ࡱ> DFC /bjbjT~T~ *@66'?????SSSSo,S vvv .#?vvvvv??v^??v:,okq%XSj 0 R#>4#o#?o,vvvvvvvrvvv vvvv#vvvvvvvvv : Using an Outside Source in Your Writing Why Use an Outside Source? Weaving outside material effectively into a piece of your writing can be tricky. Its a skill that is developed over time with lots of practice. First off, its essential that you know WHY you are using an outside source every time you do. Of course, a particular assignment, such as research paper, may require you to, but even so, you should still think about: Does someone express an idea better than you could yourself? Are you citing numbers, statistics, facts that will strengthen your argument? Are you quoting someone famous, whose name readers will recognize and with whom you want to align yourself? Is the person an expert who will lend credibility to your own ideas? This handout, and the exercise on the last page, will give you some basic tips on incorporating an outside source into your writing and give you an opportunity to practice. Using Quotes and Signal Phrases If you are using the exact wording of a source, think about when and where and how you are using it. Quotes are most effective and help strengthen an argument or analysis if they are well placed and used deliberately and carefully. Dropped quotes (quotes that arent introduced or otherwise weaved into your own ideas) are awkward and clunky and sometimes worse; they can be more distracting, confusing and misleading than helpful or useful. They end up hindering the writers focus and argument because the reader doesnt know how to connect them with the rest of the writing. To bring someone elses words into your own writing SEAMLESSLY, use signal phrases to introduce the quote. In this example the signal phrase is underlined: According to one writing instructor, students continually tell me how Basic Writing changed their lives (Peter 34). Generally speaking, you should never begin a quotation without some sort of signal phrase introducing it. Also, when you use a quote you want to sandwich it with your own words -- both introducing the quote into the text smoothly, and following up on it, pulling it back into your own writing, explaining why it is there and how it relates to your ideas. Heres an example: According to one writing instructor, students continually tell me how Basic Writing changed their lives (Peter 34). In that way Basic Writing seems to be an important course for students to take. Others, however, have different opinions. John Smith, first year student, said if we had talked about run ons one more time, I would have totally lost it (25). What conclusions can we draw from that? There are several possibilities Notice how in the first citation the sources name is given in parentheses. Thats because the name wasnt given in the signal phrase. In the second citation, the name is NOT included in the citation. Why? Because it IS used in the signal phrase. You should do one or the other, but you DONT need to do both. Also, notice also how the writers ideas, and the ideas of the sources used, are weaved together. Also, notice where the period goes outside the parentheses, rather than where it would normally go (at the end of the sentence). Paraphrasing v. Quoting Once youve decided what material you want to use from another source, you need to determine whether youre going to use an exact quotation or paraphrase the writers idea. What you do is a judgment call. Generally, if the writer says it better than you can, use a direct quote, but you need to be careful not to use all quotes or all paraphrases. An effective paper has a combination of both. Most importantly, a paraphrase, because it is still the idea of someone else, MUST still be cited, just as you would cite a direct quote. To not cite a paraphrase, thereby passing it off as your own idea, is committing plagiarism. Just as selecting the right quote is key, writing an effective paraphrase is important as well. Heres a tip: once youve selected the material you want to paraphrase, cover the page up and write your paraphrase without looking at the original material. Better yet, put the material away, wait an hour (or even longer, if you can), and then write your paraphrase from memory. This little trick will help you avoid following the original quote too closely and will require you to think more about putting