ࡱ>     ݜ bjbjupup l_"k VVhchchehehe\h\h\hl v\h;p"""g l:n:n:n:n:n:n:$?3B^:9heјg:hchc"" :!!!hcp"he"l:!l:!! d "0{0&r LX::0;>C!C  Che ,!::!;CV .b: Annual Report 2015-16   Art Gallery of Western Australia Location Perth Cultural Centre, Western Australia Postal Address PO Box 8363 Perth Business Centre PERTH WESTERN AUSTRALIA 6849 Contact Info line: 9492 6622 Telephone: 9492 6600 Email:  HYPERLINK "mailto:admin@artgallery.wa.gov.au" admin@artgallery.wa.gov.au Website:  HYPERLINK "http://www.artgallery.wa.gov.au" artgallery.wa.gov.au Opening hours Wednesday to Monday 10 am to 5 pm Closed Tuesdays, Anzac Day, Good Friday and Christmas Day Admission General admission to the State Collection is free, although donations are encouraged. Admission fees apply for some exhibitions. Regional Galleries Geraldton Regional Art Gallery 24 Chapman Road, Geraldton WA 6630 Telephone: 9964 7170 Email:  HYPERLINK "mailto:grag@artgallery.wa.gov.au" grag@artgallery.wa.gov.au Website:  HYPERLINK "http://artgallery.cgg.wa.gov.au/" artgallery.cgg.wa.gov.au Art Gallery of Western Australia Foundation For information on becoming involved with the Gallery, including membership and bequests, please telephone 9492 6761 or email  HYPERLINK "mailto:foundation@artgallery.wa.gov.au" foundation@artgallery.wa.gov.au. Gifts to the Foundation of $2 or more are tax deductible. Sponsorship For information on becoming a Gallery partner please contact the Partnership Manager by telephoning 9492 6693. Donations and Cultural Gifts. Information on donations to the Gallery, including the Cultural Gifts Program and the Cultural Bequest Program, is available on request from the Art Gallery of Western Australia Foundation. Friends of the Art Gallery of Western Australia Membership and enquiries can be made by telephoning 94926750 or email  HYPERLINK "mailto:friends@artgallery.wa.gov.au" friends@artgallery.wa.gov.au In line with the State Government requirements, the Art Gallery of Western Australia Annual Report 2015-16 is published in an electronic format. The Gallery encourages people to use recycled paper if they print a copy of this report or sections of it. The 2015-2016 Annual Report is provided on the Art Gallery of Western Australia website in PDF format (entire report) as well as in an accessible (Word) version (which excludes the financial statements).  HYPERLINK "file:///D:\\Dropbox\\AGWA\\%23Annual%20Report\\%232014-15\\Working%20copy\\www.artgallery.wa.gov.au\\publications\\anreport.asp" artgallery.wa.gov.au/publications/anreport.asp This work is copyright. It may be reproduced in whole or in part for study or training if the source is acknowledged. Such use must not be for commercial purposes. Subject to the Copyright Act 1968, reproduction, storage in a retrieval system or transmission in any form by any means of any part of the work other than for the purposes above is not permitted without prior written authorisation from the ArtGallery of Western Australia. Table of Contents  TOC \o "1-3" \h \z \u  HYPERLINK \l "_Toc399165806" Statement of Compliance  PAGEREF _Toc399165806 \h 1  HYPERLINK \l "_Toc399165807" Who We Are 6  HYPERLINK \l "_Toc399165808" Chairs Foreword 8  HYPERLINK \l "_Toc399165809" Directors Report The Year in Review 10  HYPERLINK \l "_Toc399165810" Organisational Structure  PAGEREF _Toc399165810 \h 13  HYPERLINK \l "_Toc399165811" Board  PAGEREF _Toc399165811 \h 13  HYPERLINK \l "_Toc399165812" Organisational Chart  PAGEREF _Toc399165812 \h 18  HYPERLINK \l "_Toc399165813" Executive Management Team  PAGEREF _Toc399165813 \h 20  HYPERLINK \l "_Toc399165814" Art Gallery of Western Australia Foundation  PAGEREF _Toc399165814 \h 22  HYPERLINK \l "_Toc399165815" Friends of the Art Gallery of Western Australia  PAGEREF _Toc399165815 \h 25  HYPERLINK \l "_Toc399165816" Performance Management Framework  PAGEREF _Toc399165816 \h 26  HYPERLINK \l "_Toc399165817" Agency Performance  PAGEREF _Toc399165817 \h 29  HYPERLINK \l "_Toc399165818" Collections  PAGEREF _Toc399165818 \h 29  HYPERLINK \l "_Toc399165820" Programs  PAGEREF _Toc399165820 \h 32  HYPERLINK \l "_Toc399165822" Infrastructure  PAGEREF _Toc399165822 \h 38  HYPERLINK \l "_Toc399165824" Relationships  PAGEREF _Toc399165824 \h 40  HYPERLINK \l "_Toc399165826" Peformance  PAGEREF _Toc399165826 \h 43  HYPERLINK \l "_Toc399165828" Regions 45  HYPERLINK \l "_Toc399165833" Significant issues impacting the Art Gallery  PAGEREF _Toc399165833 \h 50  HYPERLINK \l "_Toc399165834" Disclosures and Legal Compliance  PAGEREF _Toc399165834 \h 51  HYPERLINK \l "_Toc399165835" Financial Statements  PAGEREF _Toc399165835 \h 51  HYPERLINK \l "_Toc399165836" Auditors Opinion   HYPERLINK \l "_Toc399165837" Key Performance Indicators   HYPERLINK \l "_Toc399165838" Ministerial directives  PAGEREF _Toc399165838 \h 60  HYPERLINK \l "_Toc399165839" Other financial disclosures  PAGEREF _Toc399165839 \h 60  HYPERLINK \l "_Toc399165845" Governance disclosures  PAGEREF _Toc399165845 \h 65  HYPERLINK \l "_Toc399165846" Other Legal Requirements  PAGEREF _Toc399165846 \h 67  HYPERLINK \l "_Toc399165852" Appendix A Essence of AGWA  PAGEREF _Toc399165852 \h 76  HYPERLINK \l "_Toc399165853" Appendix B Foundation Members 73  HYPERLINK \l "_Toc399165854" Appendix C Gallery Staff 82  HYPERLINK \l "_Toc399165855" Appendix D A Staff Community Engagement 84  HYPERLINK \l "_Toc399165856" Appendix E Acquisitions 89  HYPERLINK \l "_Toc399165856" Appendix E Exhibitions 100 Statement of Compliance Hon John Day, MLA Minister for Culture and the Arts In accordance with section 28 of the Art Gallery Act 1959 and section 63 of the Financial Management Act 2006, we hereby submit for your information and presentation to Parliament the Annual Report of the Art Gallery of Western Australia for the financial year ended 30 June 2016. The Annual Report has been prepared in accordance with the provisions of the Financial Management Act 2006. At the date of signing, we are not aware of any circumstances that would render the particulars included in the report misleading or inaccurate.  Nicholas Hasluck AM, QC Chair Board of the Art Gallery of Western Australia 2 September 2016  Jason Ricketts Member Board of the Art Gallery of Western Australia 2 September 2016 Overview Who We Are WHO WE ARE Our Vision To be a world-class art museum a valued destination, an asset to the State and the pride of its people.  The Art Gallery of Western Australia (AGWA) was founded and acquired its first work of art in 1895. Today it is established by the Art Gallery Act 1959 and is part of the Culture and Arts portfolio. The Gallery, the oldest visual arts organisation in the State, is housed in three heritage buildings located in the Perth Cultural Centre. The main building was completed in 1979, and in 1995 the adjoining Centenary Galleries, which were originally the Perth Police Courts, were opened. The historic Barracks building houses the administration offices, the theatrette and the Voluntary Gallery Guides areas. The Gallery collects and maintains the State Art Collection which currently comprises over 17,000 works by Western Australian, Australian and International artists. AGWA is committed to providing access to the visual arts and delivering programs that connect, stimulate, involve, educate and entertain. The State Art Collection is developed, displayed and preserved to ensure that the Art Gallery of Western Australia maintains the finest public art collection in the State. Through the Collection displays and programs the Gallery continues to support access to art, heritage and ideas locally, nationally and internationally now and for future generations. We aim to inspire our visitors and encourage them to reach out, investigate and discover through the display of Your Collection, stimulating exhibitions and associated programs. We strive to be the heart of the arts in Western Australia, stimulating conversations and providing new ways of looking and thinking about the visual arts, remaining one of the Australias most influential arts advocates. We celebrate Australian art and artists by sharing their vision and voice with our audiences. We present Western Australian art alongside that of the rest of the world, staging conversations between the local, national and international. We are particularly committed to presenting Indigenous stories through the language of visual arts, respecting and valuing that the culture and arts of Australias first people are integral to our identity. Everything we do begins and ends with our knowledge and experience and our wish to bring enjoyment, challenge and excitement grounded in artistic freedom, curatorial integrity and commitment to represent artistic visions. At the same time, we are determined to evolve, explore new directions and push beyond the boundaries of the expected. We are committed to developing an equitable and diverse workforce that is representative of the Western Australian community at all levels of employment. Indigenous Australians, young people, people with disabilities and people from culturally diverse backgrounds are encouraged to apply for positions at AGWA.   Chairs Foreword In my foreword to last years Annual Report I mentioned that AGWA had defined a strong vision for the future in order to guide the strategies applicable to future exhibitions, collecting, programming and marketing. Much work has taken place in these areas during the year under review, with the results being showcased at the 2016 program launch last November and the May Winter Reveal event which saw many innovations, changes to gallery spaces and new branding being unveiled. The Director, in his report, goes into some detail about what this entails, and on behalf of the Board I would like to thank him, the Executive, and all our staff and volunteers for their efforts in bringing these initiatives to fruition. It was particularly pleasing to welcome a new Director of Engagement to the executive management team as a means of advancing plans applicable to marketing and audience engagement. Considerable work this year has gone into the finalisation of an Acquisitions Policy for AGWA. Proposals for revision of the existing policy were discussed initially at the Boards Planning Day in November and taken further at an Acquisitions Workshop involving Board members and senior staff some months later. A final version of the new policy has now been approved by the Board and will be accessible to the public via the AGWA website.This new policy is aligned to the Essence of AGWA document released last year (see Appendix A, page 100), and sets out the priorities for the Collection over the next four years in the lead up to the 40th anniversary of the main Gallery building in 2019 and the institutions 125th birthday in 2020. The three broad target areas which are the focus of this policy are Western Australian, Australian and International art, and more information about the priorities for each sub-section in these areas will be released in the early part of the 2016-17 year. During the year the Department of Culture and the Arts progressed to the second stage of an Agency Expenditure Review process started in 2014-15. This consisted of a review of the entirety of the portfolios operations, overseen by an independent committee. The results will see the consolidation of many functions within the Department and its agencies including new shared service arrangements for human and financial resources within an AGWA/WA Museum cluster. New Asset Management and Information Services structures will also come into place in the coming year, with consequent adjustments to the annual budget. This will, of course, present some challenges but I am confident that the initiatives undertaken this year to increase audience engagement, develop brand recognition and present a strong exhibition program will provide a firm platform from which to move ahead. This years exhibition program was a strong one, and I was particularly pleased that AGWA was able to partner with the Art Gallery of South Australia to present the splendid Treasure Ships: Art in the Age of Spices exhibition, which I had the pleasure of launching in October 2015. Tracing the advent of global trade between East and West from the 15th to the 19th centuries, the exhibition encompassed a wide variety of art forms of particular interest to Western Australians, including artefacts retrieved from some of the many Dutch vessels wrecked off our coast. It has also been my great pleasure to witness the continuation of the WA Focus series, presenting the works of contemporary Western Australian artists to a wider audience, including visitors from interstate and overseas. At the end of this year Brian Roche retired from the Board after six years. I thank him particularly for his service to the Gallery and the Board as Chair of the Audit and Risk Management Committee. I acknowledge and thank all my Board colleagues for their commitment and wise counsel throughout the year. On behalf of the Board I also wish to thank the Foundation Council, led by Chairman Adrian Fini, together with members of the Foundation, for the contribution they make to AGWA. The Foundation Council must be congratulated also for organising the inaugural ART BALL, held in May 2016, which was not only an exciting and highly successful social occasion, but also a means of introducing a new and generally younger constituency of friends and supporters to both the Gallery and its plans for the future. With the support of the Foundation, our donors and lenders, AGWA has again been able to acquire some outstanding works for the Collection. I also offer my thanks to our sponsors, benefactors and partners for their generosity and support. I would particularly like to acknowledge the Gallerys Principal Partner, Wesfarmers Arts, for their increased financial support this year which has led to the creation of new gallery spaces and the display of works from their collection. On behalf of all of us at the Art Gallery of Western Australia I take this opportunity to thank the Hon John Day, MLA, Minister for Culture and the Arts, for his support, and that of the Government of Western Australia. Nicholas Hasluck AM QC Chair Directors Report The Year in Review This year has seen the implementation of many initiatives which had their genesis in work carried out last year as we refocussed on our core mission and our place in the community, and set out our position in  HYPERLINK \l "_Appendix_A_" The Essence of AGWA. The culmination of this activity was the launch in November of Seeing Things Differently the unveiling of our 2016 program. This event allowed us to disclose a program which featured diverse major new exhibitions, new partnerships and a reaffirmed commitment to contemporary Western Australian artists. At that launch I indicated that AGWA was offering a strong and diverse program that invited visitors to view the world anew, and I encouraged people to also take a new look at the gallery experience, as we explored these innovations, and opened up new exhibition spaces within the Gallery. In May we revealed the important next step in this evolution, which leads the way towards our 125th anniversary in 2020. This reveal to a large crowd of Foundation and Friends members, artists, media and other supporters included, among other initiatives which I will discuss later in this report, the launch of a new logo and brand of which we are extremely proud. I look forward to working with my staff and the Board as we continue on this exciting new course and direction, which I am confident, will allow us to connect even better with our audience. Collection Development of the State Art Collection is our core business, at the heart of who we are. If it is to remain Western Australias greatest visual art asset, ranking amongst the best collections in the country, we must seek new ways of displaying its treasures. To this end we have announced the introduction of several new gallery spaces, including dedicated spaces for our growing collection of craft and design objects as well as larger 3D objects. Although these two spaces dont officially open until the beginning of July, our curators and conservators have been hard at work during the year selecting and preparing the initial works for display. The WA Focus concept, initiated last year, has gone from strength to strength during 2015-16.This program dedicated to promoting and presenting new works by practising Western Australian artists has opened the way for new and closer partnerships and engagement with local artists, and encourages reflection on Western Australias place in the artistic world. We have also continued this year with Screen Space which provides a dedicated place within the Gallery for people to view our growing collection of filmic and video works. Exhibitions Some highlights of the exhibition program are listed in the Programs section (page 31) of this report. In addition to these we had the opportunity to present American dream, American nightmare a two-part display that focused on one of the Collections most iconic and most requested works, Brett Whiteleys The American dream 1968-1969. This major 18-part installation, which is a dynamic visual summation of Whiteleys experiences in America, had not been seen at the Gallery since 2004, and was greatly appreciated by many visitors. We were also able to put on display a selection of Kimberley works from the State Art Collection, in order to highlight the Desert River Sea: Kimberley Art Then and Now project. This six-year initiative, made possible through a partnership with Rio Tinto, was conceived to forge a closer working relationship between our Gallery and art communities in the Kimberley region while recording the artistic practices within this culturally diverse area of Western Australia. I am delighted to announce that in May Desert River Sea won the Indigenous Project award in the 2016 Museums and Galeries National Awards (MAGNAs). A full summary of our 2015-16 exhibition program can be found at Appendix F (page 100) of this report. Programs At the May Winter Reveal event I was delighted to announce the opening of our new gallery spaces micro galleries known as the Sky and Garden galleries, together with a sound gallery, Rise (located in the stairwell between Sky and Garden), and another space at the top of the building, the Stratosphere. These spaces provide a whole new approach to connecting with our audience, and I sincerely thank our principal partner, Wesfarmers Arts, whose generosity has made this possible. More information about these spaces can be found in the Infrastructure section (page 37) of this report In February, we were again able to open the Gallery rooftop on Friday nights to provide a bar and entertainment space to coincide with the presence of the Fringe World Festival in the Cultural Centre. The opening of the micro spaces and the top level of the Gallery will provide access to the rooftop for larger numbers of people than was previously possible, and I look forward to seeing this space become a permanent venue for functions, events and displays. The Education and Public Programs departments have had another very successful year with strong visitation by school, tertiary and other groups for workshops and guided tours, and a range of other initiatives, some of which are also highlighted in the Programs section of this report. A partnership which we have implemented with Artsource in support of the WA Focus exhibitions is 6x6: a series of six-minute talks by six artists about their individual practices. Our very knowledgeable Volunteer Gallery Guides have been renamed Guru Guides, and added to their ranks is Aggie the worlds first art gallery engagement robot. Developed with Perth-based technology firm Smartbots, Aggie is a walking talking art expert who brings the works in the Gallery to life with enchanting insights and childlike wonder. Aimed specifically at families, Aggie leads a monthly tour around the Collection and also host workshops for children in the Imagination Room our new audience centre and multipurpose hub; another space which has been opened as part of the Wesfarmers initiative. Operations and Management The Agency Expenditure Review (AER) undertaken to examine the operations of the Department of Culture and the Arts (of which AGWA forms part) has recommended changes in the delivery of shared services within the portfolio. The aim of this change is to create a more efficient hybrid model for the delivery of financial, human resources, information services, and asset management. Implementation of strategies to achieve these aims has been ongoing, prior to its commencement in July 2016. The Gallery continues to operate with a reduced but dedicated staff in order to deliver the best possible programs and displays to the public. Acknowledgements The Gallery relies heavily on the generosity of a willing group of volunteers, who make an inestimable contribution to our operations. To them, the Foundation, Friends of AGWA, and our sponsors, I acknowledge and thank you sincerely for your invaluable contribution. Thanks also to the many organisations and individuals who have partnered with us in order to provide a rich choice of programs in support of our exhibitions. I am also thankful for the support of the Board, the Minister for Culture and the Arts, the Premier and the State Government. Finally, I must again express my warmest thanks and gratitude to all our staff. This has been a year of great change, and much has been asked of every member of our small team. I am forever grateful for their dedication and their constant willingness to adapt and come up with innovative and creative new ways of working Stefano Carboni Director Organisational Structure The Gallerys objectives and outcomes are delivered through the Executive, whose members report to the Director. The Director is responsible to the Board of the Art Gallery of Western Australia for the day to day operations of the Gallery. The Director and Executive meet regularly to consider key planning and policy matters relating to corporate governance of the Gallery including financial and human resource management issues, risk management, capital works programs, audience engagement and other key operational matters to provide updates on the Gallerys activities and Board meeting outcomes. Staff committees meet regularly to assist with matters relating to acquisitions, conservation, research, marketing, education and events, in line with the Gallerys Strategic Plan. Special teams are established as required to coordinate and oversee specific programs or projects. Responsible Minister Hon John Day MLA Minister for Planning; Culture and the Arts Enabling Legislation Art Gallery Act 1959 Employing Authority Department of Culture and the Arts Board The Board of the Art Gallery of Western Australia comprises eight members. Seven members are appointed by the Governor, with the Director General of the Department of Culture and the Arts sitting as an ex officio member. Members may be appointed for a term not exceeding four years and are eligible for re-appointment. The Board is the Gallerys governing body. In 2015-16 the Board held six ordinary meetings, and one planning session. Board Members Board members in 2015-16 were: Nicholas Hasluck AM, QC, (Chair), Michael Anghie, Helen Carroll Fairhall, Andrew Forrest Seva Frangos, Jason Ricketts, Brian Roche, Duncan Ord (Director General, Department of Culture and the Arts ex officio). Nicholas Hasluck AM, QC, Chair Nicholas Hasluck studied at the University of Western Australia, then Oxford, before practising law in Perth. He served as President of the Equal Opportunity Tribunal and later as a Judge of the Supreme Court of Western Australia. He is well-known also as a writer whose works include 11 novels and several travelogues. His creative work has led to a lengthy involvement in arts administration. He has served as Deputy Chair of the Australia Council, as Deputy Chair of the WA Academy of Performing Arts and as Chair of the Literature Board of the Australia Council. He became Chair of the Commonwealth Writers Prize in 2006. These pursuits have nurtured his interest in the visual arts. Michael Anghie Michael was recently appointed to the new role of Asia Pacific Strategic Growth leader at Ernst & Young (EY) where he works with partners across the Asia-Pacific to drive market share and revenue. He participates as a member of the Global SGM Executive Committee, and as part of his new role has a key focus on connecting trade flows to maximise revenue across this region, with a particular emphasis on Greater China, Singapore, Malaysia, Indonesia, Korea, India and Australia. Michael was appointed a Partner at EY in 2000 in Mergers & Acquisitions and was appointed Managing Partner of the Perth Office in 2010. As part of EYs Vision 2020 he became Oceania Resources Market Segment Leader in 2013. Helen Carroll Fairhall Helen is Manager of the Wesfarmers Collection of Australian Art and oversees Wesfarmers extensive commitment to support the performing and visual arts in Western Australia and nationally. Prior to joining Wesfarmers in 1999, she held the position of Public Programs Coordinator and Curator of Australian Art at Lawrence Wilson Art Gallery, The University of Western Australia. She has curated several exhibitions and written on Australian art for a range of publications. Her previous Board appointments include Art on the Move Western Australia, of which she was Chair from 2003 to 2005, Lawrence Wilson Art Gallery Advisory Board and Swan Bells Foundation. Seva Frangos Seva Frangos has 35 years of experience in contemporary art and has specialised in the promotion of Australian Indigenous art for over 20 years. She was a Senior Project Officer, Visual Arts Board, Australia Council in the early 80s with responsibility for establishing a national and state based infrastructure for touring exhibitions Australia-wide and managing the Boards Australian and international exhibitions. Appointed in 1987 as Deputy Director/Director of Exhibitions and Development at AGWA for ten years Seva sourced and presented local, national and international exhibitions, and managed the Collection, educational, publication and marketing programs. After a decade as director of her boutique gallery, she now works as a consultant from her primary base in Perth and in Singapore. Andrew Forrest Andrew Forrest founded Fortescue Metals Group in April 2003 and personally drove the creation of the expansive Pilbara Iron Ore and Infrastructure operation. He is Chairman of Fortescue Metals Group and the Minderoo Foundation. Andrew and his wife, Nicola, became the first Australasian signatories to the Giving Pledge and now devote the vast majority of their time and fortune to create sustainable improvement in the lives of the worlds most underprivileged. This is achieved through major campaigns such as GenerationOne: ending Indigenous disparity in Australia and internationally, the Walk Free Foundation: eliminating modern day slavery in all forms, everywhere. Andrew is an Adjunct Professor at the Chinese Southern University and has been awarded the Australian Centenary Medal, the Australia Sports Medal, Ernst & Young Australian Social Entrepreneur of the Year, West Australia Citizen of the Year and The International Mining Journal's Lifetime Achievement Award. Jason Ricketts Jason is the Australian Managing Partner and International Partner for Clients and Sectors of global law firm Herbert Smith Freehills. Prior to the merger of Herbert Smith and Freehills in 2012, Jason was the Head of the Perth Office of Freehills and sat in the national Board of that firm for a number of years. As a commercial lawyer, he specialises in general contractual and commercial matters, industry reform and restructuring, and major Australian and offshore infrastructure projects in the water, waste, transport, power and mining industries. Jason holds a Masters of Laws (Distinction) from The University of Western Australia and is a Fellow of the Australian Institute of Company Directors. Brian Roche (retired 23 June 2016) Brian Roche is the Public Trustee of Western Australia. He has more than 25 years experience in managing strategic corporate services in Local and State Government as well as in the private sector including over 10 years with Coles Myer. Prior to his appointment as the Public Trustee, Brian held senior executive positions at the Department of Treasury and the Department of Commerce. Brian holds a Masters of Management from the University of Western Australia and a Bachelor of Business from Edith Cowan University. He is also a Board member of Alzheimers Australia (Western Australia). Board Meetings The Board met in August, October, December, February, April and June. A Strategy Review Workshop took place in November. Board Fees Board members who are not public servants are entitled to be paid remuneration for Board Meetings they attend. Some of the Gallerys current Board Members opt not to be paid Board sitting fees. Chair $280 per Board Meeting Members $186 per Board Meeting No payment is made for Committee Meetings. Board Committees The Board has appointed five Committees to assist in the performance of its functions and reviews annually these committees, their membership and terms of reference. All Board Members are invited to attend any Committee meeting. Audit and Risk Management Committee assists the Board in fulfilling its responsibilities relating to accounting, reporting, risk management and legal compliance practices. Chair: Brian Roche Members: Nicholas Hasluck AM, QC Shane Devitt (PricewaterhouseCoopers) Jason Ricketts By Invitation: Stefano Carboni, Director Brian Stewart, Deputy Director | Director Corporate Services Rod Forgus, Internal Auditor DCA Finance Business Manager Office of the Auditor General Representative Marketing and Audience Development Committee assists the Board in meeting its governance and management control oversight responsibilities in relation to marketing and audience attraction activities Chair: Helen Carroll Fairhall Members: Nicholas Hasluck AM, QC Michael Angie Seva Frangos Marie Mills (Mills Wilson) By Invitation: Stefano Carboni, Director Lyn-Marie Hegarty, Development Director Christopher Travers, Director Audience and Stakeholder Engagement Investment Committee assists the Board in ensuring that the Art Gallery of Western Australia Acquisition Fund is managed in accordance with approved policies, and that objectives for returns and growth of the Funds investments are met over time. A/Chair: Nicholas Hasluck AM, QC Members: Brian Roche Vacant By Invitation: Stefano Carboni, Director Lyn-Marie Hegarty, Development Director Brian Stewart, Deputy Director, Director Corporate Services Infrastructure Committee assists the Board in achieving its objectives for the strategic development of Gallery lands and premises and to provide input and make recommendations on the master plan for the Gallery Chair: Nicholas Hasluck AM, QC Members: Hamish Beck Adrian Fini OAM Andrew Forrest Brian Roche Geoff Warn Nominations Committee assists the Board in achieving its objective of ensuring Board membership has the appropriate composition to adequately discharge its responsibilities and duties and to ensure good succession planning. Chair: Nicholas Hasluck AM, QC Members: Jason Ricketts Brian Roche Organisational Chart (as at 30 June 2016)  SHAPE \* MERGEFORMAT   Executive      Note: The Director General, Department of Culture and the Arts is the employing authority for Art Gallery of Western Australia staff. Executive Management Team (Arranged alphabetically) Dr Stefano Carboni Director Dr Carboni was appointed Director of the Art Gallery of Western Australia in October 2008. He was previously (1992 - 2008) Curator and Administrator in the Department of Islamic Art at New Yorks Metropolitan Museum of Art, and Visiting Professor at the Bard Graduate Center in New York. He is also Adjunct Professor at the University of Western Australia. He holds a BA/MA in Arabic and Islamic Art from the University of Venice and a Ph. D. in Islamic Art from the University of London. James Davies Director, Geraldton Regional Art Gallery James has over 25 years art-related experience primarily in regional WA. Previous positions include; Inaugural Manager of the Goldfields Arts Centre Gallery (1993 1995) and Director of the Bunbury Regional Art Galleries (1995 2002). He holds a Fine Arts degree from Curtin University and along with being a practising visual artist, actor and musician James has also taught drawing and painting privately as well as part of the TAFE system. Since taking up his current role in 2008 James has managed the restoration and safe keeping of over 150 works by Norman Lindsay and Elizabeth Durack as held in the City of Geraldton Art Collection. In 2011 he established the annual non-acquisitive $45,000 Mid-West Art Prize and initiated the complete restoration of the Geraldton Regional Art Gallery during 2013-14. Lynne Hargreaves Director, Exhibitions and Collections Lynne is responsible for exhibition delivery and Collection display, asset management and visitor services. She has broad experience within the cultural and design sectors and vocational training. Lynne has led teams to bring major international exhibitions to Perth, deliver the annual Western Australian Indigenous Art Awards and tour artworks nationally. She has designed internships, vocational design and postgraduate programs and managed training partnerships in remote Indigenous communities. LynMarie Hegarty Development Director Lyn-Marie is responsible for philanthropy and fundraising including corporate sponsorship, partnerships and relationship-building and audience development through venue hire, in support of organisational goals. She has extensive experience in the arts, government, corporate and not-for-profit sectors and has successfully managed major campaigns and diverse teams. Lyn-Marie currently holds a non-voting role on the Friends of AGWA Council, is past State President of the Fundraising Institute of Australia, and has held a fundraising advisory role with WA Aids Council Dr Brian Stewart Deputy Director | Director Corporate Services Brian has extensive curatorial and arts management experience including more than thirty 30 years in public art museums and libraries in Australia and Canada. He joined the Gallery in 2008 in the role of Chief Operating Officer. He was previously at the State Library of WA in a variety of management positions. He holds a PhD in Information Science. Christopher Travers Director, Audience and Stakeholder Engagement Chris is responsible for marketing, communications, digital, commercial and audience and stakeholder engagement and brand strategy. He joined AGWA in late 2015 from Australian Centre for the Moving Image where he was Marketing and Development Director. He has a 25 year career in communications management spanning broadcasting, film, sport, arts, music, health, events and human rights. Previous major roles include Director of Marketing Communications and Audiences at the British Film Institute; Head of Consumer Marketing for BBC Global News; and Director of Strategy, Communications & Enterprise at the Royal Parks during the run up to the 2012 Olympics. See Appendix C for a full list of the Gallery Staff. Art Gallery of Western Australia Foundation The Art Gallery of Western Australia Foundation is the Gallerys major acquisition fund. Since its inception in 1989, the Foundation has had an extraordinary impact on the Gallery, with more than 80% of all acquisitions in recent years attributed to the generosity of contributions through the Foundation, either through cash donations, bequests or donations of works of art. This ability to acquire works has a profound impact not only on the Collection but also on the vitality of the cultural sector in Western Australia. Since 2008 the Foundations TomorrowFund has enabled the acquisition of 116 Western Australian, 136 Australian and 34 international works of contemporary art. While the focus of the Foundation has been to build the Collection, and will continue to fill that vital role, gifts via the Foundation also enhance visitor experiences through outstanding programing, conservation of precious art, and exhbitions drawn from the State Art Collection and around the world. The Foundation provides an opportunity for art lovers and people interested in building a creative environment to provide their support, both financial and in-kind, and in turn experience the Gallery with the Director, Curators, visiting artists and Gallery Guides. This mutually nurturing and supportive environment helps build your State Art Collection while enhancing the cultural wellbeing of the Western Australian community. Foundation Council The Foundation is overseen by the Foundation Council, a voluntary group whose primary role is to develop and continually expand a network of individuals and organisations to provide financial support to the Gallery. The Board Chair and Gallery Director are ex officio members of the Foundation Council. Council members during the 2015-16 financial year were: Adrian Fini OAM (Chair), Professor Lyn Beazley AO FTSE John Bond Andrew Forrest Sandy Honey Andrea Horwood-Bux Paul OConnor By Invitation: Lyn-Marie Hegarty, Development Director Teresa Fantoni, Foundation Manager Adrian Fini, OAM, Chair Adrian has been involved in the Perth property industry for over 30 years. He is currently Managing Director of the Fini Group and a Director of FJM Property Pty Ltd, a WA based private property and investment company controlling a diverse portfolio of operations spanning hospitality, retail, manufacturing, property development and property investment. Adrian has recently led the restoration project of State Buildings and COMO The Treasury hotel to return a set of beautiful buildings back to public use. He is currently working on several new major projects that will add more vibrancy and drive further commerce into the City of Perth. Adrian was awarded an OAM for his contributions to the arts in 2014, and is the 2016 Western Australian of the Year. He is a current Board member of the Perth International Arts Festival (PIAF), the University of Western Australia Business School Board and its New Century Campaign, and has been Chair of the Art Gallery of Western Australia Foundation since 2014. Professor Lyn Beazley, AO FTSE After graduating from Oxford and Edinburgh Universities, Lyn built an internationally renowned research team in Neuroscience that focused on recovery from brain damage, much of her investigations undertaken as Winthrop Professor at The University of Western Australia. Lyn was honoured to be Chief Scientist of Western Australia from 2006 to 2013, advising the Western Australian Government on science, innovation and technology as well as acting as an Ambassador for science locally, nationally and internationally. Lyn currently serves on the Federal Governments Bionic Vision Australia and the State Government of Western Australias Technology and Industry Advisory Council. In 2009 Lyn was awarded Officer of the Order of Australia and elected a Fellow of the Australian Academy of Technological Sciences and Engineering later that year. Lyn has worked to promote Science, Technology, Engineering and Mathematics to the community, especially to young people. John Bond John is a founding Director of Primewest, a national property investment business, and has been instrumental in its growth and development. His background spans law, investment banking, as well as property investment and development. He holds degrees in Law and Commerce from the University of Western Australia and is a Corporate Member of the Property Council. He is Chairman of The Fathering Project, a not-for-profit organisation focusing on the importance of a father figure in childrens lives, and a non-Executive Director of ASX listed Fleetwood Limited. John has been passionate about the arts, in particular the work of Western Australians, since acquiring his first artwork (by Leon Pericles) at the age of 21. Andrew Forrest Andrew Forrest founded Fortescue Metals Group in April 2003 and personally drove the creation of the expansive Pilbara Iron Ore and Infrastructure operation. He is Chairman of Fortescue Metals Group and the Minderoo Foundation. Andrew and his wife, Nicola, became the first Australasian signatories to the Giving Pledge and now devote the vast majority of their time and fortune to create sustainable improvement in the lives of the worlds most underprivileged. This is achieved through major campaigns such as GenerationOne: ending Indigenous disparity in Australia and internationally, the Walk Free Foundation: eliminating modern day slavery in all forms, everywhere. Andrew is an Adjunct Professor at the Chinese Southern University and has been awarded the Australian Centenary Medal, the Australia Sports Medal, Ernst & Young Australian Social Entrepreneur of the Year, West Australia Citizen of the Year and the International Mining Journal's Lifetime Achievement Award. Sandy Honey Sandy has many years of experience fund-raising and organising community based philanthropic events and art exhibitions, including curating the most recent Art in Bloom at AGWA. She is the co-founder and current co-chair of the White Swans, an innovative and highly successful private giving circle at the Black Swan State Theatre Company. She is also actively involved in fundraising for WAAPA and the Kimberley Rock Art Foundation. Sandy is passionate about making Western Australia a centre for creativity by developing and driving the growing enthusiasm for the arts in WA. Andrea Horwood-Bux Andrea has enjoyed success in an entrepreneurial business career spanning magazine publishing, cosmetics and suncare launching two great Australian brands, Australian Style magazine and the sun-care line Invisible Zinc. Andrea and her husband Adil created The Bux Family Charitable Foundation to support their varied philanthropic interests. During her career Andrea has been featured on ABCs Australian Story; nominated Australian Finalist in the Veuve Clicquot Business Woman Awards; launched Becca Cosmetics in Europe and the US; was an Ernst & Young 2012 Entrepreneur Of The Year Western Region Nominee; and is currently the West Coast Editor of Vogue Australia Paul OConnor Paul OConnors career has been intersected with many creative paths artist, editor, visual merchandiser, stylist, curator and creative director. A 1988 Visual Arts graduate from Curtin University, Paul has exhibited his artwork around Australia, Japan and the Philippines. Paul has put his artistic stamp to many public art projects in WA including Maylands Train Station, Beatty Park Aquatic Centre and Rockingham City Square. In 2012 and 2013 he creative directed the successful Year of The Diva and Divo campaigns for the WA Opera. Paul has been the recipient of many awards, including Young Australian of the Year Award (Western Australian Arts) 1995, the Australia Council Tokyo Residence 2000 and the City of Perth Craft award 1991. Since 2005 Fashion Designer Aurelio Costarella has employed Paul in the role of Brand Manager. Paul has been instrumental in raising the brands profile internationally (with shows in Paris and New York) and curated the hugely successful Aurelio Costarella 30 Year Retrospective at the WA Museum in 2013-14. In April 2015 Paul launched Paul O'Connor Productions. Services include creative direction, styling, PR, curatorial and art-based projects. See Appendix D for a full list of Foundation Members. Friends of the Art Gallery of Western Australia The role of the Friends of the Art Gallery of Western Australia (FAGWA), an independent incorporated society, is to broaden the audience of the Art Gallery of WA and develop appreciation of art within the wider community by: Running events that complement the Special Events/Exhibitions run by AGWA. Providing opportunities for members to engage more fully with the permanent Collection. Educating members in art through such activities as conservation tours, studio tours, lectures, visits to private collections and other arts related activities. Maintaining a database of people interested in the visual arts. Directly marketing to members and potential members offering opportunities to appreciate art, attend events, be aware of exhibitions, attend lectures and participate in art- based activities. In late 2015 FAGWA launched an independent stand-alone website  HYPERLINK "http://www.friendsofagwa.com.au" friendsofagwa.com.au, supported by a Customer Relationship Management System (CRM). This development was funded by a grant received from LotteryWest in 2014. This dedicated Friends of AGWA website provides easier and more immediate access for its members. It also provides an Events calendar and online booking service and a membership-subscription facility to allow members to manage their accounts, membership, book for events and pay via the Internet. The CRM allows FAGWA to use technology to organise, automate, and manage interactions with members. Friends Council President Cheryl Edwardes Vice Presidents Kevin Jackson Kay Campbell Secretary Marcelle Anderson Treasurer Ian Adams Councillors Lin Arris Leanne Casellas Allan Drake-Brockman Fiona Johnson Kerren McCullagh Debbie Thornton Douglas Tweed Lyn-Marie Hegarty (AGWA Representative) Performance Management Framework Key performance indicators have been developed in accordance with Treasurers Instruction 904 to evaluate the Gallerys performance in achieving the Government Desired Outcome and provide an overview of the critical and material aspects of service provision. Summary Of Key Peformance Indicators Preservation The extent to which the part of the State Art Collection that requires preservation is preserved. Accessibility The number of visitors to the Gallery per head of population of Western Australia. The effectiveness of the Gallery in providing for the enjoyment and cultural enrichment of the people of Western Australia is shown by client satisfaction with Gallery art services. Sustainability Value of State Art Collection renewal, content development and/or expansion as a proportion of Collection value. Key Efficiency Indicator Average cost of art gallery services per Art Gallery access. Financial Overview The Art Gallery of Western Australia receives revenue from a variety of sources. The State Government provides the majority of revenue as an appropriation to fund services. In addition, the Gallery receives grants, sponsorships, donations and bequests which fund a variety of activities, including the majority of the acquisitions. Much of this revenue is restricted to specific purposes, such as acquisitions or specific projects. The Gallery also generates a proportion of its own revenue through paid exhibitions and commercial activities including venue hire and retail sales. Total revenue of more than $16 million was received in 201516, of which $6 million was generated from commercial activity, and from public, private and charitable sources an increase on last years figure of $3.4 million. Financial Targets2015-16 Target2015-16 ActualVariance from Budget$'000$'000$'000Total Cost of Services (as per Income Statement)12,56614,2761,710Net Cost of Services (as per Income Statement)9,3388,238-1,100Total Equity (as per Statement of Financial Position)291,047372,48081,433Net increase / (decrease) in cash held (sourced from Statement of Cash Flows)-1,2392221,461 Agency Performance The Gallerys performance for 2015-16 is in line with the annual priorities and objectives set out in the Art Gallery of Western Australia Operating Plan and Budget which is within the framework of the Gallerys Strategic Plan for 2011-16. Collections Collections Strategic Objective: To attract, acquire and preserve the most significant art to enrich the Collection.  