ࡱ>  '` bjbj ;cVVV8d7Ҍx"$hCƌ 8:VT¿07 *4,hT 6X7 ''7^,''^  Tornasol Films, Telecinco Cinema, Oxford Crimes Ltd, La Fabrique 2, With Warner Bros Pictures Spain and the Support of Eurimages In association with NBC Universal Global Networks & Magnolia Pictures Present A MAGNOLIA PICTURES RELEASE THE OXFORD MURDERS A film by Alex De La Iglesia 110 min., 2.35, 35mm Distributor Contact:Press Contact NY/Natl:Press Contact LA/Natl:Matt CowalN/AN/AArianne AyersDanielle McCarthyMagnolia Pictures49 W. 27th St., 7th FloorNew York, NY 10001 (212) 924-6701 phone (212) 924-6742 fax  HYPERLINK "mailto:publicity@magpictures.com" publicity@magpictures.com  SYNOPSIS When an elderly woman is viciously murdered in Oxford, her body is discovered by two strangers whose lives are immediately changed forever: Arthur Seldom (John Hurt), a prestigious professor of logic, and Martin (Elijah Wood), a young graduate student who has just arrived at the university hoping to be Seldoms pupil. It quickly becomes clear that hers is the first in a series of increasingly bizarre murders, with each victims corpse marked by strange symbols. Professor and student join forces to try and crack the code, setting into motion an elaborate game with the killer with ever-increasing stakes. As Martin gets closer to the facts, he grows increasingly unhinged from his grasp on the world around him. Based on Guillermo Martinezs award-winning novel, THE OXFORD MURDERS is an edgy and intelligent thriller from cult-favorite director, lex de la Iglesia. ABOUT THE FILM Director Alex de la Iglesia was a top choice to direct the novel written by Guillermo Martnez as Tornasol Films knew that he would do something innovative with the material. Producers were very surprised to find that hed already read the novel and was interested: We knew he would and introduce his own visual world on this very Oxford and academic thriller. Adds de la Iglesia: The novel is not actually very cinematic and that appealed to me. Its a film about knowledge, about the possibility of coming close to absolute truth, about plenty of things I found fascinating back when I studied philosophy. So what I found most interesting was that, shall we say, non-visual aspect of the story and how to capture it in images. Besuievsky continues: He liked the challenge of doing something different to what he had done before. He liked the idea of making a thriller and shooting in England quite the opposite of the comedies he had made so far in his career. As the film was being shot in England, the Spanish film makers required an experienced UK producer to guide them through the shoot. They approached Kevin Loader, who had read the book, seen several of de la Iglesias films and was attracted to the Directors incredible visual imagination and such a distinct sensibility that the chance to work with Alex was the big draw. With a production team on board, it was essential to attract the right actors for the innovative script. Elijah Wood who play Martin, was immediately drawn to the material: It isnt often you get scripts for murder mysteriesso getting the chance to read the script and seeing it was taking what was essentially the classic construct for a murder mystery and adding the elements of the world of mathematics was intelligent and not like anything Id read in a long time. These thoughts are reflected by most of the collaborators in this story of serial murders, passion, jealousy and logic. Adds John Hurt: This is a thriller format, so it has to work as thriller. But its rather more than that, it has quite a lot of philosophy and applied mathematics to the structure of the story itself, all of which I found very intriguing. Julie Cox was attracted to the project because I wanted to work with Alex I was fascinated by Alex, and also by the story. THE OXFORD MURDERS seems like quite an old fashioned story, a film noir kind of Agatha Christie horror/thriller murder and I was really fascinated as to what he would do with it, because I knew it would be nothing as obvious as it seemed on paper. Producer Kevin Loader could also see why the material was so suited to de la Iglesias shooting style: The story is an odd mix of a very post modern kind of take on the English murder mystery, but with these extraordinary flashbacks. The Calman sequence, the Victorian Ellis murder trial sequence and the Wittgenstein World War One sequence. So we have these diversions within the story which give Alex the opportunity to bring his own extraordinary imagination to bear on what otherwise might have seemed a rather traditional English murder story... The idea of working with Alex de la Iglesia was always of immediate appeal to Wood: Meeting Alex convinced me that I wanted to be part of the filmHes such an incredible human being, has so much passion and is quite hilarious and clearly has an immense amount of passion for this film and how he wanted to make this film. I was very much attracted to that side of his personality and knew I would have a great time working with