ĐĎॹá>ţ˙ IKţ˙˙˙H˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙˙ěĽÁ#` đż bjbjĄĄ Ą.ĂĂ ˙˙˙˙˙˙¤äääääää$  D9+üh h h h h h h h ¸*ş*ş*ş*ş*ş*ş*$5,h.vŢ*ä%h h %%Ţ*ääh h ó*˜*˜*˜*%^äh äh ¸*˜*%¸*˜*˜*ää˜*h \ 0čÝ'Ë8Č p%˛˜*¸* +09+˜*/")`/˜*/ä˜* h Vž!ô˜*˛"Äv#œh h h Ţ*Ţ*‚*h h h 9+%%%%  ääääää˙˙˙˙ Langston Hughes (1902-1967) The Negro Speaks of Rivers I've known rivers: I've known rivers ancient as the world and older than the flow of human blood in human veins. My soul has grown deep like the rivers. I bathed in the Euphrates when dawns were young. I built my hut near the Congo and it lulled me to sleep. I looked upon the Nile and raised the pyramids above it. I heard the singing of the Mississippi when Abe Lincoln went down to New Orleans, and I've seen its muddy bosom turn all golden in the sunset. I've known rivers: Ancient, dusky rivers. My soul has grown deep like the rivers. Dream Deferred What happens to a dream deferred? Does it dry up Like a raisin in the sun? Or fester like a sore-- And then run? Does it stink like rotten meat? Or crust and sugar over-- like a syrupy sweet? Maybe it just sags like a heavy load. Or does it explode? Justice That Justice is a blind goddess Is a thing to which we black are wise: Her bandage hides two festering sores That once perhaps were eyes. Children's Rhymes By what sends the white kids I ain't sent: I know I can't be President. What don't bug them white kids sure bugs me: We know everybody ain't free. Lies written down for white folks ain't for us a-tall: Liberty And Justice-- Huh!--For All? Dinner Guest: Me I know I am The Negro Problem Being wined and dined, Answering the usual questions That come to white mind Which seeks demurely To Probe in polite way The why and wherewithal Of darkness U.S.A.-- Wondering how things got this way In current democratic night, Murmuring gently Over fraises du bois, "I'm so ashamed of being white." The lobster is delicious, The wine divine, And center of attention At the damask table, mine. To be a Problem on Park Avenue at eight Is not so bad. Solutions to the Problem, Of course, wait. Junior Addict The little boy who sticks a needle in his arm and seeks an out in other worldly dreams, who seeks an out in eyes that droop and ears that close to Harlem screams, cannot know, of course, a sunrise that he cannot see beginning in some other land – but destined sure to flood – and soon – this very room in which he leaves his needle and his spoon, the very room in which today the air is heavy with the drug of his despair. (Yet little can tomorrow’s sunshine give to one who will not live.) Quick, sunrise, cone – Before the mushroom bomb Pollutes his stinking air With better death Than is his lving here, With viler drugs Than bring today’s realease In poison from the fallout of our peace. “It’s easier to get dope than it is to get a job.” Yes, easier to get dope than to get a job – daytime or nighttime job, teen-age, pre-draft, pre-lifetime job. Quick, sunrise, come! Sunrise out of Africa, Quick, come! Sunrise, please come! Come! Come! Who But the Lord? I looked and I saw That man they call the Law. He was coming Down the street at me! I had visions in my head Of being laid out cold and dead, Or else murdered By the third degree. I said, O, Lord, if you can, Save me from that man! Don’t let him make a pulp of me! But the Lord he was not quick. The Law raised up his stick And beat the living hell Out of me! Now I do not understand Why God don’t protect a man From police brutality. Being poor and black, I’ve no weapon to strike back So who but the Lord Can protect me? We’ll see. I, Too, Sing America I, too, sing America. I am the darker brother. They send me to eat in the kitchen When company comes, But I laugh, And eat well, And grow strong. Tomorrow, I'll be at the table When company comes. Nobody'll dare Say to me, "Eat in the kitchen," Then. Besides, They'll see how beautiful I am And be ashamed-- I, too, am America. Cross My old man's a white old man And my old mother's black. If ever I cursed my white old man I take my curses back. If ever I cursed my black old mother And wished she were in hell, I'm sorry for that evil wish And now I wish her well My old man died in a fine big house. My ma died in a shack. 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