Overview The Gallery has the finest public art collection of Western Australian art and Indigenous art in the State. At 30 June 2016, the State Art Collection comprised 17,442 works. Outcomes In 201516 the Gallery acquired 80 works of art at a value of $2,368,593, and was gifted an additional 60 works. Highlight acquisitions include the following: a donation by Wesfarmers of nine Derek Kreckler works, and a major donation of five of his White Goods series photographs and an early painting by Tim Maguire Tank in Flood (1986) under the Cultural Gifts Program (CGP). Also donated under the CGP, a wonderful small painting by Howard Taylor to add the State Art Collections extensive representation of this important WA artist, and The Businessmen (1997) by Robert Dickerson. Abdul-Rahman Abdullah donated a major sculpture by himself, The Obstacle (2014). The Gallery also received a generous donation of works on paper by Christian Capurro and an early painting by David Noonan which complements the purchase of a recent Noonan painting. During the year 143 works of art were introduced into the Collection: 54% (42 artists) were works by Western Australian artists 53% (31 artists) were works by Australian artists 9% (8 artists) were works by International artists See full list of acquisitions at Appendix E Loans from the State Art Collection to State and national institutions, exhibitions and Government departments totalled 45 works. Twenty-one works were loaned to Australian institutions. Highlights included Tom Roberts Mrs Tom Roberts and Ada Furling which were lent to the Tom Roberts Retrospective at the National Gallery of Australia; Lloyd Rees The Pines was lent to Painting with Pencil Lloyd Rees: Sydney Drawings 1930-36 at the Historic Houses Trust of New South Wales; Robert MacPhersons White Drummer: 15 frog poems was lent to Robert MacPherson: the Painters Reach at QAGOMA, Queensland; Jess Johnsons Gilgamesh was lent to Jess Johnson: Wurm House at the National Gallery of Victoria. Four works by Yvonne Koolmatrie were lent to the Yvonne Koolmatrie Survey Exhibition at the Art Gallery of South Australia. Jan Senbergs Bea Maddock being lifted on to the Icebird heard island and Blue angel of Wittenoom were lent to Jan Senbergs Retrospective at the National Gallery of Victoria. The loan of four jewellery works was extended to A fine possession: Jewellery and identity at the Museum of Applied Arts and Sciences, Powerhouse Museum, NSW. Ten works were loaned to Western Australian institutions highlights included three works by Elise Blumann which were lent to Elise Blumann: an migr artist in Western Australia at the Lawrence Wilson Art Gallery, The University of Western Australia and Tarryn Gills Grubby Gods and Gods of Freud (1) and (2) which were lent to An Internal Difficulty: Australian artists at the Freud Museum London, an Art on the Move touring exhibition tothe Mandurah Performing Arts Centre, Geraldton Regional Art Gallery and the Collie Art Gallery. Twenty-three loans were made to the Department of Premier and Cabinet, Government House and the Anglican Church of Australia. Forty-six long term loans to the Gallery were made from private and public collections. A visit to the United States by two AGWA staff member in 2014 in connection with the Louis Allen Collection (reported on in the 2013-14 Annual Report), resulted this year in the arrival at the Gallery of the Louis Allen Collection archival material for cataloguing and further research. Following on from stocktake activities in 2014-2015, recommendations were made to formally catalogue and accession a number of works that are in the Collection but which were not formally accessioned when they entered the Gallery. The curatorial team have continued with accessioning the recommended items. Major conservation work was undertaken by the Senior Painting Conservator, Maria Kubik, on a recent acquisition, Robert Dickersons The Businessmen. On cleaning and examining the work using infra-red reflectance imaging, a third businessman was found sitting between the two shown in the painting. Dr Kubik has also undertaken the preparation and treatment of a number of large format contemporary artworks (either new acquisitions or works which have not been seen for some time). Outward loans, as noted above, resulted in significant preparation work by AGWAs conservation staff. The creation of dedicated galleries for objects and craft work have also led to increased activity on the part of the Senior Objects Conservator, David Graves. AGWA agreed to make a major loan of the Robert MacPherson work 184 Frog Poems: 184 Boss Drovers 1996 to QAGOMA. The Conservation staff at QAGOMA were interested in liaising with AGWAs Paper Conservator, Kate Woollett, to investigate the materials and techniques previously used to mount and display the works, as they. were in the planning stages for an extensive regional tour and were considering framing 600 images from a newly acquired suite of 2,400 drawings by the same artist. The partnership involved AGWAs Paper Conservator researching the original documentation from the time the works were acquired into the State Art Collection and assessing each work, including whether the method of framing had involved the artist, the types of timber used in the frame, the method of mounting and the stability of the media. The works are quite unusual in that they are presented to be quite crumpled yet this is part of the work and the float mounting technique has to support this. The project enabled the conservation staff at both institutions to become more informed about a large body of the artists work in their Collections, prior to going on display in Queensland. The Framing Department made ready for display approximately 3,000 works on paper for exhibitions, gallery changeovers, and loans, with works for the photographic exhibition Comic Tragics being a major undertaking. During the year three new frames were hand-carved: for the David Roberts painting High Altar Seville, the frame being based on a 17th Century design using 24 carat gold leaf; Henriette Browns Reprimand, a mid-19th Century period-style frame; and Lawrence Wilsons Leaf Gatherers. Digital Asset Management In line with established museological practice the State Art Collection asset is a photographic record. Over a period of four years this activity has moved from traditional film to a digital based system, with images stored and accessed through a customised digital asset management system (DAMS). As the digital asset has grown so has the need for a dedicated DAMS and database management position. During 2015 photography servicing was reviewed and restructured and a new Digital Asset Management Database Officer position has been created. This initiative will expand the Gallerys capacity to provide future online access to the Collection. See full list of exhibitions and displays at Appendix A Programs Programs Strategic Objective: To deliver programs that connect, stimulate, involve, educate, and entertain our audience.  Overview AGWA provides broad access to the Western Australian community and visitors to the state, by means of a diverse exhibition program and many activities to support these exhibitions. Use of digital technology and online information services through the website, the use of social media applications such as Facebook, Twitter, YouTube and Instagram make programs accessible to a broader audience. Additionally, interactive technology and family-friendly spaces within major exhibitions provide an additional level of engagement for visitors. A virtual reality interactive app was produced for the Treasure Ships exhibition. AGWAs Voluntary Gallery Guides continue to make a significant contribution to the visitor experience and interpretation of works in the State Art Collection and temporary exhibitions. Outcomes A total of 282,323 people visited the Gallery during the year, compared with 289,413 the previous year. Virtual access to the Gallery continues to strengthen with AGWAs website attracting 199,275 unique visitors. While the website traffic was substantially ahead of target (+19%), gallery visitation was 11,946 (-4%) down on 2014-15 actual figures, but 81% of target. The closure of the caf for several months during a change of licensee, and reduction in incidental visitors from it, was likely a contributing factor to the reduction. AGWA is active in the social media space, with a Facebook following of 23,435 - 14% up on the previous year), 21,701 followers on Twitter (an increase of 20%), and 5,400 Instagram followers (an increase of 72%). The Gallery had a presence on Periscope for the first time (1,100 followers) and the Gallerys regular electronic newsletter reaches 24,960 subscribers. During 2015-16, AGWA used a combination of strategic marketing campaigns, social media and unpaid media to support the exhibition schedule and attract diverse audiences for programs and events. Significant focussed campaigns were initiated for Treasure Ships and Comic Tragics. Unpaid media encompasses stories and articles published in print, radio or television because of the interest factor of the content. This year unpaid media coverage across these platforms with Western Australian, national and international media outlets totalled 2,171 items, reaching a total audience of 163,596,921. An equivalent amount of advertising space is calculated to cost $17,503,066. (These figures are based on clippings and information provided by Isentia media monitoring services, as well as those collected by AGWA, with the value of the coverage calculated using formulae provided by iSentia. It must be noted that this is an approximation only as each media clipping has a variable dollar value based on article size, audience, reach and frequency.) AGWA continued to support its exhibition programs with entertainment offerings. These included three performances in the ARTBAR series (international and national acts combining people, art and live entertainment). All three were sold out. The first event supported the WA Indigenous Art Awards exhibition. The second and third concerts supported the Treasure Ships exhibition, with the final one being held outdoors in the Perth Cultural Centres wetlands amphitheatre, adjacent to AGWA. During the summer Festival Season the Gallery rooftop was again opened on five Friday nights This initiative attracted a total of 1,474 visitors over the season. With the Treasure Ships exhibition being open for the first two weeks, additional guided tours were scheduled at 5. 30pm and were well attended. Venue hire and exhibition opening night events brought an additional 13,303 people to the Gallery. Throughout the year, AGWA offered its visitors a rich suite of exhibitions and Collection displays aimed at a wide and diverse audience. Some of the highlights are set out below. Western Australian Indigenous Art Awards Founded in 2008 and supported by the Government of Western Australia through the Department of Culture and the Arts, the Western Australian Indigenous Art Awards is one of the nations richest Indigenous art prizes for exceptional achievements by Australian Indigenous artists. Again this year the artists in the exhibition brought a unique vision to the Awards, with a variety of styles, ideas and aesthetic that, when placed together, revealed some of the dominant and emerging mediums, subjects and experiences shaping contemporary Indigenous art today. The work on display provided insight into the aspirations and concerns of the artists, as well as those of the wider Indigenous community. With the selected artists coming from metropolitan, regional and remote areas of Australia, their works also offered a snapshot of, and an opportunity to celebrate, the many Indigenous peoples and cultures across Australia. Treasure ships: art in the age of spices This major exhibition presented the spectacular art produced for global markets in the era of the spice trade dating between the 15th and early-nineteenth centuries. A collaboration with the Art Gallery of South Australia, it including works from their collection as well as national and international loans. The exhibition featured an extraordinarily diverse range of objects: paintings, sculpture, porcelain, textiles, original maritime maps and manuscripts, as well as archaeological material excavated from historic shipwreck sites. Treasure Ships explored the story of the art inspired by the first contact between East and West in the so-called age of discovery. The development of international maritime trade routes, with vessels carrying luxury products such as Chinese porcelain and Indian fabrics to European ports, enabled a lively exchange of new ideas and art styles between Europe and Asia. In 1602 Dutch merchants established the Dutch East Indies Company (VOC) to trade spices and it rapidly expanded to become the worlds first multi-national corporation. Also featured in the exhibition were richly decorated original maps documenting the earliest European discoveries of Australia by Dutch explorers and rare shipwreck artefacts, such as from the Batavia which sunk off the Western Australia coast in 1629. Resistance Providing provocative and timely perspectives from Australias first peoples, this subtle, yet powerful presentation of Aboriginal and Torres Strait Islander art, comprised 45 works across a mix of mediums, including large-scale paintings and filmic presentations, and raised important themes of identity, justice and action. The exhibition explored Indigenous knowledge systems and provided insightful comment on Indigenous experiences, histories, cultures and people. Incorporating a diverse mix of local and national works by Indigenous artists (and exploring ideas about colonisation, interaction, identification and resistance), the art shown in Resistance mirrored the artists daily acts of resistance to counter unspoken social norms that often insist Indigenous people stay silent, and subsequently voiceless. The exhibitions essential, though difficult story of Australia, was told through the personal reflections of its Indigenous artists, and the timing of its display, prior to and alongside Treasure Ships, deliberately provided a challenging but important counterpoint to that exhibition. Comic Tragics: the exploding language of contemporary comic art An international multi-media exploration of the inner life of the comic artist and their incredibly intense, personal and affecting comic works, Comic Tragics looked at the relationships between words and picture, self and society. The merging of image and words in this exploration of new forms of comic and graphic art provided an international exploration of way comic works connect with audiences in unexpected and powerful ways. The exhibition comprised more than 150 examples of the most moving and compelling comic work being made in the world today from some of the mediums most exciting practitioners: Gabrielle Bell (US), Stephen Collins (UK), Aisha Franz (Ger), Anders Nilsen (US), Tommi Parrish (AUS), John Porcellino (US), Ron Reg Jr (US), Dash Shaw (US) and Emma Talbot (UK). With the works being presented in various stages of completion from rough sketch to fully inked, through sketchbooks, finished comic pages, paintings and video, visitors were afforded an intimate understanding of the artists' processes. A full list of exhibitions and displays shown in 2015-16 can be found at Appendix E Voluntary Gallery Guides The Voluntary Gallery Guides (VGG) have had another busy year, delivering a range of tours which increase AGWAs accessibility to visitors. There are currently 115 Voluntary Gallery Guides: 80 of these are Active Guides, who are required to design and deliver 28 tours per calendar year and attend fortnightly professional development & training sessions, and 19 are Associate Members who are not required to deliver tours, but support the program by acting as mentors, assisting or delivering training and professional development. They also undertake research, maintaining the library and assisting with training and professional development. Associate Members must have been Active Guides for at least seven years before they can apply for this change in status. This year the VGGs delivered tours as part of AGWAs Education program to 5,913 school-aged children, 1,403 tertiary students, 1,580 students studying English as a Second Language, and 978 adults. In addition, 4,483 members of the general public visiting the Gallery took advantage of the daily Wesfarmers Walk-in Tours. The guides provided their services to 143 invited guests at functions and events. This year 18 Professional Development Sessions were held for the Guides. These are designed to support guiding of Collection and/or temporary exhibitions. They have covered a range of themes, and highlights including walk-throughs of exhibitions: Treasure Ships with AGWA curator Melissa Harpley, WA Focus: Graeme Miller with the artist, Comic Tragics with curator Robert Cook and visiting artists, and the Tom Malone Prize with AGWA Director Stefano Carboni. Artists Trevor Richards, Alex Spremberg and Jurek Wybraniec also provided the guides with an insight into their WA Focus exhibition. Fourteen members of a group of new recruits who had commenced their training to become VGGs. completed the course and graduated at the end of the year The year-long course includes visual awareness, constructing a tour and learning how to select and use works of art appropriately, and techniques for engaging tour groups and encouraging interaction. Special training is given on methods to use with school group tours, while catering for the different curriculum and learning outcome needs. Each trainee is assigned an Active Guide as a mentor to assist with their training. Education Programs AGWAs 2015-16 education program was extremely well supported with 13,831 students (primary, secondary, tertiary and those studying English as a second language) taking part. Groups other than traditional school classes, for example home school group networks, alternative schools and special needs and disability groups, are continuing to participate in AGWA education programs. There has also been consistent visitation from country schools, particularly upper secondary during the second half of the year when Year 12 Perspectives was on show. Most workshops that took place during the year were centred on the State Art Collection displays, with the exception of a number delivered to school groups visiting Treasure Ships: Art in the Age of Spices. These groups participated in activities that ranged from making treasure maps and shadow puppets to block prints and tree of life designs inspired by the wonderful textile pieces on display in the exhibition. The first half of 2016 saw a large number of senior school groups coming into the Gallery to participate in Visual Analysis Education workshops, along with tours of Comic Tragics and Year 12 Perspectives. During this period, the Educators delivered 50 Visual Analysis workshops in the Gallery, mainly in front of State Collection works Two Education resources were written and produced during 2015-16, and made available for teachers to download and print from the AGWA website. The first, written by AGWA Educator Lisa Young in collaboration with education staff at the Art Gallery of South Australia for use during Treasure Ships in both states, connected to the Australian Curriculum learning areas of History, Science, English, Geography and Visual Arts. A second resource aimed at secondary students was prepared to accompany the Comic Tragics exhibition; the content of both the exhibition and resource linked to the WA Curriculum learning areas of The Arts Visual Arts and Media Arts and English Throughout the year AGWAs quarterly electronic Ed News went out to all teacher subscribers. The newsletter provides teachers with reminders about events and exhibitions and allows for more detailed current information about our programs. The aim of these regular communications with teachers is that they will come to expect the newsletters in their in-boxes at the commencement of each term and thereby keep AGWA at the forefront of their minds. AGWAs Education Department organised two of the popular Art and Philosophy Days, facilitated by Voluntary Gallery Guides. In the first, Year 7 Students interacted with works from the State Art Collection discussing philosophical issues concerning the concept of happiness in small groups, using art works as stimulus. The second, for gifted Year 6 students, focussed on works in the Your Collection 1800 to Today displays. Both sessions attracted schools from all three education sectors and there is now a good representation from Government schools with gifted and talented programs. Professional Learning Days for teachers, and exhibition teacher previews were again extremely popular and well attended this year. A program of monthly briefings for AGWA security guards which started in 2014 continued this year. The Educators continued to deliver information on State Art Collection works, while a number of special exhibition sessions were presented by Curators and the Voluntary Gallery Guides. The value of these briefings is reinforced by the positive feedback received about the security guards and their interaction with our visitors. Public Programs: Highlights of the year have been AGWAs collaboration with the Proximity Fesitval and partnership with WAs newest contemporary dance company Co3. The Proximity Festival was founded in 2011, and encourages artists from all disciplines to experiment with new modes of practice in the creation of participatory art. In October and November 2015, AGWA was the venue for 12 days of experimental performances, bringing together 12 emerging and established artists from Australia and the United Kingdom who provided intimate 15-minute one-on-one productions embedded into the daily happenings of the collections, hallways, rooftop and hidden spaces of the Gallery. The Co3 company, led by artistic director Raewyn Hill, performs within AGWAs gallery spaces dance pieces created in response to artworks on display and the Gallerys architecture. Another new initiative this year has been a collaboration with Artsource, the peak membership body for visual artists in Western Australia, resulting in the aptly named 6 x 6 Artists Talks, where six artists talk about their works for six minutes giving a unique insight into their individual practices. Several school holiday workshops were delivered by the Visitor Experience team, including a large community canvas being completed with guest Indigenous artists Barbara Byner and Jade Dolman in conjunction with NAIDOC Week and the WA Indigenous Art Awards exhibition. In support of Treasure Ships, a Family Fun Day saw a range of activities and events taking place, including map-making, spice painting and Wayang Kulit shadow puppetry. Build your own treasure ship using the Gallerys collection of white Lego was extremely popular, as was the opportunity to draw your own comic in support of Comic Tragics during the April holidays. The WA Focus exhibitions, WA Indigenous Art Awards, Year 12 Perspectives and Comic Tragics have all provided ongoing opportunities for visitors to engage with the featured artists during a series of artists talks. Infrastructure Infrastructure Strategic Objective: To enhance the visitor experience, access to and preservation of the State Art Collection, with world-class facilities.  Overview A key objective for the Art Gallery of Western Australia is to ensure the best use and maintenance of the buildings in order to meet visitor expectations and international standards for the display and storage of the State Art Collection and works of art on loan. The Gallery buildings are all heritage listed and important to the architectural history of WA. The Centenary Galleries and Administration building were not built for their current purpose or usage and this can be challenging in ensuring their cost- effective use. The asset investment programs for infrastructure supports renewal to maintain and enhance public gallery spaces and visitor facilities. The Gallery contributes directly to improving regional facilities by providing professional advice to support regional gallery development. Outcomes A major achievement in 2015-16 has been the creation of two new micro gallery spaces and the re-opening to the public of the top floor gallery. As reported in the Directors introduction, AGWA celebrated the opening of two new display spaces, Garden and Sky in May 2016. The project came about through a generous donation by Wesfarmers Ltd the Gallerys Principal Partner which has allowed AGWA to refurbish and repurpose these two spaces, initially, for the loan and display of the largest works in the Wesfarmers collection following the idea of large works in small spaces. The contrast between the giant works and the dimensions of the micro Galleries creates an exciting dynamic. Located within the micro Galleries are two new nano galleries, tardis-like spaces, which offer small groups intimate multi-media experiences, providing a chance to learn more about AGWA's exhibitions. The refurbishment and re-opening of the top floor gallery, named Stratosphere, provides a starting point for Gallery tours. Visitors will now have new point of departure for special guided tours by AGWA's newly-renamed Guru Guides. This lounge is a dramatic setting from which to survey the many galleries below and appreciate the unique architecture of the main building. The area also includes a new Gallery virtual reality experience. AGWA continues to work to achieve more cost effective and greener outcomes while maintaining suitable environmental controls and lighting for works of art. The Gallery, like public galleries worldwide, is participating in the review of guidelines for the standards of building climate controls. More flexible standards will conserve energy and contain costs. As part of an ongoing commitment to more sustainable facilities management, AGWA has actively been making improvements to reduce utility usage. In 2015-16, with assistance from the State Government Infrastructure Improvement Program, another phase of the public gallery lighting upgrade has been completed. The change to LED light fittings and globes, which are not only energy-efficient but last considerably longer than those used previously, is enabling AGWA to reduce electricity usage. A cross-gallery storage review supported the opening of more public spaces in the main and Centenary Galleries, as well leading to efficiencies in stock management. Framing activities were relocated from the Conservation Laboratory on the upper level in the main gallery to a customised workshop in the upper level Centenary Galleries. This combined with dedicated frame and moulding storage, plus a walled window segregating the area from Collection storage, has expanded the potential for behind-the-scenes visitor programs. The second phase of this project will involve refurbishment which will allow the area to be opened up to visitors. Consolidation, repurposing, and the introduction of purpose-specific dedicated areas have improved stock management for the Shop, provided equipment storage for programs and events, and enabled a remodelling of the administration foyer. The Art Gallery of Western Australia continues to work closely with the Metropolitan Redevelopment Authority (MRA) on improvements to, and master planning of, the Perth Cultural Centre. The collaboration with MRA has supported public events adding vibrancy to the Cultural Centre. This included providing a main venue for the 2016 Fringe World Festival held in February, and hosting a successful season of evening rooftop events during the Festival season so as to be accessible to after-hours visitors to the area. As part of improving the management of the Perth Cultural Centre, AGWA has worked on progressing the amalgamation of all land lots within the area in order to rationalise the Perth Cultural Centre land tenure and management arrangements. This will enhance activation, revenue generation, energy efficiency and asset optimisation in the precinct. Relationships Relationships Strategic Objective: To build and foster relationships which grow support, advocacy, funding, and investment for the Gallery.  Overview The Gallery continues to secure and strategically manage resources to support operations and activities through the Art Gallery of Western Australia Foundation, the Friends of the Art Gallery of WA, strategic partnerships and new and ongoing sponsorships. Outcomes Art Gallery of Western Australia Foundation The Foundation and Foundation members play a critical role in the success of the Gallery and the vibrancy of visual arts in the community. In return members enjoy a special relationship with the Director, curators, artists and art specialists through a series of opportunities throughout the year. This year these included special preview events of exhibitions including Treasure Ships, Comic Tragics, and the WA Indigenous Art Awards; private viewings with the artist, which included a special evening event with Helen Smith, as well as a celebration and viewing of recently acquired works for the State Art Collection. This year also saw the highly successful Audi ART BALL presented by the AGWA Foundation and Vogue Australia, designed to attract a broad age range to the Gallery. The Foundation provided 60 gifts of works of art, and made available to the Board funds for the acquisition of 63 works for the State Art Collection in 2015-16. Sponsorship makes a vital contribution to AGWA. The support of corporate partners adds funds, products, services and experiences to the Gallerys exhibition program, research and development projects, public programs and guided tours, and AGWA celebrations, openings and events. Sponsors do not simply give financial or in-kind support, AGWAs relationship with them extends well beyond this. The Gallery is extremely grateful to each of its sponsors who show their support in many ways. Their support is a tangible demonstration of the value they place in visual arts towards enriching the lives of their community. Annual Sponsors Wesfarmers Arts Wesfarmers Arts is AGWAs Principal Partner, and the longest standing corporate partner of the Gallery. The relationship between AGWA and Wesfarmers Arts is continually evolving, and is distinctive for its collaborative endeavours and for the range and depth of benefits enjoyed by both parties. In 2015 Wesfarmers Arts increased their commitment to AGWA for a further three years. This additional support has enabled the revitalisation and creation of new exhibition and public program spaces in the Gallery including two micro galleries currently showcasing a rotating display of large works on loan from the Wesfarmers Collection and an Imagination Room, creating a new hub for public programs, talks, workshops and events. Heartfelt thanks are extended to Wesfarmers for their corporate leadership in cultural investment. 303MullenLowe 303MullenLowe is an invaluable part of AGWAs creative team. The provide AGWA with in-kind expertise in creative concepts and designs, communications strategy and implementation. 303MullenLowe played a pivotal role in the 2016 launch of AGWAs revitalised brand look and accompanying campaign. Audi Audi is both an annual sponsor of the Gallery and the key sponsor of ARTBAR driven by Audi, the Gallerys sell-out late night offering where art, entertainment, food and wine come together. Audi extended their support becoming the naming rights sponsor of the sell-out inaugural Audi ART BALL in May 2016. Singapore Airlines International Airline Sponsor Singapore Airlines provide significant in-kind support to assist with AGWAs touring exhibitions. For the 2015-16 exhibition Treasure Ships: Art in the Age of Spices Singapore Airlines assisted the Gallery with courier flights, cargo and promotional prizes for this major exhibition. They also provided the first prize for the raffle to the AGWA Foundation for the Audi ART BALL. Smartbots are the Gallerys newest Annual Gallery Partner and Australias leading distributor of intelligent and interactive humanoid robots. Their collaboration with AGWA is shaping new connections between science, technology and the arts, using the latest robotic and virtual reality technology to peak visitor curiosity and wonder. From Aggie, the worlds first robot Guru Gallery Guide to virtual reality immersions of key works and sculptures from exhibitions and the State Collection, the partnership is bringing the Gallery to life in unexpected ways. The Alex Hotel The Alex is a boutique hotel located close to the Cultural Centre. Alex provides the Gallery with invaluable in-kind support for visiting artists, performers and other visitors, as well as collaborating with the Gallery on joint packaging, prizes and other visitor and guest benefits. Juniper Estate Wines Annual sponsor Juniper Estate is a producer of premium wines from Wilyabrup, the heart of the Margaret River region. Their award-winning red and white wines are a feature at all AGWAs official openings as well as ARTBAR, the Rooftop Bar and the Audi ART BALL Gage Roads Brewing Company Gage Roads Brewing Company is the Gallerys annual beer sponsor, providing in-kind support featuring their wonderful craft beers for all AGWAs official openings as well as ARTBAR, our summer time Rooftop Bar and the Audi ART BALL. Exhibition Sponsors Ernst & Young, International Touring Exhibitions Principal Sponsor Ernst & Young (EY) has been a wonderful supporter of key international exhibitions at AGWA since 2007. EY is known for support of the visual arts around the world. In 2016 their support of AGWA went towards being the Principal Exhibition Sponsor of our major exhibition for the year, Treasure Ships: Art in the Age of Spices. EY actively share the richness of each AGWA exhibition with their clients, employees and their families and the community. Year 12 Perspectives Exhibition Education Sponsors Department of Education, School Curriculum and Standards Authority, and the Catholic Education Office The Gallery is grateful for the generous support of all its Education Sponsors. Not only do they contribute financially to the Year 12 Perspectives exhibition but they are integral to the exhibitions promotion, and circulate information to students and teachers in the WA schools community. Special Project Desert River Sea: Kimberley Art Then and Now  HYPERLINK \l "_Desert_River_Sea:" Desert River Sea: Kimberley Art Then and Now (Desert River Sea) is a key Indigenous art focus for AGWA through to 2018. Funded by Rio Tinto, the aim of Desert River Sea is to undertake a major survey of Aboriginal Art across the Kimberley; to help bridge the cultural and geographic distance between Aboriginal artists of the diverse Kimberley region, the Gallery in Perth and national and international audiences, thereby forging a network of cultural and artistic exchange and understanding. Born out of close consultation with senior artists, art centres and community members, the project includes the development of a comprehensive digital portal ( HYPERLINK "http://desertriversea.com.au" desertriversea.com.au), a Visual Arts Leaders professional development program, and research and documentation. It will conclude in 2018 with a publication and landmark exhibition celebrating the regions art and culture. Friends of the Art Gallery of Western Australia To support the Gallery, the Friends run guided tours of AGWAs exhibitions, thus providing opportunities for members to engage more fully with both Your Collection and travelling exhibitions. The Friends also educate and inform members about the visual arts through such activities as visits to artists studios and private collections, lectures and film. They also support AGWA through social media and regular electronic newsletters to their members. In 2015-16 the Friends hosted several well-attended tours of AGWA exhibitions including WA Focus: Abdul Abdullah and Abdul-Rahman Abdullah, and Treasure Ships: Art in the Age of Spices. In addition, four new members morning teas were followed by guided tours of Your Collection, and two of the ever-popular AGWA Conservation Laboratory tours were again held during the year. During the year Friends continued their series of lectures run in co-operation with Australians Studying Abroad (ASA), which again proved extremely successful with members. Volunteers and Interns In 2015-16 the Art Gallery of Western Australia had a total of 169 volunteers, comprised of 119 Active and Associate Voluntary Gallery Guides, and 50 volunteers who contributed to daily operations at the front desk. In addition, AGWA has also been fortunate to have the assistance of several student volunteers who are required to undertake a formal internship as part of their university course. The Gallerys Front-of-House volunteers assist the staff Visitor Information Assistants to provide a world-class visitor experience. In addition to regular shifts during opening hours, volunteers also contributed to special events, such as exhibition opening night functions, ARTBAR and the Friday night Rooftop Bar during summer, as well as events held at AGWA by organisations who hire the gallery space. The volunteers friendly and informative service is greatly appreciated by our visitors, as demonstrated by the high level of positive feedback we receive regarding how they have enhanced visitors Gallery experience. Of the 50 volunteers in this area, there are 38 rostered volunteers, six relief volunteers, and six volunteers who assist specifically with visitor surveys to provide feedback about their visit which assists the Gallery enhancing the visitor experience. The current volunteer pool is made up of a diverse group, ranging from fine arts and arts management students wishing to gain real world experience, retirees, international students, and those who are looking to make a contribution to the Perth arts scene. Sponsor and Corporate Events Sponsors and clients hosted a broad range of events throughout the year. Our sponsor EY had the opportunity to host 500 people at a reception where guests were able to enjoy a private viewing of the AGWA Treasure Ships exhibition. Wesfarmers also hosted a private Australian Chamber Orchestra concert, and the Australian Youth Orchestra had the opportunity to perform to key stakeholders in the Gallery. In addition the Gallery has hosted theatre performances during the Fringe World Festival, a Reserve Bank of Australia dinner for state and national guests, the Ryan Trecartin Screen Space opening for Perth International Arts Festival and held events for Harmony Week and the Reconciliation Banner Launch. Almost 500 at the 18th International Conference on Liquefied Natural Gas enjoyed a private viewing of AGWA galleries during a reception held in April. Performance Performance Strategic Objective: To build a reputation that attracts, and a culture and capability that retain, the best people.  Overview During 2015-16 new initiatives were unveiled to cement work carried out in 2014-15 which embedded the refreshed Essence of AGWA designed to sit at the heart of the Galleries planning and brand development. AGWA develops marketing and audience attraction strategies that are brand-driven, targeted and monitored for performance. This requires AGWA to ensure all functions are aligned with the brand personality and values, that visitors experience delivers on the brand promise, and that the Gallery champions audience and art in a balanced way. The Gallery works collaboratively with national and international collecting institutions to identify program initiatives, partnership opportunities, and to explore operational efficiencies and shared services improvements. Activities that will develop stronger links throughout the creative sector and assist AGWA to develop and grow are continually sought. These activities include developing public programs and conducting events that stimulate debate, discussion and understanding of the visual arts; providing support for training and development programs, and participating in various professional national and international museum forums to encourage and maintain communication, leadership development opportunities and alignment of business development initiatives in the public art museum sector. The Gallery continues to secure and strategically manage resources to support the delivery of art gallery services to meet Government outcomes and deliver on the longer term goals of the strategic plan. Outcomes Briefs were completed in early 2016 for the following areas: a new brand identity and logo; a stronger proposition for catering at AGWA; a refreshed approach to public programs and content engagement; a new merchandise program showcasing the State Art Collection, and website renewal. Also commissioned was a separate review of options for a membership scheme. The new brand identity and engagement strategy was launched to audiences and stakeholders at an event held in mid-May, and was extremely well received. Included were a newly-developed public offering, The Imagination Program, and the newly-created suite of new spaces and digital offerings: nano galleries, The Imagination Room, The Pop Up Pod, Atmosphere (Virtual Reality emersions) and Stratosphere. A short-form video product AGWA TV was launched across all platforms with 12 new commissions. The Voluntary Gallery Guides program was redeveloped to match audience needs and rebranded as Guru Guides, and Aggie the engagement robot was introduced to considerable national, and some international, media coverage. The new logo and identity have been applied to all touchpoints to enable stronger integration of messaging online and within the Gallery. In addition, new streamlined way-finding has been introduced along with a redesigned entrance and external branding. Two new merchandise ranges, Essence of AGWA and Imagination, showcasing key elements of the Collection and its appeal were also launched in May. A long-term strategy for catering at the gallery was started and the first fruits of this was the successful launch, in June, of a new bistro Arthouse Dine, offering a considerably improved service and impact. Strands such as ARTBAR (concerts) and summer Rooftop activation were reviewed, and the aim is to evolve these into more cost effective evening programs with longer seasons, enabling the Gallery to target new markets on a more sustainable cost basis. The website has been refreshed to offer improved performance, and a complete relaunch is scheduled for January 2017. In line with the digital strategy, staff were re-prioritised to improving the digital and web offer which has shown encouraging progress. The refocussing does affect other programs and the aim is to seek private funding to increase capacity. Professional development opportunities for staff were presented though the Gallerys partnership with the Art Gallery of South Australia (AGSA) for the exhibition Treasure Ships in the Age of Spices. AGWA staff benefitted by working closely with curatorial conservation and/or education and public programs staff from AGSA In February 2016 Paper Conservator Kate Woollett travelled to Sydney for National Council meeting of the Australian Institute for the Conservation of Cultural Materials (AICCM) at the held at the Australian Museum, representing both AGWA and the Western Australian branch, of which she is State President. The AICCM is the peak professional organisation for the conservation profession within Australia. As AGWAs representative at the meeting, her role was to gather information about current environmental standards, and management of this by other institutions within Australia, and to investigate how the current guidelines have been interpreted. In November, AGWAs other Paper Conservator, Stephanie Baily, travelled to Japan to attend an international workshop on Conservation of Japanese Paper held under the auspices of the International Council of Museums (ICOM). Stephanie was one of 15 participants accepted into the course, and her participation was fully funded by ICOM. Members of the registration, curatorial and conservation teams regularly act as couriers for important artworks going on loan to national and international institutions. Senior Painting Conservator, Maria Kubik, organised and facilitated a workshop in partnership with Museums Australia (WA) titled Caring for Indigenous Art: A conservation perspective. Timed to coincide with AGWAs Western Australian Indigenous Art Awards (WAIAA) exhibition, and following on from NAIDOC Week activities, the workshop was offered as a professional development opportunity for people already working in the heritage field, The aim of the day was to provide practical experiences so that people could take away what they had learned and apply it in the field. The emphasis was also on building networks and making contacts with and between heritage professionals. Other AGWA staff who contributed to this initiative were Senior Objects Conservator, David Graves, who both spoke and led a workshop on barks, and Carly Lane, Curator of Aboriginal and Torres Strait Islander Art, who addressed the group and provided a tour of the WAIAA exhibition. Dr Kubik spoke on common issues seen in Indigenous artwork, particularly ochres on canvas, and led a workshop on practical storage and display issues. Regions Desert River Sea: Kimberley Art Then and Now Desert River Sea: Kimberley Art Then and Now (DRS) is a ground-breaking six year visual arts initiative developed by AGWA with the support of Rio Tinto. Now into its fourth year, its aim is to bridge the cultural and geographic distance between the artists of the diverse Kimberley region, the Gallery in Perth and national and international audiences, thereby forging a network of cultural and artistic exchange and understanding. The collaboration was recognised with an award in the Indigenous category of the 2016 Museums and Galleries Australia Awards (MAGNA). Born out of close consultation with senior artists, art centres and community members, the project includes the development of a comprehensive digital portal, a Visual Arts Leaders professional development program and research and documentation. It will conclude with a landmark exhibition and publication celebrating the regions art and culture, the first in Australia since Images of Power was presented by the NGV in 1993. At the heart of Desert River Sea is a focus on collaboration and partnership with an ethos of supporting long-term, sustainable outcomes for Kimberley art centres and communities. This involves nurturing the talents of both artists and art administrators to aid the sustainability and growth of established art centres. In return, AGWA is strengthening its links in the region and works alongside these centres to share the richness and diversity of their art and culture far beyond the Kimberley. AGWA believes this model can establish best practice principles that can be replicated and applied to other art centres across the state and perhaps even further The project is run from a regional office in Broome, supported by two staff members (an Indigenous Community Liaison Officer/Project Co-ordinator and a Project Support Officer) who are at the heart of the operation. Their core role is to initiate and build on the relationships and informal networks which are an essential component of the project, something which is regularly impacted by the vastness of the Kimberley region and consequent communications difficulties. Such outreach is, for a city-based state collecting institution, an innovative extension of standard practice. Staff attended Revealed (the state showcase for emerging Aboriginal artists from across Western Australia) in Perth in April, in order to assist the promotion of Kimberley art as well the DRS project itself. An industry stand was also held at the Darwin Aboriginal Art fair which was held in Darwin in August 2015, concurrently with the National Aboriginal and Torres Strait Islander Art Award exhibition; this provided an opportunity to attend multiple events held in conjunction with this major Art Prize A major component of the project is the support of artists and art workers through the Visual Arts Leadership (VAL) program. Participants from across the Kimberley become engaged with development of the project as it progresses, and are offered extended community networking and exposure to professional development opportunities. This years VAL program event was held in May in Kununurra, attended by a record number of 14 participants. The culmination was an exhibition of contemporary works contributed by participants, attended by a packed crowd of local stakeholders and other visitors. The creation of a continually evolving website was considered integral to enhancing a broad audiences understanding and appreciation of the art and cultural landscape of the Kimberley. Launched in 2014,  HYPERLINK "http://desertriversea.com.au/" desertriversea.com.au also features 375 Kimberley works from the State Art Collection; this increases opportunities for creator communities to remain connected to, and informed about, these contemporary and historic works, intended for an external audience but nevertheless housed far from their source. As part of the projects documentation, short artist films are being produced at each art centre in partnership with Indigenous Community Stories. These feature on the DRS website and are receiving wide exposure via exhibitions, film festivals and broadcast. They are also held by the communities for their own use, and lodged with the Australian Institute of Aboriginal and Torres Strait Studies (AIATSIS). The Broome office also compiles a bi-monthly e-newsletter. Its content extends beyond the standard summation of relevant art events to include original essays of topical interest to art centres as well as the wider art world. Significantly, in partnership with the website, the newsletter functions to promote the network of Kimberley art centres in a way these hard-working organisations themselves find difficult to achieve on their own. As a practical gesture to support Kimberley artists and art centres, the regional office has developed a comprehensive Kimberley Aboriginal Art Trail Map. This guide identifies the major art producing centres of the Kimberley and is available as a hard copy brochure as well as a downloadable PDF on the website. Geraldton Regional Art Gallery Located in the heart of the City, the Geraldton Regional Art Gallery is housed in the former 1907 Town Hall and opened as the first West Australian regional A class venue on 6 August 1984. It continues to be managed by staff of the Art Gallery of Western Australia and is co-funded by the City of Greater Geraldton which also owns and maintains the facility. The Gallery provides the delivery of art gallery services in regional WA through support and advice to local groups as well as presenting a diverse annual range of exhibitions. In this way, the Gallery aims to meet the artistic and cultural needs of the Mid West residents as well as state, national and international visitors. The Gallery conducts education and youth activities, including artists talks and childrens programs including the fifth annual Genesis exhibition that brings together student works from all five Geraldton Senior High Schools. After a very successful re-launch in March 2014 of the $45,000 non acquisitive state wide Mid West Art Prize exhibition, it was decided by the Management Committee to enter into a two year cycle with this particular event. As such, the next planned opening of this highly regarded and eagerly anticipated exhibition is scheduled for early 2017. In its place during 2016, the Gallery put on display the recently cleaned, restored and where appropriate, newly framed 64 Norman Lindsay and 94 Elizabeth Durack works that form part of the City of Greater Geraldton permanent collection, housed and cared for by the Gallery. During the course of the year over 100 collection works that did not meet the reviewed and updated acquisitions policy or were deemed to be of low quality and value were de-accessed. A number of these works were either returned to the artist or donated to the Greenough Historical Society, the Geraldton Regional Hospital Permanent Care Unit and the St John of God Hospital, Geraldton. Regional Gallery Director, James Davies took a combination of annual and long service leave from mid-December 2015 until mid-May 2016 during which time the Gallery Administrator, Julie-Ann Sproule was promoted to the role of Acting Director. The Gallery continues to maintain a strong volunteer organisation that is estimated to contribute an in-kind dollar amount of $20,000 per annum. The current group of volunteers assist either through customer service and reception during the week or at official openings by the service of food and beverages. Care of Inside Australia The Gallery continued to implement the Conservation Management Plan for Antony Gormleys Inside Australia situated at Lake Ballard in the Shire of Menzies. The annual condition survey was undertaken in November and two repaired sculptures were returned to the lake at the same time. After the successful testing of a new base design at AGWA two prototype bases were installed on sculptures at Lake Ballard as the next phase in the planned re-basing of the entire work. Significant issues impacting the Art Gallery The following issues have been identified as those which will be at the forefront of AGWAs consideration in the coming year. The re-energised vision and re-branding of the Gallery initiated with the 2016 Seeing things differently program will be maintained and developed in the 2017 program. The Gallery will be investing in developing improved digital content and services to create a more accessible and engaging experience for visitors to the Gallery and the State Art Collection. The digital strategy will involve new ways of working and change management. The Gallery continues to build strong relationships with other agencies and the community to support delivery of services and programs. Desert River Sea is a 5-year nationally significant project with long-term benefits to Kimberley Indigenous communities made possible with an investment by Rio Tinto. The Gallery will be developing future partnerships for the delivery of a planned 2018 Desert River Sea exhibition as part of an overall strategy supporting access to aboriginal art. The 40th anniversary of the opening of the main building in 2019 and the 125th anniversary of the founding of the Art Gallery in 2020 will be major drivers in the forward program planning. The TomorrowFund, established in 2008, allows the Gallery to make significant acquisitions of contemporary art. As part of the ongoing strategic aim to provide for sustainable collection development the Gallery will focus on raising the current level of funding and support for other areas of the collection. AGWA continues planning for infrastructure improvements and developments required to ensure the Gallery maintains international museum standards and meets visitor demand for services. Storage space for the collection is a priority. Disclosures and Legal Compliance Financial Statements Certification of Financial Statements for the year ended 30 June 2015 The accompanying financial statements of The Board of the Art Gallery of Western Australia have been prepared in compliance with the provisions of the Financial Management Act 2006 from proper accounts and records to present fairly the financial transactions for the financial year ending 30 June 2016 and the financial position as at 30 June 2016. At the date of signing we are not aware of any circumstances that would render the particulars included in the financial statements misleading or inaccurate.  