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[DOC File]1. INTRODUCTION
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A line-level signal is best, though it will also accept dynamic microphone or electric guitar. 3. Attach the AUDIO OUTPUT to an amplifier or mixing board's high-impedance. line-level input. A mono cable is OK. TS-21 produces a stereo signal at all . times--to hear the stereo signal, use a 3-wire (ring/tip/sleeve) ¼" cable to . go to a stereo ...
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[DOC File]TS-21 'Hellfire Modulator' owner's manual
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The incident area of the laser beam on the groove is only a fourth the contact area of the best stereo needle and twenty-six times smaller than a mono needle. True Analog Playback The laser beam travels to the wall of the groove and back. The reflection angle is transferred to the audio signal, meaning that the LT maintains analog sound through ...
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[DOC File]KWA 150 Power Amplifier
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For stereo mode move the shorting block to the top two pins (labeled STEREO) The aux preamp is set similarly, using the three-pin jumper block labeled J102, AUX, located just below J101, MAIN. Connecting a Single External Speaker to Each Output
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The Audiophiliac picks the best receivers and amplifiers - CNET
Be sure the microphone is designed to use at least 9 volts DC and has a 1/8” stereo phone plug. Plug the 1/8” stereo output cable from the preamp into your recorder or mixer’s LINE input. Turn the level control of the preamp all the way down (counter-clockwise) and turn the preamp …
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[DOC File]Ultra preamp build notes
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Stereo operation: Connect Left and Right XLR or RCA cables from preamp to Left and Right inputs on back panel of amp. Connect (+) and (-) Left and (+) and (-) Right speaker cables from binding posts on back of amplifier to speakers. Mono operation: The KWA 150 may also be operated as a mono amplifier, in bridged configuration.
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[DOC File]Instructions for
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The volume control is an in house designed and hand made stereo attenuator with silver contacts and 1/2 watt Audio Note™ tantalum resistors throughout. On the input side the M9 also offers some novelty in that, apart from the MM phono input, it has 3 line inputs one of which is a transformer coupled XLR balanced CD input, to allow for fully ...
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[DOC File]Instructions for - Sound Professionals
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If you are using the SP-PREAMP-4 with a microphone other than a Sound Professionals microphone, the procedure for its use is the same as noted above. Be sure the microphone is designed to use at least 9 volts DC and has a 1/8” stereo phone plug. Plug the stereo output cable from the preamp into your recorders LINE input.
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[DOC File]1. INTRODUCTION
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Each preamp is connected to its own stereo amp. In a typical configuration, the MAIN preamp and amp drive the MAIN speakers while the AUX preamp and amp are used to drive a pair of AUX speakers. The connections to the AUX speakers are made through the Expansion board on the back wall of the cabinet.
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[DOC File]The M9Phono pre-amplifier - WELLINGTON AUDIO
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The SMRs are the best I’ve tried and, in the context of this preamp as a whole, are a finely balanced implementation. They can sound a bit ‘grey’ in circumstances but in the context of the ‘Air Guitar-iste’ give a wonderfully tight, clear and open sound as other factors in the pre balance and compensate meaning the overall sound is ...
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Best stereo preamp