аЯрЁБс>ўџ (*ўџџџ'џџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџџьЅС5@ №ПobjbjЯ2Я2 "­X­Xo џџџџџџˆ2222222FЊЊЊЊ Ж FаЖЮЮЮЮЮЉЉЉOQQQQQQ$†Rи fu2%ЉЉ%%u22ЮЮлŠYYY% 2Ю2ЮOY%OYYk22kЮТ €#НЏbЯХЊ/kO 0аk> E > kFF2222> 2kфЉZ@YC4wЎЉЉЉuuFFdЊO FFЊLiterary essay – Totem Thomas King’s extensive use of symbolism in his short story “Totem” puts a goofy and nonsensical face on the callous treatment that natives received by North American settlers. A museum director, Walter Hooton, has a problem with noisy totem poles bothering the patrons at his art gallery in Alberta. The solution he decides upon is to cut down the totem poles and move them to a more convenient location; in this case, the basement. Each time, the totem pole refuses to be displaced, and again starts bothering the museum patrons from the corner. King uses four main elements in the story to illustrate his point: the totem poles themselves, the director of the museum and his workers, the museum patrons, and the museum itself. The choice of the totem pole to represent the natives of the Alberta area is a subtle way of re-enforcing the racial stereotypes that surround native people. Totem poles are a tradition of natives from the west coast, and not of the plains. It shows the disregard that the author feels the natives were subjected to regarding their traditions and culture by white settlers in the area who did not care to learn anything about the indigenous people that they were supplanting. The story makes reference to four different totem poles, each of which is making a different sound. These may represent different tribes or sub-cultures of the local natives. The four totem poles are also referred to as simply “the totem pole” by the museum inhabitants, as though there is no difference between poles, as though instead of different native tribes, there were only “Indians”. The patrons of the museum, with the exception of the director and his employees, are the only characters which are portrayed as human. They represent the upper class of society for the newly immigrated colonizers. The patrons are never directly involved in the story, but are used to give contrast to the fact that the totem pole is not given human form, and therefore not really considered to be people. They hold power in the museum, which, according the efforts of the director to please them and divest them of the annoyance of the totem pole, seems to exist only to satisfy and amuse them. The totem pole is surrounded by the museum, and although it is shown that the museum was there first, it is also demonstrated that the museum patrons and workers do not feel that it has any right to be there, so tried move it into the basement. The museum therefore, would have to represent the land that the natives were relocated from, and the fact that settlers did not believe the natives to have any claim to the land that they lived on. The exhibit that the patrons were being disturbed from enjoying was a show on contemporary art from the Atlantic Provinces. The Atlantic art is used to make reference to the actual settlers which have come from the east, and how much the patrons prefer this sort of art to the totem poles, which they find offensive. The director and his workers, Larue and Jimmy, are the persons to whom it falls to deal with the totem pole. The museum patrons complain, and it becomes his responsibility to solve the problem. 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