR`d 6dZ3 ·nƬ秲JEzlXPاu^){>D*2'@Hk0 m#⏱P"1H/*""]6`2ˣ MJ[n Q<w̯fH#&~>inezJ^5ڛ@~_y2Ӂh%k @nCI\Ql.7? ȅ4mg0qU!n\7S" aY6US6;n<E<@C o2ćnd_ف |?||BTeSsViӦѭD=wa{BbJ>ae37[buw/!Q6π1wʕ.cou`L^IT"?r,:S4Kd7A@.a;sH=f~^ ">J-<ҮKq3z'qv z.ipYihLûA=}0)׶Ťc5`VcPcS,oJӻPj252)e=2Iz>g.2PVmEĒ0'o+=e>U>]ӖGƈ-ߵCمX>[_/_V\Mxl$Ggt=*ǴyA\›8jw < /=lMjW=92ܡ{"+/]w3"C/]$e-q/K= ᗗ@@| `$Ig1wz(!SL"7E.z}d"DmX~y^"pw?fҤ™"N[8Q3:}݅_yy6MTG3Z>x27JNkPaH)'bsڣ-X+7t ;mшUDr9|Se Fp"`|!@x F:<+`peDBݜ+HC<Ɣ]gl_x/?Vq&.`="oHA` 9ƔuH7C±-pC7Ƶ׻׼^0?5ޒ??v=nP8ϴM-h*V#UYMocO5(r_'(9굥_4OI*AŸ\33J~6\.:#%F^`o& < ]uyǀ/Mp~*ˣ OBMy/^e!Nb9/\b a6 q{.`Op6 Ca(~@|$65t"~xu?‡ 9 `\j""Rh^[\eK?m>5[O(CLYd'a&"}Cz_:G7¥YYJ~;Og2"6elj']DfI#v7S'i WW.W W]4dSl\,͐tAE:f]A0'##ыLz-VYݘc2#ނHeh~CN[,ǣ:Ytԗg<=94ۄ+.5Yv߿45XvDapYgiUaK-6ehL!-,l'Ro. {yGDt5c,!eG.w"to2J~m>nLJOFx֎ו0r>g\w cR[d;G<.saR4f54%`<^]8Z삸&+B_fzzRAzP(2OWA8'\s0歲@ζe)@ՉwpnxF.|tƁGx#>I$ O4$ O0$ O0$ O0$ O0$ O0$ O0$ O0$ O0$ O0$ O0$ O0$ O0$ O0$ O0$ O0CQ^xw]?nR%Z?t\?fRev7;rz_s"'OqkG=.ը8hA˭СN]qu,"~9#ZôgWX*dhPVQE{vXjUUGcsZ=zdh~MmNaS+G;C|WHLOu&))$X6W *c:Fx*YT#;4xE/7W(#!}:M|NxTsML-7דpN~+ፓ܋f~ф;$wُJxf1K ">qpqʪ~{/PʏݹOoQ>r]6>L/9>conq-ZkTo]ӖGc }OocfoW3:~/ȶ Svd?PѢ:_Y} w~Ӄ\Ehd3)3?cyս5]m~zՈ޼<@0bdd24LW _uy vi>DcAWKtHFSIߪ|TiVGOz@F8q8|?LlAjT+4^`{'|SaDjS!Tdo \$L8\ӆ(m)EW,H¥ X*k&']U*%dp;AVj PPScMxW ,ބ C+Z]Xm KxIRٻ&#HLl0=MDp*@A6|L$;v_@?cŇpUMGNf4ፚ* uUi0Cz(o?{|]l['>KB9Ec+L5.{tO EH f@OQM9 7n`Ϊ=ҿ `8ԫ~ Ug?7>ӿc̀6?S"#V `6" -c+~ 5C1>n`.ه{0yhmΖ|`x'o[3 Os?7 pW9vvp{^[KA0%r 8_@^>czT[tC6hc'50r#,#>xYNZKTZ6isVSF"c5D1|x"@Ŏ AFDu'fi[n\|@D_黠>|ρS{&h3.ov4)Қu"#Io>s;<)ym < l灂H QTO:<'78n,//|f=k@W;tiW/eF{~ZkmޱխE}"=e\?^uԎ 5n߳vGƺ yNφ|tYDJ%+ڏ z7wqgrf oGʋӝ?N޾e~xPddbÆW<_VX%(xSϔ{(Mw~w/Y{LjsN;TS Ћ "WkVas[n,2 #Z5u~= 9: Klg3}g-}0&h;=i*(&(&m d,0fFs(R2eލ}WKJJJlB+YI}^}=-+s"/IxFثX+qZGcۅq_[zc@5Z-r+P W>Xgs{q6@j`O NwSU[p#\!S“ 35|>6]_HDu•0қ \ 9BYB`:ܓvKQ"0ǚ-tKEmp+"z"k{3T..[KS)³TF gӦ,iRZݙNMAƷqxZ:i6)aS!7R"V,ZZh L6WarѪO>0M-zuُ u LTiHKrS3X θ?kP?7Ӱ}ô: 1oWc+J! Ŵ*ƚ ^ijm+ҔUbr2uuôZ^E!{te~.e,?Q8)Ҝ 6IDATtS\i<޸Mi5h9Xw7,Zp[X?_g|}b0[~5bڽp9`W`3E)lPn4pꖯ %T[3䑦# u_0s|ƽ;A3Uy0$wTabl)ۻV,UqGm7e }Vے_V9vmg^zH}FDL\ɿYCdBkyy.ZҖtW`J*Yc,56"/ps韅TpxKW[fo1e\@7y.