Ravikissen Proheea Chief Financial Officer 2 September 2016  Nicholas Hasluck AM, QC Chair Board of the Art Gallery of Western Australia 2 September 2016   Jason Ricketts Member Board of the Art Gallery of Western Australia 2 September 2016 (THE FINANCIAL TABLES ARE INCLUDED IN PDF VERSION ONLY)  Auditor General Independent Auditors Report To the Parliament of Western Australia THE BOARD OF THE ART GALLERY OF WESTERN AUSTRALIA Report on the Financial Statements I have audited the accounts and financial statements of The Board of the Art Gallery of Western Australia. The financial statements comprise the Statement of Financial Position as at 30 June 2016, the Statement of Comprehensive Income, Statement of Changes in Equity and Statement of Cash Flows for the year then ended, and Notes comprising a summary of significant accounting policies and other explanatory information. Opinion In my opinion, the financial statements are based on proper accounts and present fairly, in all material respects, the financial position of The Board of the Art Gallery of Western Australia at 30 June 2016 and its financial performance and cash flows for the year then ended. They are in accordance with Australian Accounting Standards and the Treasurer's Instructions. Board's Responsibility for the Financial Statements The Board is responsible for keeping proper accounts, and the preparation and fair presentation of the financial statements in accordance with Australian Accounting Standards and the Treasurer's Instructions, and for such internal control as the Board determines is necessary to enable the preparation of financial statements that are free from material misstatement, whether due to fraud or error. Auditor's Responsibility for the Audit of the Financial Statements As required by the Auditor General Act 2006, my responsibility is to express an opinion on the financial statements based on my audit. The audit was conducted in accordance with Australian Auditing Standards. Those Standards require compliance with relevant ethical requirements relating to audit engagements and that the audit be planned and performed to obtain reasonable assurance about whether the financial statements are free from material misstatement. An audit involves performing procedures to obtain audit evidence about the amounts and disclosures in the financial statements. The procedures selected depend on the auditor's judgement, including the assessment of the risks of material misstatement of the financial statements, whether due to fraud or error. In making those risk assessments, the auditor considers internal control relevant to the Board's preparation and fair presentation of the financial statements in order to design audit procedures that are appropriate in the circumstances. An audit also includes evaluating the appropriateness of the accounting policies used and the reasonableness of accounting estimates made by the Board, as well as evaluating the overall presentation of the financial statements. I believe that the audit evidence obtained is sufficient and appropriate to provide a basis for my audit opinion. Report on Controls I have audited the controls exercised by The Board of the Art Gallery of Western Australia during the year ended 30 June 2016. Controls exercised by The Board of the Art Gallery of Western Australia are those policies and procedures established by the Board to ensure that the receipt, expenditure and investment of money, the acquisition and disposal of property, and the incurring of liabilities have been in accordance with legislative provisions. Opinion In my opinion, in all material respects, the controls exercised by The Board of the Art Gallery of Western Australia are sufficiently adequate to provide reasonable assurance that the receipt, expenditure and investment of money, the acquisition and disposal of property, and the incurring of liabilities have been in accordance with legislative provisions during the year ended 30 June 2016. Board's Responsibility for Controls The Board is responsible for maintaining an adequate system of internal control to ensure that the receipt, expenditure and investment of money, the acquisition and disposal of public and other property, and the incurring of liabilities are in accordance with the Financial Management Act 2006 and the Treasurer's Instructions, and other relevant written law. Auditor's Responsibility for the Audit of Controls As required by the Auditor General Act 2006, my responsibility is to express an opinion on the controls exercised by The Board of the Art Gallery of Western Australia based on my audit conducted in accordance with Australian Auditing and Assurance Standards. An audit involves performing procedures to obtain audit evidence about the adequacy of controls to ensure that the Board complies with the legislative provisions. The procedures selected depend on the auditor's judgement and include an evaluation of the design and implementation of relevant controls. I believe that the audit evidence obtained is sufficient and appropriate to provide a basis for my audit opinion. Report on the Key Performance Indicators I have audited the key performance indicators of The Board of the Art Gallery of Western Australia for the year ended 30 June 2016. The key performance indicators are the key effectiveness indicators and the key efficiency indicators that provide information on outcome achievement and service provision. Opinion In my opinion, in all material respects, the key performance indicators of The Board of the Art Gallery of Western Australia are relevant and appropriate to assist users to assess the Board's performance and fairly represent indicated performance for the year ended 30 June 2016. Board's Responsibility for the Key Performance Indicators The Board is responsible for the preparation and fair presentation of the key performance indicators in accordance with the Financial Management Act 2006 and the Treasurer's Instructions and for such controls as the Board determines necessary to ensure that the key performance indicators fairly represent indicated performance. Auditor's Responsibility for the Audit of Key Performance Indicators As required by the Auditor General Act 2006, my responsibility is to express an opinion on the key performance indicators based on my audit conducted in accordance with Australian Auditing and Assurance Standards. An audit involves performing procedures to obtain audit evidence about the key performance indicators. The procedures selected depend on the auditor's judgement, including the assessment of the risks of material misstatement of the key performance indicators. In making these risk assessments the auditor considers internal control relevant to the Board's preparation.and fair presentation of the key performance indicators in order to design audit procedures that are appropriate in the circumstances. An audit also includes evaluating the relevance and appropriateness of the key performance indicators for measuring the extent of outcome achievement and service provision. I believe that the audit evidence obtained is sufficient and appropriate to provide a basis for my audit opinion. Independence In conducting the above audits, I have complied with the independence requirements of the Auditor General Act 2006 and Australian Auditing and Assurance Standards, and other relevant ethical requirements. Matters Relating to the Electronic Publication of the Audited Financial Statements and Key Performance Indicators This auditor's report relates to the financial statements and key performance indicators of The Board of the Art Gallery of Western Australia for the year ended 30 June 2016 included on the Board's website. The Board's management is responsible for the integrity of the Board's website. This audit does not provide assurance on the integrity of the Board's website. The auditor's report refers only to the financial statements and key performance indicators described above. It does not provide an opinion on any other information which may have been hyperlinked to/from these financial statements or key performance indicators. If users of the financial statements and key performance indicators are concerned with the inherent risks arising from publication on a website, they are advised to refer to the hard copy of the audited financial statements and key performance indicators to confirm the information contained in this website version of the financial statements and key performance indicators.  DON CUNNINGHAME ASSISTANT AUDITOR GENERAL FINANCIAL AUDIT Delegate of the Auditor General for Western Australia Perth, Western Australia 6 September 2016 Key Performance Indicators Certification of Key Performance Indicators for the year ended 30 June 2016 We hereby certify that the key performance indicators are based on proper records, are relevant and appropriate for assisting users to assess the Board of the ArtGallery of Western Australia's performance, and fairly represent the performance of the Board of the Art Gallery of Western Australia for the financial year ended 30June 2016.   Nicholas Hasluck AM, QC Chair, Board of the Art Gallery of Western Australia 2 September 2016Jason Ricketts Member, Board of the Art Gallery of Western Australia 2 September 2016 Key Performance Indicator Information The Art Gallery of Western Australia is a statutory authority within the Culture and Arts portfolio, and its annual budget and outcome are included in the budget statements under the outcome for the Department for Culture and the Arts (DCA). The Gallery services contribute within the portfolio framework primarily to the Government Goal: Greater focus on achieving results in key service delivery areas for the benefit of all Western Australians. The Government Desired Outcomes for the Gallery are that: Western Australias State Art Collection asset is preserved, accessible and sustainable; and Western Australias State Art Collection and works of art on loan are accessible. The funds allocated to the Gallery to achieve its outcomes in the State Budget Statements are allocated under the services identified as: Cultural Heritage Management and Conservation, which provides appropriate management, development and care of the States Art Collection asset under the Art Gallery Act 1959; and Cultural Heritage Access and Community Engagement and Education, which provides access and interpretation of the State Art Collection and works of art on loan through art gallery services that encourage community engagement with the visual arts in accordance with the Art Gallery Act 1959. Key performance indicators have been developed in accordance with Treasurers Instruction 904 to evaluate the Gallerys performance in achieving the Government Desired Outcome and provide an overview of the critical and material aspects of service provision. Outcome: Western Australias State Art Collection asset is developed, appropriately managed and preserved Indicator 1: Percentage of the collection stored to the required standard An indicator of the level of preservation is the proportion of time that the storage and display environment is not breached. Key Effectiveness Indicators2012-13 Actual2013-14 Actual2014-15 Actual2015-16 Actual2015-16 TargetProportion of time that the storage and display environment has not been breached96.8%98.67%98.77%98.08%97% Explanatory notes The environment within which artworks are stored and displayed is a principal indicator of the effort being taken to preserve them for future generations. Indicators of the storage and display environment are temperature and relative humidity. The Gallery uses the generally agreed international standards for temperature of 21C 2C and relative humidity of 50% 5% as the benchmarks. In calculating the proportion of time that the storage and display environment has not been breached, that is the proportion of time the humidity and temperature has been within the accepted standards, the Gallery uses a composite average of the environmental data from the three principal storage and display environments within the Art Gallery: The Main Gallery Display, the Centenary Galleries Display, Centenary Galleries Storage, Main Gallery Stores including print room, and the Conservation area. Averages for these are calculated at 97.75%, 97.87%, 97.20%, 98.63%, and 96.58%, respectively for humidity and 99.40%, 99.14%, 96.04%, 98.51%, and 99.67%, for temperature. On average the Gallery maintained the storage and display environment within the standards for humidity for 97.60%, of the time and temperature for 98.55%, of the time which produces a combined average of 98.08%, of operational hours when the storage and display environment was maintained within the standards. Outcome: Western Australias State Art Collection and works of art on loan are accessible. Indicator 2. 1: Number of people accessing the collection An indicator of accessibility is the number of visitors to the Gallery and number of online visitors. Key Effectiveness Indicators2012-13 Actual2013-14 Actual2014-15 Actual2015-16 Actual2015-16 TargetTotal number of visitors396,873354,216296,623284,677350,000Total number of online visitors to website356,894265,269180,730189,262150,000 Explanatory notes Visitors are determined by the number of attendances during opening hours and attendances at venue hire functions. The number of Gallery visitors was 269,020 and 15,657 people attended functions for a total of 284,677 attendances. Total number of online visitors to website consists of the unique visitors totalling 189,262. The website traffic was ahead of target (+26%), due to an increase in digital production driving traffic to the website, and the development of the Desert River Sea portal. Gallery visitation was 11,946 (-4%) down on 2014-15 and 81% of the target. The closure of the caf for several months during a change of licensee, and reduction in incidental visitors from it, was a contributing factor to the reduction. Indicator 2. 2: Percentage of visitors satisfied with visit overall An indicator of the effectiveness of the Gallery in providing for the enjoyment and cultural enrichment of the people of Western Australia is shown by visitor satisfaction with Gallery art services. The Gallery engages a market research firm to survey customers. Key Effectiveness Indicator2012-13 Actual2013-14 Actual2014-15 Actual2015-16 Actual2015-16 TargetPercentage of visitors satisfied with visit overall. 94%93%93%94%93% Explanatory notes Visitor satisfaction with their overall visit is primarily measured by surveying visitors to the Gallery to determine how satisfied they have been with the displays and programs. Satisfaction is measured by a statistically valid survey. The market research consultants have advised that the sample used provides a maximum survey error of +/-2.72% at the 95% confidence level. The customer satisfaction survey is conducted by Morris Hargreaves McIntyre. The question answered by customers which provides the percentage satisfaction rating was: Thinking about your visit to Art Gallery of Western Australia today, including the exhibitions on display and the facilities provided, how satisfied or dissatisfied were you with the experience overall? Overall satisfaction was high with 94% very satisfied or satisfied with their visit to the Art Gallery. 83% stated they were either quite likely or very likely to visit AGWA again. There was no significant shift in satisfaction between 2014-15 and 2015-16. Efficiency indicators Indicator 1: The average cost of managing the Collection per Art Gallery object. Key Efficiency Indicator2012-13 Actual2013-14 Actual2014-15 Actual2015-16 Actual2015-16 TargetAverage cost of managing the Collection per Art Gallery object $66.57$72.06$67.17$72.53$64.87 Explanatory notes The average cost relates the level of resource input to the services provided. This indicator is arrived at using the following formula: Total cost of Cultural Heritage Management and Conservation Service Total number of objects The total cost of the Cultural Heritage Management and Conservation service was $1,265,111 and the total number of objects in the Collection was 17,442. The increase in the average cost of managing the Collection per Art Gallery object services in 2015-16 is mainly due the increased cost of services, including the valuation of the Collection. Indicator 2: The average cost of Art Gallery services per Art Gallery access. Key Efficiency Indicator2012-13 Actual2013-14 Actual2014-15 Actual2015-16 Actual2015-16 TargetAverage cost of Art Gallery services per Art Gallery access. $26.48$23.95$26.21$26.71$21.87 Explanatory notes The average cost relates the level of resource input to the services provided. This indicator is arrived at using the following formula: Total cost of Cultural Heritage Access and Community Engagement Service Total number of accesses The total cost of the Cultural Heritage Access and Community Engagement service was $12,659,728 and the total number of Art Gallery accesses was 473,939 There was no significant change in the average cost of art gallery services in 2015-16, compared to 2014-15. Other financial disclosures Ministerial directives No ministerial directives were received during the year. Pricing policies Most Gallery exhibitions are presented free of charge to the public. When major exhibitions are mounted as a joint venture with another institution, the ticket cost for such exhibitions is based on a contractual negotiation with the joint venture partner and contributes towards the cost of the exhibition. Capital works AGWAs capital works program includes projects funded from State Government capital appropriations. Details of the major completed works and purchases are outlined below. Completed capital projects Continuation of the upgrade to the lighting track in the main building was funded as a capital project and completed in April 2016. AGWA now has four of the nine main Gallery spaces fitted with new lighting tracks and exhibition-suitable LED light fittings. The lighting track required replacement as new fixtures could not be sourced to fit the old track, and as reported elsewhere the ability to utilise LED light fittings assists with the reduction in power usage. Contemporary visual artists have become increasingly engaged with digital media. The acquisition and display of such works presents new challenges for collection institutions as technologies are quickly superseded; compromising the Gallerys capacity over time to display Collection works over time. Funding was received to obtain modern audio visual equipment enabling AGWA to present a variety of contemporary recently acquired works. Capital Works funding of $372,288 was provided by the State Government for these projects through the Infrastructure Improvement Program. Employment and industrial relations Staff profile The Gallery employed 67 people in 2015-16 representing an average of 54.8 full time equivalents (FTEs) over the year. AGWA relies heavily on volunteers throughout the year and, where possible, recruits casual staff during major exhibitions to meet short-term needs. During 2015-16, four full-time, two part-time and two casual appointments were made. Where possible, staff continued to be provided with options for flexible working arrangements, such as working from home, working part-time, flexible start and finish times, and purchased leave arrangements. 2013-142015-162013-142015-16Women5448FTEs at 30 June57.8652.58Men20197467Permanent full-time3737Permanent part-time1611Fixed term full-time 79Fixed term part-time65Casual85Other*006966*Employees seconded in or out of the organisation The FTE figure represents the number of full-time-equivalent positions as at the end of the financial year. (One FTE is defined as one full-time job for one financial year on the basis of hours worked to normal award/agreement hours provisions.) Staff development and recruitment Art Gallery of Western Australia employees diversity of skills and experience provide the foundation on which to further develop the resources required to deliver a wide range of art gallery services. The Gallery continues to promote a workplace which encourages staff learning and development. Staff received support for attendance at Perth-based workshops and seminars, study assistance for formal studies, and recognition of prior learning. In 2015-16, for budgetary and operational reasons, assistance with attendance at interstate and overseas conferences was again minimal. The Art Gallerys recruitment and selection policies and procedures aim to attract and retain the most suitably qualified and experienced people. During the year, the Gallery, in conjunction with the Department for Culture and the Arts (DCA), worked on improved workforce planning including strategies to improve recruitment. Occupational Health, Safety and Injury Management DCA and AGWA are committed to providing and maintaining a healthy and safe working environment for all of its employees, contractors and visitors. We demonstrate this through our policies, procedures and work practices to ensure that all employees are safe from harm in the workplace. An Occupational Health and Safety (OH&S) Implementation Plan was established in order to implement a number of safety and health initiatives across the department and to assist portfolio agencies. AGWA facilitates OH&S consultation through its OH&S committee, the election of safety and health representatives, hazard and incident reporting processes, routine workplace hazard inspections and a process for the resolution of OH&S issues. Staff are made aware of these processes at their employee induction, through specific OH&S training, and access to OH&S information on the DCA intranet. The policy and procedures of DCA and AGWA are compliant with the Occupational Safety and Health Act 1984 and the Workers Compensation and Injury Management Act 1981. AGWA is committed to assisting staff return to work after a work-related injury or illness, and has developed formal, documented return to work programs for employees requiring modified and alternative duties or equipment. Mechanisms for consultation with staff DCA and AGWA continue to provide and maintain a healthy and safe working environment for all of its staff, contractors and visitors. Policies, procedures and work practices have been developed in accordance with the Occupational Safety and Health Act 1984 and the Workers Compensation and Injury Management Act 1981. A formal review of DCAs OSH management system was undertaken in 2012 using the WorkSafe Plan. An annual implementation plan addressing safety and health actions is in place at AGWA, and the following initiatives were delivered in 2015-16: AGWA has an active Occupational Health and Safety Committee. Safety representatives undertake monthly site inspections which along with incident reviews inform improvements. As an example improved opening mechanisms to the heavy administration linkway doors have reduced risk to officers manoeuvring education trolleys into the galleries. The cross-Gallery storage review has also supported safety outcomes in relation to the storage and deployment of display cases and the bump in and out of program and event equipment which has reduced manual handling risk. The Gallery roof top was opened to the public again during summer. As a new venue it was the focus of safety audits in relation to event set up and after-hours evacuation. The wellness program continues to be a core strategy, with monthly staff morning teas providing the opportunity to discuss health and safety matters in a more informal and relaxed manner. The 2015 AGWA Safety Month Program was launched with a breakfast event for staff and potential fire hazard areas were targeted with all under stairwell areas being cleared of temporary storage items during the month. A flu vaccination program was offered to staff and a daily cleaning and hygiene regime for the reception desk was initiated to minimise the potential for cross contamination. Formal mechanisms for consultation with employees on Occupational Health, Safety and Injury management matters are primarily addressed through line managers, with AGWA staff being made aware of the processes at their induction and by having access to OH&S information on both the AGWA and DCA intranets. Compliance with injury management requirements AGWA demonstrates its commitment to assist employees to return to work after a work-related injury or work-related disease through the Injury Management Policy. Information on workers compensation and injury management is provided to staff at induction and via the departmental intranet. Through DCA, the Gallery engages in formal, documented programs for employees requiring modified duties or equipment upon returning to work after an injury. Such programs are compliant with the Workers Compensation and Injury Management Act 1981. Indicator2013-142015-162015-16 TargetsComment on resultNumber of fatalities or severe claims000%No changeLost time injury and disease incident rate01.730%Lost time injury and disease severity rate000%Percentage of injured workers returned to work within (i) 13 weeks (ii) 26 weeks  N/A N/A 100% 100% 80% 80%Percentage of managers and supervisors trained in occupational safety, health and injury management responsibilities100%60%60%Training was delivered to managers and supervisors on workers compensation and injury management The most common injuries in 2015-16 were minor and Workers compensation instruction was undertaken as part of the OH&S training. In 2015-16, as part of its commitment to safety and health in the workplace, the Gallery: trained emergency wardens and undertook scheduled evacuation exercises implemented new procedures. AGWAs Occupational Safety and Health Committee met regularly during 2015-16 to discuss and resolve issues raised by staff, review hazard reports, discuss injury trends and identify preventative measures to promote a safe working environment. Governance disclosures Contracts with senior officers At the date of reporting, other than normal contracts of employment of service, no senior officers, or firms of which senior officers are members, or entities in which senior officers have substantial interests, had any interests in existing or proposed contracts with the Art Gallery of Western Australia. Unauthorised use of credit cards No unauthorised use of credit cards occurred during the reporting period. Government Policy Requirements Government Building Contracts At the date of reporting, no contracts subject to the Government Building Training Policy had been awarded. Measure NumberActive contracts within the scope of the policy in the reporting period NilContracts granted a variation to the target training rate in the reporting period* NilHead contractors involved in the contracts NilConstruction apprentices/trainees required to meet target training rate NilConstruction apprentices/trainees employed by head contractors; and the subcontractors they are using for the contracts NilContracts which met or exceeded the target training rate Nil Directors liability insurance AGWA, through RiskCover, has a Directors and Officers Liability Policy with a limit of liability of $10 million covering Board members of the Art Gallery of Western Australia Board and senior management. The Gallery contributed $3,359.50 to the annual premium in 2015-16. Payments Made to Board Members The Board of the Art Gallery of Western Australia PositionNameType of Remuneration*Period of membershipGross/actual remunerationMemberSeva FrangosPer Meeting1 year$186Total:$186 *Sessional, per meeting, half day, or annual. Other Legal Requirements Advertising Electoral Act 1907 section 175ZE In compliance with section 175ZE of the Electoral Act 1907, the Art Gallery reports that it incurred the following expenditure during the financial year in relation to advertising agencies, market research organisations, polling organisations and media advertising organisations: TotalsAdvertising agencies303MullenLowe$94,719$94,719Market research agencies Morris Hargreaves McIntyre$112,850$112,850Expenditure with polling agenciesNilNilExpenditure with direct mail agenciesNilNilExpenditure with media advertising agencies Optimum Media Decisions$119,986$119,986 Other$26,993$26,993 Total expenditure$354,584$354,584 Compliance with Public Sector Standards and Ethical Codes (Public Sector Management Act 1994 Section 31(1)) The Department of Culture and the Arts employs Gallery staff. Human resource services are provided by the Human Resource Unit of the Department of Culture and the Arts. They provide specific advice on compliance with the Standards in regard to recruitment, transfer, secondment, redeployment, termination, discipline, temporary deployment and grievance resolution. Shared services to support the processing of human resource functions are also provided. Compliance with the Public Sector Standards and Ethical Codes is assessed by several different methods, including regular internal and external reviews of related procedures and staff feedback. AGWA is committed to educating its workforce in the Public Sector Standards for Human Resource Management and the Public Sector Code of Ethics. In the 2015-16 financial year, AGWA recorded: no breaches of the Public Sector Standards in Human Resource Management; no breaches of the Public Sector Code of Ethics or the Culture and Arts Portfolio Code of Conduct; one incidence of misconduct requiring investigation (not substantiated); and one Public Interest Disclosure was lodged (not substantiated). Initiatives in 2015-16 to prevent non-compliance included: supporting attendance of Gallery management at forums on human resource management standards, particularly those pertaining to recruitment, selection and appointment. maintaining information on standards and codes of conduct including on the departmental intranet and continuing to promote it as an important part of the induction program for new staff. A performance management system, the Staff Development System, is in operation and all staff participate in the process. This process meets the requirements of Public Sector Standards in Human Resource Management for Performance Management. Substantive Equality Direction for AGWAs substantive equality commitment sits with the Culture and Arts Portfolio Substantive Equality Reference Group. This group meets quarterly to discuss and plan how the Portfolio can improve access for customers from different racial, religious and cultural groups to the services that are provided by the Portfolio. In the 201516 financial year, the Substantive Equality Reference Group successfully implemented the following: development of a Substantive Equality policy which covers all agencies across the Culture and Arts Portfolio; implementation of a communication and education strategy of the Substantive Equality Policy; development of an implementation plan for Substantive Equality frameworks across the Culture and Arts Portfolio; and incorporation of Substantive Equality education into the whole of staff induction. Specific measures introduced by AGWA include: Desert River Sea: Kimberley Art Then and Now project (see p.41 ) Geraldton Regional Art Gallery (see p. 42) Conservation support for Antony Gormleys Inside Australia at Lake Ballard in the Shire of Menzies (see p.43) Associate Curator, Projects, Dunja Rmandic, acted as an advisor at a one-day workshop and planning session held by the Mandurah Regional Art Gallery Disability access and inclusion plan outcomes In 2015-16 AGWA has continued to implement the Department of Culture and the Arts Disability Access and Inclusion Plan 2013 to 2017 to ensure that all visitors, including people with disabilities, can access Gallery services and facilities. The plan is subject to review and will be amended as priorities and needs change. Specific initiatives undertaken by AGWA to enhance access and inclusion in 2015-16 were: continuation of the Alzheimers Art Adventures tour and workshop program. During the year 200 people participated in tours, and 200 people attended the workshops. AGWA offers Art and Memories guided tours for people with dementia; in 2015-16 three of these tours took place, with three groups bringing in a total of 23 participants. continuation of the popular Sensational Art touch tours, which allow vision-impaired visitors to join a specially-trained Voluntary Gallery Guide for a customised tour of selected three-dimensional works from the State Art Collection. Wearing gloves to protect the artwork, participants have the opportunity to explore volume, texture and scale. In addition, this year AGWA introduced an audio-descriptor tour with a staff member who had been trained in this field providing a description for 5 participants. the Voluntary Gallery Guides continued their association with Sculpture by the Sea, again providing Tactile Tours, to introduce visitors with disability new way of experiencing and enjoying contemporary sculpture and this popular event held annually at Cottesloe Beach. educational tours and workshops for special needs groups from secondary schools tours and workshops for groups of people recovering from mental illness, trauma etc provision at some events of audio description services for the sight-impaired Gallery activities and initiatives in 2015-16 that relate to the seven desired Disability Access and Inclusion Plan outcomes included: Outcome 1: Visitors with disabilities have the same opportunities as other people to access our services and events: assessment of exhibitions and displays to address access issues for visitors with disabilities wheelchair access/area at events school holiday activities suitable for children with different levels of ability ongoing programs for people with disabilities, including such activities as the award-winning Touch Tours for sight-impaired visitors, descriptor tours for visitors with low vision, and customised programs for specific group needs Companion Card accepted for all paid exhibitions Outcome 2: Visitors with disabilities have the same opportunities as other people to access our buildings and facilities: planning for new exhibitions and displays ensures issues related to access are considered. provision of two standard wheelchairs and a motorised wheelchair, plus a walking frame with seat all provided free of charge to individuals requiring mobility assistance during their visit. an elevator is available to ensure people with disabilities are able to access the first and second floor galleries with ease. Outcome 3: People with disabilities receive information at or from the Art Gallery of Western Australia in a format that will enable them to access the information as readily as other people are able to access it: provision of essential product information, including signs and didactic materials, in various forms. This includes provision of labels for major exhibitions in large font formats in a folder available from Reception, and a transcription of audio tours is also provided in print for those who cannot access the material aurally. A recorded information line is accessible by telephone. provision of education experiences for students with disabilities. Outcome 4: Visitors with disabilities receive the same level and quality of service from Art Gallery staff as other people who do not have a disability: continued development of staff skills to promote a positive and inclusive service culture in-service training on disability awareness for Gallery staff and volunteers. Outcome 5: People with disabilities have the same opportunities as other people to make complaints to a public authority: provision of various feedback options including in person, telephone, email, and written correspondence. Outcome 6: People with disabilities have the same opportunities as others to participate in any public consultation by the Art Gallery: inclusion of a random sample of the community as part of formal market research ensuring that any consultation process targets representatives from the disability sector. Outcome 7: People with disabilities have the same opportunities as other people to seek employment with the culture and the arts portfolio. ensure recruitment policies and practices are inclusive. Record-keeping plan Under the State Records Act 2000, all government agencies are required to have a Record Keeping Plan. In accordance with the requirements of the Act the Plan is to be reviewed every five years. AGWAs current Plan was reviewed and registered with the State Records Office in 2013. Measures taken under the plan during 2015-16 to ensure the Gallery maintains a strong record-keeping culture include: AGWA continues to implement strategies to ensure that employees are aware of their compliance responsibilities under the Act, and the quality of record-testing is tested as a part of the annual audit process constant review of the staff training program addressing an employees role and responsibility in regard to the keeping of records, which also forms part of the formal induction process continuing emphasis has been given to supporting improved electronic record-keeping within the organisation with increased use of record-keeping on the TRIM system inactive records were identified for offsite storage. . Appendices Appendix A The Essence of AGWA Art is an expression of what it is to be human, a universal language that brings us together. It exists for us to experience wonder, share happiness and sorrow, question ideas and beliefs, capture the essence of life. We believe that art matters, it is meaningful, and it should be shared so that we can all embrace it with imagination and passion. We strive to be the heart of the arts in Western Australia, stimulating conversations and providing new ways of looking and thinking about art, remaining one of Australias most influential arts advocates. We collect and care for works of art for the State, building a dynamic and continuously evolving collection for the benefit of all Western Australians, now and into the future. We are committed to developing a collection that reflects the history and diversity of WA so we can continue to examine our place in the world. We live and work on Nyoongar traditional land; we respect and value that our lives are interconnected and that the culture and arts of WAs first people are integral to WAs identity. We are committed to presenting Indigenous stories through the language of visual arts. We celebrate Australian art and artists by sharing their vision and voice with our audiences. We present Western Australian art alongside that of the rest of the world, staging conversations between the local, national and international. We embrace the freedom of living at a geographical frontier without being confined by it. Art is global and our role is to introduce different perspectives, to expand your horizons, to challenge the way you see the world through the collection, the exhibitions and the experiences we create. We embrace boldness. We are determined to evolve, explore new directions and push beyond the boundaries of the expected. Cultural creativity is cultural capital. We are here to inspire you whether you are a Western Australian or a visitor to our wonderful State, a seasoned artistic traveller or an apprentice explorer, adult or child. Our programs will open new ideas and encourage you to reach out, investigate and discover. We seek you out. We will create partnerships that invite collaboration and experimentation across art forms. Everything we do begins and ends with our knowledge and experience and our wish to bring enjoyment, challenge and excitement grounded in artistic freedom, curatorial integrity and commitment to represent artistic visions. This is our vision for AGWA, our artistic mantra. Our role is always evolving, but the purpose remains the same to encourage you to become passionate about culture and the arts, inspire your own creativity, expand how you see the world, build a collection that you love and care for as much as we do. And together weave a stronger cultural fabric for all of WA. Appendix B Foundation Members Honorary Patron Her Excellency the Honourable Kerry Sanderson AO Governor of Western Australia Honorary Arts Patron The late Robert Juniper Patrons Vice Patrons (Donations of not less than $1,000,000) (Donations of not less than $500,000) Sue and Ian Bernadt BHP Billiton Iron Ore The Leah Jane Cohen Bequest Andrew and Nicola Forrest Government of Western Australia The late Robert Juniper Dr Jo Lagerberg and Dr Steve Swift National Australia Bank Limited John Rogers The late Dr Harold Schenberg Anonymous Donor Wesfarmers Limited Woodside ABN Foundation The Sir Claude Hotchin Art Foundation Ben and Helen Korman The Linton Currie Trust Anonymous Donor John McBride The late Dr Rose Toussaint Barbara and the late Albert Tucker  Governors (Donations of not less than $100,000) Brian Blanchflower Robert and Lesley Girdwood Bob Brighton Margot Bunning and family Estate of the late Rachel Mabel Chapman Dr David Cooke Lorraine Copley Rick and Carol Crabb Rosanna DeCampo and Farooq Khan Sam Dickerson James Fairfax AO Adrian and Michela Fini Friends of the Art Gallery of Western Australia Sandra Galvin Gordon Darling Foundation Evelyn and the late Kemp Hall Freehills Janet Holmes Court AO Dr Tim Jeffery Rod and Carol Jones Patricia Juniper Robert D Keall Howard Knight Elizabeth Malone The late May Marland James Mollison AO John Nixon Max Pam and Jann Marshall The Stan Perron Charitable Trust John Poynton The late Clifton Pugh AO Spirac Pty Ltd Timothy Roberts Kerry Stokes AO Brett and Pieta Taylor Sheila and the late Howard Taylor AM Lyn Williams  Benefactors (Donations of not less than $50,000) Agapitos/Wilson Collection John Brunner Avril Burn Sally Burton Wenling Chen Gunter Christmann Helen Cook Sir James and the late Lady Cruthers Brett and Angelina Davies Lauraine Diggins Marco D'Orsogna Robin and Elizabeth Forbes Judith Gedero Georgiou Group Pty Ltd Gerard Daniels Warwick Hemsley and Family Tony and Sally Howarth Mandy Juniper Dr Douglas Kagi Evan George and Allie Kakulas Derek Kreckler J. Barris and Judith Lepley McCusker Charitable Foundation Catriona and Simon Mordant Graeme Morgan Callum Morton The late Judge Jim O'Connor The Shell Company of Australia Limited Mitchiko Teshima The Myer Foundation Alan and Marisa Tribe Sheila Wileman  Fellows (Donations of not less than $15,000) Michael Abbott Abdul-Rahman Abdullah Tony Albert Dr David Alltree Dario and Susan Amara AngloGold Ashanti Australia Limited Daniel Archer Neil Archibald Monique Atlas and Kim Hawkins Robert Baines Hamish and Ngaire Beck Dr Bruce Bellinge Barbara Blackman Lin Bloomfield E. L. (Mick) Bolto Sue Bolto Eileen Bond John Bond John and Debbie Borshoff Craig and Katrina Burton Busby Family Adil and Andrea Bux Tully Carmady and Danielle Davies Margrete and Michael Chaney AO Caroline Christie and Sheldon Coxon Fiona Clarke (In memory of Mrs Jean Clarke) Olive, Luka and Coco Butcher The late Esther Constable Professor Ian Constable AO Syd and Danae Corser The late Anne Cranston Megan and Arthur Criddle The Leederville Hotel Tim Davies Landscaping Deutscher and Hackett Sandra Di Bartolomeo Alan R. Dodge Marisa DOrsogna Sin MacPherson and Gary Dufour Judy and Trevor Eastwood Ernst & Young Chartered Accountants The Everist Family Ronald Sydney Farris and Joy Elizabeth Farris Susanne and Paul Finn Larry and Peggy Foley Christine and Winston Foulkes-Taylor Seva Frangos and John Catlin Ben Gascoigne Ian George Gary Giles Rodney Glick Julian Goddard and Glenda de Fiddes David Goldblatt Robert and Barbara Gordon The late Helen Grey-Smith and children Dr Patrick Hanrahan and Dr Helen Ryan Gerie and Ole Hansen Nicholas Hasluck AM Di and Jeffrey Hay Lyn-Marie Hegarty Kevin and Jan Jackson The late Cliff Jones Fiona Kalaf Katherine Kalaf Kathleen O'Connor Advisory Committee The late David Larwill The late Dr Graham Linford James Litis and Desi Litis Darryl Mack and Helen Taylor Sandy and Michele MacKellar Robert MacPherson Michael and Sallie Manford Lloyd Marchesi Diane McCusker Ken and Merran McGregor Jacqui McPhee Merenda Gallery Dan Mossenson Brandon and Angela Munro Fellows (Continued) Dr Fred and Mrs Georgina Nagle Tony Nathan Avril S. and Brian J. O'Brien Stephen and Corinne Onesti Walter Ong and Graeme Marshall Maurice ORiordoan Louise Paramor Julienne Penny and Family The Peploe family Jamie Price and Gillian Gallagher Simon Price and Saara Nyman The late Adam Rankine-Wilson Dr Bronwyn Rasmussen and the late Geoff Rasmussen Rio Tinto Limited Angela Roberts Leigh Robinson and Deborah Gell Sam Rogers Daniel and Natalie Romano Ruth Rowell Phelps A. L. and F. A. Ruse Anthony Russell Susan and Don Russell Dr John and Thea Saunders Linda Savage and Dr Stephen Davis Anna Schwartz Gillian Serisier The late Christine Sharkey Andrew and Judy Shearwood Gene and Brian Sherman Dr Amanda Stafford Marlene and Graham Stafford Shirley Stanwix Vivienne Stewart The late John Stringer Brian Swan Deborah and Vic Tana Andrea Tenger and Jonathan Wade Peter and Jane Thompson Professor Philip and Margaret Thompson Gene Tilbrook Ian and Susan Trahar Trish Ainslie and Roger Garwood The Ungar Family Foundation Ray van Kempen and Ann Kosonen Elizabeth and Max Vinnicombe Lynnette Voevodin David Walker Mary Ann Wright Women's Service Guild of Western Australia Mary Ann Wright Ashley Zimpel   Members (Not less than $5,000) Susan AdlerMichael and Josephine AhernRobyn AhernAisen Family TrustJulian AmbroseANZ Banking Group LimitedZelinda BafileLisa Baker MLA, Member for MaylandsShelley BarkerJohn Barrett-LennardCorinne BartonR. G. BennettPeter BirdTracy BlakeMatthew J C BlampeyPeter and Stella BlaxellFrank and Margaret BongersJuliet BorshoffMichael and Rachael BorshoffAngela BowmanKeith BradburyRinze and Jenny BrandsmaBrigitte BraunClaire Brittain and John McKayThe late Joan BrodsgaardLiesl and Alistair BroganMargaret BrophyKaren BrownThe late Lina BryansPeter and Christine BuckJanet BurchillMarilyn BurtonBruce Callow & Associates Pty LtdFraser CampbellHelen Carroll Fairhall and FamilyEmma and Howard CearnsFrauke Chambers Fred and Angela ChaneyJody and Fred ChaneyEstate of John ChilversJoe Chindarsi and Andrew PatrickNic ChristodoulouSusan ClementsJock CloughIan and Rosana CochraneLibby CocksProfessor Catherine Cole Warren and Linda Coli Constantine CominoThe late Chandler CoventrySusan and Michael CroudaceCrowe Horwath PerthDr Digby and Susan CullenDr Ben DarbyshireMaster Andrew DaviesBeverley DaviesChristina and Tim DaviesDr and Mrs N. J. DavisEstate of the late Margaret Campbell DawbarnJo DawkinsKevin Della BoscaCamillo and Joanne Della MaddalenaFire & Emergency Services AuthorityBrahma DharmanandaPamela DouglasThe Hon Peter and Mrs Benita DowdingDiana and Paul DownieHilaire DufourHollis DufourMeredith DufourEdwin EamesBev EastPeter EgglestonThe late David Englander Dane Etheridge and Brooke FowlesGift of the Estate of Barbara and Margaret EvansPeter EvansJenny and Bill FairweatherMichael J. FallonElaine Featherby Evi FerrierLisa FiniAllan and Lynette FletcherAnnie and Brett FogartyMembers (continued) Mark FraserSimone FurlongA. GainesLeonie and David GarnettTarryn Gill and Pilar Mata DupontDavid and Hannah GoldstoneMark GrantAlix and Geoffrey GriceRobert GrieveKaren and William GrovesLloyd and Jan GuthreySean HamiltonJohn Hanley AMDorothea Hansen-KnarhoiKathy HardieLynne Hargreaves and Andrew WinkleyJane HegartyChris and Mary HillMichael HoadMarie and Michael HobbsEstate of Dr Ernest HodgkinDiana HodgsonJohn and Linda HoedemakerScoop PublishingAnne HoltSandy and Peter HoneyAlice HoodGlen Host and Jill PotterJulie HoyJohn HughanDon and Joan HumphreysRicardo IdagiJim and Freda IrenicDi and the late Peter IngelseEric and Louise IsaachsenJapan Chamber of Commerce and Industry Perth Inc. Stewart and Gillian JohnsonIshbelle JohnstoneAngus and Louise JonesAshley and Nina Jones, Gunyulgup GalleriesJoyce Corporation LtdMark and Veronica JumeauxDr Patricia Kailis AM OBENancy Keegan and Don VoelteAnnie Keeping HoodMelissa and Kasia Kelly DangJennie KennedyJeff KerleyDenis and Valerie KermodeGreg and Nikki KingMrs Jan Miller and Dr Stuart MillerCarmen La CavaEstate of Clifford LastJanine LauderThe late Marjorie Le SouefRoss and Fran LedgerCherry LewisChristine J Lewis Ben and Gina LisleLittle Creatures Brewing Pty LtdDr Andrew Lu OAM and Dr Geoffrey Lancaster AMLauder and HowardGianluca LufinoHeather LyonsMichele MacKellarBea MaddockLesley MaloneyBettina ManganPasquale Cianfagna and Aneka MannersJan and Bill ManningPaul and Jenny MartinThe late Dr Anthony McCartney and Jacinta McCartneyBryant and Tedye McDivenJohn McGlue and Sharon DawsonAmanda McKennaMarshall McKennaKate McMillanIan and Jayne MiddlemasMembers (continued) Allan Miles Mrs Jan and Dr Stuart MillerGeraldine MilnerThe late Emeritus Professor John Milton-Smith and Mrs Carolyn Milton-SmithThe late Esther MissinghamMet & Chandon Art FoundationMichael and Judy MonaghanMilton MoonTim and Rose MooreThe Moran familyCharles and Caroline MorganGeoffrey and Valmae MorrisJock and Jane MorrisonJoanne and Geoff MotteramThe late Kenneth MyerEtsuko NishiNofra KlinikRobert O'HareNorah OhrtHelen and Barry OsboineGillianne PackerRon and Philippa PackerMimi and Willy PackerAngela PadleyThe late Maureen ParisSusan Pass Shane PavlinovichGeorgina PearceTodd and Alisa PearsonJohn and Anita PercudaniLeon and Moira PericlesGuardian Resources (Joshua Pitt)Bob and Ann PoolmanRosemary Pratt The Hon CJL Pullin QC and Mrs S PullinMark and