ࡱ> wyv ׏bjbjWW ;==JB B LL/$.......$14../..rE'TE('./0/'85485E(E(85Y(80" ..P:/85B b:  GENERAL HONORS COURSES Spring 2014 With the exception of the required one hour G H 299, the following General Honors courses may be used to fulfill requirements in the Universitys General Education: G H 101, 201, and 301 in the GE area of the humanities; G H 102, 202, 302 in the GE area of the social sciences; G H 103, 203, 303 in the GE area of mathematics and the natural sciences; G H 104, 204 in the GE area of math and the natural sciences with lab. Note that G H 101 may be taken as Advanced Placement Credit for English 180 OR English 280, but not for both English 180 and 280. G H 101 may be repeated only if taken in a different department. However, AP credit may only be earned once. A student may NOT take G H 101 and earn AP credit for ENG 180 and then repeat the course to earn AP credit for ENG 280. 90601 G H 101 Sec. 93 HORROR FICTION A. Robertson 11-12:15 TTH SI 114 90602 G H 101 Sec. 94 HORROR FICTION A. Robertson 2-3:15 TTH SI 114 90599 G H 101 Sec. 96 KING ARTHUR M. Sinex 10-10:50 MWF SI 214 90600 G H 101 Sec. 97 KING ARTHUR M. Sinex 1-1:50 MWF SI 214 f&*/90121 G H 299 Sec. 16 U S RAILROADS S. Cordery 12-12:50 MW MG 306 +90120 G H 299 Sec. 23 SCAND CRIME FIC J. Hancks 11-11:50 Arr MG 326 f&/90604 G H 299 Sec. 29 INCULT ABROAD E. Gorlewski 1-1:50 T MH 337 90132 G H 299 Sec. 38 VISL QUANT INFO A. Valeva 2-2:50 M ST 313 90133 G H 299 Sec. 93 EXP MODERN INFO C. S. Cordes 10-10:50 W Lib 300 90598 G H 301 Sec. 26 MEDIAREVOLUTION S. Lindquist 12:30-3:00 W ST 207 94233 G H 301 Sec. 79 WARS+FRENCH CIN C. Moore 2-4:30 M MG 326 90119 G H 302 Sec. 33 POSTMOD THOUGHT D. Sandage 6:30-9:00 Weve MG 322 90118 G H 302 Sec. 67 ECON SUST FOOD T. Sadler 11-12:15 TTH ST 317 /87090 G H 333 Sec. 01 INDEP STUDY R. Hardy ARRANGED /87091 G H 444 Sec. 01 IND SR RESEARCH R. Hardy ARRANGED &86873 COMM 241H Sec. 25 INTRO PUB SPKG S. Macchi 8-9:15 TTH MH 012 &90150 ECON 351H Sec. 02 GLOBAL POVERTY J. Harriger 9-9:50 MWF ST 217 f&Additional Costs Required for Field Trip. /Permission of Molly Homer required. *Class meets first 8 weeks. + Class meets: January 14/16; January 21/23; February 4/6; February 18/20; March 4/6; March 25/27; April 8/10; April 22/24 &Counts as G H course for satisfying graduation requirements for Honors Scholar status. 90601 G H 101 Sec. 93 HORROR FICTION A. Robertson 11-12:15 TTH SI 114 90602 G H 101 Sec. 94 HORROR FICTION A. Robertson 2-3:15 TTH SI 114 Horror Fiction: From Edgar Allan Poe to Stephen King and Everything In Between: This course introduces students to the always popular genre of Horror. Through close critical, cultural and psychological examination of selected novels, short stories and films, this class traces the history of horror fiction, examines the characteristics of this genre, and psychologically investigates how horror works on the minds of modern audiences. The goal of this course is to give students an understanding of what the horror genre consists of, how it works, and why it works generation after generation. The class will also analyze the cultural contexts of particular horror narratives through literary and psychological lenses to determine what they reflect and reveal about a particular culture/society/nation in a particular time and place. For example, vampires as Other is one of those cultural concepts we will examine as we look at Imperialism in the British Empire and Stokers reversing that power structure in his narrative. Together we will read a series of short stories and novels that begin with the early 19th Century works of Mary Shelley and Edgar Allan Poe and finish with 21st Century best-selling authors like Stephen King and Anne Rice. Thus, the course covers almost two centuries of horror fiction through class discussion, collaborative group work, and a class text authored by the students themselves that describes and defines each of the sixteen sub-genres of Horror covered in the course. Throughout the semester, we pair up our written texts with their film counterparts to enable a thorough analysis of the genre itself, the societies in which the stories are set, and the audiences that, generation after generation, are captivated by those stories. 