#WxȢ65תUVvotB pܥ}KukVp{K{GMSTRv@Qdx/jm̞NvfsQ<AkQۖ߬{6VU%R݄ET{#\zD5koѓsg-c\ͯ 0kݽz~T5w/8jm? v1F'_ݰCO!yVv[S\W|>u!oͺp/LKZEo p͇kd) U :q74Ejy釁A}-0: ۤq`h/+>w9_r$O0$H0$ O0$ O0$ O0$ O0$ O0$ O0$ O0$ O0$ O0$ O0$ O0Ķ+ftݕ׺oR3;vk wokw>8`"YlJf/w7eO]p;3#s)D@( 6d*LhJ THw&ɵͤa?LURLe-(q?TULY:YF2tLpzWɳ?s=ݘ>{y<|Uuɦ?Dm*m..[baLJ^17F@d&{|=C{A*n@OUƠuE۴}ʬf-l0NLD`wKUR~- Uk/2T" @W\zR4."yZۧQӋ> IPPEzBgX_] -#A8 "FdCLPh6wQb06M"2nNfR HC#mGgDبHw9@2 E дH3#Ӯ,/~hfP `w!1gy@4Y7a\[Ǚeg]aV`듵+_.;qku0c/ܽNjrHgDDdAOoZH(To EIHeٶˆHZJ :4ͲErLD5C ƦwW^5>EhA[dyEJkWZ-WۗKND_" /4$RQ&O]{򦫏ub/?2E(A^7{!H`..85|qp7"*/L'W3ɼ]&ܰ)m֊X.5|+";Fʥd?][J}9UU=*\Y>ʀOb7}dgJG [d a;u!JחWݶ68M#1ƿנD'%e Nu{@d^OhL:)ݟuZu7v>aYxL^<o:emܾ~/:Zw|9t|ht[Č%R|#U"wouvm dn/w=օA =}?8`b~+l+m)2*qzv^=;jc NՁ3kό(GFE3c22xReݿ 7QIHb)""MDiO(Y]JW,Q1E.}$t3V@ՂMv.Ҍ6P2L^/"rO㋣B¸t=qD1!;Ϭ%2n}WDFrqix Қ|'8U=3{fJ H.pWГzoK728 쉵VԽ6 8KrP')ː՟ێWd+r>$S,(tW:!eƼ.9K_JFiBp,̬thM\tށx&^*qZ PNW>V 2YAܸ׎U'ZH\:U)zcD ED.y2z? ?"+CIENDB`DyK www.oxfordupjournals.orgyK Vhttp://www.oxfordjournals.org/yX;H,]ą'cDyK %journals.permissions@oupjournals.orgyK mailto:#DyK (journals.permissions@oxfordjournals.orgyK ^mailto:journals.permissions@oxfordjournals.org^) 02 0@P`p2( 0@P`p 0@P`p 0@P`p 0@P`p 0@P`p 0@P`p8XV~_HmH nH sH tH 8`8 Normal_HmH sH tH b@b 5@ Heading 1$ & F <@&5CJ KH OJQJ\^JaJ d@d 5@ Heading 2$ & F <@& 56CJOJQJ\]^JaJ^@^ 5@ Heading 3$ & F <@&5CJOJQJ\^JaJR@R   Heading 4$ & F <@&5CJ\aJT@T   Heading 5 & F <@&56CJ\]aJN@N   Heading 6 & F <@&5CJ\aJH@H   Heading 7 & F <@&CJaJN@N   Heading 8 & F <@&6CJ]aJT @T   Heading 9 & F <@&CJOJQJ^JaJDA`D Default Paragraph FontVi@V  Table Normal :V 44 la (k (No List FB@F Body Text$a$5>*CJOJQJ44 Header  9r 4 @4 Footer  9r .)@!. Page Number0U`10 Hyperlink>*B*H@BH 5'1 Balloon TextCJOJQJ^JaJRY@RR \F; Document Map-D M OJQJ^JB'`aB 0Comment ReferenceCJaJ4@r4  Comment Text@j@qr@ Comment Subject5\&@& dTOC 1.@. 'PYTOC 2 ^4/@4 C/List^`828 C/List 26^6`:0@: C/ List Bullet  & F >6@> C/ List Bullet 2  & F V>@V C/Title$<@&a$5CJ KHOJQJ\^JaJ HCH C/Body Text Indent x^TNT C/Body Text First Indent 2 !`.X`!. 