him. Leonor Watling agrees: Alex is the most expressive director Ive ever worked with. He is very loud and he shouts when he is happy and he shouts when he is desperate, which I think relaxes everybody a lot. Once everybody knew that it was all good and he wasnt insulting anybody, that he wasnt being aggressive, when they realized it was just his way of letting off steam, I think it made everybody feel very comfortable. Adds Producer Kevin Loader: Hes a larger than life character and he is very passionate and energetic and you are always aware of where he is. It is that passion and enthusiasm that everyone has responded to, even in the coldest weather. The Cast and Characters Were all guilty. The good thing about this story, about any crime story, is that as the investigation progresses, you get to know each character and his or her motives and we all usually have motives to kill. (Alex de la Iglesia) Elijah Wood/Martin Director de la Iglesia sees the character of Martin as a young person who has confidence in himself, and above all, he has confidence in mathematics as a mechanism for reaching the truth. He believes that absolute truths do exist and that we can find them if we are intelligent enough. Wood loved the undercurrent to Martin and how many different layers there were to his character: When we meet Martin he seems like your average student, educated and intelligent, especially in the way of mathematics. Hes come to Oxford to meet his idol Professor Seldom. The circumstances seem relatively normal, hes travelled abroad to study under this man who he admires and sees as brilliantly intelligent. But over the course of the film, you start to realize that theres a certain darkness to Martin, which even he doesnt really accept until later in the film. Hes obsessed with Seldom and wants to be as intelligent or more intelligent than he is, and wants to be recognized as such. Wood continues: You realize that whats truly important to Martin is his own sense of intelligence and being accepted as such, and it means more to him than even love. He has a relationship with Lorna, but hes more interested in being accepted by his idol than by love. He is ultimately following a selfish path that is not going to be fulfilling and he does himself a disservice by choosing the idea of wanting to be more intelligent than somebody else over a relationship with this woman so its his downfall in a way. De la Iglesia was enormously enthusiastic about working with Wood, not just in terms of his approach to the character, but also his experience within the film making world: Elijah is one of the best people Ive ever met in the movie business. Hes out of this world and really amazing on screenIts just wonderful to work with him, hes terribly polite, terribly pleasant and above all, hes very understanding. Whenever he saw I was in a really difficult situation, he would always support me and that was fantastic for meHe knows all there is to know about the camera, he knows where to place himself, where hell be in focusHes a consummate expert in cinema. John Hurt/Seldom For de la Iglesia, Seldom was a complex character who, with age, had become disillusioned: Seldom is an old man who is tired of studying or trying to reach the truth and above all, hes convinced that the mechanisms we possess to reach the truth are not reliable. Its as if were trying to discover something with a microscope we already know doesnt work. Thats the conclusion Seldom has reached. Hes a cynical character. A sceptic. He doesnt think were capable of finding absolute truths. The chance to work with John Hurt in the role was too good an opportunity to miss: John is one of the actors Ive always admired the most. Ever since I was a teenager Ive thought he was amazing since Caligula I thinkHe just thrills me and I like him even more now that Ive worked with him. Id always seen his films in dubbed versions so I didnt know he had that voice until I worked with him. I didnt realise he had that amazing way of delivering his lines. Hes also terribly generous, he would offer me a whole range of possibilities and then have me select one. (de la Iglesia) John Hurt was intrigued how his character used mathematics to try and find order in the world: I wasnt particularly good at math, though I was good at algebra but my father was a double first in mathematics and engineering. Ive become really intrigued by math in recent years and I think that it seems to be something in the zeitgeist there seems to be more interest in it. I suspect its greatly to do with the rise in education, with religion no longer the opium of the masses, people are looking more to that which is provable and the only thing which is provable is mathematics. As Wittgenstein points out, and as we use his arguments in the film the only form of truth and absolute certainty is the mathematical world. Leonor Watling/Lorna Having worked with Leonor Watling before on The Babys Room, de la Iglesia was keen to cast her again: I was very happy with her. The