90599 G H 101 Sec. 96 KING ARTHUR M. Sinex 10-10:50 MWF SI 214 90600 G H 101 Sec. 97 KING ARTHUR M. Sinex 1-1:50 MWF SI 214 King Arthur: King Arthur in Our Time has been designed for students seeking ENG 180 or 280 credit. This class will introduce you to some of the notable retellings and interpretations of Arthurian material drawn from literary works and the visual arts of the nineteenth and twentieth centuries. Recognizing the importance of Malorys Morte Darthur as an inspiration for nineteenth-century poets, we will read selections from it as we encounter the poetic treatments of Morris and Tennyson. The course will also provide you with opportunities to use film treatments and contemporary fiction in your written work since many students first encounter Arthurian themes and characters in films and in computer games. We will read works illustrating several genres (e.g. poetry, novel) and study book illustrations (Dor) and paintings of the Pre-Raphaelites. The works selected will illustrate the Arthurian Revival of the nineteenth century. f&*/90121 G H 299 Sec. 16 U S RAILROADS S. Cordery 12-12:50 MW MG 306 United States Railroad History and Practice: The railroad industry created a national marketplace in nineteenth-century America but nearly vanished in the 1960s before experiencing a renaissance from the 1980s to the present. This course examines how and why the industry followed this trajectory by studying the history and contemporary role of railroading. This course will meet twice weekly (Mondays and Wednesdays at noon) for the first eight weeks of the semester, followed by a week-long Spring Break trip on Amtrak to visit railroad facilities in Colorado, including the Colorado Railroad Museum and the Coors Brewery (both in Golden), the station and yards in Denver, and the U. S. Department of Transportations Transportation Testing Facility (Pueblo). f&*/Permission of Molly Homer required. Class meets first 8 weeks followed by a field trip over spring break. Additional costs required for field trip. 90120 G H 299 Sec. 23 SCAND CRIME FIC J. Hancks Arr Arr Arr Scandinavian Crime Fiction: Fifteen years before Stieg Larssons Millennium series (2006) captivated readers around the world, the Scandinavian countries (Denmark, Sweden, Finland, Norway, and Iceland) were well on their way to becoming the worlds premier source for the crime fiction genre. This course examines some of the best Scandinavian crime fiction novels of the past twenty years. It includes a discussion of how and why a small region on Europes periphery has become a global literary epicenter, how authors infuse Scandinavian politics and culture and the unique Scandinavian landscape into their work, and how Scandinavia has been represented by Anglo-American filmmakers in BBC and Hollywood dramatizations of the blockbuster novels. +Class meets: January 14/16; January 21/23; February 4/6; February 18/20; March 4/6; March 25/27; April 8/10; April 22/24 f&/90604 G H 299 Sec. 29 INCULT ABROAD E. Gorlewski 1-1:50 T MH 337 Developing Intercultural Competence through Study Abroad: Students in this course will explore the concept of intercultural competence and learn how they personally deal with cultural difference. Each student will choose strategies for developing his or her intercultural competence and implement these strategies during a service-learning experience abroad during Spring Break. The service-learning experience will include meaningful intercultural interactions, intercultural coaching, action, and reflection. f&/ Permission of Molly Homer required. Class includes a trip over spring break to Nicaragua. Additional costs required for trip. 90132 G H 299 Sec. 38 VISL QUANT INFO A. Valeva 2-2:50 M ST 313 Visualizing Quantitative Information: This course will focus on the process and methods of visualizing quantitative information - a crucial component of data analysis without which important features of the information, including the statistical methods and practical significance of the conclusions, can be obscured or even completely mistaken. Furthermore, as Edward Tufte says in the introduction of his book, "of all methods for analyzing and communicating statistical information, well-designed data graphics are usually the simplest and at the same time the most powerful." 