Ingrid Puzey Marijana RavlichHoward and Lindsey Read Elizabeth RichardsYacht GrotEstate of Ian RichmondRoss and Alexandra RoberstonMr Nigel and Dr Heather RogersJohn and Yvonne RostonJann RowleySue and Hans SauerSally and Vincenzo SaviniJohn and Debbie SchafferJenny and Wyborn SeabrookRoslyn SealeCelia SearleThe late Eve Shannon-CullityAsher and Fraida ShapiroStirling and Judy Shaw J & J ShervingtonJohn and Marie-Louise Simpson Patricia SimpsonSingapore AirlinesCecily SkrudlandThe late Garnett SkuthorpDarryl and Heather SmalleyHelen SmithJan Spriggs and Perry SandowKathryn Stafford-RowleyThe late Tom Gibbons and Miriam StannageBrian StewartLina StowePaul and Carla SullivanThe Sullivan FamilyThe late Geoffrey Summerhayes, OAMGloria SutherlandGreenhill GalleriesJohn and Antoinette TateNatasha and Ross TaylorLisa and Andrew TelfordThe Feilman FoundationRodney and Sandra ThelanderAlexandra Thompson and Peter SmithClare ThompsonRodney and Penelope ThompsonMembers (continuedJennifer Thornton Edna TrethowanPeter TyndallMark WalkerPatti WarashinaDavson+WardDiana and the late Bill WarnockDarryl and Margaret WayEstate of Ian WhallandDonna WhiteIan and Jean WilliamsRon and Sandra WiseMark WoffendenBrigid WossThe late Michael J M WrightMelvin YeoSimon and Gillian YounglesonClifford and Gillian YudelmanCarlos ZerpaDr Dolph W. Zink AM, and Mrs Zink Appendix C Gallery Staff (as at 30 June 2016 and arranged alphabetically within work groups) Executive Stefano Carboni, Director and Chief Executive Officer James Davies, Director, Geraldton Lynne Hargreaves, Director, Exhibitions and Collections Lyn-Marie Hegarty, Development Director Brian Stewart, Deputy Director | Director of Corporate Services Chris Travers, Director, Audience and Stakeholder Engagement (from October 2015) Executive Support Giselle Baxter, Executive Assistant Ragen Haythorpe, Executive Officer | Board Support Maria Tagliaferri, Administrative Assistant Curatorial Robert Cook, Curator of Modern and Contemporary Photography and Design Jenepher Duncan, Curator of Contemporary Australian Art Carly Lane, Curator of Aboriginal and Torres Strait Islander Art Melissa Harpley, Manager of Curatorial Affairs | Curator of Historical and Modern Art Dunja Rmandic, Associate Curator, Projects Conservation Stephanie Baily, Paper Conservator (until January 2016) Trevor Gillies, Framer David Graves, Senior Conservator: Objects and Projects Maria Kubik, Senior Conservator Kate Woollett, Paper Conservator Collections and Exhibitions Nicola Baker, Installation Assistant (from Oct 2015) Ian Bell, Installation Assistant (until November 2015) Emma Bitmead, Digial Asset Management Co-ordinator Kyle Cannon, Installation Assistant Peter Casserly, Collection Stores Coordinator Tanja Coleman, Assistant Registrar Sophie Davidson, Copyright and Reproduction Officer (until November 2015) Giovanni Di Dio Installation Assistant Geraldine Henrici, Project Support Officer, Desert River Sea Philippa Jahn, Indigenous Community Liaison and Project Coordinator, Desert, River Sea (from March 2015) Eileen Jellis, Collection Management System Officer Dani Lye, Exhibition Designer Daniel Mead, Installation Assistant (from October 2015) Melanie Morgan, Assistant Registrar John Oldham, Installation Assistant Dean Russell, Graphic Designer Sue Sauer, Registration Assistant/Digital Asset Management Co-ordinator Jude Savage, Registrar of Collections Jann Thompson, Installation Assistant Peter Voak, Exhibition and Display Coordinator Audience and Stakeholder Engagement Sharyn Beor, Marketing Manager Tamara Blom, Shop Assistant Kerri Dickfos, Visitor Experience Manager (parental leave) Jenny Emmeluth, Community Relations Coordinator Greg Fletcher, Web and Engagement Officer Richard Green, Visitor Information Assistant Toban Harris, Visitor Experience Manager (from September 2015) Sally Mauk, Finance Officer Laura Money, Visitor Information Assistant (from November 2015) Ida Sorgiovanni, Retail Manager Tanya Sticca, Community Relations Coordinator Andrea Tenger, Coordinator of Volunteer Guides Sue Way, Administrative Assistant David Wingrove, Front Desk Coordinator Lisa Young, Educator Development Rebecca Anderson, Events Co-ordinator (from September 2015) Teresa Fantoni, Foundation Manager (parental leave) Kylie King, Events Manager/Foundation Manager Josie Tanham, Partnership Manager Operations Rosemary Carroll, Information Management Officer Rob De Ray, Database Coordinator Adrian Griffiths, Gallery Facilities Coordinator Annette Stone, Executive Assistant Belinda Wood, Records Assistant Geraldton Regional Art Gallery Julie-Anne Sproule, Administration Officer Appendix D Staff Community Engagement Stephanie Baily Treasurer, Western Australian division, Australian Institute for the Conservation of Cultural Material Attended international workshop on Conservation of Japanese Paper held in Japan under the auspices of the International Council of Museums (ICOM) Sharyn Beor Member, Department of Culture and the Arts International Reference Group Stefano Carboni Adjunct Professor of Islamic Art, Faculty of Architecture, Landscape and Visual Arts, University of Western Australia Chair/Member, Council of Australian Art Museum Directors (CAAMD) Member, Alliance of chairpersons of CAAMD, CAMD, ICOM-Australia and Museums Australia Co-Chairperson Public Art Network Selection Committee for the New Perth Stadium 2014/2015 Member, Symbiotica Advisory Committee Judge, Tom Malone Prize, February 2016 Judge, St George Art Awards July 2015 Judge, Minawarra Art Awards April 2016 Guest speaker/ribbon cutter Churchlands Primary School Sculpture Park September 2015 Attended Sydney Contemporary Art Fair VIP and Opening events September 2015 Panellist at Industry Forum on the Strategic Directions Framework - by Arts Leadership Group September 2015 Participation to Islamic Museum of Australia Arts Symposium and Gala dinner Attended the Visual Arts Leaders Program in May in Kununurra. Appeared on national breakfast television with Aggie the new engagement robot 2016 Program launch November 2015 Winter Reveal May 2016 Lecture UWA Institute of Advanced Studies Great Moments Lecture at UWA Lecture at UWA - British Museum public program May 2016 TAASA lecture June 2016 Tanja Coleman Member, Australasian Registrars Committee (ARC) Robert Cook Alistair Rowe: Holding things together, Art Monthly, April 2016, issue 288 James Davies Co-judge of Baker Jewellers Geraldton sponsored Art Prize July 2015. Guest speaker at opening of Baker Jewellers Geraldton sponsored Art Prize July 2015. Presenter at City of Greater Geraldton Arts Management Committee regarding acceptance of Arthur Wakefield Bassetts painting of the Wreck of the Batavia a gift from Innes Cramer, wife of Max Cramer (deceased) who discovered the site of the Batavia wreck in 1963. Curator of Genesis 2015 combined Mid West high Schools exhibition. October 2015. Opening night speaker for the following exhibitions staged at the Geraldton Regional Art Gallery; A Year in the Making - twelve Australian contemporary jewellers. December 2015. An Internal Difficulty Australian Artists at the Freud Museum London. December 2015 Missing Lives International Red Cross photography exhibition. June 2016 Kerri Dickfos Continued Graduate Diploma in International Relations studies, University of Western Australia, February-June 2016 Presenter, Museums Australasia 2016 Jenepher Duncan Co-judge, IRIS award Perth Centre for Photography, 7 August 2015 Opening speaker, New premises and IRIS award, Perth Centre for Photography, 13 August 2015 Opening speaker, WA Focus Helen Smith, 15 August 2015 Presenter, WA Focus, Helen Smith, Foundation event, 19 August 2015 Presenter/interviewer, Helen Smith, WA Focus Public event, artists talk, 22 August 2016 Opening Speaker, Derek Kreckler Accident and Process and Consuelo Cavanglia In the distance a pool of light exhibitions, Perth Institute of Contemporary Arts, 28 August, 2016 Opening Speaker, Robert Hunter Memorial event, Ian Potter Gallery, University of Melbourne, Melbourne, 29 July 2015 Opening Speaker, Rebecca Baumann exhibition, Fremantle Arts Centre, 20 November 2015 Opening speaker, TR + AS + JW Trevor Richards, Alex Spremberg, Jurek Wybraniec, WA Focus, 11 March 2016 Presenter, TR + AS + JW, WA Focus Public Event, artists talks, 12 March 2016 Presenter, TR + AS + JW, WA Focus artists talks, AGWA Guides, 18 March 2016 Guest, Australia Council, Venice Biennale event, Wildflower, Perth, 28 April 2016 Selection panel, Mandorla Art Award, Perth, 16 May 2016 Contributor, Collection publication, Museum of Contemporary Art, Sydney, 2016 Greg Fletcher Completed a four month residency at Customs House Studios, Westport, Ireland. Attended a creative strategy session at UWA Enhance the student experience through industry engagement Adrian Griffiths AGWA representative on PACA (Protecting Australasian Cultural Artifacts) museums and art galleries across Australia and New Zealand Panel member for the selection of state suppliers for electricity CUA Lynne Hargreaves AGWA Representative at opening of Collie Art Gallery July 2015 Member, Selection Panel - Collie Art Gallery , Coordinator October 2015 Presenter - Arts Management Workshop Collie Art Gallery October 2015 Guest Co3 Perth Launch October 2015 Guest Rio Tinto 50 year Anniversary partners event November 2015 Presenter, Embroidery Guild Western Australia February 2016 Guest Scuplture by the Sea Rio Tinto corporate partners event March 2016 Member Australia New Zealand Exhibition Managers Group March 2016 Member Museum Leadership Alumni Master Class October 2015 Kimberley travel for Desert River Sea ,Visual Art Leadership Program exhibition opening, Ord Valley Muster, Kununnura May 2016 Toban Harris Chairperson, The Last Great Hunt Presentation to Bachelor of Arts Management Students March 2016 Melissa Harpley Coordinator, Treasure Ships, October 2015 Participant, Museum Leadership Program, Sydney, October 2015 Presented Treasure Ships to US Ambassadors partners, November 2015 Weekly presenter, Treasure Ships, Periscope, October 2015 January 2016 Presenter, Treasure Ships, Australian Institute for International Affairs, Perth, December 2015 Presenter, Continental Shift, Guides talk, June 2016 Ragen Haythorpe Member, Graduate Management Association Membership Director, Australian Institute of International Affairs Committee Member, Department of Culture and the Arts Substantive Equality Committee Member, Toastmasters International Member, The University Club of Western Australia Lyn-Marie Hegarty Member, Creative Partnerships Australia, Plus 1 Assessment Panel Member, Fundraising Institute Australia AGWA representative on the Council of Friends of Art Gallery of Western Australia Geraldine Henrici Kalumburu community, documentary filming with FTIs Indigenous Communitiy Stories. Cross-Kimberley field trips to art centres: Mowanjum (Derby), Mangkaja (Fitzroy Crossing), Marnin Studio (Fitzroy Crossing), Ngurra (Ngumban community), Yarliyil (Halls Creek), Warmun (Warmun community), Waringarri (Kununurra) and Nagalu Jarndu (Broome). Promotional/educational industry stand, Darwin Aboriginal Art Fair. Promotional/educational industry stand, Revealed in Perth. Facilitator, Visual Arts Leadership workshop and exhibition in Kununurra May 2016 Philippa Jahn Kalumburu community, documentary filming with FTIs Indigenous Communitiy Stories. Cross-Kimberley field trips to art centres: Mowanjum (Derby), Mangkaja (Fitzroy Crossing), Marnin Studio (Fitzroy Crossing), Ngurra (Ngumban community), Yarliyil (Halls Creek), Warmun (Warmun community), Waringarri (Kununurra) and Nagalu Jarndu (Broome). Promotional/educational industry stand, Darwin Aboriginal Art Fair. Presenter, ANKAAA (Association of Northern, Kimberley and Arnhem Aboriginal Artists) regional meeting in Kununurra. Interviews ABC Kimberley. Facilitator, Visual Arts Leadership workshop and exhibition in Kununurra. Maria Kubik Professional member, Australian Institute for the Conservation of Cultural Material Member, International Council of Museums Melanie Morgan Member, Australasian Registrar s Committee (ARC) Dunja Rmandi Panel participant, Propel Youth Arts Amplifier Art Talk: Big Arts as Small Business DCA Art Collection and Acquisition Committee December 2015current Symposium participant We Are Not Dead Yet Facilitator, Caspar Fairhall, WA Art Collective artist talk Workshop participant, Mandurah Regional Gallery Study Sue Sauer Secretary, AGWA Voluntary Gallery Guides Jude Savage Adviser, ART ON THE MOVE, The National Exhibitions Touring Structure for Western Australia Member, Australasian Registrars Committee (ARC) Brian Stewart Committee Member, Geraldton Regional Art Gallery Committee Andrea Tenger Attended the Association of Australian Gallery Guiding Organisations (AAGGO) in Adelaide Christopher Travers Attended Development Marketing Forum for collecting agencies, Melbourne Remix, Sydney. June 2016 Kate Woollett State President, Australian Institute for the Conservation of Cultural Materials (AICCM), AICCM National Council meeting, Australian Museum, Sydney Lisa Young Member, Art Education Association of Western Australia Provided advice for Central TAFE curriculum Supervisor, UWA student placement Appendix E Acquisitions PURCHASES  WESTERN AUSTRALIAN ART Contemporary CAVANIGLIA, Consuelo Untitled, 2014 pigment ink on archival paper Art Gallery of Western Australia Foundation: TomorrowFund, 2015 CAVANIGLIA, Consuelo Untitled, 2015 grey mirror, board, paint, synthetic polymer paint; ed. 1/2 Art Gallery of Western Australia Foundation: TomorrowFund, 2015 FAIRHALL, Caspar Below is above, 2016 oil on Belgian linen Art Gallery of Western Australia Foundation: TomorrowFund, 2016FAIRHALL, Caspar Strata, 2015 pencil on Arches paper Art Gallery of Western Australia Foundation: TomorrowFund, 2016GOODRUM, Adam Chatterbox table, 2011 ceramic Art Gallery of Western Australia Foundation: The Peter Fogarty Design Fund, 2016GOODRUM, Adam Felt Shoes (for Wallpaper), 2013 felt, cotton, wood (prototype), 2 parts Art Gallery of Western Australia Foundation: The Peter Fogarty Design Fund, 2016 GOODRUM, Adam Stitch Chair, 2008 laser-cut aluminium Art Gallery of Western Australia Foundation: The Peter Fogarty Design Fund, 2016 KIRWAN-WARD, Jeremy Torrent, 2014 synthetic polymer paint on canvas (diptych) Art Gallery of Western Australia Foundation: TomorrowFund, 2016McVEIGH, Matthew All roads to lead to the crux, 2016 laser-cut and etched acrylic, gold paint; ed. 1/2 Art Gallery of Western Australia Foundation: TomorrowFund, 2016  McVEIGH, Matthew Cross Section, 2016 paint, measuring tape, routed timber Art Gallery of Western Australia Foundation: TomorrowFund, 2016MILLER, Graham Cowboys, 2009 pigment print; ed. 1/8 Art Gallery of Western Australia Foundation: TomorrowFund, 2016 MILLER, Graham Gooseberry Hill, 2010 pigment print; ed. 1/8 Art Gallery of Western Australia Foundation: TomorrowFund, 2016MILLER, Graham Josephine, 2010 pigment print; ed. 1/8 Art Gallery of Western Australia Foundation: TomorrowFund, 2016MILLER, Graham Kayleigh #1, 2015 pigment print; ed. 1/8 Art Gallery of Western Australia Foundation: TomorrowFund, 2016MILLER, Graham Kayleigh #2, 2015 pigment print; ed. 1/8 Art Gallery of Western Australia Foundation: TomorrowFund, 2016 MILLER, Graham Malika, 2010 archival inkjet print, ed. 1/8 Art Gallery of Western Australia Foundation: TomorrowFund, 2016MILLER, Graham Mt Claremont, 2015 pigment print; ed. 1/8 Art Gallery of Western Australia Foundation: TomorrowFund, 2016RIMMER, Brad Wyalkatchem Autumn Fire #3, 2015 giclee prints on Hahnemuhle paper behind orange acrylic (diptych); ed. 3/3 Art Gallery of Western Australia Foundation: TomorrowFund, 2016 ROWE, Alistair We look for ourselves in each other I, 2015 bronze glass, black walnut, EVA blocks, polypropylene strap and steel seals; artist proof, ed. 2/2 (+ AP) Art Gallery of Western Australia Foundation: TomorrowFund, 2016 ROWE, Alistair We look for ourselves in each other II, 2015 Bronze, glass, black walnut, EVA blocks, polypropylene strap and steel seals; ed. 2/2 (+ AP) Art Gallery of Western Australia Foundation: TomorrowFund, 2016SMITH, Helen Alighiero e Boetti from Wikipedia, Svalbard Global Seed Vault, 2015 oil on canvas Art Gallery of Western Australia Foundation: TomorrowFund, 2015  HistoricBARRATT, Constance Dish with kangaroo paw decoration, 1945 hand-painted china Consolidated Account CREETH, Helen & CREETH, May Mantle set with leschenaultia biloba decoration, c1910 hand-painted china Consolidated Account CREETH, May (attributed) Black Swan of Western Australia, 1929 hand-painted china Consolidated Account GOODEN, Alva Souvenir dinner plate, 1950s hand-painted china Consolidated Account LAPSLEY, Charlotte Evelyn Bowl with red flowering gum, 1920s hand-painted china Consolidated Account LAPSLEY, Charlotte Evelyn Leschenaultia tea set, 1920s hand-painted china, 20 parts Consolidated AccountLIGHTFOOT, Nellie Pin dish with Geraldton wax decoration, 1926 hand-painted china Consolidated Account OWTRAM, Elizabeth Ann Saucer, 1910s hand-painted and gilded Limoges porcelain blank Consolidated AccountROBISON, (Oenwen) Joan Jug, not dated hand-painted china Consolidated AccountSEDGLEY, Mavis Demi-tasse, 1930s hand-painted china, 2 parts Consolidated AccountWALKER, Helen Cup and saucer with spider orchid decoration, 1920s hand-painted Shelley bone china blank, 2 parts Consolidated Account WEMBLEY WARE Jug, not dated hand-painted china Consolidated Account IndigenousMACK, Clifton Jiirda (Increasing site), 2015 synthetic polymer with textured medium on canvas Art Gallery of Western Australia Foundation: TomorrowFund, 2015 STREET, Mervyn Bull ride, 20152016 acrylic on canvas, 3 parts Art Gallery of Western Australia Foundation: Tomorrow Fund, 2016WARD, Ben Galmidle Bilbijing Hill, 2016 ochre on canvas Art Gallery of Western Australia Foundation: Tomorrow Fund, 2016 AUSTRALIAN ART Contemporary BISETTO, Gabriella Becoming, 2015 blown glass, fishing line, steel frame Art Gallery of Western Australia Foundation: Tom Malone Prize, 2016 FUSINATO, Marco The infinitive 2, 2015 white UV halftone ink on black aluminium, 6 parts Consolidated Account GLADWELL, Shaun Broken dance (Beatboxed), 2012 two-channel synchronised High Definition video, 16:9, colour, sound; ed. 3/3 (+ AP) Art Gallery of Western Australia Foundation: TomorrowFund, 2015 HARRIS, Brent Peaks, 2012 oil on linen Art Gallery of Western Australia Foundation: TomorrowFund, 2015 ISHAK, Raafat Apnea 1, 2015 synthetic polymer paint on composition board Art Gallery of Western Australia Foundation: TomorrowFund, 2015 ISHAK, Raafat Graduate Research and Withdrawal #1, #2, #3, #4, 2015 mixed media on paper and glass, 4 parts Art Gallery of Western Australia Foundation: TomorrowFund, 2015 ISHAK, Raafat Spatial Practice with Aioli, 2014 synthetic polymer paint on composition board Art Gallery of Western Australia Foundation: TomorrowFund, 2016 JOHNSON, Jess Gilgamesh, 2015 pen, fibre-tipped markers, metallic paint and gouache on paper, artists frame Art Gallery of Western Australia Foundation: TomorrowFund, 2016 JUBELIN, Narelle As yet untitled (Lina Bo Bardi, 19861987), 2014 cotton on silk petit-point Art Gallery of Western Australia Foundation: TomorrowFund, 2016 KRECKLER, Derek Bicycle race, 1978 video transfer from Super 8 film; ed. 1/4 (+ 2 AP) Art Gallery of Western Australia Foundation: TomorrowFund, 2015 KRECKLER, Derek Blind Ned, 1996 video; ed. 2/4 (+ 2 AP) Art Gallery of Western Australia Foundation: TomorrowFund, 2015 MARRINON, Linda Woman in green, 2015 tinted and painted plaster Art Gallery of Western Australia Foundation: TomorrowFund, 2015  MAY, Anne-Marie Untitled (Construction of coloured rays), 1993 felt Art Gallery of Western Australia Foundation: TomorrowFund, 2015MAY, Anne-Marie Untitled, 2015 birch plywood and thermally-formed acrylic Art Gallery of Western Australia Foundation: TomorrowFund, 2015MCDIARMID, David Rainbow Aphorisms series, 1994/2012 inkjet print on 310 gsm Platine fibre cotton rag, 6 parts; ed. 1/50 (+ 2 AP) Art Gallery of Western Australia Foundation: TomorrowFund, 2015MCDIARMID, David Untitled from Toxic Queen series, 1993 colour Xerox, signed, 2 parts; unnumbered multiples Art Gallery of Western Australia Foundation: TomorrowFund, 2015 PARRISH, Tommi Im not a very good swimmer but I wouldnt have let you drown [front and back cover], 2014 gouache, watercolour and fine-liner on paper, 2 parts Art Gallery of Western Australia Foundation: TomorrowFund, 2016PARRISH, Tommi Im not a very good swimmer but I wouldnt have let you drown, 2014 gouache, watercolour and fine-liner on paper Art Gallery of Western Australia Foundation: TomorrowFund, 2016SMITH, Gemma Volume, 2015 synthetic polymer paint on linen Art Gallery of Western Australia Foundation: TomorrowFund, 2015VALAMANESH, Hossein Char Soo, 2015 four channel video projection; ed. of 5 (+ 2 AP) Consolidated Account WILSON, Henry Bookends small, 2014 cast bronze, 2 parts Art Gallery of Western Australia Foundation: The Peter Fogarty Design Fund, 2016WILSON, Henry Compass hook, 2014 cast aluminium Art Gallery of Western Australia Foundation: The Peter Fogarty Design Fund, 2016WILSON, Henry Compass hook, 2014 cast bronze Art Gallery of Western Australia Foundation: The Peter Fogarty Design Fund, 2016 WILSON, Henry Cup hook, 2014 cast aluminium Art Gallery of Western Australia Foundation: The Peter Fogarty Design Fund, 2016WILSON, Henry Cup hook, 2014 cast bronze Art Gallery of Western Australia Foundation: The Peter Fogarty Design Fund, 2016WILSON, Henry Vide Poche, 2014 cast bronze Art Gallery of Western Australia Foundation: The Peter Fogarty Design Fund, 2016WILSON, Henry Vide Poche Rond, 2014 cast bronze Art Gallery of Western Australia Foundation: The Peter Fogarty Design Fund, 2016 WILSON, Henry Thoronet dish, 2014 cast bronze Art Gallery of Western Australia Foundation: The Peter Fogarty Design Fund, 2016  IndigenousAH KEE, Vernon Therewasafall, 2015 synthetic polymer paint on Belgian linen Consolidated Account BELL, Richard Scratch an Aussie, 2008 DVD projection; ed. 3/5 Art Gallery of Western Australia Foundation: TomorrowFund, 2016 COPE, Megan The Blaktism, 2014 single-channel HD video; ed. 2/5 Art Gallery of Western Australia Foundation: TomorrowFund DICKENS, Karla The Native Institute, 20132015 mixed media installation: wood, leather, snakeskin, porcupine quills, metal, feathers, plant fibre, shell, textile, paper, tooth, bone, ceramic and synthetic polymer paint, 22 parts Art Gallery of Western Australia Foundation: TomorrowFund, 2015TIPOTI, Alick Turtle mask, 2014 fibreglass, synthetic polymer paint, raffia, beads, shell, natural ochre pigment, wood, bamboo, fibreglass resin, stain and plastic Consolidated Account INTERNATIONAL ART ContemporaryBIELANDER, David Python, 2011 titanium and silver; ed. 9/12 Art Gallery of Western Australia Foundation: TomorrowFund, 2015 De WAAL, Edmund a new ground II, 2015 13 porcelain vessels and corten steel blocks in 7 steel, corian and plexiglass vitrines Consolidated AccountGORMLEY, Antony Big Pluck 2, 2015 mild steel bar Purchased through the Art Gallery of Western Australia Foundation: Funds donated by John Rodgers to the Art Gallery of Western Australia, for permanent display and enjoyment by the public in recognition of the contribution by his father Kurt Rodgers to the Arts and the Gallery, of which he was a Board member from 1960 to 1970, 2016GORMLEY, Antony Big Yield, 2015 mild steel bar Purchased through the Art Gallery of Western Australia Foundation: Funds donated by John Rodgers to the Art Gallery of Western Australia, for permanent display and enjoyment by the public in recognition of the contribution by his father Kurt Rodgers to the Arts and the Gallery, of which he was a Board member from 1960 to 1970, 2016NILSEN, Anders Dont go where I cant follow, 2006 ink and correction fluid on paper, 8 parts Art Gallery of Western Australia Foundation: TomorrowFund, 2016REG Jr., Ron Lost in the jungle, 2011 pen and pencil on paper Art Gallery of Western Australia Foundation: TomorrowFund, 2016 REG Jr., Ron The science of applied energy, 2011 pen and pencil on paper Art Gallery of Western Australia Foundation: TomorrowFund, 2016REG Jr., Ron Thoughtforms, 2011 pen and pencil on paper Art Gallery of Western Australia Foundation: TomorrowFund, 2016 SWARTZ, Julianne Blue sky with rainbow, 2015 fibre optic cable, solar collector, custom PVC cladding, prism Art Gallery of Western Australia Foundation: TomorrowFund, 2015 TALBOT, Emma Before I Loved You, Love, Nothing Was My Own, 2015 acrylic on canvas Art Gallery of Western Australia Foundation: TomorrowFund, 2016TALBOT, Emma Texting, 2011 gouache and watercolour on paper Art Gallery of Western Australia Foundation: TomorrowFund, 2016 DONATIONS WESTERN AUSTRALIAN ART Contemporary ABDULLAH, Abdul-Rahman The obstacle, 2014 wood, buffalo horn, hand-knotted woollen carpet, 2 parts Gift of the Artist under the Commonwealth Government's Cultural Gifts Program, 2016GIBBONS, Tom [The seasons], 1996 screen print, 4 parts Transferred from the Department of the Attorney General, Asset Management and Contracts, Government of Western Australia, 2016TAYLOR, Howard Untitled (Cloud), 1976 oil on Masonite Gift of E & N M Rohner through the Commonwealth Government's Cultural Gifts Program, 2016 TAYLOR, Howard Untitled, 1976 oil on Masonite Gift of E & N M Rohner through the Commonwealth Government's Cultural Gifts Program, 2016 TAYLOR, Howard Sky, 1999 pastel on Museum board Gift of E & N M Rohner through the Commonwealth Government's Cultural Gifts Program, 2016TAYLOR, Howard Study for landscape, 1989 pastel on paper Gift of E & N M Rohner through the Commonwealth Government's Cultural Gifts Program, 2016TAYLOR, Howard Untitled [Treeline study] (from Sketchbook 93B), 1993 ink on paper Gift of E & N M Rohner through the Commonwealth Government's Cultural Gifts Program, 2016TAYLOR, Howard Untitled [Sun, cloud, light study], c1976 ink on paper Gift of E & N M Rohner through the Commonwealth Government's Cultural Gifts Program, 2016TAYLOR, Howard Untitled [Undulating landscape] (from Sketch book 76B), 1976 ink on paper Gift of E & N M Rohner through the Commonwealth Government's Cultural Gifts Program, 2016 TAYLOR, Howard Untitled [Landscape emblem] (from Sketch book 76B), 1992 ink on paper Gift of E & N M Rohner through the Commonwealth Government's Cultural Gifts Program, 2016 TAYLOR, Howard Untitled [Light, discs, column] (from Sketchbook 92), 1992 ink on paper Gift of E & N M Rohner through the Commonwealth Government's Cultural Gifts Program, 2016TAYLOR, Howard Shannon dam, 1997 ink and collage on Museum board Gift of E & N M Rohner through the Commonwealth Government's Cultural Gifts Program, 2016TAYLOR, Howard Study for space screen, 1982 graphite and acrylic on card Gift of E & N M Rohner through the Commonwealth Government's Cultural Gifts Program, 2016 TAYLOR, Howard Untitled [Forest figure], c.1987 acrylic on wood and Masonite Gift of E & N M Rohner through the Commonwealth Government's Cultural Gifts Program, 2016TAYLOR, Howard Flower study: still life, 1989 pastel on paper Gift of E & N M Rohner through the Commonwealth Government's Cultural Gifts Program, 2016WYBRANIEC, Jurek Natura rationalis, 1992 synthetic polymer paint on Masonite Gift of Gary Giles through the Commonwealth Government's Cultural Gifts Program, 2016 HistoricTAYLOR, Howard Study for Fremantle Passenger Terminal, flower mural, c.1960 acrylic and pencil on tinted paper on board Gift of E & N M Rohner through the Commonwealth Government's Cultural Gifts Program, 2016 TAYLOR, Howard Untitled [Study for Fremantle Passenger Terminal; flower mural], c.1960 acrylic on tinted paper Gift of E & N M Rohner through the Commonwealth Government's Cultural Gifts Program, 2016TAYLOR, Howard Study for wood structure, 1956 pencil on paper Gift of E & N M Rohner through the Commonwealth Government's Cultural Gifts Program, 2016TURNER, Thomas Augusta. Hardys Inlet. Western Australia. First Settlement May 1830., 1830 watercolour on paper Transferred from the Augusta Historical Museum, 2016 TURNER, Thomas Augusta Hardys Inlet. Western Australia 1840, 1840 watercolour on paper Transferred from the Augusta Historical Museum, 2016 Indigenous BROWN, Anmanari Kungka Rankalpa (Seven Sisters), 2004 drawing on paper Gift of Sue and Ian Bernadt, 2016BROWN, Anmanari Kungka Rankalpa (Seven Sisters), 2004 drawing on paper Gift of Sue and Ian Bernadt, 2016 BURKE, Cynthia Footprints and patterns, 2004 drawing on paper Gift of Sue and Ian Bernadt, 2016 BURKE, Jean Inyalangka Footprints and patterns, 2004 drawing on paper Gift of Sue and Ian Bernadt, 2016 COOPER, Kuntjil Ilupilupa, 2004 drawing on paper Gift of Sue and Ian Bernadt, 2016COOPER, Kuntjil Pinta-Pinta (Butterfly), 2004 drawing on paper Gift of Sue and Ian Bernadt, 2016 COOPER, Kuntjil Pinta-Pinta (Butterfly), 2004 drawing on paper Gift of Sue and Ian Bernadt, 2016COOPER, Kuntjil Tjukata, 2004 drawing on paper Gift of Sue and Ian Bernadt, 2016COOPER, Kuntjil Tjumalpala, 2004 drawing on paper Gift of Sue and Ian Bernadt, 2016 DAWSON, Alkawari Kapi Mayu (Rockhole), 2004 drawing on paper Gift of Sue and Ian Bernadt, 2016 DAWSON, Alkawari Kapunpa, 2004 drawing on paper Gift of Sue and Ian Bernadt, 2016 DAWSON, Alkawari Walputa (Rockhole), 2004 drawing on paper Gift of Sue and Ian Bernadt, 2016 JERROLD, Maudie The seagulls and cormack birds, 2015 acrylic on canvas Gift of Rio Tinto Iron Ore from the 'Colours of our Country' exhibition, 2015 MARTIN, Angampa Walu, 2004 drawing on paper Gift of Sue and Ian Bernadt, 2016 TINGIMA, Wingu Kapi Piti Kutara (Two Rockholes), 2004 drawing on paper Gift of Sue and Ian Bernadt, 2016 TJILYA, Tjinkuma Kunu, 2004 drawing on paper Gift of Sue and Ian Bernadt, 2016 WATSON , Tjuruparu Geoffrey Untitled, 2004 drawing on paper Gift of Sue and Ian Bernadt, 2016WATSON, Tommy Yannima Pikarli Kulpiltjara, 2004 drawing on paper Gift of Sue and Ian Bernadt, 2016WOODS, Tjayanka Seven Sisters, 2004 drawing on paper Gift of Sue and Ian Bernadt, 2016 PORTER, Eunice Riding camels Warburton Mission times, 2014 synthetic polymer paint and recycled tin on plywood Gift of Nicholas Wallwork under the Commonwealth Government's Cultural Gifts Program, 2016   AUSTRALIAN ART Contemporary CAPURRO, Christian After the deluge, corrections (Sanctum); 199899 magazine sheet with correction fluid (2 sheets) mounted on one board Gift of John McBride AM under the Commonwealth Government's Cultural Gifts Program, 2015 CAPURRO, Christian Salve, 1995 monoprint, chine colle, tape Gift of John McBride AM under the Commonwealth Government's Cultural Gifts Program, 2015CAPURRO, Christian Deluge (After J.B.) #1, #3, #5, #7, #12, #13, #15, #17, #19, #23, 19892001 colour photograph, 10 parts Gift of John McBride AM under the Commonwealth Government's Cultural Gifts Program, 2015CAPURRO, Christian Deluge (After J.B.) #10, #20, #28, #29, #35, 19892001 colour photograph, 5 parts Gift of John McBride AM under the Commonwealth Government's Cultural Gifts Program, 2015CAPURRO, Christian Lots wife / the empire strikes back, 1998 magazine page with ink removed by adhesive tape (diptych) Gift of John McBride AM under the Commonwealth Government's Cultural Gifts Program, 2015 CAPURRO, Christian Outta white breath again, 2000 magazine with liquid paper and black ballpoint pen Gift of John McBride AM under the Commonwealth Government's Cultural Gifts Program, 2015 CAPURRO, Christian Appall, 19951996 monoprint, chine colle Gift of John McBride AM under the Commonwealth Government's Cultural Gifts Program, 2015CAPURRO, Christian Untitled garnish, 199697 grafting on paper (tape and ink on paper) Gift of John McBride AM under the Commonwealth Government's Cultural Gifts Program, 2015 DICKERSON, Robert The businessmen, 1997 synthetic polymer paint on canvas Gift of Mrs Jill Dickerson under the Commonwealth Government's Cultural Gifts Program, 2016 GITTOES, George The Hotel Kennedy suite, 1971 etching, aquatint, 24 parts; ed. 5/40 Gift of the Artist under the Commonwealth Government's Cultural Gifts Program, 2016KRECKLER, Derek The looking and other outcomes (after Yagan),1999 (Roadside1 and Roadside2 (diptych), Nature strip 1 andNature strip 2(diptych), Freezer, Salon, Bookshop 1, Bookshop 2, Bottleshop) light jet prints from film negative, 9 parts Gift of Wesfarmers Art, 2016 KRECKLER, Derek White goods (series) #1, #3, #4, #6, #9, 2004 C-type print, 5 parts Gift of the artist under the Commonwealth Government's Cultural Gifts Program, 2015MAGUIRE, Tim Tank in flood, 1986 oil and enamel on plywood Gift of Derek Kreckler under the Commonwealth Government's Cultural Gifts Program, 2015MCDIARMID, David Untitled from Toxic Queen series, 1993 colour Xerox, signed, 2 parts unnumbered multiples Gift of Neon Parc and the Estate of David McDiarmind, 2015 NOONAN, David Untitled, 2003 dyed and bleached canvas, buttons Gift of John McBride AM under the Commonwealth Government's Cultural Gifts Program, 2015 HistoricKING, Inge Wall sculpture,1963 bronzed steel Gift of the artist under the Australian Government's Cultural Gifts Program, 2015KING, Inge Norman keep, maquette, 196364 bronzed steel Gift of the artist under the Australian Government's Cultural Gifts Program, 2015 IndigenousDICKENS, Karla Kuna, Cunt, Buju, Kunte, Cunnus, 2002 synthetic polymer paint and plastic tubing on canvas, 5 panels Gift of Sue and Ian Bernadt, 2016 DICKENS, Karla Rock on, 2004 synthetic polymer paint and beading on canvas Gift of Sue and Ian Bernadt, 2016MURRAY, Lesley My grandfather, 1994 pastel on paper Gift of Sue and Ian Bernadt, 2016  INTERNATIONAL Contemporary COTTON, Shane Pattern in 2 Lords Prayers, 2002 synthetic polymer paint on canvas Donated through the Australian Governments Cultural Gifts Program by Jenny and Wyborn Seabrook GTTIN, Daniel NR.H1/ NRJ1, 1990 synthetic polymer paint on canvas (diptych) Donated by Gary Giles under the Commonwealth Governments Cultural Gifts Program, 2016 Appendix F Exhibitions This is a brief description of exhibitions and displays on show at AGWA during the year. More detailed information about the exhibitions can be found at  HYPERLINK "http://www.artgallery.wa.gov.au/exhibitions/current.asp" artgallery.wa.gov.au/exhibitions/current.asp State Art Collection Displays Your Collection 1800 Today Since December 2011 These displays of the State Art Collection (Your Collection), are constantly changing and bring together painting, sculpture, decorative arts, photography, design, works on paper and video/filmic works. Works range from the age of discovery, Australian colonial times, modernity, land and landscape to contemporary art produced in the 21st century. Favourites such as Down on his luck by Frederick McCubbin, purchased within a year of the Gallery opening in 1895, are on display alongside many of the Collections cherished gifts. William Kentridges Shadow quartet Since May 2011 South African artist William Kentridge is one of the most compelling artists of our time, with his work spanning an extraordinary range encompassing drawing, sculpture, film, opera, tapestry and more. Shadow Quartet forms and ensemble of four individual sculptures; each one of the figures is actually a cluster of multiple shadow figures with different personas that appear and disappear as visitors walk around and between them. Works from the Wesfarmers Collection 19 May 2016 January 2017 To launch its two new display spaces, Garden and Sky, AGWA put on display large works accompanied by smaller works from the Wesfarmers Arts Collection, following the idea of large works in small spaces. The new spaces are intended to offer the opportunity to create unique artistic conversations. As such, the first display began with a conversation between Aboriginal and non-Aboriginal artists across the two galleries. The following artists (with their works) were represented: Brook Andrew (AUSTRALIA 2013), William Delafield Cook (A Haystack 2013), Richard Bell (Omega [Bells Theorem] 2013), Ben Quilty (Pacific Self Portrait 2014), Jan Billycan (Kirriwirri 2011), Jack Britten (PurnululuI 2001), Rammey Ramsey (Warlawoon Country 2011). Swamp Gospel 19 May November 2016 A new sound work by Mei Saraswati was created for the new Rise Sound Gallery with the research expertise of wetland ecologist Jacqueline Giles. Featuring Giles' recordings of long-necked turtle calls and sounds of underwater invertebrates, this ode to the former wetland and lake site on which the Gallery is situated, allowed visitors to sonically travel either up or down the water column in this vertical space, immersed in melodic collaboration between species and the orchestral noise of biological activity. Sacred and Profane 7 May 22 August 2016 Featuring three large-scale works by by three of the worlds most innovative and engaging artists, Jitish Kallat (Public Notice 2 2007), Nalini Malani (The sacred and profane 1998) and Yang Zhichao (s Chinese Bible 2009), this display explored themes of freedom, belief and the political power of the imagination. Conceptually united under the banner Sacred and Profane the installations critically and poetically engaged with, challenged and broke away from, tradition and established conventions; each work being a bold, immediately captivating aesthetic statement that also delivers considerable intricacy and nuance Year 12 Perspectives 12 March 13 June 2016 Year 12 Perspectives is an annual taste of art by some of the best, brightest and most talented graduating high school artists in Western Australia. An twelve-monthly barometer of what our youth are thinking and feeling, it is also a rich celebration of the role the arts play in the development of individual identities, and provides a platform to showcase selected works from students graduating from Year 12 Visual Arts. 58 works by 57 students from across the state were selected by this years judging panel, with works spanning a variety of subject matter and media, ranging from painting and drawing to sculpture, digital moving image, photography and textiles. Treasure Ships: Art in the Age of Spices 10 October 2015 31 January 2016 Treasure Ships: Art in the Age of Spices, a collaboration between AGWA and the Art Gallery of South Australia, featured the spectacular and exotic art produced for global markets from the sixteenth to early nineteenth centuries. Spurred on by a demand for spices, great voyages of exploration led to the establishment of vast empires across Asia. Treasure Ships presented the stories of the spice markets, slave trade and shipwrecks, as well as illustrating the astonishing beauty of Chinese porcelain, known as white gold and celebrating vibrant Indian textiles created for export around the world. Outstanding and rarely-seen examples of ceramics, decorative arts, furniture, maps, metalware, paintings, prints and textiles from public and private collections in Australia, India, Portugal, Singapore and the United States were included in the exhibition. Resistance 8 November 2015 21 February 2016 Resistance was a presentation of Aboriginal and Torres Strait Islander voices and worldviews about contemporary Indigenous life. Featuring Indigenous knowledge systems and commentary on Indigenous experiences, histories, cultures and people, it highlighted the importance of voice to combat voicelessness and invisibility conditions regularly experienced by Indigenous peoples and minorities around the world. American dream, American nightmare 15 August 2015 15 February 2016 American dream, American nightmare was a two-part display focusing on one of the Collections most iconic and most requested works, Brett Whiteleys The American dream 1968-1969. This major, 18-part installation has not been seen at the Gallery since 2004 and it is looking better than ever: the work had received major conservation treatment prior to its inclusion in the major survey of Australian and international Pop art Pop to Popism at the Art Gallery of New South Wales. Western Australian Indigenous Art Awards 2015 4 July 12 October 2015 One of the richest Indigenous arts prizes in the country, this is a national award founded in 2008 to celebrate the scope, diversity and excellence of art from all corners of Indigenous Australia, It acknowledges the significant and ongoing contribution Aboriginal and Torres Strait Islander artists make to Australian art, culture and society. The 14 finalists represented in the Awards exhibition had the opportunity to share in $65,000 in prizes. The awards comprise the group exhibition and three non-acquisitive awards totalling $65,000: the Western Australian Indigenous Art Award of $50,000; the Western Australian Artist Award of $10,000; and the Peoples Choice Award of $5,000. Desert River Sea Display 18 July - 7 September 2015 This display highlighted works from HYPERLINK "http://desertriversea.com.au/"  Desert River Sea: Kimberley Art Then and Now, a multi-faceted project conceived to forge a closer working relationship between AGWA and art communities in the Kimberley region, while recording the artistic practices within this culturally diverse area of Western Australia. Alongside a selection of Kimberley works from the State Art Collection, artists stories captured during a 2014 collaboration with  HYPERLINK "https://www.fti.asn.au/make/icstories" FTIs Indigenous Community Stories were screened. For Love of Country 4 April - 20 July 2015 For Love of Country marked the Gallerys contribution to Perths commemoration of the 100th Anniversary of the First World War and the Australian Gallipoli campaign. Drawn from the State Art Collection, this exhibition presented a compelling mix of historical works from the First and Second World Wars, together with contemporary works that reflected on wider issues and conflicts. The exhibition provided a powerful visual narrative of the many forms of conflict across generations and countries and offered a reflective experience for viewers of wars grim legacy on people and places. SCREEN SPACE Works screened in this dedicated space for AGWAs growing collection of filmic acquisitions change on a regular basis. Angelica Mesiti, Citizens band 29 August 8 November 2015 Citizens band documented the individual performances of four migrant musicians, concluding with a polyphonic piece created by playing all the soundtracks together. Each player produces a distinct sound through techniques that are inflected with their cultural origin, and which all poignantly evoke their remembrance of the homeland. Mary Reid Kelley, Priapus Agonistes 20 May 25 September 2016 One of a group of works made by young American artist Mary Reid Kelley that re-examine aspects of Greek mythology, this work combines humour and tragedy, the film focuses on a minotaur roaming a labyrinth beneath a gymnasium, waiting for members of the losing team to be sent down as food, and the posturing of one of the players, Priapus who, at the films end, will descend to destroy the creature. Ryan Trecartin, 6 Movies 9 April 25 July 2015 Recently described as a video art visionary whose work is full of breaking news from the future, Ryan Trecartin is widely considered to be the artist of our moment This Perth debut of his work featured AGWAs major recent acquisitions, the movies Sibling Topics (section a) 2009 and CENTER JENNY 2013. Susan Norrie, Enola 30 May 16 August 2015 Enola's title refers to the American plane Enola Gay that dropped an atomic bomb on Hiroshima in 1945. Norries interest in nuclear and environmental issues influences this work. The setting is a childrens architectural theme park in Nikko, Japan that once displayed miniature versions of iconic international buildings. WA FOCUS Graham Miller 21 November 2015 28 February 2016 This annual program dedicated to displaying the work of Western Australian artists, WA Focus showcases recent and new work by local artists, selected to represent a mix of gender, experience and medium. AGWA will work closely with Western Australian artists and the art community to present exhibitions that display the range and depth of our states creative talent. Rebecca Baumann 28 May 22 August 2016 For WA Focus, Rebecca Baumann presented a site specific installation, creating an immersive experience which explores colour, light and time. Rebecca graduated from Curtin University in 2002 and has enjoyed a swift career trajectory; she is one of Perths most sought after exhibiting artists. While differing in medium and content, her work is immediately recognisable. She is represented in the State Art Collection with her work Automated Colour Field, an hypnotic display of ceaselessly turning flip-clocks which featured in the WA Focus exhibition. TR + AS + JW | Trevor Richards, Alex Spremberg And Jurek Wybraniec 12 March 18 May 2016 Three mid-career Perth artists created new work across a variety of media for the WA Focus program. Trevor Richards practice includes painting, sculpture, video, music and architectural interventions. Born in Merredin, Western Australia, Richards has exhibited widely in Australia and overseas. His work crosses hard-edged abstraction, popular culture and everyday objects, often referencing the geometric patterns of his own homes tiled flooring. Born in Merredin, Western Australia, Richards has exhibited widely in Australia and overseas Alex Spremberg has had a long interest in packaging materials, from cardboard boxes and newspapers, which provide him with the elements that form the basis of his work. For the WA Focus exhibition, Spremberg worked with discarded record covers, exploring how the flow and drip of paint can mimic or counterpoint a cover image. Spremberg was born in Hamburg, Germany, and moved to Perth in 1982. Jurek Wybraniec is known for his wry commentary on popular cultural idioms combined with a reductive representation of the world around us. Drawing on our use of language, materials and space, his work reinterprets the everyday through a minimalist compositional approach to find its often comical, often covert, nature. Born in Perth, Wybraniec has exhibited internationally and in Australia. Graham Miller 21 November 2015 28 February 2016 Graham Miller is one of Western Australias most important photographers, known for his atmospheric images that combine cinematic vision with the eye-for-subtle-detail of a short story writer. This display presented works spanning more than 15 years of Miller's output, around two distinct threads: a body of landscape works and a group of portraits. Generous in spirit and outlook, his works are emotionally rich and often moving portraits of people and places. Helen Smith 15 August 18 October 2015 Paintings and photographs selected from the Collection were shown together for the first time, alongside new paintings, in order to demonstrate the subtle inter-relationship of these two streams of Helen Smiths practice, which incorporates a minimalist approach to geometric forms while reflecting her interest in social and cultural systems. Proximity Festival 28 October 8 November 2015 In October and November AGWA was home to 12 intimate performances tailor-made for an audience of one! Proximity Festival 2015 provided 12 days of experimental performances, intimate gallery tours and lively discussions. Abdul-Rahman Abdullah and Abdul Abdullah 22 April - 27 July 2015 The program began with Abdul-Rahman Abdullahs sculptures and installations and Abdul Abdullahs interdisciplinary work, as the brothers, who often collaborate, explored themes of cultural identity, memory and narrative.     PAGE 14  PAGE \* MERGEFORMAT 45 Art Gallery of Western Australia 2015 16  PAGE \* MERGEFORMAT 2 Art Gallery of Western Australia 2015 16  PAGE \* MERGEFORMAT 5 Art Gallery of Western Australia 2015 16  PAGE \* MERGEFORMAT 11  PAGE \* MERGEFORMAT 105 Art Gallery of Western Australia 2015 16 Art Gallery of Western Australia 2015 16 Art Gallery of Western Australia 2015 16 Art Gallery of Western Australia 2015 16 Art Gallery of Western Australia 2015 16 Art Gallery of Western Australia 2015 16 Art Gallery of Western Australia 2015 16 Art Gallery of Western Australia 2015 16 Art Gallery of Western Australia 2015 16 Art Gallery of Western Australia 2015 16 Art Gallery of Western Australia 2015 16 Art Gallery of Western Australia 2015 16 PAGE 126 Art Gallery of Western Australia 2015 16 Our Purpose To inspire our visitors and enrich Western Australia with great collections of art. Minister for Culture and the Arts Department of Culture and the Arts Board Committees Board Foundation Council Director Director, Audience and Stakeholder Engagement Collections Collections !ո~eeP;)h95CJOJPJQJ^JaJnHtH)h5CJOJPJQJ^JaJnHtH0h`5CJOJPJQJ^JaJmHnHtH u8hW6h*|5B*CJ(OJPJQJ^JaJ(nHphtH8hoh%f5B*CJ(OJPJQJ^JaJ(nHphuKtH8hohp<5B*CJ(OJPJQJ^JaJ(nHphuKtH8hoh'5B*CJ(OJPJQJ^JaJ(nHphuKtHjhLUmHnHu  !"#$&'HIR{ dxgdL' dgdL' dgdY?gdx $da$gd' $da$gdCG!"#$%&'GHIR{  4 5 ǹyaJaJaJB>Bh>cjh>cU,hW6hPCJOJPJQJ^JaJnHtH/hW6hP5CJOJPJQJ^JaJnHtH,hW6hY?CJOJPJQJ^JaJnHtHhLhp<B*phhLhxB*phh%fnH tH hW6h9nH tH jhLUmHnHuh9B*mHnHphuKtH uh%fB*mHnHphuKtH u/hW6h95CJOJPJQJ^JaJnHtHQ   U dxgdL' dgdL' dxgdL' dgdL' dgdL' dxgdL'5 O P Q Z [  h j Ͷz͟bMb99b&h9CJOJPJQJ^JaJnHtH)h>5CJOJPJQJ^JaJnHtH/hW6hP5CJOJPJQJ^JaJnHtH0h6Qh6Q0JCJOJPJQJ^JaJnHtHh>cjh>cU,h6QhPCJOJPJQJ^JaJnHtH,hW6hPCJOJPJQJ^JaJnHtH3jh>c0JCJOJPJQJU^JaJnHtH0hh6Q0JCJOJPJQJ^JaJnHtH 9 : S T ^ _ E F T U {fN:&h9ldCJOJPJQJ^JaJnHtH/hW6hP5CJOJPJQJ^JaJnHtH)h l#5CJOJPJQJ^JaJnHtH*hP0JCJOJPJQJ^JaJnHtH0h6Qh6Q0JCJOJPJQJ^JaJnHtH,hW6hPCJOJPJQJ^JaJnHtH3jh>c0JCJOJPJQJU^JaJnHtH0hh6Q0JCJOJPJQJ^JaJnHtHjh>cUh>c b d e @BCs   qՕՕՍpV?,hF2;hPCJOJPJQJ^JaJnHtH3jh>c0JCJOJPJQJU^JaJnHtH0h w=h9ld0JCJOJPJQJ^JaJnHtHh>cjh>cU/hW6hP5CJOJPJQJ^JaJnHtH&h l#CJOJPJQJ^JaJnHtH&hPCJOJPJQJ^JaJnHtH,hW6hPCJOJPJQJ^JaJnHtH&h9CJOJPJQJ^JaJnHtH e Cs K]1|v$a$gd:H $  a$gd:Hgdxgdnt dxgdx dxgdL' dgdL' 2d]2gdL'qrtuWcdnһһҤ|h`\`C0hW6hP0JCJOJPJQJ^JaJnHtHh>cjh>cU&h l#CJOJPJQJ^JaJnHtH&h9CJOJPJQJ^JaJnHtH&h0UZCJOJPJQJ^JaJnHtH,hW6hPCJOJPJQJ^JaJnHtH,hF2;h9CJOJPJQJ^JaJnHtH,hF2;hPCJOJPJQJ^JaJnHtH,hF2;h9ldCJOJPJQJ^JaJnHtHnoqruv  79HZIJKѻѡ}i}i}i}Q}i=&hxCJOJPJQJ^JaJnHtH/hW6hP6CJOJPJQJ^JaJnHtH&h9CJOJPJQJ^JaJnHtH,hW6hPCJOJPJQJ^JaJnHtHhW6hP0JCJaJ3jh>c0JCJOJPJQJU^JaJnHtH*h 0JCJOJPJQJ^JaJnHtH0hW6hP0JCJOJPJQJ^JaJnHtH*h90JCJOJPJQJ^JaJnHtHK]^uvwͿiͿ^D2hLh:HCJOJPJQJ\aJmH nH tH uhdmH nHu6hLh:HCJOJPJQJ\^JaJmH nH tH ujh>cUmH nHu h@v)jhW6h:HUmH nHu#jhW6h:HUmH nHuhW6h:HmH nHuhW6h:H0JmH nHuh>cjh>cU hW6h,jhW6h,U hW6h)y-./012PQwxz{|}ͿͿؓ~yؓdy)jhW6h:HUmH nHu h@v)j}hW6h:HUmH nHu#jhW6h:HUmH nHu2hLh:HCJOJPJQJ\aJmH nH tH ujh>cUmH nHuhdmH nHuhW6h:HmH nHuhW6h:H0JmH nHujh>cUh>c' >?STUopqstuvw9:q\)jqhW6h:HUmH nHu)jhW6h:HUmH nHu h@v)jwhW6h:HUmH nHu#jhW6h:HUmH nHuhW6h:HmH nHuhW6h:H0JmH nHuh>cjh>cU/hLh:HCJOJPJQJaJmH nH tH ujh>cUmH nHu$v@jTG{o#R $  a$gd:Hgd:[$a$gd:H:;=>?@A_`º횅º}p}`ppjkhW6h:HUjhW6h:HUhW6h:H)jhW6h:HUmH nHuhW6h:HmH nHuhW6h:H0JmH nHuh>cjh>cU/hLh:HCJOJPJQJaJmH nH tH ujh>cUmH nHu h@v#jhW6h:HUmH nHu45GHIcdeghijköæ˓l^jh>cUmH nHu)jehW6h:HUmH nHu#jhW6h:HUmH nHuhW6h:HmH nHu h@vjhW6h:HUjhW6h:HUhW6h:HhW6h:H0JmH nHuh>cjh>cU4hLh:HCJKHOJPJQJ^JaJmHnHtH "#123MNOQRSTUst̾̾o̾Z)jhW6h:HUmH nHu)j_hW6h:HUmH nHujh>cUmH nHu h@v)jhW6h:HUmH nHu#jhW6h:HUmH nHuhW6h:HmH nHuhW6h:H0JmH nHuh>cjh>cU2hLh:HCJOJPJQJ\aJmH nH tH u#=>jkl혃zzrerjhW6h:HUhW6h:HhD(mH nHu)jYhW6h:HUmH nHuhW6h:HmH nHuhW6h:H0JmH nHuh>cjh>cU2hLh:HCJOJPJQJ\aJmH nH tH ujh>cUmH nHu h@v#jhW6h:HUmH nHu#$%&@ABDEַֻ֩㡑ַֻ֩q\qq)jhW6h:HUmH nHu#jhW6h:HUmH nHuhW6h:HmH nHujShW6h:HUhW6h:HhW6h:H0JmH nHuh>c4hLh:HCJKHOJPJQJ^JaJmHnHtH jh>cU h@vjhW6h:HUjhW6h:HUEFGHfgxyz{|   01LMNhijlmnopооооo)jhW6h:HUmH nHu h@v)jMhW6h:HUmH nHu#jhW6h:HUmH nHuhW6h:HmH nHuhW6h:H0JmH nHuh>cjh>cU2hLh:HCJOJPJQJ\aJmH nH tH ujh>cUmH nHu+p !"