character she plays had to speak English perfectly and as her mother is English Leonors accent is perfect and that was essential to me. I think she is an excellent actress, she was just ideal. Adds Watling: The two female characters are really interesting and intriguing and I was really flattered that they offered me Lorna because I am normally offered the more melancholic characters that have an inner life, but that dont express it very much. Lorna is just the opposite. She is a very out there character who is happy, and although she has something awkward going on, its very mild. She continues: I think Lorna has a thing for very smart men I think that really turns her on. She also loves mystery novels and there is something in that way of thinking, in that logical path of living, that I think makes her feel safe and comfortable. She likes that, and I think that is also why she dates mathematicians. Julie Cox/Beth Explains de la Iglesia: Julie Cox came through our casting agent. She did an audition and I found that she was perfect for the part. Shes got an evil gleam in her eye and is attractive too, so I was very interested in her. She was fantastic; she tested very well and understood the character perfectly. Julie Cox was immediately attracted to the role of Beth and found the character challenging and unpredictable: I think that Beth is misunderstood. She is so shut away from the real world and is desperate to break free from this constrained, almost Victorian, life that she lives in the house with her mother. Then this student arrives and awakens her to the outside world. I think there are lots of complexities to her and that she is someone who has been trapped for so long that she doesnt really have the best sense of the world around her and how to operate within it, because she doesnt really have a life outside of her home with her mother and the music world. The Look of the Film Costume Designer Paco Delgado has worked on four films with Alex de la Iglesia and enjoys the collaboration immensely: One of the things I really like is that hes a very visual guy and the other is that hes always working on a level that presents an unreal world its not very naturalistic and that means you can work on a level that is very much on the edge, and I really like that a lot. In order to achieve this however, Delgado still always uses reality as his base and incorporates extensive research into his work. Using a back story for each character that is explained to him by de la Iglesia he starts to understand their mind and their environment. To this end Delgado spent several days in Oxford, feeling for the colors of the buildings, the skies and the pavement to see what kind of palette that would build grey skies, winter and yellow stone. Normally with Alex we go for very strong colors, but this time we decided to go for a muted palette. Looking at people in the street, Delgado chose a base from corduroy, tweed and a more conservative style of dress which he was then able to subvert with Lornas look, who, as the flamboyant outsider brought in a touch of color. For Production Designer Christina Casali, this was a first collaboration with de la Iglesia and she found the process challenging and intense as well as funny. Initially, she found that de la Iglesia had a traditional old Oxford look in mind, but explains: Things started to really shape up when we looked round the Queen Elizabeth Hospital in Hackney. We all loved the look, which was extremely broken down, almost unusable in fact, but great for Kalmans scenes. It has great long stretches of nasty corridors with masses of overhead pipes, and this location set the tone to juxtapose the beautiful Oxford look. Producer Kevin Loader knew that filming in Oxford would be difficult, so one of his challenges was to make a film about Oxford, but to find some locations in London that matched Oxford, but were easier to get access to. He was keen that some of the film was shot there however, as he comments: Oxford is a startlingly beautiful city and is very photogenic. For Casali, the challenge was to subvert the city in some way: The beautiful Oxford look was also broken up with the road works midway through. It evolved as a homage to the sheer intensity of road works in Oxford city centre at any one time. ABOUT THE ACTORS ELIJIAH WOOD Martin Widely regarded as one of the most gifted actors of his generation, Elijah Wood continues to challenge himself with roles in films spanning the spectrum of style and genre. Wood recently wrapped production on Bryan Gunner Cole's independent film Day Zero opposite Chris Klein and Ginnifer Goodwin. The film is scheduled to premiere at the 2007 Tribeca Film Festival. He will also lend his voice to the animated film 9, opposite John C. Reilly, Christopher Plummer, and Martin Landau. Wood has recently been heard in George Miller's animated film Happy Feet, where he provides the voice for 'Mumble,' a young, musically talented penguin in Antarctica who has many adventures - which he tells