6?5Emphasis6]*W`1* 6?5Strong5\J^@BJ D>i Normal (Web)$dd[$\$CJaJjSj Ft Table Grid7:V%0%<P@b< [ Body Text 2 &dxOS 5- Table Grid17:V'0'CJOJPJQJ^JaJtH OS  Table Grid27:V(0(CJOJPJQJ^JaJtH PK![Content_Types].xmlN0EH-J@%ǎǢ|ș$زULTB l,3;rØJB+$G]7O٭V$ !)O^rC$y@/yH*񄴽)޵߻UDb`}"qۋJחX^)I`nEp)liV[]1M<OP6r=zgbIguSebORD۫qu gZo~ٺlAplxpT0+[}`jzAV2Fi@qv֬5\|ʜ̭NleXdsjcs7f W+Ն7`g ȘJj|h(KD- dXiJ؇(x$( :;˹! I_TS 1?E??ZBΪmU/?~xY'y5g&΋/ɋ>GMGeD3Vq%'#q$8K)fw9:ĵ x}rxwr:\TZaG*y8IjbRc|XŻǿI u3KGnD1NIBs RuK>V.EL+M2#'fi ~V vl{u8zH *:(W☕ ~JTe\O*tHGHY}KNP*ݾ˦TѼ9/#A7qZ$*c?qUnwN%Oi4 =3N)cbJ uV4(Tn 7_?m-ٛ{UBwznʜ"Z xJZp; {/<P;,)''KQk5qpN8KGbe Sd̛\17 pa>SR! 3K4'+rzQ TTIIvt]Kc⫲K#v5+|D~O@%\w_nN[L9KqgVhn R!y+Un;*&/HrT >>\ t=.Tġ S; Z~!P9giCڧ!# B,;X=ۻ,I2UWV9$lk=Aj;{AP79|s*Y;̠[MCۿhf]o{oY=1kyVV5E8Vk+֜\80X4D)!!?*|fv u"xA@T_q64)kڬuV7 t '%;i9s9x,ڎ-45xd8?ǘd/Y|t &LILJ`& -Gt/PK! ѐ'theme/theme/_rels/themeManager.xml.relsM 0wooӺ&݈Э5 6?$Q ,.aic21h:qm@RN;d`o7gK(M&$R(.1r'JЊT8V"AȻHu}|$b{P8g/]QAsم(#L[PK-![Content_Types].xmlPK-!֧6 0_rels/.relsPK-!kytheme/theme/themeManager.xmlPK-!0C)theme/theme/theme1.xmlPK-! ѐ' theme/theme/_rels/themeManager.xml.relsPK]  '''*_ !  NhxM\aB%}0::@D5IAMY>`en|7RۛLӤCTZ\whrtuvwxyz{}~k%2;@I@LV%boappq rrrTsuuHvwmwwdxxx[yy&zgz|}~bϗȡKt{$ocs|E]_"$%'Gm *B^`ac;b~ (*+-Mm!=?@BbMikln- I L M O o z     ? X t w x z 2 N Q R T t  5 8 9 ; [  0 3 4 6 V v A]`adxxyǂ $6YɆkުBRvȻ(K<Iv? X%X%X%X%X%X%X%X%X%X%X%X%X%X%X%X%X%X%X%X%X%X%X%X%̕X%X%X%X%X%X%̕XXXXXXXXXXXXXXX  #*!T!T8@0(  B S  ? _Toc265165321 _Toc265165359 _Toc265166260 _Toc265167670 _Toc265171503 _Toc265174361 _Toc273437688 _Toc275974793 _Toc265151506 _Toc265151806 _Toc265151874 _Toc265165323 _Toc265165360 _Toc265166261 _Toc265167671 _Toc265171504 _Toc275974794 _Toc265151507 _Toc265151807 _Toc265151875 _Toc265165324 _Toc265165361 _Toc265166262 _Toc265167672 _Toc265171505 _Toc275974795 _Toc265174364 _Toc273437574 _Toc273437691 _Toc275974796 _Toc265174365 _Toc265151508 _Toc265151808 _Toc265151876 _Toc265165325 _Toc265165362 _Toc265166263 _Toc265167673 _Toc265171506 _Toc275974797 _Toc265174367 _Toc273437576 _Toc273437693 _Toc275974798 _Toc265174368 _Toc265151509 _Toc265151809 _Toc265151877 _Toc265165326 _Toc265165363 _Toc265166264 _Toc265167674 _Toc265171507 _Toc275974799 _Toc265151510 _Toc265151810 _Toc265151878 _Toc265165327 _Toc265165364 _Toc265166265 _Toc265167675 _Toc265171508 _Toc275974800 _Toc265174371 _Toc275974801 _Toc265174373 _Toc265151811 _Toc265151879 _Toc265165328 _Toc265165365 _Toc265166266 _Toc265167676 _Toc265171509 _Toc275974802 _Toc265151812 _Toc265151880 _Toc265165329 _Toc265165366 _Toc265151813 _Toc265151881 _Toc265165330 _Toc265165367 _Toc265151814 _Toc265151882 _Toc265165331 _Toc265165368 _Toc265151815 _Toc265151883 _Toc265165332 _Toc265165369 _Toc265151816 _Toc265151884 _Toc265165333 _Toc265165370 _Toc265166267 _Toc265167677 _Toc265171510 _Toc275974803 _Toc265151817 _Toc265151885 _Toc265165334 _Toc265165371 _Toc265166268 _Toc265167678 _Toc265171511 _Toc275974804 _Toc265151818 _Toc265151886 _Toc265165335 _Toc265165372 _Toc265166269 _Toc265167679 _Toc265171512 _Toc275974805 _Toc265151819 _Toc265151887 _Toc265165336 _Toc265165373 _Toc265166270 _Toc265167680 _Toc265171513 _Toc275974806 _Toc265165337 _Toc265165374 _Toc265166271 _Toc265167681 _Toc265171514 _Toc275974807 _Toc265151511 _Toc265151820 _Toc265151888 _Toc265165338 _Toc265165375 _Toc265166272 _Toc265167682 _Toc265171515 _Toc275974808 _Toc265174381 _Toc265174382 _Toc265151821 _Toc265151889 _Toc265165339 _Toc265165376 _Toc265167683 _Toc265171516 _Toc275974809 _Toc265151822 _Toc265151890 _Toc265165340 _Toc265165377 _Toc265167684 _Toc265171517 _Toc275974810 _Toc265151823 _Toc265151891 _Toc265174385 _Toc265174386 _Toc265151824 _Toc265151892 _Toc265165341 _Toc265165378 _Toc265167685 _Toc265171518 _Toc275974811 _Toc275974812 _Toc275974813 _Toc265167686 _Toc265171519 _Toc275974814 _Toc265171520 _Toc275974815 _Toc275974816 _Toc265174391 _Toc265174392 _Toc265151826 _Toc265151894 _Toc265165343 _Toc265165380 _Toc265166273 _Toc265167687 _Toc265171521 _Toc275974817 _Toc273437713 _Toc275974818 _Toc275974819 _Toc275974820 _Toc265151829 _Toc265151897 _Toc265165346 _Toc265165383 _Toc265166276 _Toc265167690 _Toc265171524 _Toc275974821 _Toc275974822 _Toc265151513 _Toc265151831 _Toc265151899 _Toc265167692 _Toc265167693 _Toc265167694 _Toc265151514 _Toc265151832 _Toc265151900 _Toc265167695 _Toc265151834 _Toc265151902 _Toc265165349 _Toc265165386 _Toc265166279 _Toc265167697 _Toc265171527 _Toc275974823 _Toc265151835 _Toc265151903 _Toc265165350 _Toc265165387 _Toc265166280 _Toc265167698 _Toc265171528 _Toc275974824 _Toc265151836 _Toc265151904 _Toc265165351 _Toc265165388 _Toc265166281 _Toc265167699 _Toc265171529 _Toc275974825 _Toc275974826 _Toc273437586 _Toc273437724 _Toc275974827 _Toc273437587 _Toc273437725 _Toc275974828 _Toc273437588 _Toc273437726 _Toc275974829 _Toc273437589 _Toc273437727 _Toc275974830 _Toc273437590 _Toc273437728 _Toc275974831 _Toc273437591 _Toc273437729 _Toc275974832 _Toc273437592 _Toc273437730 _Toc275974833ggggggggg,,,,,,,,,CCt(t(t(t(t(t(t(t(t())))22225555{6{6{6{6888888882;2;2;2;2;2;2;2;;;;;;;;;>>>>>>>>gBgBgBgBgBgBVVVVVVVVVWWWWWWWWW?X?X?X?X?X?X?XKXKX&Z&Z&Z&Z&Z&Z&Z&Z&Z;_bwwwș!!!!!!!!!!KKVVLLLLLLLLĮĮĮĮ.ݳݳݳݳPPPPPPPPȺȺȺȺȺȺȺȺ&&&&&&&&v  !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~$$$$$$$$@@@@@@@@@Cit({({({({({({({({())))2222!5!5!5!56666:8:8:8:8:8:8:8:8=;=;=;=;=;=;=;=;;;;;;;;;????????lBlBlBlBlBlBVVVVVVVVVWW;W;W;W;W;W;W;WJXJXJXJXJXJXJX"Z"Z&Z&ZVZVZVZVZVZVZVZO_bwwwPPݙ!!_KWWWWWWWWVssssssssîO;N77777777)))/XYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~))),,..x2x2>UDDGIZIZMZq\q\lxlx@{{vɁބ'GGgņņvv88?      !"#$%&'()*+,-.))),,..z2z2>XDDGLZVZVZs\s\nxnxC{{ý)IIidždžxx>II  !"#$%&'()*+,-.=-*urn:schemas-microsoft-com:office:smarttags PlaceName=+*urn:schemas-microsoft-com:office:smarttags PlaceType8*urn:schemas-microsoft-com:office:smarttagsCity9.*urn:schemas-microsoft-com:office:smarttagsplaceB/*urn:schemas-microsoft-com:office:smarttagscountry-region9 *urn:schemas-microsoft-com:office:smarttagsState>$*urn:schemas-microsoft-com:office:smarttags PersonName x/.-.+/././.$$$$-.-/./.$$$$$/.//./ /./..-.+.%mBab +m!@Ml- M z  X x 2 R  9  4 v Aahhoooolqrqsq|q'r,r #/2%mBab +m!