it in your OWN words. What Do You Do With a Long Quote? Once in a while you may want to use a longer quote in a paper. When your quote is more than four typed lines of text, set off the quotation by indenting it one inch (or ten spaces) from the left margin. Use the normal right margin (dont center your quote), and single-space the quote. marks are not needed because the reader will know, from the context, that its a quote. Be sure you introduce your quote with a signal phrase: Lucy Grealy writes about the freedom she felt at Halloween in the following passage: I felt wonderful. It was only as the night wore on and the moon came out and the older kids, the big kids, went on their rounds that I began to realize why I felt so good. No one could see me clearly. No one could see my face. (119-120) Notice where the period goes in a longer quotation where it normally should be. Why the difference? No particular reason, other than thats just the way MLA is. Using In-text Citations Once youve figured out the quotes and paraphrases you plan to use, you need to cite them according to MLA style in the body of your paper. The examples above show proper format for using MLA for citing a book; citing web sites and other sources can get more complicated. Footnotes, with some exceptions, are generally NOT used in MLA. The best approach is to consult A Pocket Style Manual, pp. 128-135, for examples to follow. Creating a MLA Works Cited List In addition to citing sources in the body of your paper through in-text citations, you also need to cite them on a separate sheet in a Works Cited list. How you cite a source will depend on what it is: a book, a journal article, online source or something else. The best way to figure out how your entry should look is to 1) figure out what your source is, and 2) find an example to follow. This can get complicated, especially when it comes to citing online sources; in some cases what to do may not always be crystal clear. Some Good Examples of Incorporating Sources Here are some examples where sources are being worked into a piece effectively, with some explanation. Example 1: But does music really have so much of an impact that it may lead to someone ending their lives because of words in a song? Matt, who is a death metal fan and was interviewed in a report says, You know if I hear somebody singing a song kill yourself, Im not gonna be like oh, that sounds like a good idea (Seith 1). Comments: The quote above works well for a couple of reasons. First, it relates clearly to the sentence above it, which introduces the question of whether or not music could persuade someone to hurt themselves. Also, the quotes are introduced with a signal phrase that lets the reader know that a quote is coming and who will be speaking and in what context. The quote is followed by proper MLA citation to let the reader know where the information came from. Example 2: According to Hagel and Armstrong, the notion of community has been at the heart of the Internet since its inception (134). And more specifically, research on virtual communities has been dominated not by the question of whether virtual community is an actual community Comments: The quote above works well for a couple of reasons. First, it is introduced with a signal phrase that gives use the authors of the words and, by including the title of their book, we get a sense of what their perspective is on virtual community right off the bat. And, yes, there is an MLA citation. Since the writer has named the authors, it only requires a page number. In-class exercise in Using Quotations and MLA style The following are taken from the handouts I gave you in class. Write a paraphrase (two or three sentences) of the following information and include an in-text citation for your paraphrase. The word "archetype" was coined by Carl Jung, who theorized that humans have a collective unconscious, "deposits of the constantly repeated experiences of humanity.... a kind of readiness to reproduce over and over again the same or similar mythical ideas...." This shared memory of experiences has resulted in a resonance of the concepts of hero and heroine that transcends time, place and culture. Jung called these recurring personalities archetypes, from the Greek word archetypes, meaning first of its kind. Write one quotation (either a short quotation or one longer