of through song and dance. The ensemble cast also includes Nicole Kidman, Robin Williams, Hugh Jackman and Brittany Murphy. He also recently starred inEmilio Estevez's Bobby opposite Anthony Hopkins, Demi Moore, Sharon Stone, Lindsay Lohan and Freddy Rodriquez. Bobby is a fictionalized account of various people whose lives intersect in the hours leading up to and including the assassinations of Senator Robert F. Kennedy, at the Ambassador Hotel in Los Angeles. Wood plays William Avary, a man who decides to marry a girl to change his draft classification. Wood also starredin Everything is Illuminated, Liev Schreiber's adaptation of Jonathan Safran Foer's best selling novel for Warner Independent Pictures. A blend of whimsical comedy, introspection and great tragedy, the film tells the story of a young American Jewish man's (Wood) quest to find the woman who saved his grandfather in a small Ukrainian town that was wiped off the map by the Nazi invasion. Everything is Illuminated screened at the 2005 Venice Film Festival, Telleride and Toronto Film Festivals. Wood made an impression on critics in Focus Features' critically acclaimed Eternal Sunshine of The Spotless Mind. Written by Charlie Kaufman with Michel Gondry and directed by Gondry, the film stars Jim Carrey and Kate Winslet as two lovers who make the ill-fated choice to erase one another from their lives. Wood co-stars as part of the team employed to do so (along with Mark Ruffalo, Kirsten Dunst and Tom Wilkinson) who becomes personally involved with one of their clients. Wood made an indelible mark in the trilogy of films based on J.R.R. Tolkein's The Lord of the Rings in the lead role of the hobbit, Frodo Baggins. Directed by Peter Jackson, the films; The Fellowship of the Ring, The Two Towers, and Return of the King were all critically lauded as well as being box office record setters. In addition, Return of the King won the Academy Award for Best Picture as well as 11 Academy Awards in all, tying Titanic for the record. The series of films also starred Viggo Mortensen, Cate Blanchett, Ian McKellan, and Sean Astin. Other recent film credits include Lexi Alexander's Hooligans, Frank Miller's graphic novel Sin City co-directed by Robert Rodriguez and Miller with Mickey Roarke, Bruce Willis, Jesica Alba, Benecio Del Toro, Rosario Dawson and Clive Owen, Ang Lees film The Ice Storm with Christina Ricci, and Tobey Maguire, Martin Duffy's independent film The Bumblebee Flies Away opposite Rachel Leigh Cook and Janeane Garofalo, Jeffrey Porter's Try Seventeen with Franka Potente and Mandy Moore, Ash Wednesday opposite Ed Burns, James Toback's Black and White, The Faculty written by Kevin Williamson and directed by Robert Rodriguez and Mimi Leder's Deep Impact. In addition, Wood lent his voice to one of Miramax's first animated films, The Adventures of Tom Thumb and Thumbelina, voicing opposite Jennifer Love Hewitt's Thumbelina. Additional film credits include Alan Shapiro's Flipper with Paul Hogan, Pontus Lowenhielm and Patrik Von Krusenstjerna's Chain of Fools opposite Salma Hayek, Steve Zahn and Jeff Goldblum, Jon Avnet's The War opposite Kevin Costner, Rob Reiner's North with Jason Alexander and Julia Louis-Dreyfuss, Joe Ruben's The Good Son opposite Macauley Culkin, Stephen Sommers' Huck Finn, Steve Miner's Forever Young with Mel Gibson, Mary Agnes Donohue's Paradise, Richard Donner's Radio Flyer with Lorraine Bracco, Barry Levinson's Avalon opposite Armin Mueller-Stahl and Aidan Quinn, and Mike Figgis' Internal Affairs with Richard Gere. Wood recently started his own record label, Simian Records. The first band signed to the label is the indie rock band "Apples In Stereo." Their album, New Magnetic Wonder, was released on February 7th, 2007. Wood made his directorial debut on the music video for their song Energy. Wood also recently signed pop artist "Heloise and the Savoir Faire." Wood was named 1994's Young Star of the Year by NATO/ShowEast following his performance in The War. Wood currently resides in Los Angeles. JOHN HURT Arthur Seldom With a career spanning over forty years, John Hurt has brought to life an enormous number of characters from John Merrick in David Lynchs The Elephant Man for which he won the BAFTA Award and was Oscar and Golden Globe nominated to Winston Smith in Michael Radfords Nineteen Eighty Four for which he won Best Actor at the Evening Standard Awards. Numerous other memorable roles include Alan Parkers Midnight Express for which he won a Golden Globe and BAFTA and was Oscar nominated, Ridley Scotts Alien and most recently James McTeigues V for Vendetta, Lars Von Triers Dogville, Guillermo del Toros Hellboy and Chris Columbus Harry Potter and the Philosophers Stone. His numerous other film credits include John Maddens Captain Corellis Mandolin, Atom Egoyans Krapps Last Tape, Matthew Modines If Dog Rabbit, George Sluizers The Commissioner, Robert Zemeckis Contact, Richard Kwietniowskis Love and Death on Long Island for which he was nominated for a British Film Critics