ࡱ>  0bjbjߥߥ *__=      8UA2N(MMMMMMM$PSM- M  Mrrr  MrMrr4 -8 `(7MN02N7tTRtT0-8-8tT !:drMM,F2NtT : SOC 133 War, Revolution and Organized Crime Fall 2019 Lecture Time: Monday & Wednesday, 15:00-16:15. Location: William James Hall B1. Professor: Danilo Mandi Department of Sociology 604 William James Hall  HYPERLINK "mailto:mandic@fas.harvard.edu" mandic@fas.harvard.edu Teaching Fellows: Jingyun Dai email: jingyundai@g.harvard.edu Matthew Brooke email: mbrooke@g.harvard.edu Office Hours: To be announced Course Abstract This course explores war, revolution and organized crime as interrelated social phenomena. Students will read sociologists, historians, political scientists and philosophers addressing the nature, causes and consequences of these phenomena in different national and historical contexts. The course will combine influential theoretical frameworks (by Karl Marx, Max Weber, Sigmund Freud, Hannah Arendt), middle-range social scientific approaches (by Anthony Giddens, Charles Tilly, Michael Mann, Theda Skocpol), and empirical and historical analyses (by Eric Hobsbawm, Benedict Anderson, James C. Scott, Eugen Weber). The three phenomena will further be scrutinized through their (mis)representation in movies by Mike Nichols, Milos Forman, Bernardo Bertolucci and others. Students will learn: * To understand major causes, consequences and conceptions of war. * To differentiate revolutionary movements from other social movements. * To identify the evolution of organized crime from traditional mafias to modern, transnational networks. * To explore how states and organized criminals interrelate how their activates are similar, and how they are different. * To demystify organized crime and to contextualize it vis-a-vis political instability and social unrest. * To discern cultural, political and social connections between seemingly unrelated social phenomena. * To bolster social scientific reasoning and argumentation through imagery and metaphor; and to develop skepticism towards pop cultural representations. * To better evaluate theoretical and empirical sources according to their historical context, applicability, scholarly rigor, trustworthiness and political bias. The course is divided into three parts according to the major themes: (1) war; (2) organized crime; and (3) revolution. Each weeks readings will be accompanied by two films intended to visualize the topics at hand. Throughout the semester, students will develop an increased awareness of the inter-connectedness of the three themes, as well as their cinematic renderings. Through discussions, weekly email responses and an independent research paper, students will become aware of the veracity and limitations of portrayals of wars, revolutions and gangsters in film. The tutorial does not require or pretend to instill knowledge of cinematography, film theory or visual arts. The films in the syllabus serve as framing devices to illustrate competing views of war, revolution and organized crime and as analytic tools for evaluating and contrasting these views. Genres range from absurdist comedy musicals to horror in a cinema-verite style. Some of the works (such as Battle of Algiers and City of God) were deliberate attempts at historicized, documentary-like realism, while others (such as Once Upon a Time in America and Wag the Dog) are entirely fictional. Though the films will serve primarily as vehicles for exploring the reading material, students will be encouraged to contextualize the movies when using them in analysis (e.g. that Catch-22 is based on a novel by Joseph Heller, or that The Man Who Would Be King was a novella by Rudyard Kipling, should be useful in application). Course Requirements Attendance (mandatory) (10%) Section Discussion (mandatory) (20%) Weekly Quote Selection & Response (25%) Final Paper Workshop (10%) Final Paper (35%) Certain weeks will have recommended readings assigned. Students are encouraged but not required to go over these. In addition to the readings in the syllabus, students are encouraged (not required) to watch one of two films of the week between Week 3 and Week 12. These will serve as visual aids to explore the issues of war, revolution and organized crime. Analyses of the films will be integrated into discussions and lectures. Students are expected to engage actively in section discussion. In addition, one day before section (24 hours prior), students will upload to the course website discussion board a quote (no more than two paragraphs) from one of the readings and a brief question or comment relating the quote. Submitted quotes and questions/comments will be discussed in section. In the final paper (12-15 pages), students will analyze a particular social phenomenon that interests them and formulate a specific research question. They will then develop an explanatory argument addressing the research question, applying readings from at least three separate weeks (e.g. Week 4, Week 7 and Week 10). Research questions and week selections have to be approved by the instructor at least two weeks prior to the