#$BCP_`رƬƞoƬƞd\hW6h:Hh:[0JmH nHu)j hW6h:HUmH nHu2hLh:HCJOJPJQJ\aJmH nH tH ujh>cUmH nHu h@v)jG hW6h:HUmH nHu#jhW6h:HUmH nHuhW6h:HmH nHuhW6h:H0JmH nHujh>cUh>c`a{|}$%23MNOPQRSqrγίΡ΍ίΡ΍ίΡ{m΍ίh:[h:[0JmH nHu h:[h:[h`0JmH nHuh> hCJh:[0JmH nHuhW6h:H0JmH nHuh>c4hLh:HCJKHOJPJQJ^JaJmHnHtH jh>cU h@vjA hW6h:HUhW6h:HjhW6h:HU*rѷ毪џiR,hW6hejCJOJPJQJ^JaJnHtH/hW6hT5CJOJPJQJ^JaJnHtH hW6hh[Oh[OnHtHh[OnHtHhxjhW6h,U h> hW6h:[hW6h:[0JmH nHuh>ch:Hh> jh>cU hCJhW6h:Hh:[0JmH nHuhW6h:H0JmH nHu !;<< = ? @ A B C [ a dgd l# $da$gdT dgdTgd[Ogdx!FZq78:9 ; < = > ? A ҺҺңҺҌugS?&h^yCJOJPJQJ^JaJnHtH&h?CJOJPJQJ^JaJnHtHjhLUmHnHu,h:!h l#CJOJPJQJ^JaJnHtH,h:!h9CJOJPJQJ^JaJnHtH,h:!h&lCJOJPJQJ^JaJnHtH/h:!hT6CJOJPJQJ^JaJnHtH,h:!hTCJOJPJQJ^JaJnHtH,hW6hTCJOJPJQJ^JaJnHtHA B C !!!!!һqZһZCC,hW6hxCJOJPJQJ^JaJnHtH,h:!hxCJOJPJQJ^JaJnHtHjhLUmHnHu&h?CJOJPJQJ^JaJnHtH&hxCJOJPJQJ^JaJnHtH&hlCJOJPJQJ^JaJnHtH,h:!h l#CJOJPJQJ^JaJnHtH,h:!h?CJOJPJQJ^JaJnHtH,h:!h^yCJOJPJQJ^JaJnHtH $da$gdT dgdx !!!!!!(!3!4!5!6!B!!$ L,da$gds$ ppd^p`a$gds$ ppd^p`a$gd'gd)Bgd)BgdK} dgdx dgd l#!!!(!3!4!6!B!!!!ælU>$2h-5B*CJ(OJPJQJ^JaJ(nHphtH,h:!hsCJOJPJQJ^JaJnHtH,h:!hsCJ$OJPJQJ^JaJ$nHtH8h:!hs5B*CJ(OJPJQJ^JaJ(nHphtH8hW6h45B*CJ(OJPJQJ^JaJ(nHphtH8hW6h*25B*CJ(OJPJQJ^JaJ(nHphtH,h2h*25B*CJ(OJQJ^JaJ(phhLh)BB*phhLhK}B*CJ phhLh)BB*CJ ph !!!!!!!!!!!!!""$$L%M%&&E(* dPgd c dgd c $da$gd@s L,dgd'$ L,da$gds!!!!!!!!!""<"P"Q"U"骖hT<%,hmBh@sCJOJPJQJ^JaJnHtH/hW6h@s6CJOJPJQJ^JaJnHtH&h9CJOJPJQJ^JaJnHtH,hW6hh3CJOJPJQJ^JaJnHtH,hW6h@sCJOJPJQJ^JaJnHtH&h'CJOJPJQJ^JaJnHtH,hW6h4CJOJPJQJ^JaJnHtH&h-CJOJPJQJ^JaJnHtH&hCJOJPJQJ^JaJnHtH,hW6h-CJOJPJQJ^JaJnHtHU"X"~"" # ######4#;####$$w$}$$$$$$I%K%p%ҾyybNy&hTZSCJOJPJQJ^JaJnHtH,hW6hY6CJOJPJQJ^JaJnHtH,hW6hsBCJOJPJQJ^JaJnHtH,hW6hZCJOJPJQJ^JaJnHtH,hW6h@sCJOJPJQJ^JaJnHtH&h9CJOJPJQJ^JaJnHtH,hmBhAfCJOJPJQJ^JaJnHtH,hmBhZCJOJPJQJ^JaJnHtHp%q%%%&&d'f'B(D(((1)3)E)G)****/+M+U+W+++,,,,,ҾҾkWk&hGCJOJPJQJ^JaJnHtH&h'CJOJPJQJ^JaJnHtH&hV`CJOJPJQJ^JaJnHtH&hsCJOJPJQJ^JaJnHtH,hW6hGCJOJPJQJ^JaJnHtH&h9CJOJPJQJ^JaJnHtH,hW6h@sCJOJPJQJ^JaJnHtH,hW6h'NCJOJPJQJ^JaJnHtH*X+,,,,,,,,,,/03447:;=?|@}@ dgd c dxgd c $da$gd c$a$gd c $dPa$gd K dPgd c,,,,,,,,,,,-$-- .....öqqqYB,h:!hCJOJPJQJ^JaJnHtH/h:!hHc}6CJOJPJQJ^JaJnHtH,h:!hqFCJOJPJQJ^JaJnHtH,h:!hHc}CJOJPJQJ^JaJnHtH,hW6h CJOJPJQJ^JaJnHtHhshzWB*CJph hsCJhW6hIiCJhW6hTCJ,hW6h'CJOJPJQJ^JaJnHtHjhLUmHnHu.y/.0/000%1&11111122վ骓kT=%/hC[h66CJOJPJQJ^JaJnHtH,hC[h6CJOJPJQJ^JaJnHtH,hC[hXCJOJPJQJ^JaJnHtH&h\4&CJOJPJQJ^JaJnHtH&h'CJOJPJQJ^JaJnHtH,hC[hN^CJOJPJQJ^JaJnHtH&hN^CJOJPJQJ^JaJnHtH,h:!hqFCJOJPJQJ^JaJnHtH&h>jCJOJPJQJ^JaJnHtH,h:!h6CJOJPJQJ^JaJnHtH222!2E2J2K2M2N233y333һvbK7&h>jCJOJPJQJ^JaJnHtH,h:!hqFCJOJPJQJ^JaJnHtH&h cCJOJPJQJ^JaJnHtH,h ch cCJOJPJQJ^JaJnHtH,h ch6CJOJPJQJ^JaJnHtH,h:!h6CJOJPJQJ^JaJnHtH,h:!hKCJOJPJQJ^JaJnHtH,hC[hKCJOJPJQJ^JaJnHtH,hC[h6CJOJPJQJ^JaJnHtH 33444455!5567/8W8b8d88һyybJ3J,h:!hWxCJOJPJQJ^JaJnHtH/h:!hC#6CJOJPJQJ^JaJnHtH,hyhm\CJOJPJQJ^JaJnHtH,hC[hm\CJOJPJQJ^JaJnHtH,h:!hm\CJOJPJQJ^JaJnHtH&hm\CJOJPJQJ^JaJnHtH,h:!hC#CJOJPJQJ^JaJnHtH,h:!hKCJOJPJQJ^JaJnHtH,h:!hCJOJPJQJ^JaJnHtH888899:::::::::::&;];^;;;;;;t<x<йЊs\ss\EEs\s\,hC[hEu0CJOJPJQJ^JaJnHtH,hC[hN^CJOJPJQJ^JaJnHtH,hC[hqFCJOJPJQJ^JaJnHtH,hC[hU+CJOJPJQJ^JaJnHtH/h:!hU+6CJOJPJQJ^JaJnHtH,h:!hU+CJOJPJQJ^JaJnHtH,h:!hC#CJOJPJQJ^JaJnHtH/h:!hC#CJH*OJPJQJ^JaJnHtHx<z<<<===>K>>??3@7@8@o@z@ҾҪ|eNe77,hF2;hqFCJOJPJQJ^JaJnHtH,h:!hBzCJOJPJQJ^JaJnHtH,h:!hEu0CJOJPJQJ^JaJnHtH,h:!hWxCJOJPJQJ^JaJnHtH,h:!hqFCJOJPJQJ^JaJnHtH&hN^CJOJPJQJ^JaJnHtH&ha,ECJOJPJQJ^JaJnHtH,hC[hN^CJOJPJQJ^JaJnHtH,hC[hqFCJOJPJQJ^JaJnHtH}@~@@@@@@@@@@@A"DERFSF^FHJK MOO dPgd c dxgd c dxgd"ogd"o dgd"o dgd cz@~@@@@@@@@@@@@վw_H?6-hW6h"oCJ hoh"oCJhW6h"oCJ,h"oh"oCJOJPJQJ^JaJnHtH/hW6hT5CJOJPJQJ^JaJnHtH/h"oh"o5CJOJPJQJ^JaJnHtH/h"ohwn5CJOJPJQJ^JaJnHtH,hW6h$CJOJPJQJ^JaJnHtH,hW6h CJOJPJQJ^JaJnHtH,h:>\hk!:CJOJPJQJ^JaJnHtH&hqFCJOJPJQJ^JaJnHtH @@}AAAAAAAAAAAмnU;$,h:!h"oCJOJPJQJ^JaJnHtH3jh>c0JCJOJPJQJU^JaJnHtH0h ch_v0JCJOJPJQJ^JaJnHtH3h ch$z0J6CJOJPJQJ^JaJnHtHh>cjh>cU&hoCJOJPJQJ^JaJnHtH&hN^CJOJPJQJ^JaJnHtH&hCJOJPJQJ^JaJnHtH,hh_vCJOJPJQJ^JaJnHtH/hW6h"o5CJOJPJQJ^JaJnHtH AB B BBBB)B*BKBWBfBnBC黣t]F]/],hhZCJOJPJQJ^JaJnHtH,hh$zCJOJPJQJ^JaJnHtH,hhoCJOJPJQJ^JaJnHtH,hh"oCJOJPJQJ^JaJnHtH/h:!h$z6CJOJPJQJ^JaJnHtH/h:!ho6CJOJPJQJ^JaJnHtH,h:!hoCJOJPJQJ^JaJnHtH,h:!h$zCJOJPJQJ^JaJnHtH,h:!h_vCJOJPJQJ^JaJnHtH C;C[CCCCC!D"D2D4DPD^D`DsDDDDDDEEMEpEEEEEFFFOFQFRF餻һһһһһһһu^,hh9CJOJPJQJ^JaJnHtH,hh cCJOJPJQJ^JaJnHtH/hhZCJH*OJPJQJ^JaJnHtH,hh"oCJOJPJQJ^JaJnHtH,hhZCJOJPJQJ^JaJnHtH,hh$zCJOJPJQJ^JaJnHtH,hh2I^CJOJPJQJ^JaJnHtH!RF^F_FFFFFFG/G2G6GG/H3HHHJHHHHйТййЎw`wIw2,hh]CJOJPJQJ^JaJnHtH,hh4"CJOJPJQJ^JaJnHtH,hh$zCJOJPJQJ^JaJnHtH,hhi^CJOJPJQJ^JaJnHtH&h;JCJOJPJQJ^JaJnHtH,hh9CJOJPJQJ^JaJnHtH,hh"oCJOJPJQJ^JaJnHtH,hhZCJOJPJQJ^JaJnHtH/hh"o5CJOJPJQJ^JaJnHtHHHIDIEIFIIJJNJvJJJJJJJKйtt]t]F]t./hh"o5CJOJPJQJ^JaJnHtH,hh(CJOJPJQJ^JaJnHtH,hh@qCJOJPJQJ^JaJnHtH,hh"oCJOJPJQJ^JaJnHtH,h choCJOJPJQJ^JaJnHtH,h ch$zCJOJPJQJ^JaJnHtH,hh$zCJOJPJQJ^JaJnHtH,hh]CJOJPJQJ^JaJnHtH/hh"o6CJOJPJQJ^JaJnHtHKUKWKZK]K^K_KmKnKoKKKKK:LMLWLXLYLҾҧyaJ6JaJyJ&hFCJOJPJQJ^JaJnHtH,hhV!4CJOJPJQJ^JaJnHtH/hhV!46CJOJPJQJ^JaJnHtH,hhDuCJOJPJQJ^JaJnHtH,hh?CJOJPJQJ^JaJnHtH,hh cCJOJPJQJ^JaJnHtH&h cCJOJPJQJ^JaJnHtH,h ch cCJOJPJQJ^JaJnHtH,hh"oCJOJPJQJ^JaJnHtHYLgLxLyLLL M'M(M-MMMMMMMMMMNNOҾҧyyayyMyy&hCJOJPJQJ^JaJnHtH/hh {6CJOJPJQJ^JaJnHtH,hh(CJOJPJQJ^JaJnHtH,hh {CJOJPJQJ^JaJnHtH,hhDuCJOJPJQJ^JaJnHtH&hK6/CJOJPJQJ^JaJnHtH,hhV!4CJOJPJQJ^JaJnHtH,hh$zCJOJPJQJ^JaJnHtHO-OOOOOOOOOOOOOOPйzcK4,hhDuCJOJPJQJ^JaJnHtH/hh"o5CJOJPJQJ^JaJnHtH,hh9CJOJPJQJ^JaJnHtH&h cCJOJPJQJ^JaJnHtH&hCJOJPJQJ^JaJnHtH,hh$zCJOJPJQJ^JaJnHtH,hh"oCJOJPJQJ^JaJnHtH,hh(CJOJPJQJ^JaJnHtH/hh(6CJOJPJQJ^JaJnHtHOOHRTUHXJXdXZZ\]Y^Z^[^\^]^^^_^`^p^y^^gd2 $da$gd"o dgd c dPgdo dxgd c dPgd cPPPPQQQ-R.R7RGRHRJRSRTR]RcRSмХzcL5LL5L,hhd9CJOJPJQJ^JaJnHtH,hh"oCJOJPJQJ^JaJnHtH,h ch cCJOJPJQJ^JaJnHtH&h cCJOJPJQJ^JaJnHtH,h_hoCJOJPJQJ^JaJnHtH,h_hDuCJOJPJQJ^JaJnHtH&hpCJOJPJQJ^JaJnHtH,hhDuCJOJPJQJ^JaJnHtH/hhDu6CJOJPJQJ^JaJnHtHSSRSWSSSST0U2U?U{U黤v_H1,hh4"CJOJPJQJ^JaJnHtH,hhI[nCJOJPJQJ^JaJnHtH,hh9CJOJPJQJ^JaJnHtH,hh"oCJOJPJQJ^JaJnHtH,hwh4]CJOJPJQJ^JaJnHtH,hh CJOJPJQJ^JaJnHtH,hhCJOJPJQJ^JaJnHtH,hhDuCJOJPJQJ^JaJnHtH,hhWCJOJPJQJ^JaJnHtH {UUUUUUVV(V5VjWkWWWWX$XFXGXHXJXп}oo^M^6, *h c5CJOJPJQJ^JaJnHtH hhI[nCJOJQJ^JaJ hh;CJOJQJ^JaJhDXCJOJQJ^JaJ#hh4"6CJOJQJ^JaJh_CJOJQJ^JaJ hh"oCJOJQJ^JaJ hh4"CJOJQJ^JaJ hh9CJOJQJ^JaJ,hh4"CJOJPJQJ^JaJnHtH/hh4"6CJOJPJQJ^JaJnHtHJXcXdXXXXX&Z.Z/Z2Z3Z?ZNZZZZs[ϸs[D,hh;CJOJPJQJ^JaJnHtH/hh"o5CJOJPJQJ^JaJnHtH,hh CJOJPJQJ^JaJnHtH,hwh4]CJOJPJQJ^JaJnHtH,hwhvCJOJPJQJ^JaJnHtH,hwh CJOJPJQJ^JaJnHtH/h cho5CJOJPJQJ^JaJnHtH/h ch 5CJOJPJQJ^JaJnHtHs[u[x[~[[[[\\]]]]']-]e]f]g]W^X^Y^[^һһһҤҐyeN:&h"oCJOJPJQJ^JaJnHtH,hW6h"oCJOJPJQJ^JaJnHtH&h9CJOJPJQJ^JaJnHtH,hhCCJOJPJQJ^JaJnHtH&hCJOJPJQJ^JaJnHtH,hhs!CJOJPJQJ^JaJnHtH,hh;CJOJPJQJ^JaJnHtH,hh"oCJOJPJQJ^JaJnHtH,hh9CJOJPJQJ^JaJnHtH[^^^_^y^^____````aab b b"babbbwbbbbbbccվwbwJw/hW6h"o6CJOJPJQJ^JaJnHtH)ho5CJOJPJQJ^JaJnHtH/hW6h"o5CJOJPJQJ^JaJnHtH&hUVCJOJPJQJ^JaJnHtH&h9CJOJPJQJ^JaJnHtH hW6h"o,hW6h"oCJOJPJQJ^JaJnHtH,hW6hoCJOJPJQJ^JaJnHtH&hoCJOJPJQJ^JaJnHtH^^^__`` b b b"b3b_b`babwbbbbbbbbbgd c dxgd c dgd c $da$gd"o dgd"occc d d6d8d9d?d@dBdCdrd|dddddddd龧|dL:#h:!h"o5CJOJQJ^JaJ/h:!h"o6CJOJPJQJ^JaJnHtH/h:!h"o7CJOJPJQJ^JaJnHtH,h:!h9CJOJPJQJ^JaJnHtH&hK,CJOJPJQJ^JaJnHtH,h:!hsCJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH&h9CJOJPJQJ^JaJnHtH,hW6h"oCJOJPJQJ^JaJnHtHb9ddddddeee[h\hlh*k+kCkmmmqqqtttwwgd cxgd c dgd c d<gd cdddddeeeeeeeһxeO;%*h:!h"o7CJOJPJQJ\^JaJ'h:!h"oCJOJPJQJ\^JaJ*h:!h"o5CJOJPJQJ\^JaJ$h"o5CJOJPJQJ\^JaJ/hW6h"o5CJOJPJQJ^JaJnHtH,hW6h"oCJOJPJQJ^JaJnHtH&hK,CJOJPJQJ^JaJnHtH,h:!h9JCJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH,h:!h85 CJOJPJQJ^JaJnHtH effffff3g5ggghhXhZh[h\hkhlhthwhhhë|eN|,h /hbsCJOJPJQJ^JaJnHtH,h /hoCJOJPJQJ^JaJnHtH,h:!hbsCJOJPJQJ^JaJnHtH/h:!h"o7CJOJPJQJ^JaJnHtH/h:!h"o5CJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH$h:!h9CJOJPJQJ^JaJ$h:!h"oCJOJPJQJ^JaJhhhhhi?i@iriziiiiiiiiijjjjjj*k+kAkBkCkklllթ~f~S~S$h:!h9CJOJPJQJ^JaJ/h:!h"o7CJOJPJQJ^JaJnHtH$h:!h"oCJOJPJQJ^JaJ/h:!h"o5CJOJPJQJ^JaJnHtH/h:!hbs5CJOJPJQJ^JaJnHtH&hDCJOJPJQJ^JaJnHtH,h:!hbsCJOJPJQJ^JaJnHtH&h /CJOJPJQJ^JaJnHtH lmmmmmmqqqqqqqqrrsstttt~uu0v2v w"wSwTwwwwwƳ|f*h:!h"o5CJOJPJQJ\^JaJh!:CJOJPJQJ^JaJ,h:!hECJOJPJQJ^JaJnHtHh"oCJOJPJQJ^JaJ$hEhECJOJPJQJ^JaJ'h:!h"o5CJOJPJQJ^JaJ$h:!h9CJOJPJQJ^JaJ$h:!h"oCJOJPJQJ^JaJ"wwww1z2z4zCzzzzz{{{{{{{ |||} dxgd cgd c pdgd cgd c dgd cwwwwwxxx)xxxxaycyyy.zϸwbM;M;M;* hW6h"oCJOJQJ^JaJ"h9CJOJQJ^JaJnH tH (hW6h"oCJOJQJ^JaJnH tH (h:!hbsCJOJQJ^JaJnH tH (h:!h9CJOJQJ^JaJnH tH (h:!h"oCJOJQJ^JaJnH tH ,h:!h"oCJOJPJQJ^JaJnHtH,h:!hCJOJPJQJ^JaJnHtH/h:!h"o5CJOJPJQJ^JaJnHtH/h:!hbs5CJOJPJQJ^JaJnHtH.z0z1z2zCzzzzzzzz7{9{{{{{{ʲʞʇpYAYpYpYpY/h:!h"o5CJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH,h:!h9CJOJPJQJ^JaJnHtH,h:!hbsCJOJPJQJ^JaJnHtH&h9CJOJPJQJ^JaJnHtH/hW6h"o5CJOJPJQJ^JaJnHtH,hW6h"oCJOJPJQJ^JaJnHtH hW6h"oCJOJQJ^JaJh9CJOJQJ^JaJ{ ||||||}}}}}}}~~~~~  !ֿֿֿ֧v^F^֧v/h:!h"o7CJOJPJQJ^JaJnHtH/h:!h"oCJOJPJQJ\^JaJnHtH,h:!hbsCJOJPJQJ^JaJnHtH2h:!h"o56CJOJPJQJ^JaJnHtH/h:!h"o5CJOJPJQJ^JaJnHtH,h:!h9CJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH#h:!h"o5CJOJQJ^JaJ}}}}}}~~;~x~~~~~?d^`?gd c dxgd c dgd c  d^gd c  d^`gd c d^gd c pd^p`gd c "#L~ځ{ bpd^p`gd c bdgd c bdxgd c d^gd c dgd c ?d^`?gd c d^gd c?d^`?gd c !"V~ՀրفйsYE11&h"oCJOJPJQJ^JaJnHtH&h9CJOJPJQJ^JaJnHtH2hWKh"o56CJOJPJQJ^JaJnHtH/hWKh"o5CJOJPJQJ^JaJnHtH,hWKhXCJOJPJQJ^JaJnHtH,h:!hbsCJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH,hWKh"oCJOJPJQJ^JaJnHtH/hbsh"o7CJOJPJQJ^JaJnHtH I\|ɃЃ pdgd c bpd^p`gd c bdgd c bdxgd c b3d^3`gd c bpd^pgd c bbd^bgd cczЃ#%ѷ飌ѷxaZH3(hW6h"oCJOJQJ^JaJnHtH"h|CJOJQJ^JaJnHtH hW6h"o,h:!h"oCJOJPJQJ^JaJnHtH&h9CJOJPJQJ^JaJnHtH,h\ h"oCJOJPJQJ^JaJnHtH&h"oCJOJPJQJ^JaJnHtH2hW6h"o56CJOJPJQJ^JaJnHtH/hW6h"o5CJOJPJQJ^JaJnHtH,hW6h"oCJOJPJQJ^JaJnHtHЄ%GLw H!dgd"od]^gd"ogd2gd"o$ bbd^ba$gd"o$ pda$gd"o pdgd c bbd^bgd c bpd^p`gd c %*+BCDEFGJLMWXYZ^efkopqrs/Mmonj|Ǵuǜaaa&h9CJOJPJQJ^JaJnHtH hW6h"oh9OJPJQJ^JnHtHh|OJPJQJ^JnHtH/hW6h"o5CJOJPJQJ^JaJnHtH$hW6h"oOJPJQJ^JnHtH,hW6h"oCJOJPJQJ^JaJnHtHj hLUhLjhLUjhLUmHnHu&LWY[\]^flmnoqr/0O dgd c hdgd cgd c dgd"o H!dgd"o H!d`gd"o 689prۋEG?A͍ύЍ͎4սxxxxxaL(h:!hVCJOJQJ^JaJnHtH,h:!hVCJOJPJQJ^JaJnHtH,h:!h9CJOJPJQJ^JaJnHtH,h:!h*cCJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH/h:!h"o5CJOJPJQJ^JaJnHtH,hW6h"oCJOJPJQJ^JaJnHtH&h9CJOJPJQJ^JaJnHtHO9rЍ5wבؑڑgd cgd"o $da$gdKR dxgd cd5$7$8$9DH$gd cd5$7$8$9DH$gd c d1$gd cdgd c dgd c dgd c45ZuZ\ԑ֑בؑڑSӾxcK4,h:!hKRCJOJPJQJ^JaJnHtH/h:!hKR5CJOJPJQJ^JaJnHtH)h c5CJOJPJQJ^JaJnHtH/h:!h"o7CJOJPJQJ^JaJnHtH,h:!h9CJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH)h^5CJOJPJQJ^JaJnHtH/h:!h"o5CJOJPJQJ^JaJnHtH(h:!h"oCJOJQJ^JaJnHtHSe ߗx`YR=+=#hQ>Q>Q$h:!h9CJOJPJQJ^JaJ$h:!h"oCJOJPJQJ^JaJ(h:!h"oCJOJQJ^JaJnHtH.h:!h"o5CJOJQJ\^JaJnHtH&hCJOJPJQJ^JaJnH tH ,h:!h9CJOJPJQJ^JaJnH tH ,h:!h"oCJOJPJQJ^JaJnH tH (h:!h"oCJOJQJ^JaJnH tH .h:!h"o5CJOJQJ\^JaJnH tH ~Uuqs[\qsڲpppYpDD(h:!h"oCJOJQJ^JaJnH tH ,h:!hXCJOJPJQJ^JaJnH tH ,h:!h9CJOJPJQJ^JaJnH tH &hCJOJPJQJ^JaJnH tH ,h:!h"oCJOJPJQJ^JaJnH tH .h:!h"o5CJOJQJ\^JaJnH tH hK,CJOJPJQJ^JaJ$h:!h"oCJOJPJQJ^JaJ$h:!h9CJOJPJQJ^JaJƮprİŰWYױٱrtݲ߲ ڴ۴׵qZqZqZqFqFqZqZqZqF&hCJOJPJQJ^JaJnH tH ,h:!h9CJOJPJQJ^JaJnH tH ,h:!h"oCJOJPJQJ^JaJnH tH (h:!h"oCJOJQJ^JaJnH tH .h:!h"o5CJOJQJ\^JaJnH tH h:!h"oCJOJQJ^J$h:!h9CJOJPJQJ^JaJ$h:!h"oCJOJPJQJ^JaJ*h:!h"o6CJOJPJQJ]^JaJ۴ݴߴikmյ4T]_ëxqZCZ/ZC&hi'CJOJPJQJ^JaJnHtH,h:!h9CJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH h:!h"o5h:!h"o5CJOJPJQJ\]^JaJnHtH/h:!h95CJOJPJQJ^JaJnHtH/h:!h"o5CJOJPJQJ^JaJnHtHh:!h"oCJOJQJ^J,h:!h9CJOJPJQJ^JaJnH tH ,h:!h"oCJOJPJQJ^JaJnH tH lmյ`G A 7dxgd c 77dx^7`gd c 77d^7`gd c 7dgd c dgd cgd2gd"o $da$gd"o$ pda$gd"o_DF %IJwx˹͹'1EFlowy>@A韛hҧ3jh>c0JCJOJPJQJU^JaJnHtH0h:!hr_0JCJOJPJQJ^JaJnHtHh>cjh>cU,h:!hr_CJOJPJQJ^JaJnHtH&hi'CJOJPJQJ^JaJnHtH,h:!h9CJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH'AϻлH ҺңҐҐ҉wbwM8w(h:!hsCJOJQJ^JaJnHtH(h:!hr=CJOJQJ^JaJnHtH(h:!h7,OCJOJQJ^JaJnHtH"hsCJOJQJ^JaJnHtH h:!h"o%h:!h"oB*CJOJQJaJph""",h:!hr_CJOJPJQJ^JaJnHtH/h:!h"o5CJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH,h:!h:tCJOJPJQJ^JaJnHtHл./GYq$a$gd"o$ Od-DM a$gd"o!$ O$d-DM ^`$a$gd"o$ Oda$gd"o $da$gd"o 34A˿<=V & Fgd@v dgd@v & Fgd@v$ & Fda$gd@v $da$gd@vgd)Bgd@v dgds 234AƱs^G3G3&h@vCJOJPJQJ^JaJnHtH,hXh@vCJOJPJQJ^JaJnHtH(hs/h@vCJOJQJ^JaJnHtH%h@vCJOJQJ\^JaJnHtH+hXh@vCJOJQJ\^JaJnHtH(h@v5CJOJQJ\^JaJnHtH(h)B5CJOJQJ\^JaJnHtH hXh@v hXh)Bh)B%hVD5CJOJQJ^JaJnHtH(h:!hd CJOJQJ^JaJnHtH˿<=AKUV!"HIdltu«zePePePePePePePePeP(h7,Oh9&CJOJQJ^JaJnHtH(h7,Ohd CJOJQJ^JaJnHtH h7,Ohd h7,O hXh@vh)B hXh)B&h@vCJOJPJQJ^JaJnHtH,hXh@vCJOJPJQJ^JaJnHtH+hs/h@v5CJOJQJ^JaJnHtH%h@v5CJOJQJ^JaJnHtH(hXh@vCJOJQJ^JaJnHtHV $$Ifa$ dgdd gd)B & Fgd@v )VZb%&()56BC\]IJ+ *h]h9&CJOJQJ^JaJnHtH(h7,Oh7,OCJOJQJ^JaJnHtH"h7,OCJOJQJ^JaJnHtH"hd CJOJQJ^JaJnHtH(h7,Oh9&CJOJQJ^JaJnHtH(h7,Ohd CJOJQJ^JaJnHtH+!"'(-./`fgmnstu૎uuun]uuunuuun hLhaCJOJQJ^JaJ hLha1hLhaB*CJOJQJ^JaJnH phtH 9hLhaB*CJOJQJ^JaJmH nH phsH tH )hLhaB*CJOJQJ^JaJph> *hr=h 5B*CJOJPJQJ\^JaJnH phtH hLh /hLh 5B*CJOJQJ\^JaJph$N@@@@d$Ifgdd kdN $$Ifl4\_ &FFZFZFZ  t(*&644 lBaUp(ytL"(.N@///$d$Ifa$gdd d$Ifgdd kdq $$Ifl4\_ &FFZFZFZ  t(*&644 lBaUp(ytL./`gntNH<<< $$Ifa$gd mR$Ifkd $$Ifl4\_ &FfZfZfZ  t(*&644 lBaUp(ytLtuOI=== $$Ifa$gd mR$Ifkd$$Ifl\_ &ffZfZfZ  t(*&644 lBaUp(ytr=OI==1 $$Ifa$gdVD $$Ifa$gd mR$Ifkd$$Ifl\_ &ffZfZfZ  t(*&644 lBaUp(ytr=T[_eOI=== $$Ifa$gd mR$IfkdB$$Ifl\_ &ffZfZfZ  t(*&644 lBaUp(ytr=TZ[^_defghij~mopʹʹʹ~zsfUDU3U h:!h9CJOJQJ^JaJ h:!h85 CJOJQJ^JaJ h:!h"oCJOJQJ^JaJh:!h"oOJQJ^J h:!h"ohP(/ *h7,O5CJOJPJQJ\^JaJnHtH *h7,O"hd CJOJQJ^JaJnHtH hLha1hLhaB*CJOJQJ^JaJnH phtH 9hLhaB*CJOJQJ^JaJmH nH phsH tH )hLhaB*CJOJQJ^JaJphefgij~OB@;6gd"ogdP( $da$gdr=kd$$Ifl\_ &ffZfZfZ  t(*&644 lBaUp(ytr=~p|Qwkd$$Ifl89  t 0644 lap ytLd$IfgdLl $@&IfgdFSTEQZe!$WY\^Ҿ}lUUUҭ,h:!hW+CJOJPJQJ^JaJnHtH h:!hN3CJOJQJ^JaJh`?$CJOJQJ^JaJhCJOJQJ^JaJ&h:!h 6CJOJQJ]^JaJ h:!h CJOJQJ^JaJ&h`?$CJOJPJQJ^JaJnHtH,h:!h CJOJPJQJ^JaJnHtH,h:!hXp CJOJPJQJ^JaJnHtH &'"#9TZ[͵llXGXGXGXGX h:!h"HCJOJQJ^JaJ&h:!h"H6CJOJQJ]^JaJ.h:!h"H6CJOJQJ]^JaJnHtH h:!h"H(h:!h"HCJOJQJ^JaJnHtH)hV5CJOJPJQJ^JaJnHtH/h:!h"o5CJOJPJQJ^JaJnHtH h:!h"oCJOJQJ^JaJ h:!h CJOJQJ^JaJ h:!hW+CJOJQJ^JaJ'Ozjk BCLMNgd"o dgd"o dgdedgde dxgde$ 0d^`0a$gd"o8Dj:oEn3hENOԿԜ(h:!hT#CJOJQJ^JaJmH sH (h:!hT9CJOJQJ^JaJmH sH h`?$CJOJQJ^JaJ(h:!h"HCJOJQJ^JaJnHtH h:!h"H&h:!h"H6CJOJQJ]^JaJ h:!h"HCJOJQJ^JaJ/$,-/=>?@HIRSUxԿԪԿԿp_J(h:!h"HCJOJQJ^JaJmH sH  h:!h"HCJOJQJ^JaJ)h:!h"HB* CJOJQJ^JaJphI},h:!h"H6B* CJOJQJ^JaJphI}h`?$CJOJQJ^JaJ(h:!h3CJOJQJ^JaJmH sH (h:!hT#CJOJQJ^JaJmH sH (h:!hT9CJOJQJ^JaJmH sH +h:!hT#6CJOJQJ^JaJmH sH !RT]^~$,ȺȩȘr]r]r]F]1)hLh`?$B*CJOJQJ^JaJph,hLhT96B*CJOJQJ^JaJph)hLhT9B*CJOJQJ^JaJph)hLh"oB*CJOJQJ^JaJph h:!hJCJOJQJ^JaJ h:!hV-CJOJQJ^JaJ h:!h9CJOJQJ^JaJh`?$CJOJQJ^JaJ h:!h"oCJOJQJ^JaJ(h:!h"HCJOJQJ^JaJmH sH "h`?$CJOJQJ^JaJmH sH ,2A!FGJ#yz꫚zzizXG h:!h6fCJOJQJ^JaJ h:!h0CJOJQJ^JaJ h:!hiJCJOJQJ^JaJhJ~kCJOJQJ^JaJ#h:!h!T6CJOJQJ^JaJ h:!h!TCJOJQJ^JaJ)hLhT9B*CJOJQJ^JaJph)hLhgB*CJOJQJ^JaJph)hLhrB*CJOJQJ^JaJph)hLh6fB*CJOJQJ^JaJph'5%'Zjk޾ޭ̛މމt\E,h:!hjqCJOJPJQJ^JaJnHtH/h:!hjq5CJOJPJQJ^JaJnHtH)he5CJOJPJQJ^JaJnHtH#h:!h6fCJH*OJQJ^JaJ#h:!h!6CJOJQJ^JaJ h:!hiJCJOJQJ^JaJh.\CJOJQJ^JaJ#h:!h6f6CJOJQJ^JaJ h:!h6fCJOJQJ^JaJ h:!h!CJOJQJ^JaJ OQ !@BCLNWһ|eNe,hLh9CJOJPJQJ^JaJnHtH,hLh"oCJOJPJQJ^JaJnHtH hsYh"ohLh"oB*ph)hxkv5CJOJPJQJ^JaJnHtH/hsYh"o5CJOJPJQJ^JaJnHtH,hsYh"oCJOJPJQJ^JaJnHtH,h:!hjqCJOJPJQJ^JaJnHtH,h:!h6fCJOJPJQJ^JaJnHtHNW4wkdx$$Ifl89  t 0644 lap ytLd$IfgdLl &$ @ @ d$If^@ `a$gdLl $@&IfgdV/h:!hj6CJOJPJQJ^JaJnHtH,h:!hjCJOJPJQJ^JaJnHtH,hF2;hjCJOJPJQJ^JaJnHtH&h9CJOJPJQJ^JaJnHtH/hsYh"o5CJOJPJQJ^JaJnHtH5hsYh"oB*CJOJPJQJ^JaJnHph3ftH,hsYh"oCJOJPJQJ^JaJnHtH hLh"o,hLh"oCJOJPJQJ^JaJnH tH GH )*. dgde dxgde dgde dgd"o$ @ @ d^@ `a$gd"oF Y`drtuaJ8u"h>jCJOJQJ^JaJnHtH,h:!h>jCJOJPJQJ^JaJnHtH&h>jCJOJPJQJ^JaJnHtH,hsYh"oCJOJPJQJ^JaJnHtH,h:!hCJOJPJQJ^JaJnHtH,h:!h0CJOJPJQJ^JaJnHtH/h:!h"o5CJOJPJQJ^JaJnHtH,h:!h9CJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH"$'(?EHI\r}*;}һzcL4L/h;h|6CJOJPJQJ^JaJnHtH,h;h|CJOJPJQJ^JaJnHtH,h]!h|CJOJPJQJ^JaJnHtH(h]!h>jCJOJQJ^JaJnHtH(hJ~kh>jCJOJQJ^JaJnHtH,hJ~khH%CJOJPJQJ^JaJnHtH,hJ~khj&CJOJPJQJ^JaJnHtH,hJ~kh@vCJOJPJQJ^JaJnHtH,hJ~kh>jCJOJPJQJ^JaJnHtHRSZijлv_G0,h@vh;CJOJPJQJ^JaJnHtH/ *h]!h-CJOJPJQJ^JaJnHtH,h;hCJOJPJQJ^JaJnHtH,h;hCJOJPJQJ^JaJnHtH,h;hCJOJPJQJ^JaJnHtH,h;h-CJOJPJQJ^JaJnHtH(h;h|CJOJQJ^JaJnHtH,h;h|CJOJPJQJ^JaJnHtH/h;h|6CJOJPJQJ^JaJnHtH,78:AHwҽҏҏҏ{dM8(h|h]!CJOJQJ^JaJnHtH,h;h]!CJOJPJQJ^JaJnHtH,h;h|CJOJPJQJ^JaJnHtH&h@vCJOJPJQJ^JaJnHtH,h;hCJOJPJQJ^JaJnHtH,h;hCJOJPJQJ^JaJnHtH(h;h]!CJOJQJ^JaJnHtH,h;h-CJOJPJQJ^JaJnHtH,h@vh-CJOJPJQJ^JaJnHtH &'- &( ͋ͭ͜͜yދh h:!hN3CJOJQJ^JaJ#h:!hQ6CJOJQJ^JaJ h:!hQCJOJQJ^JaJ h:!h=NCJOJQJ^JaJ#h:!hY$$6CJOJQJ^JaJhJ~kCJOJQJ^JaJ h:!hY$$CJOJQJ^JaJ h:!h9CJOJQJ^JaJ h:!h"oCJOJQJ^JaJ"79BQ+,- ͼ޼ޙވ޼wfR&h:!h056CJOJQJ^JaJ h c56CJOJQJ^JaJ h:!hBCJOJQJ^JaJ h:!h9ACJOJQJ^JaJ h:!h}CJOJQJ^JaJ#h:!hQ6CJOJQJ^JaJ h:!hQCJOJQJ^JaJ h:!h9CJOJQJ^JaJ h:!h"oCJOJQJ^JaJ h:!hCJOJQJ^JaJ nr_i ܼܼܨwcRAR h:!hHCJOJQJ^JaJ h:!h0CJOJQJ^JaJ&h:!h056CJOJQJ^JaJ#h:!h&~6CJOJQJ^JaJhCJOJQJ^JaJ h:!h&~CJOJQJ^JaJ&h:!h&~56CJOJQJ^JaJhJ~kCJOJQJ^JaJ#h:!h&6CJOJQJ^JaJ h:!h&CJOJQJ^JaJ#h:!h05CJOJQJ^JaJ _ 8 K  o_  dxgde d YDxgde dPgde dxgde`? ]_l0= ͿͭޛޔlZI7I#h:!h)6CJOJQJ^JaJ h:!h)CJOJQJ^JaJ#h:!h"o5CJOJQJ^JaJ&h:!h(56CJOJQJ^JaJ&h:!h7>56CJOJQJ^JaJ h:!h\Z#hh06CJOJQJ^JaJ#h}h}6CJOJQJ^JaJh}CJOJQJ^JaJ h}h}CJOJQJ^JaJ h:!h0CJOJQJ^JaJ h:!h\ZCJOJQJ^JaJ  ϽϟpYpB+p,h:!h}CJOJPJQJ^JaJnHtH,h:!hfCJOJPJQJ^JaJnHtH,h:!hBCJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH/h:!h"o5CJOJPJQJ^JaJnHtHh c5CJOJQJ^JaJh@v5CJOJQJ^JaJ#h:!h85 5CJOJQJ^JaJ#h:!h"o5CJOJQJ^JaJ h:!h)CJOJQJ^JaJhCJOJQJ^JaJ01:NP黤ybK,h:!h9CJOJPJQJ^JaJnHtH,h:!hBCJOJPJQJ^JaJnHtH,h:!hiCJOJPJQJ^JaJnHtH&htCJOJPJQJ^JaJnHtH,h:!hTNCJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH,h:!hfCJOJPJQJ^JaJnHtH,h:!h}CJOJPJQJ^JaJnHtH[hu}QRSy|K { ~  黤vv_vvH,h:!h<;CJOJPJQJ^JaJnHtH,h:!huCJOJPJQJ^JaJnHtH,h:!h*GCJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH,h:!hXp CJOJPJQJ^JaJnHtH,h:!h2CJOJPJQJ^JaJnHtH,h:!hCJOJPJQJ^JaJnHtH,h:!hCJOJPJQJ^JaJnHtH           3 4 = M p r z ййs[D,h:!hBCJOJPJQJ^JaJnHtH/h:!h"o6CJOJPJQJ^JaJnHtH,h:!h<;CJOJPJQJ^JaJnHtH/h:!h/6CJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH,h:!h/CJOJPJQJ^JaJnHtH,h:!hCJOJPJQJ^JaJnHtH/h:!h6CJOJPJQJ^JaJnHtHz    # + R     z { } ~        5 7 8 K һһҤҤҤҤҤҤҍv_G/h:!h"o5CJOJPJQJ^JaJnHtH,h:!h9CJOJPJQJ^JaJnHtH,h:!h}CJOJPJQJ^JaJnHtH,h:!hBCJOJPJQJ^JaJnHtH,h:!h!1CJOJPJQJ^JaJnHtH,h:!h07CJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH,h:!hpCJOJPJQJ^JaJnHtHK R Y      Mao<_b﫝zhzhzhzQ:,hj&h"oCJOJPJQJ^JaJnHtH,hj&h5CJOJPJQJ^JaJnHtH#h:!hY$$6CJOJQJ^JaJ h:!hY$$CJOJQJ^JaJ#h:!h6CJOJQJ^JaJhtCJOJQJ^JaJ h:!hCJOJQJ^JaJ h:!hBCJOJQJ^JaJ h:!hCJOJQJ^JaJ h:!h85 CJOJQJ^JaJ h:!h"oCJOJQJ^JaJ ix48AQһҤvv^vF^ҍҍ/hj&hd16CJOJPJQJ^JaJnHtH/hj&h56CJOJPJQJ^JaJnHtH,hj&hKCJOJPJQJ^JaJnHtH,hj&h5CJOJPJQJ^JaJnHtH,hj&hd1CJOJPJQJ^JaJnHtH,hj&h9CJOJPJQJ^JaJnHtH,hj&h"oCJOJPJQJ^JaJnHtH,hj&h85 CJOJPJQJ^JaJnHtHQR_jm{9@CM 麎w`I2I2I2,h:!hEP3CJOJPJQJ^JaJnHtH,h:!h(CJOJPJQJ^JaJnHtH,h:!hKCJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH/h:!h96CJOJPJQJ^JaJnHtH&hCJOJPJQJ^JaJnHtH,hj&hd1CJOJPJQJ^JaJnHtH/hj&h56CJOJPJQJ^JaJnHtH,hj&h5CJOJPJQJ^JaJnHtH #$%6>S[efks bj8I麢ҋҋҋҋs\\,h:!h3_CJOJPJQJ^JaJnHtH/h:!hEP35CJOJPJQJ^JaJnHtH,h:!hCJOJPJQJ^JaJnHtH/hh(6CJOJPJQJ^JaJnHtH/h:!h(6CJOJPJQJ^JaJnHtH,h:!hEP3CJOJPJQJ^JaJnHtH,h:!h(CJOJPJQJ^JaJnHtH8IG"###.#/#>###d$IfgdLl &$ @ @ d$If^@ `a$gdLl $@&Ifgd#齎zcXcOhLh"oCJhLh"oB*ph,hsYh"oCJOJPJQJ^JaJnHtH&hCJOJPJQJ^JaJnHtH/h:!hdA6CJOJPJQJ^JaJnHtH,h:!hEP3CJOJPJQJ^JaJnHtH/h:!h6CJOJPJQJ^JaJnHtH&hCJOJPJQJ^JaJnHtH,h:!hCJOJPJQJ^JaJnHtH>###########''0'餝qYB*B/hh5CJOJPJQJ^JaJnHtH,hhCJOJPJQJ^JaJnHtH/hsYh5CJOJPJQJ^JaJnHtH)h5CJOJPJQJ^JaJnHtH,hsYh"oCJOJPJQJ^JaJnHtH hLh"o,hLh"oCJOJPJQJ^JaJnH tH ,hLh9CJOJPJQJ^JaJnHtH,hLh5CJOJPJQJ^JaJnHtH,hLh"oCJOJPJQJ^JaJnHtH ######$%x&''}}ppfff^fdgde dxgde $da$gd dgd"owkd $$Ifl89  t 0644 lap ytL 0'O''''(( ((F(f())))))))***Y+_+a+g+],|,///վձw``,hhjCJOJPJQJ^JaJnHtH/hh6CJOJPJQJ^JaJnHtHh> OJQJ^JhpOJQJ^Jh> h6OJQJ^JhhOJQJ^J,hhg7CJOJPJQJ^JaJnHtH,hhCJOJPJQJ^JaJnHtH&h> CJOJPJQJ^JaJnHtH'')*B,-/3 5f6g6h6i6w6x667&$ @ @ d$If^@ `a$gdLl $@&Ifgd CJOJPJQJ^JaJnHtH,hh7iJCJOJPJQJ^JaJnHtHi6w6x667777 7 77888!8"8M8N8Խp\pD/)h"o5CJOJPJQJ^JaJnH tH /hsYh"o5CJOJPJQJ^JaJnH tH &h9CJOJPJQJ^JaJnHtH/hsYh"o5CJOJPJQJ^JaJnHtH hLh"o,hLh"oCJOJPJQJ^JaJnH tH ,hLh9CJOJPJQJ^JaJnHtH,hLh"oCJOJPJQJ^JaJnHtHhLh"oCJ,hsYh"oCJOJPJQJ^JaJnHtHhLh"oB*ph77 7 7 7 7778oeeXXXN dgde $da$gd"o dgd"owkd$$Ifl89  t 0644 lap ytLd$IfgdLl 88!8"8N8_;`;<<=m>~>>AABC7DjDE dxgde dgde d YDxgde d YDxgdegde dxgde dgdeN8899999:::::`;w;{;;;;;<<ҺҺҺңҌwbwbwMw)h@vhB*CJOJQJ^JaJph)h@vhZWB*CJOJQJ^JaJph)h@vhE B*CJOJQJ^JaJph,h@vhfCJOJPJQJ^JaJnH tH ,h@vh(LCJOJPJQJ^JaJnH tH /h@vh;'6CJOJPJQJ^JaJnH tH ,h@vh;'CJOJPJQJ^JaJnH tH ,h:!h;'CJOJPJQJ^JaJnH tH < <0<2<@<A<<<====T=[=m=====m>o>йТЎйw`w`Lw`w`&h~>>>>,AfAgAjAAAAAϸs\sH3)h55CJOJPJQJ^JaJnHtH&h~CJOJPJQJ^JaJnHtH,h@vh(LCJOJPJQJ^JaJnHtH,h@vh~CJOJPJQJ^JaJnHtH,h:!h~CJOJPJQJ^JaJnHtH,hYh~CJOJPJQJ^JaJnHtH,h$h~CJOJPJQJ^JaJnHtH/h$h~5CJOJPJQJ^JaJnHtH/h:!h"o5CJOJPJQJ^JaJnHtH AAAAAABBCC CJCPCDϺrZrFr2r&hJ~kCJOJPJQJ^JaJnHtH&h5CJOJPJQJ^JaJnHtH/h5h~5CJOJPJQJ^JaJnHtH,h:!h~CJOJPJQJ^JaJnHtH,h:!h5CJOJPJQJ^JaJnHtH2h5h556CJOJPJQJ^JaJnHtH)h55CJOJPJQJ^JaJnHtH/h:!h~5CJOJPJQJ^JaJnHtH/h:!h55CJOJPJQJ^JaJnHtH DD6D7DjDDDDDDDDEEEEEթ{cNc6/h5h~5CJOJPJQJ^JaJnHtH)h56CJOJPJQJ^JaJnHtH/h:!h~6CJOJPJQJ^JaJnHtH,h@vh~CJOJPJQJ^JaJnHtH,h@vh(LCJOJPJQJ^JaJnHtH&h(LCJOJPJQJ^JaJnHtH/h:!h~5CJOJPJQJ^JaJnHtH,h:!h~CJOJPJQJ^JaJnHtH&h~CJOJPJQJ^JaJnHtHEGGGGHHHH(HMHSHkH齥xaM6,h@vhTRCJOJPJQJ^JaJnHtH&hTRCJOJPJQJ^JaJnHtH,h(Lh~CJOJPJQJ^JaJnHtH/h(Lh~5CJOJPJQJ^JaJnHtH)h~5CJOJPJQJ^JaJnHtH/h:!h~5CJOJPJQJ^JaJnHtH/h$h~5CJOJPJQJ^JaJnHtH&h5CJOJPJQJ^JaJnHtH,h$h~CJOJPJQJ^JaJnHtH EHH(HEIZI^JyJaKbKvKK}MMNc0J6CJOJPJQJU^JaJnHtH3hkh~0J6CJOJPJQJ^JaJnHtHh>cjh>cU/h:!h~6CJOJPJQJ^JaJnHtH&h(LCJOJPJQJ^JaJnHtH,h:!h~CJOJPJQJ^JaJnHtH/h:!h~5CJOJPJQJ^JaJnHtH/hkh~5CJOJPJQJ^JaJnHtH,hkh~CJOJPJQJ^JaJnHtHOO8PHP-R.RXRYRnRoRRR7S8S9SiSȫ}fN6/h:!h"o5CJOJPJQJ^JaJnHtH/h:!h~5CJOJPJQJ^JaJnHtH,h8E1h~CJOJPJQJ^JaJnHtH&h#.CJOJPJQJ^JaJnHtH3jh>c0JCJOJPJQJU^JaJnHtH0hkh~0JCJOJPJQJ^JaJnHtHh>cjh>cU,hkh~CJOJPJQJ^JaJnHtH/hkh~6CJOJPJQJ^JaJnHtHiSSSS T'T)TTT,U.U2U9UUUUU6VEVVVVSWUWWWw`w`w`wH/h:!h"o6CJOJPJQJ^JaJnHtH,h:!h5CJOJPJQJ^JaJnHtH/h:!h56CJOJPJQJ^JaJnHtH,h:!h85 CJOJPJQJ^JaJnHtH,h:!h9CJOJPJQJ^JaJnHtH/hh"o6CJOJPJQJ^JaJnHtH&hCJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtHiS/UVVWWWnWXm]]_`````a$@&Ifgd(CJOJPJQJ^JaJnHtH,h:!hKr>CJOJPJQJ^JaJnHtH,h:!h1'BCJOJPJQJ^JaJnHtH,h:!h85 CJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH/h:!h"o5CJOJPJQJ^JaJnHtHA[F[[[A\B\m]]] ^V^d^o^____+_:_V_i_o_w___b`ҾҾҦ|f|TTT|B|f"hpCJOJQJ^JaJnHtH"hCJOJQJ^JaJnHtH+h:!h86CJOJQJ^JaJnHtH(h:!hjCJOJQJ^JaJnHtH(h:!h8CJOJQJ^JaJnHtH/h:!h"o5CJOJPJQJ^JaJnHtH&hCJOJPJQJ^JaJnHtH,h:!hKr>CJOJPJQJ^JaJnHtH,h:!hCJOJPJQJ^JaJnHtHb```````axaza{a|a}aaaa뿬lUN6/h:!h"o5CJOJPJQJ^JaJnHtH hLh"o,hLh"oCJOJPJQJ^JaJnH tH ,hLh9CJOJPJQJ^JaJnHtH,hLh"oCJOJPJQJ^JaJnHtH h:!h"ohLh"oB*ph$h:!h"oCJOJPJQJ^JaJ,h:!h"oCJOJPJQJ^JaJnHtH(h:!h8CJOJQJ^JaJnHtH(h:!hjCJOJQJ^JaJnHtHa{a|a}a~aH7$!d]!a$gd"owkd4$$Ifl89  t 0644 lap ytLd$IfgdLl &$ @ @ d$If^@ `a$gdLl ~aaaWbcdfggiklomBnjCJOJPJQJ^JaJnHtH,h:!h2BCJOJPJQJ^JaJnHtH,h:!h_vCJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH,h:!h85 CJOJPJQJ^JaJnHtH,h:!hFCJOJPJQJ^JaJnHtHgggggghhiiii5j9jEjYj[jijkjujjjjjkkl mmmmҺw_wwwwwww/hrhg76CJOJPJQJ^JaJnHtH/h:!hg76CJOJPJQJ^JaJnHtH&hrCJOJPJQJ^JaJnHtH,h:!hg7CJOJPJQJ^JaJnHtH/h:!h"o5CJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH,h:!h9CJOJPJQJ^JaJnHtHmn nRnXnc0JCJOJQJU^JaJfHq 5h:!hg70JCJOJQJ^JaJfHq h>cjh>cU4hk@B*CJOJQJ^JaJfHphq =hk@hg76B*CJOJQJ^JaJfHphq :h:!hg7B*CJOJQJ^JaJfHphq =h:!hg76B*CJOJQJ^JaJfHphq z-}~n*‹{Վ@m]Pstuvgd$d YDxa$gdo dgdg7 dgdegde dxgdexԎՎ ɒےrtuvȿkTKD9h:!h"onH tH h:!h"oho5CJaJ,h`e hg7CJOJPJQJ^JaJnHtH&hg7CJOJPJQJ^JaJnHtH h:!hg7/h:!hg76CJOJPJQJ^JaJnHtH,h:!hg7CJOJPJQJ^JaJnHtHh:!hg76aJh:!hg7aJ:hLhg7B* CJOJQJ^JaJfHphI}q 1h:!hg7CJOJQJ^JaJfHq !$vybr_o~֡ء齨jcKc4K4,h8*Nh"oCJOJPJQJ^JaJnHtH/h8*Nh"o5CJOJPJQJ^JaJnHtH h8*Nh"o)hHhHB*CJOJQJ^JaJph#h^B*CJOJQJ^JaJph,h:!hH6B*CJOJQJ^JaJph)h:!hMeB*CJOJQJ^JaJph)h:!hHB*CJOJQJ^JaJph,h:!h9CJOJPJQJ^JaJnHtH,h:!h"oCJOJPJQJ^JaJnHtH"#$˛̛ٜڜ}~֡סgd7N dgd"ogd"o$d7$8$a$gd"o d7$8$gde & F&d7$8$gde$d7$8$H$a$gd"oסء|} !"#$%8Pabcdeghid$Ifgd@79­…­rrr……c\NjhLUmHnHu h`g]CJo(h`g]h`g]CJOJQJ^J%h`g]h`g]B*CJOJQJ^JphIIM%h`g]h`g]B*CJOJQJ^Jph44;)h`g]h`g]@B*CJOJQJ^Jph44;)h`g]h`g]@B*CJOJQJ^Jph#%h`g]h`g]B*CJOJQJ^Jph#)h`g]h`g]@B*CJOJQJ^Jph44;)h`g]h`g]@B*CJOJQJ^Jph#(-/67QRSToqԿ԰԰ԛq԰j\U>,h8*Nh3|CJOJPJQJ^JaJnHtH h8*Nh3|h;'0JB*CJaJph hSh`g])h`g]h`g]@2B*CJOJQJ^Jph#)h`g]h`g]@B*CJOJQJ^Jph44;)h`g]h`g]@B*CJOJQJ^Jph#h`g]h`g]CJOJQJ^J)h`g]h`g]@9B*CJOJQJ^Jph#%h`g]h`g]B*CJOJQJ^Jph#h`g]B*o(ph# h`g]CJo( h`g]CJo(ARSTopq dgd3|gdF$d-DM ^a$gd;'gd`g].d ]^`gd`g].]r]]^rgd`g].]]]^gd`g].gd`g]q5k{|继nZZSFh8*Nh3|5\]aJ hLh3|&hlCJOJPJQJ^JaJnHtH,h8*Nh^yCJOJPJQJ^JaJnHtHjhLUmHnHu&h^yCJOJPJQJ^JaJnHtH&h3|CJOJPJQJ^JaJnHtH,h8*Nh3|CJOJPJQJ^JaJnHtH)h3|5CJOJPJQJ^JaJnHtH/h8*Nh3|5CJOJPJQJ^JaJnHtH6k|d$Ifgd\4& dgd3| dgdeUVyll $da$gd^2$d7$8$H$a$gd^2 dgd^2gdO&gd3| dgd3|Wkd&$$Ifl0 @8FF  t8644 lBayt\4& n\]ĭzfOfE8E8OfOhMh^2OJQJ^Jh^2OJQJ^J,h eQh^2CJOJPJQJ^JaJnHtH&h^2CJOJPJQJ^JaJnHtH/h^2B*CJOJPJQJ^JaJnH phtH 5h8*Nh^2B*CJOJPJQJ^JaJnH phtH ,h8*Nh^2CJOJPJQJ^JaJnHtH/h8*Nh^25CJOJPJQJ^JaJnHtH5h8*NhO&5CJOJPJQJ\]^JaJnHtHh8*Nh3|aJV]^;<gd^2$ & F'd7$8$H$a$gd^2$d7$8$H$a$gd^2$ & F(d7$8$H$a$gd^2 $dha$gd^2 $da$gd^2$d^a$gd^2 #$+6<$վzjzVA(h^25CJOJQJ\^JaJnHtH&h^2CJOJPJQJ^JaJnHtHh^2CJOJPJQJ^JaJ$h8*Nh^2CJOJPJQJ^JaJh^2CJOJQJ^JaJ#h eQh^26CJOJQJ^JaJ h eQh^2CJOJQJ^JaJ,h8*Nh^2CJOJPJQJ^JaJnHtH&h^2CJOJPJQJ^JaJnH tH ,h8*Nh^2CJOJPJQJ^JaJnH tH $MNOP*+лЦЦлt\Ut?t\U+hLh^2CJOJQJ\^JaJnHtH hLh^2.hLh^25CJOJQJ\^JaJnHtH(hLh^2CJOJQJ^JaJnHtHh8*Nh^2B* phI}"h^2CJOJQJ^JaJnHtH(h^25CJOJQJ\^JaJnHtH(h8*Nh^2CJOJQJ^JaJnHtH.h8*Nh^25CJOJQJ\^JaJnHtH.h eQh^25CJOJQJ\^JaJnHtHOPm|$xx$Ifa$gdF xx$IfgdFgd^2$a$gd^2 $da$gd^2 kd|$$Ifֈ %_)-1_7FF%    {   F{    F{   F{   F     t<_764BBap<ytF &*$xx$Ifa$gdF xx$IfgdF*+,gd^2kd$$Ifֈ %_)-1_7FF%   {   F{   F{  F{  F    t<_764BBap<ytF+,>24 ,ADIPUgi6;̩̘̾̾̾̾̾̾̾̾̾̾̾̾̾̾x(h^25CJOJQJ\^JaJnHtHhqh^2B* phI} h&Ch^2CJOJQJ^JaJ)hqh^2B*CJOJQJ^JaJphh^2CJOJQJ^JaJ hqh^2CJOJQJ^JaJ(hqh^2CJOJQJ^JaJnHtHhqh^2B* ^JphI}',>;  %-5$dxx$Ifa$gdFFf$xx$Ifa$gdFdxx$IfgdF $da$gd^2gdegd^2  "):;=  ӻӻӻzeMFz hLh^2.hLh^25CJOJQJ\^JaJnHtH(hLh^2CJOJQJ^JaJnHtH&h^2CJOJPJQJ^JaJnHtH,hqh^2CJOJPJQJ^JaJnHtH+hqh^2CJOJQJ\^JaJnHtH.hqh^25CJOJQJ\^JaJnHtH(h^25CJOJQJ\^JaJnHtH.h&h^25CJOJQJ\^JaJnHtH$%45<=DEFMNU^xy齥r[齥C/hj#4h^26CJOJPJQJ^JaJnHtH,hjh^2CJOJPJQJ^JaJnHtH,h)h^2CJOJPJQJ^JaJnHtH hLh^2)h^25CJOJPJQJ^JaJnHtH/hj#4h^25CJOJPJQJ^JaJnHtH/hjh^25CJOJPJQJ^JaJnHtH&h^2CJOJPJQJ^JaJnHtH,hj#4h^2CJOJPJQJ^JaJnHtH5=EMNy dgde $da$gd^2Ff'"dxx$IfgdFFf$dxx$Ifa$gdF&'(KRW;<sվՐՐՐ|էgOg/hqh^25CJOJPJQJ^JaJnHtH)h^25CJOJPJQJ^JaJnHtH&h7NCJOJPJQJ^JaJnHtH,h~h^2CJOJPJQJ^JaJnHtH,hjh^2CJOJPJQJ^JaJnHtH,h&h^2CJOJPJQJ^JaJnHtH&h^2CJOJPJQJ^JaJnHtH,hLBh^2CJOJPJQJ^JaJnHtH (7FUVFf($dxx$Ifa$gdFFfx%$xx$Ifa$gdFdxx$IfgdF $da$gd^2| 7UVdm|eg继zss[/hqh^26CJOJPJQJ^JaJnHtH hLh^2.hLh^25CJOJQJ\^JaJnHtH(hLh^2CJOJQJ^JaJnHtH&h^2CJOJPJQJ^JaJnHtH,hqh^2CJOJPJQJ^JaJnHtH)h^25CJOJPJQJ^JaJnHtH/hqh^25CJOJPJQJ^JaJnHtH!+:IXgvwFf&,$xx$Ifa$gdF$dxx$Ifa$gdF $da$gd^2gd^2gded7$8$^gde d7$8$gde dgde$*,wy   WXuҾҾҭҒzzz_G_z/h7NB*CJOJPJQJ^JaJnHphtH5h4gh^2B*CJOJPJQJ^JaJnHphtH/h^2B*CJOJPJQJ^JaJnHphtH5hqh^2B*CJOJPJQJ^JaJnHphtH hqh^2CJOJQJ^JaJ&h^2CJOJPJQJ^JaJnHtH,hqh^2CJOJPJQJ^JaJnHtH,h4gh^2CJOJPJQJ^JaJnHtH+Xvwӻzb[D0&h^2CJOJPJQJ^JaJnHtH,hQRyh^2CJOJPJQJ^JaJnHtH hLh^2.hLh^25CJOJQJ\^JaJnHtH(hLh^2CJOJQJ^JaJnHtH,hqh^2CJOJPJQJ^JaJnHtH)h^25CJOJPJQJ^JaJnHtH/hqh^25CJOJPJQJ^JaJnHtH(h^25CJOJQJ\^JaJnHtH.hqh^25CJOJQJ\^JaJnHtHwxno/023gd^2 d^gde dgde $da$gd^2Ff}/$dxx$Ifa$gdF$dxx$Ifa$gdF;=xqZZB/hLBh^2>*CJOJPJQJ^JaJnHtH,hLBh^2CJOJPJQJ^JaJnHtH/hqh^26CJOJPJQJ^JaJnHtH hLh^2/hjh^25CJOJPJQJ^JaJnHtH/hqh^25CJOJPJQJ^JaJnHtH)h^25CJOJPJQJ^JaJnHtH&h^2CJOJPJQJ^JaJnHtH,hqh^2CJOJPJQJ^JaJnHtH!/0flos{ҾybKK4K4K4,hHhh^2CJOJPJQJ^JaJnHtH,h -h^2CJOJPJQJ^JaJnHtH,h<h^2CJOJPJQJ^JaJnHtH,hjh^2CJOJPJQJ^JaJnHtH,h{(h^2CJOJPJQJ^JaJnHtH,hLBh^2CJOJPJQJ^JaJnHtH&h^2CJOJPJQJ^JaJnHtH/hLBh^2>*CJOJPJQJ^JaJnHtH)h^2>*CJOJPJQJ^JaJnHtH23<>?@AUXY#%&,.3׿ק{fNG{{{{{ hLh^2.hLh^25CJOJQJ\^JaJnHtH(hLh^2CJOJQJ^JaJnHtH,hqh^2CJOJPJQJ^JaJnHtH)h^25CJOJPJQJ^JaJnHtH/hqh^25CJOJPJQJ^JaJnHtH.hqh^25CJOJQJ\^JaJnHtH(h^25CJOJQJ\^JaJnHtH&h^2CJOJPJQJ^JaJnHtH3&-4;BIJK] dgdeFf+6$dxx$Ifa$gdFFf2$xx$Ifa$gdF$dxx$Ifa$gdF $da$gd^236:;ACHIJK(/6H齥qZZB-BZ)h^2>*CJOJPJQJ^JaJnHtH/hLBh^2>*CJOJPJQJ^JaJnHtH,hLBh^2CJOJPJQJ^JaJnHtH/hqh^26CJOJPJQJ^JaJnHtH hLh^2)h^25CJOJPJQJ^JaJnHtH/hqh^25CJOJPJQJ^JaJnHtH/hjh^25CJOJPJQJ^JaJnHtH&h^2CJOJPJQJ^JaJnHtH,hqh^2CJOJPJQJ^JaJnHtH/HIPQnggdexgde dxgdegdegd)Bgd)B $da$gd"o dgde d^gdeH[9PQnPV짠~m\N\?h^25CJOJQJ^JaJhE#CJOJQJ^JaJ h?(hCJOJQJ^JaJ h?(hMCJOJQJ^JaJ h&Ch-&h9CJOJPJQJ^JaJnHtH h8*Nh"o h8*Nh)B,h8*Nh"oCJOJPJQJ^JaJnHtH,hmh^2CJOJPJQJ^JaJnHtH,hjh^2CJOJPJQJ^JaJnHtH&h^2CJOJPJQJ^JaJnHtH ?ZHc   (*Mgɸ觖ɖwihE#CJOJQJ^JaJh^2CJOJQJ^JaJ hfBhfCJOJQJ^JaJ hfBhCJOJQJ^JaJ hfBhMCJOJQJ^JaJ h?(hxCJOJQJ^JaJhxCJOJQJ^JaJ h?(hCJOJQJ^JaJ h?(hMCJOJQJ^JaJ h?(h(#$9;im@JNOPS^bemԼwwcO8O8O8,hb.&hCJOJPJQJ^JaJnHtH&hb.&CJOJPJQJ^JaJnHtH&hCJOJPJQJ^JaJnHtH,hb.&hCJOJPJQJ^JaJnHtH,hb.&haCJOJPJQJ^JaJnHtH,hF5h"oCJOJPJQJ^JaJnHtH/hF5h"o5CJOJPJQJ^JaJnHtH hF5h"o&h8*Nh-5CJOJQJ\^JaJ hE#hE#CJOJQJ^JaJ#$/0VWXYaijk|d$If^|`gdad$Ifgda$!d<<$If^!`a$gdT)U$!d<<$If^!`a$gda $da$gda dgdegde mTWY\]_`ainoqrs{|}~ҿuuunu]uJun$h@=hOJPJQJ^JnHtH hLhT)UOJQJ^JnHtH hLha$h@=haOJPJQJ^JnHtH'h@=ha5OJPJQJ^JnHtHhT)UOJPJQJ^JnHtH$hmlhaOJPJQJ^JnHtH$hahaOJPJQJ^JnHtH,hahaCJOJPJQJ^JaJnHtH,hb.&haCJOJPJQJ^JaJnHtHks{|}~qlFf >|d$If^|`gdad$Ifgda$!d<<$If^!`a$gda!d<<$If^!`gdaFf :$|d$If^|`a$gda$|d$If^|`a$gdT)U FfF!d<<$If^!`gdaFfB$|d$If^|`a$gda|d$If^|`gdad$Ifgda$!d<<$If^!`a$gda/01234;<=>?@GHIJKLMOPQ˸܋܋܋܋܋ˋˋ$hmlhaOJPJQJ^JnHtH$hahaOJPJQJ^JnHtH hLha$h@=hOJPJQJ^JnHtH hLhaOJQJ^JnHtH hLhT)UOJQJ^JnHtH$h@=haOJPJQJ^JnHtH6.kdWH$$If    F ]    t0    @8    4apytL$d<<$Ifa$gdad<<$Ifgda>.d<<$IfgdakdJI$$If    F ]    t0    @8    4apytL$d<<$Ifa$gda/13>.d<<$Ifgdakd=J$$If    F ]    t0    @8    4apytL$d<<$Ifa$gda34;=?QA..$d<<$Ifa$gdad<<$Ifgdakd0K$$If    F ]    t0    @8    4apytL?@GIKQA..$d<<$Ifa$gdad<<$Ifgdakd#L$$If    F ]    t0    @8    4apytLKLMPSQA..$d<<$Ifa$gdad<<$IfgdakdM$$If    F ]    t0    @8    4apytLQRSTz{|}gi\^aֿo[o[oD-D,hhh9CJOJPJQJ^JaJnHtH,hhh"oCJOJPJQJ^JaJnHtH&h9CJOJPJQJ^JaJnHtH,hF5h"oCJOJPJQJ^JaJnHtH#hF5h"o5CJOJQJ^JaJ$hF5h"oOJPJQJ^JnHtH&h sCJOJPJQJ^JaJnHtH,hahaCJOJPJQJ^JaJnHtH hLha$h@=haOJPJQJ^JnHtHhT)UOJPJQJ^JnHtHST|}jQGG:GG $da$gd"o dgdekd N$$If    F ]    t0    @8    4apytLjk./aDEWY[\%7PQ $da$gd"o dxgdegde dgdeahxz,-/amnqһһҤһvoXAXA,h?(h"oCJOJPJQJ^JaJnHtH,h?(hlCJOJPJQJ^JaJnHtH hF5h"o,hF5h"oCJOJPJQJ^JaJnHtH,hhhlCJOJPJQJ^JaJnHtH,hhh FCJOJPJQJ^JaJnHtH,hhh9CJOJPJQJ^JaJnHtH,hhh"oCJOJPJQJ^JaJnHtH,hhh85 CJOJPJQJ^JaJnHtH|~ACEI469Buw|TUV\[һһңңҌҌucR h?(hlCJOJQJ^JaJ#hF5h"o5CJOJQJ^JaJ,hF5h"oCJOJPJQJ^JaJnHtH,h?(hkCJOJPJQJ^JaJnHtH/h?(h"o6CJOJPJQJ^JaJnHtH,h?(hlCJOJPJQJ^JaJnHtH,h?(h"oCJOJPJQJ^JaJnHtH,h?(h9CJOJPJQJ^JaJnHtH[]}7;UW_˹ܨkT=T=T,h?(h9CJOJPJQJ^JaJnHtH,h?(h"oCJOJPJQJ^JaJnHtH,h?(hMjCJOJPJQJ^JaJnHtH/h?(h"o5CJOJPJQJ^JaJnHtHhhCJOJQJ^JaJ h?(h]ӾӾӾӾӾӾӡyg` hF5hm#hF5h"o5CJOJQJ^JaJ&h9CJOJPJQJ^JaJnHtH&hyl,CJOJPJQJ^JaJnHtHhyl,B*CJaJph hLh CJOJQJ^JaJ)hLh B*CJOJQJ^JaJph hLh !hLh B*OJQJ^Jph'hLh 5B*OJQJ\^Jph,ZkdNW$$If0!8'F" t'22 l4Bayt d$Ifgd d$7$8$Ifgd ZkdV$$If0!8'F" t'22 l4Bayt *./x|ZkdX$$If0!8'F" t'22 l4Bayt d$Ifgd d$7$8$Ifgd |}50XkdY$$If0!8'F" t'22 l4Bayt d$Ifgd d$7$8$Ifgd XkdX$$If0!8'F" t'22 l4Bayt 59:;<>]eopqr{{nnn $da$gdm dgdegd)B dgdmNgdyl,XkdNZ$$If0!8'F" t'22 l4Bayt d$Ifgd ]derFGJVWζlU>7 h8*Nh"o,h8*Nh"oCJOJPJQJ^JaJnHtH,h8*NhmCJOJPJQJ^JaJnHtH&hmCJOJPJQJ^JaJnHtH,hLhmCJOJPJQJ^JaJnHtH hLhm/hLhm5CJOJPJQJ^JaJnHtH/h?(hm5CJOJPJQJ^JaJnHtH h?(hm&heCJOJPJQJ^JaJnHtH,h?(hmCJOJPJQJ^JaJnHtH $d$Ifa$gdLl d$IfgdLl $dxa$gdm !0d$IfgdLl kdZ$$Iflrp#L,-  t0644 lap2ytL!.:AFd$IfgdLl FGH.d$IfgdLl kd[$$Iflrp#L,-  t0644 lap2ytLHIJQVd$IfgdLl VWX.!! $da$gdmkd\$$Iflrp#L,-  t0644 lap2ytL$d$Ifa$gd%?%j%%%%'&)&&& ':';'<'(8(G(I(~phCJOJQJ^JaJh_VQCJOJQJ^JaJhCJOJQJ^JaJ hhhgCJOJQJ^JaJ hhh85 CJOJQJ^JaJ hhh9CJOJQJ^JaJ hhhCJOJQJ^JaJ hhh"oCJOJQJ^JaJ"#$>%;'J(((>)?))))))rr$ `d^``a$gd"o $da$gd"o & Fd1$7$8$H$gded1$7$8$H$gde & Fdx1$7$8$H$gdedx1$7$8$H$^gde & Fdx1$7$8$H$^`gde I(J(>)?)e)l)))=*****++++++,,,һw```I2I2,hhh9CJOJPJQJ^JaJnH tH ,hhh"oCJOJPJQJ^JaJnH tH ,hhh9CJOJPJQJ^JaJnHtH/hhh"o5CJOJPJQJ^JaJnHtH)hF5CJOJPJQJ^JaJnHtH,hhh85 CJOJPJQJ^JaJnHtH,hhh.SuCJOJPJQJ^JaJnHtH,hhhgCJOJPJQJ^JaJnHtH,hhh"oCJOJPJQJ^JaJnHtH)?***++-,.,9,:,,--H.I.T.U. & F |d^`|gde dgde `d^``gde pp0d^p`0gde & F |d^`|gde $da$gd"o,,-,.,,,------!.,.E.G.I. ///g0i0000ҺңxdL/hF5h"o5CJOJPJQJ^JaJnHtH&h 0CJOJPJQJ^JaJnHtH,h=h"oCJOJPJQJ^JaJnHtH&h9CJOJPJQJ^JaJnHtH,hF5h"oCJOJPJQJ^JaJnHtH/hhh"o5CJOJPJQJ^JaJnHtH,hhh"oCJOJPJQJ^JaJnHtH,hhh"oCJOJPJQJ^JaJnH tH U. /000011*2+2627223333 & F 0d^`0gde `d^``gde & F 0d`0gde$ `d^``a$gd"o & F 0d`0gde dgde00001'2)2+22 3333C4E4F4444 55555ԽzzzezQ=&h"oCJOJPJQJ^JaJnHtH&hHJ"CJOJPJQJ^JaJnHtH)h95CJOJPJQJ^JaJnHtH&h9CJOJPJQJ^JaJnHtH,hF5h"oCJOJPJQJ^JaJnHtH/hF5h"o5CJOJPJQJ^JaJnHtH,hKh"oCJOJPJQJ^JaJnHtH/hKh"o5CJOJPJQJ^JaJnHtH&hBCJOJPJQJ^JaJnHtH333F4G4R4S44555&5@6677B889 & Fdgd= & Fd^`gd dxgdgd"ogd"o & Fdgde & F 0d^`0gde dgde55&505F555{6677A8B8C888899޲ޛއpYEއE1&hCJOJPJQJ^JaJnHtH&h=CJOJPJQJ^JaJnHtH,h=hCJOJPJQJ^JaJnHtH,h=h=CJOJPJQJ^JaJnHtH&hCJOJPJQJ^JaJnHtH,h:wh:wCJOJPJQJ^JaJnHtH&h8pCJOJPJQJ^JaJnHtH/hh6CJOJPJQJ^JaJnHtH,hhCJOJPJQJ^JaJnHtH hF5h"ohu9999*9K9L9`999$:&:::w;y;)<+<<<r=t=====(>վoaoaoaoaoaoSoaoSoEoh"oCJOJQJ^JaJhBCJOJQJ^JaJh9CJOJQJ^JaJ hqh"oCJOJQJ^JaJ hn9h"oCJOJQJ^JaJ# *h0.h"oCJOJQJ^JaJhh"oCJ#hFh"o5CJOJQJ^JaJ,hh"oCJOJPJQJ^JaJnHtH,hhCJOJPJQJ^JaJnHtH&hCJOJPJQJ^JaJnHtH99*9K9L9'::z;<=>??@AABJDKDkDlDmD}D $da$gd"ogd"o $da$gd"o dxgd"ogd"ogdF d^gd(>*>>>??????X@Z@@@2A4AAAAAAABB CC D DGDIDJDKDkDmD}DDDDDDD򼵬ngng hLh"o4hqh"oCJOJPJQJ^JaJmH nHsH tH/hqh"o5CJOJPJQJ^JaJnHtHhqh"onHtHhqh"oCJ hqh"o,hqh"oCJOJPJQJ^JaJnHtHhBCJOJQJ^JaJ hqh"oCJOJQJ^JaJh9CJOJQJ^JaJ(}DDDDDDDDDMJkdj$$IfTlPg$ t$644 lBaytd$IfgdI?ISIVIWIXIgIhI|I}IIIIIIIIIIIIIIIJJ1J2J?J@JUJXJYJZJiJjJzJ{JĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽĽ7h&GB*CJOJPJQJ^JaJmH nH phsH tH =h?(h"oB*CJOJPJQJ^JaJmH nH phsH tH hLh"o=h?(h"oB*CJOJPJQJ^JaJmH nH phsH tH 7h&GB*CJOJPJQJ^JaJmH nH phsH tH 3HHHHHVGkdx$IfK$L$l,g t644 lBaytI?IWIVGkdy$IfK$L$l,g t644 lBaytd$Ifgd>>>d$IfgdLYLZLqLrLsLLLLLLLLLLLLٯq=h?(h9B*CJOJPJQJ^JaJmH nH phsH tH =h?(hcB*CJOJPJQJ^JaJmHnH phsHtH =h?(h"oB*CJOJPJQJ^JaJmHnH phsHtH hLh"omH sH  hLh"o=h?(h"oB*CJOJPJQJ^JaJmH nH phsH tH ,KKLKYKZKgKZFkd$IfK$L$l,g t44 lBaytLYLZLqLZFkd5$IfK$L$l,g t44 lBayt$IfK$L$l,g t644 lBaytUWUXUپ=h?(h2B*CJOJPJQJ^JaJmH nH phsH tH 4h?(h2CJOJPJQJ^JaJmH nH sH tH hLh"o=h?(h"oB*CJOJPJQJ^JaJmH nH phsH tH 6RR S S2S_Gkd8$IfK$L$l,g t644 lBaytUWUXUlUU_Qd$Ifgd`c`d`z`{`````````````` aaBaCaOaPakalauawa~a|=h?(h2B*CJOJPJQJ^JaJmH nH phsH tH =h?(h"oB*CJOJPJQJ^JaJmH nH phsH tH hLh"o=h?(h"oB*CJOJPJQJ^JaJmH nH phsH tH =h?(h9B*CJOJPJQJ^JaJmH nH phsH tH 0_____eFkd$$Ifl,rg t644 lBayt`c`eFkd $$Ifl,rg t644 lBayteiejeeeާާާާާ=h?(hhB*CJOJPJQJ^JaJmH nH phsH tH .h&GCJOJPJQJ^JaJmH nH sH tH hLhh4h?(hhCJOJPJQJ^JaJmH nH sH tH BbbbbckCkd$$Ifl,r' t644 laythd$IfgdhCkdn$$Ifl,r' t644 laythccccAchFkds$$Ifl,rg t644 lBayteiejeekCkd[$$Ifl,r' t644 laythd$IfgdhCkd$$Ifl,r' t644 laytheeeeekCkd $$Ifl,r' t644 laythd$IfgdhCkd$$Ifl,r' t644 laytheeeeeeeeeffff"f#f=f>fRfSfwfxfffffffffffffffgg9g:gOgPglgmggggggggggggggghhhh2h3hjhkhhhhhhhhhhhhhhh hLhh=h?(hhB*CJOJPJQJ^JaJmH nH phsH tH NeeeeekCkd$$Ifl,r' t644 laythd$IfgdhCkd`$$Ifl,r' t644 laytheefffkCkde$$Ifl,r' t644 laythd$IfgdhCkd$$Ifl,r' t644 laythff"f#f=fkCkd$$Ifl,r' t644 laythd$IfgdhCkd$$Ifl,r' t644 layth=f>fRfSfwfkCkd$$Ifl,r' t644 laythd$IfgdhCkdj$$Ifl,r' t644 laythwfxffffk]d$Ifgdk?kVkeFkdG$$Ifl,rg t644 lBaytk?kVkWkbkckdkvkwkkkkkkkkkkk l l@lAlYlZlklllllllllllllmmmm2m3mMmNmgmhmmmmmmmmmmmmmmm7hIgB*CJOJPJQJ^JaJmH nH phsH tH =h?(hhB*CJOJPJQJ^JaJmH nH phsH tH hLhh>VkWkbkckdkvkeFkd$$Ifl,rg t644 lBaytjklmn콨얄raSaS=*hCJOJQJ^JaJmH nH sH tH hCJOJQJ^JaJ hk$hCJOJQJ^JaJ"hCJOJQJ^JaJnHtH#h8*Nh5CJOJQJ^JaJ#h}`;h5CJOJQJ^JaJ)h6CJOJPJQJ^JaJnHtH/hh6CJOJPJQJ^JaJnHtH,hqhCJOJPJQJ^JaJnHtH&hCJOJPJQJ^JaJnHtH [>Bِ!fˑPВ $da$gdV$ da$gd"o dgd"o dgd $da$gdnя>@AѼq_M;#/hVhV5CJOJPJQJ^JaJnHtH"hVCJOJQJ^JaJnHtH"h"oCJOJQJ^JaJnHtH"h9CJOJQJ^JaJnHtH"hSCJOJQJ^JaJnHtH"hCJOJQJ^JaJnHtH(h8*Nh"oCJOJQJ^JaJnHtH#h8*Nh"o5CJOJQJ^JaJ(hk$hCJOJQJ^JaJnHtH*hCJOJQJ^JaJmH nH sH tH 0hk$hCJOJQJ^JaJmH nH sH tH ˑԑՑOPВP\]ēӼӼӼӼӌwbP;)hB 5CJOJPJQJ^JaJnHtH"h"oCJOJQJ^JaJnHtH(h|zhVCJOJQJ^JaJnHtH)hV5CJOJPJQJ^JaJnHtH/h|zhV5CJOJPJQJ^JaJnHtH/h8*NhV6CJOJPJQJ^JaJnHtH,h8*NhVCJOJPJQJ^JaJnHtH&hVCJOJPJQJ^JaJnHtH/h8*NhV5CJOJPJQJ^JaJnHtHВOP]~Óēԓ;Ȕ(]^nڕ.gd $da$gd $da$gd"o$ da$gd"o dgdV $da$gdVēӓԓESӔ3D]^nٕڕϽz`zH/h. hV5CJOJPJQJ^JaJnHtH2h8*Nh"o5CJOJPJQJ\^JaJnHtH,h8*Nh"oCJOJPJQJ^JaJnHtH,hnh"oCJOJPJQJ^JaJnHtH(h6CJOJQJ]^JaJnHtH"hCJOJQJ^JaJnHtH/h8*Nh"o5CJOJPJQJ^JaJnHtH/hrh"o5CJOJPJQJ^JaJnHtH.Q֖PQc5/gdV dgdV $da$gdV $da$gd"o֖OQc~/Ӽ礍ӍxcR82 *h8*NhV5CJOJPJQJ^JaJnHtH hkhVCJOJQJ^JaJ)hB 5CJOJPJQJ^JaJnHtH)hV5CJOJPJQJ^JaJnHtH,hkhVCJOJPJQJ^JaJnHtH/hkhV5CJOJPJQJ^JaJnHtH,h8*NhVCJOJPJQJ^JaJnHtH&hVCJOJPJQJ^JaJnHtH/h8*NhV5CJOJPJQJ^JaJnHtH(М"$B7|&PQ]gdV$9d^9a$gdV dgdV $da$gdV&(Μ "$BiR;#;/hkhV5CJOJPJQJ^JaJnHtH,hkhVCJOJPJQJ^JaJnHtH,h8*NhVCJOJPJQJ^JaJnHtH,hw2ChVCJOJPJQJ^JaJnHtH/hw2ChV5CJOJPJQJ^JaJnHtH/hkhV6CJOJPJQJ^JaJnHtH h8*NhVCJOJQJ^JaJhVCJOJQJ^JaJ/h8*NhV5CJOJPJQJ^JaJnHtH/hhV5CJOJPJQJ^JaJnHtH %&Q\]d}fQ<$/hIhV5CJOJPJQJ^JaJnHtH)hB 5CJOJPJQJ^JaJnHtH)hV5CJOJPJQJ^JaJnHtH,h8*NhVCJOJPJQJ^JaJnHtH&hVCJOJPJQJ^JaJnHtH/hVhV5CJOJPJQJ^JaJnHtH,h8*NhVCJOJPJQJ^JaJnHtH/h8*NhV5CJOJPJQJ^JaJnHtH/h%=hV5CJOJPJQJ^JaJnHtHhVOJPJQJ^JnHtH 67E#}á&HIJ $da$gd"o $da$gdi6 dgd"o $da$gdV dgdVgdV67DENRսzzzeM5/huhV5CJOJPJQJ^JaJnHtH/hn%hV5CJOJPJQJ^JaJnHtH)h"o6CJOJPJQJ^JaJnHtH&hVCJOJPJQJ^JaJnHtH,h|zhVCJOJPJQJ^JaJnHtH/hkhV5CJOJPJQJ^JaJnHtH/hw2ChV5CJOJPJQJ^JaJnHtH&hVCJOJPJQJ^JaJnHtH,h8*NhVCJOJPJQJ^JaJnHtH ȠɠҠӠ #2Q{|}lllllU,h8*Nhi6CJOJPJQJ^JaJnHtH&hi6CJOJPJQJ^JaJnHtH,hhi6CJOJPJQJ^JaJnHtH)hi65CJOJPJQJ^JaJnHtH)hD5CJOJPJQJ^JaJnHtH&hVCJOJPJQJ^JaJnHtH&hDCJOJPJQJ^JaJnHtH,hDhDCJOJPJQJ^JaJnHtHáGHIJKUVdefgrйxoxf`N27hLhW+5CJOJPJQJ^JaJmH nH sH tH "hW+CJOJQJ^JaJnHtH h"oCJh8*Nh"oCJh?(hW+CJh?(h"oCJ h8*Nh"o2h8*Nh"o5CJOJPJQJ\^JaJnHtH,hVhVCJOJPJQJ^JaJnHtH,h|zhVCJOJPJQJ^JaJnHtH,hw2ChVCJOJPJQJ^JaJnHtH/hw2ChV5CJOJPJQJ^JaJnHtH JKfgrst4d$If^4gdLl d$If]gdLl d$If]gdLl dgdW+gd"ogd"ortu¢ƢǢ=EãɣܣlK@hLhW+6B*CJOJPJQJ^JaJmH nH phsH tH 4hLhv CJOJPJQJ^JaJmH nH sH tH :hLhW+6CJOJPJQJ]^JaJmH nH sH tH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH  hLhW+7hLhW+5CJOJPJQJ^JaJmH nHsH tHtuv]AA%d$If]gdLl d$If]gdLl kd$$IflF%8F t06    44 lBapytLD((d$If]gdLl kd$$IflF%8 t06    44 lapytL4d$If^4gdLl (kdG$$IflF%8 t06    44 lapytL4d$If^4gdLl d$If]gdLl Ǣ&'=Lʣˣd$If]gdLl " 9r d$If]gdLl d$If]gdLl " 9r d$If]gdLl ˣܣFGEkd$$IflF%8F t06    44 lBapytLd$IfgdLl EFGX^_`|ʤڤ39ऍjjO28hLhW+B*CJOJPJQJ\^JaJmH phsH 5hLhW+B*CJOJPJQJ^JaJmH phsH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH  hLhW+,hLhW+CJOJPJQJ^JaJmH sH 4hLhW+CJOJPJQJ^JaJmH nH sH tH @hLhW+6B*CJOJPJQJ^JaJmH nH phsH tH =hLhW+B*CJOJPJQJ^JaJmH nH phsH tH GXe|ʤ:Himd$IfgdLl  9r d$IfgdLl d$If]gdLl " 9r d$If]gdLl d$If]gdLl 9:Hbj (ħ/?Fè!"ƥƥƃgPgLgPgghy,hLhW+CJOJPJQJ^JaJmH sH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH 5hLhW+B*CJOJPJQJ^JaJmH phsH  hLhW+@hLhW+6B*CJOJPJQJ^JaJmH nH phsH tH =hLhW+B*CJOJPJQJ^JaJmH nH phsH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH E"" 9r d$If]gdLl kd$$IflF%8FF t06    44 lBapytLd$IfgdLl jk /ad$IfgdLl d$If]gdLl d$If]gdLl " 9r d$If]gdLl ˧0][????d$If]gdLl kdi$$IflF%8F t06    44 lBapytL0?Mdʨ!d$IfgdLl d$If]gdLl !"1AXZ>>>>d$If]gdLl kd!$$IflF%8FF t06    44 lBBapytL"1:X,01">89:Jo 宒t\tE,hLhW+CJOJPJQJ^JaJmH sH /hLhW+6CJOJPJQJ^JaJnH tH ,hLhW+CJOJPJQJ^JaJnH tH  hLhW+7hLhW+6CJOJPJQJ^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH Щ1Hd$IfgdLl d$If]gdLl Ū]AAAAd$If]gdLl kd$$IflF%8FF t06    44 lBapytL'>~89d$IfgdLl d$If]gdLl 9:Jv]AAAd$If]gdLl kd$$IflF%8FF t06    44 lBapytL !1^LZ$d$@&If]gdLl d$IfgdLl d$If]gdLl $d$@&If]gdLl !1W^_deEȬȑȑȑsȬleaQ57hLhW+5CJOJPJQJ^JaJmH nHsH tHhLhW+5CJaJmH sH hy hy5\ hLhW+: *hLhW+5CJOJPJQJ^JaJmH nHsH tH4hLhh[CJOJPJQJ^JaJmH nH sH tH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLhW+CJOJPJQJ\^JaJmH nH sH tH ][?$@&If]gdLl kdO$$IflF%8F t06    44 lBapytLd$IfgdLl d$If]gdLl d$If]gdLl ,[cvįʯܽeI..eI.4hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH 7hLhW+5CJOJPJQJ^JaJmH nHsH tH4hLhW+CJOJPJQJ^JaJmH nH sH tH @hLhW+6B*CJOJPJQJ^JaJmH nH phsH tH =hLhW+B*CJOJPJQJ^JaJmH nH phsH tH  hLhW+7hLhW+CJOJPJQJ\^JaJmH nH sH tH `=!d$If]gdLl " 9r d$If]gdLl kd$$IflF%8 t06    44 lapytL,cv˯ޯmmd$IfgdLl  9r d$IfgdLl d$If]gdLl " 9r d$If]gdLl d$If]gdLl ʯޯ2FGHb}੢hMhM6M,hLhW+CJOJPJQJ^JaJmH sH 4hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLhW+CJOJPJQJ]^JaJmH nH sH tH :hLhW+6CJOJPJQJ]^JaJmH nH sH tH  hLhW+7hLhW+5CJOJPJQJ^JaJmH nHsH tH4hLhW+CJOJPJQJ^JaJmH nH sH tH =hLhW+B*CJOJPJQJ^JaJmH nH phsH tH A" 9r d$If]gdLl kd$$IflF%8F t06    44 lBapytL4d$If^4gdLl 2GHbɰrrrrd$IfgdLl Z$$If]a$gdLl d$If]gdLl d$If]gdLl " 9r d$If]gdLl ɰް,ʬqZ>7 hLhW+7hLhW+5CJOJPJQJ^JaJmH nHsH tH,hLhW+CJOJPJQJ^JaJmH sH =hLhW+B*CJOJPJQJ^JaJmH nH phsH tH 7hLhW+CJOJPJQJ]^JaJmH nH sH tH :hLhW+6CJOJPJQJ]^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH 3hLhW+5OJPJQJ^JaJmH nHsH tH ,Yl]AAAAAd$If]gdLl kdq $$IflF%8F t06    44 lBapytL,RlֱpT6: *hLhW+5CJOJPJQJ^JaJmH nHsH tH7hLhW+CJOJPJQJ]^JaJmH nH sH tH :hLhW+6CJOJPJQJ]^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH ,hLhW+CJOJPJQJ^JaJmH sH =hLhW+B*CJOJPJQJ^JaJmH nH phsH tH @hLhW+6B*CJOJPJQJ^JaJmH nH phsH tH  ֱ%:d$IfgdLl d$If]gdLl %9:;JT\xȩvoQ57hLhW+CJOJPJQJ]^JaJmH nH sH tH :hLhW+6CJOJPJQJ]^JaJmH nH sH tH  hLhW+7hLhW+CJOJPJQJ\^JaJmH nH sH tH ,hLhW+CJOJPJQJ^JaJmH sH =hLhW+B*CJOJPJQJ^JaJmH nH phsH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH  :;J\x]AAAAd$If]gdLl kd)!$$IflF%8FF t06    44 lBapytLxDzϲ!ɮtUt7: *hLhW+5CJOJPJQJ^JaJmH nHsH tH=hLhW+B*CJOJPJQJ^JaJmH nH phsH tH 7hLhW+CJOJPJQJ]^JaJmH nH sH tH :hLhW+6CJOJPJQJ]^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLhW+5CJOJPJQJ^JaJmH nHsH tH4hLhW+CJOJPJQJ^JaJmH nH sH tH  ϲ!0CXd$IfgdLl d$If]gdLl !$0CWXY[ghijxȩvokO1vo: *hLhW+5CJOJPJQJ^JaJmH nHsH tH7hLhW+5CJOJPJQJ^JaJmH nHsH tHhy hLhW+7hLhW+CJOJPJQJ\^JaJmH nH sH tH ,hLhW+CJOJPJQJ^JaJmH sH =hLhW+B*CJOJPJQJ^JaJmH nH phsH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH XY[\gZX<<d$If]gdLl kd!$$IflF%8FF t06    44 lBBapytLghij,kd"$$IflF%8 t06    44 lapytLd$IfgdLl d$If]gdLl jxȳ -Hd$IfgdLl d$If]gdLl d$If]gdLl  !"#-HȪwX:X:w:hLhW+CJOJPJQJ\]^JaJmH nH sH tH =hLhW+6CJOJPJQJ\]^JaJmH nH sH tH ,hLhW+CJOJPJQJ^JaJmH sH 7hLhW+CJOJPJQJ\^JaJmH nH sH tH :hLhW+6CJOJPJQJ\^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH 7 *hLhW+CJOJPJQJ^JaJmH nHsH tH&()<Fȵ͵صͱ۱ۖz\>:hLhW+6CJOJPJQJ\^JaJmH nH sH tH :hLh]]6CJOJPJQJ\^JaJmH nH sH tH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLhW+5CJOJPJQJ^JaJmH nHsH tHhW+CJOJQJ^JaJ hLhW+: *hLhW+5CJOJPJQJ^JaJmH nHsH tH]S7d$If]gdLl dgdW+kdQ#$$IflF%8FF t06    44 lBapytL%kd $$$IflF%8F t06    44 lBapytL4d$If^4gdLl d$If]gdLl &'(4d$If^4gdLl d$If]gdLl d$If]gdLl ()<Kr`====" 9r d$If]gdLl kd$$$IflF%8 t06    44 lapytLȵߵ&'8Wd$IfgdLl d$If]gdLl d$If]gdLl صٵڵ8@Pdk:CŪrkrrrkrrL=hLh]]6CJOJPJQJ\]^JaJmH nH sH tH  hLhW+7hLhW+6CJOJPJQJ^JaJmH nH sH tH 7hLh]]6CJOJPJQJ^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH :hLhW+6CJOJPJQJ\^JaJmH nH sH tH 7hLhW+CJOJPJQJ\^JaJmH nH sH tH UV`DDDDDd$If]gdLl kds%$$IflF%8 t06    44 lapytLVdr߷$Ld$IfgdLl d$If]gdLl +,`DDDDDd$If]gdLl kd%&$$IflF%8 t06    44 lapytL,:Jٹڹ8xyd$IfgdLl d$If]gdLl yz!*I  §hM1Mh7hLhW+6CJOJPJQJ^JaJmHnH sHtH 4hLhW+CJOJPJQJ^JaJmHnH sHtH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH 7hLhh6CJOJPJQJ^JaJmH nH sH tH  hLhW+4hLhW+CJOJPJQJ^JaJmH nH sH tH :hLhW+CJOJPJQJ\]^JaJmH nH sH tH =hLhW+6CJOJPJQJ\]^JaJmH nH sH tH yzк`DDDDDd$If]gdLl kd&$$IflF%8 t06    44 lapytL!1Iʻ  d$IfgdLl d$If]gdLl  MR`^BBBBd$If]gdLl kd'$$IflF%8 t06    44 lapytL Fͼ->޽߽ 45پ}-./<B#178Mq,hLhW+CJOJPJQJ^JaJmH sH 4hLh|CJOJPJQJ^JaJmH nH sH tH  hLhW+4hLhV!CJOJPJQJ^JaJmH nH sH tH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH hy,ܼ-Q޽d$IfgdLl d$If]gdLl ޽߽6L]AAAAAAd$If]gdLl kd;($$IflF%8FFF t06    44 lBapytL.n}.d$IfgdLl d$If]gdLl ./<Ij]AAAAd$If]gdLl kd($$IflF%8F t06    44 lBapytL#8Md$IfgdLl d$If]gdLl M!0<Q !"08L)8>@MΫΫΫΫΫΫrVrV7hLhW+6CJOJPJQJ^JaJmHnH sHtH 4hLhW+CJOJPJQJ^JaJmHnH sHtH : *hLhW+5CJOJPJQJ^JaJmH nHsH tH7hLhW+6CJOJPJQJ^JaJmH nH sH tH  hLhW+4hLhW+CJOJPJQJ^JaJmH nH sH tH ,hLhW+CJOJPJQJ^JaJmH sH !"Z>>>>d$If]gdLl kd)$$IflF%8FF t06    44 lBBapytL"0DQ!d$IfgdLl d$If]gdLl !"0?LZ>>>>d$If]gdLl kdi*$$IflF%8FF t06    44 lBBapytL)@Md$IfgdLl d$If]gdLl M!#$%1234CΫΏscE: *hLhW+5CJOJPJQJ^JaJmH nHsH tHhLhW+5CJaJmH sH 7hLhW+5CJOJPJQJ^JaJmH nHsH tH7hLhW+CJOJPJQJ\^JaJmH nH sH tH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH  hLhW+4hLhW+CJOJPJQJ^JaJmH nH sH tH ,hLhW+CJOJPJQJ^JaJmH sH !"]AAAAAd$If]gdLl kd'+$$IflF%8FF t06    44 lBapytL"#$%"kd+$$IflF%8 t06    44 lapytL$d$@&If]gdLl $d$@&If]gdLl %&123d$IfgdLl $@&If]gdLl d$If]gdLl 34CW`A" 9r d$If]gdLl $d$If]a$gdLl kd,$$IflF%8 t06    44 lapytLCPQRVW!-⫏ƫsW;4 hLhW+7 *hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH 7 *hLhW+CJOJPJQJ^JaJmH nHsH tH7hLhW+5CJOJPJQJ^JaJmH nHsH tH4hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLhW+CJOJPJQJ\^JaJmH nH sH tH :hLhW+6CJOJPJQJ\^JaJmH nH sH tH W!4Uiiiid$IfgdLl " 9r d$If]gdLl d$If]gdLl d$If]gdLl " 9r d$If]gdLl H,,d$If]gdLl kdC-$$IflF%8 t06    44 lapytLd$IfgdLl vZod$If]gdLl d$If]gdLl ZnoprƫxqmQ5xqQ5xq7 *hLhW+CJOJPJQJ^JaJmH nHsH tH7hLhW+5CJOJPJQJ^JaJmH nHsH tHhy hLhW+7 *hLhW+CJOJPJQJ^JaJmH nH sH tH ,hLhW+CJOJPJQJ^JaJmH sH 4hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLhW+CJOJPJQJ\^JaJmH nH sH tH :hLhW+6CJOJPJQJ\^JaJmH nH sH tH oprsusWW;d$If]gdLl d$If]gdLl kd-$$Ifl0%FF t0644 lBapytLD((d$If]gdLl kd.$$IflF%8 t06    44 lapytL4d$If^4gdLl (kdU/$$IflF%8 t06    44 lapytL4d$If^4gdLl d$If]gdLl (>+d$IfgdLl d$If]gdLl d$If]gdLl (789=>+,<ȱȖz^C< hLhW+4hLhW+CJOJPJQJ^JaJmH nHsH tH7hLhW+6CJOJPJQJ^JaJmH nHsH tH7 *hLhW+CJOJPJQJ^JaJmH nHsH tH4hLhW+CJOJPJQJ^JaJmH nHsH tH,hLhW+CJOJPJQJ^JaJmH sH 4hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH +,<L[]AAAAd$If]gdLl kd0$$IflF%8F t06    44 lBapytL<ELFUbghimn§pppY=pppY7hLh|6CJOJPJQJ^JaJmH nH sH tH ,hLhW+CJOJPJQJ^JaJmH sH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nHsH tH:hLhW+CJOJPJQJ\]^JaJmH nH sH tH =hLhW+6CJOJPJQJ\]^JaJmH nH sH tH GUnd$IfgdLl d$If]gdLl S][????d$If]gdLl kd0$$IflF%8FF t06    44 lBapytLRamnost9zھھھڧھھھڧڋھooT4hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLh|6CJOJPJQJ^JaJmH nH sH tH 7 *hLhW+CJOJPJQJ^JaJmH nHsH tH,hLhW+CJOJPJQJ^JaJmH sH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH hy hLhW+Sat:z{d$IfgdLl d$If]gdLl z{|#$%)*L܀iM7hLhW+5CJOJPJQJ^JaJmH nH sH tH ,hLhW+CJOJPJQJ^JaJnH tH hW+CJOJQJ^JaJ,hLhW+CJOJPJQJ^JaJmH sH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH  hLhW+7 *hLhW+CJOJPJQJ^JaJmH nH sH tH {|]AAAAd$If]gdLl kdw1$$IflF%8F t06    44 lBapytL*Ld$IfgdLl d$If]gdLl ]SS7d$If]gdLl dgdW+kd/2$$IflF%8FF t06    44 lBapytL%kd2$$IflF%8F t06    44 lBapytL4d$If^4gdLl +d$If]+gdLl 9:IYdghܥmQm㥉ܥ7 *hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLh846CJOJPJQJ^JaJmH nH sH tH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLhW+5CJOJPJQJ^JaJmH nHsH tH hLhW+7 *hLhW+CJOJPJQJ^JaJmH nHsH tH4d$If^4gdLl +d$If]+gdLl d$If]gdLl `DD(+d$If]+gdLl d$If]gdLl kd3$$IflF%8 t06    44 lapytLD((d$If]gdLl kdQ4$$IflF%8 t06    44 lapytL4d$If^4gdLl /:I`pd$If]gdLl d$IfgdLl +d$If]+gdLl d$If]gdLl TU]AAAAAd$If]gdLl kd5$$IflF%8FF t06    44 lBapytLUdnsd$If]gdLl d$IfgdLl +d$If]+gdLl hirst0?@FMRSTYZuv%5FGMNTȭȑnnȊnȭnn7hLh846CJOJPJQJ^JaJmH nH sH tH  hLhW+7 *hLhW+CJOJPJQJ^JaJmH nHsH tH4hLhW+CJOJPJQJ^JaJmH nHsH tH4hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH 'st!]AAAAd$If]gdLl kd5$$IflF%8FF t06    44 lBapytL!0Zg tud$IfgdLl +d$If]+gdLl uv%&]AAAAAd$If]gdLl kds6$$IflF%8FF t06    44 lBapytL&5p}rd$IfgdLl +d$If]+gdLl Ta}qrsʯw[[[ʓT8[[ʯ7hLhd16CJOJPJQJ^JaJmH nH sH tH  hLhW+7hLhW+6CJOJPJQJ^JaJmH nH sH tH 7hLh276CJOJPJQJ^JaJmH nH sH tH 7 *hLhW+CJOJPJQJ^JaJmH nHsH tH4hLhW+CJOJPJQJ^JaJmH nHsH tH4hLhW+CJOJPJQJ^JaJmH nH sH tH 4hLh84CJOJPJQJ^JaJmH nH sH tH rs]AAAAAd$If]gdLl kd+7$$IflF%8FF t06    44 lBapytL&GdVd$IfgdLl +d$If]+gdLl &78>?@dUVWiqz{|  ɭvvovokOv7hLhW+5CJOJPJQJ^JaJmH nH sH tH hy hLhW+7 *hLhW+CJOJPJQJ^JaJmH nHsH tH4hLhW+CJOJPJQJ^JaJmH nHsH tH7hLhd16CJOJPJQJ^JaJmH nH sH tH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH VWi]AAAAd$If]gdLl kd7$$IflF%8FF t06    44 lBapytL%kd8$$IflF%8F t06    44 lBapytL4d$If^4gdLl +d$If]+gdLl    4d$If^4gdLl +d$If]+gdLl d$If]gdLl   Y`DDDDDd$If]gdLl kdS9$$IflF%8 t06    44 lapytL  ,LPQR!"()./0O¦ދo¦¦ދS7 *hLhW+CJOJPJQJ^JaJmH nHsH tH7hLhW+5CJOJPJQJ^JaJmH nHsH tH4hLhW+CJOJPJQJ^JaJmH nHsH tH7hLhG16CJOJPJQJ^JaJmH nH sH tH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH  hLhW+7OAd$IfgdLl +d$If]+gdLl @ABQ">rtuǬǬunǬǬunRun7hLhW+5CJOJPJQJ^JaJmH nHsH tH hLhW+7 *hLhW+CJOJPJQJ^JaJmH nHsH tH4hLhW+CJOJPJQJ^JaJmH nHsH tH4hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH 7hLhX+6CJOJPJQJ^JaJmH nH sH tH ABQ]AAAAAd$If]gdLl kd:$$IflF%8FF t06    44 lBapytL)>st4d$If^4gdLl +d$If]+gdLl tuv]AA%+d$If]+gdLl d$If]gdLl kd:$$IflF%8F t06    44 lBapytLD((d$If]gdLl kdu;$$IflF%8 t06    44 lapytL4d$If^4gdLl 7XYZjuྜྷgKྜྷg/7 *hLhW+CJOJPJQJ^JaJmH nHsH tH7hLhW+5CJOJPJQJ^JaJmH nHsH tH4hLhW+CJOJPJQJ^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nHsH tH@hLhW+B*CJOJPJQJ]^JaJmH nH phsH tH ChLhW+6B*CJOJPJQJ]^JaJmH nH phsH tH =hLhW+B*CJOJPJQJ^JaJmH nH phsH tH &7YZjd$IfgdLl +d$If]+gdLl d$If]gdLl uzݻc\=ݻ"4hLhW+CJOJPJQJ^JaJmH nHsH tH=hLhW+B*CJOJPJQJ^JaJmH nH phsH tH  hLhW+7 *hLhW+CJOJPJQJ^JaJmH nHsH tH4hLhW+CJOJPJQJ^JaJmH nH sH tH @hLhW+B*CJOJPJQJ]^JaJmH nH phsH tH ChLhW+6B*CJOJPJQJ]^JaJmH nH phsH tH ChLhpPV6B*CJOJPJQJ]^JaJmH nH phsH tH  &']AAAAAd$If]gdLl kd'<$$IflF%8F t06    44 lBapytL&8AY{BSZrƤƤhLEAƤƤƤhy hLhW+7 *hLhW+CJOJPJQJ^JaJmH nHsH tH4hLhW+CJOJPJQJ^JaJmH nHsH tH@hLhW+B*CJOJPJQJ]^JaJmH nH phsH tH ChLhW+6B*CJOJPJQJ]^JaJmH nH phsH tH =hLhW+B*CJOJPJQJ^JaJmH nH phsH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH '8HY{d$IfgdLl +d$If]+gdLl  B][????d$If]gdLl kd<$$IflF%8FF t06    44 lBapytLBSar4d$If^4gdLl d$IfgdLl +d$If]+gdLl )JKL]d|-Ĩ```储D7hLhW+6CJOJPJQJ^JaJmH nH sH tH ChLhW+6B*CJOJPJQJ]^JaJmH nH phsH tH =hLhW+B*CJOJPJQJ^JaJmH nH phsH tH  hLhW+7 *hLhW+CJOJPJQJ^JaJmH nHsH tH@hLhW+B*CJOJPJQJ]^JaJmH nH phsH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH )KL]AAAAAd$If]gdLl kd=$$IflF%8FF t06    44 lBapytLL]k|4d$If^4gdLl d$IfgdLl +d$If]+gdLl 4F`DDDDDd$If]gdLl kdO>$$IflF%8 t06    44 lapytL-OPd$IfgdLl +d$If]+gdLl -NPQcg +Cdefwྜྷྜྷ{ྜྷྂྜྷ_{ྜྷ7 *hLhW+CJOJPJQJ^JaJmH nHsH tH hLhW+4hLhW+CJOJPJQJ^JaJmH nH sH tH @hLhW+B*CJOJPJQJ]^JaJmH nH phsH tH ChLhW+6B*CJOJPJQJ]^JaJmH nH phsH tH =hLhW+B*CJOJPJQJ^JaJmH nH phsH tH "PQcn`DDDDDd$If]gdLl kd?$$IflF%8 t06    44 lapytL 2Ced$IfgdLl +d$If]+gdLl efw]AAAAAd$If]gdLl kd?