Circle Award and a British Independent Film Award, Jim Jarmuschs Dead Man, Michael Caton-Jones Rob Roy and Scandal, Gus Van Sants Even Cowgirls Get the Blues, Jim Sheridans The Field for which he was BAFTA nominated, Michael Radfords White Mischief, Michael Ciminos Heavens Gate and Freddie Francis The Ghoul. On stage Hurt has starred in a number of productions of Robin LeFevres Krapps Last Tape and Afterplay, as well as West End productions of A Month in the Country, Travesties, Man and Superman, Little Malcolm and his Struggle Against the Eunuchs, Inadmissable Evidence and Chips with Everything. Hurts television appearances include BBC productions of The Alan Clarke Diaries, Prisoners in Time, Six Characters in Search of an Author, Deadline, Crime and Punishment, I, Claudius and The Playboy of the Western World, in addition to ABCs Masters of Science Fiction, The Storyteller, King Lear and The Naked Civil Servant for which he won an Emmy. John Hurt was awarded a C.B.E. in the 2004 Queens Birthday Honours List. LEONOR WATLING Lorna Born to a Spanish father and an English mother, Watling has appeared in Spanish, English and French films. Her most recent films include Glenio Blonders Belle du Seigneur opposite Olivier Martinez, Ray Lorigas Teresa, El Cuerpo de Christo, Manuel Huergas Salvador (Puig Antich) and Isabel Coixets section Bastille in Paris, je taime. A long time collaborator with Coixet, Watling has also worked with the Catalan director on My Life Without Me for which she won a Spanish CEC Award and a Spanish Actors Union Award for Best Supporting Actress and The Secret Life of Words. Other film credits include Pedro Almodovars Hable con Ella, Vicente Arandas Tirante el Blanco, Manuel Martin Cuencas Malas Temporadas for which she was nominated at Fotogramas de Plata, Gerardo Veras Deseo, Daniela Fejerman and Ines Paris A Mi Madre le Gustan las Mujeres for which she won the Best Actress Award at the Cartagena Film Festival, Fotogramas de Plata and the Miami Latin Film Festival Award and was nominated for a Goya Award and a CEC Award, Antonio Merceros Hora de los Valientes for which she won the Best Actress Award at the Sant Jordi Film Festival and was nominated for a Goya and Bigas Lunas Son de Mar. She has also starred in numerous Spanish television series and was named one of European films Shooting Stars at the 1999 Berlin Film Festival. JULIE COX Beth Best known for her role as Princess Irulan in the hit television series Dune and Children of Dune, Julie Cox has also starred in numerous feature films, most notably Brendan Foleys The Riddle, Shell Pearceys Almost Heaven, Simon Aebys A Henchmans Tale, Mohy Quandours Lost in Chechnya, Harley Cokeliss Angel for May, Uli Edels King of Texas, Lyndon Chubbuck War Bride, Peter Medaks David Copperfield, Roberta Hanleys Woundings, Cirque du Soleils Allegria, Benoit Jacquots La Vie de Marianne, Peter MacDonalds The Neverending Story III and Peter Capaldis Its a Wonderful Life which won both the BAFTA and Academy Award for Best Short Film. Other television credits include Holby Blue, Nostradamus, Granada productions of Murder at the Vicarage and Poirot 5 Little Pigs, BBC productions of Byron, The Scarlet Pimpernel, and Tears Before Bedtime, Spooks 2, Death of Klinghoffer, 20 000 Leagues Under the Sea, HBOs Tales from the Crypt, The Ring and Zoya. Cox has also starred in numerous radio plays for BBC Radio 4. BURN GORMAN Podorov Gormans most recent feature film credits are David Dobkins Fred Claus, Mark Palanskys Penelope, Stefan Schwartzs Best Man, Brian Cooks Colour Me Kubrick and Nick Egans Redlight Runners. Other films include Matthew Vaughans Layer Cake, Howard Smiths The Bully Boys, Ashley Pearces Runners and John McCormacks Van Boys DC. In the theatre, Gorman has appeared in numerous productions including most recently Going Donkeys, Flush, Ladybird, American Street, Tiny Dynamite and The Green Man. His numerous television credits include BBC productions of Sex in the City, Eastenders, Torchwood, Dalziel & Pascoe, Justin Chadwicks Bleak House, Funland, Inspector Lynley Mysteries, Mersey Beat and Casualty in addition to Miss Marple, Low Winter Sun, A Good Thief and Coronation Street. ANNA MASSEY Mrs. Eagleton Anna Massey, who is John Ford's goddaughter, is also a multi award-winning theatre and film actor in her own right. Directors that Massey has worked with include luminaries such as Alfred Hitchcock (Frenzy), Michael Powell (Peeping Tom) and Lewis Gilbert (Haunted). Her recent film credits include Dan Irelands Mrs. Palfry At The Claremont, Richard Bracewells The Gigolosand Ollie Parkers The Importance of Being Earnest.Further film credits include Neil LaButes Possession,Curtis Radcliffes Sweet Angel Mine, Ronan OLearys Driftwood,James Lapines Impromptu,Marek Kanievskas Another Country andKhaled El HagarsRoom to Rent. Her most recent theatre work includes the Almeida's productions of Moonlight and A Hard Heart. She has been involved in several collaborations with Peter Hall at the National