Rubric for On-Demand Narrative Writing Fifth Grade
Overall Lead Transitions Ending Organization
Elaboration
Rubric for On-Demand Narrative Writing ? Fifth Grade
0-Off Topic
Scaled Score Range 1 - 1.5
Scaled Score Range 2 - 2.5
Scaled Score Range 3 ? 3.5
Scaled Score Range - 4
The on-demand writing score on the report card indicates a student's general performance in writing to a prompt.
4 ? Area of Concern
3 ? Developing
2 - Meeting
1 - Exceeding
Rubric developed by Lucy Calkins and Colleagues from the Teachers College Reading and Writing Project
STRUCTURE
The writer told the story bit by bit. Midlevel
The writer wrote a beginning in
Mid-
which he helped readers know
level
who the characters were and what
the setting was in his story.
The writer told her story in order Mid-
by using phrases such as a little
level
later and after that.
The writer chose the action, talk, Midor feeling that would make a good level ending and worked to write it well.
The writer used paragraphs and Mid-
skipped lines to separate what
level
happened first from what
happened later (and finally) in her
story.
The writer wrote the important
Mid-
part of an event bit by bit and took level
out unimportant parts.
The writer wrote a beginning in
Mid-
which she showed what was
level
happening and where, getting
readers into the world of the story.
The writer showed how much time Midwent by with words and phrases level that mark time such as just then and suddenly (to show when things happened quickly) or after a while and a little later (to show when a little time passed).
The writer wrote an ending that Midconnected to the beginning or the level middle of the story. The writer used action, dialogue, or feeling to bring her story to a close.
The writer used paragraphs to
Mid-
separate the different parts or
level
times of the story or to show when
a new character was speaking.
The writer wrote a story of an
Mid-
important moment. It read like a level
story, even though it might be a
true account.
The writer wrote a beginning in Mid-
which he not only showed what level
was happening and where, but
also gave some clues to what
would later become a problem
for the main character.
The writer used transitional
Mid-
phrases to show passage of time level
in complicated ways, perhaps by
showing things happening at the
same time (meanwhile, at the
same time) or flashback and
flash-forward (early that
morning, three hours later).
The writer wrote an ending that Mid-
connected to the main part of the level
story. The character said, did, or
realized something at the end
that came from what happened
in the story. The writer gave
readers a sense of closure.
The writer used paragraphs to
Mid-
separate different parts or time level
of the story and to show when a
new character was speaking.
Some parts of the story were
longer and more developed than
others.
The writer wrote a story that had tension, resolution, and realistic characters and conveyed an idea or lesson. The writer wrote a beginning in which she not only set the plot or story in motion, but also hinted at the larger meaning the story would convey. The writer used transitional phrases to connect what happened to why it happened such as If he hadn't . . . he might not have . . . , because of . . . , although. . . , and little did she know that. . . .
The writer wrote an ending that connected to what the story was really about. The writer gave readers a sense of closure by showing a new realization or insight or a change in a character or narrator. The writer used paragraphs purposefully, perhaps to show time or setting changes, new parts of the story, or to create suspense for readers. He created a sequence of events that was clear.
DEVELOPMENT
The writer worked to show what Mid- The writer added more to the
Mid- The writer developed characters, Mid- The writer developed realistic
was happening to (and in) his
level heart of her story, including not
level setting, and plot throughout his level characters and developed the
characters.
only actions and dialogue but also
story, especially the heart of the
details, action, dialogue, and
thoughts and feelings.
story. To do this, he used a blend
internal thinking that
of description, action, dialogue,
contributed to the deeper
Craft Spelling
The writer not only told her story, Midbut also wrote it in ways that got level readers to picture what was happening and that brought her story to life.
The writer showed why characters Mid-
did what they did by including
level
their thinking. The writer made
some parts of the story go quickly,
some slowly. The writer included
precise and sometimes sensory
details and used figurative
language (simile, metaphor,
personification) to bring his story
to life.