$$IflF%8FF t06    44 lBapytL04d$If^4gdLl d$IfgdLl +d$If]+gdLl EȩleaEleEle7hLhW+5CJOJPJQJ^JaJmH nHsH tHhy hLhW+7 *hLhW+CJOJPJQJ^JaJmH nHsH tH@hLhW+B*CJOJPJQJ]^JaJmH nH phsH tH =hLhW+B*CJOJPJQJ^JaJmH nH phsH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH `^BBd$If]gdLl kdk@$$IflF%8 t06    44 lapytL(kdA$$IflF%8 t06    44 lapytL4d$If^4gdLl +d$If]+gdLl 4d$If^4gdLl +d$If]+gdLl d$If]gdLl A`DDDDDDd$If]gdLl kdA$$IflF%8 t06    44 lapytL1Ed$IfgdLl d$If]gdLl +d$If]+gdLl GQR[\pw JKLN^quȥȥȊȥk4hLhW+CJOJPJQJ^JaJmH nHsH tHhy4hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLhpPV6CJOJPJQJ^JaJmH nH sH tH  hLhW+4hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH #Rm]AAAAd$If]gdLl kdB$$IflF%8FF t06    44 lBapytL@Z[d$IfgdLl d$If]gdLl d$If]gdLl +d$If]+gdLl [\p]AAAAd$If]gdLl kd9C$$IflF%8F t06    44 lBapytL KKd$IfgdLl +d$If]+gdLl KLN^|ZX<<<<d$If]gdLl kdC$$IflF%8FF t06    44 lBBapytL 239:DIR_mrǨkO111111:hLhW+6CJOJPJQJ]^JaJmH nH sH tH 7hLhW+CJOJPJQJ\^JaJmH nH sH tH :hLhW+CJOJPJQJ\]^JaJmH nH sH tH =hLhW+6CJOJPJQJ\]^JaJmH nH sH tH =hLhpPV6CJOJPJQJ\]^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH :hLhW+5CJOJPJQJ\^JaJmH nH sH tH 9  I_od$IfgdLl pd$If]pgdLl d$If]gdLl $+d$-DIfM ]+gdLl +d$If]+gdLl B_GXafqxy xqxVq4hLhpPVCJOJPJQJ^JaJmH nH sH tH  hLhW+7 *hLhW+CJOJPJQJ^JaJmH nHsH tH,hLhW+CJOJPJQJ^JaJmH sH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH :hLhW+6CJOJPJQJ]^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH GZ>>>>d$If]gdLl kdD$$IflF%8FF t06    44 lBBapytLGX .d$IfgdLl d$If]gdLl +d$If]+gdLl Z>>d$If]gdLl kdmE$$IflF%8FF t06    44 lBBapytLɭmQ64hLhW+CJOJPJQJ^JaJmH nHsH tH7hLhW+CJOJPJQJ]^JaJmH nH sH tH :hLhW+6CJOJPJQJ]^JaJmH nH sH tH  hLhW+4hLhW+CJOJPJQJ^JaJmH nH sH tH 7 *hLhW+CJOJPJQJ^JaJmH nHsH tH7hLhW+5CJOJPJQJ^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH  ,kd+F$$IflF%8 t06    44 lapytLd$IfgdLl +d$If]+gdLl >Ld$IfgdLl +d$If]+gdLl d$If]gdLl 4567LƫmR6R7hLhW+6CJOJPJQJ^JaJmHnH sHtH 4hLhW+CJOJPJQJ^JaJmHnH sHtH 7hLhW+5CJOJPJQJ^JaJmH nH sH tH  hLhW+4hLhW+CJOJPJQJ^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nHsH tH7hLhW+CJOJPJQJ]^JaJmH nHsH tH:hLhW+6CJOJPJQJ]^JaJmH nHsH tH]AA%+d$If]+gdLl d$If]gdLl kdF$$IflF%8FF t06    44 lBapytLH,,d$If]gdLl kdG$$IflF%8 t06    44 lapytLd$IfgdLl U\]^c  ȬȬȎpT92 hLhW+4hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLhW+CJOJPJQJ\^JaJmH nH sH tH :hLhW+6CJOJPJQJ\^JaJmH nH sH tH :hLhpPV6CJOJPJQJ\^JaJmH nH sH tH 7hLhW+6CJOJPJQJ^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH 7hLhW+CJOJPJQJ\^JaJmH nH sH tH #EFUc  d$IfgdLl +d$If]+gdLl d$If]gdLl   ]AA%+d$If]+gdLl d$If]gdLl kdGH$$IflF%8F t06    44 lBapytL ,./=XYZ^_/nS7S7hLhW+6CJOJPJQJ^JaJmHnH sHtH 4hLhW+CJOJPJQJ^JaJmHnH sHtH 4hLhW+CJOJPJQJ^JaJmH nHsH tH7hLhW+6CJOJPJQJ^JaJmH nH sH tH 4hLhW+CJOJPJQJ^JaJmH nH sH tH  hLhW+7 *hLhW+CJOJPJQJ^JaJmH nHsH tH7hLhW+5CJOJPJQJ^JaJmH nHsH tH,D((d$If]gdLl kdH$$IflF%8 t06    44 lapytL4d$If^4gdLl ,-./(kdI$$IflF%8 t06    44 lapytL4d$If^4gdLl +d$If]+gdLl /=_/d$IfgdLl +d$If]+gdLl d$If]gdLl /<=ĹkQ:,h?(h"oCJOJPJQJ^JaJnHtH3jh>c0JCJOJPJQJU^JaJnHtH0h?(h;fr0JCJOJPJQJ^JaJnHtHh>cjh>cU,h?(h;frCJOJPJQJ^JaJnHtHh?(h"oCJh8*Nh"oaJhe%h"onHtH hLhW+7 *hLhW+CJOJPJQJ^JaJmH nHsH tH0hLhW+CJOJQJ^JaJmH nH sH tH  ]XSNA $da$gd"ogd"ogd"ogd"okdcJ$$IflF%8F t06    44 lBapytL9H:'(6MOPQRe| dxgdv dgdv $dxa$gdv $da$gdv-=q9 :`fko/8Xcghx׽׀o]o]o]o]oOo]o]h=CJOJQJ^JaJ#h?(hv6CJOJQJ^JaJ h?(hvCJOJQJ^JaJ h=hvCJOJQJ^JaJ&h CJOJPJQJ^JaJnHtH/h?(hv6CJOJPJQJ^JaJnHtH2h?(hv56CJOJPJQJ^JaJnHtH#h?(hv5CJOJQJ^JaJ,h?(hvCJOJPJQJ^JaJnHtH &'(46MOe|+ER+ɷ﷦qbUh?(hvOJQJ^Jh?(hv0J`OJQJ^J*h=h=5OJPJQJ\^JnH tH h=hv0JG5OJQJ^Jh?(hv0JGOJQJ^J h=hvCJOJQJ^JaJ#h?(hv5CJOJQJ^JaJ&h?(hv56CJOJQJ^JaJ#h?(hv6CJOJQJ^JaJ h?(hvCJOJQJ^JaJ ] ^ i  + , - P r R S  LM EP[$\$gdv dxgdv dgdv Ex[$\$gdv E[$\$gdv*n[i\ ] ^ h i   , O P ϷmVVD3VVV h?(hvCJOJQJ^JaJ#h?(hv6CJOJQJ^JaJ,h?(hvCJOJPJQJ^JaJnH tH /h?(hvCJOJPJQJ]^JaJnH tH 2h?(hv6CJOJPJQJ]^JaJnH tH /h=hvCJOJPJQJ\^JaJnH tH /h?(hv5CJOJPJQJ^JaJnH tH 2h?(hv5CJOJPJQJ\^JaJnH tH h?(hvOJQJ^Jh=OJQJ^JP r    3 4  * Q R S   Ͷr`O?2h?(hvOJQJ^Jh?(hv5OJQJ\^J h?(hvCJOJQJ^JaJ#h?(hv6CJOJQJ^JaJ/h=hv6CJOJPJQJ^JaJnH tH &h=CJOJPJQJ^JaJnH tH /h?(hv6CJOJPJQJ^JaJnH tH ,h?(hvCJOJPJQJ^JaJnH tH 2h?(hv6CJOJPJQJ]^JaJnH tH /h=hvCJOJPJQJ\^JaJnH tH     LjknoóÛpZÛKh?(hv0JOJQJ^J+jh>c0J`>*B*OJQJU^Jph"h=0J`>*B*OJQJ^Jph(h?(hv0J`>*B*OJQJ^Jphh>cjh>cUh?(hv0JG5OJQJ^Jh?(hv5OJQJ\^Jh?(hvOJQJ^Jh?(hv0JG*h=h=5OJPJQJ\^JnH tH h=hv0JG5OJQJ^JMNOPQkQRTUbd5gd@ dxgdv E[$\$gd= dgdv Ex[$\$gdv E[$\$gdvQabp#0dппzjZKAh}OJQJ^Jh?(hv0J`OJQJ^Jh?(hv0JG5OJQJ^Jh?(hv0J`5OJQJ^Jh?(hv5OJQJ\^J h?(hn%CJOJQJ^JaJ&h?(hv56CJOJQJ^JaJh?(hv56OJQJ^J h?(hvCJOJQJ^JaJ#h?(hv6CJOJQJ^JaJh?(hvOJQJ^Jjh>c0JOJQJU^Jdv56FPgb|ƶttbP*g* dgdv E[$\$gdvgd=gdv Ex[$\$gdv dxgdvgd@%%%%''''''''''̴scTG7#7'h?(h=OJPJQJ\^JnH tH h?(hv0JG5OJQJ^Jh?(hvOJQJ^Jh?(hv0JGOJQJ^Jh?(hv5OJQJ\^J2h?(hz5CJOJPJQJ\^JaJnHtHh?(hz5OJQJ\^J,h?(hvCJOJPJQJ^JaJnH tH /h?(hvCJOJPJQJ\^JaJnH tH 2h?(hv5CJOJPJQJ\^JaJnH tH 2h?(hz5CJOJPJQJ\^JaJnH tH ''-)B)M)O))))) *(*)*/*;*<*=*>*U*g*~**'+(+[+䯠m\N\hwCJOJQJ^JaJ h?(hvCJOJQJ^JaJAh?(hv0JG5B*CJOJQJ^JaJfHph333q #h?(hv5CJOJQJ^JaJh=5CJOJQJ^JaJh?(hzOJQJ^Jh=OJQJ^Jh}OJQJ^J'h?(h=OJPJQJ\^JnH tH h?(hvOJQJ^Jh?(hv5OJQJ^Jg**]+^+_+a+b+d+e+f+g+i+j+l+m+n+o+p+q+r+s++ '&`#$gdo7$d dgd' $da$gd"o dgdv dxgdv[+]+^+_+`+b+c+g+h+j+k+o+p+q+r+s+t+z+{+}+~++++++++++++¾¾¾¾q`q hqhFCJOJQJ^JaJ)jhqhFCJOJQJU^JaJ)hk(hFB*CJOJQJ^JaJphhFhF0J&mHnHu hF0J&jhF0J&Uh[Oh>cjh>cU,h8*NhvCJOJPJQJ^JaJnHtH h8*NhvCJOJQJ^JaJhvCJOJQJ^JaJ++++++++++++++-,.,/,K,L,M,N,O,P,,,$$a$gdo7$$&dPa$gd5'$a$gdq'$a$$''h]h++++++++,,-,.,/,0,G,H,I,J,K,L,M,N,O,P,,,,,,,,,,,,,,,,,Ͼ}hhϾ}hhϾa h$hF)jhqhFCJOJQJU^JaJh vBhFmH sH )hLhFB*CJ OJQJ^JaJ ph1hLhFB*CJ OJQJ^JaJ mH phsH h>chF hqhFCJOJQJ^JaJ7jhqhFCJOJQJU^JaJmHnHu*(hLCJOJQJ^JaJmHnHu*&,,,,,,,,,~-------------H.I.J.K.$$a$gdo7$$&dPa$gd5$'gd$'$a$,}-~-----------------------G.H.I.J.K.L.M.N......­kd`­kd````hF h$hF7jhqhFCJOJQJU^JaJmHnHu*(hLCJOJQJ^JaJmHnHu* hqhFCJOJQJ^JaJ)jhqhFCJOJQJU^JaJh>ch vBhFmH sH )hLhFB*CJ OJQJ^JaJ phuK1hLhFB*CJ OJQJ^JaJ mH phuKsH %K.L.M.N........_/`/a/b/////o0$$&dPa$gd3$$&dPa$gd-$a$gdL$$&dPa$gdL$$a$gdo7$$&dPa$gd5$.....^/_/`/a/b//////n0o0p0q0r0s0000}1~1111122ο|oh|oU%hLhFB*CJ OJQJaJ phuK h3hFhLhFCJ OJQJ1hLhFB*CJ OJQJ^JaJ mH phsH !hLhFB*CJ OJQJphuK1hLhFB*CJ OJQJ^JaJ mH phuKsH hLhFCJ OJQJaJ -hLhFB*CJ OJQJaJ mH phsH %hLhFB*CJ OJQJaJ phhFh>co0p0q0r0s000~1111122 2222223333$|`|gdo7$$&dPa$gd3$$&dPa$gd-$$gd322 222222233333333333'4(4)4*4+4,4-4.4/4546494:4;4<4=4>4?4@4A444ztzizthF0J&mHnHu hF0J&jhF0J&U hDhFhLhFCJ OJQJaJ %hLhFB*CJ OJQJaJ phuK1hLhFB*CJ OJQJ^JaJ mH phuKsH hFhLhFCJ OJQJ1hLhFB*CJ OJQJ^JaJ mH phsH h>ch!hFB*phuK)333333(4)4*4+4,4-4.4;4<4=4>4?4@4A4444$$&dPa$gd3'h]h'&`#$$|`|gdo7$$&dPa$gd-$44444(5*5+5,5N5O5Z5\5e5h5r5s555555555555555     + U V W ĭzpnpppUhFOJQJ^Jh:!hFOJQJ^Jh 1hFOJQJ^JhF5OJQJ^Jh 1hF5OJQJ^J,h@shFCJ$OJPJQJ^JaJ$nHtH,h:!hFCJ$OJPJQJ^JaJ$nHtH8h:!hF5B*CJ(OJPJQJ^JaJ(nHphtHhFh>c'4444*5+5,5N5O5r5s55555555555xgd"o $<a$gd"o$a$gd"o $xa$gd"o $da$gd'$ ppd^p`a$gd'55555  < H T U V W j ̜ ؜ ٜ ڜ ۜ ܜ $xa$gd"o$d<a$gd"oxgd|xgd"oDevelopment Director Director, Exhibitions and Collections Collections Collections Deputy Director | Director Corporate Services Director - Geraldton Director, Audience and Stakeholder Engagement Collections W h j ٜ ڜ ܜ ݜ س,h8*NhvCJOJPJQJ^JaJnHtHh 1hF5OJQJ^Jh>ch 1hFOJQJ^JhFOJQJ^JhZhFOJQJ^Jܜ ݜ $da$gd"o<0&P 1h0:pCGA .!"#$%h <0&P 1h0:pCGA .!"#$%h @ 0&P 1h0:pPA .!"#7$S% P M 00P&P 1h0:p[OA .!"#7$% P DpJ0P&P 1h0:p[OA .!"#7$% P DpJ0P&P 1h0:p[OA .!F"#$% P .DpJ0P&P 1h0:p[OA .!F"#$% P .DpJ0P&P 1h0:p[OA .!F"#$% P .DpF0P &P 1h0:p[OA .!"#S$% Dp @ 0&P 1h0:pqA .!"#$% P =&P 1h0:pqA .!F"#$% P .J0P&P 1h0:p[OA .!"#$% P Dp=&P 1h0:pA .!"#$% P =&P 1h0:pA .!"#$% P 9&P 1h0:pfA .!"#$% C 0 0&P 1h0:p=A .!"#$% P @ 0&P 1h0:pqA .!"#$% P ? 0 0&P 1h0:p=A .!"#$% C 0 0&P 1h0:p"A .!"#$% P @ 0&P 1h0:pXUHA .!"#$% P ? 0 0&P 1h0:p=A .!"#$% C 0 0&P 1h0:pUu;A .!"#$% P @ 0&P 1h0:p5 A .!"#$% P ? 0 0&P 1h0:p=A .!"#$% C 0 0&P 1h0:pqA .!"#$% P @ 0&P 1h0:paA .!"#$% P ? 0 0&P 1h0:p=A .!"#$% C 0 0&P 1h0:p1A .!"#$% P ? 0 0&P 1h0:pP$A .!"#$% < 0&P 1h0:poA .!"#$% C 0 0&P 1h0:p<A .!"#$% P 9&P 1h0:prA .!"#$% 9&P 1h0:pBXA .!"#[$% "9&P 1h0:pBXA .!"#[$% "+0A .!"#$% +0A .!"#$% 2 00A .!"#$% P 2 00A .!"#$% P 2 00A .!"#$% P . 00A .!"#$% 2 00A .!"#$% P . 00A .!"#$% 2 00A .!"#$% P =&P 1h0:p A .!"#[$% P 9&P 1h0:pA .!"#S$7% 9&P 1h0:p'rA .!"#S$% J0Pd&P 1h0:pdA .!F"#$% P .Dpdn#)wz s PNG  IHDR1sRGBgAMA aPLTEٟ pHYs!!IDATH_hEoos)لbSR"؂6f.TXi}H,rBT('|j]x}*>h.=M2ϙ=_|*ޏofn6 ^i㿥/w>FZ{ǧ!g[ȢC!S|80OlSg1Oc')6sl\kOQz(g3C~'_?yqp>{S'rHU/Ҁu󊗋xN]o%ÊW~'&|\ 5H_\3Eީoa3 AK2]jnxf>oxU7JAݗʮ~9fΖϬIQu!v?夠9  )L8BȖU7/d[ܧ` O?nQn_QGE+jA LLĦԷ#V^Pa;ٚAy}R1jŭ|;۵C5O4_^|N>{|yQ[[y mpM86)TēVoPDWzGg@tȥtejDW<$J{^Pf?Pjzm%jZWnTRzHfP{k:OA}FU7KYȕL]s ōR gij#6.@٨%͡XB+bK#h E8 RxiQE!pN~ C= X73Я|OWa4EOΞ>ǵ"gyȩl4qOIԷ iTD IENDB`n|.fIĨ PNG  IHDRsYsRGB;IDATx^XUWֆK)ҋt+ذ5X1ebQ5>&1XbO5[51]PAޤy's5#ދ<ܙ'r>gZZ[SGPVC 萬CU5nvHVQPԸJuT457ivo`***JKKF׮]%ۮmllϯWXXҎ0A__]zΝ;Zzvvv*** lW;P.]x̙ ܼ▏dZH_^SS[\TYswۻN2Pp[[ۤVUV%&$tcfq%% BC}CllL~ALLL1Ά273ޣ{YiYWݻwW@6j鬦'#"">K.n\1nxt}v[۞"7;[[[(ctDP؊>3o߾M!$]]}$326RVV6333D]‰iiif{{;;;*p̍l~xm,wMg1ǎCfffGbԅ/7cS¦LzM✖vkCΝ?w&̵kph&&ǎϞ={( Iy99.^Zl[w7gϞxB 8w^]E.+7E[#"O:HdtQ.X UU746::8`(t+_z644٣GCCG&?\]]#hdAn5ojl ܼ,Dzz'$PFB9.]l1FƬP߾}_?ɲnݺ >LCstTؽ{uvVVff< ޲y 244Q..7ɢ]8|u5u-[_0ciiiaa>}fJ^9Zں⒒i[GW3YfaUTT/mǏxtuu>]42 7laeꔄDE mmm.566~|˷[ `a&=?uttW:X8p .ΖavvOw~hd^n؀ emztssC +/߯[7۷?ݻi׮x9GGGgg's 4ͭi]VWO3þ`g\\\^ z1fX",PtwSR3gL4I" 7~.< 2wMǎu+JpᤄD`Gݔ&^hkyYڱ}ެJ^66_Β?s좑qyJy ('D+ڄM\r;fY~=Y\TtyB?u2pqNNΙ3gN>FǏĘ`Fph>>37\lAtTwݻ~Q..OXy+*Kjji2?Vpԫwa^=zqx*''^zv6bH., dfe8~ÇbEGGs̀1DFP y}.G^vrp ɓGxؼy3޺yKǁϝ;Ƕ`'O.ymssÆ z452ywey'A"t%aP=m} 8h+" CZ6bĈ[_g5XƆFee Ud_}$@@ׯ]!nQ#{ r \&\ɵ%:C #(8XǎC26& x̜%+O~ĉkV=v'Hxe„ ז&rwHHHNv66Q⯦M9>vMH {y{mٺW&gyy,!Ѓ^Y[!A`jbC.NKMKLL !g¤,hmnKܜIIh^YB8mg_/̜rSBvptSNւ;t#F*)^mhLn:%ݸacJJ DlݻwQO{;{ +}zCb1deW_ݳ'!>A]]cQ'..Ə#RjS}ŜxޡÆ=tt«  c126&3)++jHVWWߗ/C[#Y % !^ xBիaAJMdh``ٕDhkcs#h8dzjB2k+A 6lQP0 *=8#+<H}M 'ڧaf&#X ҷJL]dx*ᣀe@W%AB|E ӧ??y2SD'R [?O(8ߍ/*8*JH6""oBV7EMчҦuj~4fy?-O[9to B0BW+WuY+ǔd)aN *¶R'@)eJ_!PV 6VxD'1cƐU){ 1a+Ter,5J/Z'tKx|ACOqR0>} 䔻a6qeee/SJ (+ HGP:5U:HId諒ρ-RG:R0?β3qZȒJfXJ<a,YP0eލB8yua%? KK 4a.,*\k`:x%G,0yN0OTH}U>ABܿxѢ|) Mj [hNNT/p+⊊ffd\/t芺RJIM0>$+lW_~ͦol Qfn.ZĽ;Y/ܠ|M:ZTRVF"F @OP=t{B}II)cmŮ8*-/`YIq1)?M2d{qehO)ˁr*dLTW=}]} tͻ/\E%K~}I>"8 %ޑ#GΞ={⤉NNN@.rqjd\9k8@A(Ԕ$[wkz̝7OBSM ~ꦶåKLM Xt:(T/D7@L_-m-rpdFv } Bw,*F=?{nQjրnZU$ZwdGrusOgc^(:ڳo`LOWM%$ D9,@_]M MMǞdJo;R~@O' ~;KMܞ{ Ag0wV%hsAu,Eյn?+%Dj\ 6|PLt1*7noba5i>^K[VQUyqYuH6aUD Ն'AA-i<(>K|FG_lA[MMqصqvb'M|}{aj)䢒0Ku+D1 `{P;{V)R`?,G:ⴙE @K?eU:99bg]5IFrhw16~pNv66wlg-o0jE)nhXQ߸ASeeŋ|-z?Cb^,*,Th HJ9D ܠAvL` "Κ():t'9:SL8NPU7Fb>|Y Vu&#d1`g6A5p"-w0')檪"GS$dӡbtn㩨#u$e8TTkJ&@KBa"m H&mā$Y)>ƍ3Z.nt͚Asa@6,9!5!C rʠ,.t;}^@N">h'_=E̙ʪJbU$?c+sux0+LM@`'y5}*(CnngkxHne-VhS `,>bR-(6^ryz`"BzSh TFtq :³2xj{T`&H고``Pwa?146P,؊ .X PQ^-34pxW <e; av,mԄA||ȽإuȺ$!)W$ +|Wf Ba`XF$jG." M^KKsg2 -T'ViI'lFGm{.Y[:̮CHvkPqFHp*aWTe2 55@;p L/٫n''g,ޟzXjjB䆗ɀO0Me| R0G>1q*A/<W~䬞(6ȶ{) FEߌ9t[Gg:>D|EŠBO߹ >]FGpRr2ãiHU?s|]t;;[_Cn-]2{ 0!bMw> })NJO%Աe8~j5<P;vKI0qBKr1uD\a>N?>$aÆn 6!.ʍ8 \xXN-t%ٵs%ODhB M'a W(;Q=a)Veyt \@]\bbclm;w[ E_Əwয়0v(&}ta)ErK/1083euf'5UU#K1P=z4(.,sh4A͒Q2,9Ћ&8CO뿚8I8x=?m*?~x*ا43Ġ.BR݇omR¡;zmhy{{Jpxb"nr }II1t Kvt>0;<Ç{QAi21_{7v>4چז,8z|8U"jhWZUHb́$Pv =wYO,BB\i 4eUN~QIqӀ pGX=H,- SnrHQ}CZCD4 `Ă;u ._`$qT|JOF|S%)b|yC\r<8p @f)v8B߅CȂ.!:;H9='~g9 J nٲ07'ͻn:p+ru L$Ӿ{9vĉ_|9̂8ɏW|{̦4qXpnK(^޽TbG᯸P ݽ{m8#v_ýX1aD )$ܧ`NsXmKPJ`L1c|<2q/g.@sp N>7tLyHq*;qȋ$ E'+Q`ⱕBÇwqQ\[3p WÝC9^$ Bs,l&VΚ!! Q\={HjGaO;w=⣏o< y)]`Pi…C \=Ci 8àO9z6]G|T/8}CA_eDXJ.TCÑ e_筰p Oa$ܧ,@ ?7n\\]~2zK.E:$MB%^O8zDtR,h0ȋzBLf^~ aMJL"Gݰq#AGhh(SM#sΑ]b?prļ0 a!<:ݳo{޾ >A@0`"(a@$* "$HaH"QCۡ}Uu4}g.0ܩU_UWW_R/HMxH#$?vq@(y`S^S~P^ؚz_k8'?t5IEByB+kߥ/O(yP2ʟ/W(y|Y@DϿזIIn-;]NgOlsu#w::7I=^VQ>br|pCk C˕}< By僡EO[[X,[#9kPە(? Db>>?bhƙ|FhƊfO(lЎlմs8'cܴꞕTC^7IZf_ido\GIG?%\NsG()zLcf5'ne`DN{PڧEفsIc!$yMI+ $՜Б5S}*251Ňy@@?x>sA`E3JDvPu gkF3+Ժ=&Hrkn Uu;_i=upL!)6s . p ځuEòKG6͡xiuKX$vZƎz&b΅슼O\Yi-Pw|}])Ow,0=ZV ƙ< oagb ]iHB 3c8hh_<4ۄ{} ݲk1B]>+O{Q+H? LM-a-4ڰ,ֿŒu6D1KGXOI]=Z];nσlr:Ab@e]H9lXdOn!a|SSc;[U}j'$#tgP<ɫ 58_OPVД3KuˆeƉ=,(_ lh7@,)_ Ie{TC~ªuU?p o6Ԡ CI,4Вq9>$R:w|UyZ.8V#)-"x]n|6NW-⟐Ջ>mqy1W !"Wi΁5h @IOH21Ӗ1h#>s:d%5;WBʏRW 5m-.,2^g)`יFvLd@4]֥PXU<~G24)skDpl/F8P$˃{&]ِKG{ʒ,cof: MjyZ~93ndQ-"~ =ygb ?La6A5&<Ȣ<0z|Fr7CY`#ûJoyk1<1 T^惧y^61̎{|Am3f&3M4]yN =qr/ )=Pm;!]!`c\S9sp.X9~:3e*Zy@?=/ؤ&v͏w8KF`L=cǯi@f0lMxǭYbj +Q\r/7@y^ϱ%3kr.|YmݡfW~(u}p偞S 4z,&@YObgۚf2 e(so;s>Zca*rċjwH#jw$ڨ_,䡾 J&=![? ÿXHөT7b}>E$˿iz}r<#5 1ONܯܣ6/=ؾծ4jqvdL2`^C$pBD ΅`V9:.My# hH0A: ngp`RJl 6@IA:bЏf.8™ˈ΢ENj|p>TJ4IG{p5eyTyW۽R3&y*&S*x #b* 'N1XWt`K~ !ܩ }7Fu~:q{@,t'q,N-۫;+0 u2 \@WIY]e-.O h:Ek`B^q) =̱:QE|hX = j)OGdV~}.M7BX̗r7цh`p 4h$\d,zL`S48.:SSǷ]h pZPNKf2̮  8Kݒzm@wOO\H 3@28}vKI4vx`3 q0?gpSyreڡ|'T@p*/QJh'J.}JBUeNBy%(JpHRF 'P{[҄`(>ʋ7.JBm.J:VdB(ObZ8)EEW(Oztl&A)TVwJ<Ґ IqQ~\jByN( PenCFXoyByvh7^}JƀK Џ%q}7Ky uRn <;Hjw8ѾY+ʢ7 jYYu5OFl;dr;_ qn}X'CIgK3=9nw!@?_|½n vFsAfP{(?VT$i"c/化 ^o%X(s~t+^BIxw5S-)r+ |[&%ch]Hg[V幁>9FTWï-#t:lY!w!7cP;zx7Qq :tDlRSp W׽OGq;#i]3r+(Eq/q5سa$C߰Ĉ.r[>Ewj^JPO<ex7uP{OS~nHM6X]=ǹ@%X(g=}[>(<*ԝfA0" Dmu 4%X(4 z<@#܊@A[gptARZjd|<7R>w>!nP)n^%#PI۷J61.E;5T˟;?`!j&nYB}GsO7z=xՕR|N \b/Mp|7#>\Uw} @?-TjvMVJM@ۿTy]6wxB(u+SRq\O_ӫ^O66,ÊX2pHǞ¹,eBy @;1Ҥyn5A(HU8j)ŞBb_sq;7~$XWE9+P^Cs?tHUUtFƥa=+ݯsJKo90R*0m 㔛t"oO(a$'trPq?tӳ+_gn7g!-AFIYv=AHbI9Fn3[qrVUN bܣ7FW5ӷlG9SSaؐ-MNt v^mO\2&ۢk[^UNV0"'X. wwٯ't\=2Ur~7ze#:'eyI4C^GK K*SpQڼy _+7p: re/~lGKBbCTw̯RrR/@,xݫ bipa]v$QO!٤dw1A,R߳= .cqIc=%wv &mi\8| }]769OI;!` [B!6 'Nv،)q H{>(5 ҡ8yC_c$މAཇSJ |]sn Sz75Y}\Áקpk0bRQqt5SY%EVeJtIt P|%~E ꞕtJE[يs:H.wl)0Bx i),/ 5r\.b>yI&W]e1qKmzW|-w' Ҡ]bzٵ$@h'~#RoA%Ŗ%+3e!NaeꝾBy-ol9#OԶ!Í+Zp}xЕRjz$!"@T"pogr B@UvmR-y By-ʪ>.a1/LWSv*&ZHdoAUsi*5'⃠P x7dt}JP^ IvA} b}F1O.rB(e~-Ňĕ-By- /fö(,T$z,O2ZH|1B[(-WGۢ!@WL4Ljk)'XTIENDB`n'%eVEAPNG  IHDR˘7sRGBgAMA a pHYs!!IDATx^$U{rt]@ yNߝJ'u%A@ "FPQQĄ("IГN׫BW߫EԙYGouMtիW}߯~BAa|y*/Qu֚阙3FETLt4zk7}}. ARɮ] b095>dl5ۡtDn63SkBVr~wmK_  JAX|O%C(F̾ƪ!:qI}.s ~ѣ[ _dAgT2["ol e6 Mv+]GT _dAgU2]"/fgL\tˇJ N^T _dAgTr3^fHGU*mڡSߘؗdAQɂ ϢQ3SɨJӟjR^1neʂ !AET-fY[ eڐwէz{KOߍdA/AT ⳨*9V0\۠7X}щ JozP SplxA猨dAgTעRV:b*5Mf*w*ѪRdV_LnjΈnkPJ%R| Qɂ "d3fc*bXjkdu’JAxJAX|5"ނ4LX:3?:`=R(8^ϑA;AEG*9*Ѥta&[xXuX;VL~bS^96CAxnJAX|U%'9"JkUf6G\PI%sp'? 8H& JAX O%'ZddQss8񅣽1;W` Ǖ&o#*YaY,4p*Q񨊷ZզwC!dn΃2.x.ћm,;=ȻhiA}Qɂ dDF8Wx@_1rƛ򿾬0dyjq>cV8V 쳈JAX|Ht.Jn113ьժZNE&n'.ۏ )Lߞϒ2v=g8s ӈJAX|U%'xZ63٪:_5s˷|;nvL<ƜAC',N!@T X*Yޣ Κ?ҬbVL_nˬ7S]g'@룂^BA eAuD% ,>KFRH g&" v/Y[gl M~騂pѧ<߇Ju '>dAgU2mJm)DLZ}cc)4z!7 Fh# &o#*YaYd a=<YUg /Hgb/?S)A],,J&D"#LoHDtDbUo~߮U*#khC] AUP(PݬH4F+dx𠐊~DvqJBY#rYAT ͜ U*EJDxrLJN3Tgw>P2q "s}+{ dA%`U*l Tr2m30~:T+Tr)dAFT ⳨*ߐMoD Y"l&at=uǿx[y3^h<;AvdAgTr`asnFJ2=jCrw"%w2ѿXZԳ dAgUQ0'4|KG8Uq aʮ:\#*YaJfK4JVwveuLsÉ/YA#*YaJk5Ɔ9:uYyqλ\t8NA,T]%bf<*8WgoTsbwPAЈJAX|y.HDAdAgdҗn5zY={UJ%C%l dA%`9ddT !{ҁJE% CT ,TrdXY2ŦxDaI+x>h,ZY}Qɂ OU2ZVd62'.8̽G{I%ke,*YJAX|JNFU0:덭#~wOwqT~KdAAT \TrLd7퉎{p_"4TqMaFT LT2)DČGU5&dxU,̱8e>A *YaY&*7zZV^RM_w?e4X^D|ɂ AecL_:jl KC(^iAqD% ,>A%'tf#Q6+Ѧ֙^? ѝtlPv^ >dAgyd+3#j&ވ dt3;K-O#*YaY&g2}] Z3|*G>#AD% ,>@%+$wY_ yudZ >dAgd}HtLś!k  + G+s?@d=1oc=o_GT COY%OűJRkJFމ3̩HX:ۅ2D\ VB*6sمm>^uI/A l 3ʿoͣ|H4Ϟy.-hmYsЇˉK+~CT Sa:%o#RX*̥[4,FBWm-^~'q:A qm_;JmW~һ)e+?P#Cdh'+v]L6U2wJ_= y=$yC ^KJAX|8/łg;2q̚>7JD^A]g1R8flʍCG`SI ɤHΆ^y+N\m➱:.2~Ѧ ׏|h=4vA8ގaF?u3ON]~'N_}z{_owH)'7&pj,#\*4{<A [SFs /RQx+JVt2\ڼѿBm _=ћglu!*Y=sJ#+SMyS;6 =䟹/ȝ?ݘ?;Mɯ=; #qm4n2̍!sSRCƪqPxg88d!E?R]!3Y;<|^2rF|yoOoNy/{V{]IotGbE ts쥆4ByO D% ,'zƺZ01ҦV: 1z>_~]ꜬEfc(qcO2N3.aJU1>Y~gY?;Q7n*ΐ45v!çR33ia:TJY(gT ް k4SKEfgZoumwNu6&`vי=wTI%xh3ShHw}+/>_>?L_s̍m[Iop:QvrEt:(=1 fKo_BT ’݌M*dSלmsnT-X#:E+u&jd1alljyߛs̛Ttܮ_t>c {)TYXAٜRJJ?k q{wegu.iO_j}o9UGo6B79(9,Yʬ!Qkզ:cKIzAu\n}7_u&ՑۮyL?0GB^e!*Ya)gÝ仿7vF3fl&P*]-XKISot5/9OEL/ay2VRI,XK҇zx05zn_}Co:V|?cS٤TO8ht`%o4SMV2 ol8(SQV-?yA0O@7 oc[a,ƙlUɨKȿ=pDśUooݤt:fskJ:_.\;}ջ}7 ca|s 9me!*Ya !m& םgxIfdD8,*+d#%NG;,b웎%a#p^薼x87nwϛ !C:TDm5V bc}:Hw[Y}m4DZs2~RD[,bxX[sZT [p'i?4 KG}mX _$YPjp jK=I/=$=Sgdk'TP8TP_DKχ_a MlJOmBӱs3#;SJtu:cK꬇ntD#h{$` ,Eqiˆ7RF{ x+4qY P1'T2E?EЊ?&Kon='xhٍf[i@ u54|KU'~gFvGtyH9h\~Es~oSdA%mL͐J.=#_6UBWϗL_'LmTZɌ5!:y剮q?Fa)$xCV)9pE`z(Sĥ47['r>q[r͢ TX?ű`9CH q?zNhx) _AT ’C=wv *:g&.I[ԁ48\A';0T2O-*of]+@¢5/,A:[Y 5F/#+l>#ńǾ[~眉7efWKP>dt֪F(`RKзg U+?쿥Oto47:̪͡P搐no'+?y $[ X؏J^Rp%/X%D% /$40=<󓏍lt5 Y[rQ7!ՎT 'ԕr'tb!?-*YXH9JݐU+R/sǑp}R--zF_ѯ^u.VwGل!"II-{yv({'§A zê,jvj hS4x+<ǢR \HE6%6G[CkYkQɂ s-_ܦ 5ILS/>{[bKDa+-VJ=ask9ﰟW^OJ!* Jsn. ƑZIgoM~s6tƆCCBM!;lJ̴hra ?=ڛ9XScv6X[nL$&ʋ}Dd3T2?0)eg/{a148*D)iF*ݮz3 Rk'?emo >/4>졆D2^FJAX2䂛k><}I'n6rÖҚH8,(d7lśNx5#8f VaЂvEnvʵἤ[i|goN\~:H̩u:ccF@Q9LOxE鰑n6Pӛ}ٝǃ#N C#A)6e*4R5 ujSmI23>y7d<38<|w#*YaCW]/Kˎw_3Ì:)l),ʷq<#Lw]a94 )|VT{}x0- OX=fnpG# 9,Y2:0o }H^Ycg(9I{-P¾d\J ~Ei` C:Hen"jnr>Lu[sD%ӹc}ALg@-G,95WX d_뽡'|Ƶ)ie+ _#ABɃoB- N.{WGNg]o68uQ'UG%YD3)PV,nN~// yXD_'s5B<yӅ'tCoxꉪ:B<S5{#)0ƣL BYTݢ""3X@G.%ceL)C5rtz` nfNDSrl6C'K*d'5cNNȗbMQɂ K^LTh-y8 M:rIBAP_3V<{",tQ_o-'lLd:=%I+Sx wW&/?f7&cmMf}nz p OLZ a;îbH(Rs3y@ƽF^ؗJ<E1mp^H(Sc~п{JAXbDC.fzE W=:n6ln!ܡ];aT$<$ĨKNٱDN;I%o9I~J2'WA'(F@=coz?=zMf]38^ia"Sly`:r2j eV73~Mޤ n<0[7C--A s[ξqdĜy5㧜Mpمӌ,<\&݌g*5e치({n1[ͮz)d⩫Ovwރ}ϵi |2OD{l{g-TwqØoתgݑJFkU~ŨS?p6ET̮G~[-e W ko’6,Av9/Ʊ 27ˣx hw-PqbY%G ?).K+&`>(Fwot>El(#V9t(ՐBq N=LBv"MS:}]dlϬ &NUk@bhQUč>b vۍX?|\| `cӐ!j+TYR!*Y fTI%S'_?:rcC1+0.d(-H GZJDPR-ͩ.O6;یk2[#?XRɮi:Leb@*M@#}/gʱ3ߦ3[Do¼<3c8RX EdH:86rYk6p fgsz&^$[ RUr<5]1Jh36?ƾ'^~$ v+QP0M'ךMꐱهh"ՋR -LcL2JBjA\/`FW^E}񞾘ٷXo }̵gzL$`RB kf倓AW%BT BUЪ?.86TEΰDbp*9j#V"LiA78}[ s<a@U= #zg{CiЯȂ0 $W"\]4rAֶ̚uFnD2D+zA2sNWxrHx}f켃ͮV6;8[TqW64TBxu5ö>ytLIQx%!tMi m*٪6O5EҋbyꧨdA}cD2I۳s.2L~!5Cuי=a+݊GHBKjc.uEpZV |BVҬT⭪M8谑}HG|xP_pGf;{74M)\y㏩yĐ~k;pTė{p HߢzjSб/|oi !viN*9v̷LZ?4ay 0W''!iBr4`Bp4ہ *3U̟oO-s+ blu&"DEmQOx7/ /JW*[ʦrGT r+2}*a eՙH4W.*;Y +] LGz Ϲ]U',[.Jt=v##)2Fz#_q/Qht+ x5vrb 7&.Jco3l̏.( RmEo\.A fT>*, :py7ߗY2Ggs- *PB= ?,IǠ׆ԑ/$;|7d3]vZR$ϱRp}c#_Xkn5zMu)!&ᕑT۬d6ZGx Gs|[IC$#gQɂ YOm0!f/q$dN/]EL'6:댾3{W d}$r W;N:jEfmAyHL,J6(&%Sc?8xxyKsws$5`Qɂ  X#r{n}1H}!(S˲oĠ9#S[޶ɯ+4#v޳硛&/;Vf6DUTjvLG&P33?9T<I%JAX~Jv!80gE=0})'R]$T+g .z3KkWԪ{C8r,Uű9DvpitD:W` tdև0RXӸNkGLdVG^Ǭc)r-*6eV-*L!Hc CqAdAm_;!}2#_6!sx %LBDvkGcK=v&2[mU^^j 4.h1f迟\߳A= -ѿ{#*YaA'] #9uf̈2Ӝ.Gqi2R:cSx Ei.wx/@~0G~j^cUu^f(f&\ k﷨T (ĕ!75/HF􅱹Nu6^>CͣؼԈZ#b!\ɢA%h]SH%ob0w㧆N|ڐݬڰfʽUTA!C+i#c}a3#7ܜKrJ8:!Qw;Y瞟}d%LTWJZjV񒃰ZTl0"p#1\ȘCD,5Y8z;?wf$fQL 52KAx:4$FO~7}CCFE8|p%SFL}QUFzmeYv,D%,\mOvɎڐ }m\H[²ھ6' qMDJE-=ï *X(c4!MNP]D% ,O|bf=}fMl۬t+lU7C^0MQmkx|Ρf'e%`xHT誇'p35aAU /@h;cJm0(@{?zN6ݚ`'ds>XIm03հ(]zVD;cq[ގ/ =d Qɂ hXѐr%s]2!+]Doq DH%\a:".sdaNtܞ8wFyzDA6ڦ-ZV2xQtM:|%(LlkΪdzaƮ}/Vd wKF NjgB# ":ig"i.H,BE%XFJ{%Ld )NL[jd꫺> ?%^A\m E7)H Ӱ#wg홍FC1}I*4MBhYƖhƌ1%Ŧ1+Aj4%*J~qJGW 7j l#BrNbRք₨F#V2jџ?GJ<+`V8[c^>ϳKPȮ̦Pf}@UL3옄IimNYj^Ij1.f;.j L>I(Q-hd+t-b_L }+ֶ́`nDoRHSڗ.a}dXG: m_Hw+$8}t'B>N[LF nlC%˄_DWy*S uy }^ZF\BϢAuCג% zI-d9HB.&7}q舗Y~ 9ؽhHDt.4ޜ₝%a Vh,*>aU2U2 `>sQ$VX\A*Je/remYn㒕T2ԧE?ofm 2񫕊Y} &vn !u"2և!cSHuTwSݘzFzU]dQW n lj!skju|Z|EJ=L28x 9*vB_ .4bNq8kHؒ:cgO}ܩk?4\GԵM~}S8cL~K.p}38|_mCHm1 Mʾ/fҐ .A*bGeKVY DhjWBk nT]H_a3{0,V0/FPz"&P$}E33 ( {:TT[U_ҘYm3քjt'?;wO}S7^;i?{|ğ6}ooH`?I6O{y~6fo/y_=~-|/76dl av@w.2^q1jƢ.jSQQ) 6xJao,2j}BXt~}Ǿhp}gY)dV2`m_anMMcr|t*f[l\5}wdO77֒ mJfw0ko26с?۾q7AVdJG9LAGi~32v71* dAts,S: G2XYn3ޢ[d:C'n맿{sەSwL8lTzj"$ap$ã1?9|8s/7|Aћs7_:w}dЉ#4Dz™ѭхhSqo m.%{y~,KC2l];a/.LOA3۰\T KL  ;zJdJJC+W,$j5S*nw }!Yx?;ƚEE"%^EI%7\bN HwՐ @X+Ɉ6A&FWP_7NT2uboU.Hއ\y064"DJ0A {Jj aߘY1놎|M]}Zw8<`aJGYӹ,}L"Z<;srt;GFCR2$yS9K?hxϸ;%.ޑY]3xx(F 1N 9d\@Zk<˷w!0ۤi `ll46^ADłh;L,B(dSםom~89U୎{f/gKMGl·{Ա-J. qRɜ邾:{ySaE})|QI9!850.iXҐ>CEyK֎V9#ID \hR( K] 9PT"$,{LFO"ԵkK;%C'nՓW뮺߷g`Xѫ_t= DmIbN[ -x܋S~wU];[K]ڠOdM}/N\c}o~k#4{&ckiELy@ۊ^/ek +##X.ot73JA%M4_dAsh4aN|~vR!~u*b $F~iguja6wfqR`GFC n|`$IP^Ih`Cj"_;C#gy*rP]ى?inWKt݃Wsƙ:ZX6%>oUt̙uCBfgƻsw~y<1ozw=p{>5b!0%0OcF— _5xW菖ǠaFkem&MW=<~}So>ejc&dlõKc\JqμYI Sx%V6Z9ne{}!7ƾbD% pύ?.}FCGdt`ȦluM5CG`coclq)uAI=2?wҰձ9W wtXd`Ab jw]uա_3tԑS' !,[ִs,'?d삵̺E $x ~@uƓU"RRKY-x|V^Dۜوfo1/ggXk@&WnVETњlo a.S,,_ +4,qTy\F ??>dѳgզzcmRgJUQq jj%[̦M^6`?;:q\/̜R}JaɡF-V{.~do7bUn#TAR`Fg]fUhr7eё/J.SIR{n~~ew#ٸ1\Xx,?CW=&vt=K4's*WiW2meZKYWo *dp3/4 I#FWcfmHm9U3k ԆFØ`"& K\-ǖJU <6:K*fa0갨dA*\_X#c{zfÈ7U-U~p)2ԫM!EE׋EJ(7Tn<^Z ǃF<4nl [F?\M !NH.?dA~HM w?:Ϭ }tL7&iVGՃn#`X9u9Z*oC/,7*q|pډfhA( J8 C%I[fw cP%}vJ}̺PfU'; I{`B+γ8)9cJuahfkڱو$:c$v:ίKdt h%Ew+yCGE d:#bRiJGV_i Tc&:&.ޔw{ x["_'f.got ʾ~I/ϬC\B[@9i ,~P&Iٝ1,UƳd?V=aJ6^~f癏( }- AXJDSSmW+T:f* cSJb<:c\=}zM%_Sz0{yCG$쭵PX |@%*֋wzM#j`E5 c-9swU^;TJ^@q`%ѕ:zF[̭:dnڦ/:(}:O%W#)PZ%`;x={nԧ₶[SIGdY%ɔ]JY% */;_}qWԛITpCkR64U0hG\*.ǒ}iOTe#&ݮԒ=ܛDtNnr) dAjQ8/FN}>d41nxdH%w76c'?SVu-Pt_d*~Qwft0jbqFǯAF0I7,up!-5Yԋg~vImi9B&Ru _{ٰ&ҧF?Xf  f)8qA5/9;p`iUq2:`2YOS%LČMƦF넗O~$ɻ}; kLe@:ʢDp땶^܏}WΈG]{ ?e#gФ6# 9H+cځ2^a!䡑mX};Tv.:8*GT Ku0>{}{&{C;^ DY Kb)4uh4W5-A BROw3Z%{i.: FEG۳gH\"t3):J4?&Y9W3]DWpuhcPk7N- ?{6JU9SP\ԸlNʍa̷ Ŕv܌AiE7& F5U27CʐˤGt`{ӏPhYSc}𿧾a穻&M'5P>Ў$Q&LP>۳+C \ݎ] dR~}kDZR=t ZVŸ!F|xH{y2=8\OIuhf]h̷ <,|:{Qɂ ,0/xh/s1^Y>C-fC@(/6nڠzGƙ]9YRZmnFEG8!:f#x"u!GC&^d'R )<ܞٷ_UEĬ 38s,`̖ .b-q~/;467f_K 1hXgXG&Ct2mI8+ 7XF;ؾN &sнЎ()d({|.xW .zhln?ꌩMLޥ&1wP24ܑJnmV_bVqz/:2-gAX*<'3_P3զ!"/YO\H:4rWP+ MmB-xU2"+E-ܩӦىM_4㍃a0x*"ы;ӥ0vPCCc^2u _t]ur<_8vۗ T0*[ҁ/0.pTbחY;Vf65(,XF RդF_$0tp*3 ?Fv9:L|;5 E71e: \>?Q)%s,. MoqHǟmWB$=d c$-aTKC˸C`_ro,ڶ܇n <TAv]φdA`77=|mXphۃ6KbxQk; ax]R?uo,dCt2?#uc𝤒8{0UW6Ӥ+,(2𠖂=d!aH׎6dl Í+H=J*RFE-݊XJ$ͥn_ݷ 'V':0dGl!zA ~JFf:\hfU:3_PxI=1\zy 0ٙ-jGv8_&Ox1y \Gzlňp0WU%j*ڐ6lV8N['.q>9R(#Y||?, x7W )i>ٹ;=jk8讧/ */5eq~ڈ[o ɼCn!sW9 q]Տ51L4AX|s^j ?_Hf9*+'N#鸳n:U6H )U~1zGǟs:D]nXݜ+&ՐTg[U +>а qG-{ 6؜w$Sǟ T~R'pʉ05QG丸ԙE͞F7<|K7fCýԞNVX@tFUEw2Uwl!?@[pkp b#Dh'V:U2f5fƤ}u53<{n(r/Er=ϘCkQ7P"m \nd@T6Yot3UɳYR72vرIL~bیS zfNsY8k\륶XY%7fяL}:]®fMC *s?q9gɢAXжţvVdorh Gc H*HXXVTdjUivھ4jtFH5R糽dtԬti ֩k?\a%s)4i5MC%{nFVśSr HёObt[3F?x8nd2(-ѾWȓE}=J,r6;t}←-5nmHOBCY%+%4\7j|䗶9z`8HP!JƖ;YkOz _Uo9ЮU'b쇜CQ]f:6yol'I:+J^-{vQop<7B؋~afdZg ;Y{. N>-ѷbf_{f]:4~z[nN<|ҧ{,*YԞ[n[IÑJ&i?l>rфƲ!%D! +RNy-5Mu7jFNO/r@ Ogt3-oThBY_]>.dl7aJqEй [ё-/I\(+O16O:c}jX%W^hM඿![ktg@'#f"/Bژ^p[^'&>ꍩ: Tm*JP!LWs_%n%>v7 *?5XI#*YͮVyjX}gc_֩dH )f*L"ՈG$tDZpI Lߋ9+uYqfTzcMh܃sh8g@X^e_K)a]j .=Ǚl̚Pf4 kWǢMJ tC O}a4ˤT "sS2v[z+ެV% -vd {;Y61<\/J Clm֯jK-vj2P !XUQp Kfwu?L_y9xIg=68AX'-5"0 za-4eAj2:ZLc;S [s Ծd^v+QFnS9CT0ZJK7&ݕ.UlRɣ+m%S X9;ϽvѸ"E;VTզwjs qƹY .%hs tyjgf;'zNV9CvzxzOŵ[:C'QmF*fJAGT  54Td/țh/YʬCl_BNjhW.ɸ&NFڎ.|ۊ8Ek ș>iMm:[93t6B~c<й˧\=0 tofRƪAa5*IBu+!zccy-?;R&q3",,tc"y؅ jsٿQu+s5xDp7:d;^|" S8wYܡ{ \KtUSb9AXpAI%?zɯQU KP NiHa$}܆0LڥME7 CO2~U<'Y/;f\6x{M{ٙY0:I)/?0;Fs1@'jS AT  1. ]9%5@n.rJJI)BrqjXiET]C E 3a?C~eonlAF{hޮё7o=wϧ{9i t]2s d & lY%:Juՙ #|[x9.I+.,8nPI$qm]MMtcZ}m!TOYU̻|Kd~RuWum̬j[Rvx>ʱzNH{ *Y;xXHmmB̍־dnquA%5A=MCɦOwCOJv XZUT HT.9sp$o9rKPфa,tZԴߖ,qM'fD9} xW1z^do=Mgq7SiCyAXU ?7Y!q0COP anz Pf KH, <6SYZn50b=1-QZWM `@2uƴEu[/Y dY Gsb |hjmhR+8۪kKixDC٠U"l=Njp8zdE% QPN65]zn1kb7[ pU=5u-o+dwj0zxhDO9ZUU2)#dî:HRc"!GeL{CW6Q)<9!EoKۇ{i4z4 ШAcY6MoßM?VB66Ց~>I%b g/H"U2#;> {&Hdq_%3naY1a$2 wcwJaI(@cy'u~=tYc[ ז-~;q2-RʈF`toYcaM*2GΩְ!a:ܫT#Ѭ ow֨ޖ/>Ӿ<kCh*z0Դr$U=tn®"M n9/jKG`t0ĴN}vӔYU3|?~zE+F Ƨ8֦;pkZwr“Cco[m+DTlO_ *YLn6݅d=f8w筣^k<#.i6  zmV8ە\'Ckl3&Fx>%Pkq̘  3Qc:E'JC 5+bAM]snJ4FۯxifMLm.[ .ME;v67w] V *ƼZ!d1~*vNλyБ/16՚+Vk{;o3emVXk#zu:w^,B Evq)k~УZVX'J3HSB5zc$+tK+kL8,,c|F~o-QiDѱq$:[J#So%oٟ\9z,[V-"}B0w'3c/6{WF* S'h—)MUQM*UTnS]-q蘿4wt'kw;JmYX JF`썗}/!cclllTd&cSQ5Fwl3yj>AXPǂ'75sçFNgy=aly{q魤!y.?F,&[r[%w{qyZ[@[")JVq</]~N/-34r\a@Q;!8iǩ+7m%'V_;GpUUVQC*Nn%Y!ħ;{~Rp^%"Ym ] lÑOm~kUPPfU(s}AJt^ñ75b?p/<,SD% gh9cS_>쎙] V8Lz5+r9,Z '"exйXIN?JQ c+JfID"l4=CPTlUrPJL-KQ?aᓱ?}\Ojdv]7h#5"f?Tj~03!j e*j3RI.UTMLm=cW>O~oSO^7Iި>7O }z`}Iۙ~ynO*Ka@?a>=c[enP[́X [/.A ~KF2x[駤)ݫ|˿LM!@o4]t:|js~wi qHJ)t7 Z3|?w~Ϗ{~1H eG dnW䩑>0 Ш1 S =2Zg,92JNoCp"JOxU?%YFfP,?4x}߳s3k=ZO^F YOxx}^] W=F?*L=FnTTQɂ ,%}(Xo̚Z* Dpb,888!"2퍟. XooIy \ % eΫPi3x:ކu5CG8󭓽gxΣ2D=7H<;fL|&EC2tp zGW F hc2"oY촟 )`d'cm^KC$SQtU۳|Fs=,A=,g0sջNxifK`rM ü= !شܤ z^[()c6h;ɈP?օs (Cil?m۾^(Jv$Z% !tKf'Jvy5&,:` ́-LJсayN t'l[ԛ0P=+ʙuK%t1<;%^3^>GVx|ϸA;fQ[D% xn!?Mpr}gי#ڨ=_IfA 0 {"F2KmcHDH}fSp$23QR*Nzhn,ϏQ윸 N6L6XS>"$2r`9=woB.-ByC'ѽV Q*pR<#TcS4kQI1xXmfUԗ*<^zBs*EE N\X\=HF*7kXsw镏ʵm;SdvET  IyVJS?88$d6]|.FI_:J֙0|@OҗIQG-,`> Fg)9MEWd?MP񄁂MSo7l&~S90VKߋQ9jڐFU7uoJ3J.ׄ]U-TX J%<[p*Y:NWT  ܜh- ZG="ͭ5g *`Z}xЏ:?RUFx*O"dsNsUn nj \LOm0#=8bEJrw0y*&V^֯}#l8.F,o,>Uau]GTLgCfchio|'!SO b"*Y=B+dd1mh;Qn.Gn; WfY!z=SWuE;vk}?.M_BxJ%x~+< ~Qyi< GN}=MxCVZ6}8fRިJ ahV nl;'&g AX,D% ( TdrVf^پPLҠEߊ̪ڲrgǠee1rd[x=50rʓtTu6퉛#9!1T2kLG0ĭJFh1R #c@ຆCuq:<2iJY[[&]h&_`2m*-{r/lJ۝J:2kCƖzG[gJCb+*{T dgS=TjSٿcW{1r8ۓ#a\4ԁ0cOT'zkTECT {"8G^&dn|J%ڌ!^9C瓱GYT؞f:flQ=ᑳ^G'QHy".|蹇=66Zh({Ol[^T密po0xzGN~O>{. * JaIxCP&?虯^MuճA#g`hsXɠH(GްoQctjdr/jOP`$șo|GHmiHp¡PZTQ%s -lŌX1yt)^pmQ *Y=hL/Oo]뉉OvY;.ݬ0{/bZL>]Vvbb%nk11#\W;|~PwdO-]J>%Sl=9,u6TN[uU2gšVݔY:gs7'JFIAX\D% Ah|'0r3RbSj鈕bxQbH(c*#=gmEiH@2vyibώzXh|WLgʱ1֍gL '?hl txYI,l%㴳g8HT3nwdUr03;QR *YgrWD*Jݼ}ߍ#}!Rގ^#*UWpb{ljU_L4CǾ|x@JܡU4xTkJ{!G*Y_q?mij guRJd6טɶ WoOI=ˉ ‚!*YuKAcQe><zaVޣ7v5*3QMjkտbU[gP,D$4pݓO]dGoXUYWkXiU&/Gp L)YP>4άY.;}悛5z"DJY6/sJ}bcFom4oGLl0Y`yhǁמW<}{YLN\oX@yoVKkͪM%b5!oECq&6\}a),³=UGݭrR:6$Y|1foUYQ@L쯳3m@!:4 q𢒟G{W9X]kn_op5vodf EgD)U*Jaxlvdp^Ūɩ:̚:D$"D%-dȇV;zUBYWYAFSc9.ܶ"Oxn3CeowfHv8 -!*YX D% gUEtİSI=uEW2k{_ɚk"ing)4^qoiIa=5a CO6=xX9*^UnT8\_I%=7ՆJh#hD% KdA ugKz(s̋Eo>1zk!cKهLɢȨ"ETlWͪnhG';X~Y-x؃]$r= 5;P> "[J>*9Ѣҭ*:unI"cս ,^X D% 𜡎ɱ=;˝o~O3ZUכ)K,0l%[DWR?t̋r|xx!jiw@%Y:4qJ̲ UQ%$Uc}h#PJ,KdAluN?y̝"ř۾3tԋ2k̾~Ww}_iRpfou u|P=ĸMnJDh׍}/UrYYQXbk6dԏ}P?*9?-*YXbD% g=Pߓ(\~l<(d0ӭE[Pk:sa/UU(N BQ}I!0J4sGN{ڬUr^ O?<  N.XXD Qɂ H#s:y=o:^Rdn!P+δeU08A[v\C9۫/uew)"-؏L*ƴsл_*y%TZz£SKJr7]M/iԾSe,ӽt/PK~@T nǹ-b3W;}ֶ͙eVJ֫diZU1^?jcAߟbUɼ1-{+UjQ^E#Vkm/?T=1/̾n8Qn3c+;~5jV/xSAJB%oQ-=4׽ad(d+*U]T-K.Cow D% gtDuHۮ`kCT m]_I%*Y`%@51%BySFqUt+FoQ/do\!:sTZSu-)tjgGc%y%(yϧ_uu%L76},*9jl E컯-dUrtM]y*8P we;&BJ%,žm6 b9Ӈz7A9/9=>o fl1R-퇓]2Y'B?*kxK$tE'm3mfwaC]ݨ\h{^|NSd_T&F#M|.9}?ES%Sy>pJRݱOnq!?*Y#S =Vd5qMMux ?_D% g0FC=OllhPMouiܷ!aHKm2 *f"*õ'bAN+w j}sյZ J*~U/~XKa-n^F:n@%|.W#Ul @PS?cJYsn@gޚ9t|zF#TcL\9t `ԛ阢EYcf_*sqћ tI%ϛ'/VEFZ +\x`>AxVv8"ڒ'r7\ڮ4U^*);9.uilևmES5C'ԕ9w}y7Σqnt7ܽ7yg|OosO?jn5cmAc4}&2ilti%*Y=,";in߬*)2V]%PF6:+jt ƚ؇Yѝ>BmXIĖ!dЅĭ̹vHf k9D%G-, dOQ?;F86 D!;όi>޽g:{{5m_z|X!k[50[K갰mSkv7_~}*a dALn a[~ΩKCGjT= eqyu$J+պ&4# q< _u[$ ,pC,l$XT $92b1N6Rі2mJ*=UW2V [015;0鼷6۔iRXfSX_?rs7~}.V*dA_jFjssoQ:ZK ^q 5XZm3-}RSa[6{HbS(-~e)F@_Ζ^e|2/˯v|&7Pq8L<{7U!Y2ShK{MRub a4qola{°VcsHmh>?;dAT6ܻg1775Ϩa!vdU80mJƌ7チX %8]R ,JȆ.b+w ڕ9>#}uvƐY@%#FȓSWdֆv"b aRPW@Y67/?'*YJ*]quS>uQƃW~ʙ"*R)]iШ;!jF:SowZb*ٮ[55g?L\.HqADE% lU2uUK9%r.DGN{A!vV݃D KC6*zn1{ªix{RnVɅi{ ,SD%/{҆dAec|-EnҹCcАh"*4:P+ %zR:(jkh{r?Da"Cs񉕛fO㨙j疥c-X%m 1KOgɌtT2T Qo}v{dΔ%dAkA$ 7FccA:L,'6-HjA*91oS*à9U"mU!k˳A` _)LDVkT,srLS EybݙC ԠyxVvqŞfZB05<ɨJ(rn 9]dwK"V.q8) 2ATYD%c:2bfڻw׮jWkWEL1*>9Z9 E\=1o,I%c\f:OYǎ>f*;$g 6]K"8O54d8wklu 6>aP͜j+"t-jLhџYMKN 5Khyi?wp470:eulMcÅ% Kkq2i8:f=7&~.õ%]\Cd ~͒@RzG\" Cf\h8hdn@G8Mfctu[ț謹j3& &E6ۓMXE?;́d ~͒Fp(_UH͒544zD%{|rֆACYrB0?8NJ''(s {Ia\?o{\Q,444nh7Oʒ9eW͒544^@8}k0[Ni0qoVwF>lcìOCu\࠸G42p衆F?f} [Ҏta`j1weMƅ%ZV-_XfaK|Jӧna9baErnY|1a=揖`^r* 1"BYf,τɊ%#CdX88Jd p=L{aH{B&piC\_#}b0ﲱp{ϥ:xd&%dp}nU'R c4sff ^cq)x ns?.[;Kk'ǰ'cLm}>_9y^T >r#!^A ͒F`I%$8CqWkǾCd Js%;^Mo&b####9s&9kuwԠrL5̞t5j߆g|]00Hns37 %3T"t NnOz cԯ{O}-6͒544pn^wGGκT?4Иa$K!KtJĝI8\ k %kLT\ׂ3NMKBNjYr|M1Y2NE&A`ɵo|mu&KcI͒54dp}~I͂a$.i[17%˪Ֆm1 6иAw-M_ [ %36djDM~?j̐'~Roɿh}tH߹.$;4KиvyPL_{cr-!6e06Ďg1qoQ)x->AĻ̱BןΌ[hq@>NnD#<Ĉ#K~l@!==G;"Siq^΁L[HPOpZ9jr9M߉J nKiZ-_n{4444nh܇" g K~G50{n?ȍ٢0k%kh܁psE4'_>fۖɕbq"7%1֘p#ǐEEV~n-@-͒X`aDٞ|?Ya/MVd4Kиy=\`ju/lX¬%Dk #Hʌ DbFQC ]oG1Gf4K #4j8Yr&K~dXӫ>)y-#iqst^8EzluݶDy8:=ˆP.r:}&5Mp=vm0c5#^Iƒ 4K#A;'Q֘a60g\<oK_6У^#ԣihhh,횬nF \^G7>W`և›IԣM񺝁=\Mhq%;Jh:fi}P7H#D1m TѰW<yr^ZBe [ %iY24&ˆa+0cTd|d. "4Kи î,y%;C'~LGVy,g+Ǐ0GT=<:vp百zfrqWsw͒544n)tgidɣm #h)| |xKI{`*II:.6ϳ|v͒54pp\=Y$똁ՏeƱd/lPypdPd.mAn hOu{;~akƭP\/,9GJb^)"He-n-J1q=Z{qʼdlO ͒54x} bk/x>oZe!nS,C57EڢQ+ȧ6q~YCCVC3.N|aFL7[Vs!$l𩆷t9>5L\_ք-#,YCYrw_8Ұ摚# m- XfsE=A2'], AGGX oZH\8ct/-ƭd%nt1Í!D 0e0ej~pj57)pmnHLXca}hM}.͒54Xpu d:Xj/Yj 2gk {q*iK:~h#au9޷h."|4& [d ~) 1/(2g՟i][;_eݼV7oun?ϔj nKiDe 70cY1)6.,ymIh|w]x2ǒ54P}^SX]c߄q!{ |[2E׃7Kч&g; ,8FyFCz瀲E3ޘSZ?ѿefh -m`Vkkc@䁜 *{>?"N#ɒOx5Kи7LO,^-~dyġ 5G\ND&9@Vz>Rdib4EjYݢ]|Eи%d5iS{S{P宯rsvםԝUy.xk{j/x=vs[ +z`P[HN,Iù$M5ӻ8%s.Ym˟r)sޕ^zÊj@_}}0Œm9siȒmSڢ-Wm/Z~͒544n-%A' A9ιtO'SNv-ݟ41cKi ,,>kUۆU^ۏ~͒54ns*ۥ~ io|#3И2ZZ]Xk\"3>MoLq)ۇ55.RVCCCmε#|w늇hhH4| aP]{Ҹĵq1YsE#,+ڀY"сǎOV-~u [p[=_\e]F#1YeonjD--pNő==twoAe=ej-΂{9]dm2: YKǁ<Cr,Ҵ6X-W?UhOAvqoڋY3 sPze ݞ/k~e<".t{LIb:M ]*W0& #_ydt[TCCC㖀(*U:8U~4:٘Q5*H!T>Ylڸ)N =ICёMi,YC΁(%KPR!0{}wEW#ȒCJMoKNaEV Y ?HGf([mи`\b[#Oݙ2 Ƹ2 #oߔv$(|Xǒ;6 lLb[Z{IAe(4Kѝ^"Jt=|>VYU:.>Uf$-h1 {ҧf_(;waj/}ݪ4&ҞE[~O_|{*Ck.:Aw,CW=FLMҽF0۔I)7%Kʩđ\5y@#fDÓiFay7r;4Kиm vZ-Ud8Ʊd8/t#Œ̙[2тȎn}ɒC"j_7 h_(s\-ޡoAU%sB,9R^yds]7F2ДD~S[Q%kZh-~D hY2Y ڃbvt~,i~mB'2OW +?­;ip;Yr-z \5"C׼;?+uoۈ@s\ǶOuRhhhhCQ_̈0Fҫs,7+$IT=fh*m;Ehq'~ox\NPLH{[5m [|$ߥV/0f>R.m &E1 T>b휻&o ^q{Z[؎{ч#dɡPLW 4"𫐋:7A$tGڿʰMU-Hλ`S~cF[z)hetN9+[]U+̞^W*4Kиm<anGӗYcJ\BfJ5Iไ%b"%5zƄY' o|nF}x18Y2g'GbNmsU~ođIm 8ʒSCڤ_bai:ʃJSW͒54n(%, ^ s{l|5za6d,mqGLw<܈ŌM$i?YGlh A~ ]B RFt+x}Ki~o=cPz$ EU,9L5&'KE }X¿v9ȗ^Rmf qpw*Ǧ?6wcP0||Mcɸ/X,]I΁mK5o}0>m/"r)Oq][,W]~'C1{J4y͢J"֘-‡Fcyg%{5Kи_wx::4P3mئ ţsG@A" AvE!e6Ԧ ~4oиn:Xy׍1A\>yjwV~P?T=fL-]T.O4afe넻jfE˧vY@D4KиJ>q.oIwq_ F$HJ[B=!Җ0"#lC)wgNs`.zj\Ÿihhhh\Bd,W>41nHyKS0&4b%9 JJ7GȒt[p{[Tu A9(HLsYmTvTxJh%?~!`$ɿN/V[5U,ΚpxCиVtPu{|nZ7yD%p^/ǕEA͒5444'tO~qs:W/l|# ѻl#83#8)SU >5/aMH@Ѱ}m>l?E,YC㶁^y_ismq:F_n L- |p,lecuԟ73rp+BL%khhh\W<2ylvC-VGKֱJ eG*a\&(sk=F4 n)}pd3%kh@%USuص?}'mo}'n& nݾv?nq֏h w,o8DToЙCs{M54444 .v!j #Y"=.?<ޘ|=iDsp}KF{C;YUϻWr;(;DjA<^7D|zDCCCCڡmJXF}.'R:yc wW?6 a4ȿ,yitWu˽5?- %khP^A\u:=v6~Dž86%x\Kʒ\܁/TqU:^szHHZ8ڼx֞n~5&~仌a[1VHnzYH\Y5vpգF]Əd1~,YC6rpA'Doچ&L{NU릦Ƶӵ Ҋ'{)=7>;::{ڦ EmKLjR3_N"Byߞeʒ54444'x!1?8QdP+^[AFd"ˆ&< sZ$ZD enz?-_.7RGLC?@ږK@d ;nYj350A |\\zu c@[\$1'""*NMU)"D\(7̈9VY]DFQClS/7ڄ%A+jYeHLKd߫֞rZ;_^xpH-^BVA7ƒe891Xd7+'Gڦ 5& goǹNTsQW;0IJ,YCCCCCCCCPLQ`NCGNbbXrs+M)|hYAnʷq2Ε' >V?87ks?9Mq͒544444444z#s.z&H+Q{޳{_`j %#L$fdG g\ąq%9G9ܖ8:nhoW<>Cǡq(6"3V34K"^Ȥf7[?[Rϭڒ%UUc$8"i![T93HNbZvx\>0hjY^ pm2=Y3/"s&Qdbɦ =2G9j8'a)we=Y_%%khhhhhhhh2 ~vqVpʺswY %o$d<;'gYQQCȒ #lIj~'uls,Mcɝǡ,YCCCCCCCCL/0(쭺x.c B6b"XP[ gSn硌GS͡aV$l>0n/sεb 2=YqIx^'$pd^_ Ì1p#:)%hq0#Fq4rcŒq)Qauï-! hq'\3"86P_c6&zPs9y?%*L1$\1y1y=ឦ7<~$.hJ@gW!%khhhhhhhx.'Wlk+xnɿM-t-f5& "ĨUU69\=f568+9$Knb*_%khhhhhhhܑ e^?dGÃC#e1ձ%CԻz,7Gp'F}Uqe8[C7g${,C5KY:e[w5f˘t-&{LU Eվ#& !A8n=!NiutXMʿnD60H&'6g\cVauYƭEz%ٞ Nf!> MϲO Tl$kKFjq\v,YKbfBKXXA;iqu"s=9gڮ|-xw ~$s-m1CapA1"v8~ $)[1aCG׮-HK[\!4K70Yr7! ^X2>[u^2u;?mnry} >8:n- 9А)"SqhdH_=܈ O{hutdf;` S ح,YCCCCCCC!H/bx|jX4%|ѴБTj_h_$#~ul1eIgB"\DOD $2Bf'bF.'F0 V[R{ܽߒ4KoʌPW ]\y>W;k|uC?ZP6E GRȏ)EVb DŽ%[Ʌ愑)cN?Muɚ%khhhhhhh܎P\9gUc2i\&;Nw/2P>W'ؓ>f<F~"Q y%ǂ%٦g8pi;efwJDYClnd_?;_n|~Lͼ1iu0cP;tהUS~'2"dLG*IY' 4 izks-RE%4K @acq9vqXMmr}-/j/F԰Ì1p#^[Hc#:;+0%\dkP븻Ƀrc'~̵0YߴՕCd Q$O`\-0#r 29b)w}faD?`DNjŔc~dɑFtqka8.s!/ErEHc]~fK򲯹{eDzhmXMƤnu{|z;nWQ'Vq[nGG_f5_#êGY'4,8n 5"Ȓ;Q67ߜ]Em},nߺlt!<2{YMٰT5T,_%d1`8 VȳnmovWU:ᾪ­p[LgG6dMk\8>q^5~&2>TV䀂w/׭_g\Nth"W뚠Y͂q{]O{֢D۽nk4p8(ac,=Q^˗Y /֭mm [aYdž٢3$ ʲtt8Zy{c6WG~" `LwXӲ~ٕhqw]&rwl{jV܇ʜ} ޅ>dYF߃S&d6Eɰ",*tx~W~rۋoh~s֥Y6/IGCɃ;:~u`#n&s*U͹{̸@8~=>dY/֡ۀ0J~c A5TOS_ڃMkzoOAd ,v~v+lc_Q{7nu{/~4Yf?M`X߇UcXê 3&$!}eKǖ)#j!KŇ2@{izz*r&@r5a0#sXdLNn?wtܚ%khhhhhhh܂Pq[wL{[G٢[ O:n|mL۔F]YlDmj P̀ze.0d})[H#VF3~~l  7& [\./]4hѷd~xfXy?Uv`Pª37Տ >2=3И096$g#;D$MW'’#d-p|6an'Ʌ& z8fm[[sKI,׉(kѷd޺-b:z-i-a-n(in|`W=SX;Tȱż0`Ck78?$҈LJ<س !Lu ߚJ+ZŸ^L:e͒54444444&Ks_dqV=fmگl8<F$c|qMq[_,'^KBFp k#lQ1U -mm=͒54444444n$.^%}ug[?K5~Up-~nDw+*ۊ%2r,"4׭5L6%eG F.4s%_:p%khhhhhhh@)N`ɧ[?[fD0n G<9 lzQ\9n5j-z}Ɵ77SuѼbdZ >%khhhhhhh0Z(c’OiL'BVur;[=z-7b]?m9[a=ss:*s %khhhhhhhH#tdɒh,3.b,d7#n;iDEZ K\~&Z ,{nοAd E'Kδ~jfvPa"0c{0;F_YG~%(y\'v;BaN~z=|a_4K[taɧ[?Y2QZoV|ʒp>˅-<˰X/YFbP'9\ 9Fҋaa0[t-:\TDQ#1VuoCx\휭rm+])4K[,ȶ`zZzrZMֲ$4ZdLV_֞^>I꠯YF`eZ9y{c"mbGQC٦ omϹkOqns nE%khhhhhhh-|]/WPPQd.jU0cULro\8Ȓ /YF`C}dNFM>Jt-^fc]٢s0_nqj,V,+4K[!3.Y .6܎y-z-[̈l7=sޖZUz|ESF8f};cƅ̩Kn |BFFT\ [Lr~ZM>r(r’a8͒54444444nS),y,a1L܋Ņ۹p[[bDCqw7>;u l4M,V /If};g,9ZvFK[ŏ'kAM'd{.wt@d%Ȋ Y2JpRd wKfF%GSZ m_fEVx]ewۦ 5NjW?Ιq%Ahѷ3.p_Ra5b=^M>+d1s<nDC8B-lqֱfk|vkS=muj"+Lf}ɒ٢"(``#1آGXíd88ae\|i0z lSܣ_qNadA~ ͒54444444%WŇ8~5;In\e>\pıd% 7hѷo,wEb>% .6B&[\C<Ο4K@e_'zaǯ.s%qQq1@0J/Qo(>Kd@hXϒq#q \rOdSE Wۋr| =~/ CA|UP0i7o%{R~QD=zE_/0VsH0qo5:o5=Iuxe : "BYr, J(u$d5ҍv=4/@y3OmyF~8 !Ir|Me#lQC Cm٢g}Sm~y?+Pn/VXm< EBY2C.G,Y # |T􈋿Rr8K+Bm#P}ɮI5,]yٙ`”/N@]7q (!5uw1T$*L^vUH6x+x.BtM _)[h< +2y-Co ȷ0yՕX<(w,ioBQn\)19+㳻mM.U!D޻-.F5wW+n)oi>dtgi< KwmP!]S 0[Ppb`d5nD͍Bmgo1FB=q(1.ذ¬ͯLp:X9(2s5㦰pXuT$+Kg,+ANa:3LM)ơaU?!olx5+F| Al ƤۓF.׸fJ׹}-6NNAv%|MYr| S%",țX?a0a;/J.Sݯ)pyn֐I@B-κ" g'ЫQJgPF~JЄ^4yuȶ/t1..ihwqxT[7HBWčrs%DX *~,74yPE*#AlbIDEد~[uǐL(^1*"TJ1C)T1AH/ -NOn{Pw}6CqQs`F#6:V0-)mOjcd ^Jw| 14M o*W]%μPEɒ;Yقvfj݁nY2+V!9:NvD> #SqBvOr{]N7\աfP|^/wW #n-{3vX3=Ӗh oB)w{Ġ~nqS$TF45b/ZIF7,Jpnne$[Br#(Pa).WyBgCtRQTLpz@zLQ V Sj U $L iTߘ_]`-'?:3`B,b*ԃ+Զ,9Ə] Bݥ]/fᇏgbU*p,ZWT$BɤP- %& ϩY"?~D&)`dA?7k&RRʽơbETi$PSAsM04h"`*VR2(GPDFIK6!C3U zad0:g?K5~e}$̖x %"'`V_ˀq'Z|prbJ$~$bIG)CYPտ`LP@]n|a\ڊ^qTw˨8QxvWnh*}t!Tb}eB (%$>2\ڌBCX:2e Ϟ/W+I?d ҳ%ѕp{ڛM :Gry]W@Zaƀ@BD;ڼMMznաMׅ@ه :%QT)݀Be9|{k*XDy(dsq5Nfs,yGؒ'oOߞ}*WI#fޔƸGª?aƄkUf\[|puk ͤz\zrft(U8ٞH/; ^p74;U.<_lQř3gJ*mV{caѓƦvc oCWNwyS[=^1_dشKݺ٭o]õ?o>ӏ5-.3^vh)x؅E%qRZ~ ͓;߲{>,>K7l: |S*k>%IDATn>),قW)8gMCvr@fup]Ey4!EۍRDMg5:[M֝U'41R3BnTQ[VQyn}3e[X6.|~+LѦ3LMgF[}|3*YGvz9>w?gI+|>a%7mpTS[ B$|+Fz@!Y2>oNo*|tg5feRZq8LA{ڡ29^2D,|AE#!p&ǾCƆS%i-fz s`@9t Xp].!*; fN ;(S'nc뻖m3[тr'7}b@ iѓlA=9/l[5ѷGTق ^S-uAA>N"*5 uc]w>?w弸m3VoYՙQڭĖEOn^~ִ*Ww3ZYS ٝih $݂`0T!`[SK|7Y?`+[}{9_%o}kmmq~;iLZ=f@谪QaU]_aGX?YP<>i~aT'sJ_u(q]8ꮷzk&\"hpf(I w~N C)j-J<=xOf F bO?y˗?mŋ..߆B⅝+^ؑTe3νխmW ._n8坩OmWDI #2Q^JV3miOn]m5)N~Ps=!U,ݤҭgӟ޶`_ە.5(3ʈ4?#9~$X]GW5AMDő,P> -=p;{ؼadXNX e?=/ov Œg@\Bt^e<]Tw=8(fתv/\eySMM4. jYC!jaz8j_u?.Zy铕+_)TV{< O^0ڑ+dɗ$mÆF㡟'_ݽhEEIk0)GZ?jlG6qdF0anRd[\o9P͉sMm.'yGhzdBUPuh̙]?Y?-q6<fE`L1q-j=.&b.PuOn|#tG}<qa^!`$| mo:eXM_4qd;85V 57М<ǽs-%ISӋӊӊ /IJ/S3,8nIH/IH-NH+NN%3?[{O--gh9p5>Q)nԫ3J'/)J( A%` fLK\za|jWwL#'B`!9VQmmyVn(vYdEwIʰ$#g>Q ␿ejۊO56A!81٘c3K`!~(H$JE SK₄eE(e[ϷrI{ڷ>94-t40!$Qg]*YV4yA~S[+4_.7Z?_^{c&f$ Hh1Bϙ  UE_B÷9DVO Lm-;U귾G}4e=zE]l֪Y+SrRAؔY* JgN,O+` Z?ia' St NN$/GnAڲwĤ_;/ǥc!q1EHU|zQtj>]ėie,T2.Ek܊ ,)@#Azz@Q\4^ѩP*60jI^BjQ`ɤwd7l#~-uQh[niK <-0/fI/*r5Ȓ9:9t'-1.DSQBAѢ ,` 6ą*dV`mN7jƺ*:(*u0SKQ) M;Nm@ U%wJbd;T/zz#3ףk'≑2  ¤/z ?pәN|-P,a8IK&.̃] ]@ ") s_ڹp Fsu~,&%wx.yC?6o, b% &01UdZߕdL  T2om{^PvO?=zQ gmlAZQ6v͆`!$5+*ך܂=yi7<:s=-ϿYkkpwAk{b X|!u^QqFZC7E'{y6M?jwcE/caUn2l|6l:)RmeN `Fe-(xxϭx_k_aJAvBiA=o) J %[)\}3uڔZ3S}/Y[W}Skx42-ÂgW ˋc3,hLMitjk ?sdWHtű 褙t E6w OwZ4.KF:Z@ Aɴ AhRt3h%^^2,Y/$g?_)t6Uv}&IYJ)ˉYPj%1pzfIۋO75Pt`*$eCBfɌ2Y.JDT}%=HՈ^ZV=,&K>rD:ei!b]e4f ,&xҢ|Wxjmʒ?,|[x{qpV v2pJsO$O0n~ǔ$ǒn!uum6G/)7?/jIArf,qb GѣI0$5%N$tVv٬I%1iEM^j|f_:pAdd)T*rJ;B1-,&xFnWZ9%,Z y◗Ωx@XTC A\mm# G)eFLRev3teMRh3d";*%s=[ ,yژt֊,j^(*!q0Nܽ}'X(6O?~}OE6ލ2 ,,#5oz(eɩEhg攃tARr:%h iQK ӞP|+AlA%߈|Vdo--;?rKgff/cCa#&d)qK-O9|I;,ݹH{~۸ [)+f,gT֘S2#ݲ_ҭg[/ǒpA=XreN)Rr+h*3sAFcS-zbڂ zbp|Bx#9=Czi^ZϏZT0(USY|‚ ߂%7#>&eNr nJv[֝%Lq򂼄t^`dRz U"ͦD} ]$4C(3ehGPҋ/*D_V-~oZg5e:Ƹh~y8i%E-#)EWp yZI>eŘv IPr`Lr  DW8_f &s<"(K,Ni$YmǼ=5ǽ缍U^s+qgdtOX29ikS9ɥy\B\`Tɧ;"CAYEifgmvWwa 5?%2#2c9R%ǟIAMF\Ɇ)dt jS;! !,yy ^6,.X={m|:xc=Iyr}Œ8|^ƒKM]N"S n1LD%n]{NvaJ5KXrrStj1v{QgY;JHZqҌvTn,q,C?*!!4镰**(N^NmdrK҂'_S|K&?DcGjЌ܊K 2ɉqG  n7eq/>e5ڤ4%-+Pj3~St,zIc򧮪"+eco( KB%Edx'ndy$lޚ\yѵ/De7}zeѶ8nI_]Y,wMqA]ŠWv.+YZ8#4̵K BZфy9/n{S+g+uv.E8&?%K/&/OAsr}itsQ '-G1eA2iPtDW ~y LX^/#026:,0o6ڜ.K2@%MCͭ^ޤeœƥ[PR<&,J/j/jaz'sXhaL)ˊb>Q.1(ŒV~2xq//)@ڐ;{y ?3SDrIl;e\P(qq13VIxSde{;Sd?uv2{F+neIه: .q6%s,Y,ؕ$<,4%l‚qi~#~ĹYrg.N ruZmg} 0zq~lZ{hj. Oq>RPEBpSj,٬\淬RY:)oTɢS(p+J&-̋Z-皚\,"r)ZtEw ^"r$830rTeD3By 3qrFV;u< dŒI{%B`p5vP7R@dji$_3iב ˟^X~9JuYBޫxţ6LͰ b61a4BQ2CYiƘ1U!#CXU@SI}!329954 awo Œ]j^2XAaɳV.--8[C0YrzqXYi VXr%o,Y,Lb*E&K}X2^5.'g\( ,|ʁAT̤,42əTZ6iAX2{vF%?о>%)}vVk+Wf^H"L 8乊%PUEB,0,9l|5/+KVM?4H_c^Dh)wXP-ȋI-Y42JzIJu@ְ֘u Sݘn,Y}bO>UgQS20%cFKS3ѩEȮx#Os/-,U)U/Y:|-[_1~^~”\N½qwtHh*CByBSA՝KJe)d$-h m F eѩlb}jP$%*HFo7HPd)r^ 2TktqjUeά~ugrjq쒂d΅`=gN&pf%.ӱ<,-B8!#B+&DdK2-ы'/_ʮʝՍ ` L'+ kܴ\3KT*A׋#KfʕQ_Dh;B<)GfP+plUkbl˩9G"Iq_( YA:Hy_5*E- d̜YNe=↲d>@p^5 VU]<ˆG7 Jȴr{}(3/R'P$858$4\L şK;($ݧ٥ ӊycmUmT*A'Ld%,)`. 40 Y ',yv%H1YzϒrKNE,OyUV˦˒Jr) jiv!N$,SGJfI#KmU#=`f "%_n+M+ItbT')l2vK^2@O2T(ACRcmR.Inv6’9dɇMdɊ%%% d37%KYŽ%]f=~uPnjϕ10~_%Sq|$]n,eMZ V1c\/_Iov.1X9>.PF*SpUT w}4 Kl ѬqĬ%egZ,#7A%J_Id043gąd:Y P *E')/P<.;F `l[:)4ay}xWi[a/ ;^Qp̜ KWo|nR:*yauJCjq۲dTT`T|TyhAAgex|l#W ͐+M"ŔV @ċ)v(Jڀ1*"fe5V[F>/#^z/ T1@y[xgz+ !~yR^m*n! q@ D,KhUnœBKd̋`3( ԐY#^]ٓɰ#N'BGqqKv=+G\Pҋ܏d_JpDˁN,SlQ2,Y\-:ltaUJʉ)dկ޴5t T[%3ȕC kd(NA_ZI' {d)4oKYj+CM 6ŦΒ)œJZV٭/0Eqj d]QQ @#p;jF0xE˞ؼk5!o++ͺ$Y@C pdUW5u:I*jo˘K/:,㦨,!K@N\gE9\a|GR?2}c)'Ϗ[ZZx1?2Q)ߍaʒB| ]q2.r.dM  -ৃ0qI̱ 5dJ~E9s-ȜW6ׄ/[ߚgf3+MW +SV_U>'V ΜW[%WK.f_䬛"BZ5VPy5ZŅTU*5G"d$eh&*ldY([.sd!7%<%>^͓!a 0+R"]1ח;p[b?mhQIshUBe)KɥqsCQp9z٩qN-}歽]ho3kwz,90%<8y,yLI.8Xrn.(*G-,z)]Y,}üfI{ϒΏy,% oT) JLjk&,( 9:BRF 54QUEK,K-X&/.(zYQlZqbF1E?md-tG39I4Y=9*6Wǻe+`*9ڽ0|˱2En:d0MU &r;$Jg<9ygm=ROMd2˔ܓr;g%q-4e9C#\|Tcg25,3-d ?BKiމn{|Ɲ;%\U󒧶>6; -n軓%s$@=\a68^6j@g-xbssOs{eWs4 N-8>$64*4 'e˰\W,^O9#9Q JҬXr5,md-W|rǭ-ɩESӸk(7@2F@_tJ7 erb*9\|*w%_Z(oķz?bYrZq7-V(Ql-NQ*H)y/ /K/N4ʨc„tK3 {h[uHZr:JL- M%%2T6f$9Aâ*OVi9'\6܌1ҪiiE (rE+^]|['KFY4KK)# x:K:nW AրȰ$,*yǟ!bvq<2Cdef $B?2Jc dsϩ> )3#gMNJe1ٚڲ沕VɩP/u̢˹$zSQRy7 zfYRV[q5hLS-̩ojxQ\mU-!٪s,a$=g6ӑ]c(o3UUq|=`dٱ->CW_\=;7R,RŃρHr8)*8&8 NնJ\naɡJ" k̒9 ׵76{*ΣYbc/S<7Gr7͵~nnś̳޽zlykÅ*Rm4WٚW7=ٰcKOɪ8wAs+2 gʧGIcXn[>aƄ}qԙfSro]%C2‡lX7z:tÐIY yd:%p)=45c~3mݘ'^sxx7ŒMu%CElxpw(#.Q)S)=R&zpZh&yC3,_ XdIF{Ycq:"aL/ r6:ӨԤ i|,(  e 4^~X\5/ o,vwu/CbG ( _!ۥOVXδnT[L@XdR,Y=o,Y2 >?0qA:~Ӎ+*b`$:dxK6 2T[$Ŀ~$ݯo 7dґCE wT-R R2cel@ F K>:w# 9,~r嫻_xW={^~~K;?5iYɣ6>4}혹bѱWrBNe48l6X-l$my꩝2仩/5U57o,>t֨e4QnQDMǭSG9pܼt˓Ywb'kT5Tٚ h*k٪棧TyK2i~yyqEj|Ja=n/G%ԹD eJ'[C?٥@{r!Z課Uvf.[x/K pfS1]Ur~o՝_n{CK$. 44u_|o잷rSB%niarLSgsB>Ȓq/T?5؉䔡G^LwŧkԸZgI&.ɒ"8pRc綦}k-2L|Jƚm/l45ŝ~̙%KTJaDE*R+*?]RkeFYkh%hf綥 ;/4a%#VsVniꚭ_ڶy*(f lYmz TBXKP\oFeӛ_ܡJJD]#V̀\綾[͕<.do͒Yrڜ\?D.K"pk |aѥOnjvV, Y6[wE'2qYA9҇`ɸjA$drK\j1ˊf/^%m//[p?kUU7ox~ \h"876]%asU,YE+3:ɛ|' goXg~Ĭ+aRV4 $%98 aleFN9*_ڲキW6/ &5?޹Orw՘%le:˜쫋a>.N13FKN/ί8FeQV&jh\ nϷ?qf|9Eo2J_#ލՕ&iK3Mm|O@૵Q^:.4~_XTkO]e UI5ym{|e₂'}\v@|.$޽_%FH3-)x5;plS O7 POj8p=ýVęMFkiԴ?^WPz׿OXV4yd"2B'P,l^6qQABfumE:LFZe䗟I%->$AP7 P*˥',̋K+|Ooog .j 8 nY2ɥ~TWa SrͦcreUEд\Q^pʊ: [N\NK>=N'N"@ +s˟Ldx!+gI+R."<t ڴ瀁UPǕY. 8f疢hU1M4/䋄W+A֢줳lo`ؤ W0 5񴶻7^jsB: ']U/žpθ2,uj;^p[%H2,5.oC'C u,W}qGj'tM8nyCjMV}t{x6v)Dd) 45| ٦w< =v^\rw%[_ p3eeQK箪X 67rǨҵQcksT--ZR_FM&Wc&*$HJ lVY̒o2x]g1A]/eQd.|vcGJYQf-! Y*G{q%bQJ=^V.'NM|۹'_ߕj^ZYQMb2W¹%21zyɼ܊O ]xJGrQ*545Koxm燐ï2t[QCAL'fIA>U 1Jp2492IUg}}{s/휸0zI!\q=43 8o',ȟ]խʱjYrY䜗w?f> ]e6 X8* nT2~Ƥ -.6o: |Fl$;uoP-(oˊaOV*#j 1q6=u^yk 8`C(%qLd y3ۉ%0 y$$+BY>\S{;37^B $ׇ%sT5`zYmo8䩭I\")A}E`jrdZ ]& `f$˒hv<&֝S9,v\<*פGd U q.Wq Mԥ,U2d%8~/,-^<-EOVQ8Zl .>9O>̧.CFźwef؁$JU9oKZUQ$wfș| /o?ao:}nTjUx;-KP]Xnߡ2=;tXK:樀ɒn\¿'s!،gn9G>0 * 'j_M-KXV<.+/>AS Ԝi9j.>9+6}ywʒ_qTxOČ$9ṆCQvhj8&nY[tɉ^|dR}5 Q`9S܊IR`HPPE[JO]Qǩ0ZU.Q)KF5+,,yeo}T1]II 9%dT"?esV !m{ٚXܴw5F K65*#Gr_p&'ZKު(TUt2`l;2-QWi+^QT~DH=GN`ݕz|PTF[HChjrnSqK &gNϑd S$I2WiQA} {խl:<"H؎=ϾgVniBWGPEHʒi\*.x켍 ( v? 6]^U%r &wG=q^^ljqrm4J6h945+H"Y|R]yYE[3qŸ=YTTX_W(r>-mLLPJK3t|ZiE\Q?<Ⱥ%E"(=~:^GPƦ/8SLF G٪q!64ˢǷ+:Vu_%羼yBX99"z-G\"`F?\Yk aYW|ͰjRJ:ugJ#yBR%7[aCWIzq.W^+7qy81) S7&aaE [:5,y;ZN& r^EwQqx,98j`oG/.77oyyƄajEFUXXWȒw5ү%бd.Ϸ$N P;"ҋS ? %P^ T". 10.?K` $kwĦq6N˰UM !ɒ-pJr^YlK .ȕ7z;PvP¶Ԣb)7We tIBzGeĩĆhk̲g*#XfyB%RVe Gyes9Xt!2H9`&ڮ. xf}n1S][ d4e'ܔFRE¶|X9 r׸yy˞v=Y$0r3.x&1 `Ca2t/,}zkWL;]oP,D``i-2"4ޱdR,)cɿ̒f>Si|LwQ,YֵDJVH׼$y-)9%S$|Xc#RG:TH #̟\'ʛy g95e QU7})3/{|9Y=])lNTJ>/5IB[Z][wV-_}hK,KDI?T65F疜9kvnY%+;0E)8~WfdqW'!AM9B -{>( _|9pŒTOC4yRe$lxvPKϟ(₨%2Qm²ˆQ7GjIY1oR44=K87?YY$0r[L.SV2ţS/ZyA&馥iig#gXC88^U ds"TM s٦gΜnġs8tlg4?Pu=ʒ_K%g Bj .K,FjY5.w䠻M%pB'BL{Y2I$ |yH|U^=K{" R,S*J)?7/nIk6d^F..CL0,ܬ3 t;~_[gk &Zw!E Yƕш6)8jYabFSo9eLՅVhDͮRWo}teEl28MMʠpn%N@$%t⢼G_Ϟme=2\nlzx˃B4he}εə$ДqiE):R#E}h )ue;kTF0% .;v3h(STXNn: η׷ 0ךw:n{;ck%kd qٲ(}e6%K~dΆOnٲwI}d] 9D͚.+‹̓A\Tϯ%/gґd(Kу_3K>w uyv Yu1N?ƒzXzh’TʼV %s޴뙕(F:.:6qqc7]Q" #Kls0hXRlӶ`ɽq(#<ݙa8x, j2%)JP:ËM+K+^Dܙ(BS_lθ@lƭay)$'>oZVPdIy e<-- /;ZeD²ƨa٠' a^j#3盞}{7:QˊY3e6d0125h⨥-|y]6NuEAI,/1FX2[ +e L/)I,MH-27":]jer]i;{A4j{+!cK4Gveuy)eQI\DMcGpyPyX_`]5V%[qR`%y5gPW ǒc8ZKHupZwg}ɛ|*Y2x*$dɁ^Β7-P_ Y2Lt]Xr., = E`àk5,]eiL҉ S'ܲ}Q%zd&K׍%3F(hfQq9/;Z0iqAR6g0le z0yI"ߏXm:F 0 UY9 @(ƒe#PexE$,$рdPPESDpŅp>|y)MBvu$7{W׃jDMنNk8urRDyx ː9z/yQml(Ri@)Mĥ'[r߾}gh.nwTreApS̙B+(fjįqpd0LlmygQ1ed/S{d U|D񏙳1cMR9.e;` 9 _`Y2'e<6'oSr ^s(p2I:Q{4\% KKƒɒ[\JN.\91KY2E]a8΢5+4fqϽѺ&4I>(e^HN)e\ 3[54#nRPm]{n{x)i鹬H'½Y9,e4ih&gVۘҶN_Z .+]*<,:XP.9 viqڳ|}d ?={.G0E3z(:Ec]"ˋ1̒`Γ% K=sWwK][P.>sE42KXEZk7k\䕞h[&몔խꅑ= %ǦOZ\왭%8ڍ_WzrҢGnd&'&eMW#[? \^75䛸ƅw n[vW{JO&eXFPV3y2M$Z{ ,-NJ+tݏ uH8ԊY)\,9aI;W"9 bJ%"Gz| ǩ9Yz} 2$!4T La[:P _R-ݘ8q9YtaRP9Gyiy?m?{Frr XF#SH2~Md iSz/5rjhtɒ4 qMgȌK e[,[zm('Mhr0898)g(z/K6 @PTI5s=SZyipO)}"<tODed᫬٥Ȭ/(t!h0Lz/7K%d 3|u_^DE|ZQBe)b5 me KՆYAXr=Bsa|zddv/nHQG Wu| Zb Zռ'-KX^[!Vk/Ugryf欲ٜV3Tġ*[٭/ˍ'6mh}Mm{7bOȀJ([C]lU9CC" ǒQI(ˊ-3r~p$@Zl8>yY {V?.+ťK-1jQܜ=7>9חyv֦F'& H t ٥h2~COݏdzwKUhx`"5G|ĩk(#YxvKV~|K,hph{CdB?ڿo M[IĴ$~Cxazf fm7wPeQ)]miEbKBFQbjʗw!& tOrו%,N,gcN9!,zYҧܻyGuS3l+˼jѼG%+̸LO%<9]KIdvxpx|b8Y5ZG(3O$q#KbZQ\ZqTj%1K f徸O-8Ytjomju;=}>/3,ˀTVurq,ڶإsWV޾w>?'|r菟“yAkxgNjZ c/%CR f|3$J;(%^O?:O?~d]_۳ݩ$[ӊ[ >j60,ym,yWov%,92f6Y-P[˞ܜV^Z5}>aZw-.+tFX1 Ud8F(V2+=r.,\D%""3F9[Ot}G~G5YrӚn$c!;|,1CЗ薕=p*|B?w#9,Q,EAJYBș܍J 0sC&>fA-^V0iqAԢ%9kv7zOUfZ RH4GdsJ@3Azi K⶜qa*xljtm(>f5k}+sC~o*|*ftAgdqC4NXR0n ZT^ҙLeK~?oYptٽ MN҃ɸ2[-N+\KV.H%s4lʊ+4զy)R!"'շ96*[7>ov⨲9Ԇ(C%=#x44 dT[PH?[17ƣLGW$MW.K!ʓ&y_esSrJ2-1K 8v 3Jӟ?;}hϙ\}4%w%9a 0Q |sdZ-L.5qa~rZo}d8>S%*$Hp@tIR[hDMC}ᣃtKwO^?'/mYraɽzpk"&MHJH$ݢa5gM/q DSN#$aIK]_;zÒ^%o9{CYr̸@ YzyGܒ„BdT+FB#`Ɋ\Q~9yOmh-|r抎+'`SrbK*O/a$Q%{mN _f;{㌬R`8M"r4#oL\nY[tQ-ЮbV{L 8#\N*MEek씮AawX?=ZLfb'>5H,Yl@d.6(zYa0梸eEh5g-xbS[l{-V~[+_TL+ dI8}04A3א N fZT0-[pƒoKa0B4%<~v~s/`ފ:rZvJ@XeSjz0pDTdB7LHtM\i (猋 &K&EٵewL\pV_OB)eLqed̜2'-,HN-~N4p0Y޹ts[ d/~0r閙0U$͸$Kt8ou.n1_kSaaIA1s7⚢-g^zilhCjK֣pyOie{_#i~W}UJ.:?yȳsQ, 2$!UEiGԼ Zy ?-9$>4>YVL8?vq~R%:ZiSӟk;P泧NsU% eMi{~Wt^T{:"$/zZ?u?& O-Te%KF pQ&l[sYF[6{Ȫl]bS&-{tֆS֏7sySr~8d KGZESkgsg@ѢPr2 O!eRVO.OSvY24KgpSGDRx_F""(5#l .Qɭ|% ,-UnS* a;델3UL·Ad.T`yvWX22 &/K(dTON^׍q[8~=9Mbe133;C3;1J(03[,A̚}U=H%[q^^uTU6JMv5ځAŁP2Gh<{iv,y(9NY$Wa2!:c2m?`sb{}1sģi7yoǾsqn ɓ8oSp+\1|*'K-h3Q\H\3qTuJL YP|p`])ߴ"L%Dx)^%O%1r*'MA9Ke&-t'JD@Nny J樀\bX2YtxS =%ۨtl"m~uwuΣ+΃6r2fIx/(P'^K*wϨۘk/tmβ`Cq f-M 6ɺWRc`y?A:HjV:jRnTVӫ)J9ŠN[mހ7vwhhDy*xE#N:-B%JFP.–lKXkɼ'׮~ŔJwD Ogv+ฌ3+ IW9 Ie$4!d( dv)jqF;8U:lx`c~uu)uBiQT'd[C``FȷշKa,!Kŗ9# Iν_^83;/yY(^P<h?D!,h/u>o8Tp,9Ȓểڌ ڕVC9ps@pE)0+pQrJKnP,(U"(ڽ`0KpҪt,Z/ G2킦0ņVjG%QQ-6 @DJWX)2IX &J/iڐkI+h09ۊ(9ӏq1:+C-=3==S\ (;L>&oBF*g|4CZ̕PP">|f3}G^ژcWƵ9F /ūkrLks;M-tc#dhr BDKcK>}xKa-Fy'.k  2*Gf%Jl @MHƛԜrX4p%GpG\r./ߜkN,s|[#(I, h=dLxڍf+Y) -pxeSlMDPdd0#8#"+uBiQ, LvKa%0xqg( `-<֔ /msy.i><D|lP"K֦tBɊ.>GY}j8³*!%Qrr51|eW%I QaMa%K^dȷ p9?2[gKlh)^B*wDe]dppp iN|73LFM=HBQFɜw \HTYDO:J(J`G̱y?J, SzM/ <_]|#Zax+Ժ7^SkWסo̡'P '8Dɴ62%->6:;}|&ر*h;ĖPJq%TԻQQ MhX%D؏4 Wm0WJSr3qITuS r//?{SCMWN:-^w?35BH`T7훰7=ܸ[h,0#@.9XBKd [9S-acd:ZfGDNqo*v1%_~4>!J{Fx>J~&3 FWs8 RP RK^%/=A|rV?\pWc"0j"Klۛ~OL,a]ĩq &ځ !*sZ7f?G<"!JK<qP$$k*#>Q'|͘UqJwxJJ^μdUqЈ^.(!nk`-%f\3Dri ZP59+r r;UWY(UKITPL# A { '@qCJ% qQ;1o7PQ5j\2THF39 -Eַ??c %ٻb| Lu 6կ׋v4L[c34"˞\M,+7eH5lwXlA!IE}%_nKt }#rawO;3ɛ%VN:0(!@X#>-QfP@@]|}*\QEu9Myf Wxo1*\bt X?B{ˑpNvo<*$>YOI@DX(<%KY%I$:7`@DVT9b*^J % &.^$Z>%?>e(D*a(P(@3Epam?Q%GOjV:,?׎$޴'H$ŚWx/6k\%k%ٟ>?b)s6|U- 0tp -{:{&X>M߻?38VPRV/i>J-D TjDֆ|[=?JVA")rV\8y>[.JiW`Jnmkܦ<.`P!py束;uB(YHPӜLɉֶZK]tގƴ*wd}cyc!,,S㸘 QIU;5$ 1T1(. fSCPb3ڵ!۰*Ӱs/ oӟG7JϧkMTOĝ/?>Xg24l54l6!=GYbd_ oG@< k>$Lu%%kS®gلr{Dʐq0R(Y8O.ЫtQe6rW%[R|},׸ 6j-x),WRtk)gsF`$kݜ\p높!w# \ a0kxJUASDP{:PG,R1JR虧]?:[h+A6@JID˖m75Z-Ķ9Tk=>'}Qcr )Ԋ /+Q4_gXp-\ToaeJ(IMfv渞4o@y?=wIy #d-v+#r%W`Zsワ/D|2BD"d7,̃ J';࿥h\GILz㉛eFAW&%BKDηvN:O,-D Afȶ1˰*nUi}isЙAC`QoLւ,–?KErJWZ! RXo`@LX&^%[䪈|l*,ϲ9*lA؜k&#Kau~9<^Q]`SLʒՈX2.|#<5 V :b;g<.˸>ӐR^կ;o)|7k]ɻ 95uu&a#:g/mZ4G19v6p[)GU Ǫ(?lu'BT$`HZBic'st6(yK3Qry]x쟗,R %iɧjDV2G!G=|y?}g=1Թ)Ǽ:ݰ*ð6״1QlA}jW2k푑(!ʒ|Ȍ@r:8# 6SƠp@# '(uiEuECFٯW*3A "f' Јqxs@ɻmp潓ikx%Sl-ŗp^(Ks!I83ܛ{@̄\ ,s8潥p3Ծ.Ǹ㓭] f+q\dN*wnkggm֠?RXߘ1skCJ+{?\xGK檜\ #Ɩӫ*dm T@MBe퍹;ҫiUwOZ*O!aJ ~(Y(vwV k| IeD2~l$'+0SR !UMmJ{ՅQ2W2UtC9:ĈUnL.I 0:Xdͨpv.=(3U;BrXmJS_Tf691Uua %3z9̡jX u'U8epv*8m (߮A ~ma5VVU1oF%w|q^84V0JPx6N33~] {QodSg,_r&`]d ˷%%!2)2ZVVR$+ OAʝ|WTs`yT: F/pff:θ,32B9[m>r`yZ <tv\k9yحMj{P 5i\?ikr |ڑZⲦt~5C. F2ItCBBW?|+ÐmP-|w^%#& ٦KC9|rۏl/]}tS̖ Tdm|B{OdMRǧ?]>~-SE4 ?k\~zڣCڣh-$J.Z6J0l壿YdVWMS{'?y =QŶyRB,3,85/x@ ,.%^U%N-%*Eoy(9hUP ެW:޺;/ג\M%JN,V:?UZ+ض.XNNL?x4oVe6ds^2g/oD9=P32ȍQwB9QXe/sV4$As<pa~p>2 j^r|)ǒ!gd,OJgJOٕ#:+d&A*<˻_^~'^(Ĝv_A`s $AWB4=53:yB:(FRF Bt|vo;H\0U\l /0Wqr_H*w\ 36dI?C0zvͥ󗵅{ uJFH Ϸ\=+Ȓ'|(&W9֤Po[ts4l@Z P!#蟉⋢*7pjXd1G!7n%x n&&ݘ> N%7~(9T>7Y(- Q .\HpE:6&x;G&;Ҽ*(9U 8S&!5JF`, 䙙k=eODȻYG1=̖Xfbk;֣[^j [2*x<@_r=Ԏ?@6)r(Y&- e֐Xcpx4*aC=Y6XRKs?Uk1< p94!h0EzY dȩ'ȡF.\tƞ/j b}([#JEЗ xw0 VFm8cJN>ZJK/2+C T' %B|["D#$LSΫC{wIo`ñ;F7탯/nmz+)G6jw|55a1 #+Bd5ށbgָyGA{Qr Rj||`*B}N$(9Àkrwy&X' ʷDqf3.@%6x\cN3xEd˵N7db(*o<9(EНi##^+g{SD1W$q\Hd|ekLC]C%g6Ҫ\شT/S&Fɸ:-ՏL[;vzN,d5 >{ X8  tO}^@e\!"T 5Bc߯'U"lŕX \aMj7pCjNӣb*Y>U=gWsMpcXXȳx` JTeI(ZBhuL<uwzK_é{RdxSjWeKmqPt1?_%WMޞq !R? %3%Gpct8Qt=^;hO ZF[.<:ln {W,\A([A|TnOtDZòtq8_1\ȷR[AFI(坘 ccŘuC&"_%S>Lm> kV&|zM Jlۭ OLxT~cKX d7HKz{})ĆL5BFLe5n.iz6O ޠgU|mCqăBEHJ JL ~˵"tcl5Yd-3Њ#ܵEۢJll\h1o@R *곒C˨*7(QLSm~E BX.KF¥T kR$!ܻ7rQz)AtEq ĕ v3wӼњN+JJݿ-lJ0)30 _'3].z@O*f@ ` %nJ<@ɩDɷo%3fB%-A%brdmQ8VNJ~(DsA vbrꠥmJV/ʢ*p(y߽p0xޒP2Y|'U hC.]B2a@ˆ:LX%zBKdU􂲜*NlR((2%C1s}rn}es%iOdf:=[lCCT}t{p% He >5t3y[,tRz&l9VG,mmxx[D-&Là2-6ð6K]˴ ғ@IS*F  )BQ  B J%'&=Z9H-K7k}wzsuzЬIh8"Fesʝ嶘 `0?㢜kD%gGr62@o[zkr@=]MՀ[Ɯ]N^x䙘Ѧf]*'\]1TbV-Xudl{ݟ)m,&T!w%ZJ9ҕR\V6ThffcO'>ԜR,C!ȑpuRā#AGF-|鰥QH"«,%-HqGPrQr1.P&W(y٤!ο%ʡ*A )Gd1tKeUTe- &6s1aȈ|!Yyfh뫳 rLs %%5d5[XkNRֻw0ii4*\K\S gWbiA]I4f-E^ Ћ)$68۹6g랋%948fVڐXRATB#u>H/D}hXid'Э=%[YI=+kIk*d8FL &HIAv@Z8 y48$, :uOǖW+YtD^ j|N 퍿m=yW:J&l%(yEH_ Jd;/q ecދե"kx#\Sd^K 2Q=Ak(P35xJU6&|Myf`qpAUdkyp0S{tglゃS (Wj\ ꪲ%|v>Lis/shDT zfy>p[J'UO 1+mC4Plw~!a_|E$Qr5P_nHs¶4 L'LJ6ňS# drl8O{+# upKږy=$K#?boRL*VcJamqs"@,/gEsG(9)(ďjRDڼd>/yԨ'1pQ2/8ˣdޕR Z!,8"(ٽ*m( tQYؘ⺕]ȱ$qe7>y!BEH5+v2BU/ BKBL{3w>["%Id%\WU\>"oWd8 %?_YCZAd!VԈU2Q\TۙKv44ϠPw^#K,Cr*-]+un g8Y2fV"+ťfxDV(NJQV8>`8^h]i|Kw%T(:JuCMD?|!̍)8>q{eq%W:C!iKm4Jg7KJ]#~S?(Id8V_$ׅ2 _fSg_8-YO ȉt1Pխ_r=sK}D2)xA*V3BC*gDyu<;Rg@dAR#.%i~'~/#3GN $l *BҳMEmz[2D;qX"CUZeNDDNDfDBdW<(Lc=cUɹ~EJk@+;Gud|`[Ly|DN6w:JLB(PlOvFXf%_-ˌ,wFy LnPӒC;sް{] mY׺ mm77Զuk}w2D \rD9$OrKO \h\e*iT'DT*sZ5pfGנ6WyFuB䤣& 8:J^JfY a+S;__\a 5>K< \ȸ26 2ZK W藴(J4*A (?"D{lc5TnNF QU%'V2 ?;Ҟp-)mddڞYN)w>AD,yrGS|M%oєRx礻zh8iHy5֎ִ%|/nB \sm J|֤dvٶRs^N/B3Jm6WYRlU‹|qq/>ChϟK"|GGJ#F 3*W /u v4^v޴u f(HG+Bp^J羡zA}ʰ'}=׭ oe¹\&eX4:Y,`]_,!YcO|u:WltDW\Rf\ۗQ*B ~GgNz06Y,seD(JCշ v~.F4 =wa{d\5OjUAw^5g֦? ZM ؾZw&`,#݊ rFT9g3Ӻ#2#>K؀ e}]tꞠ?@ժկO( 0mk)*Y2%sWdI%# (훰os|C$Qb*G c0Sl;HƳ{&TPůZ8 Aɋ߲=\+~btA:Iʤѥ.MyuzO{tu5&u|zftk;_[c(nmA^rdyr ,^Jo*2@_t~5KȢ]#f$=\fG$bXvm @wCJ'lSS'=>Qpy|Gָ@/%D=4DU.FhDG(Y.2!E)l*D)GK%<? %rq.)d?џpDJxlQd\dN2TJ O2 Q2HJX_PiHyp=ƽ!_Y .PD&km>smGY$P(T:SdO~9Y`NrT8`Z 5nf2JQVTΏϝ<e G]µ}{V-|n4i&;*[U'n@! Q|K*3 HdRȯԿFZRKc(Ut }r?>4,oQN(y.(036o׮1enk`4\kM%ybJR.Sb{e9.{е|PB`ࠠ)뙜x&FX- |]BtCT,8#`<>:(^Wtkc /Sk+jk=Lz'&=d(#KgĤojk?'PYr/k3 ŶIwjC&(D@\"C)%f Oi:3.Pi|1 R͸9CcpONpN7Tem1q*ŕ.VgdN Ί!_ XijWGv;o2KB#KlsM1%θnO=E/2>XO~)J,e\mhu #2cǏH\=)kff<?j*s<\xR㆚O c$2eXc-~ͥn1\l @ HY5~~hcm WhMA'DFj2GҫG#c|C5. \HUN:(Y)wKۆKZ;Q@5̖TfCA@O֗,}==py*+*p%FUR éOa+EJz3^hMr#d(ɀXĵFF̧wy)=@/k\7Rk|xyY#jmjGKmT 46f (,nrvMie!_ @ TiO 4_Dɔ/ˣd-LLTc k8B4h% 2tu(!z>(ӒSrbCc? Z݃cT\d Gtؘ w4Z|1N*m3tma}G/.Tco`+v;6<ᷗr|)ቨihGnp*H"ݛO\oUVT&YeqESLK΀zu"G[9=:4 aE! 9<`fj bp.̊H>OW ͫJg 9SAP p8\a^ew>GVځXWO, HNax ך8pdb< @K[0[,Ǘ:cyMZTU}|uMyc9%Pe|d%5_-N kX+WnJ|I~7Q{= mO_ٻpX]WrOr'% l6DrǦKz߮783ŃMAjN 뉒պ5 NֆkcnrGc"o!E>jWTeM1kkn^tVB8sd{h>>m=܃qo4ADYw/'&|g2]T-LNf@/'JV!Y**I.Jؘk/Õ3޻?2<NK%8:o{J:Y`Ivϣ˝QۑH8 >^8}2]pD^x&~ 8dw?_;vᣞ N,]\s9!8N<o:~o/"m;\qd 4ubY)9/o4.*_hQ^zg\Ƒ@mw4nkސ){;>볷v4s/;PTCv26v6fn.ooS4<\/(o`I}@R VQr;{gc0=Uf@ %Hm@<J^ JVȭm Xaݑ_lo.t&To^H%HF=Z!^ z1ZR;\T-̑~Gg:l}îΡɁAOq{7N?lR%vsT5Ab17S0d!@2Pr CҖsalG&La) ͅvC~MD|s4\C9PjrL71eN$5HYdZ`< !muhѸ.kœ43q샯~R]Bk"")ǪwҌ"z,iծbۛ%'Uh=p>V'E%JVc\؁ MNNZۚT /"s03HT=O8qRjc),ϜV]Ql?uhkh־k7t}aGn\rsU8*.#"p~?+c!)ڙPj_^2kdFdI`R& Uj_cYe\a\n\a\nXadtk>MO,JYnZ4jx#e޽\{'P%#?U$M5ِ@!RPģRk52?q/`Z ofk-Cߛt"dAɁ(JPBQaMa(Ya`wobN3>A V`ݜo!%xB?^S;Tf !IH ,Q4=T3sO+Hx&::>rtʜTSP)U` VqN.?0pyo2 'ƖsH`smS%,ߒ\,}o.}~ɏW?Oϖ>\\hb'J,cWdr[>t²>>яÄP fS]Yd0 v9T>K%uɊ"R{Ro/uk%P2XUJ_"?i'yqd#Vw"B pIG+BUJ.0+\%P2? "B7 5WX.k w hoaJ$$KV2RysQN@Mquj{. RJ!}"2kV9SJ %c=+s/Ŕ2[67Y-|sD%)K[cK8pm |ʜq!5¡)vcdq8* H )G'3lTԲVl\jQ\*r'] PX'Ca4tSS -HHEo{{+r|={2ƍ /;|bu0ˡƔY9M2T88ľs'xH傉 +eg:8(~EGAxqގU(FnZ1h(9F&~. 赗7Zg֤m6VR!ۉ6Wg)JGkHWaOb(I+ ,^xÓ$ͥQg+Ob=>A00Aג#(UΔJGj#|.ڵݲ2PgYu5*jGi4O)~TfQUZ) GUC3n5BG+E JVO;W=UVv^2Vxyɼ`Q$|h8aߙIVޮ5FtJ첊}k ^󒥒!RdS'Ccg>fZ-R@z֭)Ď. )r$#,] /o. 벍k3MszUx:S"JK@[tT)_ $'`aqX~+NW8$p@.DŽ:r(B߂W(JI~3q!Oj@iXNtY2bœEW΁JVʗE}̱䥣q '@YFy/,*&(ŮZ3(YGPr@HxT+k\ :7,~Pֲ5b]*sEQ6d;]Gua"%+Ґkq}NSA?x%RNACD&08㊜ !JJ#*X%#|[9⟈}SIPՙñdIҼ+YJ<ƁOP22hcYB f?MvS+]|Kcu·GŜBi%)-mpM!u+܅J7YCf%J+0=, h dPGe\iD_E|U &Kn7t/y,>~oG"-D\/o97gQk]* pY١RpBJD^tkG?\ޘiJ_qlz wK}  ՟72벍 QŶ*WR5ϗRLvW0qTrp3ΩOiA+S*6PMɟWsBDyM!<Ϛطܸ +V J*d@Gxat @*~vT`lQԌEv㠯N`%PrQ'4~#h^B(~ d_TXyS%WBTb8{"[D (5f5(VY{8D9Vם yy"mMZ'LCO|^K (O&\|oԾz4ȌJ+k֤Tq)1] Ȭ2D&P[Sќ17a\iUntXB8͐o\xx0x/H PhD"sDs uVbi !U 9x6=qZ'r(URGJU̸Pk\PFȅA(y(y[#(/TA+%sY̶;@It rx̸<5;ltv G#|_^"-yK*P􌬖SPg;~R;H mAn_8Q% jݏfg\Q+F cLLE[ea5449U ϷmL2<J.~,#/U*\PspQ AǜMQC+Z# Nt&QhN˯H+~u}.J԰m/N(e J9]hNFKa}?\>uGCH&N:7 B =kmkcpB[d5-%33(D7$yP!?Set&N%Ut9ֻC*#"ĉ x0J~(wqiY"u`U4ڑXk[I@SjOr΅WcAɹ)0BWvEe\[)s}?"2/ydk˕81uUƜ kI*Pةs\Fo}5hN*6 rG6rw5PF`^ +@ chSG-my5ui5nJmj2k=r|cO8LaxVe$U\UY2/]rcb@oU*g8Wvw6[JyEo&8V?X'5`iO?!ۼ!숦%W:"KmK;(JSq zMr@X"[>ƕRh0Tt5!$GYr-I2V/پ`tȥXN?|6XQ;m5],"a@r0" )%ӹzFM$oqCRXlM.% Y5Q29JVj]U/rv4}XRcuz=?%KCW&gퟸgtu"Ǫ73M ,,yHq&p=sΎf 6Y+I& Aj'N.uYu֪Onxwb0XމSQ2VJ|_!CZh)5.HZF+tGS\1sǒxWYyň);91uQ oe7# ]pS뗅Xw~r^J'%EbM1oJ@ǀolfB!ຂ#)sq?+5FpАmFX#,)U3vӷVgeչ!dxѶ&dv}'> :It8#j}wT0jBSf@k{zǮݷ"y3nuFݦcp$ʑ\T CeO)5sI6._c A 4U<֏u⊽}h;,#VѐQu,UbBAC-w>JVM ÿjg"ȫ]p$IvЋfudIj?Ԏ6fac?i=sGc;("*ӋJf4@ GC4X:{?nlɻsv5"`E]zrMLit#K|tyѿG/E"kxecyc12ߒPLX}劳Gcqre^L9{PHS$| ooyTdm})Shȷ`3 B+߶ 13kڔk-եFPJ5ǽC_x-µ^~ɡW|J]hT`RхhC \54BLƒliEKCeBk\-)@$Z\WPq mMwרKH>pxr k 1v4`#QRGm-*ì* 1:@P6&l<2MhC&10?)G噿֝QT䋠d-bCU —v;??[DttJ֍&$a%Hy0߸޵am#˄6  emkDJٯ_k3 ȷv'2cn~zRb[S\e8 a$UbGD·dd/@\91=biF4We\jOCr Y*'оsݷ;xXFآĂ_QJ>{QŻ'e)U,-̙zVz:it=N*s9jVϡg\6sԪzN`*y kM-FθS7%F DlCT-'WYIiZUZ,oχZJFw-P$i]m0P"m"g&'o>mo)r267 [)"8JyA 1`6Ӱ.wC-Mw|!CiE`|?"e~BUx\Fs͞ZK])s<ض)n=_LmMftW1(Ae0DDW|sy}iM )ݼǿ}%ErvhnH :AE|N&dvM4rKW;oiO>;WwN>Xζm v6x'?<3s᳟p{ljZOc) &QA3buD/9;Cպ:뜝WG`Wg^'gEvt]g.<T*hic#>:l@J)2uuT\}'K>v6Dhޘ!gcc|n_^໋vڛhvw hKсp-ԳC3e2e Z|jЩ |}![U)}D㹻6I֐ceS;_+yx͖ޞ 7qiqdֵee%p@'DO|zoqbÁz6^踯opñovVÁoz 7_?j`r59sA[ࣞJxN9\t$`^! G^ jV;GPl91956O:~ƃA<|>*_9+EF,@1J ˘)&&$ Q 9pϑ1 G~IlPۣcJ*`ʴLQ6 b# !XDRMxd9F8b ^O "{BXٛ6!HЬR^TxpQjBY* *+C(*tڗ\01t9p>+9.hD ˪Pſ-chY*BcL޾?|هGMmnPw4۵o_n9`h3:Oܻp{q$J@9atsTg 4Gη`9_X(xu@VhfGg?rgtunho7o~lAꬳt:o:wс!MR6b%:gkU !Ϡᓈ9Q՝}A33Oc#ށGF=}g֭Cw߾7|hϣٞJc OWd% cYBsX W 'd4_V?I)ifsB>N~!୺|RM٘SٕV*#ڕCЎ?+^0)e=ue7m# 42XM} +O2! GI)+U|Ul!y!iUy*0]u!҇& G|}<7z-dCn޺3tcMOhEOEgՑU5R F* l dQ)ب*0rt$BBuoG'FG<(jscJf K%?PVD'O#JF[Z#Ϧڮcr+"Kd"tb'YƷKUc sH\+<_NGF5<ؖNx(~R߇Bnn/be3 !F\k5HA:́F˄w&͡$]WP1(8~@b# XϬ,%%|ڟGT 50ծb9zl )EaGn`gOõ9;h1t9AѼVD8C EEem]}sQl_/(HEW%_zRbE U Z=In0 ~ǯhN>r>_ ^TI+t.,tI`ZQ' )dPj3ĹBzfc> 9R3)C~_X_ Nw悗R Ϩau̿8 VJg忮% xKDA 4"pHU-8,9+F(NPvm-0 ʏ򖕺!7)> !㯎uzZd`K"Ms G5>m3BBI`YZB! JP0>ylH 9WPiHHi7n$ZТ}*L")Zѳ%/xa!j?AE.z:m3-PEϼKgnɚA Qi/@@bs쓅 c^q[ $/=PW|9Lg!쪣Kj7B؝tO#%+ 8d󹤝J>GBBI`c`K(Ց d* J嵼FZ[ L-hQھFBL")Zѳ%/xa!j?AE.z:m3-PEϼKgnɚA Qi/@@b d*/FJ_-Р=J~BߪKGFtHqN:餓N:餓NdtI'tI't %%뤓N:餓N:S((Y'tI'tI'BIG:餓N:餓N:J:JI'tI'tIPQN:餓N:餓N:uI'tI't)tN:餓N:餓NdtI'tI't %%뤓N:餓N:S((Y'tI'tI'BIG:餓N:餓N:J:JI'tI'tIPQN:餓N:餓N:uI'tI't)tN:餓N:餓NdtI'tI't %%뤓N:餓N:S((Y'tI'tI'BIG:餓N:餓N:J:JI'tI'tIPQN:餓N:餓N:uI'tI't)tN:餓N:餓NdtI'tI't %%뤓N:餓N:S()775GOpߝ?P9ΑvZ4AR.XLHr\킟!3Jq@S;ʰ)~.8Ui<~Z6_p-\1KHxB88OiB&b:-D 3f aV!V`[Š `I 5!Jh$ZkjT&"Zhʊ \E Gb*m! e]b  ,_KB'V P Lz|);7:pDcKiB'>cB&D51h1LCZzVЋECbE6 ^k,fyxx!>ZJxV<[(JSL8ZDLNЦ8 'CkP@qŊxEBQE %~J(FACѫÐ"Hؚz2 }b1b|k!;Xr~A5u [I[D~f2 ҼV*\d_>Ϭ$̴Xr(_BJrJiNPϚ*E R*(P_Ӵh 6$F95 Vi#6 Ȭ͒t 4ipibY] KHӞ5Z#qK%cC|=H^xbkZ?d !_u! 63P C(!DE j}*B;A[h)X_Z"l &D+'(]:O^4<2es%r[JD%7kzr󖾌]`w~e aV+gwui_Ócq/>GsO{F<@)a ?>~ėѱyBR~H6E;: zP"OJLU eh3+fE _2N*Y* -F PG<K5~L\`yWۨX$[[  e\mApΈ*l5l~kyMQNYkPy|}|V-Ջm=jXWtv041(Q(!j +`{T?AI!Q;X Dd:0CBǪHfj4%0z>Ɔ Q<9I|Y&˶ PĤ]$VIN/De蝹nnoiG[Z-suF?3tJH+ s|O~/DN{}>7kxWca[A3`&5?,m[!ᕛ ΔLk#Ġ4k͏㑛 uN4Uߚa3-h lne+by~qT9-_l#;najolաe:duJF upG EHLϐ ^vJ̥[k> _)) z%^##rE..)$?f[uHh-QX5+ +csގv 0*R`aKQN6O) е޳?{t Ayq؆+?@)RG.Jṿ5nݺ3:J+B e==j@áv@kyxŬ4Xsm3l}|#̃0BݔoʇT܈(n1M7{kn<33 +.1?{sx])AXu'" ,a5f恡Ix%#`wt{]󚌺')* st92 +oȳ0$9mf@ˢ }'='7YgsQyr$]`*rߤU֑1/~Li3^ L+:'oLXe})&W0GG٢ mo&ׅe;фrJIs3olW|'&:8RW6}l=,]' yAx+P _P2oӣ#\msіOgє^Ntƕ:Pх0zBmH-iՅ]uD\,T8E+*sWו>qaQOyrR7Z=;2Έ/}<&]@mKF ۘg^g^9fM٦@''WJz ApSyce#x4W7Rbvc@ƴ89ɴM:00iv:1yi _Mao(AP2=8OBIY](-#Mh 6>X ̮ggU7ekЙWrݺ,ӷ|hrͰe)>U:14#NX2eJk;8Zs-@M;H斆wGUUzVX:*Qw' 䝘jm/ϖ}pxwS̚zd2gd#+\Ě1 "&`E)ƮXçXV\eM&u䙇h"H vP!%EÈ3@` 텢B/jY9 2'bntv C"}4-\B͓3#w?6ð:NE԰||&\0*i+W{ ί_{˳5.{2cY;k\R{L#ľ>?l kf`툆D^m)tP )^*3M+%X:B_\۲6gNvTLrW]Hq$TӶ*s}` PgMHz2sHB;=xv?25ܮtt#ԖPLqU.8dR+ʕjW:x;qKIDAT.>Y JFH࢕щ1Dp"ܛy{+ՐTn^D@KSZT9 G{ӷGRʜu ~.&B e( <]w/|lu}]ǣ-kRkˈfabkl-Wt$VRY!]Tĵ=}?9fJmXH=N$J- ޙi.q͹JT+g-J31̑R k?q(zCCJ~:8豸nU:Ķeao2;8̎E˲в5Y\ak;@uߙ7Rn.p$F@="5`E _ (-s3 P$/ojcKAwܱ9ϜVSせq@rZC"KmE.Ѧ5Y0clPRvS3m5Ԉ#1.꫘mDs!mx4d @ƙ)(m Q1u[= ) ^tGII%W%Wgij:P2v <\o`•Gmqlu)uVԔjwju=͓9*aV iS n.hӌjg\e}|3Prh9%Ϣ-5P% ""^0ȤsPPsLefQ?=< -@ըRST]14RC3M5D#(YJ?b(ydD=ĞRBB n1#JV,Ȯ^+EfQG~̌)"; nIJ[\qF(0G;f+ %#&Jf{I ?2>?}7=m}#[[\dw,Ҵ&|VXTp.ƸL簢ޗd j@'H@pק|tzU! a͚(# G9]E9N;`dH_5\2ͷ`{{_^HpB6-&Ct@2'a eCi]/v;)&!$H^*|7,JwIG mi5ndߘr{4c5F؁z.vR@j KJ614$W9ebThohr;Qr=Ծ)WPA(Cp684avuD:6zq,T*^ ٓ+\kLsLBP2A_,NK"x2=5󁖴j\sL- *Dǹ qx] X-}ՌyJNN$?k;Ÿ*ØB:m@]ՃTESecN@rbP nS!ӠȰU8GHbA^DA&hPQL@^$2xGZ 29Ç)9_hސm{ xJ53.;{H5BjX#zWŸ4P2F(ItQ?j7QQ{; 磢e~P 1;-wi7GԌ ! ̸5sm]l24h8LMx5,8JoflqeKBI3 ,zGM;h\-ƅ]-SX{ ۧE?(yځZB͠ÂC.DBRCccS/dæmMq%RYxρG IRcKm%Vnwjs/x&=咊s~ŏyF8:L R(c"Ć O'Uj8lO;VBr |h9@Q)d[O֏N|4ؚ#^%Hm-#FJ%~{lj\Yy6X7g` FstL<JV3.''D-EY`W(Dh GX "q2m"JnfEɊ٤D CS[+QV|4%3nsVWI6VdpKIi0J ep!5|fjݛiƴ S d,% U. %9v=]AET!A;_67Æ@0ݷm-u,,ϼ>YdaԸS*J@Lάj (dMHώܝ c-F9#FWdy]PI?J& Pw%w%d7 ?3BѹBYPMFD5 Ja+GaQ{>=ǥY4n-̻֫a\$fk A2L%s,^O,wB`cLlh֏NǗ:צe\R5qJ%+7gDrFLU笟g⌊Mߡ_TjK7gQ2}7:6G;Nˡl9*׆ >\%uOf #dQ*v9$A8`'7Z>1cEy>CeWeZa$=+ۼpDAŁgdWtT3y4L<!N{}iծR hd&K 0Wr<(1V9_~:tl*R \zg7%CP@dT>p޵^9R*|JR%zOJp…8d"kX-(AX|2W.9(y(Yj&Ƈt3e+Q2[qWҍ=ʵ1_8bJ†sO䣦g'n|Bۆ\sD=B &̦6^- 2'dj@"#JE&54liUJf\%k#:JA ^1{rʣܝMk2LRm_|>SD#GS7wqҵ mF4'>Hjs~ E5gQ6 ;S gl^Ww$m! t%#,#ABʏN!Ef>5*2X{HcAM9DPr`MYLrF߅bċq;$fyT}S9?e{,ISISe2,(9Z@+vPr#Y5~<EkejJxI/Z{BT}C9ؖT&XRfJFq:֟6@\Mp/F}mҌ [hO(MOs/Ie8Bk2 E{7%99TD| 9]L_ gn5g[\KD%x p 5 ]Q-ڭ J̪dF0Ƃ:gY\)%o.1U=uKfdPrKWoFU*K=I!B+uFG ^*\ U L\`sg~%C1KBKX9ܙ MS|^}y نj5Db/7ؑ+ 7Skӷԟ]qH *џvN8gԸhYgx^d4|s>9LXY\|~>:s4ݩTTcSus%󏝜^B#ʻh&+bQkQkQsO&!