Theatre, including The Importance of Being Earnest, for which she won the SWET Award for Best Supporting Actress. Other National Theatre credits include Edward Bond's Summer, for which she was again SWET nominated, and Harold Pinter's Family Voices. On television Massey has worked on projects as diverse asThe Story of GwenJohn,Inspector MorseandThe Darling Buds of May.During her exceptional career she has won the Best Actress BAFTA and the Royal Television Society Best Actress Award, bothfor her role in the BBC production ofHotel du Lac, which she also co-produced. The same performanceearned her an ACE Best Actress nomination. JIM CARTER Petersen A stage, screen and television veteran, Carters most recent film credits include the role of John Faa in Chris Weitzs The Golden Compass, the first part of the Northern Lights Trilogy, Woody Allens 2006 project, Francis Lawrences An Awful End and Richard Claus The Thief Lord. Amongst his other numerous film credits are Beeban Kidrons Bridget Jones: Edge of Reason, Maurice Barthelemys Casablanca, Mick Davis Modigliani, Stephen Frys Bright Young Things, Tommy OHavers Ella Enchanted, Damien ODonnells Heartlands, John Maddens Shakespeare in Love, Julien Temples Vigo, A Passion for Life, Mark Hermans Brassed Off, Richard Loncraines Richard III, Nicholas Hytners The Madness of King George and Ken Russells The Rainbow. His television appearances include BBC productions of The Secret Life of Mrs. Beeton, Dalziel & Pascoe, Helen of Troy, Hancock, A Sense of Guilt and The Singing Detective as well as The Wind in the Willows, Midsomer Murders, The Way We Live Now, Dinotopia, and Cracker II. In the theatre Carter has worked extensively with the Royal National Theatre, in productions of, amongst others, The President of an Empty Room, The Oresteia, Hiawatha, Doomsday, The Passion and Guys and Dolls. With the Royal Shakespeare Company he has worked on The Wizard of Oz, Everyman and his Humour and The Balcony. ABOUT THE FILMMAKERS lex de la Iglesia Writer/Director Wishing to further widen his horizons, he studied at Deusto University where, according to him, he spent most of the time at the bar and in the film society. Determined to join the world of show business, he worked as a television set decorator and was Art Director for Enrique Urbizus film Todo por la Pasta. Soon after he realised that film directing was calling him. His first and only short film as co-writer and director,  HYPERLINK "http://www.clubcultura.com/clubcine/clubcineastas/delaiglesia/ing/obra_mirindas.htm" 'Mirindas asesinas' (1991), won prizes at many festivals and served to convince Pedro Almodovar, through his producing company, El Deseo, to sponsor his first feature film,  HYPERLINK "http://www.clubcultura.com/clubcine/clubcineastas/delaiglesia/ing/obra_accion.htm" Accin Mutante (1993) (Mutant Action). This malicious science fiction comedy with a revolutionary message was awarded two prices at the Montreal Fantasia Film Festival and it also achieved three Spanish Academy Awards (Goyas), turning the director into the most promising film maker of that year. His second film,  HYPERLINK "http://www.clubcultura.com/clubcine/clubcineastas/delaiglesia/ing/obra_bestia.htm" El Da de la Bestia (1995) (The day of the Beast), won six Spanish Academy Awards (amongst them, Best Director). It also received prizes at the Gradmar and Brussels festivals, and obtained the unanimous praise of both the critics and the public at the Venice, Toronto and Sitges Festivals. It went on to become one of the seasons top box office hits in Spain.  HYPERLINK "http://www.clubcultura.com/clubcine/clubcineastas/delaiglesia/ing/obra_perdita.htm" 'Perdita Durango' (1997) (Dance with the Devil) was his third feature film, the second to be produced by Andrs Vicente Gmez after the overwhelming success of 'El Da de la Bestia'.  HYPERLINK "http://www.clubcultura.com/clubcine/clubcineastas/delaiglesia/ing/obra_muertos.htm" 'Muertos de Risa' (1999) (Dying of Laughter) and the Goya prize winning  HYPERLINK "http://www.clubcultura.com/clubcine/clubcineastas/delaiglesia/ing/obra_comunidad.htm" 'La Comunidad' (2000) (Common Wealth) were a turning point in his meteoric career. From then on he became his own producer, beginning with  HYPERLINK "http://www.clubcultura.com/clubcine/clubcineastas/delaiglesia/ing/obra_balas.htm" '800 balas' (2002) (800 Bullets) through the Pnico Films company. He embarked upon this unprecedented Basque-style western, shot in Almeria, starring the iconic Sancho Gracia. His most recent film  HYPERLINK "http://www.clubcultura.com/clubcine/clubcineastas/delaiglesia/ing/obra_crimen.htm" 'Crimen perfecto' (2004) (Perfect Crime) is a return to the black humour that, for many critics, captures the essence of the best lex de la Iglesia, a film maker who, at this point in his own story, is respected and admired worldwide and has the most committed fans in the film universe. Kevin Loader Producer Kevin Loader spent fourteen years at the BBC, producing current affairs, arts