deadline. Students will present and workshop their ideas in class in the concluding weeks of the tutorial, giving and receiving feedback from peers. Late Policy for Deadlines One partial grade will be deducted from papers and weekly responses that are turned in late (for example, an A- paper would be given a B+). Another partial grade will be taken off for each additional 24 hours of tardiness. Extensions will be given in the case of medical emergencies or religious observance. All requests for extensions should go directly to the course head and must be made in advance of the relevant deadline. No Electronics No cell phones, laptops or tablets in class. No exceptions. Films The following films will be on reserve at Lamont Library Battle of Algiers (1966) Director: Gillo Pontecorvo Cabaret (1972) Director: Bob Fosse Catch 22 (1970) Director: Mike Nichols City of God (2002) Director: Fernando Meirelles Full Metal Jacket (1987) Director: Stanley Kubrick Godfather Part II (1974) Director: Francis Ford Coppola Gomorra (2008) Director: Matteo Garrone La Grande Illusion (1937) Director: Jean Renoir Hair (1979) Director: Milos Forman The Man Who Would Be King (1975) Director: John Huston Mean Streets (1973) Director: Martin Scorsese Novecento [1900] (1976) Director: Bernardo Bertolucci Once Upon a Time in America (1984): Director: Sergio Leone Platoon (1986) Director: Oliver Stone Reds (1981) Director: Warren Beatty Strawberry Statement (1970) Director: Stuart Hagmann Third Man (1949) Director: Carol Reed Wag the Dog (1997) Director: Barry Levinson Course Outline Week 1 (September 4th): Introduction to the Course No reading required. Week 2 (September 9th and 11th): Major Themes Samuel Huntington, Revolution and Political Order in Revolutions: Theoretical, Comparative, and Historical Studies, pp. 37-44. Eugen Weber, Revolution? Counterrevolution? What revolution? in Fascism: A Readers Guide, pp. 435-467. Sinisa Malesevic, The Contemporary Sociology of Organized Violence in The Sociology of War and Violence, pp. 50-85. Charles Tilly, War Marking and State Making as Organized Crime in Bringing the State Back In, pp. 169-91. Jay S. Albanese, What is Organized Crime? in Organized Crime in Our Times (6th Edition), pp. 1-24. Part One: War Week 3 (September 16th and 18th): Propaganda, Militarism and the Thrill of War Kurt Tucholsky, The Spirit of 1914 in The Weimar Republic Sourcebook, pp.18-21. Michael Mann, Explaining the Rise of Interwar Authoritarianism and Fascism in Fascists, pp. 31-92. Philip M. Taylor, The First World War and The Bolshevik Revolution and the War of Ideologies, (1917-39) in Munitions of the Mind: A History of Propaganda from the Ancient World to the Present Day, pp. 176-208. Andrew Bacevich, The Military Profession at Bay in The New American Militarism: How Americans are Seduced by War, pp. 34-69. Recommended Reading: F.T. Marinetti, The Founding and Manifesto of Futurism in Marinetti: Selected Writings, pp. 39-75. Films of the Week: Cabaret (1972) Director: Bob Fosse Wag the Dog (1997) Director: Barry Levinson Week 4 (September 23rd and 25th): Violence as an Organizational Challenge Max Weber, The Origins of Discipline in War in From Max Weber: Essays in Sociology, pp. 255-261. Ernst Junger, From Bazancourt to Hattonchatel in Storm of Steel, pp. 16-22. Randall Collins, Does nationalist sentiment increase fighting efficacy? A skeptical view from the sociology of violence in Nationalism and War, pp. 31-43. Barbara Ehrenreich, The Warrior Elite and The Further Evolution of War in the Twentieth Century in Blood Rites: Origins and History of the Passions of War, pp. 144-158; pp. 225-244. Recommended: Alisa Sopova & Anastasya Taylor-Lind, The Strange Unreality of Life during War, available at:  HYPERLINK "https://time.com/longform/eastern-ukraine-war-civilian-life-frontline/" https://time.com/longform/eastern-ukraine-war-civilian-life-frontline/ Films of the Week: Platoon (1986) Director: Oliver Stone Full Metal Jacket (1987) Director: Stanley Kubrick Week 5 (September 30th and October 2nd ): Crime and Rationality Charles Tilly,How War Made States and Vice-Versa in Coercion, Capital, and European States, AD 990-1990, pp. 67-95. Jeff McMahan, The Morality of Participation in an Unjust War in Killing in War, pp.1 37. James Fearon, Rationalist Explanations for War in International Organisation 49, pp. 379-414. Recommended Readings: Sigmund Freud, Thoughts for the Time on War and Peace in Standard Edition of Complete Psychological Works: Volume XIV, pp. 275-300. Richard A. Gabriel, War and Madness in No More Heroes: Madness and Psychiatry in War, pp. 45-69. Films of the Week: La Grande Illusion (1937) Director: Jean Renoir Catch 22 (1970) Director: Mike Nichols Part Two: Organized Crime Week 6 (October 7th & 9th): Mafias, Old and New Jay S. Albanese, The Mafia: 100 Years of Historical Facts and Myths in Organized Crime in Our Times (6th Edition), pp. 127-171. Federico Varese, Introduction, Mafia Transplantation, and Mafia Origins, Transplantations and the Paradoxes of Democracy in Mafias on the Move: How Organized Crime Conquers New Territories, pp. 1-30; pp. 188-202. Anderson, A. Organized Crime, mafia and governments in Economics of Organized Crime (Cambridge University Press), pp. 33-53. Misha Glenny, The Future of Organized Crime in McMafia: A Journey Through the Global Criminal Underworld, pp. 313-342. Recommended Reading: Randall Collins, Patrimonial Alliances and Failures of State Penetration: A Historical Dynamic of Crime, Corruption, Gangs and Mafias, ANNALS of the American Academy of political and Social Science636.1 (2011): 16-31. Films of the Week: Godfather: Part II (1974) Director: Francis Ford Coppola Once Upon a Time in America (1984) Director: Sergio Leone NO CLASS ON MONDAY OCTOBER 14th IN OBSERVATION OF COLUMBUS DAY/INDIGENOUS PEOPLES DAY Week 7 (October 16th): Favelas, Ghettos and Peripheries Mitch Duneier, The Forgotten Ghetto in Ghetto: The Invention of a Place, the History of an Idea, pp. 217-237. Loic Wacquant, "Ghetto, Banlieue, Favela, et caetera: Tools for Rethinking Urban Marginality" inUrban Outcasts: A Comparative Sociology of Advanced Marginality, pp. 1-12. Alice Goffman, On the Run: Wanted Men in a Philadelphia Ghetto in American Sociological Review 74 (3), pp. 339-357. Miguel Centeno et al., Internal wars and Latin American nationalism in Nationalism and War, pp. 279-305. James C. Scott, Conclusion in The Art of Not Being Governed, pp. 324-337. Flottau, R. Albanias House at the End of the World: Family Denies Organ Harvesting Allegations, Spiegel (Sept. 2008). Films of the Week: City of God (2002) Director: Fernando Meirelles Gomorra (2008) Director: Matteo Garrone Week 8 (October 21rd and 23rd): Gangsters, Bandits and other Patriots Eric Hobsbawm, The Social Bandit and Mafia in Social Bandits and Primitive Rebels: Studies in Archaic Forms of Social Movement in the 19th and 20th Centuries, pp. 13-56; The City Mob, pp.108-125. Mahmood Mamdani, Financing the Jihad Through the Drug Trade in Good Muslim, Bad Muslim, pp. 140-146. Peter Andreas, "The Clandestine Political Economy of War and Peace in Bosnia inInternational Studies Quarterly48 (1), pp. 29-52. Charles King, The Benefits of Ethnic War in Extreme Politics: Nationalism, Violence and the End of Eastern Europe, pp. 103-132. Films of the Week: Third Man (1949) Director: Carol Reed Mean Streets (1973) Director: Martin Scorsese Part Three: Revolution Week 9 (October 28th and 30th): Impossible Until They Happen; Then, Inevitable Vladimir Lenin, State and Revolution in Socialist Thought: A Documentary History, pp. 469-480. Jack Goldstone, What is a Revolution in Revolutions: A Very Short Introduction, pp. 1-9. Hank Johnston, Revolutions and States in States and Social Movements, pp. 135-67. Nader Sohrabi, Revolutions as Pathways to Modernity in Remaking Modernity: Politics, History and Sociology, pp. 300-329. Theda Skocpol, The Emergence of a Dictatorial Party-State in Russia in States and Social Revolutions: A Comparative Analysis of France, Russia and China, pp. 206-235. Recommended Reading: Georges Sorel, Prejudices against violence in Reflections on Violence, pp. 87-93; pp. 106-108. Films of the Week: Novecento [1900] (1976) Bernardo Bertolucci Reds (1981) Director: Warren Beatty Week 10 (November 4th and 6th): Tamed Revolutionaries: Dreams of 1968 Charles Tilly, Twentieth-Century Expansion and Transformation in Social Movements, 1768-2008 (2nd Edition), pp. 65-94. Hannah Arendt, I in On Violence, pp. 3-31. C.W. Mills, The Decline of the Left in Power, Politics and People, pp. 212-236. Jeremy Brecher, The Current Scene in Strike!, pp. 284-291. James M. Jasper, The Emotions of Protest in The Social Movements Reader: Cases and Concepts (2nd Edition), pp. 175-184. Todd Gitlin, The Media in the Unmaking of the New Left in The Social Movements Reader: Cases and Concepts (2nd Edition), pp. 333-344. Films of the Week: Strawberry Statement (1970) Director: Stuart Hagmann Hair (1979) Director: Milos Forman Week 11 (November 11th and 13th): Colonialism and its Discontents Karl Marx, On Imperialism in India in The Marx-Engels Reader (2nd Edition), pp. 653 665. Frantz Fanon, Black Skin, White Masks in Contemporary Sociological Theory (3rd Edition), pp. 417-425. Orlando Patterson, The Paradoxes of Integration in Contemporary Sociological Theory (3rd Edition), pp. 426-434. Benedict Anderson, Introduction in Anarchism and the Anti-Colonial Imagination, pp. 1-8. Terence Ranger, The Invention of Tradition in Colonial Africa in The Invention of Tradition, pp. 211-262. Philip Knightley, Algeria is French 1954-1962 in The First Casualty: The War Correspondent as Hero and Myth-Maker From the Crimea to Iraq, pp. 391-408. Films of the Week: Battle of Algiers (1966) Director: Gillo Pontecorvo The Man Who Would Be King (1975) Director: John Huston Week 12 (November 18th and 20th): Final Paper Workshops I In-class presentations and workshopping final papers in groups. Week 13 (November 25th): Final Paper Workshops II In-class presentations and workshopping final papers in groups. 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