@Ml- M z  X x 2 R  9  4 v AaEeJgNgvvE eJgNgvvq.1ElP`fMRrtyԪ+.p' f[{56/d vH.F{IFt:|u KZȚ LT3`P ^T vGl]WA_XZlBtx #]}ƴJ~η ^`CJOJQJaJo( hh^h`OJQJo(hh^h`6o()h^`OJQJo(hHh^`OJQJ^Jo(hHoh  ^ `OJ QJ o(hHh[ [ ^[ `OJQJo(hHh++^+`OJQJ^Jo(hHoh^`OJ QJ o(hHh^`OJQJo(hHh^`OJQJ^Jo(hHohkk^k`OJ QJ o(hHh^`OJQJo(hHh^`OJQJ^Jo(hHohpp^p`OJ QJ o(hHh@ @ ^@ `OJQJo(hHh^`OJQJ^Jo(hHoh^`OJ QJ o(hHh^`OJQJo(hHh^`OJQJ^Jo(hHohPP^P`OJ QJ o(hHh^`OJQJo(hHh^`OJQJ^Jo(hHoh ^ `OJ QJ o(hHh[ ^[ `OJQJo(hHh+^+`OJQJ^Jo(hHoh^`OJ QJ o(hHh^`OJQJo(hHh^`OJQJ^Jo(hHohk^k`OJ QJ o(hH 8^8`OJQJo(^`OJQJ^Jo(o  ^ `OJ QJ o(  ^ `OJQJo(x^x`OJQJ^Jo(o H^H`OJ QJ o( ^`OJQJo(^`OJQJ^Jo(o ^`OJ QJ o(h^`OJQJo(hHh^`OJQJ^Jo(hHohpp^p`OJ QJ o(hHh@ @ ^@ `OJQJo(hHh^`OJQJ^Jo(hHoh^`OJ QJ o(hHh^`OJQJo(hHh^`OJQJ^Jo(hHohPP^P`OJ QJ o(hH^`CJOJQJo(^`CJOJQJo(pp^p`CJOJQJo(@ @ ^@ `CJOJQJo(^`CJOJQJo(^`CJOJQJo(^`CJOJQJo(^`CJOJQJo(PP^P`CJOJQJo(h^`OJQJo(hHh^`OJQJ^Jo(hHohpp^p`OJ QJ o(hHh@ @ ^@ `OJQJo(hHh^`OJQJ^Jo(hHoh^`OJ QJ o(hHh^`OJQJo(hHh^`OJQJ^Jo(hHohPP^P`OJ QJ o(hH 0^`0OJQJo(-88^8`o()hh^h`o()hh^h`o()h^`OJQJo(hHh^`OJQJ^Jo(hHohpp^p`OJ QJ o(hHh@ @ ^@ `OJQJo(hHh^`OJQJ^Jo(hHoh^`OJ QJ o(hHh^`OJQJo(hHh^`OJQJ^Jo(hHohPP^P`OJ QJ o(hH^`B*OJQJo(ph^`OJQJ^Jo(o pp^p`OJ QJ o( @ @ ^@ `OJQJo(^`OJQJ^Jo(o ^`OJ QJ o( ^`OJQJo(^`OJQJ^Jo(o PP^P`OJ QJ o(^`o(() SS^S`hH. #L#^#`LhH.   ^ `hH.   ^ `hH. L^`LhH. cc^c`hH. 33^3`hH. L^`LhH.hh^h`o()h^`OJQJo(hHhSS^S`OJQJ^Jo(hHoh##^#`OJ QJ o(hHh  ^ `OJQJo(hHh  ^ `OJQJ^Jo(hHoh^`OJ QJ o(hHhcc^c`OJQJo(hHh33^3`OJQJ^Jo(hHoh^`OJ QJ o(hH P^`Po(hH@@^@`6o(hH. 0^`0o(hH.. ``^``o(hH... ^`o(hH .... ^`o(hH ..... ^`o(hH ......  `^``o(hH.......  00^0`o(hH........)|u K LtxE3`P^TvGl][{5 vHrJ~J~J~J~J~J~J~J~J~J~J~J~J~J~J~J~J~J~J~J~J~J~XZl`f#]}{ItyA_+.p'                                                               R\m        V_                 BV| ^ Vh~Cb%4K7s{5K "]NGlmASDcjEZel' f ( z p1 R ` e $9 (B F\ E* -b  X!cYips&j * F 4f<k}%^3xN\*^3:<0B?+t 5a7<6 _{ o !@!:"*S"/\"#U#Tn#{#;}#,Q$*%|7%E%R%Jf%g%&" &$&"G&'-'NT'((9(1)=)O*>*S*k*w*~*}+t+,d,q,<-3-5-7-f-|-Z./Z$/C/|S0l#15'1.1N1242D2* 3JQ3-f3R4\45j#5R$5c.5356?5B5j5q56656q6S71(8T82 9=9x9:;$>;\F;K;z;<<c>:>X>%`>_?0'@.