programs and television drama, before moving into feature films in 1997. His non-drama BBC work included directing documentaries for Omnibus, Arena and Review, as well as executive-producing the ground-breaking arts magazine programs The Late Show. His BBC dramas included Clarissa, and the award-winning The Buddha of Suburbia (directed by Roger Michell). Other credits include My Night with Reg (1996), Degrees of Error (1995), Bed (1995), and Look at It This Way (1992). Loader also executive produced a number of award-winning programs including The Crow Road, Holding On and Peter Flannery's Our Friends in the North. For two years he was in charge of adaptations at BBC Drama Serials. Loader left the BBC to manage The Bridge, a London-based joint-venture between Sony Pictures and Canal Plus, which developed a slate of feature films including Enduring Love and Birdsong and made one feature, Virtual Sexuality. Loader produced his first feature film Captain Corellis Mandolin, starring Nic Cage, John Hurt and Penelope Cruz, which he brought to Working Title Films, in 2001. His other films as producer include Mike Barkers To Kill A King and Roger Michells The Mother and Enduring Love. His recent film productions include Nick Hytners film of Alan Bennetts The History Boys, Dan Reeds Straightheads and Roger Michells Venus. Projects in development include Paul Morrissons adaptation of Linda Grants prize-winning novel When I Lived In Modern Times, Jonathan Darbys adaptation of David Almonds award-winning book The Fire Eaters and Emily Youngs screenplay of Andrea Ashworths Once In A House On Fire.is other Mariela Besuievsky Producer Born in Uruguay. A graduate of EMAD, the Municipal School of Dramatic Arts, she studied Film at the EICTV International Film School founded by Nobel Laureate Gabriel Garcia Marquez in San Antonio de los Baos, Cuba. Producer and Executive Producer for various films and partner of the Spanish production company Tornasol Films, she currently lives in Madrid. Her film credits include: The Oxford Murders, Alex de la Iglesias latest film. She has also participated in: La educacin de las hadas by Jose Luis Cuerda, Los aires difciles, Herona, The Galindez Mystery, by Gerardo Herrero, Only Human by Dominic Harari & Teresa de Pelegr. Inconscientes by Joaqun Oristrell, La vida que te espera by Manuel Gutirrez Aragn. Co-productions including El Aura by Fabin Bielinsky, Machuca by Andres Wood, Hermanas by Julia Solomonoff. The Academy Award nominee El hijo de la novia by Juan Jos Campanella. Comedies such as Lista de espera by Juan Carlos Tabo and El penalty ms largo del mundo and El club de los suicidas by Roberto Santiago. International co-productions such as Triple Agent by Eric Rohmer and Ae fond kiss, Sweet Sixteen, The wind that shakes the barley (Golden Palm at the 2006 Cannes Film Festival), These Times (Venice, 2007) by Ken Loach, The inner life of Martin Frost, by Paul Auster, Official Selection at the San Sebastian Film Festival 2007. In Uruguay she produced El Dirigible by Pablo Dotta (Critics Week, Cannes 1994), as well as various short films by the same director. Mariela Besuievsky was a member of the International Jury for Short Films at Berlinale 2006 (Berlin International Film Festival). She has collaborated on workshops at EICTV in Cuba and currently is teaching Executive Production at ECAM, the Madrid Film School. Gerardo Hererro Producer Born in Madrid and a graduate in Law, Herrero and Javier Lpez Blanco founded Tornasol Films in 1987. Since then, the company has produced over fifty fictional feature films and several television documentaries. They have produced films by directors including: Alain Tanner (Switzerland), Adolfo Aristarin (Argentina), Manoel de Olivera (Portugal), Tmas Gutirrez Alea and Juan Carlos Tabo (Cuba), Bigas Luna, Mariano Barroso and Manuel Gutirrez Aragn (Spain), Ken Loach (UK), and Arturo Ripstein (Mexico). The company is able to guarantee a distribution circuit for its products due to long-standing agreements with Televisin Espaola (TVE), Antena 3 TV, Canal Plus and several video companies. In order to consolidate the process of development, production, distribution and exhibition, Gerardo Herreros Tornasol Films has an agreement to work with Alta Films, one of Spains major independent distributors and holds shares in over 85 movie theatres in Spain, with 33 of them located in Madrid. In 1993 and 1994, Hererro was President of the Spanish Royal Academy of Film Science and Arts. He is a founding member of the Madrid Community Film School (ECAM) and a promoter for the Ibermedia Program, a fund for developing the Latin American audiovisual industry. From 1997 to 2000, he was President of FAPAE, the Spanish Producers Federation. Amongst Herreros numerous credits, his most recent as a producer include Paul Austers The Inner Life of Martin Frost, Milcho Manchevskis Shadows, Ken Loachs Ae Fond Kiss and The Wind that Shakes the Barley, Eric Rohmers Triple Agent, Manuel Gutirrez Aragns La Vida Que te Espera and