The writer used a storytelling
voice and conveyed the
emotion or tone of his story
through description, phrases,
dialogue, and thoughts.
and thinking.
The writer showed why
Mid-
characters did what they did by level
including their thinking and their
responses to what happened. The
writer slowed down the heart of
the story. She made less
important parts shorter and less
detailed and blended storytelling
and summary as needed.
The writer included precise details and used figurative language so that readers could picture the setting, characters, and events. She used some objects or actions as symbols to bring forth her meaning. The writer varied her sentences to create the pace and tone of her narrative.
meaning of the story.
The writer developed character traits and emotions through what characters said and did. He developed some relationships among characters to show why they acted and spoke as they did. He told the internal as well as the external story. The writer wove together precise descriptions, figurative language, and symbolism to help readers picture the setting, actions, and events and to bring forth meaning. The writer not only varied his sentences to create the pace and tone of his narrative and to engage his readers, but also used language that fit his story's meaning, for example, in parts that had dialogue, different characters used different kinds of language.
The writer used what he knew
Mid-
about spelling patterns to help
level
him spell and edit before he
wrote his final draft.
The writer got help from others to
check his spelling and
punctuation before he wrote
his final draft.
LANGUAGE CONVENTIONS
The writer used what she
Mid-
knew about word families and
spelling rules to help her spell
and edit. She used the word
wall and dictionaries when
needed.
The writer used what he knew about word families and spelling rules to help him spell and edit. He used the word wall and dictionaries when needed.
Mid- The writer used resources to be sure the words in her writing were spelled correctly.
Punctuation
The writer punctuated dialogue
Mid- When writing long, complex
Mid- The writer used commas to set Mid- The writer used punctuation
correctly with commas and
level sentences, the writer used
level off introductory parts of
level to help set a mood, convey
quotation marks. While writing,
commas to make them clear and
sentences, such as One day at the
meaning, and/or build tension
the writer put punctuation at the
correct.
park, I went on the slide; she also
in his story.
end of every sentence. The writer
used commas to show talking
wrote in ways that helped readers
directly to someone, such as Are
read with expression, reading
you mad, Mom?
some parts quickly, some slowly,
some parts in one sort of voice
and others in another.
Overall Lead Transitions
Ending
Rubric for On-Demand Information Writing ? Fifth Grade
0-Off Topic
Scaled Score Range 1 - 1.5
Scaled Score Range 2 - 2.5
Scaled Score Range 3 ? 3.5
Scaled Score Range - 4
The on-demand writing score on the report card indicates a student's general performance in writing to a prompt.
4 ? Area of Concern
3 ? Developing
2 - Meeting
1 - Exceeding
Rubric developed by Lucy Calkins and Colleagues from the Teachers College Reading and Writing Project
STRUCTURE
The writer taught readers
Mid- The writer taught readers different Mid- The writer used different kinds of Mid- The writer conveyed ideas
information about a subject. She level things about a subject. He put
level information to teach about the level and information about a
put in ideas, observations, and
facts, details, quotes, and ideas
subject. Sometimes she included
subject. Sometimes he
questions.
into each part of his writing.
little essays, stories, or how-to
incorporated essays,
sections in her writing.
explanations, stories, or
procedural passages into his
writing.
The writer wrote a beginning in
Mid- The writer hooked her readers by Mid- The writer wrote an introduction Mid- The writer wrote an
which he got readers ready to
level explaining why the subject
level in which he helped readers get level introduction in which she
learn a lot of information about
mattered, telling a surprising fact,
interested in and understand the
interested readers, perhaps
the subject.
or giving a big picture. She let
subject. He let readers know the
with a quote or significant
readers know that she would
subtopics that he would develop
fact. She may have included
teach them different things about
later as well as the sequence.
her own ideas about the
a subject.
topic. She let readers know
the subtopics that she would
develop later and how her
text would unfold.