@5@'D@)G@W@G[@Oc@y@A*A4ApVA7BBBBQBCC2CUCyC(DsE[?E__EeFfGsGH3HIE6IJ JJMJ8hJKWKa\KVM(cM N(0N 8O,Px>PfP{Q Q&=QWQ#tQ7RS'SiS'T2TqTTvUVUx~U_VjiV%:WuOXjX7Y'PYhY|YZ9[j[j[5\\\6\H\C]?E]X]{^^'^.^5X_E`T`4d`md`x`aQ;ajtab=AbNb\c(d9dSVdedqe`fkf#;ghfh/h[WhiDiIi:iD>iei=jpCj_sjB=kClnPl%mx@mgEm+nhnYook#oh;olpp qq.q\3qsr|;sHsNs'tsws>tFt7ctgtht#Mueeulu.vevxOxLyOy z+z!Uz-{<|%|T|h|"}&}[}7b}IO~<a>r= f@70P%QT*:5<<VJ v>k e^x))CU sw4d7NCwS9bO fP,#(3CK~c9CZ1tqBY!Sj_oN.h8F l^ov2+)X_QAc4iaJ!7= ^x&sjN@EQHssOPni$`32WYjL(1A D]&'oX ,HmW [iav Y:-l}dy73d tL#?, 9AL =BML#2eKd&.45w;?C"(\g!+r<8A%BG[kB'^Ih2#y 'v:asYtP&d;=1bcG9x% U$@38GRRSoozz~ U=t9b_@--0]3IRh`p70rAUZ(>Hdhttp://www.oxfordjournals.org/{/mailto:journals.permissions@oxfordjournals.org!5$http://www.nationalarchives.gov.uk/u"lhttp://www.publishers.org.uk/images/stories/AboutPA/Joint_Guidelines_on_Copyright_and_Academic_Research.pdf]Rhttp://www.publishers.org.uk/images/stories/AboutPA/PA_Permissions_Guidelines.pdf?http://copac.ac.uk/?5http://www.dacs.org.uk/D http://www.bapla.org.uk/^http://tyler.hrc.utexas.edu/SIhttp://www.harryfox.com/xl$http://www.mcps-prs-alliance.co.uk/hh4http://www.bl.uk/collections/sound-archive/nsa.htmlThttp://www.mpaonline.org.uk/8_Toc2759748268_Toc2759748258_Toc2759748248_Toc2759748238_Toc2759748228_Toc2759748218_Toc2759748208_Toc2759748188_Toc2759748178z_Toc2759748168t_Toc2759748158n_Toc2759748148h_Toc2759748138b_Toc2759748128\_Toc2759748118V_Toc2759748108P_Toc2759748098J_Toc2759748088D_Toc2759748078>_Toc27597480688_Toc27597480582_Toc2759748048,_Toc2759748038&_Toc2759748028 _Toc2759748018_Toc2759748007_Toc2759747997_Toc2759747977_Toc2759747957_Toc275974794  !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~      !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijlmnopqrtuvwxyz{|Root Entry FpYopData 1Table WordDocument rSummaryInformation(kDocumentSummaryInformation8sMsoDataStoreappYopRJY3ZOUJ3==2appYopItem  PropertiesUCompObj r   F Microsoft Word 97-2003 Document MSWordDocWord.Document.89q