than four sentences) from the following and introduce the quotation with a signal phrase. Include an in-text citation for your source. The observations Tami Cowden made are that there are recurring character types who have starred in story after story, entertaining and informing the human experience for millennia. Review of myths, legends, fairy tales, epic poems, novels and film reveals that the protagonist types who recur in these stories fall into sixteen distinctive categories, eight each for the heroes and heroines. These archetypes are not the inventions of my coauthors and me they have existed for millennia. At his or her core, every well-defined hero or heroine is one of the respective archetypes. The archetype tells the writer about the most basic instincts of the hero: how he thinks, how he feels, what drives him and why he chooses both his goals and his methods. The skillful writer, in turn, conveys these instincts to the readers or audience, who, knowing at a glance the character of this hero, settles down to watch the tale retold anew. Integrate (WEAVE) some material from one of your handouts with at least 3 sentences of your own ideas, using transitions and connecting thoughts. Also, use signal phrases before all quotations. Include an in-text citation for your source. )E Uc%&EJZ '%GPV@rreXh.P;hCJOJQJh[hCJOJQJh[hCJOJQJh[h>*CJOJQJh.P;h>* h>*hh5>*CJOJQJh6CJOJQJh>*CJOJQJhCJOJQJhCJOJQJh>*CJOJQJh5CJOJQJhhCJOJQJhOJQJ"()DE B %&gd`gd & Fgdgdgd$a$gdgdgdgdYZ$%GHNO?@A Zgd^gdgdgdu!"""$$%%%B'C''''((>(((*"*C*D*R*\*e***+)+9+--......///e/s//źźꚐhfby6CJOJQJhfbyCJOJQJhhCJOJQJh5B*OJQJph h6h6CJOJQJh56CJOJQJhCJOJQJhzh6CJOJQJhCJOJQJh5CJOJQJ2 !!!!!""$$$%%B'C'D'E'F'G'H'gd^gd^gdgdgdgdgdH'I'}'~''''=(>(D*E*F*G*H*I*J*K*L*M*N*O*P*Q*R*+ hx^hgd & Fxgd$a$gdfbygd++-..../ & Fxgdfby hx`hgdxgd//hqv(/ =!"#$% ^ 2 0@P`p2( 0@P`p 0@P`p 0@P`p 0@P`p 0@P`p 0@P`p8XV~_HmH nH sH tH H`H Normal CJOJPJQJ_HmH sH tH F@F  Heading 1$$@&a$ 5OJQJ8@8  Heading 2$@&5@@@  Heading 3$@&^6B@B  Heading 4$$@&a$5CJJJ  Heading 8$$@&a$5CJOJQJDA D Default Paragraph FontRiR  Table Normal4 l4a (k (No List 2B@2  Body Text66P@6  Body Text 25DC@D Body Text Indent ^:>": Title$a$5>*OJQJ>Q@2>  Body Text 3 CJOJQJPK![Content_Types].xmlj0Eжr(΢Iw},-j4 wP-t#bΙ{UTU^hd}㨫)*1P' ^W0)T9<l#$yi};~@(Hu* Dנz/0ǰ $ X3aZ,D0j~3߶b~i>3\`?/[G\!-Rk.sԻ..a濭?PK!֧6 _rels/.relsj0 }Q%v/C/}(h"O = C?hv=Ʌ%[xp{۵_Pѣ<1H0ORBdJE4b$q_6LR7`0̞O,En7Lib/SeеPK!kytheme/theme/themeManager.xml M @}w7c(EbˮCAǠҟ7՛K Y, e.|,H,lxɴIsQ}#Ր ֵ+!,^$j=GW)E+& 8PK!Ptheme/theme/theme1.xmlYOo6w toc'vuر-MniP@I}úama[إ4:lЯGRX^6؊>$ !)O^rC$y@/yH*񄴽)޵߻UDb`}"qۋJחX^)I`nEp)liV[]1M<OP6r=zgbIguSebORD۫qu gZo~ٺlAplxpT0+[}`jzAV2Fi@qv֬5\|ʜ̭NleXdsjcs7f W+Ն7`g ȘJj|h(KD- dXiJ؇(x$( :;˹! I_TS 1?E??ZBΪmU/?~xY'y5g&΋/ɋ>GMGeD3Vq%'#q$8K)fw9:ĵ x}rxwr:\TZaG*y8IjbRc|XŻǿI u3KGnD1NIBs RuK>V.EL+M2#'fi ~V vl{u8zH *:(W☕ ~JTe\O*tHGHY}KNP*ݾ˦TѼ9/#A7qZ$*c?qUnwN%Oi4 =3ڗP 1Pm \\9Mؓ2aD];Yt\[x]}Wr|]g- eW )6-rCSj id DЇAΜIqbJ#x꺃 6k#ASh&ʌt(Q%p%m&]caSl=X\P1Mh9MVdDAaVB[݈fJíP|8 քAV^f Hn- "d>znNJ ة>b&2vKyϼD:,AGm\nziÙ.uχYC6OMf3or$5NHT[XF64T,ќM0E)`#5XY`פ;%1U٥m;R>QD DcpU'&LE/pm%]8firS4d 7y\`JnίI R3U~7+׸#m qBiDi*L69mY&iHE=(K&N!V.KeLDĕ{D vEꦚdeNƟe(MN9ߜR6&3(a/DUz<{ˊYȳV)9Z[4^n5!J?Q3eBoCM m<.vpIYfZY_p[=al-Y}Nc͙ŋ4vfavl'SA8|*u{-ߟ0%M07%<ҍPK! ѐ'theme/theme/_rels/themeManager.xml.relsM 0wooӺ&݈Э5 6?$Q ,.aic21h:qm@RN;d`o7gK(M&$R(.1r'JЊT8V"AȻHu}|$b{P8g/]QAsم(#L[PK-![Content_Types].xmlPK-!֧6 +_rels/.relsPK-!kytheme/theme/themeManager.xmlPK-!Ptheme/theme/theme1.xmlPK-! ѐ' theme/theme/_rels/themeManager.xml.relsPK] ' @//H'+/8@0(  B S  ? &'''', T } 8;hmA+$$'33333333H"O"R"R"'''''''' BM }wPh^`OJQJo(hHh^`OJQJ^Jo(hHohpp^p`OJQJo(hHh@ @ ^@ `OJQJo(hHh^`OJQJ^Jo(hHoh^`OJQJo(hHh^`OJQJo(hHh^`OJQJ^Jo(hHohPP^P`OJQJo(hHh ^`hH.h ^`hH.h pLp^p`LhH.h @ @ ^@ `hH.h ^`hH.h L^`LhH.h ^`hH.h ^`hH.h PLP^P`LhH.M }' qvfby'"%9''@'H@Unknown G*Ax Times New Roman5Symbol3. *Cx Arial?= *Cx Courier New3*Ax TimesK@Palatino LinotypeS PalatinoBook Antiqua7Georgia;WingdingsA BCambria Math"1h!H!H!24''2Q HP)?2! xx'Using an Outside Source in Your WritingDeeDee  Oh+'0Hx    (08@(Using an Outside Source in Your WritingDeeNormalDee2Microsoft Office Word@@P%X@P%X!՜.+,0( hp  Morris Hills High SchoolH' (Using an Outside Source in Your Writing Title  "#$%&'()*+,-./012456789:<=>?@ABERoot Entry Fq%XG1Table!#WordDocument*@SummaryInformation(3DocumentSummaryInformation8;CompObjy  F'Microsoft Office Word 97-2003 Document MSWordDocWord.Document.89q