90133 G H 299 Sec. 93 EXP MODERN INFO C. S. Cordes 10-10:50 W Lib 300 Exploring Modern Information: Information, communication, media, and technology play a major role in the shaping of personal and cultural identity. Beginning with defining the meaning of texts and literacy, and progressing through four discrete perspectives on modern information, the course introduces the theories, concepts, tools, and essential skills for mastering evaluation and use of information in the 21st Century. Course lessons draw upon a wide array of research areas, media types, and delivery modes including web based activities, online video, and field trips to immerse students in four major areas of literacy study: multicultural, information, visual, and media. From the process of developing ethical identity in a global culture, to the exploration of forces that forge mainstream and alternative culture, students will gain understanding of those elements in the flow of information that capture our attention, change our perspectives, and teach and persuade us to work, live, and become life-long learners. Some primary goals of the course include: shaping cultural identity and sensibility; theories of perception and attention; understanding Gestalt theory: interpreting visual data; the critical analysis of information; determining authority and accuracy of information sources; the influence of advertising on individuals and cultures; and the creation of meaningful texts in a variety of mediums. The four information study areas of information, media, visual and multicultural studies, provide a framework for viewing the subject content through a focused lens of exploring multimodal information in the modern age. 90598 G H 301 Sec. 26 MEDIAREVOLUTION S. Lindquist 12:30-3:00 W ST 207 Media Revolutions in the Age Before Print: Although mass media is frequently treated as a modern phenomenon, there are a number of watershed moments in which new technologies and methods of integrating texts and images transformed cultures before the advent of the printing press. This course studies the implications that revolutions in communication had for pre-modern peoples, highlighting the invention of writing, the alphabet, the shift from roll to codex, the advent of silent reading and the invention of new workshop practices in the later Middle Ages that enabled mass production of manuscripts for an ever widening market. We focus on the intersection of written and visual culture in the West, revisiting canonical civilizations covered in History and Art History surveys through the lens of seeing and reading, with a particular emphasis on the illustrated book. 94233 G H 301 Sec. 79 WARS+FRENCH CIN C. Moore 2-4:30 M MG 326 The Two World Wars: A French Cinematic Perspective: The last French World War I veteran was given a state funeral in 2008 just as the witnesses of the Second World War are reaching their eighties. Living memories of the two wars are fast fading away, but the interest in these events which changed Europe forever is keener than ever in France, and many recent films have revisited both wars. France was on the forefront as a battlefield and as a land occupied by foreign troops; it faced terrible hardships such as trench warfare, massive death toll and destruction in the First World War; and, the bombing of its cities, and deportation of part of its Jewish population in the Second World War. The French population had to make agonizing choices between collaboration and active or passive resistance. The viewpoint presented in French films is, therefore, quite different from Hollywoods. The class will study the portrayal of wars in French films focusing on the use of symbols, the notions of hero and enemy, the respective roles of men, women and minorities, as well as the ever present use of irony. 90119 G H 302 Sec. 33 POSTMOD THOUGHT D. Sandage 6:30-9:00 W eve MG 322 Postmodern Thought: Using sociological analysis, this course examines postmodernism. It will focus on how postmodernism is both the continuation of modernism and its transcendence. The course will specifically explore the roots of postmodernism, postmodern theory, the effects of language and power systems on ideas and beliefs, the complex process of constructing reality, how different societies create different values and beliefs, and how humans relate to their symbolic environment. An emphasis will be placed on the following dimensions of the postmodern world; self-concept, moral and ethical discourse, art and culture, and globalization. The complexities of postmodern thought, including constructivism, deconstruction, irony, pluralism, and multiculturalism will be analyzed. The numerous criticisms of postmodern theory and postmodern thought will also be evaluated. 