(VG G"N.Bk(p¯2(Y %{}Cwjb;ybXPi/~r@)28@4WZglvv񭵾+Q`E6,[ I-w+ƪC#@fP HdbNn-AQHD.&0h+J B*94\%g`W/|oKoO~ .Q~3̱!Ϝy~d(IC%-J&T1H1U ZZi\cڡ%O΢ݐcįAJvg|6Y6XWlV(y}2͞>0B+U䀭}uaM!k+PS:@9@e~-Z۞kJ^a(s (y(IHCɢNj gF<[Y[MuЯ)|Ṡŵ#!JVs7OP,+CA_psPֈJ1\YU]DvCrhKP2SYٛQ]Å熾.9;]m[v)D$΍9& {XK"coB+8YK?3eX@^5u@*nռ'|C8fB=ሖ{}=xe}aC9T$RN-`#RE7Z?;qPd? ZIB`7Q-O" ^f+]Q\ α28wƅ J6m5BԿtҖg`PA@b֫,e-:m}D~+;B\JɆ&sK,ƪEPؔ9k?jF81Iqq*`fs7PZJ{m &=?J&>,`2f`tZWudJ&9lSd#͏{&f\H쑨J]iH!@Z P{,ϫEYKNQ4Ksk$jW(yuz]c\4}>.dftwY`ِk0ӷj !oO]Gf1"seuT8G}xSeUg5Kƥa:Vr |z䙋BQF؞Q-(!rp]U+͌'l5;uE`1 xjG(ĉC XtfaOq^Sv|z.QdI+z=J~ Fs U*x[ɴ"H18֖ArIyCDp(2K?b(}Dde2[)Þ+ϳX?˚[I gq9_J^ʌ 45Ɍ Oږz|ڬ61/#Lj+KȌ ֗.!򃯎`<ۑQ}+g[cx%f*;z\G渕PuyJp̓ev85abƌE ,u##,!@{L-2%N:8%w!#^ 9f.EҀ2_q1S8at2X/qDerQ0~5>;v^7b+x&EGmVS>+̈́VS=s e?\m#Xi,/Y^x˟[!Lu+!Azp(yk̓O{eZmܔoIQKOeT0|(Xݷ;x=|4BPHTƏ˸zյd< oy+VZKj+[CcOsw-` '+g&t<+WQ{q9(8 ^Zz[_jE[uq;q2Z0ȏhO(*Q ዠ%zɧldys)戡aA' 2 ‚-]xNh9X˷pƅBɳC(E(qcg'-,1E (䏁:EVa~h%R3Dw:Ď_!(3^ LVqJUk9}^K|{זOoʵ1+btOIBƾ%V)FuN{+̀gFtHŢ&:D8^1]P*>g3T\G:L@DIיB.y捹zp>~.F'ݘtGXY~c`,ע{b ,8e-~81;y۟]/ϳwUO 񕲎L UYOGZ? iP4& E&ooTٞ>=so;cwv)3;>>cߙξJUTm4ȀFȢr*^\LP{D-s[#bَ۟>!Wy]9U d8"D^@rCVa Kfl$ ]"rAgdૠdG)I{KAɄ_~xNco۵mf5Q{lw]";S6wȞO\ޓiۚxX~yyԊlc`48;> p3Ed&$d@.^t(JwŅ]bs`eN:X*EA%P@UYAKK]?>?9s;a3y^ŎOμݟ{""hNJaDDyɋdYn?8:~$\Ϧ؇x8G3g7|3P9>?sLq |5bPrUPr`ƅ*VLZA$X2i'֮^i%C& U7l#JGd.Vᰱ-k\^L't}rV fB)U}fGh3>=sE{C[OeX%jHd <8iyMVw*ɅU9]K\w0UͅbΏN<W0SK X1X򜁼᏿[)j6$?%a[]ayMWZRI  A%KxҊd/g\JDnH?u{`7>ot=2u{{G.x %yQOB-iyA5n*lȷًouw@Uc\Z۸3u{@{W׭щ iqfiGW#o^%K+g@,KїUեjpDQFuk7Y:W'*JgqNǖ)ښ3=f&:;j:duWKNa~} f30?~o.'W9 ,qe0%D0|<ͱdkbu12UlNSN %Q9O+JGtFL%h|Vxz{c>ޱaMuF%*d̵:C EPrd?ŷc^  F=Kg6ܭ[w=tíEo,Dc+\ۃPdlqmzu"X 2 -ںnsw8.VvX; $jgdMވ럸so6fyߥE5Wۻ}w]|CԅZ2X2*% )F $'3hVdUyJ +cju)X §`%Yukb {N|? [g>M^ V; 69sE!ͦJTrkv,x\.ӛP97TccdB6X(g^-{{h)Y!o^zYdfy8' 3e.. K^Qz6-j44 a|.,~ 䆡fKM:qnփN)3ҟ/-r;j"6ddJ J޻6OK>Kv) ײbݎgmKc:<)4.<и|*$nUu7t^*mas;QYs&6dG4?bŒEMY9)rB)p MUVƆs S~%0ȁ Kz|"BʢJ1,Z&%h,‹tI?X4x'Ey= o_qq|-uCÒ}ڍ;2}iA0{2 F shҰ,\J*M3ZQҔa櫗4l6>ugz{USbPjֹfcd:Ǩp`m6;_Yd O3E!%@Ր dUD9$ٴ(ON^H ϼ J<53i o@)Or'k5`cQnE°̗ٹIq؄  d򈡪 4ڻ6n;l]:6GkCZ߱cуX2vPW c3Kg'ZQy7۠X4r7,]ŠC(,f Y2v{\å+|r2&lv;+"0;o%/ K6۷KTrd*5X2Zd@]uBflkʇn٬ZX ;|8Puv}n?p!Y0L'LdlK} @eC%8Uk(,a)&P|S7K_0ڠn%;AYNOK' O}bXSOuyX2Z/eɸ{^$#0 8K$dG鴹#E#2@ KœrtU+6 KF.PVtu;gȏL5-KΝv1+GySYSC^G'*ܒuŇ=:6}YQEց#v[^J KTd1n''FtlVٜ¨43 *ϧ c #v[HRtsɄgr6-:Z|%vX_ m>DXhBhςl|Ch_z(D:GZ7_MP(eZ^%M*YsŜj/ /Y2]P~ϸU-`7@U]Χ' N1aM4ׂt3l'ˋw͡,_s.zqyPGNZVmEe>^A4qC*[7Z 7S OZ~V/-h#,=o87Kb3gr͖fvggPPMU/]Ƨ9kCkۋrʧ-CBb{cd ǰB| fĹu[TV sNv2FR9& `β 7}|V߂ *Cްҵ3燥g*0Ё̋WUW==y~\Id`gP UUi>8SkwKc;zy_u\Ɉ UBa|⠬7;!',b#fkWЌĒj;b Ǥu"W0s^;sY~pBQ,Rh1 3@ > )IR{R Uw#$)izP6C }qÒمT"g%8/KFn{^)43:o'1jqAs|,([ :d( _r=fKN/t>&We,- T2RPaT~=}cUPBQK=d8lJпdv/(fKudd%ƻfx 9ɰ5?;}LmC=eYy?*\X8Z v&m_Unrŕ y9sT.QJښZ2{Eah7{ ha;ɹF E̾LSI`;B(٩"\d1%âj% |w]9&]g7ruz +솫%ulrT_e{cɤvK샯#:'y/U\ش36,KFw\Zy=㥽Qi*eclS(Tl67sHBQ{ ˯[:PVI! ^Gdmzo&]]6}p<2tf|xvbTJtv%KƪE4PMePF+f'&bCTΒȺ%_izSWM5H8!3sH4a~KV%'[L= Gq&Ȝaj@EK>vМ!a . >jOmxcsf%j3G=4(c Bf)EU?U}K4 Aq| se_Y%kzf e83c=Fws=:'hƊ 20]ދA C#{2 T2Cʽ> ֌xeĠUA乁eNvӥU;YGufH12]Trl'5N[uߩ h__ bLK#h|,y͖dalGތbtRihid椶U ǽ:jHlml$KޠXYX2Y38%\z ؽ/ k:4ev z%C`r$=( > ~dhI jK.>CrH#qUֵx/bu__L^',j @<b?z[ȑO/B[`ٞ[]]DgvV[i&/Kw8Ȓnj1~0%+aAd@1WA-FzVt؎U'b:M0}q~DJWAar%z(^fkg&eEBtھ(/p`ŕ7EYo2( $ǒI)G ¹ݎek|cpd 0P*v*[S6k\ɉvawyq9a [,Y`ކF%șzER&[cLg|0Vm|rwKԑ;=θ \Px,hC ,>{/Π KF׈m-/eTC2i6+ ]~N9ޟ=\zҤyABcRL]5hH`ꏰ3MUQv!ы K6%\5;K"C8ڰUn)v(?`~,y*qBHT~ǩ2lɰyz`}uɒ !_1* >Pt>C̸8aYځyXd.GʒU`/7޼?*ԐB\wо&K*ZdAv9fek*vlmA0|GyPma4Lv PT YƘ`K2dv]   P O1㊳bVG뺻1x7#R|$(4=VZ2gyQ}o6z=GXT)ucɜk$|sۉiej!LoHdf%\QʒѾ}cX %dVTxUKFsKhdOu Q{L{yj%iV,-B A{%b4{_e{dɴOΠUeɨ9UDeB_J P'(oh:OKTLݰwVBaX2ץE8>nbT*V3XyU@Y{ǒI5ҝ>(&!,ҡipkdòd +J (qNIޮO|ҲV#lUsF.%dU~5Eh ~5cIh1:+f$<2,B^Ycn5$q12r5Ko%|6:{ݼov|܄2>]ah?"E"P"v#RK6Mn u.j7W^(ugPA>{5Eppͤ{3]ח@=3/%>K/䮷>9ih)@ŨkQ~!W#Kጋ^hvwOe, cjb9r~m۷g#SK/͏N噤wa  {lgۀ s>g\ kXq3e^XjU~fL 8' 3.|Yߜ I4&K\PdbiJ_csÒӖQKYt$Xl,:ǹ"ʬ,WІ˒VXrP{Z  \.AFƪ9 j^2Y2+x?cg S(Jy9W:u~}%7U)%Kse1 wg J]J6-PQ%%KNӲCqŒ95(y] O/$fC-Eʜr|4³ C^|Ё#56G:vPCj1pGLz{z>̕Eӗ"qM+2,̳,._._~5.1[N;>v=60?b_wtqFJa*qpY6cY:mߝ'58g5?6,@Yrf\1!"0g?\X l 1eRi"z8VD,ƒAbG6zt%#5i&%U'x㾕ɒT0'M`H’K"eV$ȫTcsJRhMێu)4dK>rncKB f%sJ6WXFn Òq|@xƒ{l5.jԓmdI^xxy7xd J{KWU&x=B:b4S[Xrɴ|x*c\:JUR50 NM^1!S3z(20, ? `CePFƪ$ӂ,KJX"lɟdb}OP**S $ݏ%o;|ji\+kH96s$+yԥR*>J!IX4daSY20$e;ٴ?:,{i'aBs"ӘgHH}B g </|k7H1%ǐx/V|'N(t'H}69@V_s R“ ƠWh,D ï9Qf\<wݪmϝ'S'IlG|YᣖW=idJfj7Lj>Ha4 h7WX_dU9|*%,%QdGd=%/[&,$qT*/4_ ˀd_0QnK>a]K\~=,U5u_hmKsweDGⶰ"ÞKBSL)wZ,fs2fzU1ʇ%"(͒5 wglC)qV۫08SAGJ#rM$mDiƲox逯r9yZgߞC4*e%rs,ҸiYSf,`GϜot'Kd4hBYW=݈~dI abT2_6/UݲuKNAvQU$.ƇT|y:,P}9K6slvgW%NGD="QDg F'Կ)q7Tqt[|qYNET2-OY|Œ{4BoO=fZ^p,6?m^Wg/*G:f%~dJ]R9cJ`-tbp혌TI/)y.wR0>XNlKGJ|ÒǨ2vwJ{yLa\% F+OqEgQ3^YgWĢU!&؀bd{(d5.FΒQ",ȒՒvA,y8?"CK=8q]M}Gk{] [Uw츄Bɪm4_~7Fd94xŚ]{n`5֎$cs9 0}=f@G#~슍9ss, dɆ~׎h|?MeY@V~0(\w&3}DJQ-4Qdꊸ̲b~HZi XЍ[[?=dB?1J,Y#wk# _\[9',mbWne\.2&^nNN#{!&!HZ;Ò{:%CBő)a!|"Sʋo9QbpxSF?TjӾEAIy2!"f4нdk02d{\AuɒdpN} bU/4LC?*4D ,Z=KV\nX+M+ۣRKC8ِ~ÅyH/(FV6YdgCT9b )r:hM be\NyHR兙sŁ@2R%Yc$>'hi}ùxӴqk*aj)XbH\.$,o^^ v+-?Xpg|/3.OMm˥תoִܪnUr뷚oV)!>oJ#xU||<6<80f\xY2qd{ΓMwgGey%8,"2"Eٕ_inKώdPy !aɠ΃^wNB!.,9Rc˒JD-bYrvmU4ֵ[ͷjڪڏb'’ajh,clB*Ō]+#rq# .QpON<GFX-t=2zE 4WGy :g 943. F=|ܲr͎Cd,{faPd]%E1兕W;"'$U>,YϸG%+x;K_]SYev .,#4:$:|V 4ŷs͇b2˂MRb\}g=R\%0i>.,|pr͒wgJ1c7C,𕵡+J{L1ᙥ鴨L&>mGE'SY\ѷkj<ڥ͛?<Xhaޞ޳;?kjzÑV&'aͮ;W>s+_러ە('LX3qΥkvFJטPO.R[:\pyњ3dlpt|r$8uĢӺ7A" pV켞k*WjVh$\1-rQn8Ax9X~I 8~d1XD%a>; U DHrw_' K6aR77|_DXf\pJ}ȒUQeAZEdEp#k\/WG7TXlԶ6W+9sYiaZ)p`B9:Tm78qcEUsha=dX%t\O7lxxy"q%Ȩ:vZbJxa狯ذ7&k- b*>-=7dc( M5gnؿngzQQW\94KŒ(~dt P9z~I&Idq)t./Ʋ-`isV26?~6?> _[>Z=-Ɩkw_!ˊ͟7-.o|ȴ8dj\s ^gC Hg?o\^T5jjY c;۝Uj|N;.Pv~ٽ iFCTʽ:Q1lZ,q:vnǣK,)qi4:mL\,ɇ%’[_ _QУj S2}iܕ|&W$ɆxHY2 C>l"?zOOX]%OEC[5XdCq Y726r GC;e]`y%1PpÒJpb+|uWDd#0`ɐX.9?~R%c"Te bz%8q% `ݻmvwy9ӗFj38 }!@1qtfB|ʨR0$-MQoi0}dHqYQxe; Ku1p[Do=,~0,Jї j1 AB8GVޣ12 /* M( I*|\qM 6Yb_꡷3ժn竳驞j tT~IZi8t3\ <)!a(t*z3N~ wXT՛-vOl *啉5YuFzL/⭚ @&>r[jK[ B [豺GTqt+^0,;hHiKKyK/@9f6(Q_sBp:u$£X/٘ =LHX"U(Y2 nkԴWW@nc[# R]qf+bQ;dU% (BL%>Y2͑bdqvu{mM-dFmmG ݤ~U[ɚiu붥t׍W!xVc{+%3;rPw_l(b -L)KwRKBL+˗Jz2*,Yca,qa4Q2(4l8~!cur38v$(r TG`9'^׷>;'_zP]r'O8]@GJ#Yi\ AA:{nޑW?g'`KڣƉDdjug|z'@l[_|˓k8lZpJq~d >4b"Œ/Py!Y4iР-tv;CP굥 $5KoKK==M]׾~ 88$86"R^̀-deľpy)v79#֏Qf@36dydd b hO%^QKzxMC,9f/kg1#(2idi\3?:kOCB)@zKM[>>X_P,َ_k-S`e409?AÒi| 7/5qD t5jAX,0Xr[ZKUa)%fdNP s$ ԋpY(}JBMÈU7yM*v߬{{Ǿkv쯮;qD܏}v쿽p=?er1Be0> NF%xIUQba%%]]#2gh2.Hϻi.l4CACAZ_\L)`֊+fD(]V:'(=E׭r/i&YTeh1>1"|ii},.7g/+%.#dB>Yi+* T4N WE&Þ胯^ц^Gzh\ƒe LdCOTn4âӖ\Q/KFW*GsBm'`ʋ/N(*rU%_Ty*IRmGEmՠUFz|2VK෴ٿ)4?t򂠄¹ |Dp|9 EJ4r*EECqqOqΫXr\ne^;dAg'T˲D݅'YMY!ABM\ߣp0JXTXQ0d|=ni\/YX1h+XRKpwsI-=s{ ͒5'FΒ ʰiSH9"$" 6|X:$) Ip<%be%XtUž#ig5K܅%+lXc˦/-1vac틼 1a}?GH!J=a#qt0HlD_lmg2,H󗚷l!ֶ?b/F ?&bd N;b@.JUe9ϕlըt4YÅ3zaͽswZV{PXH^_| Obme^2C"˽969WM39@ gUFNvWmYr!,QXveyneo,IIc =HK;A]ڝ7FK(rNdĩ#9hYj6G@+*hTC5})%%ǒgWBSJ`YrQD213P+)HSCAe}t1 dTX yF’wMɴF@47,9 KjvFm ͒5'F8BZ^Ht0΢k+^=uyaH)6,*׻ īa߰{;CD ;H3G.ή|S7n{ dی b9rM,̗:X7Hjz۝[m=_@l5d)2'%jFycs+KM-z\QKvA[Xrkgk|0ҤH sIB+RN91b#e JW'8 `_elycEbM 1|& :!d-`\ g LߑTsD a_LdSh)OQ{8O>1u%¶'H A~ d8NNr_zyInexY]wVPDiRuH9"˨()Y0fc-;dW[}{奫* %:f`h `WNG`~ޱd?f\xƒlA%12Ū^;@?A BPhbX/87#~5֛ƒ4ۇn|(67(:g2ڪ\UpE]n}X2U%kO%Ӄi؜S=>8w%/}WB%~C0ONr+(@|3e,>?B,OQLlG6'g\V0geXKr8lX之9QTۈ=*5ءr#,24wE-OmĿ#ztvM[>:6j,?'K޴(">s7,PiA-^JmM Y HWP#b&uTE$(F'LT@U@XGcSR9gE r*p]OzAZc/0Im?`'KVC+KV@P?I ĖR ٸBmGq!:T/K LΝ41|T +an4 /h?s8(HK}! Q3P?dTʧA(8MMBeaސl(9 %g*eOձh#c=ɒ*Q.^oGbɒaK ,@XURE%k7%i0@-*.-Ϯ K,K(d@:!2IJp`jtџUÓLsʸ6JPLݍܬ0[؍pGu$FFoNMbH{AxX|H?|w3 gh }RSj,y6#@U *1.pOէg+0͚[m_~V;ui~dyaL(#_@ *lΨ4^M"P@e.aӠxՊEsd>ܕEI"6+5qp&9#+bҦnCUyܫshj}w#^$%Pt I-ج2pYdU;0$w ! 2Rُ%7Tk%+ CqqyZsXΥ7 +J%" pTd\f%O[a=ۚP~fdh&,9hEŗڹS ZQ |0!4R(}&(e@XXTXrdSPxX2+p򂑱dϼv[YR 2|\D1;PLsK+E_Q >hzU!%p^tdKF|kn]xqqNeh9:x^rQL:ׯPs2 ehdFIH) ڂtI=0D(CUU)96xvl ;HYɡnU+69: QFI1r[PgNy?pud9: mE"#97i"s5qǒm|sjr1?ul4Xrm'<ρpum>6o-0us,Ly I,B(Ǣ %k\T7;fcoT܅%`͒5F#eɀr ja6/NfUsEa;8cF+@s%AEsN5^H %F̒fd,yƲ+)e]7۶}s.2<}I>WrMTA .t`ces g'lٷs6"u s;ѕuJp^Y2zJw%{~;+ RLa EEE Gp~p XLI.N2|禘Cd;A :{cɀ|&fP@ךּAK[qeKrdH[fp X|> EZΑ5 $>žR blx+8SVQ#̸V_+nVkmkPuWaI&JbqX2Qj\ #."P~`^ x#KΩL/UJD&oD/TgtVity!#e4E#qK&T%(T fȪ]h(I-28m K8e`ea_dd|u\۟*E1{,(/L(2d]Z:E1x ! 2R,Yc|",@/7W,DdiNja=DQdZ8lI3S}]Y<>>~Y`D,jK`N|Ed(]K훂K+J1"Ӑm!Vt֊YߙT9ݠA2K;K yYrk׺7]^tEY勳eWeWĎ@r*c9݂cs*p$`cQv✊EQY\KX]B:Uь  !E:{n%kw%#R:>EW tZ$!J{< Yѝ+2mݽI"t"K/Knp_MXkA8euW)Ë9lE9q)å|҇%sX+Ks*zs@yh;9Kz2efRHcac#em|zΊ"؜ B^WIn.x4EL+|$Oށ%%_.)C,KVaMGgD'ǯuޥZҀ@CdPÒ q{ɀ sflf3sZz>rp>;<,wA!㾠*BCKOi%q s 6,RvuˆwE0r].!9Q }]Mih5P,cfXjx8Y+ LnN.ˋJ/][UƸ|E7QxUyDR1z5[8bA˲Iw%%S=%z4=YpQˉSgꏟSrt6F$VH S8v3N/.(߼e%d􈜃xSv7׿u0影9aI|^HR1g2Pp5Pk'Vh٬2Y8D9:Kơq\h1fdECRLoؘ,%O)GX29y\ñS{k;SuNZO?w`_M\+$b]cT۩Bݝ%%A.mMc38inRqPb8" I $3"4?D@yɫI0[|XHXrs/N>7mi~xT<7eVKP)H6B(<(fN( W5p8X NٳvwSU;f,+@ps ~)&:҈3ŋo9t¢n>& Te QhÒJp#aɰ>߆bB{4ذu9Y$Sp|؃ s^iB*\ǤK-IX |3ξf4K%l8]"’L&p9 ?HXptY%ʿ+^J:p ![H0@2g\ƻUEsKw18Ed (#BؾxyWbsHC5J’G^rɋ\Ŗ>aPvrsaɵ-O~awt9<8*̱dE}BaIx0"3jx3]HAvq5*3ނA̒Eo. Mh˗rKRT=>z)67vT^X"6&<:lmQdobtAl|iIfyhBqh)8h"ZihD8,vja C W#\A/O\?gE!l)4b N2CRJbj Pl Ù%aflp2Tl#ҽ W_7,ۃڳDN_$ mF]˥&VUROd{KV`]7ؾ3]V2wECy2!&WY|y&5 5K'X2%%\^P玜{.!DVSQ=4qf^9Rc%+Kȏ*͙7*Gj"je},yƒ9V~;~jof.Kf9< U] }:Z;]l{ _ % HdXNwXBe!+M!E!š 7'4OFRfhoF Fuu8+wܸonBԞ%AjQe%@t=nmz{ڷ֑8փ<||z𥷏lxHk\Z Q% G( 29^>2&3Wv`/s7{o\֑<]nw^| oZƑoY@j6swgwqNܳ4|q’鋬(o˟l28q Dt<ȽȬ %yޗ-D] U4f 0/y0`<*}Gށ M"}Y1mp2\Î(`mv#3}jbh(#߸b%s_۷cI/1 Op>JD˽E ./XWNen0~1R2K6\F@񏏨]?>4~Ȁy?pw=qEK2,/t!v[>>^67oYž$3 ĥ98ěS@8Ad#g@*ýUeccɈ|3e&" )7J߀1}ggXwD]^\jNٰFWđ:uEi\ n ƒap0 W(dU(CLA:OK]ߟ_fgDZixY.;x̵1"|49|DmK{#@ =PXp2po`ɹXt ?B8;.XS`x΀x*:=L[ZMW-]*6RCQfc1S(tB_e9j~aj/u} tȠD}cp1č( K*O4{mK;,P?ev^hzs){bΕwg(AL7VC)\K$ҧ  K\FQ7[UX7*lXFK%0 N[e4?K1,~MH2%f/e88%eF3DT'豠f’%H>q?/K{C$&b[d#4bp4c }F_ UbQʥ#BMo:pz :C5KY2s16k_z𼴒B2 tA5d,YzkQOgfq9+ m=xP ",Pu]'Nֿqg,@'KNXyCdoF’ aQy%r(zON.Y#<Pƒ1e4˒Ռ;Kb @APN[Wo7v,o%8{5gɲBjk}5;#Jn,.K1cCdC$&/K>qYG !aD~s*+^ٷ{-3*5KE K4NF@z -Hg! ʲ1Y<څ>CsVG`8~md9mvǵOdn?pw <,1L+!KXP~d_ g: upO-%KdLh/_||1bAqDp,SK$u9v~StL 0 4KE9Ň=,ZrjTgE0lNАk1N1XK~,W|EKc! /(8QU}Y2=%YK$p~_cU I$QUR =Uȼϫ,3#"PeѩSlfo9u}DNxts\~WQ4K%*5Z ƥMo~2,yTQtpGNZlerǃ+@z5ׯ}ye㋑Gf9h YZYYe3~Zoch`h+Pxؾ#Y%kOh|/,~KV#m?* kn|-]ӎܐntP#ûAU ߽1.Y@YW=1^`E,#~U6K~#.5 ;>}^)(xa y% [hq̒Y`؃<ԄK ,22d͸pJBVoUjTJC 6{y!/E$/cX0Kyyv9:˼sͭ|0yp^%/ef K6ú5}ʣ,fB{w|ʊ+idpD%+% KY*29tҲdU%$FCHAЬ,l0},兩pM/eAUF\9uq"XБj,YcY@(d"|hrI]7lҫp0' !c\dW]tdKFȒ9A6ᳲeJ{򊮬XkB&:9#\(]1/9,N̕~S7+u8,M춟ࠇ%-Y}ycGXo%ӦѨI߮7^;0'Tc&,c*@rtsxRQ\FŻ_E/]8]@oU1 3 Y(Œ4Kuh|/,~pww{xe+_z-Ȏ@1j2q'ǒK(o!2v>~SSΗ\g0j )=qdDFI$Ye y[4, |/`I,>rܧfFQ% SKA^nɉY+ g###\ƈPyqF8&`كGW^b O0\̭f"r/%y?6 @6jꌞQ(y(qf7U N*K\<^ ]A2xձ( `{POd^i܃Q+d4,}x<˒x=ǒ-20qXl|9&4>őgT/20z zn9<Ʉmߝr E^|蠄CO )E/Kk\h xǒ'$>cV=9|f3K%C+K/c؍{?Q,lֲT-P,UHb,+pPj%{e4ac$w|edq8G9qn㛇2,E 1;ickg&CAj:]hc3,@-dݮY%/wJm_R%+%KpfH1O+}c۱7yaRϐq~' 06,J״FIAXrĒNg|w?;_బKwOKrN]ƇV ;8&f?@ǑoLWcI/h~J7~_z)kMmAarPO|;OK,Yc<-TFE"gDƮUK%8>JpqjG>3KdF_y5P@ YrBW v͒I kzm+Jx/π KKT"F>̊whL}sfIfyT)R&ǍH #==4VqO]Y8'ghC!$]0oh_~oQv1{%#dUEVQj#B(Omi+nK. %wQ p&l6XwdA^aRFdgHXun;6:U OGRS;plK/6?T7^\b 2K¹tZ@ ܑk͚%3Ad{aH`rעTy};kh Œ9тE^䵀p@#J%sg.˛`AziU[>8w J{{,O֟8(p\ 3gD{NzynU~d40PzF-aӨ+1.R VkGߜY|;2_ݛqoچ= {7Mٸ'm ;6H{_ݛ>ܰ!LN_I  Òq4T*_b抂iK^*J" c0,e8,yAlnEΦ7ܸ7uޤ 0ݽhwX醽ILH*$ $qubr+AXaJT"䌋ԥ /%jmV#r KMͶ80$,͇*DC aeFd-Z]P4mqު@;";dEK l97ڼoqNe󕪔 E@&JelܓkwEeD-Ȗ4 g\>By)N9؃+M6Jeij$gVqQ^dEdrZA7p$SH|Qp|qXy^Z颜e*VّĿ+etUjX8"]D$!7uCw2#YCG' 0d c.r| >+7Z7W/[7o6L~ $1ф ~k O%}8Xx|zjNqa8Y刡&(b=7tU@ =bXGߞO_^Q45.XcҞ ۃLq8C\RӐؼ?~x. La9"4miAKwK> [=p8,/ )APՋB'H9_ / O3M(Zfgɮ cwYr ÎfKcN\V|l)f`CRК4᜕\0RtT|3K?T,Y?7H__!QxzOqADӴH3,ޚU!w g ,-,Yqw"-6 Wq ICXg?8E(QiĨ w0R=NVIEifƀ??B_J@e4ni|aaɾ#M on{#,ɛ/:42$ V2/j놧@"LtZX8,f #eɜ_!/Q$UhUyhJK/~FS=i2s3n&9水д4UT 6nF4TXzIh JM1h4 jE^P%O];T'. rEhnWu[D$#Y2Ұy"q-򜰔\2uiAJ[MMk(fF%~Ag#RЯ-_X9*怔0K5ǤO),ygr>^,y`調Nzq̥>Ȍ҈l˰/L/Y{%2C \O)8/4,FψTc*b3;HX%͡42|5̒ŤKF]ӾV.^UhUEdInŒ\"V.\U["."6l!L v[8BccWW@a?@g).έX#bq9;{,yv^^5Bg><./&TDgG+!,u̅WK#MsVP\ 5F׎Kf7-]S{[ /sKJ| lad^^%?8dqGk۹_ӫ1aPlʅY+#--#-^S/۸7{al,WǹA,䮄Yx?owK,Dˎ$$`NJK#={i|LB{RҾ2*aYp͒ΒX T|ЩҰ$ӼԒuN‚!<yX}$SPBt>w,/̛8њ|X+ 4a'6Ɛ(*P6Qϰp9g+/H >ui^ \Z =P? )@!]hV)WOssgi卜MRLAlVkgo 'nDr1܍UP?h tFwhdD%Ұ8|Z\>~ &:STRdTP]J$0HKx KN+CP OA^%t`~Z)4f Ctp0/Y]y,9WX(%ôYX).wN}q/z+()봅@dDS 2`G8#Q5Ie ٰv>)%1 ߢ#RMqY݌ l n (8A#E<3;㧆xHX2ZMZVuN[_,ݠzB,P|xqyM 3m,YaD,|fC+RZ<.[[cy}X2+pr.?l0-.%kɒY:1ɡ*T,An-xFS$ztZ,y`lsdy>K4"坷=:{nad^Q ,$"+Urqdڒ|l\id7Oe.RmwhdlX9像HRmRF˗][g|AI'x Y߉%{[Gf; 0#8N0 ^;;$8cYAPRqtVilnB5W7#Ix>qgDi"R#ٕmbU+/u߿g.|Y2b )RT>g{[S⾻t2A[eG0#&䫤m=`<,,-.}WcqYݮX2F`-}yݟ@Icy 5`AD K͂kpw .9 .*GO+ O4E_v)Hnw9~>4K/FoGt/12mz6_|fQ3K 0:ZneJ CȢ1ZS,fTG C (;4?Kf婼E7t|?$M/YUήQ,9Z!Oͣׄ$m=xv+kKMdc^9 =pTćB&s *Ǒf )A> YKKǒ|=H zXrޒ:/7v%+֘G,YJy'xg+?GNX^{;BJG{iu)|t\eq z/Y< y3_zfQՕ!}.@7055).8I//1E 8/ɒwbJ^HDڝy%W_WıHؠTݍrYr&N^]vR:4̵A %̔%_nEy0ټX.--hx-ML G0d=/y 4B.4/Y3q\ 1+BETuWW3^?kE!BAX9&Wh*+r D]NVMXGT f+>u8Hb;/8xvtovؘ}clLƔK>;Հs2Ku1 [ܨ<ÒѠlH%1zYKnY ^wOvWVQ|T_:0oR%+Œ=5HV2{eъu:u0,ŒGeL]T0mQՕoڼ,0%ZqAyIh~`Xi9 bQFKcO j#ލKxn>{)sWe_x(k.%W r\LF+MM\lY*ɒ%K^S>=n;RE3yY:QKޭBzSRGpPKO8BXúrpɩ'e\ ]t(Re;GqFYP" K6!,*h[A~a᣺fRJ7XDn*WX%V@;Xݽ캋/ÔqBj4jx M_' /煊gdNULF%'"j,Yn`gc9z86m/pl Lv,Qtifidp>|$sTJƐ%XZ):]bFѤJv\­c 9:*T84, J6ᴄw~Zk|%u1%$#Plh;&<}wbw^|䥫*4Qr{Vi$:W4S"enɰOJ 2zlNYD׸`px#嫭>.bˆ]#Kt.}r5So=||v7^'`|Cutd켟ղ&\VJ~ƒ_ya(X[? DʜBJS5l|$B) ݶWjOwPJ#܎7cYA\nEAŵq9WE`ɱp,,X:K^D=izkG@(%`0o1E&㟖-ndzvi"Ɩ̒ײj /ݜ-і}Gq=sx]NH+QQۨT3bT4࠺p㓕Y#AOy.22q yњ?qun !p B5~0:,>x6彸]C,NҊ2m?>ᆊcg6l/@>K%ߪni MWU0JfEq.yqrqU8Y@ 52QL\-kp/ h,Nf#~!A[Qll[<$DNԌK.i?ԋL1QQ t#A.̮)_dzWq"Kpy''“Cr 3,\v-lN|Qd/w 3O_ZtNZ`x@?nm.g$ ;ɢ?X3姼{t=P0i2ƝYzP,6"]~×%9fy(2z̲8)Ej!)sVBGqqaInJxcƌ z>'j]]gȌgcMK&T^2xg\n{c3s9\2 @g\fYu8"c9ܕիɕ Ռ/ 7Xr[\VFµ\Kr;\d-r%Of[QWA=θy)FnԐU K+ M*I}q#6WԍB@BX2c[MX2H x !Y ÒLc Fo,Ey-_vIi(>ƒ\ z n.'$f"LM9G3u'Aj$М'އHS{_mZ /8OąRFaG>uYYd쇳u]052qo,ٺߌ cI\A2ǒY^/K>wf>7  Ag3R? lY2bϸXrT R"wT _XV(3` vyiZyRoz.6o}G’a,Kyj,YbuZθ M猋Jg\=QH?ҳ46-zT30C)fĊ4+Ye l }:qX tdOX&1VmGdۡ&{ uZh͸všsM*N6$XXh J6M* N, M2E1;PɣjALdd rvό[7^|㾟4o2K1&L|%88PƑ"0_Hb1$"Gb;8R+de1hA,6,Z߹AE!-؅J)d6ԥyZGnWw%xp%#45w噯7(5PҤSp XP>hu ʯ74s?waoF]g.4m|eA }&v;|gkLO:%#e>WpwCwQ4I06P1Amt.X~QOڤl{Gi];wnkqpMKF)\.GvK.7m}(\Eg, "-2EA`|jIPbsSͯw:tt^HS8p[G`-p,bD?E,)/:e*5#e;6zAwyߡ ai%L5&kj m`DN*X LUHbXmXiEA\k(}{ʽY{YK ?<0l!lHUj\QC镖dcRD9/ b aWgCO6hH N(odTl$˔9CuwS3../^]_#Bl% AIDv1љRӗ%-zϑ |/@ɒ%$"YIq✵b o,ϭ O(~..1qVF :aKC)!BS}k98hʢT780n^#Kh ejE㍎/-A’#" y`,H!|5ɚ描a F74c%I{a64 nV ZVTF3, /-?~Ѕ%C&lt1tin\ܾݺAK^Qa40I)}pؕtƤ秚CSJ#tsG[쬨fɍr<:$#7 Ue lhKsPi 7o;Q[ہ8,Z+" 1BҰ2|.^)&=D܄78qY|=}Hb `Z’_X_W 5,u·cn%mȧb+ElhiHdZ)'V,ĺ*)']$2Yků߽Վet'qrJӜE{=uu\YY+ 75n JCGN#W=_(yP`] 0~Ƿ´8;}i~ƽX:IMeg/7.)Sl^8o1!çR(]E*M޹@QW9.3Gf\^ o]JZ`Y˒{.^n~SKs*qQCA)ti.E4$?6"Z3Xܚ~C',탷®brL6?p✲G|Yrq‚CFe/5.[0Lbx Z94ḃf@D$(_ 4tYW/M@XTts{%꡽q\Ƈ^iՕeiethb{|eƬnj=~ A*?,Y2/5N4Tm?(SVS,98,y2Y?}摖77%aLC[UUH %HO]hxk6XZ^z׼~h뇞zpփ|k_?W>|r"܁TRGVOZ;̻rU8Y QוG\к͇֢h[ X,>˛~t獶v(H4\=ojPt-t͇ zJBs7׼#/n=*sCwldFMv{ա>?vӁWZ@o^JXx~~z\\<0 ?v:\ׯ~w1PCɺ7PK{׾vTyF,E~kҽ7M]{[Gkzzh=|b#eR:cbݻ}#k^;~֏N;Y!j3E@v>q^|n>Pgf߮*((K\]F֠ʏP]6\4}"l)}Ͽqx=ƿ sa ^zH3_g'OipOM,_ٲ#)apgn 0il㫵(,/l=z7]u+A=.bClq+{tզ?"A*h)PU) xi}3^恍Pd }ɹ^:/Ϡ_Pݍ|e!Cl . '͖M[foy~3 |hCCQc/lE k63e5-.I4V#bFXkvMkMGXw.uޅ:'7wt;`X V>UD%6v0R[7~+ך!@vp@ըЉֈɵf>!jyu#ʹ||P>J% %Jn?waarjXۊԲa Ѡdۻu֮kW[Ϝknh`TX2pWW_}|h(G <~$ J8-س ꈋb*Y23 }C<:iQ?M-`yӭO|P-Cc*^7z34(sgQ*O΁8,!WJ~'xiχSWF5 |6G #uB2yjգ3 Hp@[iC(5Ԯw_3IX(L\P؊ 8 n# d?}ft]!?Hz]`4ćQI[quOաgYפL!ԮA(L/`?J`GU_r׆ *n}奆)2vxAo1~1*賄:4>˖,% H2(UUFSԷ8"u*G1COP)=?G/)K #Jٛ$a_vn_^`qޅ}=Kf}(m ⅌߲VUs~ }E)6XF>YRE `g=1ŷ=gG7G.>=ʨ d{ W@\ ,0>!U1TmVP]/FTyANɾCCϯ}NMY1ShBݡ>J;R}B7 CE|z, O^ ]j[NGxތP9TI{;>roL?Q־R8u{ڸ ~LXr:$5ڙ?F=?}vt{{NgqQe^Ԯrp|/!| r5U[!:m ;E`G|* R!r& @%9*u|i [3` eFz!#? N.΁Ӈp?b N y6ъ9߯nJ[MebX`E%K ૘W;I`18U Q'~vqD@醪>Rj;f3~觌>ơ.ԍN;Y&CkL%(jU@6MojJu1Ic{-ok'e fl "OMuc<޲5]wUs&T+f^cǒ'ZX'[BEuƯ浿u]+W=ڒP,YCCCCCCCcl1f,9',-QOYfGwu@U P,YCCCCCCCcl1v,;5 K$K/-s~^?Z^8[Vvt9)%khhhhhhh-ƈ%Sd cu-!GΊm=vVmГfcKKIa!-j`^nou|VO͒54444444c8/22:ɓ,>b1h.svE3>h1ӧ&[CXC&[qd5|eϬ~ٲvlw.($i,YCCCCCCCcl1v,yYr$. d'Z&e q|W5K͒54444444c8/!aW ~2Ξn7Wk<%khhhhhhh-ƈ%cx6tr'E]8g\g|YbYr`}:ڐI` ~Y> 4K[b غᏎ_t;:9颻n.,YCCCCCCCcl1v=3pDY%ec_5.Wퟮpw6%%wrDYCYbXDMG?V8fvmCLMO %khhhhhhh-Ǝ%#)LS<^K<:jۄ^NMv8ȉe͒544444444c<Y,9dbm-jJmЯj.okxmZ2cB)~5Ik/k~?xdCG ͒54444444Fu56/Kv(쮻Y1zv̻yl+Q{V,yb1/yKCl }XFepDKDa_v(i`b[1!|4ȿ|,ɀȾD914K](\ecr%t;{g'X#1 T:S A[@I&K&"L e~S;ۄ<[pdTTeGoZh1ʐdE"Muptk۽1Xm,9F k (6Kls1:%G?Y;њNۮݍ 7b2B>`ɡ|LJV]% ׅ?^'2 rtFvu92'T?hSn|r {9%."?tYd U#˧+]< 8}۫ԅ=Q;kȯO\Nָ Km (E%+!-c6OH6t뜟y~_n帰CkdU,/q9 ͒54444444Ƅ]HE'e(놴*XoO ~%hdVV ٧\Əd 2aj4#np@i 5IŜ\ ,,QFj,(30tOZS iO]}Xe(CiqW zVwƱpƛ5=ۺcP[Cc|> h 8_%:[_ j z.÷Bd\'ʪ gwgK :.SC'sj275/jf2վZ]v> iqg>~=39I|]= T]@qG6Po=\hqih7]|̅}Ξx۪}jhh<@(Ͻz܎.nd ˬGɉ',-ܕgKU9;Y/f\予siXߍq<QinQt4Kи3T\CR{dNn9lwֱ]ۺvڹ(?YO:*?Nw- s{54N'wG;Mt.8iw;wQvמ]+|}Eoxh+_;fO/\y_>sR$8kmڰIX QDه. 'WZIu!XGT%$w>i띎nwtyF%55oX;~iݶwo×bh֕8MҾPOkkvWb .5 o]8xӀ,}ػ& &==n,lk,|xo"u-~L 5P DEjbM/:?V _5Q]===v۞-svV0[I#s ۖIG=#44~ p:uz.ۡ?<•§Ȱ.2<0,̅-S8/;宻oe>c;%khcitH2隭xC[#IXß= {"R5ɺpl5&ZNlh#.YR&fo/'$[Nu|]7_) ېȿM kM9~3/*BG54vvϭ(2' %sްAuOM5֍Q,iSx%+pynGcb=,~"ɖ'- mῶD> ݺ迶̚XϚ^@YGp%8@k:3 X+KdKjүEB"'Y~i }9vEԋ r,f@]n\8.aZ;16n2d!:m3# Z?Xn3v#)ֹ⢡,ּ 1Fܣz&4da]JBWrCn8pXs>_şe!du53Gd@eq(k|Y2hAtƕ!cRY2 *q(*e谏gn07&5>%{AftAЂJZސ7'0, Uc\82.Ѓ m|αowW!°ʼnH]n:?frTt|ǒ=xm*x@?\T~2I~Y&_U%E|/Bh⡁kOM 3)h-(8g&-ԍ ~bmD.BL0Nl%ZaۧUcg=u1,+FK<ufceQ>ߵJr<%ח%P5j-5ںˏpFufYc<Hsg@O[dio?5X2P|=A'!͈b$=ޤU`Gyxc>>y]MKDgU˫ E{ ٮ;J dHqH%+>BÌGRj8i!24 \K&=>D%To[Dn o[d-a({|OQƍp+QFBQ^sgWRUA\O:(rDbZ[Q=ͥه~G4g2rVWYV}DbrCf׻kb&r5=>jpPdse=2"=Io-zw`ړ.K.vM,e aO"5r猜nګpb0-7g9 -"dɬ7W7 􃸇F_gm~E*szU Iٮ k*.%&I(H[crkJo'ceO{u{UI'ı5_Bz2+}hޟ UHe)¯c9C~U?x'\w|Τ ZH#LZxc< < s `ɹ̨cm,*T]yC"H]ԣdky:rR1<KYOUܮ ӫLz$@O~O[kĆFׯE yyM XrqV9Goe0,TTǃ6t'rhbwkx30eTA!}SF(٠FuE%o o`YbSZo]G&HOo<Û\D9O9O"ښU޷HD* 'dJzf_VES,!mEbdMCSٯ^ˆz\ؿˤPUUsTc ՅO$'fD_\6h-JbcRP2KV; $L7i>lxf53KaI-S|z8{ϕGS!֋'Ǘx#\VgL*gF8fQ3|5Xo4-ƅy37Eq-ڤE<RdztyIqOu]p#WW@o岜5Ti^w?[a\>?Z]C8+ظٷr.W}!JkNZ7ʃ t"]"z" 8tˡz굨, E8s}Jbdv}J=R졺ij< K  lKn#I~X),p>Iz 2d=\\+HyB|~7K^]!'~oȦ˾FW<o]'de /o]>Z{#`DcRKTV,m$kp@t }ә~[jRy0Rbȥ-GG[׉ !vbdΰGE0#Bv&< ]ݚ⪣B\}vcӾd>=֤*>"UP8@,u'oq ̖<`A^R[1mZ~䬽30MK/+Ù.0؞%S Pвgr2C'|VG BYzꑥs^(p:㋵U{mJlcz,كgɘԃ/o8n:," oIK4ғQ=rY͊^ ֨5x,كΒV._3f|ϪjV_ $h+ v("hSO,oCFokD@{虫q\U$6d8VpDȻ!9#s;S"$HˏĒK5N\vpx w DW`<l7ɓC/%;yTc2ecg_28޷ȈAs)]8igal`(\!%{@Uk1xcㆡcבsW +Ʒ%{NCt:qv^@G&#Dj 'YT>K{( z 5<ѵ]uTD92ɒIy1Xȝ<;J,X "4DGk:A,eAÜNS#d4*FG֔sKM0IG+3F]D7Q(Z#$Nzf!.i("#FbZo`)/[&Xo>'7{\.! m>9uY_۝QzhODn$>-; d&Ywm~凰r#X&[&<+ 0s Yzᧀz;IDATJ*]몆GgX1 hѦjR=͵veD'ۖI,'t+GHX3ָS^zme%K&ҙ{CG|Ht^T_sIՔ)~$Fg8qxXTE1/YS1ՙj.TLW6,R1 |K $wQo,@܅NcǶ_o:Od3fɃHAvNfuI=9{E#'}Vt o,G Na~R 2:V:zsdl ;jǕu9d9hS^۶ ۘ%gŭ%Z[K^)蚢H%G|ָA93E2?AF?|¿g.n Ďy?Ìng3ˡM̗>mR!=hѠa2IM4!$3k˔mohv ^KYLKݽ#uW=wqлSɌp><.AEKY圅ǒ=x X#@>%ON>uMn+oNąѤgP:A~N ^z  찜;䊸QͅcU(m">yg,Sdڃ@Xiͥ-_Aa 詣ҊXLޗ{ys-ՕRy J6$/,BذX/V O%s'T=X[Dٶt}߫Q'31PrD83wP[N$츬{+ !39}7g|.ZUdR2 T>Mo N?So̪|gHW]M?:I6mY2i$I$ߜX@>dqzw7W,H;-mƽVZԯL-{W s(T=ʈK\XE”nfsvlvͤMct,g,5m"槑fDȓVOۣj~+!6!IoK|E: 1? JkƧoX*ҺsZm<#2$2Gdbɜ祲ɉEgǰt\ԢDʒ{&R] ԍ'Z㴸'rs'K8wuVQ0%[`hH>F^K.yxcD,9|pH c2^,naCKfNvGN7n¸YqTBpQPtRپEZGjee>WQiH3dbY,io;.9FODh#ebX#gPFtT>v-vv긠1%gT}9FkZD!EY  XL #_WR9+bFK d7n};hh#d:2N sl7J!8!JV~}kmy$KɡK|Sۀ?<\[YT!_>YH6l2h-N,wjZ#>c~-d8Գ ȧSgDC [$¸h2혐jE]טiT|~Ē߂`l#Md>o<=KT9,nE:ABA%4 ,S}uy3 ˚!:Gv̒dB Mh& pX0HKϗ  z_^Iޖܼ6`3:ǒ=x(.>\L1}z|譥UĐ"\a+ކĦ+O q6az+8PgSC RvS܄$sZqHl Tzm8Cߜ$.|pR{a#Lҗl>u%&E]5zQHZY,r@/"*@ljM8D=[''bO&BD|F"C "XٗO%k)Z蹭 ZHbQDMN p$#'U֟O?'{SBe"Đ%i%GZkƿ>yc῱Lü2] 5gn0q{Օc[Ԑݐ~(+K&!L+XBo9wԭ8Y']w2͜8Kx Nʈ1kh`=:]WX/ċ˩fBtٻonaH~F%g<ü+EE~/Ga HT;0=8Q!^u ԯNud&$_g<1|rE NVNN{BX |*7|9PXEXcY͙?9k)dZ{gYHD,a)_>r YyKbal;ޠR7dn F`iEkX_3.K.lqzau&EXI_~ѿX! ǐ#AК,O/P%iqڊ?덤p ,Y,[%{P, sv_ek5ښDA7svwyj*)_G[>砉39,r}fzcԕF7{:{K^v*0ң@?Ԫ˕ouYv[H2w#=xL|Tܱ?]>rHW"G=V4J)T2Eygw`dmǶ,sXł\ WG3=lu]ˆ7x3og*$A=22Et;yHÑ Y#҈,׹F/!N8?l'p!giGٗj_2]ޜ@P pUar$E)Gfk0VF$Me%xJC/hx_˧;8|:c< 4ÉuYdw;,J*RNm[F'OPB7'GQ០ZLK Ado=kom돻^MoDWQnDyW^:S雿 $.dvo]0<I\ǶɌexѿ>讇aqW9KhZ!HȉImgLŇ6SlzXLX2b]eOjxpՀc|y(N,+ ѩ[G~Gm '9LnMg iJW(j’!TB6A,fp_b!-<, `vl =C?-'#9HFcR5 .X9=$ pMx,كbq,#iKwõz2噩GJ+=uoګI{🩛i ˒ -Rr h剉Kz!:p,Y&`9%Rd +a=ʨ "RO\-*=>%Kj|^;|ܧDGF h##%X,طyҍ'?!njA:k%f4S:fwQ{|L7@ھd*m#$,\QKUJ/I~y. S.-}*0{,كyelD7G70tDwF5^'^0ԙJD"} 7 beYLP`s5ǒ=x(:%ee~?|2m+T+ X{A] 3_W2ͷK^"H7u -gG2;bqKZхiI֬Gڊ*2y4Nv:m3#f%#{h˃iJRSp=N#=!$2BdxSN*R#`Dw=Y~J]{=F5a %{V3i#on2o4ݸJVWHNKgIͯhHj^~dy2ϬɲدY2\%s[.V*[!Iq8qyiDž*FX2 xP]]S&807:@ɲ>a*;w73{,كsFԉ+J f\R]/z\L." 2p5bMg쑺\6 …GKɟ'V+K+E:YG-6h1nBox 몴s[OY26՚p̐j=ütTD;U2J4=HȈ^Tz>\r9o!/+5d Nf@ǒ\dlzƙ.f+rԘ᐀kcwN\}l[* c*ӢYi[/mL J\hv6rj\Q s" ZEGЉr3aLK&f\x.Pdt<:%ɓ:{c>mt WX𓔓%|+Iz"ŧ-UFiuPpxrc<,lqHrXNfLfvikZG&fR ǰFDwW4E =4zβR#`Qe[6n(DOQM'm珜YBku+@~WDavz R/oiEgU8mId|O`$3eϩ<&0"Ӽ9K >xл"RkIjG=XrhU*C'&CuKXłqXDĐ4m/ޟߣV %\|֕aZ78HZp!Htg}VֲLk.b#j$^|."R&B]C,g4P73| hQvH̐;kNC.KLF,)e<]LM޼cɬJ9gLsIZ* %tWG@DGN<#|I< ں*קњ"pd^䞷Sc)AK+w&Y惣NhQlcX&\F[}'nuVǥ{! %ۜ١̒A_Akl٫Rj##$cxBo^{P24ke*, m!Z_[_٤TtST?080&ߜ|%[p-3X ̙Ybc'GZ7̜ؗ_W|8vCJ>xWW*C'~~v%Ǯ<-$K&MHvu/mL-CFHk|>?j7g}ʹzA~bDͧezM#9=/0~pb hk%W_6+O,$Z9J1d c=Zx X5ˑYỸމMzWZ4[ٴY Ga=AqI]S-SYoO,2uY;Wf>x,ك₦nYL2 6"fȏ^]}"4!y0q%DiH"9u:\W< "uZ[EbwN\o>wc#Z%uY0Qvi=lj6PG !̑0Xpqe3-oDdo(jC]1Z[U3rRıp"̸Ƀ 3dﱚg[}#E$*p֝Β9v~Qk6'o:/],$l:''~v"\E||srgB7EZG`,HI9k3{,كy,eۦc[4:K˪Dg[y[,\;49vY|K15? ,9d"NDh\v,}~|`s!P:č!ď(( L)R@!]x% %c`e`EGm+vE5inS5EEzݰHRPQ{0Hn [Wbɤ5|̒"" p[\idg-kjԕqoT-{r2oЩ_؋}-vzh m^2;ٿH W $' @PK#փ4gi ˙<KN&>Y=0i.KH?f ,yCBk0g$f;UPsidf4~s XWw`qXygzj)H%|%eFT%ksQ) ,KfzVN|׃Rtw:/pR*BS2 YDj6/SMov~G9PxH@rB^WbV&ߏXF7%7-C2v`ɂ펶Bt֌GˈC)96uHKvn%gs5<9q~}w.dII]>Wp'QqowOiG"ul$.D'"Sc[?ޥU]u$55-Qһ_/v]UF~/d!"]-~-M?۱2dY-Ē{ _X:Vk۠XHDꪡ?o>{˒%K)'5mbsэ$*)ĴIJhfɖx~LJ -\+LĴ,~-62sAQX aԍ_ϡ28W̄cd R ȇTaqVKE](z_o2zEO 1P4 g |87ຮel4T_ěxp`EhH^wb>=;򯥭#L-|"1vaZKf "Q(nA/Pn/ o'Z̒|db8Fy{NiC۩_AnhQ-Fv̒|zc<DAlwhG !( 4iy.a_/1->Keqc GC7ukG٣ '9*\Ȳgi>2L/:᳢V}.$\" PV_UT&zU[/ރ]XXl _[wp05a=ԒhVe[]S!rL=̆Ybυ"u;?^RHQ.:q2՗q+U@ǒ=x( mIF뙿\9h-޷H pXA%̧st4@.ш_>ux,X2UÀu2[C,N|~zщ+j=\Q;f)""7zI.KpQoC#g}Pdfv㦛^x%eLMXX2oNNZ?0z_%UoěYr+z -IF"ck]k#?EfJ1nR%{P<'͏]%Vթk n'CYlo+~&jv']f,$ ]~K/I&K k.9in(Nq2#Uzԧ0zҿ>#;_Ù."ɟiY$ЭN9犮% E6bU~=Lç-m-zظD]k?/7 L5Z6 7Oz]O@u=C,pT+g$l|jaFg}M6G>q5Ϗ~OGQWTf#l(#O?Y2<Sߍ:Eo _y3"|X%eN]W м߄ gD^ Fc\p b zp]YՖ #04&'4,YxzHUZdcp^'+g"\/"~# Z*GyF- kYmQԖYރˮD%mH ek+Fi9:u? J&<}穡+PwVewM Dlɤlz2MZ[SG FKA Uwu"LW$U5#vٛÀ!Sc<@>ĆfFt}!qPRDUkQxy)|!b-pӄF>qOmջO=}9W fYKf n$>3Gq;]ۯS >2Z|jpU0KP ZG^;|33 &qI֛?@0u6mg3iۄ0Q I$Ty$˒I̼[,vҳI: B&J-';#4$jIOVIcNZ/,Dm5ZKɟOC{@\5i'AS: dJxgҿ;+qՊB^P4PX=(/nc7gb,rH9mj'4~~vjYq75Pɤp˃93w^g%~kXqbbo1|t n]H}mĀ#m4zǯ MDBۧzfRyǒyFtH&Uj"(r&`p}ԡjf=>Ok '/)*жem nW "s]/'' 2 jjjNtYF1D7I<%s6bO3##~o\3rQ=L=^.nlޡS;~t5r+ȴaYYrr@ c[Oqe =r~$=jM Rh_3zqt;ѱ:NCZgN44ڈdi`k`?RAaj+=ߓ.l1K?=RKOZԩuZkh-%VV">r2xKD3)_ub4X>mmFFPUz'Z!!GI6뽲)=w/֨zoUهw24J*kB9o4vf %s]8{ۨUǝYdB 9/@k4; ۙwWJ?,moz޷VzFac%zیOJ)&ࡻ%=ΙQ**6I#xZJ_-^N\]Wu ꣾ&tP9iAkrǃ<|.qʬ }Dk{5#* tLN%2K,}z+HkŭHPRHg֘ ( ʤܸf*zFo ԭ'&U|87%K6ps|_Q9&':_4yK6cъ&2e`.OX>wZ[k-'0z=W8:d9>Ky3A+oGoDb}z;UWG9g#>{%H}_c~X2%! F5EZ}.'08AKᮧq_lwZ%sݣYwϏ "ْxY $̤b* ft9[=7)6s߷ibɶ&`vL NcK&dxO`: $Ł>O@i,\H2My|!s|T]4 ذmޑNJM*[ՓL85> Ο$S/#T1x;V=x5x,ك7̾L'0|^ - KhTٌ0vvMUF. aG*0Y,IL\{ࡻZ,j[ek#LlB& 'ܺAߕ]| qmb|F7v~Lhnu,uQOnRcmIe)\`2bNqg()d>rnޢ:dOeξYb~0V!҃XBP',S&Bɤ<OံL< 3X_y^&NTR8b9|fTqV (~Q\L L›&},&7Me. USp3/Kl|he!~)Gn=t|v[ؓ,lPUӷ`h!leAKE=C9ʒZjYGC8]ыjO[ {qk>;+f1's,Y V$ٴdvPTDk=u1[Yj_F"q""A{eZS2KvNÍ`!-KIot8":GKg¦ۤ'ƙשDb@XdsKfo0b~EoRɒ(ゆzK!Z+|>_/dӫ))PxdUbpr scOh+EO6#^j ԰)O`p4 AUԯ4wp)M^6X܏IId>򃢫VtְiGXU"qSuVď^|,ĽFqupCqv,G"}:J.Ԟ= hQ&O3/d=쏜ϋ z7-JQt7+L8vQDmV&9E#7Q- z#FӇw+Ӥ^a.il=Âg35keط9XuDI!KOf,\oo31SK4X2{%ӫ$"sE~xcY2\T^eO-3WbÒᨣoa( Z?9|9㆑z4~0s%o~b&EG,yG98ґ>Uʶ oZ[d>h@Һ놎dW'C,9j,/:pLcɎpu3HvI%7 ‘Q|~ ˶[BdDC_h2tx|H1J4Y,LYǒ=x(ȦO޲LZ[GbHK rYaAY]]<+KU &I/?=:*5BSSR4D6W.KdFtY` BN+b8pKމOs̒-09XС.-32m}T[ j:wj%n_AB דM*EƮ8x: ;wy X%W ڀd^e7IdUs'<:Z4ߏ[PHeͣmBzV9ݵz%q׉n0_!픟|au%{Pr3LҴ;VwҢIpY 0'_ 6Fuu4x&2X.ђ~A8>J曉ޡWpgJQ ]=#2p;Eq Fօ<앜w^cm6Z'oKugZ\`3$ sͥGӷ^c`KFD2(;&јO l/NjRp0mfegRȚ`4g*9SyW- Nf'$Ia,U޿ a"̕knԆ>l's\z ha]kHOa8Uˏk!M>F#}C_=ċp v3E٩s;/+b]q1؞EOP"RO'n {3yQS b ĒN=đAm px ;W@1 Do=wk-Ld@?AGV)8=L<X= }"R;t2^/*s&x+OQyM T~Iqɓ+ e*D=-Rh۩"lC$T4dl\K a};KL`cdӰ39}7C8|5+ 47S+y;ٗ.d2TiQZ'L{˃ç~q`E[_ol;%bĨ \d$:; {*RTp⋴NF3cjL,30zSyD6]$h7Ju4R?|$)U'?peK`gTx:u5VV]5z0X+9%߀wNԞzU6-[Dn%ceE=֬U>sY?dJ 8"qhyǮ8H[_&韲d\f8Sz$>믩+DeG,&'ǒ??|HjZgTBB%]icbq;}@Uj*Zb ;9=" w("9HQHt׋*}c7g)lcfKv|{vLن=%$KΊH }+Wx%Ղ6]LG_NBϜRV4_v'n[)Rlq=87U=Ը (2ܪA98))5g{ b '=z Ssa=-$>Q@c Dwד>Ҝ֜2]lc<sZB!9YM pVzdVf;mR:b'd%oN>5 s{Ҵ|PBy4ș_NDHMiJR{N3d>G fQ^VO#FZ>LQ[*&Nf4brWzVr\PË L$x 3T:xW,!lӒk҃9 ^9&A4Kwr`/@ ξmX2{Kz3ڿD]G.u0Q*=H h9 ՜7`]FsM #E4EW aY2wVȱnK~]S"~7dDiN5=8KH,o=2q7fn q3e1$:%腂௶m"rٌ[Y6]}ٝyƜ>>h񜥮nr&هo`- `QF=2?-[Epm4VVQK7ZK[|f,X2O+h 9"c<40Ḳ>F, j)bvDq,)рh$5_8Jt<ƭ@#+2PzuYoB0ܺ7;3j2͗,Y2ȓ !V5}MjkO˧3_#UEB CV&x皨)AkRW|jбvtM%OFI !x(9{aWu /LYBZ~SsiC7yuv9XpO'n8ظDaJt/$f'l+R#5a G0y`^n=ww2FeKaaAg9Ywlտ]}x*">J-5ZSIHguw*3X rd%RإOV Soh&%JmWӝ31Ƈ:&yl|ߩvV@iMŃG(l>xDSW% /; -jV=%y A\ %gɯYcZӾ@R+p75vH ?C h=]Mo-헸(  T5^%gh%ыڊ**Ê '%H(hYEyj!B꿥sc&rUPDZglݎ܍Tl}(2vF_~hQF]]alj2bA"E5rnZZ r,dOpEEg }?[S}jeZpZD +Yu _H⦐!G_<(ڪeIK 39hRDn#S6UcbAMCxRkN/nbݒmVo\i|z22-Si6Щ7wF,y"N7ēגBFEN33KiZi0zFYm=whe&+vsFZoKvuLgڦ{[]Q!ZမDJ) lҠ<5.T:aoG\rev˒ 7GjKBkOC"8LvK'3M ,(VՈQƓ7 %{PzEqv͜!⌊khzL&/"a(k+\˜/ިw׃β^DbT*Sģ<Df_e ĤgH$ zƒ9(+vwM>=ZjO=u}ѿE>8=ơxE;D>OsOԯL# X씱ys$iOF!Hvz֡c?37,˽g[p|`2EB_Q;| [}3Sy`fKLӱi)ueiHGΌR<72oif8͇*E.bI=9):×SXǴkۃ2K%Sp菓]>d(Lh  z{.c>u{VY8$"nyaUWV`mq\2},̽FBf?T< @gSQZo1a57Ē3Ff n٫RkLfDJS֧L gaeT8/fn>{ЏkA$WխJ\[· !Dke'0v~ֈp#8K&B#b*@9OZѷ r'Xh{G}Ю= jk5S;} Mfׄǒ=x( wdz3F#شXk6^d(ЏQ׈pWVR_ ;3SD]22w=6O=>bQ= nއZD=CziuѠRN_imyi'׎]~U/:jl2NjW\?ƗsC$&ިǚTW+<3g%$^/GlP xXC46X.yW#Դ"[z7|a7t'R7NcedoBcU9֟nT]٠RMĒi9wē. ȡ!@s W/Ś.hϐ"qFdLjV`5x[[`,⟩>J dRVDq8D}_ό3#L<\,Z7,'oQRM]}% T~sW9w҃dXTp0 6ƋX 9M$nwWsnpsoR Tئ`"5OK7++E2~#ԣTP$yg cf-+k3K{QEnz|;-x/֫k;G ,] e;_ K:J,K4<ApN&.hNߨv:eoirh)+%{Prȹg6;jEX2ϋ'!D$'hC.K&npm>=̄Yrw-evՉN>CZ L ;X>+mjB, 38h@[L(G},?dS?]iu}'=;dZof+0uez=K=;Cɓ%SrĈI'+Ub^eFb/c>sYc<%`ɶ1[p )^L̑D? !L?d$)3ZkSPcmIb0N> ,axf°ՠk5Nj!Hd\2VCa #)LW.Sҷ~'(ˤȀ?'w ʂ%,K_hdD&oew7_r2ecG4҃WbXr~Y2iCQ4h몇OS.KFNi0ȉF'j%ǂyAttܦ<5u6@%R%S2~YglX2qIΨKKaa[M"DZaM!cldl!@^BϚ&c=!-ː8OY@DjD֓Q /[M"Rf/xƒC'>]/ 1NA JPDG9[efNĒQ~2HF yX%^:~Ou"6rS_`,>7E6DTMy= 'G,t1|Vso; %%{ GoKG,IK $/o*b>FW2>)qf=X[^U&nQ=z\gVrVw&KmBloT >j򠉛*FtV.^~XAb3nRX@C5V|JcoQdHy瞚 'oFVmHonjLwy,ك؇ N@gEKb{bزa:rMa $E@ QRFr \|X#Q(uy1>}{h#?䷳ʙΫM^su8g </nfMwJ5 |/%hx jjnթ<螌=ʌt켕ϵ*y#\Q:+%z$=oe恟9$q;ɤI94%{P~0K.Ty!I$-!ݲX\f̆%?a \?N'z(?4J[]t?TK9gks!|=yB Z^l~l'Mj(v9wPsUuCG}03r>{d vI /pL\6!8A7jˉ%7!;L+{)T20#ĒFYrkM rЀ (#}3N }!~v  }Mj[ޮ]߳S:;t ۹ $K.6'ۚ'n:w=uLJVGp.jCҗC_G瘚#rn w4ARO\X:wAK*97])تG>ώ`=1K6xKL H4rV~c?.!uI֍<,Vuy%[pnQ͔;36"W=lh,1dcɞOXMḎ_[Y)&;-7W\GbY%{PVuM)b2:9ȁ=G~Hi5ܫ7\a"hp/FR8#LBakDw$#uKWNȓmO}X]F3d=8~|沁Z=7}ʥŘN ^D$`Y/dho/񧪡-}uh"8.,`n=}QtԊZЯ?TB!,6,ֻG}4ra0| )b.*k\0eRSA ^ɒs$z${ t4=_Ȓg9GO_-WzaEAqd0zQ$C _bY ɌҰQs c<%Ym`$V[F,5 ]4`đw#S"EZXJ"S8+|F"Yrﺊ^̦56D19\"{OO '&Ĩݎ&X#QQ͝4>u5H@pn b]v_|bN佗,Ge'?nȏ^ɀR UIW [9>FDL%e1 mC>5F#(2*d`e!am]UPƾݙSO[ X(qnIb$#\3|gjExGp8O$4n hT$xp,Bzc<, dyĀ&N۾wש* %1"aiXp-K9BoyQA,9N04Bﮟʼnp〚lΒ'5w,{#k<B``oYSVWB~";DgQO_U{c_8Ӡ MD[d¼缾3j{k+&fZGEbӢי&ϧ$ɎSNEA]Nv*sO}?81O$FbSmPE㖕52e#1lm9 RP6Q|zSLBCD(%}'o=wIta-d$x"a3SmepWSkfM[jO{r 8_%$m1GkiPWfn?W"!m$/"FOБKŭMGA[T`/sh4O%o8++ q| Lq^&L? _Ăjng4z2;3 %SٜwIz:ЉNng-6 = %%קл$bF)!LÝǒ=x(as9ɷخEJ5v&/7Ħ]D{1}si]N2!"Dc{雹11Ix. VlLNfJx|H#;gr*cA57{ˣ($ L=cOlgLhmmYv%ˊ:BZw.NjL88٭DA$~z^}P*s[`j_g̤V 4gg۲du9Ift|c:&{jtگuzRM!Ϋb3:_\x&mo(쵁oAk+Κ34;%{P.E7 ;؎mlyCG|XV?VAY?&DRtE_; "KD'5\o]g'^fljX2cËZ<(!4sC1L)Z[I$s\ oqe ;r`B\nWO2N$}ѹD[p ̌k!5boFP߰H]F/@!B-"KBS}k؏1wCܡX(I qCdGHخ$u3wѴEUBer &i9?y{+uM -}g\RmqƀjF`RLuVC*, ( "g}x 2Pz/*5T6(ʥ (}7r i]%?wL0L\~gǒ=x(`il[XYۇNcjE[_7CM1y%~M#;/S_(L>9:s櫏Д$XOeS yύjmSpImSJ6mijmbe8lə$Rnmfz舏p imĨ?2Z^! S-зa_luȷX/>Y(֣i&mp'MK,y3V գ a)hפuթ>y D!ܹ|3JNoL>r{RJHkԭ%l@(g ? &QfhQz[Lb-}譁O2f\J M-eJ.c*¸bߤuT$5 ݁d$'0hٲ7,b) DfgYz|f=\=%%qG2OGmo_g|/A=i|! 4β_}d;=ZKXr'\#=%3#MSI&ݠzvp1R%g$ş?Rv.[[mlZuZ=nCPnQ tMj[R;r_K&PN`@_\%[>15ڊJkFpP U3<#U_ԥ_0=oKyJ-?Xa4s?;rk&AiF<s ?D˹`AI ?J -b;L^Sx^ WoYB BBcs]f3;}( 3aE}3N:&2]-ccCY[M_{aU:юXHķ/|t=_(zQ j{џHGq#}/> CO5tzYO%˲a0[/8\@oZ}D&Xci,nL=wrӫ|vl'K3O5r *]5$G-FWγA_=) ֆ: V_"ݧDx~|x|~Mt']-.w'ng1Sq2x#Qm%մ3k!2AIXvuz1'EbU%r SN)8t` :r083QZ&Wn,ue;/Or~n<}c?=\8xN͍ɼmKJ̌rدe:FPVJD'k-kipV,eIAOipXW+>_'\*xOE"譃}ZPhաaCӁlNw\l~"gUޞTD?aj( <ۀAJ$=wďKvUݒ%U \(oJf[Gcuzz%u" ˢM0*Gp ӸZx<}oU,L2,^߸hܲG1~TB#H'D MbP#EZ* Sq5>q hoѫ,_#V+z_X ɒK1AM!iC7|KUZ#2RSPC۪%~KB^e5w/Wӣ- BbCCh*xrKgrSTh+xPĚ/d,bnUx @KV<Д!A {Qk#?ܸYJw=ymAܹ jĚ_G<^*rUaQDAoZ+5#RDiu<<\+Zl;7xG )}D%i0z=i'J-8!XItF6d0ib` W6z;:-ogS V*(I(aID6>#ܰ UC_r.2XmȋGEvJҋ,At'gpƇ~xW<$;F®2&+Gkev5X R}6O\i4n^vᲘhujyrSҭE!&cOЇյ]?>~龜i&? X(M/neȥ91ׇUCBğH a-NtlbwL?1[8 \ u2e/[OݝM;t.$ =xdSvf!D/MvZqg[0K nn\Tnb__}2Ka.Ud!~CG}v`/E7.&8) Rry)zE9큧r.bWyK#͏nZ.=<=H]..UF&ٕ%bhm]ufҘB8ee^1ezfv$ɍQhHhk*tMAj !4#7}{k- rQ %d"O[W*G~2}͘TțAKa*ˤs_2uRMd l@Mm_V+*O_;@ yF,نdɠQ9gc?9TDB#\F1|s8J]X#wKxJ.I43,?w2׎"kZ+o2kB\Yzp Y|^Z2+Ep!Dc箲 d{PT]PDP/Ӌws/]VThk&"Ho]? 3/v Lg=L [@kPVg[M=]Pd6zEmr!/}ɤ8F"j%G7p+#Q׺))}3nv=Z;FqLT{x3X,U >?lh`>v+ZkXh s{$ڦ_$Lg'qO#[DA] %빿b6B/NYP+ٿTm"z\a0 h Rg-ӂ L@03c"&04%hp=3JnR(̇ׄTJ@S2MtuT V YrY2i-҇_+`+=Â$2MYb|3Er8Ӈ83+JzЎ Xic=Pf;s, hMKˌMc>OUT veeJD ɫ7?\Yccҿ&`~ !ew_a-K+pѿHD| "%ms"̒/K%恨w-\.0էԹ &Ti7=|EG6L]Šu0ׂ,L੷4xѢ֥uDFkmyRd;dJX/2iOyՇ|XU[È B#DMu{g%K_2? .f\^d&pF VMJhgZA)B1i:K3qZǽuBÕ,d]st D6vR"qױF8f' U񟟜p'DDYžQx,ك D8r7Sٿ]7u"ڤ*lóXF 3#|./r6{Rt)c) ,9|N#TkbonRleɽ^w&sVTA8Iۍ#>e/B} |e汍nfvJ3Z4DĔ:׈#72U? %Wql"KN|k耷ZэL{P}".Kba9 6>ڙo Uvk'{=*ZZ>dL-XQGM-fwq2ů8}\r+ӾF;|4>4 2wǛVʌSݑfۆޝȨR!L}F\bc"" l xhwgk-m;r.2 ĉ ;di퉡]uJAOAH!{[ 3fp1I$4hLK; ,ZY =1e>y;\y2K>hoYP;`壺o5ˇJkS8;u7WA6۰H[hk}ç~1׫IQ,XsI|f"uƆp3" n)%RRaHрoV)b}hg'y"<2 $ TRRKm·ATzoC``EKg\` 1Z-UCgO%S3ITr C\s4\DizW#B&,I썸gyPqP5Q;Rw|?u*&Qhn;DךcPWV"ea6&/ClEytX1L]WӞ *lo"`\N{n贽ط PG샧aSC3Z2%yט7sWZ/eDg >NIM|r^7V ,)Ʀ u9ӧ?Lz+a]nHn_+iLR F\sc<}0ftI?qq&;D,,c^*h2Ȋ D յa1{ اʚ*F)i>8M_'OTO?hZ2J8ₘ+e"R֍|c58P`d? 7?,,yTO^wƶfW5qcp]ҏFb`"^B< S}]I=KB}&! 5 n/uK~uX^4ױ LYfg/"$Ĵ8/(p)[FkJʼm8xJ#ښ<>5OY/.̻m;bjd("V̡X:r@N4@ItT= |2SmN^t߭ơgj,zV50K^,Ѥl$"Y&"kDg5GV"}T_2rxJ넮w@륇1`}Vn;of7'i=q黝t&I4/Ҏ$i2EW& Tc"1PYhnbzϥ~{A>O'-vݜxp]FR]cPy*bG(CFu"¡o>r敞 zB[ǒ=x'-f'O:za;Zar6&]ԋ>y}IWxiUFOk/]J#pLE8?׼B׎m ]Лm;"7}oA]Gs1/fg!dn[Bd*μU ه~ O51); &g҉TU8q8xqޓJKex?14Cjj&R kd35z^CwLƱ/ׯS):w\|>ogSu߄ɽ8݉C?cAFX&.RwRQlk/ե౟^|}KJxiξW>.)(•{\m6VK=H@/V*ZKykg4'Bx]I_}6< Ks%6=<TX>qGE텦(da5 qslqAp$)け36'&VGFr&Wfk!d/~q:kx іBtA! 6[,Ů iA,}p3ןh9ZWA>z֗:-uoDɛ{KeNMJ"22bSFݒp߶L7fA±l {ATf]>dh =* CcubmUn4rI>(VÿqGJ+a2Yߟ3raYi |;N1zn 9 0En}EʼnF܏s7p~NΊ`1N"̌Yf`Rm%{0U/KO9z֞قWFs5'@nE[%QѳuE.5 G ,yXP^`ɸA'2:%%@ }!b'9R$H,*k:w(KfE4lo ] /בּd8P٥,jp>np4~q[ћh(:TNdt.54L6A`0'&#H]W,ypda(d}/ :*얺;8Y2Q':qЇE[ !qJd^d(aB[Y?~WA.!/XJ+ɜŸ&~#=72KnЈD4 yXrAd|dQ6-}۱CmQL\c=u{L9&Vau5}<\XT4*q-=by'ًa)xpxpT䕇;t27̒%*GO[.j564kZW%l6lWbq9\K8FZD2\˵4 +]ЮQTO#v3>>Ď4Bfb7n8ZywБMz1Vl%#lqG:wZ;п?LK9YVsbyH ݦ2^rYrzQoF%=v-~8zGFHmT ayˀ063EOtV+RYkk%Ez5Եǒ=xW .B7:r^Ƨ%^!=Ht4{+}QZ2W72 5gs{ gvXkqWшK2%>Wh+*F/;07 $Od3d7*cM;i=d̒g-쏄 <Џ65Թ#r|6`!;ع̏e@"9dLJ[`{+a<%]PAl0km d3Yn/6̝9 NЎm? 7DpQFh &1TR'}ә,)OtI 97v~8Mr T!9k1K ]ȹ\LjgmyLf!(Z}>+Wam55e3<|gu5ַˎd͊%5b+d/ֻVYUz+MjK?>L[ՠR})hx"ں7q)D/t'=mOm+hN T2xEh2A}"z=*u ;XCϤv6^<_&\/dڕڀkH{iBrigm~:`dI5^yt∱qDjxo3m7*SmIlL=cz|aZ hЎ8 sm&}tǨAл(KϬ'"e ϊ "/8BRN] }W40yʼDXs<1%Ϣ?MLe'?YYc2qd/>[eWGLYpu3V!䝜jF16-TljPcݦWCE$\Wmnn.=~ɦd39d"`VjML%#9nN FZP2K[VT!c -Elj܍͢Z] 棿ɛXH7"jc7'ZYuKU,t ={YdOmv kaffh!!4>yб*9 ,چQ[ɒTOgݐz4pW$EniKM{k58E- P8@hv&rfluPdu6bCADOk4|C5UBuj\Xs4iic&,>n@,:h|O=>O 188AhdHD7Y$mbbQ+8tIͨ-b5S#0|^ju LgTC%Kٽ wo^ه~)38m./*.rv팝ۓ+L\u!mOjFg%c>DߏsX5&ZkQP;;ǔӫ)G/ZCJs4 EttQ dd2b!ih7٭*pT}?{"!#ވ[4|,(W18ey|z#StԎ`_Z%Suv\mݻ-K&G4&~xsbc!f )ƞjYRP5(/(M}zo3&g"s 6\w2Ww-<\+S dos]ҕw^wY9_Zjʂi bôLFO!9xܿ~mHoh$:,c>uԈV+z+Oq ԶxgvaZ*?yWsr杩m-1Spŝ|ޚ'ݗ }Ӵ6kQxk dY,uiJSG8~q=Td6:@SL`5gf㿛n[Qk]R,zϏdC;.-fҗ iٶT;U y1|DZϊ1KՇa ;Ȫ*W$݀+::ꌻ}ZT%fUMGdWE\XTPN^eOz?߹UI: I*Icww;wn 5*dv|#ǢynNon5˪1 ީ1Dc%(jTDwiսdq ,xp0 nA0s83h[h(Jg`I_[avԛ=MׇpcMGP pmB2Hj:=?j%feM)!>?f2JWκTL/:f@ oE+y~ʾ&3RG78~E_pTATd;9ݚ{ȹЍ|! wUܭvxpWU:_6^;t‰~J= Nl?L&̓Yh3u*C4HQ| Vv}XM]$,-"}m;P~咹?xT5gƁg2V̮dL' 6@0Vjc]|o7ӣ%NV ,a+d0۪AodLTBM}Eo"SKZ2Um>31zIo|ZccyeSQKpXE ,qr7 Rd;1ZcmQcJN]J9iW{+|>J?{!L6SjzQgS?={U+T['='Fͻ0C6;{NpVSB"?[:< #tUkBlDX@Ld;PJK(E? ޓݵ fo+>Bg'~%u )J|oXO6TMz^x D*yG8v,+v&okO֌yWld^όnߡ_K7'(&/IY\[=2~1fr"5hkLHa)׊ DX1A.8j6\cFeQ٧d[/Z}xG&m֑-\YJ9LrhVD׼?dl0ZG!8*k^r8Y&'IC}X_eW!7jo,|NΗm6;k}g!(9KU<%%sGO'_C\gQT7M4M('k#4J^fOM! ]Sm5jDŽȽ4If|zLŋU8:@a5?E)lGY#㩻6|lj`Uǃ oIjJB iҮ& TzQOygĆRN,^Icz8F/H!QE9j if@AàdA#0F{@$"|Wż{UqFꬷz5"j0 EQN)Ph0jO@sWTRNz;+2(΋$;~طjFl~Ly&]x>Uov3ht^K,zd@C}uSSZ=51)媡~&ZAWodHqzQ;&q$g3 @5q;?:ˢI{k _mF͛bT:.cebgxqp¥LKB"┓Adzl{ƿ}h|4C}A!?i=MZn2TwV9t؞ۿF.QKUgOwX:1QlLs2TӵڎF~#~c#mŶQY}uB/fn:_ve&?䴱.p8{pKotԩewQS2Q2}\O%aڏ+Yy4dZ+G]_/æsȥqK=L/ϥ78 fg-͉P1d#vfawOphF67h\[O v5'O=?t;P"f8X_|cOyWCw0XozY(Y$ZLr觋umJvuH3V8-&#xѼv~0p,@[)9qfJcUug\D/KDNyWlڂLaXk~ψX)4"Ԑ h`>[7ՒQY4QuIx_N6fs1tnjDɍȚ.A.^A1ti!D-6[\\,g47T }Cٿ]"hdrRw|: kDFi`hE;l~Xck+p7q}SSI *taގzL^zJ_|}ٻ ψq n0P1 qʗVJ-dbR&'mqt>:='g?UGZhGqvNO:(| }-H\ZmtV -w}iCjI(Y$ZLvOI=U!YۋI;p3VwFW6hܺX]9p@7&@( ]d JX n?9NW^X~kgݶ̾e0Qļqd`ٮHX_;sJJNx-)I79l pLdj c.[4(vAikTG׹ֳk3Idhɉ,f8t{T֌-GmȌ)9oG| tF YJz) ]d~FsK aƚ/fyy?t_a[̃H|*d-:Pri z@:QWoLɘWH#Gx=*4VU 㹿, 1;WN$_Y\Fu!恮m * !40}aLÇI_8ЧIv c*^^:3Uǚmj_FJS,1`dX>H UZPÊxΎNNp@bN}T)S ^_2\ڵfڀ'FRg÷vU֣355Y5Xxwm %D _ketsxrKUGiM:u%cJ&bf# ,P d4,Jcc)q;:?G|XoYs`N}?£..azf4n0a6~i%Jˌoy,]e4%;C;iȽp=jb(!STgzRagaD?hD@|Ou/K~$|' :3qFWLN}V7̾SwXy6z#'tAm<y7=ZSӶ8dJ=󇱋avVb> BFjtw/ե[j\͏h*Y3tS?9TltL M(yksr⏏^ܭjU{dG/ZF¦;1t Qr]|-K}M>;ٯJˊLӝ12S?oUjKHm>(lY P'Ʉaޠ1{7Fb^^$Nb,s}:dZFE&zE/u3Jj Ap"ݜ^+^RFǝV*czj{[t>8\'mxQW} #s[2|ʇZ_W~^: FT=_DəU~:&pAR{OmvT4 Dn>3l〻}PS5+͵4r5VU2;v֋+g܃ٕ2\Ꚇ?>s7 @Tsxt C|C.9_Q՟=;̡*vMZ7PHoɾ~򭋸dόgnK+ 'ʊ/h| :Yxp +}cnGTga%hD|.<+z"6U1dz勌c^KNhiz;j9U;Y|ftL2xk <p&$ sV/khW!FuTO_ptvU)"LI~ 16V+ۍ.ȰRgx<ۆ% fa A%Jn@*a;'# q#DtB+q^] /2J< 6FLÐȺ kE$vo,5fGM",-fqv^uǿ}T|SE|uKJ ;0Þ!87KFCrVhdz&BF}֖$n~y'Vg", TovȋϵF+*BhǸMռB#PNE[摮z'F= J.J+*@ɹz6k{@}LOX6;~N&y!hXmdW8t760v!0]Y͡L5Y|qlmNSqjcMS?Ku8>^Bď&v|,Ӭ~]"\Z/=Bs\a,`t(7_y3jqԜg,}KB(Y$Z:sr.y˗D4cn]Chbwr5DHi$L_6=%ӯxn!ςG!@:,yC&9ь-3: ],d%0u9/nW0%~\ub+}kN͏ pSu9&ozz^fme/ւr@8XWkG^e?WkftCvsEG*$Yٟ5XЌuF1^tdatnj|-{2~O'!lfw }@[z~/kl+Ra5jzDa4PW~FIWUgPu>WhDי犸75e~=, gCVo qsV)YiV$施*3y] %D^xT!L"uHm|e%44a~ji4NaA5[+ +BA>|I~#Y]v<}ۥbexDA4fYX%=e9Cӯ26VM\F>9 *x"0nE.Vq2Y»oO$uu^FuVMhqp}Gww7nv:&t? VYDhbt6۪Giۇއ3j3|^8a6 W⧂tg?_[Qxj*L};ax[눒UkoЉJwn#PHET6Mw8uRG<7I_ @R-?3MnEV2M i/lΆl&;=jN]O ]ڰ".'pmf_3z4d41o'3GN >N<&Ɨ8黯zM[1 d3HK$]J(lN]&* MyW v#%.Eᶱ]NP}XKL5/᳠*יOZ/(&Rۮ8lIM,>O^ƇM| c[_1gwp5c^=ϵi0*`6_ 9gjc}q!ڧx^`R"3Q;rF]]mn{NurRmF{d4jR"X_7NT7p;Cq no&,-v(9::xjwVÔLdٍ}DtDId6Ls=*pI;< Tt^S!D#"̍xIX JBdڅL @92%G8fj4~+R?zهo)9\\3!µW8MFFuUõ]A7dh d}Mɛδte^= 7Xgtm0QxCjPz+\?t3ctOBɸtuLH.xz+ǶF_ Zh0"LWxHϣؗGR -%ʡS1pP8syA|l/}q27]W,zCJ"gx[_:Cfh#DHyjsƂ4cEx=ÍފG?_?|]S.{MI(Y$Z䢑DOy۰@quWɠd0٬Cd:6>J'h04vi"9N3L6>\sO~rquVoЊQ׈nAAlRTClS~ĔG79yOEJY{g_%J1"[:#/] fI|Ieo_wJ׍}={|.MR2S>,R;->JG{ y` 9Tgb7L\=} ٬cp@-rJ{j/锼[ԚBQ2M@a0= ƺ+8ШriQCuJ}Qs `}PK9O5qi4eĠ` ߆lOCAƽɫ168z ^8<ΪSo{Y'/ȝ蒈,( s2M\>x^ E֌͜N'V%%s@Ʉ4Z{-D_3fsO5gd cn`g~ lg'$lv >+L0QVJjm0:h9僙_=أW>1M <6vqlPd~c y0A>۾ERm|ȑ9}K_t'M[|@4b?Gx;f,B[zs |M,`ot%8l2}ϵC'3µp4v7sT#*Cب\'}Rp)O^_7rZ;v xp琒!qCǯ9Nk|Vd1:j[L^;j(YWnqƱivd?32VT1q3 .8UqqŶͭQf_\k|~#$JN΂H)Yk\Ep020qIǼEuי]݂MEh4I:o<E' %Ͽߦ\H{WV}M5tQ̬1]MCc21[A+,oՍ{ݞɶѥH(Y$Z 6MeSמnF(rC2_z$ޕJ+Dt>?=@Fܷi&6yS֋܉A㝊5+qN$37srtUkX{[mX?.]׈t6H:ѯOAKcms%gG8]77 Tk5~;g4Q/Zuc:sLɩ)X`/'~[w6r+-Qr SRgHjCZrB-CY2nsVw=&3z̢iS 'dWC';s˹zW2)6dhI V/; b=uFtẊ0Vz;딌Zt3u!+`¹'hl$JsOǢXtt*c>_WiMxdQ٣<asXY4|'tL}VP18S=x*3ab.6ߣ_asՉCߦ6V{7&csJy@y8_K Ey;Oı–]~ĿgV~&Q25$Uy<#zhԮjsnGP &t@Um1fYhEŶٱY3q4 fr%̓q'p8=+Y7p`EdѳxS|gX:iU (~u' OF{%jJ41^Fގ*P4Gr7㖟ʺ-,- !P+ aHzJDU۰?O U_y)75>,'EȒ@42ft6XlN|ym҃~0r~ Ʀ sK3j\.ϑ8Ne2boi%! ׫p'N4w8J..)y-C7~@cc( zq3(Jŗ 訵gg)~)Yӌ E|gzف|prCĸk26U~_3?;M<r٥]lnz4}A^&P2GK3gD?G3R+̾Zv(K-^vINڏ1qeo=vCTCy[LOPz<(Gu!݈}6ck8i@\'ŚV7hyBs)< %sp& Wk+̭Qt7Dg<^,0ï ny<JbLe~s:}NBd`˘MFu:=f+p^ZF.u }2%Wnzټ3lg>l"Vm0P+&LC2y:F&t 㛍8 3/3%~|N55y3x7Vf šHs_'/\%f\kV] T}^0Ȥܠdr(U:R0ԑbt*g{W9;9^Fu5-|io=RUs!:C87Suus.@lo^'WٶhiYw跨v>4^rny^*,-Q#rϵ>u|E AvimFW|;M.r3xŘSz{k?坃ƀM nŃ903߾F[:OxW16SO>wqk'y]Oɑ);F9 䳶1)\<0`FANnɤK:#ϥa$ʌjͻƿyD4֌u\=wDЬ]7`5Oo%}O7_O :"\SI];h~GdɔL5#UWHuT^<tN.tCCޘ?gD^/u ݽ4NP(Y$ZBN ,b=;|FkٿY昒_BXd褏9oa'?^Y"D]_̺7"XvFkU|_g?j?~fQh#f=x47泣vW5|UĠ F"17bA7۠d}q @'`l4>y *-s'GoXoG>oNEaoɁsŎZ4"fA}bt@|o=+j(9(Lor2ELi:cCXY-Lm?㖀͚~< 1\(98pOEH^v nKd!Z1)9m㗴Zͪ g t#M +d7%ksEm(0dhɈ@3KyPط VzMuxk;@42!/r>yˋǮ)z3ok bo-{ l\rɣ\<>M;Y1} dFU&gTN6 D,PNd3uD?О]#^r)gFg!+Uk 3WL- CP3iuQE%Ƕ[c|j0~#+Uf_Vz/&5 4u*LaVDeP󽠧Ԯwz&sl5f_S:c"݄)KwYٿ_ƸX@O},=EJΊ/Y$ZJ9=);|b0/&>/]:qыV972taS7N\ٗ{7cS\+xM"~P%XKTӏOT{7ը;렋~#Dvto>Dˆ5:eT?.R<9Kfh[+ Cx*s?^Jb% [à8B;ī7B@|?2i`x8ZVΊ.wȕ(yԋ` X|d<1mzUG$zjT2R\.DKV%^3~^d:]Aynm\yQ曂`P.9>mTk߂K=HO #~ϩ-Elso+Ҍ=wfJoBIv"McZ6V t^M0=)hEVGNHxhnDBCO'9jRk*wPyJKE> fWebnst<'?>J{2vaQPL4ZaꬰzFN]޳e;H* Bc,$O r?o8Ʀ &B a4{mٝF{M|3|`_2?րjԹԆD_}{OK0] \t@)>'jԔCS)H8甬'?ujN\o쓿$cyk?_狯ŠL21?ZjNDYmCQMxb+~}K<^ɗ~t-eϕ99ɳo=o\gl%GFOW}qDɘ-AZXJz'_"@w8;>:nL\{ V?=HpD!B8 tc3.:F:coƓp %DKP$YCe}`謃 UF'4!13P$jcs;wwQ#+9O$-vs[Zַ3{s[J 1h%m:?4ګ5YS2Yuk\T:#%7Z *_␷dtKA;YwF >}<^O1#Q2 Ix0(ү3%/h(җ8=n{5kO9]T6f)E8GqQXDg}jw b{b{BFwFm~~LTeBC_wG$ܢlI&?̍e:Ɓ>&l~Dk|\zkgyy$ ;#gcloVM9!4J.N@lsJL?ˬ$jyc.{TWbLN>s+~'(~X.];t'9yA`=](udD} h[ Zf3d;Ï#_K7Z#;5T ]Ydp6codnIyX7/7QD߻pHhЯrx?jVU_I3*F@E{@\@(Y$Z2G46nH㷏_U=iW4wG+ĉ3Ԧ'ߞO=L7 RNJ3X$A^>I:oPbv_,Ro;̝ٙ_M*Dky)J&Razm"2Wp`+gA8s3%"?&aJL,Y e4`sdlG7W0}C{mɱT䂗SɛQ={ a [X=S2 U `ހev`o9!!?ՁDe*ӄ1ϦPp#2x;֚&gQiAy*ג|6-,-1Q4ʻ av6Gin̆ܽƐX``e#k\yKڬ`<'k6{3R;e#,`O&-\ͲP?*~џsrlzOz[/* m+#ԴhӏgŊ|Y }{ssxs $֩[,!} Hil~B?ʑ1ׂlcE 6ށJ_?Y9 XPRu%WXO{teEwUgM˥"WaFU3U.(y?dO| Js@qjQ5%/X365M|1 Lu]nQvIcy,p*\gUht7`>e4Ԕ!C*jםqYQf-qT;\7ȧz6y*4ǙptN pMChT<}#oS(Y$ZzbV.KD`׉R?rXoJdk6VP;O5qaAm@Trͭ{J3UָCt\:]+~m=g?h*[?j?pSaZ϶+d!pLsB̂9z%&c{W=\@UKqld{j՗}ӪdA <-#v57ct'.SdMȂF2q_ :70|G3whhpIt+T_4ONjUFI/c2Uq3,NP?hlZfnYfl񍜷>s%B"v5 ޹Lè{7fꪵFmm5_adZ@jez j}JWj˲%f"5ĝ]۾fJMs(Qϙ4yσ/3@ ք˖l8<`Y?g}_^όռMLoheX&%82cSoIu /LxrU? ~qopZ6QcvC^( CUW-xeueL|htądXBqPfUk+V\{*Qo_S|LJco,",-&ĭz%x$ugݻ6,4|ʇ:#\BƞSt8' %Y=}~ywp P̿mTUclY-c_>z;&1U,Yq;NoԬ1Mew-}Z5ʀBLT|h){y?R]*VNsBI'" %DKC!Sm_<,fA!i2 qɄť"MvOT\ϣ_MzQXC9 /#Y5_k M ٵ̄N岘8Q_{C m%<8]x(S1wQUq85Jm+=F*..Y@\$dhs_"tva\exNqg<ʀ djk-wQi`È ?O~ZjX%. RgS =qcfd _qVT[ٜ?6Q3MNehݶ/q;GM 0D* \Nf;< !\jⴿIF#-:MV"2E 1,GiJ&+QaoʫPtӊD^K\C-'吓Z%3l܃ƌ5a_w@uTOJ8@XL?-LLEv 7%GmacN~jqR֔/V7lp43ngŨɊ+V1> Ց",>.&]8E T3 e֭οT^mEjm"8&r5g=:_ckN9/-!2O57uEv ]@}E&+7`jN)}-B^>\xJv-?~T̅URaT/Q0xX.`yVM7DBtZ ]hc_ls*At4' 7s9)X '}w 4/o_Pmo xt@|@\REYp+T(Y$\̀h=Mj ̦'x8~b'nȑmժ'0r־ٻ\%H$PH$-~Sl2}wO75hc"Fqj-h%w|foKۇcd's:H$i %D"k9zv&WXh!\,@,n";#r#}fOqOŖe~e/9  ""H%,D]Xt:9lw-_H >+i+F3dhR|o<+u@ɹxE"юJD.QLda3XSfݍw=!U_[1e{{|zbn!vAB"H4Vv+>se h-Ը;Yvh Ug4vqx3Iv%˺=HE"hiYlǟ l%&)y2)fEJ6c!(yo<3g<'B"h; %D"R(9J|q[cvn4~^7wkPY|cY;o<]+`g3!OH$o %D"ҐwrD'ҿxFQkQDzwZj'}d^=V Pp,",PH$-k×Nl.k>Zw4p47sGF )uy^jܹtyA$H$z %D"Ґ|pvws\OO:䀊Uw}xT[NZ/%gƱnO"$,DKCkz=%3w_k|*7J0iT]HQtQ1Zzm_w6dH4%dH$Z Ҕǔsܓ>ssc XHE%`Q~ cjЃ90#a6ZcS)qQ~|sB>W帮8d! dH$Z F9rq{ YKҝ\d8~%_7uƪ\YL!rK)]) !D"-dH$ZrlNQ2R hG/hFBjmzKuD2}dJWD\B5}ΘJN)Y$&%,D]ȓn=d'ǯ=Na}MYcQ{,#}NLF3\;t[ӿ,gJNO XH$!dH$ZBT |YE^?ҧz|0:)?{ŷt Kɗ j㷄-fO@uVцS?"w|d2%L+E"юJD%RXC=;5v*eEJ^@F|@g0c-[&.,M] KIN 4&DB"HDTs\&n8Ou4> .B),$.pF?6$1dECd:A:>:Ɓ5>ץXpt]^`%D"H(Y$fRkI;ow]F8`v՛~#SiKIVL3=.dFU7N !q糶s뼼hN:0y5(D"PH$-Q0 ʹGnڲW|SQk4Ó~e$PǼ~~Ӡ@lSoni1#Q>|Mhu{"h$,D]3CdL-g&{G|h4{I_6QG21@E#'Ct ZfEFng@D2(9D+dH$Zڑmb?913 C'7~2,("GxECt`b}"L-fhRڡcN8|){KD;'dH$Z*f%cjJls Fͧm3ڪC^g S6FSC-B6dMp+|BXfԎ߹[p;"H3JD.w˓1"L/G˦]!Jv/oد\mn}-Sr>~S?6!h7хiTN,+EHk󩎆;"i.H$E"h)H1[L@RBazZeFh@!p"jXmQQ2d'mV|jSpGg3W,"h%,DKF)[SC'UuH3m2׽1eblɦfk3;-D${ȋLj,,vVB"HdMA/og&~3bz?2່.t-U5gמӦykGD"I(Y$_]{р%DR Sildnm7za$?ypnޖp"h$,DKHlw"\6/I]APrw5TɌUiA _2@)yK*~o<&f"4MD]PH$-!$%eEJNO~tzw:3\i6Aޕ:dvUoE4%E!nEBt:j}L|>0Sr&ogE"ѮJ(Y$8cڹ}׍ƌe,=J`%_X _2ZǚpQS>(fNnڴA$vJB"HɁwG&92Œ5}!D$hFVȑc-zfU+v^{dλB"h%,D\l\2>`7U;ecV-{dXq}ͪ&7xܻJ~Ed,-D"ѮK(Y$vyN&2ߤވ=# Vo(iw%q3xta

~Cx ==J[$vVB"H{<˻'M~cc qB#~ȜuX]hݍ}_n ٫mN-H"h%,D밷f~5/5D|7#DW$dH$ڝzN* JNOrѽ,Z4+ޫ~l;@҅gT€ Z-a`?uBs{ED".J(Y$v'Cl:uwfWa?"b-"lfU_=u{Dى',^E"hˤ5f} JYcvH@ Om3tY &7"5+XW(A|҄"h%,D[vqo3Z+TgTd3-p/9ګS>yθUtc2JDHB"HsHd"wç{|cj7{ZUs1Q2bE >3<~qGB \xD"h$,D];f? ae|Om5{}.JnP WTxuqO=סS md׵E"+PH$n"nsPpF1VWMUf &s'Ϥ҅fT}CW{qî$E".K(Y$v?%gAp|Vbޞ:dvqo~c:?fLŠd7o" %DW dH$,-21C'i4jz3 "KHUGCg}^Ih!^E"hw J nֽTkՠ!ޤz1D\ZuOWaJv ++Gs`OV_H(YM>0vf;];pQۉXG_D".H(Y$vC2(;d^=xkl[S]D˭lX)ٯz[k}UG/xϵO%wJD,dH$="4 _Udw 7(,[q:Q](9ƧZOpN>;朼]2dg౱Kfj0"A&[=FOjL|m;"u{WhDW.dH$=)F>7>tA`PLɱUUC}e}[=%爒X(Y$Z %D"AڶKV(*;dl.XJn@R羐16W N{[89dǓD\D]PH$nd$NF>}oik|.T$2RBIèHk1[+՚ʡ~(HmiJ.]QB"J(Y$vWafGN|3>32J@jVAE*|h?B8 EJv\@3[Ǿ;de%s l $nzBVWmωOs雉yN1M$vAB"Hh ٽY8^{#篃#9RuEonXYSr!R@DufG ԯgHa%g]} D;!dH$Uڎq\7_(8NS]J݄P RaUɌ7TX[2{6!k/yS.DVB"HѺ ɮ:YxY wBejcS*Sd012ߌ5=-µVU$xc~֣=M3ħD"H(Y$v39K@M~`H 9 ܨ *҈%Jn4]1x{u{T\xf/!1D"H(Y$v;97ö/KNznn*B߈z30zax) .9dD"hv$,D؝yafk>^3\ G21k3]̷Lp!;d!)7rNECC'[93zcӔL&D|rj߼jIENDB`FYOUyB;}?JźlZId*y*ޟZV:Ȝ%8IiqBCbs:YM80yU7BX`Hثtv JR{EUQEQEQEQEQEQEQEQEQEQEQE&;Z)ǭ.G-Rm E&;Z`QEQEQI@B́)OHYQGVc+o?ckE5aC 08UTпs)Յ?LL܁3֬ ko~"Ѣڢv"+%q+WbreEJW}#S((((((((((((((((((#րvfYP7d޵0`@ B+O75T![Rxz`8ahzF5j*Q}(i>8.|17q|"OçCx0N L3Pxߍ*V֥ 2ZL?=3__Q#|*Zh%}Nn>KgUផÖ^ #ht** Z"ngy=UEA(EVc ( ( ( ( ( ( ( ( ( (1Q E4: j R>Oa7moPw Ƕyj|}_ AXEi[M|(?NNmd1Xzqڽl&Qc56{hcR)G֛~^ZI.br"R@s !k+ų# .l}y_^+l!Z3MK\?C_QKqsb%/6s~.&(јgMjf9a*՘7WrA%#_,Py;]2m^]U̪rhf5*(#caͧir|/DIOB|G]K;\KMq8}5xX3EtR:7/\S-z> gWYfn܎+i횒c+Jg{ ((((((((((((((((,JEQ HB(%%hn4ύtxnXR [t38PI_U#` }=kµ3_ybU+߈:گ}⾐7XoOLWը9o]n[$=~?{m=hSPAEWhQEQEQEQEQEQEQEQEQEQEQEQEQEQEQEQM=E&Xp2960ȟgq^[_EhʬpOҿ1>=V.|m-DJLzpS/r;p %giwMq3_ ipX[1ޯ?eQZule__zcG]`݆X*|qu)צil*z,Z(AEPEPEPEPEPEPvcGTDjs2dvHdU?,8OS}Z"XZWx:=OWYXP#kuoZ | ~lw=k9QkZ6%蛛$|.c`00qNUe˜@ ޗpexVXzBwgC)#l/Vc+,im,,=ז|h_jIam[;(1|@u ckfD 5 O躜+s{?_51,m$a#_B7,4u$Iףx3Eymu}+gz8?v4OZME n1W):z'7 (Q@Dƥ9y?h]/YH,:]׋nITu^3Cmc4ny*9yzl/xÖI 3Pxƚ-u W_j>1č#53u\Ez/*K)xw^2I1A +O'/mj$;W0~fZ/hSW8)ԇg@QE(((((((((((((((4T6guU_IZ;ל|_eeEs5Iu&SWxvD@}>fMV+iNLs Wg+q^ͅfߊ  V4l~M^i?-McP&WեVpG )#9塅U$>~N-7Ju~r{+kQ@Q@Q@Q@Q@Q@Q@Q@Q@Q@Q@Q@Q@Q@Q@Q@7:vrHu&f~CNʫq5\Bar+:FِLB1j:L`+>OFWZJ5 ^$zGLN7t8_3\erwLپƙPpjf$ܯ5Fk'RשsJOm~=Qx]"bU2銚"c:=AAh-Q\Q@Rn+I(,qLz2O1}6Qb{w|P<;Lペ9GbOOzƶ-U^ 8qھ Ƌ 9-]G}ߦpp< ׉1<%,~ [xsA&a|\$~9POsߊ?p5ZWW}E tlK78=^,{fa$s]uDj *ZYVެDQEfhQEQEQEQEQEQEQEQEQEQEQEQEQEQEQEQHH⇌c'eVr08-mR*$+>)𵈓{^UӖSu1!7į\$e,=+-3}ԽXswAѐ1,F~(}ϋ,&+W>A&3oq7 jGT}1cZsQ5#=:X2@QŠ(QEQEQEQM޾0#9O`own]1q OA0wLNWQ}_>2wNz^|pZGTPpKbN6uj3, o? v#2Mm#iTm=rφtčm l 9>e7緑b+Ts:DL_qKwo.l q|#3V_'YtGqgwn}s+:V&e;j:kȱYRqILQxuZ[DyboRYRqQ}'ƏxRS CfFu>9KV*0ԄH}+~.^Γ&G{ ǯHeEಏnL KHn:z̾h%tW7zvfg:}j0Fp/AJ{9|/(O7Lgnh8G^ڛ4iu _J\f](f}Gls+ }f`'>3uqo7K໽rY"'yuLW\IZǝVhxgD CUP>h0; "]'Sl&G x+>uxNe=+p_[=.*J^]{((((((((((((((((}E: O=k3Zb =hPj+q=Kgm YIyO ?uV`I k3q?5k5V|drG5$_)]BqDҟ0w➧擝+㜹C1x]8̹⾍yᘭI.y;wq|Nlꈤה|7w@'~ /6(=byϵo55r񭇊*?fr"<)ǡQHX3Hh-QEQEyC[J>~θ/ښ,];V-k4Ň[#kwO-(;~O TgSG6?^_bFVQ!}k~!>9nōi'~g_fjb_OiMqa>ܚ:~ժ_%kMpW9}bgx}2#꽷Mv̬)_r+%qCy&5Oq6Kq+eQ'?|vU8bIRpZ[M?tn?鲓$*حc<I5od$_Tg} >6Ú&OSѮIa#ȸfְpZgCOeZt>* MԥY'sGWiQۓ3IJrPhPCf[kllz{9UlE~}\> 8BjZϵ>ӠX$uAV7j/ )]OZs#l 'q{_i\09ujҔs6szCU^X[iK<>cVokEg7[LdXA4@#֣Ikڨފ2ke-!{jR>$yH X~7y\McQܶPYPu-2?dڐoR!uޭtdNsi7]Ow$J v|KwfK52wSk[?E"<d5gϘuuf r Ѽ`zyM$Muf Hbo؋\/u ?_zױxOOta\+W%N0he~<: lt+BfFW8]qu^1Pn h/59c["]Xǩ'ZO20^|~7Jh0_^_xx+O{e$?"CPLu]~:߁/$ׄZ4r)S| ~xS^ 4[xc&񅾗5+KgyXn)qxJњJ\x"D 8ɯgG[^nK4h2Aվ xr\ rv}ͤ>$/ҽ;!z +쏒~7xM|/n! $9ؼg/k~8@$3H }?eEs!\vW-ʽG4B5| O!<cXe+b)O8Xu&~gr+!ǥ:4O[QEPRdzZ)8 psI/U.{;:p1N):vܹ rWV_,+-u8̓`%J(_QF+Z)7ތh)3@ E&h=hh=h=hдRnnдRnfE&(=hh_Q@u# (8P_ziO ~qqΡ4nj1lu[3Fx?߉b)~.3GܦdF7kλS3{ꪊ~pnW_ ON %Rd_stxjtoA3M:JA`75_:~2ٯw_7^U{8p/ 5Fz=iՇe.2.ǩqZjpktgOFbh`zM֊ [đq"يc/)S)QEUKe8S?]Cg<O_&iy0y!s&z+? |Oxh7@vݞ_@gn$3jٟ@JRJ%kYU+y%55|ʚ :Io7F"6PO՛Xd~Ս$ RZG\\L@X~n+ό/o|pQNpk/ǃú Pʢy?0ȯMiYrʣ$zpӖ*cԼU%xjиV`z1ZĚOo?+MZᘼ/h#) b I==ígEU5?e>H_@7sᇄ`𗇠4Ď2͊Cn5A,y W,$j8Q8HaS|IMNUТ4nh$q)8*髙D nO-*/}fF'u;SgQ@'bs4%WoXW^.={-Cn->_&v[dnλw!eW,kƑMu8c厜Oݳ=M{T8{Ysry:;C_$ZӺXҵ4ھh3Č|3\QI+拟ڌL?rB/N3_Y(1O*/Յ|s]${P_?:4єq_>}J?ВsgOumO1Fp*/ kOMχĞ&kާҾ%C=:VYq_FNܑ챤lZB$ksgYXVo,upT~Y떯 ȯx :詆׻;_v19#𯶼 ohp^ŷs6𯉦 @a/nkYYEYSq>"QI_GtO Xk)%";V%;-;KK+X\V#eψ?HŠ((RjtA#>#%Gu5L׎翴=8aG]F8.펹ag#ӭ||:Oak.k&ĒB%j鴏F?~ Bw6R?ۺ]t3uh.c+'.1OȯgU@ZΙL-ҬjZۼ@TIlWwh:Q݂+ xus柏^5>$1D" {W~͟ Xƭ:' 7D՘.[O9<9oj rг+R΄&5_4O:Wk‰ B*d|6YYP«;ԚG˟u_+Ő`V9>_xkX]IWo\5xߔLn"gCuOCN%y*?R֭4qҖ,JXqW_j0jOŌ??}|bĿV,[±;tl)^ANLq$|-O]N2pk5g7"IJ/ZFw} $ײ+qV{::?$v&[ oןx]ִ˝e_TBjDžf=rzc"9G ψJ#׫mP(H]?NkK'_FgL饯P xwoh.E ボϓ4O >F?fiq,+ {8-F! o>ƾz⪿hAad|s)\5q+Xwy\q_dgӿ EGǚg쵮?)^V"? o>n!*sGZ~fd~xn?s^Q^;b* QGiÖsN_VQZ4VRV6# Ɵ'xI4'&X` EXpWbkZUd:`W'aj1B=/JD":s^3g C]o(g9zpkkyS !_P~Z(ЛiHqGgKZG IQvk˙\z*QEQEZKg)?@j7z'3QZ𾺞&dbA;Sb#^;T![$־ ^ax*oB|$D y bxvW:7#KHF# ԓҾ.hGkfAs^W@݃\9 rG_%xgJ_F\N~xXK-,yxꜱQ]Or7s1~xj/ x~XG5W]Շ%4!P\DQTW]דkI\ٵKF25?x93(R+O8 }Zw˦kAW KWV Jog6ָ[3dOcyI<'E}}? ?K|ջzp1\fLF{_\lzssi }iYi8ZW\M{FyQ(|GWN2hi>mip ^"!Vw:!GAEV&EPEPEPEPEP:}y81P S((((()(jYۼ*$h:5> ,tha|^WqcDI_z׌ ,˒J}] 1Q+곜O/sp84iUk-#snX8`]ʑfp:p|w?حm>SkpXF#`stMoϳy{ð[m(@H~xa.W*qՃ/^cy䰉茰8):rEUQEQEQEQEQE7rQM.RuR^aTl&;pcgx~\o~B+i{lT)hƳcM؟3f,`H6Ҿ+??HHBR2]YO->> }}U%1WKpHxǯ [(DҏZ\XDhCV~.}G'#tyJ/jsb=k O䣸s'k>O "GQ 9,K~J_⤦_-u=eQE(((((((((((((((()N1֦NA0oq3>bN*Aoxi9f!Y}os<]>sxа_Kˡ^ c+3ARTQ[ӆ(@(((((Ԍ`W 4-<£v ?Zu\ȉm,5>"j-3=t@kbqu"SQGj_<=_ԌS4OTl_ڝz&Xׁ<[48U,L?AbwC4RT`j`W$ gҿ3 񷊴 %sjzZ܅&=ktoڇחj0-nSs:]`/R+Nʫ0NօJmE. _`$i=f>6s5goSKR|"8)C z'u'3hȏyM'9(.R%\0ξci"E־{MF +$p?|QW|@>ge%tw گ-Z|HNLLj_ N|t3PLҿF8`]Zz(voT>,GS)"5y-Bo.{@Abk߉5&pXHגk׿h7K-ffSsy/5yc }k&S+h^4N:{_&ӭuJy/MJ´kqعq.U8{5ʂ(@(((((((((((((((((WQ<*u$ k~7xggjў' 1g="|~)Yǖ'?JٿgB!#"p'.c}es4M2-#O$"cZ_OA7&)izRs_9r$K Lׄ~?aдme"Am=+&x3\,|E[p(oG9WpQ=yغixsx$^+ hxsF4#oVU _CW>޲KStHxK_vQL(((((7'}Bq3<^gktF^Ãu}(0WN53 :9mIG.`Q>tz[-)1 /wAMe QW-%3[F x9Nke$yggk 7Cyyo!s_?5,QG1HdV0W >Mxg]:]tDܵ<"bdttT߷Rjf{s/Ę#Lj#]%`m^u{w~3sp=mQ y9B|ψ}W?ڣEHފ׋T]М/{wVOvLkn'wÞK& +D #OEʼÊ0XʞY I45Fr_%i6]VM3σ34<נbBOD|~ڞtwl#V;kSd~^x~<F$j.d1 (ח2ξ^J%&8X(ÛqRRuQEPQ@Q@Q@Q@Q@Q@Q@Q@Q@Q@Q@Q@Q@Q@Q@Q@Rdz=+ RǯY_E-l8 巣`}}a^-ł$:ﮌhfΕ澟"Ib8qSyWS?g-BxHk߫BhTV8J:(Öq׊5t-6{P+uY5H4&EX׫W~;.vf+ycC}q[mLʪVEV9OkM%軸?¹u`Z^{ώM$M} KE$rدͱpC~ :X4z~m[cQ+FtW\=UQE ( ( ( ( ( (+^XxsZx{UY}X 㦉>tWuFS{7=~ R`n@eV\t8>|pХl+wrj ;S޹gջd\N Ԟ毡TxCⷲ '{wUU߳ZLWS|g'g&>Q23^7Mkّ R3_),(H󖸛b(BY4{^M+7DTll<f RN1\LIkݺhC\d2_ n5 Y%V^ Wc}WmVk:}j$M! uWb ;{ϕu%˕\(xHYLpO_0^xI6ZS4;FxJO8TgҺ MʱAr0Ǘ/xK°B")3#W{UE@TjUiYB yAh(((((((((((((((((*?)Nֳ/1iCDӌ$?r 4(g&3\qX^_%uh ٯQV05rc۬: 0m<bO, yQGRW0C3XNH#Ue T#SEN&?jQMi..Χ Uόud4}A/|ucW*zaI}dV^E~a Lu婡᭿4XUIIzJ*{ (,(((((((+1 h~Ѓ(@5T(IӨT]⤵?=~nMpֈ$*!@N:cCM@|*KZ#Z+Lz^[f2$1mMՄ'ђ:W{cNCȣ9/ߏI}EO^&W麕4L+UPj=]kQH<܂+O ][q՗\?:4Yyw=:Vk`(]|Ìx;S`VgK(QEQEQEQEQEQEQEQEQEQEQEQEQEQEQEQEQEQEWӾ*]AKs*!nPXz׼W߶Fuodej,j}ñ=־ }k؟3Ưd&pn9қQ|U377),fr-" JL%~c(kCʣIH3R6ś>/#jb%W-~UujڄQEhQEQEQEQEQEQEQEQEQEQEQEQE%F029+3YWO'cSr|F7٣ηp7|~"zdWQ]&c灞+,mR8c/{x:*w{vELY`feP;_<'ƯYXN\f>`UZs|}urk819|3$ןں*О~ -]轿c}kipV1Ga_Wc〢XwpS{Y"#ʍv/ҭSqOxVES((((((((((((((((((( |CF ,tMW%4F>~xH+cZ[U<>h Y$7,6kq"__Tc مgR PBEQ@Q@Q@Q@Q@Q@Q@Q@Q@Q@Q@Q@Rf oNM?S*"Ϊ=I|tx2@H ;FӞ}+){ZeUG Ez[Ȑ30EK Ŕzv9^K=Oec>VFS5s,c5?9bN992QǺۮv"]"P׈Tt8_j1D> 0, >bW}k1)dx?gKg%4K^<3g>+kX[[E~g]oKvz**Z(Š(((((((((((((((((((((((((((((((((((:/OEp{\%xֵYHŵ8g5Ϧ? ktWz=߇m,4 fyҿHrWoEyQ_?~8Xxr|x򯚠vMo5ͨxV 3Ўk럂-?u{iGVqxvFg,MG}ko A$G\/ -j:^PZQ\EPEPEPEPEPEPEPEPEPEPEPEPEPEPEPEPEPEPEPEPEPEPEPEPEPEPEPEPEPEPEPEPEPEP| dQ@ EPYΥq'"5֌T2ىZcn/s@!_T>ex+3I%)JI[~Ηh+hHbAEFmwъCSWn-Q@ PEQE3(E(N(B@q@`qyQ@ Ic9 H-PEPK y;(#:\g#Q@ .@$zz ,$Rg֊(QEQE! A`OAEQE! u80$FGQEPqޖ(()h ( (]TӨ (@ {Q((] (s֐:H`@sE( (?nyP% dq顔7PNG  IHDRoM<sRGBgAMA a pHYs!!OIDATx^[[[ߋ:}omwRܵ@B.5Hp @pwAB=KxBK-.ݰ>Wk1cG@@@@" \DI WQ/}9 c\:d(_|&MeH6j);(R/o1grfD0 F@@@8^I!Խepu86:%g !*p~~h%Ġ+\Yښ'vs˒+ãURX")t1ek{aplqh$*͏T"w6W77ݫQ!iѱ,{.L"w3.UֳoB@@@ ?B*"ͮ,$`yuԓ2/! LGPRe핹% +|>O7M! yH>+),e{+m#clioÕ @>&+URx_&sh̥ٱU@> L} F ,D%dbly~rhe(µOSRmZg_Ƒ;,"BA?GIB)Fc[+Lis/`x\lbM ?lG@@@J CrPnyӃQ!P,X#@]&E@@fBL[Zgʡ3{<&i͛eE@@v"˧mn, /HxR) HOZ]̝9߾M%aH&\nMLLIE@d^u7*pהއx|&9ַlg YT;SլUDE~`xEr9AePW6;gxd D5 e2G1Rкī,wDIaih_sM6E,>UamXXD&X(w4K+) R@̐Eg <3oE.^yt@Ȭ솹J )+ㄑA@(;Grx~Vy"{؊c KAخ1bPq:9䙰 {=4 RI:.-!{pI{2JlU <~𾐺mm`j "lO,9r tPƿJI!@X_!ꇂ2XKv6'"1!u  ,~'n $NOϏά:@76*6$2k;;FFߑ[ȧڧx G{!~:޸~2Q")D́v$p7U 2J* C8,s.0 84LoЦn c+k:kX{¬9p!|/6%!xg Z^-Ǝ/&b:bdN╞Tj B<-6'-[vW!k+b!g}Ztmn-{.Z/ .ڏԋ$b-5I{<0'!_F(;pulmH﹁U2~!`jQW-"*cB nSRx sss[LO8"kL%,y23w.bDɸxT~op=v٦6qA%!P"S3՘|Tj9aCDncQ92˜}6yN9}w{ԱtTAA~XxۍtXčc=-V=qǛ d).͹jRG/H˷ӷ- {6 PRX.ۙ%=kC׋%%Qb} fhWs7Oc ۦ$T-r{{En}-x_Y]a.P$f:meyx exU_9^Ͷ[a|9&U]?'/J )+s}Kekkkf.(0Vѡ>jKWx1b ^VVMɄý ݵP!!yK{fpm-Ze}oC1D><L fà|i#&NQlb8<|9SI!@&nQ{in~h-؏Rjc[r ==bshi4(*$M`tF!vȹS#\F\^YY[fbꞤk#9v~`w  5e.~)U멋o;= 2屪Kd+';7<)݀/ӕkq]2&Do-eZ߸#ӎ`pQ=NѠ]H0Z`R*1eqM{Bg2Da;II!!GmLI/KKofog1j UK]Ie/Hv2s2N k({iD"i_k}ICdH`fZ-I{sۋ =h(3 9讚GYn zXXuz`xy[ݳ GZ"o $րkkܩVH|cvfzZM<3ѺFa!hun.U=cw ŐQo}rY&sQPSٽiHDb6VS^=.\x_uv qvt K_?~n`R4uUVO{AbzgsG{Ci~~rNM}-*DGj^Z}Ru]}D|[tB/Cr+'ƀB0M9%Ǔa YR_\4ɸyX׆-J |m6wD^L%iYf ɮn~:8[|dJڜ#Bd"sr{+xH^`KF/%oo/S>go=OjC} DD\''gUή_mP/~+ ɖ"],Tb^mVvCrh;W[kb9``lk+ %K; U@2XUk7[W pRߐo`_ÿ;Qam/7} } Mc+<@h&}n|~v=N'YD+ otԒs (taI̘7emwzkLBEs¬9kQNF#ۊg2gfq9ՕBُc*h2M0~f s,@k nEޙn s-O\☇a8LDgwkkbҘs+Cv5Pf; /s?RU *ct|lOm[aq s;Y CmtJ8uZeVUC[iс@_ --L&e{Jqi92[rw,[o t@tfJ\>6 Sa[ڭLEF[JM{o_{dJg[+jq#M``R qz{yCE|Nw{w}uskUF=VR4>+>|!>{(7&2*KbXT5u'.mߥC$-f9ոͽ}6*نԯr)g W\[1zws/ my<3p!{4HaӉ Z[Ks* p]'*{EAl-^oPaZS5:_9*faYAHrysƼM]Tq!gp~rr#}9N(+M者d1O6`!'fv6vƹֻx#D]?Gg5iyQCCe>{{u}OJn$ opq"ZebvXt#w]/< Щ?!0+JYN0 Q21#|;qYiŧ[ gkniې5SEfV7 wTRZxeua{m%3J0F1dlox&$$w>$b󬴴U~gjA1CPJzˋC-U  ;X-:63>)kxZqX]CU=p >Ogk{cW=(3Ե"t*qw&ČkU}UXA =1ݕS;Gr9FvvcdR!4]T4;(:u;)bB-4O6?\ۄ9ϒD ԥ?3gہ#fk*l]9VR.nj^ llǖUV7D&^ah3+0<}090C&UShgjx|o0.?v0xfkncW0(#NLTTʺHNnqtW>sGUEC;³襤2-YbۦN9#XZ&ٱ- LYwڗJ hs '{|;&\dmt=3G6[ (儹j>{PivJfjRI~q(Gnlou0:5Il˵})1 ^~tˏI%!|sMiE^aVJRFRJEV}_U=wGz ӓiK|:eb6i2rA OdN~@ߕTw>=r1mfWa-5.3XӛOI[(|)b`aq&B3z=&) (a]}DK;vߴnkSdoB%Kd H5WS~LTebTeM2E~Pv7fB_{%d7Uκ;z{MZ' @:+u2*,_$R(R91<* U>=8"uHn&D \xav:9X_^\X=-{6 g^7#8LTue:q8ñWRXFyf O:b2ןYUڻ@s:UėO7$/\@rd*>t{('ri [6;{z!`hq깊OA7oגx`ńz;zEa {t-y2wO eanzi#8Ґւ w?jlΌybcf¼s*I.Nj 2RS3sdbBih B_3yfeni8} duuyEeܠ*C9 [-~|VIw.4ץӃ{й-DZ9 xN})\X.:QV>R ThL|bs2&i1/DXg ܋tS}Cś=YunyG8En us"D\yRCɪ m eag*' ?/=7 X4Sy;9;$\B\? `Q!/ot~WQ7 O(kň9?U_6+6_ڽ0L7Y'ͣ b{cTL4x8f,SL+6;3)%E.۟jB-Y<&B}mSӊ?@2'G*s wލdRDWMv`BHh *5܎#\Ӂ10>]g`OM(frJNȨKs%屡.&u =^}*:.:Xno-hur )Jk_讌pv0RG  Ẉ"R󌭶,tl^JBbBxwMDG$KX^%r4}pt4}>ٌit+v " gnAMͤW:*ʋ[[ɢ:~R=_khwL"n:Kq[ܔ M ;e{Ei sۢf@ ,er_9mC x!\cOCWDE\@KaIvVYhx@ uއűƺtÈɽ3&obB"cJrޢd$5Ltcn18=襾sO7t-0,u'D}p y_6|z<ɰvwF%[Z\X# mdv~grlLc{BSN\@M; [ L]gmgKbHIP[O]ncQ`e:6;"3LJOC''T vtLS(<ܥdW2DDhojF93@!c)?|rx%!tcG"q0F Ύ ;zLCXAyeؗpUe9ō˅lݔ)o5-Mf7ߎRrTg7:}ȸp@K~e@X?i|BuCWK@tr)2dO;('/&>>7,0xx&Vsj*bBXk?2ܦ]ڜ+kIz.*S9PЊGedTuNI!>ksbɈI {cA ՑW]c|||b2 ; <o{M ZjSb+:^X¤Ջů |'ח)/ͽMޯv&f\_G }ke19*CP\fXP"5|zP` xmAPJ_*JhT @RtQǘ0$#`Sm^hqع70܈mO- nMr ifflζR\M*M()$NŻ)=)$~r[ukyt#D]5MxmHlsazdba}- .~ @C '50:<8"3.pqw>EۤڜhT{lcL3efGQaۘb  _rER6ڻ2C=4ܣR*b]U:}+ÀÚif`2) pjÇOq]Gr/,pUeo7rOF̥uVf/j9PܝhƗe{̿2=gBO ueύ)G;xPznݘzF0vKڔvM٧ >RV#K3皒0 oGaFgeAr 3X[ZT]/ڱ8VbeB鉡{T}NnI14˹ wwNf{sHWynj\"V/ӯPຕ9ԵPwoj7N%2nvK_f`9 ,u-o~]J1Rs9!LI}n]sKX' .s)sefrPPYW֕_۝bjD;K(̴N&u6V[pA0; -e UUI)őjMq`f p#0w(}{=_( H7ht6,"!c{xc"p:L'W+맸!I|KIAJ5_g:ޅFd/s}[YŹ%9LCB9+`*&][m*W AMӭDDjLAkG6.;N,*wGL9%WV13Љ/!,7z|pxhll(~qՖkVR)h/1HH][ޚE{PȨ/LU~bY?LwC`w0$5'uj aPك'˃յȂLuYvD@x{H+ CXjk()@'V $ީDIbd6+&]AbNSLrGBL2vAK.M͉()zh\S`: ߇{B:Z83YIqn~E[v}i0ink`jl9^@ߜʩ*Lr+%!h+1,;(,ipAzl#@r1q\RR]Y]6ͺ䬽c변RpOoht% C#k COX2ۏ꺄 PC_mmm}cwexw|`[ɾWkUTyIrnqKe<7\,- (+92\ڴqXEkKSoQ~^vbN%Čϧg=#~[P.NV4L0Or213/FBèp(TMZbJ= A 2z*33"b+zwz;p>^:Q 2k2ҋ|OiQi&/ @tRQcye@uQNaY^Yr*-*3jh ܕԐAYx"(?.S9Zיd¿b<"4WZ[*;saVԢsd (J] -<*8_^? H.]$8W>Et@|fP&E\__+ H)aoR0]iHs{hi)7~mJЬM%m݊kN^/ˈI+h#.w'먅uʏewIKZN5~A/m= <3I8̓a}kWP,;?12?<0nz$=4=E:`hm4&6*F;X剏>۰6Q.wuV7顖訲~u$vMpE`xeq沷V?_nx}f;gl\h_syNodjՔ+cƁc%_;6a]R66?M7ׇ\l^pbm 5?U3'O;H V Έrxuw<ůaml-%F;DMnln+G3mUu5E]HS e%?SpV;Sɪ rIQ>EgY:H;߈>o,,L+ï%VjZ3Tձ1p&TC}pDۤԢԤ,д!R| $6Y  g7 j1) %53bSȂh􉅥LKmNjzeƦF,^:.8^_^Pbd"7~(oMW'Ʀ6ǡFhj3t053{VdJ*SM<{.Pt%0&>UU\9ܨ  65܀䖗TLoR2Ӵ ˺ps;uxe{_3TR1s$&( X9Ǥ$iio9?6]"XnU{z=>(w-yi?7o ,ty:h:N}*pµy!b+}חo66Q o]z>G2H+)r04~^}\ D|puyIJJsuZV(Hś A^i+/M.ɶ73SWV{`P*&;ef F!pu-#||UqBm4]楩k⹺y̹ipCtנ6%FAQu,lN`S+rk8W0ȦuWk@.wa늣EGGw̞ܾlfeg쬰NMb_X:V-NMeG@BnY+{5)A0H!5T'}hVUwʊ_TԴBCQEݳ_w6.LYyNqIF#eft/U%G9W/}z?' "߿Djs Z*JiU)S7;Zݙ貂"\zd2PG}Yv*XC+)1{{сVlfAY-y(MGJ_+0uy(LL5vww 2*0VYqK9`"/VO鱶e9UaUWcsS*#|tl}WvQH*&T3 1˻䃲iGKI՟:}0Leg-rn[{j4 v|&+{JC2g8 B9~>;!ޗP( ىɅ- E?0t44 ⒲3SZ߆uNMYimҏC3>X[U0L( S{gIq.g&& ʚKH!Q\uՍ<(ݓq5Tl #3L]Dsyϟ=J%1:e4puu|vUsBh)ݥmjKq7d9+)afFk*2phfj@.J1nD~k?~7col[ڱ'C:QߜYӌIxi]E ]\¤{_:Y|LUu43\SQ*(ϪX|lTT"RVYx<[PWXRݳHkCNZ7bE =ܜ|58z# 3yet% 3#0CBrfȂ^~잠RDӇow q%%`xD>dAC*_d.uu(׹9/(¶P7ߠɹ stx3X`\=l : w `bk3t@Du=@04ou"1k,>XɣB+O8t@zzRNjaE&2PgD A\:?*31qqΪڢo͌N>WW?xt 򍹖fLV\@Xhrn̑B#=ZGW핡bTX\ǂkDeuJsyO@q |SCN%.khzZJ9zdf&72(b(_fs\Z /0LYv0zv߸ct ]g86td_—5O~}w(?Q)8Hba6u$?sx{"6)˹kޖA&.xH.%>/Ni qa%M5A 7Ìt)Y~$!lYaaZvVqQLVKGV.`m_ ,dP~eArp`GÛ3 Q\ Vp0eFLvvJ$*',Plg}ӻG!Iڢ̶G*>/ꦏVIL(okN G%G%L1/^IXv֌5kddDۼ+%E0]㑋Lig]xk3;15 %:3x>a(@&z?=sGΉgީsLL8[>5R`vdq ;)/!lߴqdҷ4xxUi”,Pv>=JYízO& Хv*US P{)kb|Z-Ov 3ij`-*PUE?38/]_[ٵx~hA1<4zY/*CC{{JdDjoLK+* OZݕb(-{/ O G={0tzl'@(pxC^aSOP{yPUU~v= c:5+.(ή|oxej99eۖ+đ؇Y;-49 ]HTmleZh^V~*u-0XgmdmHg04 YU3d?WJ44?TRPΪLR40'F*fwAiucۋulj?t mtT, 7:?txJ{ƶ$Ty*?VlfRҼ+Wo-e]NJ]IK^~o~kc_Xh"u‚P|Z_L~FˊF70XL*b,vwyy`e!w$ZZ؜_+IO-pqt;sޟ5w1t^+uSӴ57qK%%R)6˿5$gO[a@.սq By)|}mR[4}R-N;j*?imf1>ڵϏd;Yydc[)a S}soIsJOIHqr.8RYA . QqM!E(̞:+!衢dd@__x4tߚ;9 M,"G{aMrokxg}Z.eNڶ$:ٙ{Cӯ @"ʊ xaibX5rtՔz:{zTg;Y+qhfǮ䛹D+\_dY;vm^f#/l";O?uv6rC o4`bb*9_9dq۷FlMƒ#\B8{8ǧ4n)&ߞ!F p657q |aiNYKRLIH/h-5en5APfrFRJ~l; ƥ,9ϧ*rA%YUWTYAuDsw/RQMB0Jvo SsDwmMT%|j  TWն7}jaiaKyܒ3Gᯏ*[ddS~f87iu)e)>'3?/!*}Tu}by>SR6PI+7@y󃍩!1t3U뜬@H"%/ v wb9M*ltv,\LIe<^vTʃ*:ƚz*Amt5w$G%n~iZ*"2J(ʪQ.|t.&O^:0|& TU$y%y&:Eŗnq>ƥ'?+lj-'1UC~{cQ<'Cpe~;ku]`zȴhu%]#-EnfGCb ^:yOnʗBj_vsV/v)R4?>衚 ,Ah{ktPadǾl:y,<잁uUu˱ӳFX%gX !YQ( Ð83X^{&-1kD -j{PR iEڊ،PTxxM[T«i 1°2R㉦>5Nn@ɻO~{UI#y.]4?ׯzOltqA|Lay0#ϷzVru< Ow3cKM XNzmm]2Zf:;0V]̔PxKt MLǞd/HA1k#.L/'/)>]UM2s?I",rC\&gr8wh~]gӇ>o01A^#l1.F=͞VʫQa9Y޳=Z֐]*BE|JMɋG57OV8 k'm^FXퟚz%%Nk{zg?P3dzmyG`s{ƖN= nUxl3]S.9CMsSEgHI&||M0?3ṦB?