Rosa de Francia, his own Heroina and Felipe Vegas Mujeres en el Parque. A prolific Director, his most recent film credits include Una Mujer Invisible, Los Aires Difciles, The Archimedes Principle, The Galindez Mystery and Where Paradise Used to Be. Jorge Guerricaechevarra Writer Guerricaechevarra has worked with lex de la Iglesia from the very start of their careers, having collaborated on all his projects from the short film Mirindas Asesinas and has been Goya nominated for La Comunidad and El Da de la Bestia. He has also worked with Pedro Almodvar, starting as the Directors Assistant on Kika and then collaborating on the writing of Carne Trmula (Live Flesh). Other feature film writing credits include Noberto Lopezs Nos Miran, Oscar Aibars Platillos Volantes and Daniel Monzns The Kovak Box and El Robo Ms Grande Jams Contado. Kiko de la Rica Director of Photography De la Rica previously worked with de la Iglesia on La Comunidad for which he was Goya nominated. Other feature film credits include David Serranos Das de cine and Das de ftbol, Icar Bollans Mataharis, Vicente Pearrochas Guantanamero, Jaime de Armins Fabian Road, Chus Gutirrezs El calentito, Karra Elejaldes Torapia, Paco Mirs Lo mejor que le puede pasar a un cruasn, D. Ayaso/F. Sabrosos Desconglate, Pablo Bergers Torremolinos 73, Julio Medems Luca y el sexo for which he was Goya nominated, Javier Rebollos Marujas asesinas, the Ibarretxe Bros.s Sabotage and Daniel Calparsoros Pasajes and Salto al vaco. Alejandro Lzaro Editor Lzaro is another long time collaborator with de la Iglesia having started as Assistant Editor on his earlier films and then editing all of his work from 'La Comunidad' onwards for which he was Goya nominated. He was also Goya nominated for his editing work on '800 balas'. Lzaro's other editorial credits include Miguel Angel Lamatas 'Isi Disi, Alto Voltaje, Antxn Reixas HotelTvol, Luis Llosas La Fiesta del Chivo, Albert Boadellas Buen viaje, Excelencia, Gerardo Veras Deseo, J. Molls No somos nadie, Jos Garca Hernndezs Divertimento and Jorge Herreras Habana ma. He has also worked on numerous short films and directed commercials, and pop promos. Cristina Casali Production Designer Casalis most recent credits as a Designer for film include Neil Hunter and Tom Huntsingers Sparkle and Dan Wildes Alpha Male. She has also worked as an Art Director on Gillies McKinnons Pure, Neil Hunter and Tom Huntsingers Lawless Heart, Jasmin Dizdars Beautiful People and Arnaud Desplechins Esther Khan. Her television credits include Art Director on A Good Murder, When Im 64, Red and Blue, Ancient Egyptians, Forty and Lenny Blue. Casali has also worked on a number of commercials and short films. Paco Delgado Costume Designer A long time collaborator with lex de la Iglesia, Delgado has worked as Costume Designer on Crimen Ferpecto, 800 Balas and La Comunidad for which he was nominated for a Goya. Delgados other film credits include Kenny Ortegas The Cheetah Girls II, Vicente Pearrochas Guantanamero, Gerardo Herreros Los Aires Difciles, Rafael Alcazars Los Locuras de Don Quijote, Manuel Gomz Pereiras Reinas and Pedro Almodovars La Mala Educacin. Jan Sewell Chief Hair and Make-Up Designer Sewells most recent feature film credits include Christopher Smiths Severance and Creep, Dan Wildes Alpha Male and Peter Hewitts Whatever Happened to Harold Smith. Her numerous other films include Paul Weilands Roseannas Grave, Terry Jones The Wind in the Willows, Marleen Gorris Academy Award winning Antonias Line, Angela Popes Captives and Lesley Megaheys The Hour of the Pig. Her numerous television credits include, most recently, Primaeval, Hustle 3, Wallis and Edward, The Government Inspector and Messiah III and Messiah II. She has worked extensively with Jennifer Saunders including several series of Absolutely Fabulous and with Saunders and Dawn French on French and Saunders for which she has been BAFTA nominated on several occasions. Some other television credits are Alibi, Strange, Lenny Henry in Pieces, Waking the Dead, Big Cat, Jane Eyre and The Affair. Sewell has also worked on a number of commercials and pop videos. CREDITS DIRECTOR LEX DE LA IGLESIA PRODUCERS GERARDO HERRERO ALVARO AUGUSTIN MARIELA BESUIEVSKY CO-PRODUCERS KEVIN LOADER VERANE FREDIANI FRANCK RIBIERE WRITERS LEX DE LA IGLESIA JORGE GUERRICAECHEVARRIA Based on the novel by GUILLERMO MARTINEZ DIRECTOR OF PHOTOGRAPHY KIKO DE LA RICA (AEC) EDITOR ALEJANDRO LAZARO ORIGINAL MUSIC ROQUE BAOS PRODUCTION DESIGNER CRISTINA CASALI COSTUME DESIGNER PACO DELGADO HAIR AND MAKE-UP DESIGNER JAN SEWELL SOUND RECORDIST DANNY HAMBROOK SOUND EDITOR CHARLY SCHMUKLER     PAGE  PAGE 13  49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com -/?@ATabc ! " $ * . A B P ɸɸɸɸɨuhXuuNh.55B*phh2h.55CJ`OJQJaJ`h.55CJ`OJQJaJ`h.55OJQJaJhj&Eh.55OJQJaJhY.h.55 h.55h.55OJQJ\aJh.5h.55OJQJ\aJ h.55OJQJ\aJmH sH &h.5h.55OJQJ\aJmH sH h.5h.55OJQJh.5OJQJhj&Eh.5OJQJh.5Ac  " # $ B W X Y Z o $Ifgd.5$a$gd.5gd.5cP V X Y Z n o  , - . 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