90118 G H 302 Sec. 67 ECON SUST FOOD T. Sadler 11-12:15 TTH ST 317 Most people in our society do not have the time or the inclination to understand the process of food production. By examining the current state of industrial agriculture in this country, its historical context, the economic model in which it persists, and the alternative model of sustainable, local food production, this course makes the process clear. Today, in the United States, industrial agriculture provides the majority of the meat and produce that we consume. Incredibly, we as a society are separated from and, for the most part, uninterested in this industrial process that gives us sustenance. Many pernicious outcomes, or negative externalities, result from this reality. Soil fertility diminishes. Without the use of chemical applications, the plants we consume are vulnerable to pests and disease. Obesity inhibits advances in health. Multi-billion dollar agricultural subsidies prop up an inferior economic system of monoculture. The system relies on imported energy, which contributes to global warming. Alternatively, sustainable, local food production, which is growing as a share of total food production, addresses each of these problems. It also leads to many positive outcomes, including local employment and healthier food. Most importantly, however, sustainable agriculture, such as local, organic farming, leads to greater knowledge of the crucial connection between food production and consumption and thereby addresses what Wendell Berry calls the great destructiveness of the industrial agea division, a sort of divorce, in our economy. /87090 G H 333 Sec. 01 INDEP STUDY R. Hardy Arranged Arranged Arranged Intensive study and writing on interdisciplinary topics to be approved by the Honors College director and faculty supervisors. Students must have upper-division status. See the Honors Director for more details. /Permission of Molly Homer required. /87091 G H 444 Sec. 01 INDEP SR RESEARCH R. Hardy Arranged Arranged Arranged Intensive research and preparation of an interdisciplinary senior honors thesis or project report. Topics to be approved by the Honors College director and faculty supervisor. See the Honors Director for more details. (Note: students working on senior theses should use course numbers available in their major departments. GH 444 can be used if no departmental course number exists.) /Permission of Molly Homer required. &86873 COMM 241H Sec. 25 INTRO PUB SPKG S. Macchi 8-9:15 TTH MH 012 Introduction to Public Speaking: Students in this honors class will receive the same amount of speaking experience and practical instruction as in other sections but will engage in a more intensive development of those speeches. Each student will give three major speeches. The first will be an informative visual presentation, the second will be an argumentative presentation, and the third major speech will be a persuasive presentation.Students will alsodeliversome minor, upgraded speeches. The course has two objectives. 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They willlearn and put into play the canonical principles of invention, organization, style, memory and delivery, and will do so in both informative and persuasive situations. The second objective is to introduce students to the richness of rhetorical theory. The section will be conducted in such a way as to promote both goals simultaneously. Speeches will be critiqued by the instructor and the class according to the principles outlined in thetexts and discussed in class. With the exception of the days devoted to giving speech assignments, class will be conducted as a seminar and workshop. Students will be expected to have read the material assigned and be prepared to raise issues about the readings. Discussion will follow the students' reactions. &Counts as GH course for satisfying graduation requirements for Honors Scholar status. &90150 ECON 351H Sec. 02 GLOBAL POVERTY J. Harriger 9-9:50 MWF ST 217 Global Economic Poverty Issues : This course on global economic poverty utilizes economic principles to define, examine and analyze the scope and breadth of underlying poverty-related policy issues in developing and developed countries. Students in this course will learn to not only define and evaluate international measures of economic poverty but also gain greater appreciation for the underlying causes of global poverty and the intricate interconnections between different cultures and countries across the globe. The tools learned in this class and subsequent discussions will help our students better navigate and understand the often-unfamiliar world around them. This course provides writing opportunities with revision possibilities to better develop students critical thinking skills. &Counts as GH course for satisfying graduation requirements for Honors Scholar status.  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