The writer used words to show
Mid- The writer used words in each
Mid- When the writer wrote about
Mid- The writer used transition
sequence such as before, after,
level section that helped readers
level results, she used words and
level words to help his readers
then, and later. She also used
understand how one piece of
phrases such as consequently, as
understand how different bits
words to show what did not fit
information connected with
a result, and because of this.
of information and different
such as however and but.
others. If he wrote the section in
When she compared information,
parts of his writing fit
sequence, he used words and
she used phrases such as in
together. The writer used
phrases such as before, later, next,
contrast, by comparison, and
transitions such as for
then, and after. If he organized the
especially. In narrative parts, she
instance, in addition,
section in kinds or parts, he used
used phrases that go with stories
therefore, such as, because
words such as another, also, and
such as a little later and three
of, as a result, in contrast to,
for example.
hours later. If she wrote sections
unlike, despite, and on the
that stated an opinion, she used
other hand to help connect
words such as but the most
ideas, information, and
important reason, for example,
examples and to compare,
and consequently.
contrast, and imply
relationships.
The writer wrote an ending that Mid- The writer wrote an ending in
Mid- The writer wrote a conclusion in Mid- The writer wrote a conclusion
drew conclusions, asked
level which she reminded readers of her level which he restated the main
level in which she restated her
questions, or suggested ways
subject and may either have
points and may have offered a
important ideas and offered a
readers might respond.
suggested a follow-up action or
final thought or question for
final insight or implication for
left readers with a final insight.
readers to consider.
readers to consider.
She added her thoughts, feelings,
Organization Elaboration Craft
The writer grouped her
Mid-
information into parts. Each part level
was mostly about one thing that
connected to her big topic.
The writer wrote facts, definitions, Middetails, and observations about his level topic and explained some of them.
The writer chose expert words to Mid-
teach readers a lot about the
level
subject. She taught information in
a way to interest readers. She may
and questions about the subject at
the end.
The writer grouped information
Mid-
into sections and used paragraphs level
and sometimes chapters to
separate those sections. Each
section had information that was
mostly about the same thing. He
may have used headings and
subheadings.
DEVELOPMENT
The writer taught her readers
Mid-
different things about the subject. level
She chose those subtopics because
they were important and
interesting. The writer included
different kinds of facts and details
such as numbers, names, and
examples.
The writer got her information
from talking to people, reading
books, and from her own
knowledge and observations. The
writer made choices about
organization, perhaps using
compare/ contrast, cause/effect,
or pro/con. She may have used
diagrams, charts, headings, bold
words, and definition boxes to
help teach her readers.
The writer made deliberate word Mid-
choices to teach his readers. He
level
may have done this by using and
repeating key words about his
The writer organized her writing into a sequence of separate sections. She may have used headings and subheadings to highlight the separate sections. The writer wrote each section according to an organizational plan shaped partly by the genre of the section.
Mid- The writer used subheadings level and/ or clear introductory
transitions to separate his sections. The writer made deliberate choices about how to order sections and information within sections. He chose structures and text features to help emphasize key points. The writer used transitions, introductions, and topic sentences to pop out his main points. He wrote multiple paragraphs in some sections.
The writer explained different
Mid-
aspects of a subject. He included level
a variety of information such as
examples, details, dates, and
quotes. The writer used trusted
sources and gave credit when
appropriate. He made sure to
research any details that would
add to his writing.
The writer worked to make his
information understandable to
readers. To do this, he may have
referred to earlier parts of his
text and summarized background
information. He let readers know
when he was discussing facts and
when he was offering his own
thinking.
The writer made deliberate word Midchoices to have an effect on her level readers. She used the vocabulary of experts and explained key
The writer chose a focused subject, included a variety of information, and organized her points to best inform her readers. The writer used trusted sources and information from authorities on the topic and gave the sources credit for important excerpts in the text and in a bibliography. The writer worked to make her information understandable and interesting. To do this, she may have referred to earlier parts of her text, summarized background information, raised questions, and considered possible implications. The writer might have used different organizational structures within her piece including stories, essays, and how-to sections.
The writer chose his words carefully to explain his information and ideas and have an effect on his readers.
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