/?Y:ABM} GpBӗ|a깪JMA{>71>k&λa'I]ð:t5=ܝ>ħ/+ @1TKI+ބĢ؄ׁQ##2s'7&V;ǣ'+{l\17QR@ŃZ^vT<@ MwzC0q9hqRŔa(Gw{G%I7̔ z|sX7NXdކw?B.Nϰ(>abDI~D0I]St0l뵿qzR1AE"2VVʊEKN F4`~Wꓧ1a" DI &4]S ?F&DlRKQgQ5" ePSo}*?A 8qh@D%E@@@8_7|%" + 0F|XlȑL4" \TLcRA߼e" Gڵ8D}[LQRsqJ^WQR()GU7?l^IENDB`nc|heTB}n}AvPNG  IHDRtX,sRGBgAMA a pHYs!!c`IDATx^s۷Wޫs ٖL1333333˲-OId89T*ڭ {^: UU7A,3 'p7N]PBIBg;[mTyQY- 2Rkdn(&A;BntQ}#0}~N5|#`qg#mbVP$}@荡p;9{YBwsvWH#]mwH4z(H YYDsR[h`iqȘdk(SGt2v;@-p33sz,‚\\=FuŅ=ɌOUU8nf{bMMe*-k >?JO]ߞx;ϬyXY Ž Xeo6{rz桢D/*.ioC;۪ `wD4ַ,NgmjוZXۧ}`\M*-';?JJgD;=RWuca;OҰMlj_N\fcUˇ7}|h`_஦*4'krS5UNO}yu!.э8t[a.GqcUiJ 6e{4 pooYչ3C/$.o +;3Xm*BBuRWwZ!pwy>{ v>(:- ٛ` gǾz"£ Y(*~ 8A:ύ&8"ezi9;}=̂IGg;ޒࡐ<߷wV'gO.hM G@nɍuT2QdeX5..$"mamxpB1v[o<\վFz6%}w@MxrsMfa={"Rmdxy_dl:,ˬ򳌚zKaef5:D??l pw)ZXE.-U<K5DmtsҔRg71 CcIGFALBJt 59Ƥb TVpL tɃc2BFGhM:_GqG߭jGK]xqzGK G?h Ԝbz~4ZSX>{p{M1mw EsYkTr~Qp`Oygpzy?e?ۿc @,nko#afO?&3 ~Аt,gQW;ZmEyBbC[7 G¢r iv|auM=@6r tx$کݔOZ\!Ņ4=6Q[}AHh 2ࡦh1xJk@Ĕf6gV`5y{&RISR@inR< nm {@<L+w7Ezɟx@q_[**KnlY757 &|mYu165}Ѿb<IΞ%;}YnIKemnN>?` mAe>!NVڊ 3=}sP][~4q oJ2hMȘӜO+=߅!Gwacn"%UHJ˝e!;:_@uTK)^ܠ2|i)wg`=X aoab*!ck7rk ", uoeMXUiN>!hͯqem h|m.Ą/m$HHlXT?4~5W]l \|MeuyGVᄆHd{1mQ? 9 1=}"<Nnj@jMTPZZ7 9  nuܟmNLͭT4h^SKQ$v2I~qa6;&xW7塲1 -(*=qeMS=L2Kp)`MttOFN4(tx3i#ݲЃ?v3G8Xx똩'P2 pMˡEF ?@>5Jk-aV>G`5^SSP9KεdxdtCN|dtiUnn1Km=á `AĝڛJ`V7q36T\߹pm/4Z[q2r]pd)f:ҜJo+݂-0 w\mfftGK}!e3.ƄGWLvU4Jw DB%.6裫4 J^+i sUS#IE-e{Pa޵B=~q!S2F>.%`'|͖ vUe"ֶ>#f'26stz08tS/m:>Yi9E/ ܍ꭥï "  !Xcce٘,յdk~FX_jm?S#f}A|Uk3aJEf05@*5V5kjҡ!ґT?6O|X20BݤH&/vi#L5Wg[Q/ikl__SQdy&bBw dV217MJOJ`m36mdb:b+v>cyZ00 &]!ԑml_yz_z.K)xv zکʗǥ u [ eC_R@Az+\)j0M/0ϴk 28d "jp{ޟɍKί+99oqȸֺ{7@XYlwYzXa0\`wu[øc uQnΞ!b=iGiqm @L m=>'DHW\aAU3QUls]AY96'zDREiEHi[]=6Q̱Cځ|ar[Ps!$<4"`Rz+ ̤͌7;VR"H32:l-zJ H |.PU\ya83ĉza!6Zeo II.Vἴ$?#}-ō%:\{{򋛚w,.Dy{>0m"'/hk|)N7Ƽ 5ĕD3Ð ZCl)WU]Db~^hP2=&K"\NƧkOG$n,.{Kx;qʂ\d_I"3'Y*ܳLzur`pqQDcI^j>߫@enh&=DҖ!7o|禣-'zik/5dsy 1y.DA BF+ɑ<_b_>,; k$0wpw"\T;3ǁ #7LC9]tQڛቨ*. ~^PcLOIE=<#ztǙjE{$`/ɃD\ZP[yC= 9Y]GjR]_`|ud?Ayɗ;Av(pw@fw<3#-7JB{&Ң/Yu<=Tߐ8!aQeQ9M5QA7w).?+1geoqn222mf,Lza\MKrv咣B&uěyb^9dLdxW)Hwm 7>> usnޅf*|T$xUĕN}4+-b`i*VV3{/!'rr cl\4;oO @^iK]|[>H8R\{Rq 77*ޖL8摫AK不s|i럞;46hlΨ fJkΡɮ*M6 Ugg@eeq !])pqleY*!iG/1/5),R-3vnP%a}Nƺ95c7] D9^](]%.5-z[E''Z9L\ds19Z*oJ)܇ tPh=b@P%+@Ne%F&oѻ@dQ>8QmgzZX 8BhcRS^ZMS^TVTZP6 jKII$J\r p4@ROsElWpn(n'qX۩h߽a`MIarJ?,X̱-0歧XA* d'+^ݶr>=cyBkz.ɥB W.%_QVF%eCkvnoސ{c؝`G ii&U 096rb1, bѺ6RqnB8鰭4=۸e@}cx83Gh<\S@rY|VxcMEbIVD:/twrM">M7 D_q#$m5 cu9)nme=9I-mMVz2x̌)+g]]qAotWv./]9]pޖ?x)ek>I eJ EIBpvO̙OşJ{n߳n5,j(&ˮ=^rA ؂(.g E"k Qޚb"ȧTEt,UԸe:.9xi!â-(Z@SD&ed~UŃ7+>nS !. ZQ71v-ުJr7~la> 2DIscUCnz[-UK&tjӏ#s<G(UN)Wu*"fݏ CAQXt4Z#&lBN$zC?"?V][[vFԑ|?wȢVG#e)!.zG [e&Gdxex﹉${E ks#=߁Po>ipxr\9㽌c'Y2P U⵰KM'h=HPAHt`C@#8]jRzypr4LQf^%1L{Uݍ偊(呦p ɚk~S<ݙF[EKw:u tr /ޓ..c{F6.ʊpL7f9>Ɖ.SÞNI8( sPb f>=iٲ 3qu,>܆<GW>ҳE{:r&y)p 9?L~6L}6n%K1nږ ;E܌A:.Pu![YZ+`rhBC.~/0?SE%bImiNGr(} 'z*2Ll{,+i63| kD,OGGlsF99"xnڭ=.Jό˲ss U]fR[ƃ`'͝+\m Š;S246@L;=y~%me HLQdS6d0mWU W,TcE1zu"?<>hxl aJ4EL ,N?)nA T1?teH}6" C&?鞭+֎yR1Wd )dBY^|qDܾ-@3xŢgBX[Hv^@Fn W6`Og _@`%P~gWtΕgxRVD~zѼ*.Be`|Wͩ`[V )Pei_?x1:VP\N+#M5Wx`K#*=LJ 7mgOm MR/sh+յw;Oein\ Rt|-EM DDP3"bw\KK;WgX=dC.q'ps!3;=ࣟ/ݭ7q.[{h"qIho>\q!2*bc7C<^[3=矇j@Ix<.0~|qImBNZ zqŁű ;qUkAyO7Z˩+t_meD8,˱lc!"EKA9ω \Ckyj8XuB I+鏷7P y#dovY(8$7*!8f|HE2b0"T\Y_[BZww:bEPHwԝㇻCB z:K!&O桉\]&r?h1*Tq:s@!c17¼-c7y׆-͚/RBBhʉ1 f >ZC63Dž'.SlgQ`XKfצCa }h7gUMŻ%]y h<ݽ ӗŭ9a8}>u5VaA HsKuOamaG} grK=qm tZQMOI@ib2;dRyŬ[3`2 :ƒWe/[X{X &wmS{U@Ih|@A,:oQY[cϰY9a{m!4j٩gGAvF*T$S l)0gceUzznȧaVFөp(DLjC7lseD^0ɱI)KǗQ@hRO_,q۪))I(YwT w l Bʨx'u<xYX+;/OFL9x@8%Pȩ~b#W$E.1uYH-l HfYYˋ;ӼxFFo Ǯ &䩌eч3GEfRl\vws:'ϊ`ySw_B;]q{:I{= f"y&k/x-]s([FBm 4ՍVi'Q$ɭ"Y%F(h9onЩ:IQ1'728~x-/w{> dGOS2Yj/a`F5i@ɣb?; 7K=;og~vzo rq899y#DԈ:xZb,$ !$>~* 6Kps,K%iK0ؕ/[Y%mcvʘC]I%)6]#˗OT(1o9UU!rDߦ@lH/ S!m-DQF]s lc,\x-7eeڄOPNiK}16Aم '$9/pA 9V:"!yqK_]lItu`fyɩ vjj`myh R+ɜJky@9pa╕3 \^~!,(YU}Uj,De2nEYG󗿋<HN@\ٽ=%D8u6gUYٺAɾB'&e}#c0~,^KOml6Ip"Ct]ZFi^ likay~`C,PYצN~=$gE5IG2o+pu5QOM ,ٿ6>[ 13U0=bcվG) U..闏~]Bq؛M{3r/:BD'G \2ZXy$"M=7(_Pggce92!nQwH!ڬ3n mVE?gOl/"H48#. _6 -^]U^@uHhMO&,,|yzmHAPSKG? 7G2uпjX)bF+hp??F;z@h6 {l&!.mn0"F(rȭO6:fPѓG@,8@/3iyAtV-;)@vCj:Z1GxUڊ] LĐb^1+wk˲_\6-ӾNf7L_K]14z54sW }~wdo$U8e@fϹFhm7>wegvnQf8Ao,X* ?TV]Q)+NIHKɥ]~ RMPX~|=f #: ς(mZ7EѲf^NW<=7%5sdȅz%A9鱍/ pg-J]%;њh]vz ⺕h9CH'N2RrZwmhPG2Hr+Sa! u3 tN^ٙ,rPG 2 E=+c ; $ V1A3@*]YWJKg72JWenn W_x' deQp ֖*3˷~kp)!͞Y $i*2s kq(WS!CkJrpY޿RnL3G K0NJD/+ᕭkk(3{۝ngo-Q1Lx|kstE÷L.K1s`E 8NN95a&0C__} B%??-TN7T9_`䩎hpS~^5g )6!=-@$sx4aWPges kݢ3 Iz*~a.+ -"*\\eM_GMu9 ?7滴 r(v־dA |Oo2"N#3qm U1zvI2#ۇM.}c&_]IOj#BmVD}:SntA+6Emeza HhNѓzQ1qR5ctLC\q)6 Q_ѶR5q&{go/.t__#ߑ)TXY:{ BlAzcZITߟ{z?7+, 8J?';KNF<OÇPfkdG]X}|Wg96BCj瓞۰$ :;GUaIA9q1]~@Q ʽ҂o~{{grWYoJiTkv -3˜RPT-Nv&uYxw@ 6#%^gg64()h"=l͚FW~"FYQ73Ӳ k^6>AȣVryU' ȊKnlcbVvo>Bi4ѕ ؾЗX"g@B|kq[ F;;eq} j"8W'z ƼcM-a"ma%˂kfsro ";Ȋik GDCdya&МRcXZ`$/̥bmN;%TEof7dkp m~bF} 8[_#*͉(o=a=d/^[@P@R^Ͽ#4wi缻5 `zr}u8Y_#Z:Yg_=yuRy2GN||1i:~+ )rrVmR{(-3.wV75t8D;s3}E|[ T& I(l|X\&&]\ V`H؜ˆ͆gOYQy,oa+Ċ0+\ٸ @`PUSIdl~LWZX?&,Ƴ?dutM|cS3+zG^L$/ -ܾl66"& AJWa*OTwލgB +9ph|{rXBSFDҙdYP?u}xkCIWZ&I!Z"\՝S{`(U,vC*\td$/#4@U'B_ {>NJYW3n IrJJȍ~ž|Kq_q dÍrH̎w蟿O`! ^D@ M0RGIygw><%v9#4|%d[X((q8;/Km(DٚY_9-r O+)3LE:acn3.8MMAvwSRRrX>#U[[oq~]^@>na.KL(5$HK0h{p-SMg|Xӳj;VV۬$_ 1jvtAh~QK:]&ɔGj"|q=k=1d'3@7R 7Kjn^{]: &iu`7=*^5nN/572?;&L =WPPP Э} A*< "48D8l|Cf6bv B#wߠBbZbnj&O}Kˇ{{9/2h f`N3#VYZ`i60/WuQ1Tf}<[[U/Ni`D&7jb Q?~D,6\ٯR˛Gm4%JbBJM釖;۴Y,3[x數 *ˎ62 u-_IxPiWN5jNgT_i"yEY_et]Q 7c/g+$\8L6a6!ŗ@) zcI~l!iav}lFF{o#. Еߐ3A䲸ȑ;l$"8*DKPZqd3`-/ngfL'`GFW^.;(梓 BNX&FK73fwaC!G;JB QƮ0C//XX ٸ1/rBu$Ki q?=e/ⶏY U|uϟIr/R6q,xsNUVJ%KbBݭVb3.i&qW<E`ZiL$K [x^]XIݢwMN^"{j#3vn)vě+WJ=Ty+:ȗNϨI !{^ gcO8=hʋQWҰ>34eEkJh]hF\7VK*c2n\--kϩ˺*@ 6'!T{gmΏRx̼Aq~.+wȵOwi3ɋOG}S݌ٟťK>c:9Bomh@ C]>3WV}BG#zdhdbY26TrgNv%X>Ӆ(;oU!7^huD?Gdn='c9T]M?؟Ӑg.e⭨y2;POif5Jf@LN_sDimR_? =~*'V8rpqvguGx%.`a(bڭ U$ S-lLDy7c,-Ek|qYYi*gLª҂;D@bK?_sqlKLO@_c0PN')rۨGlmVX㈈ RG6eJJ|Gba[6'73QMz^e 轲?W /NDy^=BV*2r%ߟB]f$ `L iYܻu9He_%3f}#HE)wrRkn1%!@$kkJ#lL=OoA.%/TX6|C䃉`;Pc i!=bF]RGqrڹl+۵ВG"o#qDKk3ӕ>E~^q7,mll'DEZU2Y 櫽դRy qIOţ3N1 :b^*o{@hTGMg}(9$A- \\7?^Ll&5w?̊5}C*/"m^QE'|IES n lݛ_qje>329 ZG(l9 12gN y"O!YyGh߾Ԓ`TW!\HP#+릭"0!hcKMO~tBDW: 3zޛ)-2eD<=^96)t;-X(,lyo tnv~dlBevb4'"o5S""ܾ!k7*L-D<WIVjFfuwpp;]n~3[eX@2xoat>x`:b&/&f_k`.nk禆/tq/;[KRj[8$f㑑6>D_[+ZBa7b7C}ͥi/^sDQJk"oXlc  ORSSe aiA.橉 ɮ;{H]-l+pvQdHnBmbB9q`B^juӒ{?Hw'Ә"ƕxae' 7CD틶0ᳲL֕Umx{;.;뫊q51ZMB}[ឩskVkʲJri;+ID}m1])NRzu3FX( (x1.Uau&<G`L[XDc5RRR\ovT\?ԑh lC|4,Pxi:'e0_N2Y77"ۓJZӧR!gjFk}$pqt b>{&A{u 9^m") %qݚ|0[ N*@jݩWHI"dXrGe+,vP%!p8N G:Yw.ݴ$;l셊B\+m== !5%գ={HlwVB"bk**ƒ H'W>w7xyxC;:ZBf’+oͭ+t9qWf~B|R:IpWb#)8 z~%' "9Lxg SH'kEN_i.QrliX|~c$v&֔ɳskH??O\@ 49>Yݺ:~ӢFcc"q0`:X* Xsu{KJʈ&6X^ ͼw:{ZH;٧ j*ءb|ͤ3KR!q> RHa&jƮ,̊[G.b,RO@i{;^G?6ըŧ4!$=5Nyf@8#A7Ko,Jn8]FVTK+:}*}\aV/.t'Z:[{t,n{֚VhJrڎ၉20ì/+} $q(Y>Z~;0׍%UG՜6 : >fL8Cu֕9:\(ӻg%!Z.rpgk=:Nޖ  sb+#^2H1ێ1PxkĕX zu +/ S#(q˨LSm23׬|v}ۍ!T={(y<;|QD7!\|űF6su'=>ZSejR<]@SWeQٍ@C)Nz299J|Vfsb/0M {Hw2H;75=-";+ + qp<۔#)ɡعHE71Vo?<6)ޮ!e Cmr61XIRPzmUMU;4ۓD+䘻#%SNH]KE"vw7'Ȅ O+=ᦫ7%#K#n rrzK"^V2.>؞*4JH ew00Y'3ݭ *"A`x u/ T;zۥ991RVE = "O,9&;u 2Y9(EZ η.u/vV˧BBr"M5> %ڊ %2JhoTQ,^`{JlBMVp|bͣW@EppJrrW4,2^JǢO^6t0NZnMU}d|[%twO@tIk B]^B@Gm̭e ZS#(䷒ dĤo<~&KmmkO@N MGx9fO>?&1(F%vk0\O'6uz͵U3|o]d`d섕${~&Z`}Np>4\&uGl5Gv4eyȆenꛥgez"2pmlm2v7* Jjiw7w{XiH2إE"[A@ i_KEN^",Lsef &S%\}bA>ښ/MSa˫LX+Jȅ xwwox0]!ۯvm!!R{8+lJ]3Nqa,t] EBzm;7h pM ,d`{mC)#vc PKdζг؃~<Q풾ryEH0?c i?[R4פhW: ZDn6S "G#,9D#K譙0s1fc _8^*+w4#`6ݍK'u9< Hf zU>6sv=dS2OI$ t0YY˶" 5vzoOFkn[ٝ4PBpURL8XHIs<2\69@B}N<@ac՘d$9~-]kz'3Gny} O͔8d9}YQF#%F>N@BwF0-+MX^)0Yz15Y+dlE_W\@.lQ7p꫋tM-]ND&3̓?>wrғ40[!j}tj7MYx*S3Swf,+! sBӒm,3}!$SV SiM o&`Nm5\Aoc]7vMB>Vmad[mq.^ ۶ϫa-˽u$X/͞,ҼJM%yJJ$?.HZhu1uWVdC"MvdX!T^rpj50eI tф 9(rqZfiWL֋ODEyr0Eӎ}5O&GN14rEZmdI6qIX@qI]m&|t甓8]%,c/) iM%YBe0g n_cΫ.Y#CNQbO|҅k1Nj†9+wȎw d.wՅ nt/Ro̯SzL8[CAWYj]; vKX54wkTZ]K?1-7eb NAio/}V0:z-ԅ 8 $RvHuQRkx8]vTR1\b% )7v1`+0Ufb~! FSyM$č&I-MW +3;1n !lIE>kͫ@){9=&#"%%U$J]4oHn"*&.Ʒ"v;̥y=1_O5o괆KDWR!Ko.4$Zro]HLa D_s'^s!-U+G|bē'MM3sd_[S]u95qN}sKf _}%:~wcń[B&Q9MU΋wd <|B"o\SNoѵ/Ud:'7|R٤Xj.mp|qL)t /p7aPBgv`&ϣis ~54/ߔ09 ؀os>/Ye'EjtN.'ϥϜϙ|2V?H0gg5UQzgfiNso`$$xͶyXHUM w˫ ,/.U gC_D_JI2!Lko~ZHo8;ڃ>}UpşWҨ XG3i^- _jIk& 796{z&e,7@hA˟$tz'߭\OsDŽUt]sVolI=7wOr>k(dO+c$;H"mסP΃$^$YcsrKJ(gU{oF[T:]ۃF7rzP7> :F?QtRP5KW7z7V񱱪kΌ>coj31 |A`֊K}Z BwSNv9l/)`Y\-3)+}C fw553<^hqr/vVyHǢJc+ش:;;Q=:{KNeoS6d#JO/KYJꚻa; bu \PoOHYUIp]}#Xh+)W{Nߓ|Iqu-TmqHH^jurqTFYk;kTaޥl~32YZS4[ХZ_:+Rc.`N@2Zw ;ڡ8`NDW,?U/).s.",>{D$6uOM =7胁7_tZt~~naP\}j^9 P|Iq)vvn70ge i{p "{y[535d VsK /&.ΆQ8I)ǫΦ6_+A3߿6_F\p {]~p!*ch' CrdfecnMk am7.8,~ay3T/IlKܥ506ӇK@=Ye%I5]euF[ GZ```M\(XkCʒٵ,#2&vd~N8czxvl@p/%*{ 3"w<6KC!-r*m.l |vq94Q\5}|4X_r$X\)э-8  y+ Ӛk k5%- \E\VtuHs>ШꚆʦN<^|ÍAuəJE%w U?JkM>8v4?=5($dP000A\}qrweVkƅaCqP(FD)+0)yqEkCq' ίoȸPSޞs# {@5xVs+ e?ơGaanQlH/.DYMr%v"u\? {eke5/M9J KW```]qƦ=:Z!prr(1 ԫdw'sW HL,:;ϡ͕ G7ya;@G\v6Fۛ Z`}M)1qM\ piq;#.k~]gi s'HhOaA~oG& so. wƹ 4N܇KB&kZ:]ldlpDO㒸Vۻ ˙lh````%qh(RfzR׼Hk?ąrZd(=, O```>rd/BAT}|elEU)2b|1߹(8a q~uIENDB`ngSt/*\]C&`frPNG  IHDR#FqLsRGBgAMA a pHYs!!RIDATx^yXS{9Ϲ{{=2!2ABBB0<Ϡ  Ƞ2%ٗ^ Jۥ(yvn<',9 0?fyvZ`PE cI9ax~?5+ PP(32"}29.׆6v >'p'm=2Ù>;( RP(r4.e)pt#sr74@.C(Zr (N 8lL`Pgdz|ՅWRQz)4L.Cψ*(̉ sO~pC`Pgduf"//-3cmK>|4L.C#k+Nq%_8$ SP(32>=}&20c$F'u SP(323|q% 5Sw' }F'\nN'XdGr[a v }.@}u*'_D) VP(s+zXkn}i]BiTVީHKjbnvd@? y4X.CО5:^XXkV-"d$6aK4]Bi =Nڛ 8??ԕV4]Bip +850U<:2#k]Bit(ⳗQO^=P2JuK_=zfHji<9D,=:*^ߚ4]§}n swf2DM`jl0?x™'o12J PCuU(OhI6Gg&q՝ǮQ]Bi;Y_uՖCQW PAy"bnEgue$+bDSN`||'=VJy槧B68>9>yP.EgzfP_c=é.?Ki+؍(Ӏ(iBQ###YWk_+Zv~kmj~ĔNΎO¶/;({Q(m~BVy6%O퟽\}rjBiv%uLtA5 B};rK>Ja)>M2̱# E~5|T8݋Bi;̺j-VG˶ڞ+tQ(m;x/vƳ>@qv.FfyG:VO>hdbXi *FCv3 ( t瑮5 ߞM oC v# 0**x~mpś+!݌Bi; FMuRi-\lnUm7PN"^ز]4tF0Ṧ8 v' $(VTkN_mDi?z1 H v%DioٺgtjfmamNHT&{zΏ(&jZi.rl;69G(< `-6RM} .}%i$yUP4jlnejcbU'h MSanx+IIɴuu0X =,lEt W(؝ȣ֖jK9ud 8eA#)zrT"G*u:;o6ҐX*5zaiUbZ[,U) }ŠgR}c{=9#f]~vi:QtiLlJڒܘ[f6GB% sFhIGD69Z^Ώrz6_~|m*[dO#UuG"}>SEGSYFC>Ekb87njjck_En{#sj%M(gROVB2%GMllc-Qم"pam4g4F1-76N筭olGRk}#꒭myDSG>Je kO$BBcLCgB|.1nv=nR{udFE~|Z^݄0FZ^Xя;SKNk[OίeN`FGnFwOx8EuIͿXCU|PpiE4e`Uw v324P ^= ʯ^ڑ&,0| 'qX*4] ehq\FV>nF<"JۀBC}Q$7i'`ݧF<}Da(c ӷ$90;)5ȰҦ5dI!;8nq!2iq`> םY)]gC9g#;8& "i  ?p"Ӏ4b:mGwj *]έ-ˎL JM̚)ׄ1JPn fTQTOTXQ0VЖ`7{iC@Q=>*m}b7'"7Ξ' MO ?w-_64,;{}7S ȪMφp9[{ RN뢮 '`:J "7Ѻ}{Ӹ6ިx3zGl* Ÿ%J;Ǎ~;o_jUǧY.TxT:mu}~ݻ4dRin Q|!kAXG7^K(9 <,+>\J/PxT AVv_ 3 :G͏_YoBwsplÍ4dRibtg{Rӎ>q'a JMJ>#[;StbPҒdj2\ܿ:xk|yA4d& #x7m?,ZT]D_@As5 >&y@]! I;yolj5}bI~So ƧۣPTaMm,_h{Y~=8݃JL*杚8IKיϡŞz62oBB\ߪAӛ߾ފ"o_u}xxsk<) ։8*Nc-4ֈ&\~O;b.ѧ%g+֟SId]*tekn_]jѺ.;Z{wDք{p?{B1z9~224Ip e%eElluaiS RZƞ3f,<xYf|vw}EގqZ[:_OȌ7ߧ<qm33G; ^>IyZ;ZZyp?LKLM_\ueͷ쌐T}mYZu㺼m--a$963tn'gztLn|1E°t ODA"~ *  1CEy+kRQ_ݘhĎf׭,~Ф5<AW sojIAse'ںflƣX,.;-`$Xc/ 7~ Z9tP~J OGO_U4!,* rwȞ!;O﷞rzȿdi&L N_zj;VkSYV;O[R-~C+S#K2+ ZzYTWlXI654"%(.jf䃺cV8;AVF0֧Tm ;Mw ?w/-V\zƧ0}CȤOKuv;r7RQZ{\M->j ~ظEAM'.a~̍{7S"G?‰=L+)sddH$j$۩$/{G98 XV Ct%{[ZdBug{vәrқ?y+׻(U Dw}k=iH0&_p &{MO|hM42LjInL\:743JH'c2J?9 ΅Ktuc22(~e\H/j"OJ 1B"h+vCQր;=OUIy:N }'n|_tw#`q k$p ߄!I}./Yz4Mmm='ùOtIj,=94l!J]˷*( {dsIx:K+GPz)B];Wy#'~<5>dt'|mn:#:p^h@oH!Ȥ҄盔m{JEBT!e[[4ݦKp97Fc'$>ΜQ$ X/ܒ'Ȥ@!Tp'* ~{+U}=!iv<~:t->+r`N΂(ߖ?}#g-QIDēº8DQND]W^j/8xyS(OĩisUҎtO1qf(e/7#ڶ>x!J)J].~@pEt=/k\z(gi{g86/++y>y >gt3 X3C|7x˼U$e_I%OnxEUzq o86Xi 3OgOf,p.7d#)W~ i Zhm;}FI:Q6i X_LLt& ?r< ] '&&pyNq}p$(?{,)5,o%V\Gzk9Sqvف"9dUik,XuSھkCn==C!gpJhɕ[Aae9u⟮Dif_e݁yN]qOD[z_AFu>$+m],GO\vƌmdc)erd,@ 0쉲;lU f6#qT=g;2OF߾H/7:Spsl GGF5J( qěaQa/mLhw{vV4u6~S ȪH\Ȅ߶p|=Y}2 (998)4h `c |,Qﱳ"-wd%^C pK\w^#4z7t/q~*=V[[:s?foZ"8yvqhknnˠņf?o=z3kvANk}'~YU`Qӵ+{Yi4ōMAP\l|ţ^`kK^|#sTn=rSZVׇNElٱEuL?{a-QIa _56~D XZq%뗢Sj>Aov 1c%E{wߖ`kjg۟i+ kưBZˇ09EV6vTD՛3NGCgSsk{0?ցhK-aeOA 徱^>I~IoN틨hk KGfTsS6_'d֧Xzq g/]lXymm^t!tf /b 2'S<Û)^#O+3S7?N̨b'>{J쓆#Ņ's~tj;eޯl'6.M\9?>ܜbt"!U"tp/?葹AJ&=-YUtWy͍ۧcsE#SVAbIM?鸪kQ0֒NR݃ި8%/QJYV6Z(;CbqM(gdžYUښp8SjQoV%uڳO(wŖbD7gŤ"@z:97;<<')sxt^A…A 媫ѐ&-3 ^%ܑ"Buq>0mit]d!G > HU )}Ԛ~rh#JX 㞷J5fb&F̥TKN9&xآݗ2ShvvMRHDZPQEi\ JIDJKPxţd‚ ̫W/+5(Lx\`caAGf{{a2 k !O_\eͅ}V8kF6ّNV mE3G&Xi˾^.(cnZ$ \gxjƳ6~u3w`Tm1&K29"'Hk}_ȲȪ* pl9 y=J)?d[imY[u(/9I oɅmxYl+_.Оna{xَ |i6ȌܴɝIͿ'mQ,);# JyUXHXuŹ(.꫱zտIʌGOdqpчµrPsgD6OMd;'biq=N#ژ]<'9A.m׎$Z{L΄ /~^K8}%0JyU؋/^FG?cO38.e69Z8:3>SKk\f``sb?L9}*+.tCZbXFDZKS~S˛]/t35ø ,=Rhj c[U='CoMƕ'.t&6{;UXF?ɫNՉCk ,M^J_v#I~|o=ci6r1/tESjcVpN5wp$۞K./?2'wYŖAQmML1۶:⼂.@hm MDr`8yVOǗ9YY>,/DQ{Ar߱5F!hZn_d4b𮅴|7mJd6>δ*KP4nIY $="pv~Q@c5 cwh3@$/Lx2;/^3T-ᾏ 5|{/KZv[Cw5*>VAZrBfF?| ? P pcVm@P ց@pހnt.3|;o]~xlW{ns>2Ony꬧k@ąYyq>t~7%;.#.7xꂜ W<!~Wn ͞?0Wu}<񈞋&IfKpI7ނK n 6 1WwBo-1h Py> Nq͏)(m̎)ō:O>Q"1xqyIT427y6оlt$`,^1!*!N:Ttt ;:>8,)>"=maqx+ mI{́Yv̪ƭ!il#pEplbE1'_XbW hnF4'Ǘc?}5t#/dk:ґ wBC.yfǤǖ4e%FR=)qxrI8eoc"w;?OowW7O+]cdr 3ʏh6Z0t7CZS:ZMLCfsKPPVV M؋JnL3;?YnX@& 8jb m#B3V~t5 WG*D-o~gGds~6.ЏL//}\.?8m?]BAhWARW 'Gj.k/.4rqLhƒ3W˚N\(K}9u.`E;$HŪ|I?2/[-2xN?-5ow Z&Uy̔H>/K&[  BT%.εωbQ(ϰnffU^Z_툿ISu"%ӍYU]y1SȾ̢rFL/794 'őhďqøY"|,Ws+ߝcdz% p(O`nFXhB{̘?wO{+Ͳ#A|ܫA}FFm(@n}rhLP|I@bDJQhYReQIYo# B(T sPd+0-5E}+5'DB?~x+M$r}CmqWuWU7US=Uϋg22k|M·GL_4%MshyehbOB<ã[=%ig  qgT@Tlv& *P(,Cp#Xp'#/1b6-YDjD݋OqeWcr#t[iNAGFX6)=.EIE88\Eƹry:,H{tH=\26ӦSl#Hr[l׈r@ 5 ! l(!iOv)Jw?j#9W˶w5<fؗ$EjizSk}[͢H@r|ɣG]]+:OAH7/+ VmIxiB6}@bP*~#wZ֧tfGGٺSF_uO?x;L7#AG#gG97N VLrt"y`8NTfrԕ]UT},qIl n++fijHMb92RxnI\ ʗeugb؎^@Coy-5FۓINZ8|لr`UФ=D򑿢l#`f g*G9X-Md9 NsK"y'srNKOkΝNIM̈́2Gc'` Nu0>up+&Alj2pC Jf?mg!iƸ ?ӯ!sJ _ 玤_+ E13WGgrV(}iZ{^Ń£ٴV/=Pl_R `mu prxB&6)ŠNhr1l87#H 05⛘jkh2ӷȿEߣaeA2KppL=I *p:I40?'F$sӼsbTK `"DZ0P{9TYim?}Y&ַke*0o|o{Q6 wg {m޽zڪU{bSـ;'ooǍ W4L+@C*4) eMz:# 5J? ,):vދ%"<~QJ{>^?zex=@tr.j /+8x95elT@#&`}Φ7@b`,GzHN oxwt5]N[Lю$}G51l3JKƔN&|O2ُ;Wo yXRa@,i]*cqؓFN+9}HV g)+]ۯ^??=뤵{+/**93z&*xބM0m?L.-*| ̃D?K:ؕccg4?/ >t@U3Kv /#|hG t[Fp_iocv`<ɣ}>\i[EL*ǣ^0}"~}c&hil`O6((n{?q_ܩ۞g1n8_+GM 7AtHj)DW{Tw_Tڧ߿_Qn6W6Ny6#o_0MI;'Izϖ/~aumvvD]b+>srH1{2bE4Aߺ-wpv5/4ͅɡ;-gx66²cAdG }lDuKѫKF%(;aKNl)x# 󓝯 NiQSpRrw3R==4=zzJ*{::ݷPfcPX\$Ht璡zś8Z Fz47Y=#{[j/lrI6öޏc?F醹R"p /hp'*kZ+bn7lw 1lc[ȫ\d<Û:ms*Bi-LBϧ\zAI%X0U@uȍkJgMVCz!G3b$9}HD0~ACz10!CHN?{nᅏ ō Hs.*šm56RI]WF%$:pH׿1@ <gȴqqG L tIuWr"[ ,t,OW}nDW#kC3r ~Rd&2Ҽ~.) l;gkQiaabιW2ړJ 'p!ku' 荤 $i҉ܺ嗯p"Q 3} =́GUҮ7?1V5fQ;~#%y!ygĒGy`µꖖ(J^Bӱv=܊3uEuu4߱!>/շmLlu}ZuRB>) "Hg˂bJq^> ͯ?W]ztҁsmgH~p;t^Xzx[ B ӓ ?K~ }-޿hDBqQ&TUlW!!JG躶Ώoy7n6Z\Kguqxe"Qˈ{A铙~q-ǵTۓuWeN3ء4u+Wu1*M x#kJR]aաR9݌!y ­ll>x"k-LS{G+{ +aIvts1!6r1/y@iڋ|X!}<Bo~nS-]n][nsgϺM6:]&*zэ-y'^|VE/|# 89 LkNFjڤ׮78I`;L wfI h)',ƗeK@eȰ,8pบ10|*ƕbE0H=fI7g0(4{[/&GFqLM#ǧR-<̔BL9N y`=K.@YX8:!tͭ16$VoS,Ø BGmoˡ.ch]HVьϟ& x3;bez mN@/Ep nMUhS^28jXzHBVq͈k$G LpfO{ECOl**u 43 .۪ g96>[Lj\eP@P/{F>K1R< =͈\ 4]\abs*@}A} UCLO9l`1D=c&ӷ 4fƆ c#6mAG].$c:I'щ'= tqӣE`mA\G1bv؅RKrbx%J/w\pK{]EJ $^dzYmwtv4-F,s{Ronr/O^(OIr(} r2Ig(܍SGd\(=pfH$BH DH#͈Dg6oll uֻuuuzPh0qtqpÛDt>oFFF #tk$cL!YÆJ:Jt;O4ekAkc H>gѰZ85qE0G–FsJES^'^=@VK]ǵv&C#vZg y9RUP1M I>Xf#91pC! I,Y?zMn'oF&zt-Y썆H,p.g{ˏ"l?SKȖakIu@`*Y{Bqh吰ka8Ҧw}9TC4[jфiG!RhN$^lx@Cѷ̵ݰވoU4^ӿs 8mY֞Xg 1hgArOj 1ٙ"c,;Z <7qkIJ{ܫWm~h4여3[V%75W6q&fZm6ҬQL Vn/8ǰY T_}m~'5`y? ¡4&w@YP’du+my_6ݺ$ٞAp w/7֙Wϧ+j*;_t?3=W`#G~gO/Y[#-t&N8Ö^u mBhfu< ,$ӱ-#1%nG; $'[|l¸*{F&XC$ ĺ͉/l,\oI8LT 5.w"|u'=B${;1K&SeMiBR tq?aWcrj';ERC vR,Ɨf0kw)IO;=H c7Cirx]mx8lYO < TçGb@wOVXTdg)(z;}t4oyhe"mmpm٣<]Aw 2AX.\]h l킱)76G۫ooTѵZ}.C]7lLyL+U(W;0wA_i}18"9lpHͱ¬CD}֖v\G7w7q9(]+'߂ S%U'/]kwɬΠ_r u QKOscaVv;h\=_ʋb3cC"剂l7k}hb zgUvsZ;qbq4LYǓ4&{HucMW}pΈ!6Z06$rI4r4!:tj tbqg96ɉİ{+.>6aW)5?`}(<(HSc5U^_7{o*v_{ tUJZ^j4eC%R%ލ]abl~ޭ9}O4N\H699tbzzrh583-NB5E_XM[:qܾصWq2/7H$KݞZ!ȕ`V75ZF8 WGLADcNg'SXwc%8?8֡,ܲ]NMoK]ًSyI\~cph?![  Svlgv0s,@);X|px+73ԃjĴˏ FE;۲]cTD5U?f]3o\Zx j^+@A [7 8$y2 &HÖ̩0unvᤝxkW9u-[fVՌ c flS:BHM [Mi0OE8wʇ5n0ls=6h]D߱]E1tov`7JCj3=Emzoc'GL.YZV0ӷDs_48w&9<=YL1~`!0#(əl*(qvpsܸG޾1i.q^Ņi>w<*bjjlBzsT@]ӿ#"Dg`dR+nݏ2|쫞A&+IT*"(DS`a]ɲsAF2.l`WRvEy|Vd;r&)$VW`gډ +r%ȡt{b~+ p{M6bw ;{Ö?%r AU];nwArҭKiW\Nz}:zʗW+te;yhvtg0%0Nf{y \bcl#>ŗf9>n.4Og3N0D{Yxv b:sYA5G옥,nodEYE|A[}$ 9TʪKDCNr4cgo nVު_*r9ꚁϗwг]P۳gzvWOe=xSz7E%c)bzٽN`ȴ!Ak@q_嘄˾| &77U{"&/oYHt4̍+XpvyuCNUoZ'n4y35n㖰;/#JƛPf%Fk؛ĠhkTN6pR%%İݚ''lon J~HOŷ@KV_H@᷼>e"J /})$}m4*ܱA8M|)%Pi0fMy 2WƌN,(wD>O65ְF MsoJS;"JK #iG {zI(ȳV$^  84s!%D]nxD5ń!4Ns"h!=0 ,r4]xIG~w8(+zeC1үAΕ4 q9TUnL`@#4sJ F!._J(ȹ`Snֶp~hB@EΕj%h3|}T J{1D!,ufZU- ~_if\#,u'kkd+wA,zS H(/Wk 4{ 4H%z&*P J/28CTGX8O՛)>ٌ(d?9 ]4حvm<]5ߗ(R 40bt͵X͗Ac}(Bm ГZHK$"%+qmS1_e( 5"#f |v`o#t\hwc݊j $Hio&F!{))|Iv`޸gEz/R ]7_(B@^ț7ԫ`IENDB`}DyK _Toc399165806}DyK _Toc399165810}DyK _Toc399165811}DyK _Toc399165812}DyK _Toc399165813}DyK _Toc399165814}DyK _Toc399165815}DyK _Toc399165816}DyK _Toc399165817}DyK _Toc399165818}DyK _Toc399165820}DyK _Toc399165822}DyK _Toc399165824}DyK _Toc399165826}DyK _Toc399165833}DyK _Toc399165834}DyK _Toc399165835}DyK _Toc399165838}DyK _Toc399165839}DyK _Toc399165845}DyK _Toc399165846}DyK _Toc399165852DdX; D  3 @@"?!$$IfU!vh#v#vZ:V l4  t(*&6++++,55Z/ /  /  / / BaUp(ytL!$$IfU!vh#v#vZ:V l4  t(*&6++++,55Z/ /  /  / / BaUp(ytL$$IfU!vh#v#vZ:V l4  t(*&6+,55Z9/ /  /  / / BaUp(ytLH$$IfU!vh#v#vZ:V l  t(*&6,55Z9/ / / / / /  / / / BaUp(ytr=H$$IfU!vh#v#vZ:V l  t(*&6,55Z9/ / / / / /  / / / BaUp(ytr=H$$IfU!vh#v#vZ:V l  t(*&6,55Z9/ / / / / /  / / / BaUp(ytr=V$$IfU!vh#v#vZ:V l  t(*&6,55Z9/ / / / / / / / / / BaUp(ytr=$$If!vh#v9:V l  t 0659p ytL$$If!vh#v9:V l  t 0659p ytL$$If!vh#v9:V l  t 0659p ytL$$If!vh#v9:V l  t 0659p ytL$$If!vh#v9:V l  t 0659p ytL\$$If!vh#v#vd#v:V l t655d5yt*B*phl@lEzpTOC 3d ]`a$'CJOJPJQJ^JaJmHnHtHu\@\ pTOC 4d^ CJOJPJQJ^JaJnHtHT@T 'TOC 5d^ CJOJPJQJ^JaJnHtHT@T 'TOC 6 d^ CJOJPJQJ^JaJnHtHT@T 'TOC 7!d^ CJOJPJQJ^JaJnHtHT@T 'TOC 8"d^ CJOJPJQJ^JaJnHtHT@T 'TOC 9#d^ CJOJPJQJ^JaJnHtHj@Bj %'0Header$d!,B*CJOJPJQJ^JaJhmH phsH ZoQZ $'0 Header Char,B*CJOJPJQJ^JaJhmH phsH .)@a. ' Page Numberj @rj ('0Footer'd!,B*CJOJPJQJ^JaJhmH phsH ZoZ ''0 Footer Char,B*CJOJPJQJ^JaJhmH phsH NL@N *'Date )d CJOJPJQJ^JaJnHtHRoR )' Date Char(CJOJPJQJ^JaJmH nHsH tHr#@r 'Table of Figures+d^` #;CJOJPJQJ^JaJnHtH^@^ -' Balloon Text ,d CJOJPJQJ^JaJnHtHbob ,'Balloon Text Char(CJOJPJQJ^JaJmH nHsH tHVB@V /' Body Text.d7$8$H$OJPJQJ^JaJPoP .'Body Text CharOJPJQJ^JaJmH sH FV`F 'FollowedHyperlink >*B* phZOZ 'font51ddd[$\$ CJOJPJQJ^JaJnHtH^O"^ 'xl242ddd[$\$&5CJOJPJQJ\^JaJnHtHXO2X 'xl263ddd[$\$ CJOJPJQJ^JaJnHtHXOBX 'xl274ddd[$\$ CJOJPJQJ^JaJnHtH\OR\ 'xl285ddd[$\$a$ CJOJPJQJ^JaJnHtH\Ob\ 'xl296ddd[$\$a$ CJOJPJQJ^JaJnHtHXOrX 'xl307ddd[$\$ CJOJPJQJ^JaJnHtHnOn 'xl31,8dddNP[$\$ CJOJPJQJ^JaJnHtH\O\ 'xl329ddd[$\$a$ CJOJPJQJ^JaJnHtH\O\ 'xl33:ddd[$\$a$ CJOJPJQJ^JaJnHtH^O^ 'xl34;ddd[$\$&5CJOJPJQJ\^JaJnHtHXOX 'xl35<ddd[$\$ CJOJPJQJ^JaJnHtHdOd 'xl36"=dddWDd[$\$`d`d CJOJPJQJ^JaJnHtHXOX 'xl37>ddd[$\$ CJOJPJQJ^JaJnHtHnOn 'xl38,?dddNP[$\$ CJOJPJQJ^JaJnHtHdOd 'xl39!@dddP[$\$ CJOJPJQJ^JaJnHtHnOn 'xl40,AdddNP[$\$ CJOJPJQJ^JaJnHtH`@"` C' Footnote Text Bd CJOJPJQJ^JaJnHtHdo1d B'Footnote Text Char(CJOJPJQJ^JaJmH nHsH tH@&`A@ 'Footnote ReferenceH*h^@Rh ' Normal (Web)Eddd[$\$ CJOJPJQJ^JaJnHtHBaB 'highlightedsearchterm*W`q* '`Strong5\pP@p I' Body Text 2Hd5$7$8$9DH$a$ CJOJPJQJ^JaJmH sH XoX H'Body Text 2 Char CJOJPJQJ^JaJmH sH jC@j K'Body Text IndentJdx^ CJOJPJQJ^JaJnHtHjoj J'Body Text Indent Char(CJOJPJQJ^JaJmH nHsH tHbQ@b M' Body Text 3 Ld%B*OJPJQJ^JaJmH phsH ^o^ L'Body Text 3 Char%B*OJPJQJ^JaJmH phsH dod 'DefaultN1$7$8$H$-B*CJOJPJQJ_HaJmH phsH tH ZOZ 'CM81Odx1$7$8$H$ CJOJPJQJ^JaJmH sH 2O2 'CM79P~ B*ph2O2 'CM80Q B*ph4O4 'CM15Rd B*ph^J@2^ T'SubtitleSd]#5B*OJPJQJ\^JaJph^oA^ S' Subtitle Char+5B*OJPJQJ\^JaJmH phsH R"@R 'Caption Ud5CJOJPJQJ\^JaJ0O0 'CM3V B*ph2O2 'CM2Wd B*ph0O0 'CM4Xx B*ph0O0 'CM5Y B*phR>@R ['TitleZda$5CJOJPJQJ\^JaJRoR Z' Title Char&5CJOJPJQJ\^JaJmH sH 2O2 'CM82\ B*phrOr ' BudgetPaper30!] Fde^`5CJOJPJQJ^JaJjOj ' BP2 Bullet 1^de^e`a$CJOJPJQJ^JaJ^O^ 'style1_d0(CJOJPJQJ^JaJmH nHsH tH.X`. 'Emphasis6]\O\ ' my table textad<<CJOJPJQJ^JaJ`O"` ' Normal Modernbda$CJOJPJQJ^JaJhpO2p 'Style2.c$$ Fd h^`;CJOJ PJQJ ^JaJh0@Bh ' List Bullet#d Fd@5$7$8$9DH$a$OJPJQJ^JaJt1@Rt ' List Number/ed@h5$7$8$9DH$^h`a$OJPJQJ^JaJ^@b^ g' Comment Text fd CJOJPJQJ^JaJnHtHboqb f'Comment Text Char(CJOJPJQJ^JaJmH nHsH tHBj@abB i'Comment SubjecthCJaJhoh h'Comment Subject Char(CJOJPJQJ^JaJmH nHsH tHbOb 'Para 1jd <^a$$CJOJPJQJ^JaJmH sH tH R@ l'Body Text Indent 2!k Fdx8^` CJOJPJQJ^JaJnHtHnon k'Body Text Indent 2 Char(CJOJPJQJ^JaJmH nHsH tHlOl ' Bullet point&md x<8*$^`a$OJPJQJ^JtH fOf ' Default Textnd5$7$8$9DH$CJOJPJQJ^JaJ`O` 'Subhead odHH5$7$8$9DH$CJOJPJQJ^JaJROR 'commpdd[$^CJOJPJ QJ^JaJo '"Note (a) with reference underlined,q$ vx]^`va$,B*CJOJPJQJ_HhmH phsH tH xO"x ' Table Text1r Fd)5$7$8$9DH$^`CJOJPJQJ^JaJtO2t ' FS Heading2,sd)5$7$8$9DH$^)`CJOJPJQJ^JaJ`C ' Table Grid7:Vt0 tdCJOJPJQJ^JaJtH XORX 'style40ud0 CJOJPJQJ^JaJmH sH ^Ob^ 'style41vd0&5CJOJPJQJ\^JaJmH sH ^Or^ 'style42wd0&6CJOJPJQJ]^JaJmH sH 0o0 'style401CJaJTOT 'para1yd <^a$OJPJQJ^JmH sH bOb ' WP Bulletszd5$7$8$9DH$CJOJPJQJ^JaJdOd ' Seq Level 9{d5$7$8$9DH$CJOJPJQJ^JaJdOd ' Seq Level 8|d5$7$8$9DH$CJOJPJQJ^JaJdOd ' Seq Level 7}d5$7$8$9DH$CJOJPJQJ^JaJdOd ' Seq Level 6~d5$7$8$9DH$CJOJPJQJ^JaJdOd ' Seq Level 5d5$7$8$9DH$CJOJPJQJ^JaJdOd ' Seq Level 4d5$7$8$9DH$CJOJPJQJ^JaJdOd ' Seq Level 3d5$7$8$9DH$CJOJPJQJ^JaJdO"d ' Seq Level 2d5$7$8$9DH$CJOJPJQJ^JaJdO2d ' Seq Level 1d5$7$8$9DH$CJOJPJQJ^JaJdOBd ' Body Singled5$7$8$9DH$CJOJPJQJ^JaJZORZ 'Bulletd5$7$8$9DH$CJOJPJQJ^JaJ^Ob^ 'Bullet 1d5$7$8$9DH$CJOJPJQJ^JaJdOrd ' Number Listd5$7$8$9DH$CJOJPJQJ^JaJ>'`> '0Comment ReferenceCJjT@j ' Block Text$d5$7$8$9DH$]8^CJOJPJQJ^JaJNoN'Notes'CJOJPJQJ_HmHnHsH tH u`O` ' Cover Numberda$5;CJ OJPJQJ^JaJOA '=Style Heading 4 + Left: 1.04 cm Before: 24 pt After: 12 pt56CJOJQJaJOq 'BStyle Heading 7 + (Latin) Arial Italic Justified Before: 0 pt ... & Fa$6OJPJQJ]aJVOV 'Pa0d7$8$H$ CJOJ PJQJ ^JaJmH sH 2o2 'A5B*CJ^J aJpho > 'rozmB*CJOJQJ^JaJphJOJ 'Pa2 d1$B*OJ QJ mH phsH tH JOJ 'Pa3 d1$B*OJ QJ mH phsH tH LOL 'Pa22 d1$B*OJ QJ mH phsH tH 2oA 2 'A6B*CJ^J aJphLOL 'Pa13 d1$B*OJ QJ mH phsH tH JOJ 'Pa6 d1$B*OJ QJ mH phsH tH >oq > 'RozMB* CJOJQJ^JaJphlY@ l ' Document MapdM CJOJPJQJ^JaJnHtHpo p 'Document Map Char5CJOJPJQJ^JaJmH nHq sH tHNZ@ N '0 Plain Text dOJPJQJ^JtH Ro R '0Plain Text CharOJPJQJ^JmH sH tH dO! d 'Heading 4 + 11 pt,After: 0 ptCJaJ,/, '0 No List11./.' No List111oC ' Table Grid17:V0 dCJOJPJQJ^JaJtH Bo B ' Style Italic6OJQJ]^JjO j 'Style1(hx*$5$7$8$9DH$^`a$6CJPJaJmH sH tH $" $ 'Clea&2 & 'ClearP@B P ' List Paragraph ^m$OJPJQJ^JTaQ T e Intense Reference5:>*@B*\phPMvoCv i Table Grid27:V0 doC  Table Grid37:V0 dCJOJPJQJ^JaJtH */* <0No List2,/,< No List12oC < Table Grid47:V0 dCJOJPJQJ^JaJtH ./. <0 No List1120/0< No List1111oC < Table Grid117:V0 dCJOJPJQJ^JaJtH x/Cx < Table Grid217:V0 dx Ax Hp TOC Heading$d@& 1B*KHOJPJQJ^JaJmH nHph6_sH tHhO h r Model Body$dxx@&a$ CJKHOJPJQJ^JaJ tH ^o ^ rModel Body Char(CJKHOJPJQJ^JaJ mH sH tH H`" H X No SpacingCJ_HaJmH sH tH 8/1 8 Xapple-style-spanoA 2{0IMSG_EN_FONT_STYLE_NAME_TEMPLATE_ROLE MSG_EN_FONT_STYLE_NAME_BY_ROLE_TEXT_!CJOJQJ^JaJq ^oQ ^ 2{0MSG_EN_FONT_STYLE_NAME_TEMPLATE_ROLE MSG_EN_FONT_STYLE_NAME_BY_ROLE_TEXT + MSG_EN_FONT_STYLE_MODIFER_SIZE 11.5,MSG_EN_FONT_STYLE_MODIFER_ITALIC'6CJOJQJ]^JaJq Ob 2{0IMSG_EN_FONT_STYLE_NAME_TEMPLATE_ROLE MSG_EN_FONT_STYLE_NAME_BY_ROLE_TEXT1#dX1$M a$CJOJQJ^JaJoq d0TMSG_EN_FONT_STYLE_NAME_TEMPLATE_ROLE_LEVEL MSG_EN_FONT_STYLE_NAME_BY_ROLE_HEADING 1_'5CJOJQJ\^JaJq o d0RMSG_EN_FONT_STYLE_NAME_TEMPLATE_ROLE_NUMBER MSG_EN_FONT_STYLE_NAME_BY_ROLE_TEXT 3_'6CJOJQJ]^JaJq o  d0]MSG_EN_FONT_STYLE_NAME_TEMPLATE_ROLE_LEVEL_NUMBER MSG_EN_FONT_STYLE_NAME_BY_ROLE_HEADING 1 2_-56CJOJQJ\]^JaJq o d0HMSG_EN_FONT_STYLE_NAME_TEMPLATE_ROLE MSG_EN_FONT_STYLE_NAME_BY_ROLE_TEXT$>*CJOJQJ^JaJq o  d0kMSG_EN_FONT_STYLE_NAME_TEMPLATE_ROLE MSG_EN_FONT_STYLE_NAME_BY_ROLE_TEXT + MSG_EN_FONT_STYLE_MODIFER_ITALIC*6>*CJOJQJ]^JaJq o  d0lMSG_EN_FONT_STYLE_NAME_TEMPLATE_ROLE MSG_EN_FONT_STYLE_NAME_BY_ROLE_TEXT + MSG_EN_FONT_STYLE_MODIFER_ITALIC1*6>*CJOJQJ]^JaJq O  d0SMSG_EN_FONT_STYLE_NAME_TEMPLATE_ROLE_LEVEL MSG_EN_FONT_STYLE_NAME_BY_ROLE_HEADING 1#d 1$@&M "5CJOJQJ\^JaJmH sH O  d0QMSG_EN_FONT_STYLE_NAME_TEMPLATE_ROLE_NUMBER MSG_EN_FONT_STYLE_NAME_BY_ROLE_TEXT 3#d1$M a$"6CJOJQJ]^JaJmH sH  O  d0\MSG_EN_FONT_STYLE_NAME_TEMPLATE_ROLE_LEVEL_NUMBER MSG_EN_FONT_STYLE_NAME_BY_ROLE_HEADING 1 2&d1$@&M a$(56CJOJQJ\]^JaJmH sH o d0RMSG_EN_FONT_STYLE_NAME_TEMPLATE_ROLE_NUMBER MSG_EN_FONT_STYLE_NAME_BY_ROLE_TEXT 5_-56CJOJQJ\]^JaJq O  d0QMSG_EN_FONT_STYLE_NAME_TEMPLATE_ROLE_NUMBER MSG_EN_FONT_STYLE_NAME_BY_ROLE_TEXT 5d1$M a$(56CJOJQJ\]^JaJmH sH o! d0NMSG_EN_FONT_STYLE_NAME_TEMPLATE_ROLE MSG_EN_FONT_STYLE_NAME_BY_ROLE_TEXT Exact>*@CJOJQJ^JaJ8O!2 8 @Style3 x5aJ4OB 4 @Style4 OJQJ^J`oQ ` @ Style3 Char15CJOJPJQJ\]^JaJmH nHsH tH@O! b @ @Style55CJOJQJ^JaJBoq B @ Style4 CharOJQJ^JmH sH >o > @No Spacing CharmH sH No N @ Style5 Char5CJOJQJ^JaJmH sH `O ` W+table_0020grid1 dCJOJPJQJ^JaJtH PK![Content_Types].xmlN0EH-J@%ǎǢ|ș$زULTB l,3;rØJB+$G]7O٭V$ !)O^rC$y@/yH*񄴽)޵߻UDb`}"qۋJחX^)I`nEp)liV[]1M<OP6r=zgbIguSebORD۫qu gZo~ٺlAplxpT0+[}`jzAV2Fi@qv֬5\|ʜ̭NleXdsjcs7f W+Ն7`g ȘJj|h(KD- dXiJ؇(x$( :;˹! I_TS 1?E??ZBΪmU/?~xY'y5g&΋/ɋ>GMGeD3Vq%'#q$8K)fw9:ĵ x}rxwr:\TZaG*y8IjbRc|XŻǿI u3KGnD1NIBs RuK>V.EL+M2#'fi ~V vl{u8zH *:(W☕ ~JTe\O*tHGHY}KNP*ݾ˦TѼ9/#A7qZ$*c?qUnwN%Oi4 =3N)cbJ uV4(Tn 7_?m-ٛ{UBwznʜ"Z xJZp; {/<P;,)''KQk5qpN8KGbe Sd̛\17 pa>SR! 3K4'+rzQ TTIIvt]Kc⫲K#v5+|D~O@%\w_nN[L9KqgVhn R!y+Un;*&/HrT >>\ t=.Tġ S; Z~!P9giCڧ!# B,;X=ۻ,I2UWV9$lk=Aj;{AP79|s*Y;̠[MCۿhf]o{oY=1kyVV5E8Vk+֜\80X4D)!!?*|fv u"xA@T_q64)kڬuV7 t '%;i9s9x,ڎ-45xd8?ǘd/Y|t &LILJ`& -Gt/PK! ѐ'theme/theme/_rels/themeManager.xml.relsM 0wooӺ&݈Э5 6?$Q ,.aic21h:qm@RN;d`o7gK(M&$R(.1r'JЊT8V"AȻHu}|$b{P8g/]QAsم(#L[PK-![Content_Types].xmlPK-!֧6 0_rels/.relsPK-!kytheme/theme/themeManager.xmlPK-!0C)theme/theme/theme1.xmlPK-! ѐ' theme/theme/_rels/themeManager.xml.relsPK] b)?-- !"#    b)? 'IK $yVV|}BN/h.x. /XX~Yuv$bQ1K<?BCEFRRj!wK- > |   Y   =  Ǥ  R  Х  P  Ӧ  Z   " c   + p   4 o    ? s  ۫  ? o    X  "%'GGGGGGGIxx!!@BBBBBBBBBBBbbbdvvvxxxxxxxxxxxxxxzzzz!!!!!!!!#113AAAAAAAAAAAAAACh h h j j j j j j j j j j j j j j m !5 qnK:Ep`rA !!U"p%,.238x<z@@ACRFHKYLOPS{UJXs[[^cdehlw.z{!%4Sߗ[~۴_A p8,F  z K Q !>#0'/i6N8<o>ADEkH^JMOiSWWA[b`agmzxƤ.oZc Gq$+3HmQa[_| F]"9$I(,,059(>DEFsGH{J2KLNPRXUeVW4ZZ\x_~abeh/kmp8qrkuwzZ}T&݈nēr9" ʯ,x!ص MMC<zhT u /P  d%'[++,.24W ݜ      !"#$%&')*+,.01456789;<=>?ABCFGHIKLOQSTVWXY[]^_`beghmoprtvwyz{}&48?MVcs   "$&(,-38<BGLPUWZ\ahmpuw|~ v !*}@O^bw}LOlV.te~N #'78EiSa~azסi&wV*,5w3k3?KSjQ12  E|5!FHV/K~7SX#)U.39}DDEEFQFFFFFGBGiGnGrGGG(HIHHHH3IWI|IIII1JYJzJJJJ1KKKgKKKKL=LqL}LLM2M^MMMM%NZNNNNO0OOOgOOO%PsPPP Q8QnQQQ*RgRRRR2SSSSS3TkTTTTU=UUUVfVVVBWlWWWW*XVXXXX YAYxYYYZDZUZYZ]ZaZeZiZuZZZZ%[Z[[[[["\A\k\\\\]Q]]]])^F^l^^^*_Q____-`c```` aOa~aaa b2bqbbbbcAcdccccdd:d_ddde=eeeef=fwffffgOggggghjhhhh/ipiiij7jkjjjjj/kVkvkkk lYllllmMmmmmm4nZnnnnoHoooopIpippppq8qdqqqqrtv6y{~! В.JtˣG0!9:Xgj(V,y ޽."!"%3Wo+S{Us!u&rV At'BLPe[KG ,/M5 g*+,K.o0345ܜ ݜ  (-/23:@DEJMNPRUZ\acdfijklnqsux|~      !"#$%'()*+,-./01235679:;<=>@ABCDEFGHIJKLNOPQRSTUWXYZ[\]^_`abdefghijklmnopqrtuvwxyz{|}~   !#%')*+./01245679:;=>?@ACDEFHIJKMNOQRSTVXY[]^_`bcdefgijklnoqrstvxyz{}4OZ 9S^T c ] u v  / 1 P z |     > T p s t v :=>@_4Hdghj"2NQRTs=k%ADEGfy{ 0Milmo !#B`|$ORq999*}B}E}IwzGGG-JXJnJ̀<n   -XXXXXXX X%XXXX%X%X%X%X%X%X%X%X%X%X%X%X%XX%X%X%XXX%X%X%X%X%XXXXX̕X_XXXXXXX(@Cx!9<BZ^m !!!!!!! 33`b$)wz s + b$|.fIĨ ϲ b$f^ۓf !i b$%eVEA/ R$OU[  H3< S 4@@"Canvas 108" Õ ?PK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!`('drs/e2oDoc.xmlZ[o6~@cbnqN4LK%L&5 ;ٱipRxn?wyATC=:D9 ?\4)-gC)ߝ-D&Ip5XC'Ӻt:*؜SQ2BΩ[9뤒.ayݨ2-HR0:stt&ݴ+ 휟L2˓J ZiAhԘjJ2Ɏ՜e TeJ<2Z2c$JC'psRL%,yH ޔXT ޽+mP$Uވ/Ee؅b1. 5u.2Y"RNZVS9G@ 9\ ^k~׏! LkAN)9#FQz ܦ6"3יqZmL;f"˺5*$!`btHA03suε,jqL3Ǖqp5|thߐ޸0x9AT"7BTB':(d H `B$^P|Z̀i-GE hl-t-8*+G&xji^kXR 3\!T,4wY$b!SUi86z :٤AE =u d]K=-deDyb" p Cp@^P`a [O&'' ˑ=E)Y,qq4 K)Hx-ps?ᑢO(r֊oL9v݋&^aw?Q8USv1,)NJ>v{%}NDxCԫe;94msL{ {51Va"2F ,68EnNo)onV^tn&-kl\6 kb8&5eӛ36UdwL.7W / ({=|Js~[Ui%4JG;]MrIbDub9QUm2-U^tut㓋Qp]q8ǣmqA)Kg0iѪmMqCg}u۶XA6j]x٦@ߝĴ\Hp=N! L cGUOu6$~tkm>%v+m4j=^ ZaZẏB+/nn`޾#Epo5-stne fث>(0^:ea!ga[9>v?PK!drs/downrev.xmlLN0DHHܨӠTm@\7(vqJͼד5@+č= >cRp"*L#o %3TЅ0dR#~}brl˭i,ŞBt{6UikV_<@% gEdݞFA|$ݳRd,rPK-!8[Content_Types].xmlPK-!8! /_rels/.relsPK-!`('.drs/e2oDoc.xmlPK-!drs/downrev.xmlPK  ~  S 4XCanvas 108"H3<  S dGa N??YText Box 4Recycled paperS" @@ÔPK![Content_Types].xmlJ0*miG]`Hm6 Xwt?. g#Wi3E).+7 >ON ޑ1ˋz "+R RhB.} /<^ITխ%rHK4uK~I0xM e`|X}đ I`߽N4aG2$RKIZ)4(M9`ctB{m:f@`3n|O,ܗr޾jxR0T ,0@}WBLǬ5vPK!3/A9drs/shapexml.xmlQ(K-*ϳU23PRHKOKU qӵPR(.IKIKUL-VPK!Adrs/downrev.xmlDOk1!n" =ut6~P8of0Qk K 5Iyجǣf|[J!3TP2)}QA?8z_3J;#ܴr$KiP]Ew~5 ӒEӼ9wBð}hJr PK-![Content_Types].xmlPK-!1_a ._rels/.relsPK-!3/A9)drs/shapexml.xmlPK-!Adrs/downrev.xmlPK̿|l    S dGa N??YText Box 5Recycled paperS" @@ÕPK![Content_Types].xmlJ0*miG]`Hm6 Xwt?. g#Wi3E).+7 >ON ޑ1ˋz "+R RhB.} /<^ITխ%rHK4uK~I0xM e`|X}đ I`߽N4aG2$RKIZ)4(M9`ctB{m:f@`3n|O,ܗr޾jxR0T ,0@}WBLǬ5vPK!3/A9drs/shapexml.xmlQ(K-*ϳU23PRHKOKU qӵPR(.IKIKUL-VPK!TZdrs/downrev.xmlDOk@~z &u"AC{{d_ٷKv5ۻq0h:q7Nĥ W ;ˤLVLJ!T"B稠R&~bqlo0DWR8D4IޤB5Q]3dei~9Y"[S+HS~?@./PK-![Content_Types].xmlPK-!1_a ._rels/.relsPK-!3/A9)drs/shapexml.xmlPK-!TZdrs/downrev.xmlPK  ! c dKHGa N??YText Box 6ParchmentS" @@ÓPK![Content_Types].xmlJ0*miG]`Hm6 Xwt?. g#Wi3E).+7 >ON ޑ1ˋz "+R RhB.} /<^ITխ%rHK4uK~I0xM e`|X}đ I`߽N4aG2$RKIZ)4(M9`ctB{m:f@`3n|O,ܗr޾jxR0T ,0@}WBLǬ5vPK!3/A9drs/shapexml.xmlQ(K-*ϳU23PRHKOKU qӵPR(.IKIKUL-VPK!b.{drs/downrev.xmlDOk1!ON ޑ1ˋz "+R RhB.} /<^ITխ%rHK4uK~I0xM e`|X}đ I`߽N4aG2$RKIZ)4(M9`ctB{m:f@`3n|O,ܗr޾jxR0T ,0@}WBLǬ5vPK!3/A9drs/shapexml.xmlQ(K-*ϳU23PRHKOKU qӵPR(.IKIKUL-VPK!drs/downrev.xmlDO[k0~f Ʋ CYu)KN&/}]ΊzV k[nDgRpaB pH! T`b )Cma|Go; =^R9a˩`GoßSPܟ_+{G{VViwͽ il~PK-![Content_Types].xmlPK-!1_a ._rels/.relsPK-!3/A9)drs/shapexml.xmlPK-!drs/downrev.xmlPK>"d5 Jwp  # c dTGa N??YText Box 850%S" @@ÕPK![Content_Types].xmlJ0*miG]`Hm6 Xwt?. g#Wi3E).+7 >ON ޑ1ˋz "+R RhB.} /<^ITխ%rHK4uK~I0xM e`|X}đ I`߽N4aG2$RKIZ)4(M9`ctB{m:f@`3n|O,ܗr޾jxR0T ,0@}WBLǬ5vPK!3/A9drs/shapexml.xmlQ(K-*ϳU23PRHKOKU qӵPR(.IKIKUL-VPK!~drs/downrev.xmlDOk@ޚR5F i->`mn5w  zӈu` k.ˤdSmCޗ"@إMtEE]d[]lgٕRwxpqOB-Ql_N'm3+q.fJ=Zd_PK-![Content_Types].xmlPK-!1_a ._rels/.relsPK-!3/A9)drs/shapexml.xmlPK-!~drs/downrev.xmlPKg $B $B c 4Line 12#"àPK!%[Content_Types].xmlN &jZcL՘L[b;;^k7i3$.+)mp{-߷Oŝ :3-@r\^}Fr9+EvP" O&z0=U6`E^2dSЙ1_$ Fa.]ZGoMfR5RJv44HW!կ |OjR~6c(hXWNT6/zOpJ\[|JWjPK!3X _rels/.rels=k1 B%C)%l!}d$sM}LWu^J=> HcZ*O_/PK-!%[Content_Types].xmlPK-!3X 1_rels/.relsPK-!3/A9.drs/connectorxml.xmlPK-!EQdrs/downrev.xmlPK (U % c \8Straight Arrow Connector 613"@ãPK!%[Content_Types].xmlN &jZcL՘L[b;;^k7i3$.+)mp{-߷Oŝ :3-@r\^}Fr9+EvP" O&z0=U6`E^2dSЙ1_$ Fa.]ZGoMfR5RJv44HW!կ |OjR~6c(hXWNT6/zOpJ\[|JWjPK!3X _rels/.rels=k1 B%C)%l!}d$sM}LWu^ kl_#kl-?rgڎ|v)*R)]YA7q~loWR8ik`aƎ5(0~iVodA? "Picture 93"#  c dJ~Ga N??$"YText Box 68Blue tissue paperS" @@~PK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!]i drs/e2oDoc.xmlUn0?7$9H(.hR<((E$9IqCj߼Ytz% *Zpt-T[џWf8=wl`J>ҝ5A+S{Sfci6qk۬0 z/QgqкLt3iDV lq ektmiX ^ZT/N7>M#1`4E$ 8er}n+zRcnƓ !TsP ++ ߠV@Tk~;eP#"xf E^GMc + E3xZ`8y1Rl< ʝ'aQQU+WBJb%|Ӱ urh'Ovu)-,լXF'4_7Lq0qpM-"o|^{Ui&zt>XiPhڋ("X (1vs8c=:Ԑ OcE#c{Nlq1oVZdzj)I8?\QJw(*y2Jcj[UzꁬktEݨvq(m4lKoO=Xb׆FM-7M$tJ'*~pig,,D~V:b2 C9n&ӓQdux!TE1iyq.kcEMi(}Xm^iA}o=|PK! d drs/downrev.xmlLAN0EHMԖ$ĩ*$X(vLW?Uct4<-&XGc"&CP#lʔ6\χ X ]JC)el:&.ÀwI|eFz?tf5Plyza޽H82jf:l,/\` Z=I&A֕PPK-!8[Content_Types].xmlPK-!8! /_rels/.relsPK-!]i .drs/e2oDoc.xmlPK-! d ldrs/downrev.xmlPKu    c  dJ~Ga N??$"YText Box 88Blue tissue paperS" @@{PK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!xdrs/e2oDoc.xmlUn0?76"IM%H-_!);r 37oV[AvXdN& UrY9%ց,A(rz,=_w%F .;9L[4{4iIiCV$4%26`֢tt[UY)rsis o`dk3FYUB*^FOm@ &c-˜αRZ;rċJf ץ2⸵]"FG 쀐oT50Fu g2FA6U":i}Z1QѱǪyw9;MRTGY(k˃6}b%S]awcg+} k.1 e8V[ oYƓƈMmr=.AtQ8M͂8x6Fz{Wz|y, C1XLӠPtL`"4{ c0Q>B.h\V5% jC31WJqYl%dA$;-DQ!KgšJm3MؚّqaonȒLNUy t}ͽ0HGA#}X 'z{cf xhKI;kg Q">KE6 }.2lB WohՆ zG \_:Gxŝz2PK!v Y drs/downrev.xmlLAN0EH$vNZ*Ʃ*$`DXQVzTct4d  Qxx{z!k@]eJ}jP,.26za@bFoDZv4W.̕ZKoBg|9'|T7Ws(>靴~|w w 5;D6^rUzb|-98L+PK-!8[Content_Types].xmlPK-!8! /_rels/.relsPK-!x.drs/e2oDoc.xmlPK-!v Y kdrs/downrev.xmlPKr    c  dJ~Ga N??$"YText Box 86Blue tissue paperS" @@|PK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!ҁdrs/e2oDoc.xmlUn0?7"IM%H-_!i;r KC͛7o:AXdA&KUq9%ց@( z,=_w뜍TD Ai^uNIb˖u`Ofke:ph2#z'QΒ^JU2kѺt뚕[][((rsju ƀnyo`dc3FYURuk^fOmA cQ&`˯%:9rvě*fKRlqZxzmsvTF-ٰ cT2y=kıdQ2ShWˊBD Y>,]x6&P6}b#":+V\b]pH޲D+'f}% 6z]qq/yF؛mD ;24>#BHPYQc(ӤtQpIA|q}\bK 1IP /b .j itD{t&j?:y<+mbѺx9,=؟cV`b}UPI]6۶Zl&Q *Tri8A F;¾^"9> S5ۭwqux?kU#0]VcF6`%Yd_a2=\'  We oZT>j&~w_×iPK!1 drs/downrev.xmlLN0DHHܨ@#TpCxI,u;,'8Fo4;l iX.XG# Y3B mSpØ4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!T]Sgdrs/e2oDoc.xmlUn0?7"IM%H#_!i;rPC͛7om;IuBrJb)۫sJUԊ;z|7Vˊ[ )i)̱w /km;j#z'qgqкJt3Dly EchXt =@X jkt0Q$ 8dr}nJ:Q'zK⎡^rÉ?lP7@~Qg5җ-[CG3&@]!x킬(Atj% !|TME˚A6O\w$Jj+":];@dWJHIoc5}W)c۬/%w6.V8/y&$]B72 49!BH絡FVGɢOBAD)AqqC\H$NTFPC*җt1jZcg !mJKqpxV"Bœur:|oZkTJQUQ%B3BIqMJo<7mՓyM.U©8x=jMv]̓E:p}86 jY]oZ^ a<%E)g7l2C2ÛCblMQG-h?m\izziZPK!!b drs/downrev.xmlLn0D"VM!!BZn|"^GkN8̛jL.8:mI@:O!5Vij~^do ~~dvxry?C#H;Hr5k,7=ϒ).tr~2(ۄCrElkC雄x aGt#NΖV4]; /PK-!8[Content_Types].xmlPK-!8! /_rels/.relsPK-!T]Sg.drs/e2oDoc.xmlPK-!!b ldrs/downrev.xmlPKv  B ( s T?*"Straight Connector 3#"ÀPK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!Sj0drs/e2oDoc.xmlSM W@&VUe'lHF ' 8`xyX=;NX8ň+ L^Fň |?߿[:hA2nQ6u[t$#v +YS$̐ޣw2S҃aj_לumC!zE zAEGޡ*:T' SkAyWUo/w_N;+#E:ߢ3D4C%(A^ܧjgBw-Q |_/ڃdDHXo;rtE;צ ^t{aVߎhc' APA0Ӌuo)aYVH. O)X i4Rt"64G"X \cGbT\?r,fi3U5-gma^MZ6[WͣØ4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!)9drs/e2oDoc.xmlUn0?7qA7EtADID)%iwHʎ>͛UgN-3+Y(RU\6ywaAu +J3Kϗߝ:g*Q1CDڼmyزe#DeLI*=w"<镩Q%ˀ_׬t2GDA OkLg7tˁE\ Ϡ:^eUJ%yB M>B,in zaΑK#^T1[b.ņǭ?\m!-BQoKjA6շ *dyddqY_T `TզiDDG>y% U%4]&ﭵS슀< 5(6aZc&eVO#6Jl"\E,_7 c/%0j˱77x<׺0D\> E$ . 6&we~-A0'aB5|6$}AOgVp];V6hp\)g%-T,JO_'K'1o6BU,o YrE<#>(Uj㘹m ;wCgr4zܧ/# 5[ZoᅱE:p}8jY[鵪qPV0U/%=.Y,ҟ F,qvNpN&>f=ր,XxrxC6iS>R]yVE+.}çiPK!׌drs/downrev.xmlLON0#"qvͳ!NU!7~/EbuhF% S , R Dʖ"3&X7\< TY}c%ej{ 6-WLNɞ8< R+ {77e~K\}@s}U6 2g<t3$;v22|ځdSPK-!8[Content_Types].xmlPK-!8! /_rels/.relsPK-!)9.drs/e2oDoc.xmlPK-!׌kdrs/downrev.xmlPKo  'B ) s T?*"Straight Connector 2#"ÏPK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!hO#@drs/e2oDoc.xmlSM W@&VUe'lQ1ĉhTU}<̼?{X8ň+ L]FS# W-~\}3ts@2nQt;t$v'v +ق[K!GeC2a|m9umkCž6bNʝ!BA57^PZ7'ж&Kfc.8Vd,|X$Xs}6A)_@0(u-{&dJj~HAI{,D$BjvXckzJ K[!z>4&ӼLH B6}У`TX  HJrx.PQR³I>`2YҠ 2_ܻ+:Nb;"K|*:,-i1*HfaUU~Ҽk~jYQv1f4qn!y^tjhY[`v4:_F* PK!䤁 drs/downrev.xmlLOAN0#kQ4 SU !QBN$:4Emfg4;Sl7{pR o{j5TO7w B4d 5|cmyyQἏ 8RCgʏH}ətj̉ 2LO3#>t|N~k{VU9jm@D\~su(Sd4U[" Y€A Bo(PK-!8[Content_Types].xmlPK-!8! /_rels/.relsPK-!hO#@.drs/e2oDoc.xmlPK-!䤁 }drs/downrev.xmlPK !B  s V?,"Straight Connector 83#"ÇPK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!Pű<drs/e2oDoc.xmlS0W?XCVUl[$I:e;@RU{f߼/NDGnЪ8ň+PMlFs'/;zfٛOt%ryo zo$qqcmgmGjI zAEGKoPjk?Kt] c PMVͮ%Z@gn2K? VFtУD4GV !T[j'3Ϛ~sH%J2W)a ܷ?j1uTR!14t; JoqB},&8- l/EGF(~2܇Y}P,D˥ xPйXÌ|_|=hV7ٻYPeԲi Ƹ Mn./gdH^GI~ð켵>Ès o~_PK!U^ drs/downrev.xmlLOMK@ elJ FϛwgCvީ67Y1zO ƛZDPBƟ }lPȵ.!24:~@bӏNGc+ͨOLd%?tz)|잳שvޚz7JRy"pաN? 2^%e .%dY oPK-!8[Content_Types].xmlPK-!8! /_rels/.relsPK-!Pű<.drs/e2oDoc.xmlPK-!U^ xdrs/downrev.xmlPK~#B  \J~?,"Straight Connector 743"@}PK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!D /drs/e2oDoc.xmlSM0W|/Il!"T(l[${l'ؖ%wުXy~f:ENyitEINpz}ZPhhQѳ~ê(.AV YY+:cdm\]dAʦy~q ct;&:׵`g]{(r t<3[lV Hޠ<;T'3aLL"C V^Poo2e?N{G$%:!8Mh G0J֗X{{e>~{݈ͦlٛxx&6Ԯ#)Fp iNۜ lK#̠: ӑhTTIN>DF/WbXT*mҤr>SwV,uC Q]s(GN6-/R \Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!Jl'!:drs/e2oDoc.xmlSˮ W? y\+UeܶrpUvSU̙a|%:rV%)F\Q̈́ڗk3Z`~z3Cå>{N[ד U0zJyKdb2qL'sFWD?PK-!8[Content_Types].xmlPK-!8! /_rels/.relsPK-!Jl'!:.drs/e2oDoc.xmlPK-!N~ {drs/downrev.xmlPK2B  bo?,"Straight Connector 66#"ÌPK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!~>L!9drs/e2oDoc.xmlSM W@۩VUe'lH8Fŀĉ8Ǜ7It JS u(hD1"%pW-{Snd"QM[M$#n Wl툇=$̒;Lt2c5i=8*7 k8,1pqq݇5Y-IqĴ^i`;TMNK79{WҢ fcG"Z [_mOl]5 ȏiX/Q>GyZף*6|Z~jY^1۰f cv׻[(#пa]d|}K<~|_PK!~[ drs/downrev.xmlLON0#"qk« q*@ $nnM`oڔg8v\NW{ dbB14[Jl>8beuzR…pFIhBTmIm޲.ڃ^YvH>vzRx{.8>|ƜMw'O}@%6a$To`v~|!JB PK-!8[Content_Types].xmlPK-!8! /_rels/.relsPK-!~>L!9.drs/e2oDoc.xmlPK-!~[ {drs/downrev.xmlPK 5B   bo?,"Straight Connector 92#"ÏPK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!Ie!:drs/e2oDoc.xmlS0W?XCX*^-0C:eRU{f߼/ϝD'nЪ8ň+P{݌9O#R+^ wyݲ7VK-ޔIh;pFێxC,$MgI-3VSW'^Em=%n>6&%)V ,:"\z'hPV;1]FPkjjv-1<8s?X崵H/&)Avqh=RTo\ P+=yCJW-Q^ d!#y6}fC^G΍$α;{w# Y:?)t΄CC(*(G rzq>0!)cB}'4f8- a_IN$ |M n|4dOC]Uu3Pq Ӛ7 wsuHޢGc7C첵Ca@c1ɯ~PK!fC@ drs/downrev.xmlLAO0 HHܶTNā@eVk[ǯ8{rt8`' 7 RmKDL<FXɭ? T  MJ}.et&N}Ļ$C-m0GwTYv/i?4zpu_U;J3 Oo߃Wc3odFiwIL8fw V, BPK-!8[Content_Types].xmlPK-!8! /_rels/.relsPK-!Ie!:.drs/e2oDoc.xmlPK-!fC@ {drs/downrev.xmlPK9B  bo?,"Straight Connector 64#"ÓPK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!SƟ'Cdrs/e2oDoc.xmlS0W?XCX6"zٶHl{7C:e;@RU{f߼/NDGnЪ8ň+PyY9O#R+^3wi͢7VK-ޔIh;pFێx},$MgI-3VSփ/#~p?77W]X{KL+ .AtNPn.M#(5@5Y[5ۖkq,tX$Xg9FtУD[*(-'(W@B66JOjk5UKԞG/g(YH^3p߮ĐQSc;HaҠS'~N, )DH4\w(%B IAJB±k!eP_|0NK79UҢ# z }"Z []lOl]5q5_Q>FyZף*ô~WWUԲhc\vױ67Q0 {GұL4;o01S߃}?PK!#ū drs/downrev.xmlLOn0W[qxDi*P@=;6@׳<4;/ۉum@iVpد_S!j2s .`Yrw/Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!udrs/e2oDoc.xmlSM0#,iB+jB-˅JYI,95c3vڲ cdߛyܟ'z6x]#?=y/%\gC~fk}pڠ`O16O)ToYs 8@#vF}pb>_Uc@1(Cۂ߶FomK& Hʊe}kCU,/A!/* 4SaBZeVSPC4E 7M`Ս\-0$> Qǀ?~\(0?87攄`][]IW]DJLD4.Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK![vdrs/e2oDoc.xmlSM0#,ij˶QӕhU.|TZ>Gb_M{NZXhr!*g;,jJe+w5%1堝HvolGߊ"}G|[U @\8/, nC_#]-}5}pLĈT/`體Q$;Z<KPH@~Q,dZ0g*'bp@6M(\P2˾\N( % s !t`}laoOaE UCVȵ|,)0۬ !#G AGYh)&iJڒrE Ԑ04ESG btZܝqb{(u0)YlS_8 S ?|8L=mxuu[;Ai=z럵PK!?n drs/downrev.xmlLMO0 HHX -u @B.ijd~q 41"A:sQ]=AVcB8uq~LӾ%3`B3)}k*p#q}ɪI=C,I;iUQ#=j"TMo^JWuGMܔoˋ|h0:ѩq;^ 1/md 4="_(~PK-!8[Content_Types].xmlPK-!8! /_rels/.relsPK-![v.drs/e2oDoc.xmlPK-!?n 7drs/downrev.xmlPKBB  c PJ~,"Straight Connector 80C"a@IPK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!^[drs/e2oDoc.xmlSn0?ג8pjýt1417e}bȅ8ix1Eَ6a|$&W[t\ 6萒o*A Ŧt@40"ղc"F&|)K?"Q-3j5?0,>zC+bE'ӂ9S9)i< ED),~>xG()PY @J>80gC}A!7%6V~}W !# AGYh5&|^eJ%cGV% KRCxdmO MR(itƉ?t g@ti.êgDHMZfy=a)(hū3ŬlN_Uell67PK!<< drs/downrev.xmlLN0DHHܨM% 8U !ޜxCum,ǝ;)68pR `5|W Y3B ') p7<4\B17\JS.ezWaBb3$>^܏rԭf ̄]vpUfWmק֗K"P2Sd5e$6  uv,7PK-!8[Content_Types].xmlPK-!8! /_rels/.relsPK-!^[.drs/e2oDoc.xmlPK-!<< 6drs/downrev.xmlPK@B @ c PJ~,"Straight Connector 813"]@KPK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!>Zdrs/e2oDoc.xmlSێ0}G,ӤB5]V`+S_K6MZmŋ5sryM"DlK糚av-|x$&Wp\ 66oio*^3Ţt@k*`@tE]1t[,=JE"[*g()vMMk+0,C!?PF࢓iƜ?5I<3N:t"P a̤!~F}brꤞ Ir/- d;jzR{=o|{(uy1 / 'Edj܎UQi ߤw ߃,rPK-!8[Content_Types].xmlPK-!8! /_rels/.relsPK-!>Z.drs/e2oDoc.xmlPK-!AL8drs/downrev.xmlPKB  c \J~8"Straight Arrow Connector 823"r@`PK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!][drs/e2oDoc.xmlS0#4iE6jr.ܧXrlkljao53<7󲹿 %zeM糒3imjnř`Ț_۷o6V7_}* /z9Y' ]bW4#X]1ZlZ!>_mo[)Cz9q tYl7PuWbbe_^A J 3a¶2i 5/5=8p?X|DhGAu}`vEFмF+jۙ#NwG/-$+q@vIӾަ-/\T0_\dЇ/,5>lAiMuacŒ3VCpp؛3WL|ժݱcwidg ?eYN&&s4M0I|{Uc?u@4m"1=i 6״"fddʗ9/oPK!a drs/downrev.xmlL1O0w$uHl&%q*@b@T5mC 0w S=i](H=!f>1(LnTVp hbs)Cӡ3aG$~r&:NnRt'Й;li<+6uj}}5?@D_~Jf#  Yvq;v,$j ,oPK-!8[Content_Types].xmlPK-!8! /_rels/.relsPK-!][.drs/e2oDoc.xmlPK-!a Kdrs/downrev.xmlPKW + S V8"Straight Arrow Connector 843"z@hPK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!>tjdrs/e2oDoc.xmlSM W@'٦XqVUv,` bh[U30yoww mjLYᤶ]<޿ #X YI!ۿ}}֮wFb=1Pj\8,. ) ]%>j\~FN(D!gU"~o[TSo1!Oi;bnGPG~ԠEpڸn\j2bZbЃW *?X| Lˆ߾@3ztG17ttkXS?D҆Fd,dtU[]"%)({n7 * X4玮t8X RuCm,ݬ7 "mOvȸ"/:eN8vYNzF: B+=HUn7.B_,9O< tǓ/% E擕,N&i0dƦ^U,GPI=99QU)"gg'iPK!) drs/downrev.xmlLN0DHHܨCh(dS"Np U4vqΎfTL#.čoO7k;&///*Uj7+71}LC)o Yn 7Z9RjᶗiҪcQ 5Eؾ$lv9K=ۃ{gudڻk/z<#z@H"n JPPK-!8[Content_Types].xmlPK-!8! /_rels/.relsPK-!>tj.drs/e2oDoc.xmlPK-!) Sdrs/downrev.xmlPK_B  c NJ~*"Straight Connector 1S"_@APK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!89drs/e2oDoc.xmlSɎ0 ?7^0)&F t 00l J/%{i{+zER|{OWEbPζZI+\ߎ9 lY ivt' [>蛢byi);4ġ&B7}19<:!C a]{)׾22r-yNgB3 Q . (KEP~ (.>3{%d@l6#x8e V|fǙC#zj#;kI@J:M>4|oOX0hҗkvV^#|MU6z _C(arlb \>8?}yF[6-LP!RUgZN1#USr.@ p|>G#trn%K]7O,78B\T_](&gM[H?/M'PK!6= drs/downrev.xmlLN0HHܨCQHTmV\E=umӳiFS,׊3~@iV@*йz.ւC(Z˥ EwH}ᮕ$yN7 VwX}NNhfg_VlLlJ 'g<Jt'2A,e9_b=?0YHRe!(PK-!8[Content_Types].xmlPK-!8! /_rels/.relsPK-!89.drs/e2oDoc.xmlPK-!6= .drs/downrev.xmlPK8B  c NJ~*"Straight Connector 7S"h@JPK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!"drs/e2oDoc.xmlSM0#,ijKQӕhU.|TZ>Gb_M{NZX3chr!*g;,jJe+w %1堝HvolGߊ"}G|[U @\8/,nJ $LC_#]-}5}pLĈôIw_JW)HDwgKe e=mAy ) (ޡ /(Xpɴ`TNJDl6xQ8e}QkJ,|@C"{g- YgF[<0gџB&}(2 1r-**k"l*26æ<@5!d$b(!9V6.b[ˑ\.o-;Z(aN#h{J@hQBAN+3N yi>Cp1UWu=%BTn:6Ô13 SOʊb~Q:S:O^ ]Pff1~vPK!kK drs/downrev.xmlLn0 xHtXUHIӺ]i S5/hqO?g쌣, 0ƪZ? -+:X糇L^ ϕoY(!J!5t ; ގFǖQ^B2^ ZP֝~/l~\c+>;!SauȃSmOC5Vnߠ$Ky_PK-!8[Content_Types].xmlPK-!8! /_rels/.relsPK-!".drs/e2oDoc.xmlPK-!kK 6drs/downrev.xmlPKA  , s bJ~8"Straight Arrow Connector 113"q@_PK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!0a,drs/e2oDoc.xmlSM0#,ijv+h)>*-pNb_l qfƞf^6kYa޵|9SNx]o9 jUE}j3Z1|H)*AY ΣD)D ݚjUoѣ 腊o ~)v]TTN,)v! Z4XXЎ>zC_PV wi!|iRP4@PE 'ۘ_GdZ9!w~d;#'415,#f-?K6muILLEAզY5eՄQyr83Q)&@ 6l86Y5 u6zd\h3N3@;/GH5UM!}r*/:Qa 3=aMvL'Y% 2.R׳i9:yy-krF)m)_ PK!Zc drs/downrev.xmlLN0 HCd$.-B8$iV4NUg[ɸ?\&ۋ39R"H35 v۷ {MFP2ۛB]߈PBkC.%-Z37 эVFQ_B< ss }´ݽzXp{q0\:r'2,, y% RHe!PPK-!8[Content_Types].xmlPK-!8! /_rels/.relsPK-!0a,.drs/e2oDoc.xmlPK-!Zc Jdrs/downrev.xmlPKVB @ s TJ~*"Straight Connector 83"^@LPK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!P]drs/e2oDoc.xmlSɎ0 ?7qi]L[6Hj}) [1'ix1Eَ6aaMIL`9hgEG"wѷbAllG!%VUd0  WA? "Picture 5"   c  dJ~Ga N??$"YText Box 14Blue tissue paperS" @@ÁPK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!-sdrs/e2oDoc.xmlUn0?7%bIM%H-_!i;r C7η$njNjJUԊ=w|YoJ>ҭA+{32Zށ;҆+<6YeGNfr.յX 4Ckķ1SĶY]IK66>).8́8y{.DF2i|C 7k*"D:> MP ŝa7{c yX'b6R~NO)fp\<.;N5lp1oVZdz*/S{p?\QJw(*y2JcjWUzmktDݨvq(m4-J$XzkC6Q@ -=1͊\!I)i1 7qb;J_ElV4WaROPK! drs/downrev.xmlLN0DHHܨ44mSUHKbiӿrhF3ozq1XO ER&{O]K/ClP(.ơ24:~@bۏNGc+ͨ/\z%J:m:=kar (j77' s />CL'? gKTJ'b8)(e PK-!8[Content_Types].xmlPK-!8! /_rels/.relsPK-!-s.drs/e2oDoc.xmlPK-! mdrs/downrev.xmlPKx    c dJ~Ga N??$"YText Box 15Blue tissue paperS" @@zPK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!%drs/e2oDoc.xmlUn0?7"IM%H#_!i;rPC͛7omzIuBG9%\1] VՇ9%΃Aj+z=[w:te-ATޔYX{pGp=x|mV[(g٠mmf9.%]Dk=En>>m|3[BZ0`[=APK@V<1gi1̦ȟdsӁ1ǙLw-5nJkt7\ ;z]5'^8 An B z JTk~;eP#"xf E^GMc + E+xZ`Bh>l<6 jYYm8y^YA?"Picture 6"X - L?"Text Box 2s"ÞPK!8[Content_Types].xmlAN0EH%N@%邴K@`dOdlyLhoDX3'AL:*/@X*eRp208J妾)G,R}Q)=HiҺ0BL):T뢸WQDY;d]6O&8* VCLj"󃒝 yJ.;[wIC_ :{IOA !>Ø4 p;fɑ3׶Vc.ӵn(&poPK!8! _rels/.relsj0 }qN/k؊c[F232zQLZ%R6zPT]( LJ[ۑ̱j,Z˫fLV:*f"N.]m@= 7LuP[i?T;GI4Ew=}3b9`5YCƵkρؖ9#ۄo~e?zrPK!v2Wdrs/e2oDoc.xmlTn0 ;vM:E.Àh,dQӗ4݀ "Hz4IOrΤX+g>AKϯo\k_m2/Zف?C+ tR6GW[BzO/~H6Sn!.xf+(l! ,:Pn!{tN p&˰ifV} VZo4+9O tԤ9VD~zKr>ZC3V8}+&evtdƚc44ЩOcob*.Ŭ8s&6<ŀu>|ر(TQ<|@yԪ^+⶛vl4(_i_΋+?"ЄsdmV]yb\(#LJ2́j69F7XbfТYOS^q>jd6k ŝZ60*8UH7εJDdrȕ7شzz,PK!Uzdrs/downrev.xmlLN0DHHܨTTܚKIӿpJͼ-v،- HW 0֪:,3zؕ̕=*t,ϥ9F#:}q5S,7ϒdÍ).hIcUMFGuޟm\Vݾg!`edjDʳA@|$[`,KSeӗPK-!8[Content_Types].xmlPK-!8! /_rels/.relsPK-!v2W.drs/e2oDoc.xmlPK-!Uzdrs/downrev.xmlPK   NA? "image2.jpeg#" $~ / s @A? "Picture 16"~ . s @A? "Picture 17"~  s @A? "Picture 21"&~  s @A? "Picture 22"%~  s @A? "Picture 23" ~  s @A? "Picture 24"!~  s @A? "Picture 25""B S  ?%&'$*+,$=$%}&}'}(})}C}G}H}I}L}W}Y}^}_}`}a}b}c}d}f}g}h}i}j}o}r}eϜb-2t@1b)t0Jm3t/ v@.y\ y@-t,D t+ E | t* ] ]t) T t t(pptX; tx<x< t00 t0x<tO (tO ttxix!t+T+LtZitiUtzcy6cty6cy6[tTTtV%>0"tm#t  t r t (2' ;Ct 0x<t |t3@' @ @jt|@n R@%&@z h@} _Toc140905793 _Toc171219232 _Toc173313967 _Toc140905795 _Toc171219234 _Toc173313968 _Toc207783545 _Toc399165806 _Toc399165807 _Toc399165808 _Toc399165809 _Toc399165810 _Toc330303770 _Toc367363861 _Toc115054653 _Toc207783553 _Toc367363863 _Toc399165811 _Toc367363864 _Toc399165812 _Toc367363865 _Toc399165813 _Toc367363868 _Toc399165814 _Toc367363869 _Toc367363870 _Toc399165815 _Toc399165816 _Toc367363871 _Toc270692250 _Toc399165817 _Toc399165818 _Toc399165819 _Toc399162991 _Toc399165820 _Toc367363873 _Toc399165821 _Toc399162993 _Toc399165822 _Toc367363874 _Toc399165823 _Toc399162995 _Toc399165824 _Toc367363875 _Toc399165825 _Toc399165826 _Toc367363876 _Toc399162998 _Toc399165827 _Toc367363880 _Toc399165833 _Toc207783572 _Toc333328971 _Toc367363881 _Toc399165834 _Toc173313991 _Toc207783574 _Toc333328972 _Toc367363882 _Toc399165835 _Toc173313992 OLE_LINK6 OLE_LINK7 bookmark1 _Toc173314000 _Toc174271576 _Toc207783576 _Toc367363886 _Toc399165839 _Toc367363885 _Toc399165838 _Toc207783577 _Toc367363887 _Toc399163011 _Toc399165840 _Toc207783578 _Toc367363888 _Toc399163012 _Toc399165841 _Toc173314008 _Toc207783579 _Toc367363891 _Toc399163014 _Toc399165843 _Toc367363892 _Toc399163015 _Toc399165844 _Toc207783580 _Toc367363893 _Toc399165845 _Toc173314013 _Toc207783581 _Toc367363894 _Toc399165846 _Toc207783582 _Toc367363895 _Toc399165847 _Toc173314014 _Toc207783583 _Toc367363896 _Toc399163019 _Toc399165848 _Toc207783584 _Toc367363897 _Toc399163020 _Toc399165849 _Toc207783585 _Toc367363898 _Toc399163021 _Toc399165850 _Toc399165851 _Toc367363908 _Appendix_A_ _Toc399165852 _Toc367363901 _Toc399165853 _Toc399165854 _Toc270000523 _Toc367363907 _Toc298408814 _Toc296684672 _Toc270000526 _Toc399165855 _Toc298408815 _Toc399165856IIII$8yVyVyVyVZZZs||}jp|CCNN//i.i.x.x.XXXXuuؙqQQQQQQ///            ----11*1K<K<j!w!wIwIwIwIwKg-vwxyz{|m  !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWX\]YZ[^_`abcdeghfijklnopstqru2$8VVVZZZ t}~~ԭԭ||p{KKVV--==v.v...XYYYՙՙՙՙՙ''llll```            LLLL%-%-%-%-*1J<J<j<j<7jHwIwIwdddp^"^"^"^"^"^"^"-$%] =>$$%}F}G}J}L}M}W}X}Y}Z}^}e}f}k}o}p}r}s}efϜМbc^"-$%] =>$$%}F}G}J}L}M}W}X}Y}Z}^}e}f}k}o}p}r}s}efϜМbc^"-#6NdB*c6Tx;2tqTIb>#v<hP Rd;0dwf(~u2#*hHbXMVV1!xL)a)$rf&]tV&Y`.O3Vhr,<;.tKT<#  v ?j*-=@ 9@`cMA򓨰ZGx<dN.t\O(I%R@QkS|\޸I//`j~x0#hP \Ot5ATII%R)a)$##                                                                                                            n@                          4 /                                                                         MFQ                          x                 ȹ n                        P?C,]5n] |J@  ` U U r^6:0!i  i"" "!%%@'+) ).y.=G.@ 01,4O5Oy7Z7I27 u:y;:<ow^=|=)9?RU?Q@(1N{p/i+"K4|KPWp\a>hXiwNb"E#[&?BIMQ_Igknv){SG:Jlrntww )9kLgOUafgmz"h &1FqV`ha4;UV 3 VD("=$x(/o38II[V^o uuv < 3* P@ Q Q U \ _ Xp ru y    Z& 85 B RR \ w  < I! ! , ? L lb d  ^ )/ 4 < > U +` Q B 2 > $ {$ ' / H0 > hN VZ M{ P"().4@CR[S]DyD)|4 8>GHpL'NVCad3OBtDG~T]{uu {T@BEIWRa iwn} G,peg$I % $*-:"A)G coDuG')N1?EBNu.[*d,1p5qSWq={;3  )%a)!1d1TVjkTj 1#/m1DV:w*g4EK%Xtf;=k@gT_U^hflG^B)l-s.4<KQivw$z@ !7)o188@`EzJ%^dkp O$4,2CuHs#-3<IJN OTTdNxz28EP!T\]cu|"R_cgqsv3 ' `+ '2 5 +7 E> @ E @N [ Tc {!!!!:!.:!B!M!V!0W!J^!gi! n!"8"HJ"KV"Ya"k"9n"m}" #i# -#|:#E@#C#F#T#2i# l#s#?$$Y$$`?$k$t$%%%H %!%+%H%e%t%c|%j~%3& &&&o(&b.&\4&;&VD&L&O&]&f&j&s&}&'i''T/'3';'?'&B'P'r'/s'()(P(~(((D(E(AH(`_(\e(k(1q(t(M) )D3)T)_)e)%*T7*V*l*f~*~*+-+<+DA+%M+V+0d+,$,/,A,K,c,yl,&---#-&-3-A-b-C~-~-.D ...#.".).-.-0.0.@.p./9/3/K6/W/ [/b/{n/z/R00010N0l0Eu0d1A1 11.*1.1p51c1v1%{1[222$2*2/B2BP2^2b2N|2~2u33N3EP3S3p3q384_44&4D44C4V!4j#4&4R(4+4Q4Z4h4ly4F55/575tD5E5H5[5F_5D6 666]6666.(6*696@6W6|6~607o7/7276787J:7#F7?T7U7Z7q`7h788!8B8K8Y8Z8\8^8k8|89939$9-9.9@9-I9Q9n9!::k!:2:f=:AJ:M:R:Wa:c:f::; ;;);.;F2;<;M;e;l;Uu;C<(<y<n4<?<E<]m<p<=,= ==@=2=(=Q*=iF=T=pp=r= v=> >w >\>>->9>->>-K>K>U>a>^k>Kr>St>#|> ??R%?Y?b?y?@@-@7@XC@M@W@^@n@~@sAR"AF+A 4A 5A9A3CA2EA>NA[AbAdAnA B1'B+B2B4BJBLB^Bf`B-fBfBjBmB{BzCVCR#C#C&C&C(C22CK4C>CICpC#{C,~CDsDTD D%D+D91D(@D`ODYD(iDyDExEa,E;E#SEUE8\EFfE {E}EFF^F FFFFF(FJ=FHFOF`FG&G*G6G7Gr9G=G(?GiGGniGroG*|GHHjH:H"HKHXUHI1I=I[IxIxI}I"J;JK/J;JL:L(LF5L>LMLeLlLBLM$M*,M@M\MaM?jMuMNBN8*N7N=NYRNTNaNvNzNF{No OOO[O?O"O%O7,O6PJPNPvOP(XPD\P^]PbP_sPQ Q[QQ=BQPQ_VQZQrmQMoQzQR8R:SQSTZSmSyS~S TTTT*T1T4T:TMTPTSTbTPjTcnTrTUmU$U $UT)UWTU[UdUNfUzU{U V(#V*'V1-V9VGVpPVUVcVaqV}VuW5W0WZWl_WqWivWzWXf XBXDXPX\X_X`X`XiXrX\Y!Y"Y,-Y0Ya6Y,;Y!^YOoYrYZZ& Z9#Z#Z)Za8Z;ZeMeI e!ey%e%eO5ejqMjrZj&^jejmj kUkzk,k7ka?kWk_kcnkZskykJ~kEkml ll&l-l'5lj>lvHlZl\lnl!m>(m(6mS?mHmTm_mdm1fmDgmtm)vm nbnXnnn4nJn?QnI[nmntnzn|noe o ooooQooo"o$o&ow2oq`qNbqjqpqVrr1r'r:5r6r68r;fr)ssssdsOsss99sQsbstt8t%t+t:tntDt]tDutu[$u'u8uWPuQu.SuXu \uju|zu}u,v5vYGv']v_v`vgvxkvzvaww&woRwhwqwx!x xWxrhxyxy/yv7yFyNydUyXyc[yaygyz zzzw(z1z6zBzDzGz0Wz]zhzRoz{{#{B{d{Cm{||*|3|J|S|<\|^|r_|h|h|}@}JA}4N}bV}Hc}id}\*~1~o~*o~_s~ny~&~24<@MKR\y| 18zAK9fz`{'|FJR1cijlxx!(R)*h3;GOSVn@qy:z+4"M#$*W+68r=Y`^^ajp!tv2{}hU:VV\l]r~~L56I(R7Vdjqtv}?8=DbFLM"NNkVf!A-7X`Ia9ly 4carvzl&U)---D8,>ekk  , 4 ;\EHXfj(g(.Y6.?^ahmSn}y ?DKR=Wd*"HOR\^vd iz~{7 g':KcU`\>cbuv[b .3 47s3)241LTS__~&(#+7VDXXr 3 %&d+FJYT&)1m2CJNjlXm5o! #$'i,V-@KBL_?FkP8TX[_iDpv 2&W+5WE)HO;R)^c>gq=?,5<B:ExRWP_8p{|MOC14 99';>m$/6Kbghps@v|LaehyzVzllPQSzaJxJ4#&&>(lEO QVXWmPn`tO nz#<ilmFF\%ffv.6Q8GJcowC  P$))*P6`96<FTzXX $<%BHOSS"i#pX&=>PG,Xpft~wGn%X++2:M{ ! ,Hbdg+s&*]GTRfp)yK}5:=9EQDij<((/9H:Ucdv-@38:DgOhhMjoxy\27'77=FGIO>P\1i+l,3:HKLPY Z\bjS{= &e(y/_4B[PahinFz2 ? 688KD^fgiI% /W188~G"IUdh#r{9 [) 2*7T9:><`[gk't |H P/oQT_/g$q@s {>{}f J x9&#/y2d9<+V0`ale HD((3;?AM_.achpgv(0 ^ 2F<=LTW`3aV Jh,N39JoNya{(c6=cf)hyss!Q$6CfRi-lpsDZ<X28n:Ez $3R$0BDELal+7If):#%V,/0>LMfikXmy{o)3=D'FW]ikn!T K(k4<>C GGN3[fhnnR''++GOYm\c  +&.mDevz|q X$;}<KEZ]cos 14DHJVVVsYNZ#af;+<^d^^jj}2 ]!%&'6CLHdi}k+.GPQR(\te7hn J"?HMQd,m sx$55@@sBpprv ,T/; )wIhq~  =,JRZ]cs2 &&5+X38b?>CPUTsfo &45>ENUjBKa*05<VW|'aA9:^ssuX }" 011~9>&?MQSP[\mmqIrsvf~w -k]#$i6`@BefxF:'8r9:)BcFgmuE}-34d8HRgohrrwyz $PS_v{ 1JK]bwx "KJ`Piky| R  ,5BGKw$4"#%'?(2*5Dfa'lYq/ A.Z5Za b)F4=CENUUZYv$U&.B/66QaRgyim03#-.[BZD$'X\;]U]~J$%)\4l| +"$)/7]0nqk} *27>QXy #Z$17t;CqFFSpp~![3]7PVfv>E*3.7:<\KNOQ 27XFyH&@2B4CCHT\Ydfi4opt z~~ {m$<;>uYZmrsr! '37il6u{}}fCk(*0:_?JLYvcN!9<<O/\fmlt >J?^Tbugqw3"U+e=G\ZDo$:;GQvm`s&~ F 0F<\pdpiu"*+'6H*cvx yv8:=PUhkE2"&@2DkPX}gi^r g(v.//G1<@QMgmnq/F2JX\b@j^y}b!57=a#--3g7&;;DH`STv{|> "#(,=ADRV^w{$L7MDCGGq%'/dKA^(c|dhv 68Y99>VZj[ yy"#H(-*/0b002607>-HINJTbehPjUjkCz_ 'H*G./059U|m"(9L=>$@+H`MN,_g*| 6%"/7{<KR^dpyL'&(?+7IVV`yp|+ }!1299I>}@cXEcQdhcjtA]SZd%s/6~:bOtouh~W 7oUir -T!ABOOq$1HmT]YcOn!"&-y57C=HH[LMS#TUrv_"a"@4,-@<@8@UnknownG* Times New Roman5Symbol3. * Arial;(SimSun[SO7.@ Calibri7@CambriaUAvenirTimes New Roman5. .[`)TahomaG=  jMS Mincho-3 fgABook AntiquaI. ??Arial Unicode MSg Avenir 55 RomanAvenir 55 Roman"J @Univers LT Std 45 LightUnivers LT Std 45 Light?= *Cx Courier New;WingdingsA$BCambria Math"1 hjIGjIGUHgwqxUq!0 "NHP  $Q':Axx Art Gallery of Western Australia 2015  16 Roz Mitchell Di Yarrall#                           ! " Oh+'00D Xd    Art Gallery of Western Australia 2015 16Roz Mitchell Normal.dotm Di Yarrall2Microsoft Office Word@@,@jt r @jt r qw՜.+,D՜.+, hp  m$Department of Culture and the Arts  Art Gallery of Western Australia 2015 16 Titlel(V^6 _PID_HLINKSContentTypeIdA &https://www.fti.asn.au/make/icstories Ghttp://desertriversea.com.au/>58http://www.artgallery.wa.gov.au/exhibitions/current.asp Ghttp://desertriversea.com.au/ Ghttp://desertriversea.com.au/O6_Desert_River_Sea:@!http://www.friendsofagwa.com.au/7_Appendix_A_ 4_Toc3991658564_Toc3991658564_Toc3991658554_Toc3991658544_Toc3991658534_Toc3991658524_Toc3991658464_Toc3991658454_Toc3991658394_Toc3991658384_Toc3991658374_Toc3991658364_Toc3991658354}_Toc3991658344w_Toc3991658334t_Toc3991658284n_Toc3991658264h_Toc3991658244b_Toc3991658224\_Toc3991658204V_Toc3991658184P_Toc3991658174J_Toc3991658164D_Toc3991658154>_Toc39916581448_Toc39916581342_Toc3991658124,_Toc3991658114&_Toc3991658104#_Toc3991658094 _Toc3991658084_Toc3991658074_Toc399165806IhD:\Dropbox\AGWA\#Annual Report\#2014-15\Working copy\www.artgallery.wa.gov.au\publications\anreport.asp%$mailto:friends@artgallery.wa.gov.auxF 'mailto:foundation@artgallery.wa.gov.au !http://artgallery.cgg.wa.gov.au/ ,!mailto:grag@artgallery.wa.gov.auXQ!http://www.artgallery.wa.gov.au/zU"mailto:admin@artgallery.wa.gov.au,0x01010015757853D80F324D988A95F9EDB5B513  !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~      !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~      !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~      !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~      !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~      !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~      !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~      !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxyz{|}~      !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\^_`abcdefghijklmnopqrstuvwxyz{|}~                           ! " # $ % & ' ( ) * + , - . / 0 1 2 3 4 5 6 7 8 9 : ; < = > ? @ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [ \ ] ^ _ ` a b c d e f g h i j k l m n o p q r s t u v w x y z { | } ~  Root Entry Fr4&r  @ Data K1Table])DWordDocumentlSummaryInformation( DocumentSummaryInformation8 <MsoDataStore%r 0{0&r ZKPVIEUC12P1==2 %r  [&r Item  .PropertiesLZMNB0KQEKNOPQ==2 %r d(&r Item  PropertiesOHSGJNKQURE2G4MJ==2%r 0{0&r Item PropertiesU This value indicates the number of saves or revisions. The application is responsible for updating this value after each revision.   !"$ DocumentLibraryFormDocumentLibraryFormDocumentLibraryForm   F Microsoft Word 97-2003 Document MSWordDocWord.Document.89qCompObj#r